Book Review: A Twist of Fate (A Stitch in Time, #2) by Kelley Armstrong

Title: A Twist of Fate
Series: A Stitch in Time, #2
Author: Kelley Armstrong
Publisher: Subterranean Press
Publication date: October 5, 2021
Length: 288 pages
Genre: Time slip/ghost story
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Four years ago, Rosalind Courtenay stumbled from the nineteenth century to the twenty-first, where she has been trapped ever since, leaving her husband and infant son behind. Now she’s found her way back.

The problem, of course, is how to explain her absence to her husband. Does he think she abandoned him? Has he remarried? Is he happy in a new life? Rosalind decides to don a disguise in hopes of answering her questions before showing up on his doorstep. Instead, a twist of fate has her mistaken for her young son’s new governess.

Rosalind has every intention of revealing herself as soon as August returns home from business. Until then, she’ll get to know her son, a quiet child who has inexplicably been abandoned by an endless stream of governesses. That’s when the hauntings begin. Rosalind has finally come home and something—or someone—doesn’t just want her gone. They want her dead.

I adored A Stitch in Time, the story of a 21st century woman who passes through a time stitch and lands two centuries in the past, where she reunites with the man who was once her secret childhood companion. In A Stitch in Time, we learn that William’s best friend’s wife is believed dead, after she set out riding one night and never returned. Her horse was found dead in the sea below a cliff — clearly, Rosalind had a tragic accident and fell to her death. But August has never accepted this as fact; despite the years that have passed, he’s convinced that she left him and their infant son.

In A Twist of Fate, we get Rosalind’s story, and it’s immediately captivating. Yes, Rosalind went out riding in the middle of the night, to retrieve the wedding ring she’d accidentally left behind in the kitchen of Thorne Manor. But hearing a strange noise from an upstairs room, in what was supposedly an unoccupied house, Rosalind ventures up to investigate, and falls through the time slip. Shocked and scared once she figures out what’s happened, she tries desperately to get back, but the portal seems to have closed. Alone in a strange world, Rosalind has no choice but to figure out how to get by, but she returns month after month to Thorne Manor to see if the way back has finally opened for her.

After four years and a chance encounter with William and Bronwyn in the 21st century, Rosalind realizes that her opportunity may finally have come — and it has. She manages the time passage, and is determined to get to her husband and son as quickly as possible.

On reaching August’s family’s country home, Rosalind is mistaken for the expected new governess. Learning that her husband is away on business, she takes this opportunity to spend time with her son and discover what she can about their lives, intending to tell August the truth as soon as he arrives. But complications arise, and Rosalind’s opportunity to reveal herself is delayed over and over again. Meanwhile, she spends time with her beloved boy Edmund, treasuring every precious moment, but fearing that she may be sent away (or sent to an asylum) if she can’t convince people of her true identity.

At the same time, Courtenay House appears to be haunted, and although Rosalind believes there is a ghost present, she doesn’t believe that the malicious tricks and nighttime scares she experiences are supernatural in origin. There’s a dangerous presence in the house, and it’s very much human in nature.

A Twist of Fate is an utterly engaging and absorbing story. Rosalind’s experiences are quite different that Bronwyn’s — she’s trapped in a strange world, separated from her husband and child, and although she manages to create a sort-of life for herself in the 21st century, she never stops aching for home. A true Victorian woman, Rosalind is also an independent individual, and so it’s quite fun to see her return back to her own time with some new-fangled ideas about motherhood, marriage, raising children, and women’s roles.

She and August truly love one another, but theirs was a marriage plagued by his irrational jealousy before her disappearance. I love that the author doesn’t reunite the two and magically erase all the prior troubles. Yes, they ultimately get a wonderfully romantic second chance at love, but they also have some hard conversations about their shared past, what went wrong, and what needs to change.

The mystery at the heart of the story — who is the ghost? who is the real threat? — is very well done, and had me guessing throughout. The unraveling of secrets and the revelations related to the mystery plotline are surprising and twisty, but fit together perfectly.

I loved seeing Rosalind’s time with Edmund, finding a way to care for and love her son even before he knows who she really is. They have a beautiful relationship, and it was also heartwarming to see what a loving father August became in Rosalind’s absence, definitely breaking with the time period’s societal norms regarding a father’s involvement in his child’s life.

I thoroughly enjoyed A Twist of Fate, and strongly recommend the series as a whole! There are two more novels (which I will absolutely read as soon as I can), and some Christmas-themed novellas that fit in between the main novels.

In fact, immediately upon finishing A Twist of Fate, I started the August and Rosalind novella, Snowstorms and Sleighbells, and will look forward to carrying on with the series. If you enjoy timeslip stories, lovely love stories, and a good mystery, then you must check out the Stitch in Time books.

Next in the series:

Book Review: The House on Tradd Street by Karen White

Title: The House on Tradd Street
Author: Karen White
Narrator: Aimée Bruneau
Publisher: Berkley
Publication date: 2008
Print length: 329 pages
Audio length: 13 hours, 10 minute
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 3 out of 5.

Practical Melanie Middleton hates to admit she can see ghosts. But she’s going to have to accept it. An old man she recently met has died, leaving her his historic Tradd Street home, complete with housekeeper, dog, and a family of ghosts anxious to tell her their secrets.

Enter Jack Trenholm, a gorgeous writer obsessed with unsolved mysteries. He has reason to believe that diamonds from the Confederate Treasury are hidden in the house. So he turns the charm on with Melanie, only to discover he’s the smitten one…

It turns out Jack’s search has caught the attention of a malevolent ghost. Now, Jack and Melanie must unravel a mystery of passion, heartbreak, and even murder.

This contemporary novel might not have been an obvious choice for me, but since it was my book group’s pick for May, I felt compelled to give it a try. And while it held my attention, there were a few too many eye-rolling moments for me to feel that it was anything more than just an okay read.

In The House on Tradd Street, main character Melanie is a realtor who specializes in Charleston’s historical homes, although she secretly hates them with a passion. She may tell herself it’s because they’re all money pits, but in reality, as a woman who’s spent her whole life seeing and hearing ghosts, these old homes are just too fraught with supernatural encounters for her to ever be able to appreciate them.

As the book opens, a man she thinks is a potential seller ends up leaving her his beautiful but utterly decrepit home, as well a letter imploring her to find out the truth about his mother’s disappearance over 70 years earlier. The local gossip would have it that she ran off with another man, but her son never believed the story, and his dying wish is for his mother’s reputation to be cleared.

To complicate matters, a bestselling author who specializes in historical mysteries asks to partner with Melanie, offering to assist with the house restoration project in exchange for access to the house’s attic and stashes of old records. Stuck with an unwanted house and ghosts who don’t want to leave her alone, Melanie reluctantly agrees.

There are multiple mysteries to solve — what really happened to Louisa Vanderhorst? Are there really diamonds hidden somewhere in the house? What does the menacing spirit that haunts the house want from Melanie? And who will she choose in the evolving love triangle?

Sorry, that one’s not actually a mystery… it’s obvious from the start which way the love story piece of the plot is going. As is so much else of the novel, unfortunately.

The answer to Louisa’s disappearance is pretty clear from the get-go, with only the details needing to be spelled out. The writing makes it fairly obvious early on that the commonly accepted explanation isn’t the true answer. It’s amazing to me that anyone buys it, and it certainly takes Melanie long enough to clue into the truth.

I was caught up enough in the story to just go with it most of the time, and the investigation into the house’s mysteries includes some clever clues and interesting answers. Overall, though, the plot is on the hokey/cheesy side, and the book — written in 2008 — hasn’t aged particularly well.

Some of the datedness probably can’t be helped. If an author is going to include references to technology in a novel, chances are that it’ll feel out of date within a few years. Here, between mentioning her IPod and Blackberry and hanging up a call by “closing” her cell phone, as well as the office secretary handing Melanie a stack of message slips, it’s clear that the characters are not living in the same tech world as we are. Again, that’s not usually a problem for me, but maybe because these kind of things happen a lot in this book, it was distracting.

More problematic are some of the social/interpersonal descriptions that are not only dated, but also highly cringe-worthy. Jack, the main love interest, is such an alpha male, asserting his dominance in all sorts of irritating ways, including insisting on using a nickname for Melanie despite being asked repeatedly not too. I think his arrogance is supposed to make him sexy and roguish, but to me, he just comes off as an ass.

There’s also an awful moment where the main character mentions that she’s going to donate some of the proceeds of her inheritance to the Daughters of the Confederacy (because — spoiler!! — the diamonds were originally from Jefferson Davis, and his intent was apparently to use them to support war widows and orphans). I’m sorry, but I don’t care what the intent was… supporting anything connected to the Confederacy just is not a good look. Ick.

On top of this, Melanie is a bad friend. Her best friend is a historical preservation professor at the College of Charleston (convenient!), but in every single scene with her, Melanie thinks about how terribly she dresses or disparages her in other ways. It’s awful. Ick again.

As I said, this was mostly a quick read, and it held my attention — but the annoying and/or problematic and/or predictable aspects of the story keep this from being a great reading experience. There are more books in the series (presumably more stories about haunted houses), but I don’t intend to continue.

Book Review: A Stitch in Time by Kelley Armstrong

Title: A Stitch in Time
Author: Kelley Armstrong
Publisher: Subterranean Press
Publication date: October 31, 2020
Length: 336 pages
Genre: Time slip/ghost story
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Thorne Manor has always been haunted…and it has always haunted Bronwyn Dale. As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination.

Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting.

William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago.

As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past. 

Who doesn’t love a good time-slip/haunted house/ghost story romance? I was ready to love this book from page 1.

At age 38, Bronwyn is an established history professor, a widow of eight years, and the new owner of Thorne Manor, the Yorkshire estate she’s just inherited from her great-aunt. Some of her happiest memories are from her summers at Thorne Manor, but also, some of her worst.

As a small child, Bronwyn finds a time slip, allowing her to travel back in time 200 years to play with William, a boy her age who lives in the house. At age five, her family chalks up her William experiences to having an imaginary friend. After an absence of ten years due to her parents’ divorce, Bronwyn returns at age 15, and once again slips back and forth in time. This time around, William is also 15, and their friendship begins to blossom into love. But a family tragedy occurs in Bronwyn’s time, and she leaves Thorne Manor, seemingly for good.

As the story opens, adult Bronwyn arrives back at the manor once more. She’s convinced herself that her time with William wasn’t real, so she’s startled by a vivid dream where she wakes up in his bed. Soon, she realizes that the time slips are real after all, and she is able to reconnect with William, who is now an adult as well.

William at first is angry and tries to send her away, believing she abandoned him all those years ago. As they spend time together, he’s able to understand why she disappeared from his life, and their reunion quickly becomes passionate as they fall back into the love that started so many years earlier.

There are complications. Bronwyn, in her own time, sees ghosts. She encounters three very distinct ghosts, and all seem to have messages for her. Are they trying to warn her or scare her away?

In William’s time, she learns that he’s retreated to his country home in part because of scandal and rumors. His younger sister has disappeared, his best friend’s wife has disappeared and is presumed dead, and his former fiancée is missing as well. Gossip depicts William as a murderous mad lord, luring victims to their death on the moors. Can any of this be true? Bronwyn doesn’t believe William is capable of murder, but clearly, someone killed the people who haunt her own time, and she’s determined to learn the truth and free the spirits of the dead.

Ah, what a fun, captivating read! Yes, a big suspension of disbelief is required, but that’s to be expected in a novel where the main plot hinges on slipping through time.

I loved that Bronwyn is a mature, professional woman with a clear head on her shoulders. She’s smart and reasonable, and has also suffered in her life. She understands love and loss, and while William was her first love, he wasn’t her only love. It’s also pretty cool to see her enjoy her time in William’s world not just as a romantic interlude, but as an amazing experience as an historian, learning all she can about daily life in that era from first-hand experience.

The mystery is really well constructed and kept me guessing. The author does such a skillful job of sprinkling clues and red herrings that my suspicions really were all over the place, and I definitely went down the wrong path in my mind. I was pleased with the resolution and how well the answers fit together with what we’d learned about the various characters.

William and Bronwyn have great chemistry and mutual respect. I love that even when they’re trying to figure out what a future together might look like, Bronwyn never considers giving up her own world to live in his. She values her career, her independence, and her friends and family — she’ll spend as much time with William as she can, but she won’t make him her entire world. And to his credit, he doesn’t ask that of her.

I did find the time-slipping a little too easy. Bronwyn can basically slip back and forth at will, so that it starts to feel practically ordinary. If William has a busy day ahead, she’ll plan to pop back home to take care of her kitten and return for dinner. It starts to sound as if she’s just going down the road, rather than jumping back and forth across centuries.

Also, I had to laugh that Bronwyn has her smartphone with her when she time-slips, and that William just accepts that she can take photos and play music with her bizarre little device. And, the fact that William has apparently added to his fortune by investing based on what he learned about the future from 15-year-old Bronwyn… ummm, okay.

Still, I will freely admit that my secretly-a-sucker-for-a-good-romance heart really enjoyed the love story, and I got very caught up in the ghosts and murder mystery too.

A Stitch in Time is, plain and simple, a sweep-you-up kind of romantic tale, with great gothic elements to make it so much more.

I’ve never read any books by this author before now, but I understand that she’s a prolific urban fantasy writer and that A Stitch in Time was a big departure for her. Well done! Goodreads lists this book as the first of two, which confuses me a little because the story has a very satisfactory ending.

Still, if the story of Thorne Manor, William and Bronwyn, and time slips continues? I’ll be there for it.

Book Review: The Remaking by Clay McLeod Chapman

Title: The Remaking
Author: Clay McLeod Chapman
Publisher: Quirk
Publication date: October 8, 2019 (paperback publication 9/15/2020)
Length: 320 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Inspired by a true story, this supernatural thriller for fans of horror and true crime follows a tale as it evolves every twenty years—with terrifying results.

Ella Louise has lived in the woods surrounding Pilot’s Creek, Virginia, for nearly a decade. Publicly, she and her daughter Jessica are shunned by their upper-crust family and the Pilot’s Creek residents. Privately, desperate townspeople visit her apothecary for a cure to what ails them—until Ella Louise is blamed for the death of a prominent customer. Accused of witchcraft, both mother and daughter are burned at the stake in the middle of the night. Ella Louise’s burial site is never found, but the little girl has the most famous grave in the South: a steel-reinforced coffin surrounded by a fence of interconnected white crosses.

Their story will take the shape of an urban legend as it’s told around a campfire by a man forever marked by his boyhood encounters with Jessica. Decades later, a boy at that campfire will cast Amber Pendleton as Jessica in a ’70s horror movie inspired by the Witch Girl of Pilot’s Creek. Amber’s experiences on that set and its meta-remake in the ’90s will ripple through pop culture, ruining her life and career after she becomes the target of a witch hunt. Amber’s best chance to break the cycle of horror comes when a true-crime investigator tracks her down to interview her for his popular podcast. But will this final act of storytelling redeem her—or will it bring the story full circle, ready to be told once again? And again. And again…

Are you ready for a ghost story? How about a ghost story within a ghost story within a ghost story?

Welcome to the weird and chilling world of The Remaking, now out in paperback, in which an urban legend refuses to die, no matter how many times the story is retold.

In 1931 in the lumber-rich town of Pilot’s Creek, Virginia, a mother and her nine-year-old daughter are burned at the stake by vengeful townspeople (men, of course). For years, it’s been an open secret that Ella Louise Ford can cure what ails you, and her young daughter Jessica appears to be even more gifted. But witches living in the woods can only be tolerated for so long, and when Ella Louise’s treatments are suspected of causing a tragedy, the men of the town want the witches to pay.

In 1951, an old man tells ghost stories around a campfire, always coming back to the story of Jessica Ford, the Little Witch Girl. Ella Louise was buried in an unmarked grave somewhere deep in the woods, but little Jessica was buried in hallowed ground, in a reinforced coffin with cement filling in the grave and a fence of crucifixes to keep her in. Now, legend has it that the Little Witch Girl wants out, and she just needs someone to help her find her mother.

In 1971, a man who heard the ghost story as a child is determined to make a movie about Jessica — a shlocky horror film called Don’t Tread on Jessica’s Grave, filled with standard horror movie tropes, and starring an eerily perfect young actress named Amber. But something happens on set, and it’s the legend behind the movie that makes this a story that becomes a horror cult classic.

In 1995, Amber is a drug-dependent has-been who never had a career after her early disaster, but who instead has found fame of sorts on the horror convention circuit. When an up-and-coming director decides to make a remake of Jessica’s story, Amber seems like the perfect choice to play Ella Louise — until on-set tragedy strikes again.

And finally, in 2016, a podcaster who debunks urban legends decides to tackle the story of the Little Witch Girl and prove it’s a hoax once and for all… but is he ready for what he’ll find in the woods?

I realize I’ve just outlined the entire book, but trust me, you have to read it to get the full creepy experience. The story of Ella Louise and Jessica starts with tragedy. Ella Louise is different, a disgrace to her society parents, and it’s implied but never explained that she became pregnant with Jessica as the result of a sexual assault on the night of her debutante ball. But rather than being supported as a crime victim, she’s shunned by her parents and the town, and makes a new life for herself and her daughter, out in the woods where no one can harm them.

I had a hard time getting over the origin story of Ella Louise and Jessica, because it’s so harrowing and awful. But from there, we see how the tale takes on a life of its own… and how something that may be just a story has doomed the town and everyone connected with it. Is it truly a witch’s curse, or is it the story that haunts the town and brings destruction to everyone who encounters it?

Amber’s tale is chilling in very different ways. Forced into pursuing her big break by a mother who never realized her own dream of stardom, Amber is way too young to be able to handle the horror of shooting Don’t Tread on Jessica’s Grave. From the movie’s storyline to seeing herself transformed through makeup and prosthetics into a burned corpse, this is clearly something that will scar her forever — and that’s before she has a nearly deadly encounter in the woods.

Jessica had become a cinematic ouroboros. A serpent devouring its own tail, coiling round and round for an eternity. The longer I imagined that snake infinitely spinning, the more its scales slowly took on the shape of celluloid frames. The sprocket holes along either side of the film strip formed scales. When this snake shed its skin, the translucent husk would be fed through the projector. The images trapped within each scale caught the projector’s light and made their way to the big screen. Jessica filled that vast canvas, reaching her hand out to me.

This film would never end. It continued to play on its own endless loop. Jessica’s story would be told over and over, forever now. She found a new audience.

Fresh blood.

That was exactly what Jessica wanted.

To find new blood.

A ghost story, a consideration of urban legends, a look at the need to endlessly remake movies into something new for each generation — The Remaking provides so much to think about, even while being a chilling, creepy, intensely haunting read.

Much like the endless remakings and retellings of Jessica’s story, The Remaking will be sticking with me for a long time!

And now, if only someone would make a movie version of The Remaking, so Jessica’s story could live on…

The Remaking was released in paperback this week. Check out this perfect cover:

Also, be sure to listen to this interview with the author for insights into the origin of the Little Witch Girl:

NPR: The Remaking interview

Book Review: If It Bleeds by Stephen King

Title: If It Bleeds
Author: Stephen King
Publisher: Scribner
Publication date: April 21, 2020
Length: 447 pages
Genre: Horror
Source: Library
Rating:

Rating: 5 out of 5.

From #1 New York Times bestselling author, legendary storyteller, and master of short fiction Stephen King comes an extraordinary collection of four new and compelling novellas —Mr. Harrigan’s Phone, The Life of Chuck, Rat, and the title story If It Bleeds— each pulling readers into intriguing and frightening places.

A collection of four uniquely wonderful long stories, including a stand-alone sequel to the No. 1 bestseller The Outsider.

News people have a saying: ‘If it bleeds, it leads’. And a bomb at Albert Macready Middle School is guaranteed to lead any bulletin.

Holly Gibney of the Finders Keepers detective agency is working on the case of a missing dog – and on her own need to be more assertive – when she sees the footage on TV. But when she tunes in again, to the late-night report, she realizes there is something not quite right about the correspondent who was first on the scene. So begins ‘If It Bleeds’ , a stand-alone sequel to the No. 1 bestselling The Outsider featuring the incomparable Holly on her first solo case – and also the riveting title story in Stephen King’s brilliant new collection.

Dancing alongside are three more wonderful long stories from this ‘formidably versatile author’ (The Sunday Times) – ‘Mr Harrigan’s Phone’, ‘The Life of Chuck’ and ‘Rat’ . All four display the richness of King’s storytelling with grace, humor, horror and breathtaking suspense. A fascinating Author’s Note gives us a wonderful insight into the origin of each story and the writer’s unparalleled imagination.

The novella is a form King has returned to over and over again in the course of his amazing career, and many have been made into iconic films, If It Bleeds is a uniquely satisfying collection of longer short fiction by an incomparably gifted writer.

Call me crazy, but Stephen King books are my version of comfort food. When I need distraction from the drama of daily life, I know I can sink into a King book and get carried away from everything weighing me down.

So getting a library e-book download of If It Bleeds this week was just perfect timing! Also very surprising, as I’d expected to be on the hold list for months… so thank you, San Francisco Public Library!

I approached If It Bleeds a little hesitantly, as short stories are really not my thing. Still, there was the book, just waiting for me on my Kindle, so how could I resist?

I’m so glad I dove right in! If It Bleeds consists of four novella-length stories, all unrelated, and all very different in content and tone. And each was a treat!

The story that garnered the most pre-publication buzz is the title story, If It Bleeds (which appears 3rd in this collection). If It Bleeds stars Holly Gibney, whom even Stephen King refers to as a favorite character! Holly was first introduced in the Bill Hodges trilogy, and then was a key character in The Outsider (the adaptation of which aired on HBO recently).

Here, Holly is the lead in her own story. She is horrified by news of a terrible mass murder by bombing at an elementary school — and then is hooked by a discrepancy she notices in the appearance of the local newscaster who was first on the scene. Holly is never one to let go of details, and as she investigates, she becomes personally involved in tracking down and stopping a monster.

It’s a good story, very suspenseful, although I’m not sure how much sense it’ll make to someone not familiar with The Outsider. It’s not an exact sequel, but the earlier novel definitely informs the way Holly’s case unfolds and what she knows.

As for the other stories… well, I loved them!

In order of preference, my least favorite would be the final story in the book — although don’t get me wrong, I still really liked it! Rat is the story of a writer who’s never been able to finish a novel, although he has published some highly regarded short stories and is an English professor. When a new story idea appears to him, he’s sure it’s his novel at last, and decides to retreat to his family’s remote backwoods cabin to work on it in isolation before the inspiration disappears.

Rat is an interesting look at creativity, the writing process, a writer’s fear, and the superstitions and bargaining that may accompany a fickle gift. Stephen King does love to feature writers as main characters, and then put them in dangerous, awful situations. Is the writer here really experiencing the disturbing things he thinks are happening, or is he losing his grip on his sanity? Read the story and decide!

Mr. Harrigan’s Phone is the first story in the collection, and feels like classic Stephen King. It combines his patented nostalgic look back at childhood with a small-town setting, the loss of loved ones, and a piece of technology that changes everything. It’s a story about growing up and saying good-bye, but also just a good, spooky, odd ghost story. Very cool.

Finally, the 2nd story in the book, which was my favorite of the bunch. The Life of Chuck is weird and wonderful, and I adored it. Told in three sections that move backward chronologically, this story is surprising and captivating, and strangely moving too. I don’t want to give away a single thing about it! Definitely check it out!

All in all, a terrific collection! As I mentioned, I don’t typically seek out story collections, even from my favorite authors, so I’m really grateful that I happened to be able to get this from the library.

And true confession time: I loved it so much that I ended up using an Amazon gift card to treat myself to my very own hard copy!

If It Bleeds is a great addition to Stephen King’s huge body of work. If you thought he might possibly run out of original stories to tell… this book shows that that’s not at all likely to happen. A must-read for King fans!

Shelf Control #190: Haunting Bombay by Shilpa Agarwal

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Haunting Bombay
Author: Shilpa Agarwal
Published: 2009
Length: 362 pages

What it’s about (synopsis via Goodreads):

After her mother’s death crossing the border from Pakistan to India during Partition, baby Pinky was taken in by her grandmother, Maji, the matriarch of the powerful Mittal family. Now thirteen years old, Pinky lives with her grandmother and her uncle’s family in a bungalow on the Malabar Heights in Bombay. While she has never really been accepted by her uncle’s family, she has always had Maji’s love.

One day, as monsoons engulf the city, Pinky opens a mysteriously bolted door, unleashing the ghosts of an infant who drowned shortly before Pinky’s arrival and of the nursemaid who cared for the child. Three generations of the Mittal family must struggle to come to terms with their secrets amidst hidden shame, forbidden love, and a call for absolute sacrifice.

How and when I got it:

When my book group did a secret book swap a few years ago, this was one of the books in my super-fun package. Thank you, book-giver friend of mine!

Why I want to read it:

Well, first of all, it was a gift, and I always feel terrible when I don’t get around to reading gift books. And on top of that, I think it sounds terrific! Between the ghost story and the family saga and the Bombay setting, it seems to have a lot going for it. I really do need to get to this one soon.

What do you think? Would you read this book?

Please share your thoughts!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

Shelf Control #165: Yesternight by Cat Winters

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Yesternight
Author: Cat Winters
Published: 2016
Length: 374 pages

What it’s about (synopsis via Goodreads):

From the author of The Uninvited comes a haunting historical novel with a compelling mystery at its core. A young child psychologist steps off a train, her destination a foggy seaside town. There, she begins a journey causing her to question everything she believes about life, death, memories, and reincarnation.

In 1925, Alice Lind steps off a train in the rain-soaked coastal hamlet of Gordon Bay, Oregon. There, she expects to do nothing more difficult than administer IQ tests to a group of rural schoolchildren. A trained psychologist, Alice believes mysteries of the mind can be unlocked scientifically, but now her views are about to be challenged by one curious child.

Seven-year-old Janie O’Daire is a mathematical genius, which is surprising. But what is disturbing are the stories she tells: that her name was once Violet, she grew up in Kansas decades earlier, and she drowned at age nineteen. Alice delves into these stories, at first believing they’re no more than the product of the girl’s vast imagination. But, slowly, Alice comes to the realization that Janie might indeed be telling a strange truth.

Alice knows the investigation may endanger her already shaky professional reputation, and as a woman in a field dominated by men she has no room for mistakes. But she is unprepared for the ways it will illuminate terrifying mysteries within her own past, and in the process, irrevocably change her life.

How and when I got it:

I bought it, brand new, as soon as it came out.

Why I want to read it:

I love Cat Winters, and this is the only one of her books I haven’t read yet! I believe this is an adult novel, rather than YA (like most of her other books). The first book I ever read by Cat Winters was The Uninvited, also adult fiction, and I thought it was amazing. I love the sound of the plot of Yesternight, and can’t believe I haven’t gotten to it yet. No excuses, no reasons why — there are just always way more books in my house than I’ll ever have time to read. Bumping this one back up to the top of my teetering to-read stack!

What do you think? Would you read this book?

Please share your thoughts!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
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Take A Peek Book Review: The Agony House by Cherie Priest

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Synopsis:

(via Goodreads)

Denise Farber has just moved back to New Orleans with her mom and step-dad. They left in the wake of Hurricane Katrina and have finally returned, wagering the last of their family’s money on fixing up an old, rundown house and converting it to a bed and breakfast. Nothing seems to work around the place, which doesn’t seem too weird to Denise. The unexplained noises are a little more out of the ordinary, but again, nothing too unusual. But when floors collapse, deadly objects rain down, and she hears creepy voices, it’s clear to Denise that something more sinister lurks hidden here. Answers may lie in an old comic book Denise finds concealed in the attic: the lost, final project of a famous artist who disappeared in the 1950s. Denise isn’t budging from her new home, so she must unravel the mystery-on the pages and off-if she and her family are to survive…

My Thoughts:

Similarly to her work in the terrific I Am Princess X, in The Agony House author Cherie Priest tells a gripping story with comic book illustrations mixed in to tell a piece of the tale. When Denise discovers the hidden comic book in the creepy attic of her new house (which she bluntly refers to as a “craphole” at all times), the book seems to be a clue to the unexplainable events happening to the family as they try to make the old place livable once again.

Denise is a great main character — clearly very smart, devoted to her family, but unhappy with being dragged away from her friends back in Houston and forced to live in this awful house. As she settles in and gets to know some of the teens in her neighborhood, we get a picture of the devastation left by the Storm (as they refer to it), even after so many years. The book deals with issues around economic hardship, gentrification, and privilege, not in a preachy way, but by showing the struggles and resentments of the characters and the new understandings they need to reach in order to get along. The social lessons here feel organic and important to the story, and I appreciated seeing the characters come to terms with one another in all sorts of interesting ways.

I’d place The Agony House somewhere between middle grade and young adult fiction. The main characters are high school seniors, but the events and the narrative would be fine for younger readers, middle school or above, so long as they’re okay with ghosts and spookiness. I really enjoyed the comic book pages and how they relate to the main story, and thought it was all very cleverly put together. As an adult reader, I saw the plot resolution twist coming pretty early on, but that didn’t lessen the satisfaction of seeing it all work out, and I think it’ll be a great surprise for readers in the target audience.

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The details:

Title: The Agony House
Author: Cherie Priest
Illustrator: Tara O’Connor
Publisher: Arthur A. Levine Books
Publication date: September 25, 2018
Length: 272 pages
Genre: Young adult fiction
Source: Library

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Shelf Control #137: Peony in Love by Lisa See

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Peony in Love
Author: Lisa See
Published: 2007
Length: 297 pages

What it’s about (synopsis via Goodreads):

“I finally understand what the poets have written. In spring, moved to passion; in autumn only regret.”

For young Peony, betrothed to a suitor she has never met, these lyrics from The Peony Pavilion mirror her own longings. In the garden of the Chen Family Villa, amid the scent of ginger, green tea, and jasmine, a small theatrical troupe is performing scenes from this epic opera, a live spectacle few females have ever seen. Like the heroine in the drama, Peony is the cloistered daughter of a wealthy family, trapped like a good-luck cricket in a bamboo-and-lacquer cage. Though raised to be obedient, Peony has dreams of her own.

Peony’s mother is against her daughter’s attending the production: “Unmarried girls should not be seen in public.” But Peony’s father assures his wife that proprieties will be maintained, and that the women will watch the opera from behind a screen. Yet through its cracks, Peony catches sight of an elegant, handsome man with hair as black as a cave–and is immediately overcome with emotion.

So begins Peony’s unforgettable journey of love and destiny, desire and sorrow–as Lisa See’s haunting new novel, based on actual historical events, takes readers back to seventeenth-century China, after the Manchus seize power and the Ming dynasty is crushed.

Steeped in traditions and ritual, this story brings to life another time and place–even the intricate realm of the afterworld, with its protocols, pathways, and stages of existence, a vividly imagined place where one’s soul is divided into three, ancestors offer guidance, misdeeds are punished, and hungry ghosts wander the earth. Immersed in the richness and magic of the Chinese vision of the afterlife, transcending even death, Peony in Love explores, beautifully, the many manifestations of love. Ultimately, Lisa See’s new novel addresses universal themes: the bonds of friendship, the power of words, and the age-old desire of women to be heard.

How and when I got it:

I bought a copy, at least five or six years ago.

Why I want to read it:

I’ve read at least three other books by Lisa See, and have loved them all. This is one that just got away from me — I always meant to get back to it, and never did. I love the sound of the ghostly elements, and can’t wait to check it out.

__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

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Take A Peek Book Review: The Girl in the Green Silk Gown by Seanan McGuire

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

 

Synopsis:

(via Goodreads)

The second book in the Ghost Roads series returns to the highways of America, where hitchhiking ghost Rose Marshall continues her battle with her killer–the immortal Bobby Cross.

Once and twice and thrice around,
Put your heart into the ground.
Four and five and six tears shed,
Give your love unto the dead.
Seven shadows on the wall,
Eight have come to watch your fall:
One’s for the gargoyle, one’s for the grave,
And the last is for the one you’ll never save.
 
For Rose Marshall, death has long since become the only life she really knows.  She’s been sweet sixteen for more than sixty years, hitchhiking her way along the highways and byways of America, sometimes seen as an avenging angel, sometimes seen as a killer in her own right, but always Rose, the Phantom Prom Date, the Girl in the Green Silk Gown.

The man who killed her is still out there, thanks to a crossroads bargain that won’t let him die, and he’s looking for the one who got away.  When Bobby Cross comes back into the picture, there’s going to be hell to pay—possibly literally.

Rose has worked for decades to make a place for herself in the twilight.  Can she defend it, when Bobby Cross comes to take her down?  Can she find a way to navigate the worlds of the living and the dead, and make it home before her hitchhiker’s luck runs out?

There’s only one way to know for sure.

Nine will let you count the cost:
All you had and all you lost.
Ten is more than time can tell,
Cut the cord and ring the bell.
Count eleven, twelve, and then,
Thirteen takes you home again.
One’s for the shadow, one’s for the tree,
And the last is for the blessing of Persephone.

My Thoughts:

This has been quite the year for me and Seanan McGuire. I was a fan of her Wayward Children books already, but this year I obsessively consumed her October Daye and Incryptid series — so of course I had to read the Ghost Road books too.

The Girl in the Green Silk Gown is the sequel to the 2014 book Sparrow Hill Road. I first started Sparrow Hill Road about a year ago, and couldn’t get into it. This year, in the midst of my Seanan McGuire frenzy, I decided to give it another try, and actually enjoyed it — enough so that I was keen to read The Girl in the Green Silk Gown as well.

This book is the continuing story of Rose Marshall, who was killed in a car crash on the way to her prom back in the 1950s, and has haunted the highways of North America ever since as a hitchhiking ghost. Rose is the stuff of urban legends, who escorts doomed drivers to their afterlives but also helps those that she can to avoid a deadly fate. All the while, she’s been on the run from Bobby Cross, the driver who killed her, and this time around, it looks like he finally has her trapped.

Sparrow Hill Road is more like a bunch of interwoven stories that make a whole, whereas The Girl in the Green Silk Gown is a novel with a beginning, middle, and an end. It’s a hero’s journey, an epic quest, and a story of belonging and home. Rose makes unusual choices, accompanied by unexpected friends and allies, and has both bravery and kindness to see her along her way.

The ghostly elements aren’t scary — this isn’t a horror story — but create an atmosphere that’s otherworldly and strange and (yes) haunting in the best sense of the word.

For those who haven’t read Sparrow Hill Road, I’d say start there — but you can also start with The Girl in the Green Silk Gown, as there are enough reminders and exposition to get you up to speed even without prior familiarity with the general story. Also, for those who’ve read the Incryptid books, you’ll see some familiar names popping up in this book. Not being familiar with Incryptid won’t get in your way at all, but if you have read those books, you’ll smile in recognition at least a few times.

Rose Marshall is a memorable lead character, and I hope we’ll see more of her!

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The details:

Title: The Girl in the Green Silk Gown (Ghost Roads, #2)
Author: Seanan McGuire
Publisher: DAW
Publication date: July 17, 2018
Length: 352 pages
Genre: Urban fantasy
Source: Library

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