Book Review: A Longer Fall (Gunnie Rose, #2) by Charlaine Harris

Title: A Longer Fall
Series: Gunnie Rose, #2
Author: Charlaine Harris
Publisher: Saga Press
Publication date: January 14, 2020
Length: 291 pages
Genre: Fantasy / speculative fiction
Source: Library
Rating:

Rating: 4 out of 5.

#1 New York Times bestselling author Charlaine Harris returns with the second of the Gunnie Rose series, in which Lizbeth is hired onto a new crew, transporting a crate into Dixie, the self-exiled southeast territory of the former United States. What the crate contains is something so powerful, that forces from across three territories want to possess it.

In this second thrilling installment of the Gunnie Rose series, Lizbeth Rose is hired onto a new crew for a seemingly easy protection job, transporting a crate into Dixie, just about the last part of the former United States of America she wants to visit. But what seemed like a straight-forward job turns into a massacre as the crate is stolen. Up against a wall in Dixie, where social norms have stepped back into the last century, Lizbeth has to go undercover with an old friend to retrieve the crate as what’s inside can spark a rebellion, if she can get it back in time.

#1 New York Times bestselling author Charlaine Harris (Sookie Stackhouse mysteries and Midnight, Texas trilogy) is at her best here, building the world of this alternate history of the United States, where magic is an acknowledged but despised power.

In the Gunnie Rose books, author Charlaine Harris has created an alternate version of the United States… in which the United States no longer exists. In this world, FDR was assassinated prior to being inaugurated as President, and in the aftermath, the US has split into separate countries. Main character Lizbeth Rose lives in Texoma, more or less where our current Texas is, and the US South is now the country of Dixie, where racism, sexism, and xenophobia are the norms — a place where Lizbeth has no interest in going, until she’s hired on for a job that will take her there.

Lizbeth is a “gunnie”, a gifted shooter whose sharp reflexes and dead-eye aim make her a valued member of any gun crew, typically hired for escort and protection work. After her last crew ended up dead (see book one in the series, An Easy Death), she’s found work with a new set of gunnies, and takes an eastbound train to bring cargo into Dixie.

Nothing goes as planned, naturally. The train rail is sabotaged, the gun crew is attacked, and the cargo is stolen. Lizbeth finds herself stranded in Dixie, until her former colleague and lover Eli shows up, also in pursuit of the same cargo. Eli is a “grigori” — a wizard of the Holy Russian Empire (formerly California and Oregon), a land ruled by the Tsar and protected by the highly skilled magicians who support him. Eli’s arrival shows that Lizbeth’s cargo is much more precious than she realized, and the two of them must work together to retrieve it, get it to its intended destination, and hopefully make it out of Dixie with their lives.

The world of Gunnie Rose

Once again, I truly enjoyed the world-building. Lizbeth herself is a Western-style gunslinger, but here, she’s thrust into a world that expects her to wear a dress and hose, defer to men, and be altogether proper and ladylike. The contrast is delicious, and it’s such fun to see Lizbeth’s discomfort and rebellion at these ridiculous sexist restrictions.

Meanwhile, Lizbeth and Eli have terrific chemistry, and it’s a delight to see them back together. Their work and their families destine them to have very different lives, but for the space of this adventure, they’re reunited and fully cognizant of the love and passion they share. They also make for great partners, having each other’s backs and getting one another out of impossibly dangerous situations.

Dixie is full of despicable racists, and the overall mission and the missing cargo relate to an attempt to kick off a rebellion and put an end to oppression. The cargo itself is a total MacGuffin — it’s a bit nonsensical, but as a plot catalyst, it keeps the action going full steam ahead and makes for some exciting sequences. Not all the events make a ton of sense, but there is a certain satisfaction in seeing awful characters get exactly what they deserve.

The 20th century setting (mid to late 1930s, it would seem) can be a bit jarring. The story often feels like an old-timey Western, and something about the description of Dixie made me expect the women to be wearing huge dresses a la Scarlett O’Hara — I had to remind myself from time to time that these people live in an era of cars, indoor plumbing, electricity, and refrigerators. The contrasts make this series extra fun, like seeing our own history, but in a funhouse mirror.

I love Lizbeth as a character, and I love seeing new aspects of her personality and intelligence as the story progresses. I can’t wait to see where the story goes next! There are currently four published works in the series, with a fifth scheduled for release in fall of 2023. I’m definitely planning to continue, and hope to start #3 just as soon as the library’s copy becomes available.

The Russian Cage – #3 in the Gunnie Rose series

Book Review: A Wizard’s Guide to Defensive Baking by T. Kingfisher

Title: A Wizard’s Guide to Defensive Baking
Author: T. Kingfisher
Publisher: Argyll Productions
Publication date: July 21, 2020
Length: 308 pages
Genre: Fantasy
Source: Library
Rating:

Rating: 5 out of 5.

Fourteen-year-old Mona isn’t like the wizards charged with defending the city. She can’t control lightning or speak to water. Her familiar is a sourdough starter and her magic only works on bread. She has a comfortable life in her aunt’s bakery making gingerbread men dance.

But Mona’s life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona’s city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona’s worries…

What fun!

I’d had my eye on this book for a while now, and finally decided to dive in. This sweet fantasy story delivers an unlikely teen heroine, suspenseful action sequences, unusual magical powers, and some very bad cookies.

Mona works in her aunt’s bakery and is perfectly content with her life, using her magical powers (which she considers pretty minor) to encourage her bread to rise and her pastries to turn out perfectly. Occasionally, she entertains bakery customers by making her gingerbread men perform, but that’s about all she can do. Or so she thinks…

When a dastardly plot to eliminate wizards and usurp the ruling duchess’s throne comes to light, it’s up to Mona and a street urchin named Spindle to save the day. And since Mona’s magic is “just” related to bread, she has to figure out how on earth that ability could possibly be useful. The bad cookies are only the start.

I’ve yet to be disappointed by a T. Kingfisher book, and while A Wizard’s Guide to Defensive Baking is vastly different from the author’s horror books (which I also love), her signature humor and clever dialogue are fully present here.

The plot is so entertaining, and Mona is a terrific lead character. I loved how her minor talent for working with dough ends up being just what a besieged city needs. Not giving anything away here… but it’s amazing!

This book is a total treat, and I loved every bit of it. And now, I’m dying to pick up more of the author’s fantasy stories (probably Minor Mage next). If you’re looking for a fun fantasy adventure (with plenty of baked goods), check out A Wizard’s Guide to Defensive Magic!

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Book Review: The Glass Hotel by Emily St. John Mandel

Title: The Glass Hotel
Author: Emily St. John Mandel
Publisher: Knopf
Publication date: March 24, 2020
Length: 302 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 5 out of 5.

From the award-winning author of Station Eleven, an exhilarating novel set at the glittering intersection of two seemingly disparate events–a massive Ponzi scheme collapse and the mysterious disappearance of a woman from a ship at sea.

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call.

In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.

Once again, I find myself practically speechless after finishing a book by Emily St. John Mandel. Earlier this year, I was transfixed by the beauty of Sea of Tranquility. That book, however, was published after The Glass Hotel, and as I learned while reading Sea of Tranquility, there is a certain amount of cross-over between the two books. Naturally, I had to see what The Glass Hotel was all about.

As in her other books, the author weaves together seemingly disparate story threads and characters to create an intricate, interconnected whole. As the synopsis explains, the basic framework of the novel involves a vastly wealthy man whose fortune is built on a Ponzi scheme and his relationship with a woman whom he meets at the bar of a remote luxury hotel. As Vincent and Jonathan’s lives come together, we also see snippets of their pasts, as well as scenes involving other people caught up in their orbit. Some connections are clear, such as their various family members, but others are connected by circumstances, coincidences, random encounters, and chance overlaps at particular times and places.

The writing is gorgeous, sharp, and evocative. A recurring theme throughout centers on worlds within worlds. Vincent thinks of her years with Jonathan as her life in the “kingdom of money”. Jonathan, imprisoned for the remainder of his life, imagines what he calls his counterlife, a life that he inhabits in his mind that lets him experience the other ways his life might have gone, had he only gone different places or taken different actions.

At one point, a friend of Vincent’s tells her:

I was trying to figure out why my life felt more or less the same in Singapore as it did in London, and that’s when I realized that money is its own country.”

A man who loses everything due to the Ponzi, now living a nomadic RV life at a time when he and his wife thought they’d be comfortably retired, contemplates that:

… they were citizens of a shadow country that in his previous life he’d only dimly perceived… He’d seen the shadow country, its outskirts and signs, he’d just never thought he’d have anything to do with it.

Another man who goes from hopeless addiction to triumph in a music career shares:

“I stepped through the looking glass into a strange new world where people actually listened to my music.” […] The condition of having landed in an unimaginable life was something he thought she might know something about.

As in Sea of Tranquility, the connections and overlapping lives are what make this book so fascinating, as do the intriguing characters and the sense of inevitability about the events and their outcomes.

I simply can’t say enough good things about The Glass Hotel. Now that I’ve read it, I feel an urgent need to re-read Sea of Tranquility (even though I just read it a few months ago).

I truly loved this book, and simply couldn’t put it down once I started.

Audiobook Review: Miss Austen by Gill Hornby

Title: Miss Austen
Author: Gill Hornby
Narrator:  Juliet Stevenson
Publisher: Flatiron Books
Publication date: January 23, 2020
Print length: 288 pages
Audio length: 10 hours, 56 minutes
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Whoever looked at an elderly lady and saw the young heroine she once was?

England, 1840. For the two decades following the death of her beloved sister, Jane, Cassandra Austen has lived alone, spending her days visiting friends and relations and quietly, purposefully working to preserve her sister’s reputation. Now in her sixties and increasingly frail, Cassandra goes to stay with the Fowles of Kintbury, family of her long-dead fiancé, in search of a trove of Jane’s letters. Dodging her hostess and a meddlesome housemaid, Cassandra eventually hunts down the letters and confronts the secrets they hold, secrets not only about Jane but about Cassandra herself. Will Cassandra bare the most private details of her life to the world, or commit her sister’s legacy to the flames?

Moving back and forth between the vicarage and Cassandra’s vibrant memories of her years with Jane, interwoven with Jane’s brilliantly reimagined lost letters, Miss Austen is the untold story of the most important person in Jane’s life. With extraordinary empathy, emotional complexity, and wit, Gill Hornby finally gives Cassandra her due, bringing to life a woman as captivating as any Austen heroine.

What a lovely book! I have to admit that prior to reading Miss Austen, I’ve never really spent much time reading about Jane Austen’s life beyond the occasional article or Wikipedia page. I love her novels, but somehow never found myself wanting to look beyond into the author’s actual life.

In Miss Austen, we learn about Jane and the larger Austen family through the eyes of Jane’s older sister Cassandra. As the story begins, Cassandra journeys to Kintbury in 1840, ostensibly to help Isabella Fowle pack up the vicarage after her father’s death, but in reality, Cassandra has a different mission: She knows that Jane frequently wrote to Isabella’s mother Eliza, and she worries that unless she intervenes, potentially damaging personal correspondence of Jane’s may end up in the wrong hands, possibly tarnishing her public reputation.

Note: Throughout this book, lines from Hamilton kept popping into my head: Who lives, who dies, who tells your story? Who gets to tell a person’s story, who decides what to keep private and what to make public — these questions are very relevant to Cassandra’s main plot arc in the 1840 chapters of the book.

Using a split timeline, we follow Cassandra’s quest as an older woman to retrieve Jane’s letters. Through flashback chapters, we also see Cassandra’s journey from young woman to older spinster, always with Jane first and foremost in her mind.

As a younger woman, Cassandra became engaged to Tom Fowle (Eliza’s brother). Over the moon in love, the two were eager to wed, but agreed that a long engagement would be prudent. However, tragedy prevents the marriage from taking place, and from that point forward, the course of Cassandra’s life is set.

As the years progress and the fortunes of the Austens rise and fall, we see Cassandra’s devotion to Jane, as she protects her, nurtures her, and cares for her during her spells of melancholy (which today would likely be diagnosed as depression). The sisters’ love is quite beautiful to read about, and eventually, they and their cousin Martha find happiness in their lives as three single women setting up a home together.

I won’t go into a ton of detail here, but suffice to say, the characters are well-drawn, and the circumstances of Jane and Cassandra’s life together invokes some sadness, even during their happier years. There were moments when I almost wished I wasn’t reading historical fiction about real people: Certain plot points had me practically begging for a different outcome, but knowing that key elements of the Austens’ lives really couldn’t be changed (you know, since they were real people!), it was frustratingly sad to see possible love and joy slip away time after time.

Still, I was also captivated by the sisters’ wit and humor, by the clever dialogue created for Jane, and by the family’s tradition of having Jane read her works in progress to the family each evening. Again, seeing how I’d never read an actual biography of Jane Austen, the depiction of her writing challenges and successes was quite informative, and based on what I’ve looked up since, largely sticks to the facts as they’re known.

I need to give a huge hurrah to the terrific audiobook narration by Juliet Stevenson. What a treat! A few years ago, I went on an Austen audiobook binge, and five of the six I listened to were narrated by Juliet Stevenson. She’s amazing. Having her narrate Miss Austen made this an especially delightful experience. Because I’m used to hearing her narrate Austen’s characters, it felt like slipping back into those worlds listening to her voice this story as well. And I had to chuckle when certain obnoxious family members (especially a self-satisfied sister-in-law) were voiced so similarly to particularly annoying Austen characters. (Mrs. Elton from Emma is one who came immediately to mind… which made me wonder, was that character perhaps inspired by Jane’s real family member?)

I’ve had my eye on Miss Austen since it came out in 2020, but hadn’t gotten around to it until my book group selected it for this month’s group read. So, once again, enormous gratitude to my book group for leading me to yet another terrific reading experience!

I very much enjoyed Miss Austen. Highly recommended for Jane Austen fans!

PS – Now that I’ve read Miss Austen, I’m much more interested in a good Jane Austen biography! Any recommendations?

Book Review: Hamnet by Maggie O’Farrell

Title: Hamnet
Author: Maggie O’Farrell
Publisher: Tinder Press
Publication date: March 31, 2020
Length: 372 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 5 out of 5.

Drawing on Maggie O’Farrell’s long-term fascination with the little-known story behind Shakespeare’s most enigmatic play, Hamnet is a luminous portrait of a marriage, at its heart the loss of a beloved child.

Warwickshire in the 1580s. Agnes is a woman as feared as she is sought after for her unusual gifts. She settles with her husband in Henley street, Stratford, and has three children: a daughter, Susanna, and then twins, Hamnet and Judith. The boy, Hamnet, dies in 1596, aged eleven. Four years or so later, the husband writes a play called Hamlet.

Award-winning author Maggie O’Farrell’s new novel breathes full-blooded life into the story of a loss usually consigned to literary footnotes, and provides an unforgettable vindication of Agnes, a woman intriguingly absent from history.

New York Times Notable Book (2020), Best Book of 2020: GuardianFinancial TimesLiterary Hub, and NPR.

Hamnet is a powerful, emotional, beautifully written story about grief, mourning, and sorrow. Also, Shakespeare.

In Hamnet, the main point-of-view character is Agnes, although we do get passages from the perspectives of Agnes’s children and husband too. Agnes is gifted with sight and special powers. A talented healer, she can also see people’s futures simply by touching them. About herself, she has one clear vision: She will be the mother of two children.

When Agnes meets her husband, the son of a disreputable glovemaker and Latin tutor to her stepbrothers, they’re immediately drawn to one another, and eventually marry. Agnes can see her husband’s unhappiness casting a shadow over their lives. He lacks purpose, a means of fulfilling his own pursuits — so she sends him off to London, ostensibly to further his father’s business interests there. They plan for him to get settled, then send for Agnes and their children.

But all does not go as intended. Already the parents of a healthy girl, Agnes soon delivers not the 2nd child she expects, but a 2nd and 3rd. The twins are a girl and a boy, the girl born so weak and fragile that she was not expected to survive. She names the babies Hamnet and Judith, and they are inseparable. It soon becomes clear that moving to London will never be an option for Agnes and her children — Judith’s health is too delicate to allow her to live in a crowded, dirty city. And so Agnes and her husband live apart, with him returning for visits when he can, although he’s achieving success as a playwright and creating a separate life for himself in the world of theater.

But Agnes can never quite forget her own vision, of herself as the mother of two children.

She fears her foresight; she does. She remembers with ice-cold clarity the image she had of two figures at the foot of the bed where she will meet her end. She now knows that it’s possible, more than possible, that one of her children will die, because children do, all the time. But she will not have it. She will not. She will fill this child, these children, with life. She will place herself between them and the door leading out, and she will stand there, teeth bared, blocking the way. She will defend her three babes against all that lies beyond this world. She will not rest, not sleep, until she knows they are safe. She will push back, fight against, undo the foresight she has always had, about having two children. She will. She knows she can.

When “pestilence” — the Black Death — reaches the family’s home in Stratford, it’s Judith who is stricken. But Hamnet will not abide the idea of losing his twin, and eventually, he is lost while Judith survives. Agnes and the family are plunged into the horrors of loss, the devastating death of a child punching a hole through the fabric of their lives.

In Hamnet, Shakespeare himself is never named (he’s always the husband or the father or the son), but we know who we’re reading about. It feels appropriate for him to be presented in this way — if the story were about him, his life and career would overshadow all the rest. Here, though, it’s a story about a family, and especially about a mother, trying to find a way to live in the shadow of unbearable grief. The father’s way of dealing with the loss, through the power of his words, is just one aspect of what the family experiences.

The writing in Hamnet is absolutely gorgeous. I’m not usually a fan of “literary” fiction, but this novel is an exception for me. The carefully constructed characters, the lyrical descriptions of their world and their lives, and even the passages describing the transmission of the plague are all presented in a way that’s beautiful and haunting and powerful.

Hamnet is a special book, and I’m so glad my book group chose it for this month’s discussion. Once again, thanks to the group, I’ve read an excellent book I might otherwise have missed!

Very highly recommended.

To read more about Hamnet:

New York Times review (written by Geraldine Brooks)
NPR review
Washington Post review

Book Review: The Book of Lost Friends by Lisa Wingate

Title: The Book of Lost Friends
Author: Lisa Wingate
Publisher: Ballantine
Publication date: April 7, 2020
Print length: 388 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

A new novel inspired by historical events: a story of three young women on a journey in search of family amidst the destruction of the post-Civil War South, and of a modern-day teacher who rediscovers their story and its connection to her own students’ lives.

Lisa Wingate brings to life stories from actual “Lost Friends” advertisements that appeared in Southern newspapers after the Civil War, as freed slaves desperately searched for loved ones who had been sold off.

Louisiana, 1875 In the tumultuous aftermath of Reconstruction, three young women set off as unwilling companions on a perilous quest: Lavinia, the pampered heir to a now-destitute plantation; Juneau Jane, her illegitimate free-born Creole half-sister; and Hannie, Lavinia’s former slave. Each carries private wounds and powerful secrets as they head for Texas, following dangerous roads rife with ruthless vigilantes and soldiers still fighting a war lost a decade before. For Lavinia and Juneau Jane, the journey is one of inheritance and financial desperation, but for Hannie, torn from her mother and eight siblings before slavery’s end, the pilgrimage westward reignites an agonizing question: Could her long-lost family still be out there? Beyond the swamps lie the seemingly limitless frontiers of Texas and, improbably, hope.

Louisiana, 1987 For first-year teacher Benedetta Silva, a subsidized job at a poor rural school seems like the ticket to canceling her hefty student debt–until she lands in a tiny, out-of-step Mississippi River town. Augustine, Louisiana, seems suspicious of new ideas and new people, and Benny can scarcely comprehend the lives of her poverty-stricken students. But amid the gnarled oaks and run-down plantation homes lies the century-old history of three young women, a long-ago journey, and a hidden book that could change everything.

After reading and enjoying this author’s previous novel (Before We Were Yours), I was excited to get an ARC of The Book of Lost Friends… and yet I left it unread until now, somehow never quite feeling in the mood to get started. So, I was glad when my book group chose The Book of Lost Friends as our July 2022 Book of the Month — finally, a commitment to get me motivated!

Unfortunately, while I finished the book, I can’t say that I loved it. In fact, I’ve been wavering between rating this one 2.5 or 3 stars.

The narrative alternates between a historical timeline set in 1875 and a more modern timeline set in 1987. Both stories are situated in Augustine, Louisiana, and in both timelines, the Gossett family is at the center of the community.

In 1875, the Gossett plantation has been transformed post-war into sharecropper properties, still dominated by the plantation’s former mistress, who seems determined to undermine and cheat the formerly enslaved people now working to secure their own land. Her husband has disappeared to Texas in search of his wayward son, and the future of the land and its people is very much up in the air. The main character, Hannie, ends up accompanying the former master’s two daughters (one white and legitimate, the other biracial and illegitimate) on a dangerous journey to find their father and find the missing documents needed to secure their inheritance. Hannie’s own goal is more personal: To find the missing members of her family, all of whom were sold off while enslaved and stolen by an unscrupulous relative of the plantation owners.

In 1987, the main character is Benny (Benedetta) Silva, a young teacher who accepts a rural posting in exchange for student loan forgiveness. Benny is ill-prepared to teach in a school where there are inadequate resources, apathetic staff, and students who lack the most rudimentary skills or interest needed to pursue an education. Benny is determined to find a way to connect with her students, and begins a research project that puts her at odds with powerful town leaders.

I don’t want to go too far down the road of discussing the dual plots, so I’ll stick to some key concerns and takeaways.

In both timelines, the plot is often confusing and muddled. We alternate chapters between the two timelines, and yet as we pick up a storyline after a chapter away from it, there’s often a gap in the action from where we left off. Intervening events do get explained, but the initial impression is always that something has been missed or that the pieces don’t quite connect.

The family chronologies and connections are not well explained, and neither is the make-up of the town itself or its history. There’s a lot of detail thrown around in the book, but often through exposition rather than incorporation into the plot. The details often felt muddy to me, leading to my feelings of disengagement.

Benny’s role, in my opinion, is problematic. Her character really smacks of white saviorism. She arrives in town as an outsider, and immediate becomes the catalyst for changing the lives of the poor children and disempowered community members of Augustine. Why did it take Benny’s arrival to make this happen? Why was it Benny and the (white) descendants of the Gossett slaveowners who enable the discovery of the town’s history and the revelations that ensue?

I did appreciate learning about the Lost Friends advertisements, which were a real historical phenomenon used by formerly enslaved people to try to track down and reunite with family members. The inclusion of real Lost Friends ads is touching and powerful.

However, overall, the plot didn’t build in a way that connected the dots, and the action sequences and outcomes felt disjointed. I did not feel emotionally involved with the characters, and while certain moments elicit sympathy or sorrow or horror, these responses related more to the general circumstances described rather than being connected to actual care or concern for the specific characters.

I was also turned off by a weirdness to the ending, in which a big revelation about a character’s backstory is shared literally on the last two pages of the book. Why?? It felt awkward and unnecessary — perhaps it was intended to provide an “aha!” moment about the character, but really, it just felt tacked-on and beside the point.

Overall, this was not a great reading experience, and if not for my book group commitment, I probably would not have finished. The “Lost Friends” element is interesting from a historical perspective, but the fictional storylines built up around this element just never made me feel connected or invested.

Final note: I will add that many of my book group friends enjoyed this book more than I did, and one person who is herself an educator commented that she found Benny’s work with the students and the challenges she faced very relatable and well done. In other words… while I didn’t particularly enjoy this book, your mileage may vary!

Audiobook Review: The Midnight Bargain by C. L. Polk

Title: The Midnight Bargain
Author: C. L. Polk
Narrator: Moira Quirk
Publisher: Erewhon
Publication date: October 13, 2020
Print length: 384 pages
Audio length: 11 hours, 49 minute
Genre: Fantasy
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Beatrice Clayborn is a sorceress who practices magic in secret, terrified of the day she will be locked into a marital collar that will cut off her powers to protect her unborn children. She dreams of becoming a full-fledged Magus and pursuing magic as her calling as men do, but her family has staked everything to equip her for Bargaining Season, when young men and women of means descend upon the city to negotiate the best marriages. The Clayborns are in severe debt, and only she can save them, by securing an advantageous match before their creditors come calling.

In a stroke of luck, Beatrice finds a grimoire that contains the key to becoming a Magus, but before she can purchase it, a rival sorceress swindles the book right out of her hands. Beatrice summons a spirit to help her get it back, but her new ally exacts a price: Beatrice’s first kiss . . . with her adversary’s brother, the handsome, compassionate, and fabulously wealthy Ianthe Lavan.

The more Beatrice is entangled with the Lavan siblings, the harder her decision becomes: If she casts the spell to become a Magus, she will devastate her family and lose the only man to ever see her for who she is; but if she marries—even for love—she will sacrifice her magic, her identity, and her dreams. But how can she choose just one, knowing she will forever regret the path not taken

I was not prepared to get as swept away by this book as I was!

In The Midnight Bargain, we’re transported to a world in which magical powers are the key to financial success… and belong squarely to the male population. Women with powers are seen as desirable in marriage because they’re most likely to provide magically gifted children. The catch is that women are not actually allowed to practice magic or study it seriously. Upon marriage, women are locked into silver collars that cut off their access to magic for as long as they wear it — supposedly to ensure the safety of future children, but (conveniently for their husbands) also ensuring that they’re kept under tight control.

For Beatrice, the idea of never developing her magical gift is horrifying. Her father, having speculated unwisely in business ventures, is on the verge of financial (and thus, social) ruin. Only a good marriage to the son of a wealthy family can save her own family. But Beatrice dreams of studying magic and strengthening her own powers, and her secret dream is to bind a powerful spirit to herself, making her ineligible to marry and giving her the opportunity to work behind the scenes to help her father build back his fortune.

Sadly, Beatrice’s father is a rigid conformist who is only focused on money and getting ahead. Bargaining season — the time each year when “ingenues” are placed on the marriage market and wealthy families compete to secure a good match — is the Clayborn family’s last chance to dig themselves out of debt, and there’s simply no way that her father will allow her to evade her duties. Beatrice knows that it’s a race against time to find the right grimoire that will unlock the mysteries of binding a spirit.

Her plans are confounded by Ysbeta Lavan, the powerful daughter of an incredibly wealthy family, who has her own reasons for wanting to escape bargaining season unmarried. A further complication is Ianthe Lavan, Ysbeta’s (super hot) brother, who falls for Beatrice just as hard as she falls for him. Beatrice’s feelings for Ianthe stand in contradiction to her personal goals. Can she give up her dreams of developing her magical gifts for the sake of true love, even if it means locking herself in a collar for the duration of her child-bearing years?

I hesitated a bit when starting this book, having read the author’s earlier Kingston Cycle trilogy and coming away from it with mixed feelings. While I admired the author’s inventiveness, I felt that the world-building in the trilogy wasn’t strong enough to satisfy me or provide sufficient groundwork for understanding the intricacies of the society the books portrayed. I worried that I might have a similar experince with The Midnight Bargain.

Fortunately, my worries were soon set to rest. While I do feel that more explanation would have been helpful at the start of the book, I easily became immersed in the plot anyway. I wished for more explanation of the countries named and their different customs, as well as some basics on geography. The world itself felt a little shakily defined.

However, I still was able to fully engage with the characters and enjoy the story. Beatrice’s quest is fueled not by a desire for personal power, but by her need to make her own decisions and be truly free. At one point, Ianthe swears that if they marry, he’ll leave her free of the collar whenever possible and support her pursuit of magic… but even that may not be enough. As Beatrice struggles with her choices, it’s clear that being allowed freedom isn’t the same thing as actually having freedom. It’s fascinating to see the characters’ journeys and conflicts, and I appreciated that decisions for the main characters are never clear choices between a right and wrong path.

The nature of the society is, of course, horrifying. There are some truly terrible scenes later in the book when it appears that Beatrice’s independence and agency will be stripped from her against her will, and I literally found myself short of breath during these moments! This is a fantasy world, but the stakes are women’s rights and the freedom to determine one’s own path and make one’s own choices. It feels real, despite the trappings of magic and spirits.

I listened to the audiobook, which was a truly captivating experience. The narrator, Moira Quirk, is a delight. Having listened to her narration of many of Gail Carriger’s books, I knew I’d be in for a treat with the audio version of The Midnight Bargain, and I definitely was not disappointed!

I’m so happy to have experienced The Midnight Bargain. The plot zips along, but packs quite an emotional punch too. With terrific characters, a compelling fantasy set-up, and high stakes, it’s hard to stop once you get started. Highly recommended.

Book Review: The Marriage Game by Sara Desai

Title: The Marriage Game
Author: Sara Desai
Publisher: Berkley
Publication date: June 9, 2020
Length: 338 pages
Genre: Contemporary romance
Source: Purchased (paperback); Library (audiobook)
Rating:

Rating: 1.5 out of 5.

A high stakes wager pits an aspiring entrepreneur against a ruthless CEO in this sexy romantic comedy.

After her life falls apart, recruitment consultant Layla Patel returns home to her family in San Francisco. But in the eyes of her father, who runs a Michelin starred restaurant, she can do no wrong. He would do anything to see her smile again. With the best intentions in mind, he offers her the office upstairs to start her new business and creates a profile on an online dating site to find her a man. She doesn’t know he’s arranged a series of blind dates until the first one comes knocking on her door…

As CEO of a corporate downsizing company Sam Mehta is more used to conflict than calm. In search of a quiet new office, he finds the perfect space above a cozy Indian restaurant that smells like home. But when communication goes awry, he’s forced to share his space with the owner’s beautiful yet infuriating daughter Layla, her crazy family, and a parade of hopeful suitors, all of whom threaten to disrupt his carefully ordered life.

As they face off in close quarters, the sarcasm and sparks fly. But when the battle for the office becomes a battle of the heart, Sam and Layla have to decide if this is love or just a game.

I wanted to like this book. I really did. I mean… diverse characters, San Francisco setting, family matchmaking, and contemporary romance. What’s not to enjoy?

Sadly, this was a bust. I almost quit multiple times throughout the story, and by the end, managed to convince myself to finish by deciding to think of the book as a parody. (To be clear, it’s not a parody.)

The “marriage game” of the title has to do with arranged marriages. To start a more stable life after some dating and career disasters, Layla decides to meet the men her father secretly selected for her via a dating site focused on Indians looking for arranged marriages. Sam and Layla agree that if Layla finds a husband, she’ll give up the office they’re fighting over, but if she doesn’t, Sam has to leave.

I’m not going to rehash the plot, because I just don’t have the energy for it. But here are a just a few points about the worst elements of this book:

  • It reads as if the author is someone who has never actually stepped foot in a modern-day office and imagines all workplaces based on impressions from bad 80s and 90s movies. One the one hand, we have characters repeatedly reminding each other that “this is a place of business”, yet behaving so unprofessionally and inappropriately that it makes my toes curl. Sexual innuendo, sexual banter, sexual harassment, discussion of personal lives, comments about bodies, not to mention weird interpretations of office rules and a lack of all basic office etiquette. It’s awful.
  • Other than Sam (the lead male character), one friend of his who appears infrequently, and Layla’s dad, every male in this book is a predator, a criminal, a harasser, or just grossly blunt and crass and sexist and awful to women.
  • The “game” that Layla and Sam play makes no sense. He goes on her blind dates as her chaperone, then interferes with every single conversation and ruins/undermines every interaction, while Layla focuses on him and not the person she’s meeting. Granted, the dates are all duds, but the dudes never get a chance.
  • The blind dates are supposedly all men that Layla’s father has prescreened and put into his “yes” list of potential husbands for Layla, but either he has terrible taste or he didn’t bother doing even basic due diligence. Again, just awful.
  • So many cringe-worthy scenes. From a blind date with a restaurant owner who has menacing security goons, gang tattoos, and a prison record to one with a corporate VIP who informs Layla in the first 60 seconds that he wants to “bang” her, not marry her… it’s just not amusing at all.
  • There’s a truly disgusting scene involving Sam and his business partner’s party to woo potential clients — including strippers (and their pole), lots of booze, and even angel dust. Again, is this some sort of parody of 1980s corporate greed? Nope, it’s supposed to be set now. It’s gross, and the fact that they win the contract makes no sense at all. AT ALL.
  • The sexual banter and the way the sex scenes are written are not sexy. There’s a line about Layla being jealous of Sam’s shirt because it gets to cling to his muscles. Ugh.

I think you get the picture.

You may be wondering why I gave this book 1.5 stars when I so clearly did not like it? I figure it gets one star simply because I finished it, and the extra 1/2 star is to recognize Layla’s family. The scenes with all the aunties are fun, even if they feel too similar to every other book I’ve read about Indian American families. But the family dynamics (and the descriptions of all the food) at least provide some scenes that are enjoyable, so that’s got to count for something.

From what I see on Goodreads, there are two follow-up books currently available, centered on other characters in Layla and Sam’s world. As you can probably guess, I’m out — those books will get a hard pass from me.

Book Review: Where the Lost Wander by Amy Harmon

Title: Where the Lost Wander
Author: Amy Harmon
Publisher: Lake Union Publishing
Publication date: April 28, 2020
Length: 343 pages
Genre: Historical fiction
Source: Review copy via NetGalley; audiobook purchased via Audible
Rating:

Rating: 4.5 out of 5.

In this epic and haunting love story set on the Oregon Trail, a family and their unlikely protector find their way through peril, uncertainty, and loss.

The Overland Trail, 1853: Naomi May never expected to be widowed at twenty. Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.

But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart. John’s heritage gains them safe passage through hostile territory only to come between them as they seek to build a life together.

When a horrific tragedy strikes, decimating Naomi’s family and separating her from John, the promises they made are all they have left. Ripped apart, they can’t turn back, they can’t go on, and they can’t let go. Both will have to make terrible sacrifices to find each other, save each other, and eventually…make peace with who they are.

Where the Lost Wander is a beautiful story of love and tragedy, set in the era of westward expansion and wagon trains.

We know from the prologue that terrible events are coming, as we see a group of wagons attacked by a band of Shoshoni warriors, leaving all dead except Naomi and her infant brother, who are taken captive. How this came about, who these people are, and what happens next will be revealed over the course of the story that follows.

Naomi May is a young woman traveling west with her parents and younger brothers as part of a large wagon train. At St. Joseph in Missouri, their point of departure, she meets John Lowry, a young man of mixed heritage who’ll be traveling with the train, along with his prized set of breeding mules.

As the wagon train makes its slow journey, they face danger from every direction — perilous river crossings, cholera, accidents, hostile encounters with other travelers — but along the way, Naomi and John grow closer, falling in love despite their own personal backstories. I came to care deeply about these characters and to wish for their happiness, but experienced a growing sense of dread as well, knowing from the prologue that tragedy was coming, but not knowing when.

Where the Lost Wander is beautifully written, full of emotion as well as history. The author strikes a good balance in presenting both the dreams and desires of the emigrants and the devastating impact of the white man’s encroachment onto Native lands. The tribes encountered are portrayed with sensitivity, and we get to know certain people as individuals, giving us entry into a way of life that’s under constant threat.

Naomi and John’s story, from initial attraction to trust and longing and finally, to love and commitment, is moving and well-told. Given the era and the setting, we know this cannot be a happy, pain-free story, but I couldn’t stop hoping for good outcomes and peace for these characters, even in the most dire of situations.

Overall, this is a well-researched, vivid depiction of a time in America’s history that’s in many ways well-known, but here, presented with so much more nuance and perspective than in typical tales of the Old West. Highly recommended.

Via Amy Harmon’s author website: https://www.authoramyharmon.com/wherethelostwander.html

A note on the audiobook: The audiobook (11 hours, 46 minutes) is narrated by Lauren Ezzo and Shaun Taylor-Corbett, who read as Naomi and John. It’s a lovely performance, with each one capturing the emotions of their characters and giving dramatic, expressive expression to the more descriptive passages. I enjoyed it very much, and while I referred back to the print version for clarity on places and people, I’m glad I chose to experience this book via audio.

Audiobook Review: Heroes by Stephen Fry

Title: Heroes: The Greek Myths Reimagined
Author: Stephen Fry
Narrator:  Stephen Fry
Publisher: Chronicle Books
Publication date: June 2, 2020
Print length: 352 pages
Audio length: 15 hours 1 minute
Genre: Myths & legends
Source: Purchased
Rating:

Rating: 4.5 out of 5.

In this sequel to Mythos, legendary author and actor Stephen Fry moves from the exploits of the Olympian gods to the deeds of mortal heroes – Perseus, Jason, Atalanta, Theseus, Heracles.

Rediscover the thrills, grandeur, and unabashed fun of the Greek myths. Whether recounting a tender love affair or a heroic triumph, Fry deftly finds resonance with our own modern minds and hearts.

Illustrated throughout with classical art inspired by the myths, this gorgeous volume invites you to explore a captivating world with a brilliant storyteller as your guide.

• Each adventure is infused with Fry’s distinctive voice and writing style.
• Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome.
• Retellings brim with humor and emotion.

“Mostly Chiron saw in the child, and the young man he became, boundless courage, athleticism, intelligence, and ambition. He saw too lots of words beginning with ‘self,’ which gave him pause. Self-belief, self-possession, self-righteousness, self-confidence, self-love. Perhaps these characteristics are as necessary to a hero as courage.”

In Heroes, Fry draws out the humor and pathos in both tender love affairs and heroic battles, and reveals each myth’s relevance for our own time.

If you have any interest at all in the stories of Ancient Greece… and/or if you enjoy listening to Stephen Fry telling a great story… then Heroes is a must-listen!

Heroes is the 2nd in a 3-book series by Stephen Fry, retelling the myths and legends of Ancient Greece with intelligence and humor. The first book, Mythos, was an absolute delight, starting with the origins of the world, the Titans and the rise of the Olympians, and putting a fresh twist on stories we’ve all heard so many times over the years.

Now, in Heroes, he picks up with the world of Ancient Greece once again, this time focusing on the mortals and semi-mortals who go off on epic quests, with either the assistance or the obstruction of the gods.

Many, if not all, of these stories were already familiar to me to some extent, but here, Fry delves deep into the details, tracing each heroic arc from origin to (potential) downfall. He cites conflicting narratives as needed, but he’s clearly done his research and has put together his own preferred versions of the stories.

Heroes includes the stories of Perseus, Heracles, Oedipus, Orpheus, and Theseus, with lots of characters and side stories and fun tangents. The book is informative and entertaining, but never feels like listening to a lecture. Instead, it’s storytelling at its finest, with a master storyteller lending his narrating skills to keep the stories flowing and fresh.

As with Mythos, I couldn’t resist treating myself to a copy of the hardcover edition of Heroes, and I’m so glad I did. It’s a beautiful book, with maps, illustrations of classical art to go with the stories, and an overall lovely presentation.

Still, while the physical book is gorgeous, I think you’d be missing out by reading it in print rather than listening to the audiobook. These are stories that are meant to be told, and in the voice of Stephen Fry, it’s an engaging and magical performance.

Upcoming listen: Book #3, Troy