Book Review: A House with Good Bones by T. Kingfisher

Title: A House with Good Bones
Author: T. Kingfisher
Publisher: Tor Nightfire
Publication date: March 28, 2023
Length: 256 pages
Genre: Gothic horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.

“Mom seems off.”

Her brother’s words echo in Sam Montgomery’s ear as she turns onto the quiet North Carolina street where their mother lives alone.

She brushes the thought away as she climbs the front steps. Sam’s excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.

But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.

To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

I’ve never not loved any book I’ve read by T. Kingfisher… and having just finished A House with Good Bones, I can safely say that my record is intact!

Putting aside my overly convoluted wording, the bottom line is — A House with Good Bones is another fantastically creepy, highly readable book by an author who knows how to tell a great story!

There’s so much to love here. Southern Gothic vibe. Highly intelligent and rational main character (she has a Ph.D. in entomology!) thrust into a decidedly odd situation. Family secrets and a dark past. Childhood nightmares and memories that might not be what they seem. All of these ingredients, and more, woven into a tightly constructed, tense, yet weirdly enjoyable narrative with no wasted space or filler. No wonder I read this in a day!

Sam is a fabulous main character — smart, caring, and happy to talk about bugs at the drop of a hat. I mean, I wouldn’t necessarily want to eat dinner with her, but she’d be great fun to hang out with. When her fieldwork for her next research project gets postponed, she heads to North Carolina to spend a few months with her mother, and notices that her mom is just not herself. Gone are the brightly painted walls, cheerful artwork, and frank conversations. Suddenly, the house is 50 shades of ecru, a Confederacy-era painting is hanging over the mantelpiece, and they even say grace before meals.

We are not a family that says grace over food. Gran Mae always insisted on it, but Mom’s Christianity has generally been limited to a fondness for Jesus Christ Superstar.

Does mom have early onset dementia? Is she having some sort of breakdown? Nothing makes sense, and Sam is worried.

On top of these worries, Sam is also a bit freaked out by weird occurrences. Like, why is there a vulture perched on the mailbox every time she drives up to the house? And why are there no bugs in the garden? And what’s up with that weird photo she finds in the attic?

I’m clearly not going to give anything away, so let’s just say that answers are revealed, secrets unraveled, and creepy-scary weirdness becomes more and more dominant as the story progresses. It gets terrifying and also icky, yet it’s totally fascinating and impossible to look away from.

One of the things I love about T. Kingfisher’s books is that no matter how creepy things get, the writing is so much fun! There are tons of one-liners and quips I could share, but even in non-flashy asides, the tone of voice is delightful:

She is a genuinely kindhearted person and a champion worrier. If there was an Olympic sport for worrying, Mom would win the gold and then give it to the silver medalist because she was afraid that they might feel bad for losing.

A House with Great Bones is so gripping and so enjoyable. The ending is great, with a big dramatic climax, a satisfying resolution, and just a little hint of lingering menace keeping it from feeling too sunshine-y and neatly wrapped up. I would happily spend more time hanging out with Sam! Even though I was very creeped out at times, I had so much fun reading this book, and recommend it wholeheartedly.

Book Review: What Moves the Dead by T. Kingfisher

Title: What Moves the Dead
Author: T. Kingfisher
Publisher: Tor Nightfire
Publication date: July 12, 2022
Print length: 176 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe’s classic “The Fall of the House of Usher.”

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.

What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.

Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

I’m convinced that the coming apocalypse will be the work of killer fungi. There are certainly enough works of horror fiction to back me up! What Moves the Dead further cements my belief that fungi are the creepiest life form there is. Prove me wrong!

What Moves the Dead is a twisted retelling of Edgar Allan Poe’s The Fall of the House of Usher. As in the original, the main character is summoned to a dark, disturbing, decrepit mansion located on the shores of a dark, scary tarn (lake), where a childhood friend cares for his dying sister and seeks companionship and support in their looming disaster.

In What Moves the Dead, Poe’s unnamed narrator is replaced by Lieutenant Alex Easton, a retired “sworn” soldier from the country of Gallacia, who once served as Roderick Usher’s officer during wartime, and who even earlier was close friends with Madeline Usher. Alex is shocked and horrified at the sight of the siblings, who appear gaunt, withered, and years older than their actual age. Madeline truly does seem to be on the verge of death, and Roderick appears unwell himself. The entire house and surrounding countryside (and that darned tarn) seem menacing, perhaps even poisonous.

Alex arrives at the house to find an American doctor already in residence, whose brashness eventually gives way to common cause. Dr. Denton doesn’t quite know what’s ailing Madeline either, but she does appear to be on the point of death.

Alex also meets Eugenia Potter, an Englishwoman whose chief passion in life is mycology (and who fumes against the stupid men-only rule of the English scientific societies of the time). Alex, Denton, and Potter all share the belief that something is wrong, not just with the Ushers but with the natural world too. What’s up with all the strangely-behaving hares in the area?

This short work is delightfully, deliciously creepy! The house is moldy, there are awful looking mushrooms all over the grounds, and the lake is stagnant and gross and seems too terrible to want to be anywhere near. I’ve read enough creepy fungi horror stories to have a pretty good sense of where the story would end up, but it was so much fun getting there, and the author still managed to surprise me time after time with all the crazy, strange, awful details.

Beyond the horror plotline, other delights await. Alex’s background in Gallacia is too good to reveal in a review, but trust me when I say that the explanations of how the Gallacian language adapts gender and pronoun formations based not just on biology but also on station in life, age, and other factors is absolutely wonderful and so fascinating. I’d read a whole book just about that!

Miss Potter is a secondary character, but she’s lots of fun, as is the reveal of who her one of her family members is. (I’m not telling!)

When I requested a review copy of What Moves the Dead, it was based on (a) how much I’ve loved everything else I’ve read by this amazing author and (b) the gorgeously creepy cover (*shudder*). I hadn’t realized at the time that this book would be a retelling of The Fall of the House of Usher — I actually didn’t know that until I started What Moves the Dead and happened to finally read the Goodreads blurb.

At that point, I took a small detour to read Poe’s story, which isn’t very long (the edition I read was 36 pages). I’m glad I did. It gave me great context for What Moves the Dead, and made it really fun to compare and contrast the two versions of the story, especially the character portrayals, the explanations, and the outcomes.

Note: The Fall of the House of Usher is easy to find online at no cost! Here’s one resource, and there are free versions available for Kindle too.

What Moves the Dead is an excellent read, perhaps not for the squeamish — but if you enjoy creepy, understated horror, definitely check it out!

Shelf Control #259: Wayward Pines trilogy by Black Crouch

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

Book 1: Pines (2012; 303 pages)
Book 2: Wayward (2013; 298 pages)
Book 3: The Last Town (2014; 294 pages)

What it’s about (synopsis for Pines – via Goodreads):

Wayward Pines, Idaho, is quintessential small-town America–or so it seems. Secret Service agent Ethan Burke arrives in search of two missing federal agents, yet soon is facing much more than he bargained for. After a violent accident lands him in the hospital, Ethan comes to with no ID and no cell phone. The medical staff seems friendly enough, but sometimes feels…off. As days pass, Ethan’s investigation into his colleagues’ disappearance turns up more questions than answers

WHY CAN’T HE MAKE CONTACT WITH HIS FAMILY IN THE OUTSIDE WORLD? WHY DOESN’T ANYONE BELIEVE HE IS WHO HE SAYS HE IS? AND WHAT’S THE PURPOSE OF THE ELECTRIFIED FENCES ENCIRCLING THE TOWN? ARE THEY KEEPING THE RESIDENTS IN? OR SOMETHING ELSE OUT?

Each step toward the truth takes Ethan further from the world he knows, until he must face a horrifying fact—he may never get out of Wayward Pines alive…..

How and when I got it:

I grabbed the entire trilogy during a Kindle price drop a few years ago.

Why I want to read it:

I never watched the Wayward Pines series while it was on TV (two seasons) and was only vaguely aware of it, but after reading Blake Crouch’s fabulous Dark Matter in 2016, I knew I needed to read more by this author. The Wayward Pines books sound eerie and mysterious. What is going on in this town? Why is it cut off? I love how sinister (and potentially King-like) the plots sound, and I’ve really been looking forward to reading the books.

This could be another series to add to my goals list for 2021!

What do you think? Have you read these books or seen the TV adaptation?

Please share your thoughts!



__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!

Book Review: The Hollow Places by T. Kingfisher

Title: The Hollow Places
Author: T. Kingfisher
Publisher: Gallery/Saga Press
Publication date: October 6, 2020
Length: 352 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley

Rating: 4.5 out of 5.

A young woman discovers a strange portal in her uncle’s house, leading to madness and terror in this gripping new novel from the author of the “innovative, unexpected, and absolutely chilling” (Mira Grant, Nebula Award–winning author) The Twisted Ones.

Pray they are hungry.

Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

With her distinctive “delightfully fresh and subversive” (SF Bluestocking) prose and the strange, sinister wonder found in Guillermo del Toro’s Pan’s LabyrinthThe Hollow Places is another compelling and white-knuckled horror novel that you won’t be able to put down.

One word review: Creepy.

Five word review: Scary. Snarky. Weird. Nightmarish. Un-put-downable.

But let me expand a little…

In The Hollow Places, Kara (known as Carrot by her uncle and close friends) is recently divorced and without a place to live. Her uncle Earl runs a totally awesome-sounding small-town museum (Glory to God Museum of Natural Wonders, Curiosities and Taxidermy). It’s a mish-mosh place full of (yes) taxidermied animals, fossils, relics, weirdness, and whatever people choose to send him. Earl is a sweetheart of a man, a total believer in whatever strangeness he comes across, but also kind-hearted and accepting and unconditionally loving when it comes to Kara.

Earl invites Kara to come live in the spare room at the back of the museum and help him with cataloguing and inventory. With so many positive memories of her time with Earl during her childhood, Kara is happy to accept. The taxidermy in the museum feels like being surrounded by old friends (and does not creep her out in the slightest, like it would for me!).

When Earl has to leave for a few weeks to get knee surgery, that’s when the weirdness starts. One day, Kara discovers a hole in a section of the drywall, which she attributes to clumsy tourists. Enlisting the help of Simon, the friendly and slightly odd barista next door, she plans to repair the hole… until they look inside it and see not the expected boards and plaster, but a corridor.

And it’s a corridor that should be impossible. Kara knows the layout of the building perfectly, and there just isn’t room for a long hallway like this. Naturally, they decide to explore, and end up in a bunker that opens onto an island in a river… in another world.

The world they discover is immediately disconcerting. There are willow trees everywhere, and the river is filled with small humped islands that appear to all contain bunkers. The sand has weird funnel-shaped holes, and there’s something just completely otherworldly and alien about this place.

The more they explore, the more horrors they discover, and they soon realize that they may not be able to get back to their own world.

I won’t go into too much more detail about the terror of this willow world, or what happens next, but it’s SCARY AF and gave me nightmares, for real. And despite the nightmares, I loved this book.

T. Kingfisher’s writing is funny and snarky, even when the circumstances are creepy and horrible. I love how Kara looks at the world, and some of the descriptions are laugh-out-loud hilarious, even in the midst of the terror.

Kara is a freelance graphic designer, and her worldview is amazing. Even while dealing with her disillusionment over her failed marriage and her jerk of an ex, she’s funny:

Dammit, I can’t believe I spent so much of my life on a man who would unironically post the line “Today is a gift, that’s why we call it the present.” And in Papyrus, too.

Simon is really fun too, and I love how he throws himself into the adventure with Kara, even while reminding them both how bad an idea this could be.

Come on, let’s go back to the coffee shop and I’ll make us Irish coffees and we’ll discuss this like people who don’t die in the first five minutes of a horror movie.

Even as hideous danger looms, Kara is still Kara:

It sounded slow. If I got to my feet and grabbed my cane, I could hobble away, and then we could have the slowest chase scene ever.

I read a good portion of this book in the middle of the night when I couldn’t sleep, and that pretty much guaranteed that I’d never be able to sleep again! Well, at least not that night.

The writing and the pacing are terrific, and the plot is weird and terrifying. The willow world is baffling and yet horrible, and there are certain descriptions that made me feel that I would drop dead of complete and utter fright if I found myself in Kara’s place.

I would be remiss if I didn’t mention that besides the awesomeness of Kara, Simon, and Uncle Earl, and of course the museum itself, there’s also a Very Good Cat named Beau who is all sorts of amazing in the most cat-like ways possible. I’m guessing the author is an animal lover, because her previous book, The Twisted Ones, had a Very Good Dog as an important character. (Rest assured, Beau is just fine by the end of this book. Beau is a bad-ass.)

The Hollow Places is a crazy disturbing read, but I mean that in the best possible way. A perfect read for the creepy-reading month of October!

Book Review: Mexican Gothic by Silvia Moreno-Garcia

Title: Mexican Gothic
Author: Silvia Moreno-Garcia
Publisher: Del Rey
Publication date: June 30, 2020
Print length: 352 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

An isolated mansion. A chillingly charismatic artistocrat. And a brave socialite drawn to expose their treacherous secrets. . . .

From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico—“fans of classic novels like Jane Eyre and Rebecca are in for a suspenseful treat” (PopSugar).

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.

Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.

And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

This creepy, disturbing gothic novel lives up to all the rave reviews!

Mexican Gothic takes place in 1950s Mexico. We first meet Noemi Taboada coming home from a fancy party. She’s the pampered, pretty daughter of a wealthy family, at odds with her parents who want her to marry well (and soon), while what she really wants is to enroll in university to pursue a masters degree.

As the story starts, Noemi’s father shares with her a disturbing letter from her beloved older cousin Catalina. Catalina recently married a man she’d only known briefly and moved with him to his family’s isolated mountain estate. In her letter, Catalina seems to be rambling and incoherent, talking about hearing things in the walls and begging for help. Catalina’s husband explains her ravings away as a side effect of tuberculosis, and insists that she’s getting good medical care. But Mr. Taboada is worried enough that he decides to send Noemi as his ambassador to check up on Catalina’s well-being and nurse her back to health — or bring her back to Mexico City, if needed.

Noemi’s arrival at the Doyle estate is shocking. High up an isolated, treacherous mountain road, the mansion, High Place, is shambling and neglected, shrouded in mist and in a state of disrepair. Noemi is greeted by Florence, cousin to Catalina’s husband Virgil, a domineering, strict woman who asserts herself in charge not only of the house’s routines, but of Catalina’s care as well.

The house is dismal, and so are its occupants. There’s a no-talking rule at dinner, Noemi is forbidden from smoking, there’s no electricity and cool baths are encouraged, and the place is altogether repressive and awful. The only bright spot is Florence’s son Francis, a young man about Noemi’s age, who appears to be sympathetic and supportive, eager to help Noemi and keep her company.

Noemi’s visits with Catalina are severely restricted, and Catalina seems to be kept drugged most of the time. The doctor who sees her once a week doesn’t think anything is wrong, and the family is dismissive of Noemi’s prodding to call in a psychiatric specialist or to get another opinion.

I don’t want to say too much about the plot, because man, is it good! The atmosphere is grim and creepy in all the best ways. Strange insular family? Check. Decrepit old house? Check. Windows that don’t open and mold on the walls? Check and check.

Like in any good gothic novel, the setting is mysterious and threatening, and our brave heroine has no easy means of escape as she’s drawn further and further into the sick and twisted family secrets that have entrapped her cousin and now seem to be pulling her in as well.

And those secrets? Well, gross and disturbing and menacing don’t even quite encompass what’s going on in that terrible house. I love the growing sense of terror, the sickness at the heart of the family history, the interplay between these wealthy English landowners and the people of the surrounding areas, and the desperation that drives Noemi as she comes closer and closer to finally seeing the truth.

The moodiness of the book put me in mind of Wuthering Heights, Jane Eyre, and even Angels & Insects by A. S. Byatt. If you’re a fan of creaky old houses with terrible secrets, this book should be right up your alley. It’s not blood and guts horror exactly — more of the quietly creeping chill that turns into growing terror as more and more awful things happen.

Mexican Gothic is so well written, so dramatic and well-plotted. I loved it, even thought it completely creeped me out and kept me turning the pages in a non-stop anxious frenzy. I can’t wait to read more by this author!

Book Review: Laughter at the Academy by Seanan McGuire

Title: Laughter at the Academy
Author: Seanan McGuire
Publisher: Subterranean Press
Publication date: October 31, 2019
Length: 376 pages
Genre: Horror/fantasy (short story collection)
Source: Purchased
Rating:

Rating: 5 out of 5.

From fairy tale forest to gloomy gothic moor, from gleaming epidemiologist’s lab to the sandy shores of Neverland, Seanan McGuire’s short fiction has been surprising, delighting, confusing, and transporting her readers since 2009. Now, for the first time, that fiction has been gathered together in one place, ready to be enjoyed one twisting, tangled tale at a time. Her work crosses genres and subverts expectations.

Meet the mad scientists of “Laughter at the Academy” and “The Tolling of Pavlov’s Bells.” Glory in the potential of a Halloween that never ends. Follow two very different alphabets in “Frontier ABCs” and “From A to Z in the Book of Changes.” Get “Lost,” dress yourself “In Skeleton Leaves,” and remember how to fly. All this and more is waiting for you within the pages of this decade-spanning collection, including several pieces that have never before been reprinted. Stories about mermaids, robots, dolls, and Deep Ones are all here, ready for you to dive in.

This is a box of strange surprises dredged up from the depths of the sea, each one polished and prepared for your enjoyment. So take a chance, and allow yourself to be surprised.

There are two things I think I’ve established by now over the course of many years of writing book reviews: 1 – I love Seanan McGuire. 2 – I’m not a big fan of short stories.

So when Seanan McGuire releases a collection of stories, what’s a fan to do? Buy it immediately, then stick it on the shelf and delay, delay, delay…

Well, I’m here to say I’m an idiot. Because OF COURSE I ended up loving this book once I finally sat myself down and gave it a try. It’s Seanan McGuire! What’s not to love?

This collection brings together stories from 2009 through 2017, and as the author makes clear in her introduction, all stories take place outside of her “pre-existing universes” — so you won’t find October Daye or the Incryptid’s Price family members anywhere in these pages. All stories appeared in other publications and anthologies over the years, and it’s a treat to have so many available in one glorious collection.

Quick aside: I purchased the pretty hardcover special edition from Subterranean Press as a splurge, but it’s also available in e-book format for a much more reasonable price.

These 22 stories cover a wide range of themes, topics, and tones. Some are funny, some are sad, some are terrifying, and some are just downright creepy. Absolutely none are boring or skippable! One of the things I loved about this book was the mix — from story to story, it’s always something new, and so many surprises!

I’ll share just a few highlights about my favorites of the bunch:

The title story, “Laughter at the Academy”, is all sorts of awesome about mad scientists and a condition called “Schizotypal Creative Genius Personality Disorder”. It’s brutal and fun and, well, mad.

“Lost” is creepy and disturbing and sad, as is any story about children all over the world acting strangely at the same time. It made me think of Torchwood and Childhood’s End, although it isn’t really much like either one.

Seanan McGuire is excellent at unleashing hell on the world, so a story about viruses ravaging humankind is scary and perhaps too timely right now, but I loved “The Tolling of Pavlov’s Bells” all the same. Super frightening. And prescient — this is from her introduction to the story:

I also believe that the modern world’s disdain for quarantine and willingness to support structures which encourage its violation is going to do a great deal of damage one day… and that with the new diseases emerging regularly from a variety of sources, that day may not be particularly far in the future.

And as the story itself describes:

If they were to stay home, avoid the company of strangers, and wait for a vaccine, they might stand a chance. But no one listens to the doctors, or to the newspaper headlines begging them to stay indoors.

One of the coolest stories in the collection — so weird and unexpected — is “Uncle Sam”. Ever wonder why women go to the bathroom together? Read this and find out.

There’s also a story about Valkyries, a western sci-fi story…

Cherry’s first to the cattle call, her guns low and easy on her hips, her hair braided like an admonition against untidiness.

… military mermaids, a steampunk invasion of carnivorous plant-based aliens…

“A… diplomat?” Arthur blinked at me as our carriage rattled to a stop, presumably in front of our destination. “But the first thing you did was eat my sister’s maid.”

… a Peter Pan story, a Twitter-based ghost story, more end-of-the-world/end-of-humankind scenarios, a GoFundMe for bringing on eternal Halloween…

… and the story that’s given me nightmares ever since, “We Are All Misfit Toys in the Aftermath of the Velveteen War”. There are dolls. And they’re scary as hell. This is creepy and brilliant, and if I ever get over my first reading of this story, I’ll come back and read it again!

Seanan McGuire’s writing is as amazing as always, and this collection shows her range and ability to try on any genre or style and make it work.

Obviously, I loved this book, and I’m so glad I got over my reluctance to read short story collections. Laughter at the Academy is a must-read for Seanan McGuire fans, but you don’t have to have previous experience with her work to appreciate the funny, scary, and strange worlds presented here.

Book Review: If It Bleeds by Stephen King

Title: If It Bleeds
Author: Stephen King
Publisher: Scribner
Publication date: April 21, 2020
Length: 447 pages
Genre: Horror
Source: Library
Rating:

Rating: 5 out of 5.

From #1 New York Times bestselling author, legendary storyteller, and master of short fiction Stephen King comes an extraordinary collection of four new and compelling novellas —Mr. Harrigan’s Phone, The Life of Chuck, Rat, and the title story If It Bleeds— each pulling readers into intriguing and frightening places.

A collection of four uniquely wonderful long stories, including a stand-alone sequel to the No. 1 bestseller The Outsider.

News people have a saying: ‘If it bleeds, it leads’. And a bomb at Albert Macready Middle School is guaranteed to lead any bulletin.

Holly Gibney of the Finders Keepers detective agency is working on the case of a missing dog – and on her own need to be more assertive – when she sees the footage on TV. But when she tunes in again, to the late-night report, she realizes there is something not quite right about the correspondent who was first on the scene. So begins ‘If It Bleeds’ , a stand-alone sequel to the No. 1 bestselling The Outsider featuring the incomparable Holly on her first solo case – and also the riveting title story in Stephen King’s brilliant new collection.

Dancing alongside are three more wonderful long stories from this ‘formidably versatile author’ (The Sunday Times) – ‘Mr Harrigan’s Phone’, ‘The Life of Chuck’ and ‘Rat’ . All four display the richness of King’s storytelling with grace, humor, horror and breathtaking suspense. A fascinating Author’s Note gives us a wonderful insight into the origin of each story and the writer’s unparalleled imagination.

The novella is a form King has returned to over and over again in the course of his amazing career, and many have been made into iconic films, If It Bleeds is a uniquely satisfying collection of longer short fiction by an incomparably gifted writer.

Call me crazy, but Stephen King books are my version of comfort food. When I need distraction from the drama of daily life, I know I can sink into a King book and get carried away from everything weighing me down.

So getting a library e-book download of If It Bleeds this week was just perfect timing! Also very surprising, as I’d expected to be on the hold list for months… so thank you, San Francisco Public Library!

I approached If It Bleeds a little hesitantly, as short stories are really not my thing. Still, there was the book, just waiting for me on my Kindle, so how could I resist?

I’m so glad I dove right in! If It Bleeds consists of four novella-length stories, all unrelated, and all very different in content and tone. And each was a treat!

The story that garnered the most pre-publication buzz is the title story, If It Bleeds (which appears 3rd in this collection). If It Bleeds stars Holly Gibney, whom even Stephen King refers to as a favorite character! Holly was first introduced in the Bill Hodges trilogy, and then was a key character in The Outsider (the adaptation of which aired on HBO recently).

Here, Holly is the lead in her own story. She is horrified by news of a terrible mass murder by bombing at an elementary school — and then is hooked by a discrepancy she notices in the appearance of the local newscaster who was first on the scene. Holly is never one to let go of details, and as she investigates, she becomes personally involved in tracking down and stopping a monster.

It’s a good story, very suspenseful, although I’m not sure how much sense it’ll make to someone not familiar with The Outsider. It’s not an exact sequel, but the earlier novel definitely informs the way Holly’s case unfolds and what she knows.

As for the other stories… well, I loved them!

In order of preference, my least favorite would be the final story in the book — although don’t get me wrong, I still really liked it! Rat is the story of a writer who’s never been able to finish a novel, although he has published some highly regarded short stories and is an English professor. When a new story idea appears to him, he’s sure it’s his novel at last, and decides to retreat to his family’s remote backwoods cabin to work on it in isolation before the inspiration disappears.

Rat is an interesting look at creativity, the writing process, a writer’s fear, and the superstitions and bargaining that may accompany a fickle gift. Stephen King does love to feature writers as main characters, and then put them in dangerous, awful situations. Is the writer here really experiencing the disturbing things he thinks are happening, or is he losing his grip on his sanity? Read the story and decide!

Mr. Harrigan’s Phone is the first story in the collection, and feels like classic Stephen King. It combines his patented nostalgic look back at childhood with a small-town setting, the loss of loved ones, and a piece of technology that changes everything. It’s a story about growing up and saying good-bye, but also just a good, spooky, odd ghost story. Very cool.

Finally, the 2nd story in the book, which was my favorite of the bunch. The Life of Chuck is weird and wonderful, and I adored it. Told in three sections that move backward chronologically, this story is surprising and captivating, and strangely moving too. I don’t want to give away a single thing about it! Definitely check it out!

All in all, a terrific collection! As I mentioned, I don’t typically seek out story collections, even from my favorite authors, so I’m really grateful that I happened to be able to get this from the library.

And true confession time: I loved it so much that I ended up using an Amazon gift card to treat myself to my very own hard copy!

If It Bleeds is a great addition to Stephen King’s huge body of work. If you thought he might possibly run out of original stories to tell… this book shows that that’s not at all likely to happen. A must-read for King fans!

Book Review: The Twisted Ones by T. Kingfisher

Title: The Twisted Ones
Author: T. Kingfisher
Publisher: Gallery / Saga Press
Publication date: October 1, 2019
Length: 400 pages
Genre: Horror
Source: Purchased
Rating:

Rating: 3.5 out of 5.

When a young woman clears out her deceased grandmother’s home in rural North Carolina, she finds long-hidden secrets about a strange colony of beings in the woods.

When Mouse’s dad asks her to clean out her dead grandmother’s house, she says yes. After all, how bad could it be?

Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself.

Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale.

The set-up of The Twisted Ones hooked me from the start. Freelance editor Mouse heads off to her dead grandmother’s isolated home to prepare it for sale, but upon arrival, discovers it’s stuffed to the rafters with newspapers, coat hangers, clothing, and all sorts of useless junk. If it were me, I probably would have made a run for it at soon as I pushed open the front door and saw the mess waiting inside, but Mouse decides to stick it out. After all, she can work anywhere, and her father has offered to split the sale proceeds with her when it’s all done.

Accompanied by her beloved but not entirely bright coonhound Bongo, Mouse gets to work. When she discovers an old journal kept by her long deceased stepgrandfather, things get weird. Mouse was well aware that her grandmother was a hateful, mean woman who was universally despised, but through the diary, she learns even more about her cruelty. What’s more, she also sees hints of madness or dementia through her grandfather’s writings, particularly through his repetition of lines that seem to have become a sort of mantra for him:

I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones…

When Mouse and Bongo accidentally find an impossible hilltop through the woods in the backyard — when there aren’t actually any such hills in the area — things get weirder. Strangely carved stones and menacing trees are clear indications that things are not normal. As Mouse encounters more and more oddities, the woods near her grandmother’s house and the things they contain become even more menacing.

This was a terrifically creepy read. One ray of sunshine to note up front: As my friend who recommended this book pointed out, Mouse opens the first chapter with Bongo by her side as she looks back on the events she’s about to describe. So, for those who might enter in fear of something awful happening to a very good dog, rest assured, Bongo will be fine! Somehow, this seems important to know from the get-go.

I really enjoyed Mouse’s narrative voice. She’s plainspoken, but not without a sense of humor. As she recounts the events that occurred, she recognizes that most people would assume she’s lost touch with reality, but she feel compelled to tell the story anyway.

I am going to try to start at the beginning, even though I know you won’t believe me.

It’s okay. I wouldn’t believe me either. Everything I have to say sounds completely barking mad. I’ve run it through my mind over and over, trying to find a way to turn it around so that it all sounds quite normal and sensible, and of course there isn’t one.

As the story progresses, I found myself telling Mouse to get in her truck and drive away as quickly as possible, which really would have been the smart thing to do. When she finally decides to do just that, there’s a very good reason why she doesn’t, and the big showdown at the end practically begs to be made into a horror movie (that is sure to keep viewers from ever getting a good night’s sleep again, especially if they’re attempting to sleep in a cabin in the woods).

Something about the answers to the book’s mysteries didn’t quite feel as monumental to me as I expected, which is why I only went with 3.5 stars. Still, it’s a terrific, engrossing read that provides plenty of creepy, scary atmosphere and plenty of reason to be afraid of the woods, the dark, the woods in the dark, and anything that comes tapping at your door.

Book Review: The Institute by Stephen King

From #1 New York Times bestselling author Stephen King, the most riveting and unforgettable story of kids confronting evil since It—publishing just as the second part of It, the movie, lands in theaters.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”

In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.

As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King’s gut-wrenchingly dramatic story of good vs. evil in a world where the good guys don’t always win.

When it comes to crafting stories about kids in creepy peril, Stephen King is… well… king.

The Institute doesn’t start the way you think it will — no mention of main character Luke or the Institute itself for about 50 pages. Instead, we meet Tim Jamieson, an ex-cop from Florida who sets out hitchhiking without a whole lot of purpose and winds up in a small town in South Carolina, where he joins the local sheriff’s department as a night knocker, sort of an unarmed watchman position. Eventually, Tim feels like he’s possibly, finally found a home and a new meaning for his life in this little town.

And that’s the last we see of Tim for a few hundred pages.

The main focus of the story is introduced when we meet Luke, a brilliant 12-year-old about to start MIT, whose incredible mental abilities come with a side of very mild telekinetic power. It’s his telekinetics, rather than his brain power, that make him a target for the Institute and land him in this isolated facility in Maine. The children at the Institute are put through a barrage of shots and sinister tests, all designed to enhance their TP (telepathy) and (TK) telekinesis. During their free time, the kids can hang out, basically keep whatever hours they choose, and do whatever they want, including drinking and smoking. In fact, drinking and smoking are encouraged, since the kids earn vending machine tokens through good behavior, and an addiction is a marvelous motivation to keep earning those tokens.

The purpose of the Institute is slowly revealed, but long before we learn why they’re doing what they’re doing, we know enough to know it’s bad. The treatment of the kids is horrific. They’re subjected to physical and emotional torture and abuse, and there’s very little concern about whether the kids are actually healthy, so long as their TP and TK abilities are honed and developed.

I’m not going to go too far into plot here — as with most Stephen King books, it’s best to just read it and put the pieces together as you go along.

So is The Institute a must-read? Well, for King fans, absolutely. It’s not skin-crawling horror like his recent book The Outsider, but it is still chilling and disturbing and creepy. That said, the book is a bit long, and takes a while to really get going. It took me two false starts before I really got into it, hitting stumbling blocks with the sudden transition from a story about an adult in South Carolina to the main story about the kidnapped children. Ultimately, it comes together and the story really works, but I think there are places where the action could have moved forward a little more quickly.

If you enjoy King’s writing, you’ll enjoy The Institute. As for me, as I always love when Stephen King references himself (and with over 60 novels in print, he has a lot of source material to choose from!). Here’s one example from The Institute that made me happy:

Back in the main corridor — what Luke now understood to be the residents’ wing — the little girls, Gerda and Greta, were standing and watching with wide, frightened eyes. They were holding hands and clutching dolls as identical as they were. They reminded Luke of twins in some old horror movie.

Good stuff.

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The details:

Title: The Institute
Author: Stephen King
Publisher: Scribner
Publication date: September 10, 2019
Length: 561 pages
Genre: Horror
Source: Purchased

Take A Peek Book Review: Inspection by Josh Malerman

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

 

Synopsis:

(via Goodreads)

J is a student at a school deep in a forest far away from the rest of the world.

J is one of only twenty-six students, all of whom think of the school’s enigmatic founder as their father. J’s peers are the only family he has ever had. The students are being trained to be prodigies of art, science, and athletics, and their life at the school is all they know—and all they are allowed to know.

But J suspects that there is something out there, beyond the pines, that the founder does not want him to see, and he’s beginning to ask questions. What is the real purpose of this place? Why can the students never leave? And what secrets is their father hiding from them?

Meanwhile, on the other side of the forest, in a school very much like J’s, a girl named K is asking the same questions. J has never seen a girl, and K has never seen a boy. As K and J work to investigate the secrets of their two strange schools, they come to discover something even more mysterious: each other.

My Thoughts:

Okay, wow, this book is weird. At first, I even thought it might be TOO weird for me, which is rather hard for a book to achieve. But eventually, I got sucked in by the weirdness and became completely hooked on the story.

So, deep in a remote forest, a group of 26 boys — the Alphabet Boys — have been raised from birth through age 12 in an all-male environment, never even knowing that females exist. It’s all part of a grand experiment by the man they call D.A.D., attempting to prove that without the distraction of the opposite sex, true genius is possible. Crazy, right?

“Ever wonder how you came into being?”

“No,” J said. “We come from the Orchard. The Living Trees.”

The boys are subject to daily Inspections, which they think is a test to see if they’ve been infected with imaginary diseases (such at Vees and Rotts) that they believe are real. The most horrible outcome is for a boy to be declared “spoiled rotten”, which leads to being sent to the Corner — and boys who go to the Corner do not come back. In reality, the Inspections are a way for D.A.D. and the Inspectors to monitor the boys’ every thought and action, alert to hints that they might have stumbled across some sign of the dreaded female. Words like girl, woman, she, and her have no meaning for the Alphabet Boys.

Meanwhile across the forest, a mirror image tower full of girls — the Letter Girls — is engaged in the exact same experiment in reverse. It’s so insane. Eventually, of course, the boys and girls have first contact behind the adults’ backs, and from there, the carefully orchestrated life in the towers spirals quickly out of control.

I ended up fascinating by this story. After somewhat ambivalent feelings early on, I got very caught up. The story really takes off once the girls are introduced at about the halfway point. The ending really went to some wild places. Whoa.

I won’t say more or give anything else away, although I may go comment in a spoiler-y way in my Goodreads review. I really have no idea how to categorize this book. It’s not sci-fi exactly. It’s not futuristic or dystopian — it’s clearly set in our world, just in a remote location controlled by some loony people. It’s a little bit horror in some ways, and has some psychological terror/thriller elements, and quick a bit of mind-fuckery. So yeah, I don’t quite know what to call this book — but I do know that I had a great time reading it!

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The details:

Title: Inspection
Author: Josh Malerman
Publisher: Del Rey
Publication date: March 19, 2019
Length: 400 pages
Genre: I actually have no idea how to categorize this…
Source: Review copy courtesy of the publisher via NetGalley

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