Book Review: The Woman Beyond the Sea by Sarit Yishai-Levi

Title: The Woman Beyond the Sea
Author: Sarit Yishai-Levi
Translated by: Gilah Kahn-Hoffmann
Publisher: Amazon Crossing
Publication date: March 21, 2023 (originally published in Hebrew in 2019)
Print length: 413 pages
Genre: Historical fiction
Source: Purchased

Rating: 3.5 out of 5.

A mesmerizing novel about three generations of women who have lost each other—and the quest to weave them back into a family.

An immersive historical tale spanning the life stories of three women, The Woman Beyond the Sea traces the paths of a daughter, mother, and grandmother who lead entirely separate lives, until finally their stories and their hearts are joined together.

Eliya thinks that she’s finally found true love and passion with her charismatic and demanding husband, an aspiring novelist—until he ends their relationship in a Paris café, spurring her suicide attempt. Seeking to heal herself, Eliya is compelled to piece together the jagged shards of her life and history.

Eliya’s heart-wrenching journey leads her to a profound and unexpected love, renewed family ties, and a reconciliation with her orphaned mother, Lily. Together, the two women embark on a quest to discover the truth about themselves and Lily’s own origins…and the unknown woman who set their stories in motion one Christmas Eve.

Content warning: Suicide, rape, childhood neglect and abandonment

Sarit Yishai-Levi is the author of The Beauty Queen of Jerusalem, an immersive novel about a Sephardic family in 20th century Israel, which has been adapted into an addictive Netflix series (and just when are we getting season 3???).

In her new novel, The Woman Beyond the Sea, we open in the 1970s with Eliya, a woman in her mid-20s who has been used and then dumped by her self-centered husband. Eliya completely falls apart, and her parents Shaul and Lily are at a loss about how to help her.

Lily herself is a strange and troubled woman. Abandoned at a convent as a newborn, she was raised by nuns with no knowledge of her past, no family and no connections. After running away from the convent as a teen, she bounces from one temporary living arrangement to another until she finally meets Shaul, a man who adores her and offers her a future that she never thought she’d have. But Lily, raised without love or family, doesn’t know how to trust or give love, and after experiencing a particularly harsh tragedy, is unable to raise Eliya with a mother’s love.

The cycle of strangled feelings and alienation continue until Eliya is able, after enduring her own psychological crises, to bridge the distance between herself and her mother. After great struggle, Eliya and Lily finally join together to understand Lily’s past and to search for the answers that have always been missing.

The Woman Beyond the Sea is quite intense emotionally, and the two women, Eliya and Lily, are not kind to themselves or to each other. It’s disturbing to see how much hurt they carry internally and the ways they hurt one another.

My reactions to this book are mixed. I loved the setting and the time period, loved seeing Tel Aviv through the characters’ experiences, loved the elements of culture that permeate the characters’ lives.

I didn’t love the writing style — although I wonder if some of this is a translation issue. Originally published in Hebrew, there are phrases and expressions that feel clunky or awkward here in English — but I know just enough Hebrew to pick up occasional moments where certain colloquial expressions in the original language might have felt more natural. (Sadly, I definitely do not have enough Hebrew to read an entire novel!)

Beyond the translation issues, the storytelling itself is not in a style that particularly works for me. Especially in the first half, chapters are painfully long (30 – 60 pages), and the narrative jumps chronologically within a character’s memories — so a character remembering her early married life will interrupt these thoughts to remember something from her school days, and then perhaps interrupt yet again for an earlier memory before coming back to the original set of thoughts. It’s confusing and often hard to follow, and kept me from feeling truly connected to the characters until much later in the book.

There’s a terrific twist and big reveal late in the book that really redeemed the reading experience for me and pulled me in completely. Truly fascinating, although I can’t say a single thing about it without divulging things better not known in advance.

Still, even this high point in the book is offset by some unforgivably cruel shaming and harsh judgments about actions taken to survive and situations outside of a character’s control. Again, I don’t want to reveal details, but I was really angered by the words used by certain characters and found their reactions totally unacceptable and awful.

Overall, there’s a compelling story at the heart of The Woman Beyond the Sea and I always wanted to know more. And yet, the problematic elements and weirdly structured storytelling left me frustrated too often to rate this book higher than 3.5 stars.

A note on content warnings: I don’t typically include these, but felt the topics of suicide and rape need to be called out in advance, for readers who are triggered by or prefer to avoid these topics.

Book Review: The Poisoner’s Ring (A Rip Through Time, #2) by Kelley Armstrong

Title: The Poisoner’s Ring
Series: A Rip Through Time
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 23, 2022
Length: 352 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 4 out of 5.

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell―even though Mallory is in Catriona’s body―and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister.

Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that. But she must tread carefully. Every move the household makes is being watched, and who knows where the investigation will lead.

The Poisoner’s Ring is the 2nd book in Kelley Armstrong’s A Rip Through Time series, and while there’s a murder-mystery plot that’s complicated and compelling, I think a reader would be completely lost if they try to start here without reading the first book.

But the first book was great, so why not start at the beginning???

To recap as simply as possible, the plotof A Rip Through Time has to do with a modern-day detective who gets pulled through a rip in time while visiting Edinburgh and ends up in the 19th century. Mallory’s inner self now inhabits the 19-year-old body of housemaid Catriona… and she presumes that Catriona must be stuck inside Mallory’s body in the 21st century. (There’s a lot more to it, so check out my review for more details).

Here in book #2, The Poisoner’s Ring, about a month has passed since the events of the last book. Mallory hasn’t figured out how to get back to her own time, so she’s still stuck in a strange time and a strange body. Fortunately, Catriona’s employer, Dr. Duncan Gray and his widowed sister Isla know the truth about Mallory, and accept her. Even better, they’re both scientists, and they’re fascinated by what Mallory can teach them about advances in forensics and chemistry.

It’s an odd and consistently entertaining juxtaposition. Mallory finds herself about 10 years younger than her true age, in a much more delicate body, stuck wearing petticoats and corsets, yet in full possession of her true skills and knowledge. She has to learn to defend herself in this weaker, daintier body, and must learn to curb her natural instincts in order to fit in, at least on a surface level, in this Victorian setting. Chasing a perp down the streets just isn’t ladylike and is sure to attract unwanted attention… not to mention just how challenging she finds running and fighting in a corset.

The plot of The Poisoner’s Ring centers around a series of deaths that appear to be murder by poison. There are rumors of a poisoner’s ring — basically, an urban myth about unhappy wives referring one another to a source for illegal poison which they then use to kill their husbands. Since none of the victims appear to be connected, it’s a clever scheme… but Mallory isn’t buying it. As she, Duncan, and Isla dig deeper, they discover all sorts of secrets and misdeeds, but unfortunately, Duncan and Isla’s oldest sister ends up implicated as well. As the saying goes… now it’s personal.

This book is a delight, as is the first in the series. There’s something so completely delicious about having this 21st century detective mouthing off to her confidantes, with all of her modern-day attitude and know-how coming out of the mouth of a delicate young (and formerly illiterate and untrustworthy) housemaid.

The murder plot itself is complicated, maybe more so than really suits my reading tastes, but that’s more a matter of my preferred types of fiction than a knock against this book. After a certain point, I stopped trying very hard to keep all the various suspects and conspirators straight, and just enjoyed it for the sake of seeing Mallory in action, as well as the other main characters, who are also quite interesting and fun to spend time with.

I love Mallory’s dialogue and her inner thoughts — so amazingly out of place for where she finds herself. Her wry observations never fail to amuse:

The public house is, like most things in Victorian Edinburgh, both what I expect and not what I expect. My visual renderings of scenes like this all come from Hollywood, where’ I’m going to guess that — unless it’s a mega-budget movie — there’s a standard-issue “Victorian pub” on a soundstage somewhere.

… [T]here’s the boy just ahead of us, who has coming running from a shop a few blocks over, where he is employed to read the paper to the workers. They chip in to buy a newspaper and pay him a small wage to sit at a table and read aloud while they work. The Victorian version of a radio newscast… complete with child labor.

(I won’t give the context for this one, since it’s a bit of a plot spoiler, but I love the idea:)

It’s the Victorian equivalent of a deepfake.

The Poisoner’s Ring is a terrific 2nd book that builds on the promise of the 1st. Our main character continues to be a fish-out-of-water, surviving and thriving on her wits and 21st century know-how, stuck where she doesn’t want to be — but while stuck, making a life for herself. Because Mallory’s circumstances remain unresolved as of the end of this book, I can only assume that there will be more to come in this series, and I am here for it!

Highly recommended, and as I keep saying — starting with book #1 is a must!

Book Review: To Swoon and To Spar (The Regency Vows, #4) by Martha Waters

Title: To Swoon and To Spar
Series: The Regency Vows, #4
Author: Martha Waters
Publisher: Atria
Publication date: April 11, 2023
Length: 336 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

The Regency Vows series returns with this story about a viscount and his irascible new wife who hopes to chase her husband from their shared home so that she can finally get some peace and quiet—only to find that his company is not as onerous as she thought.

Viscount Penvale has been working for years to buy back his ancestral home, Trethwick Abbey, from his estranged uncle. And so he’s thrilled when his uncle announces that he is ready to sell but with one major caveat—Penvale must marry his uncle’s ward, Jane Spencer.

When the two meet in London, neither is terribly impressed. Penvale finds Jane headstrong and sharp-tongued. Jane finds him cold and aloof. Nevertheless, they agree to a marriage in name only and return to the estate. There, Jane enlists her housekeeper for a scheme: to stage a haunting so that Penvale will return to London, leaving her to do as she pleases at Trethwick Abbey. But Penvale is not as easily scared as his uncle and as their time together increases, Jane realizes that she might not mind her husband’s company all that much.

The Regency Vows series is a fun, upbeat set of stories centered around a circle of friends who have decidedly non-traditional love stories in a time when social rules are everything. Four books in, the series continues in its lively approach, this time focusing on a marriage of convenience that (surprise, surprise) turns into a true romantic match.

The first three books focused on three close friends — Violet, Diana, and Emily — each getting their own story of love, bickering, bargains, sexytimes, and total devotion, plus healthy doses of their friendship, which really makes the books stand out. Yes, they’re romances, but the women’s relationships with one another are just as important as the love stories.

Here in book #4, To Swoon and To Spar, the story shifts to Diana’s brother, Lord Penvale — close to his sister, very good friends with all of his sister’s friends’ husbands, but not particularly looking for love or marriage. Since childhood, his one goal (or should we say, obsession?) has been to buy back his family’s estate from his greedy uncle.

At long last, the uncle is ready to sell, but there’s a catch: He wants to be rid not only of the Cornwall estate, but also his ward, a serious young woman named Jane whose late father served with him in the Navy. If Penvale wants Trethwick, he’ll have to marry Jane. Penvale wants the estate, and Jane wants to be rid of her guardian. The match seems to offer both what they want, and after a very sensible discussion, they agree to move forward.

Penvale does not know that Jane is secretly plotting to drive him away from Trethwick. She doesn’t hate Penvale and has no malicious motivation — she’s simply very shy and introverted, and would rather be left alone at the beloved mansion in Cornwall to enjoy the huge library and the gorgeous views, without a pesky husband to contend with.

Needless to say, all does not go according to plan, and Penvale is not nearly as gullible as Jane had hoped. And as is true with all of the pairings in this series, sparks fly, and before long, the dry, sensible all-business marriage threatens to turn into a true meeting of hearts and minds.

While the ghost story aspect is very silly (maybe even ridiculous), it’s still cute to read, and I liked both Penvale and Jane as characters. Early on, I missed the rest of the friend circle and their banter and antics, but eventually they do show up, and dial up the fun to eleven.

Jane is quite prickly, and at first I thought she was one of these typical strong-willed heroines that we’ve seen so many times, where unpleasantness is meant to be a sign of her independence and proto-feminism. But in actuality, so much of Jane’s unfriendliness can be attributed to her social awkwardness and intense shyness, and it makes her so relatable and lovable.

The writing is jaunty and witty, and made me giggle throughout the book, such as…

Jane meant to make an elegant, stately departure at this juncture, but at that moment, she came to learn a truth — perhaps not universally acknowledged but undeniable all the same: It is impossible for a lady to extract herself from straddling a gentleman’s lap with anything approaching grace.

Of course, I knew for sure that Jane was a woman after my own heart when she (irritably) explains to a visitor:

“I like to reread books from time to time,” Jane added. “I wouldn’t expect you to understand.”

Since this is a romance, I suppose it’s a requirement that there’s a major falling out between Penvale and Jane that drives them apart prior to the inevitable happy ending. The misunderstanding and separation felt like the weakest links in the story to me, as both seemingly smart characters jumped to miserably unfounded conclusions — but fortunately, this unhappy phase wasn’t dragged out for too long.

To Swoon and To Spar is an entertaining, silly, joyful addition to a sweet series, and I look forward to seeing which couple will take center stage next time around. I have my guesses… but we’ll have to wait and see!

Book Review: Lessons in Chemistry by Bonnie Garmus

Title: Lessons in Chemistry
Author: Bonnie Garmus
Publisher: Doubleday
Publication date: March 31, 2022
Length: 400 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 3.5 out of 5.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo.

Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

I’ve finally given in to the hype surrounding Lessons in Chemistry. After seeing this book’s weekly appearance on bestseller lists, the Goodreads Choice award buzz, and its selection as Barnes & Noble’s book of the year for 2022, I decided to give it a try — and while I’m glad that I did, I also have a few issues with the book.

I intentionally avoided reading reviews ahead of time, since I wanted to go in without preconceptions. In this case, there’s one plot point that I wish I’d known in advance.

The synopsis describes the book as “laugh-out-loud funny”, and yes, there are funny moments. However (and this is a big HOWEVER):

Content warning: There is a rape scene right near the start of the book.

I repeat, a book described as “laugh-out-loud funny” has a vividly described rape scene at the very beginning, and then never deals with the aftereffects in terms of trauma and survival, only focusing on the very practical impact on Elizabeth’s science career. How many people who picked up this book expecting something upbeat and silly found themselves triggered by this unexpected scene? After finishing the book, I started googling reviews, and see that there are more than a few people who walked away from the book based on that scene. Someone — the publisher? the marketing team? the author? — should have thought about this a little more.

If you can get past that opening, the rest of the book is fast-paced and entertaining, although I still don’t think I laughed out loud. Lessons in Chemistry uses quirky dialogue and interior thoughts to show the struggles of a brilliant woman trying to claim her place as a scientist in an era that wanted her to keep silent and follow the wife-and-mother path.

Elizabeth’s education and career are derailed early on, yet she does not give up and refuses to give in. She has a spectacular romance with fellow chemist Calvin, which we know from the early pages must end somehow, because she’s a single mother at the start of the novel. How we get from the romance to single motherhood is not something I’ll disclose here, but I will say that there are lovely moments as well as tragic ones. Through it all, Elizabeth battles the idiotic sexist norms that belittle her abilities, steal her work, deny her resources, and then force her out when she fails to follow misogynistic expectations.

There are plenty of ups and downs, and somehow, Elizabeth finds herself subverting a local TV station’s afternoon cooking show by making it into kitchen chemistry lessons that also encourage women to seek empowerment, enrichment, and standing up for themselves.

All this is admirable, yet somehow I found it all a bit unlikely. Yes, it’s fiction, and I’m all for strong women breaking barriers and refusing to back down — yet could a woman like Elizabeth in 1960 have this kind of impact? The success of her show, and the ripple effect amongst her viewers, seems highly implausible in terms of the actual time period.

There are other elements that clearly place this book outside the lines of a realistic depiction of… well… anything. Sections are told from the point of view of her dog, Six-Thirty, who can recognize hundreds of English words thanks to Elizabeth’s tutelage. I’m sure many readers will be charmed by Six-Thirty’s narratives, but for me, the approach got old pretty quickly.

Then there’s the matter of Elizabeth’s daughter Mad, who is so precocious that she’s reading Dickens at age 5. It’s lovely that Elizabeth has nurtured Mad to be intellectually curious and able to explore anything and everything that interests her, but even with outstanding reading abilities, I find it impossible to believe that a five-year-old could actually comprehend the content of a Dickens novel.

Those are some pretty major quibbles… and yet, I did race through the book, and once I acknowledged and then shelved the things that were bugging me, I found it an enjoyable read. The writing is pretty zingy, with lots of passages that caught my attention:

In the 1950s, abortion was out of the question. Coincidentally, so was having a baby out of wedlock.

“What’s wrong?” Elizabeth begged for the millionth time. “Just TELL me!” But the baby, who’d been crying nonstop for weeks, refused to be specific.

The biggest benefit in being the child of a scientist? Low safety bar. As soon as Mad could walk, Elizabeth encouraged her to touch, taste, toss, bounce, burn, rip, spill, shake, mix, splatter, sniff, and lick nearly everything she encountered.

There are also, though, some weird word usages, such as “she muffled into his shoulder”. I don’t think “muffled” as a verb works that way, sorry.

**Save

The book’s ending is satisfying, if improbable. Lots of coincidences come together to create a great outcome for Elizabeth and Mad, while also providing payback to someone who definitely deserves it.

(I was still annoyed that Elizabeth never got to finish her Ph.D., but who knows? Maybe that still lies in her future.)

Lessons in Chemistry was a fast read that held my attention, but the rape scene was a big stumbling block for me. Add to that the many smaller details that struck me as unlikely or oddly portrayed, and I’m left with very mixed feelings. Overall, I’m glad I gave the book a chance, but can’t say that I loved it.Save

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Book Review: A Sinister Revenge (Veronica Speedwell, #8) by Deanna Raybourn

Title: A Sinister Revenge
Series: Veronica Speedwell, #8
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 7, 2023
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Veronica must find and stop a devious killer when a group of old friends is targeted for death in this new adventure from the New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.

Veronica’s natural-historian beau, Stoker, has been away in Bavaria for months and their relationship is at an impasse. But when Veronica shows up before him with his brother, Tiberius, Lord Templeton-Vane, he is lured back home by an intriguing job offer: preparing an iguanodon for a very special dinner party.

Tiberius has received a cryptic message—along with the obituaries of two recently deceased members of his old group of friends, the Seven Sinners—that he too should get his affairs in order. Realizing he is in grave danger but not knowing why, he plans a reunion party for the remaining Sinners at his family estate to lure the killer out while Veronica and Stoker investigate.

As the guests arrive and settle in, the evening’s events turn deadly. More clues come to light, leading Veronica, Stoker, and Tiberius to uncover a shared past among the Sinners that has led to the fatal present. But the truth might be far more sinister than what they were prepared for.

Hurray! A new Veronica Speedwell adventure is here, and it’s deliciously complicated and captivating.

Veronica is a dedicated lepidopterist and natural history enthusiast, with a more-or-less accidental sideline in investigating unsavory crimes such as murder, impersonation, and other deadly pursuits. In partnership with her soulmate Stoker, who is perhaps more obsessed with taxidermy than might be advisable, she pursues solutions to complex conspiracies and usually manages to bring wrong-doers to justice — even if her definition of justice doesn’t always match up exactly with the legal system’s definition.

As A Sinister Revenge opens, Veronica is dealing with the fall-out of a MAJOR complication that came to light in the previous book, An Impossible Impostor. The impact on her relationship with Stoker is severe — he’s removed himself from London to engage in fieldwork, and has quite clearly asked Veronica for space. Yes, he still loves her… but is that enough?

When Stoker’s oldest brother Tiberius requests Veronica’s help, they track down Stoker to the forests of Bavaria, where Tiberius pleads for help. He’s received death threats, and needs Veronica and Stoker to figure out who they’re from — and prevent his own and possibly other people’s demise.

The action moves to Tiberius’s country estate, to which he invites close companions from his youth, all of whom may be either potential murder victims… or the murderer. With our power duo on the case, the house party will hopefully end with the discovery of motive, means, and the guilty party, and not with dead bodies to mourn.

As always, Veronica and Stoker are incredibly fun to spend time with. Veronica, as narrator, is full of snark and sass, highly intelligent, and fully insistent on her right to be her own person, and not give in to societal expectations about a woman’s proper place. Because she and Stoker are semi-estranged for much of the book, some of their usual spicy chemistry and high-octane banter are missing, but they still manage to work together, contradict one another, and focus on the case enough to keep the entertainment value high.

The mystery itself is a good one, combining tropes such as a country-house/isolated setting, a guest list where one person is sure to be the murder, and many, many red herrings. There are plenty of clues scattered throughout, but also quite a bit of misdirection and false leads. I was kept guessing throughout the book, and found the unraveling of secrets and eventual big reveal of the whodunit very clever and very, very well done.

I always love seeing Veronica in action, and adore her independence, risk-taking, and sense of adventure. I also love her whole-hearted embrace of the importance of physical love as well as romantic love (or as she puts it: “Physical congress, I have often observed, is as revivifying to the spirt as to the body”.)

The writing in this series is utterly delightful — this book includes such terrific vocab words as “omnificent”, “rampageous”, “rumbustious” “cicerone”, “thaumatrope”, “vellicate”, and more. The dialogue is quick and witty, and the characters are all quite distinct and entertaining.

Eight volumes in, the Veronica Speedwell mysteries remain energetic, clever, and enchanting. In A Sinister Revenge, we get a captivating mystery plot as well as terrific character dynamics. Once again, I read the newest release much too quickly, and now face the long, long wait for another new book!

I’ll end with the same advice I’ve included in my reviews of every book in this series: If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!

This series has become one of my favorites. Don’t miss it.

Book Review: Luck of the Titanic by Stacey Lee

Title: Luck of the Titanic
Author: Stacey Lee
Publisher: G.P. Putnam’s Sons
Publication date: May 4, 2021
Length: 368 pages
Genre: YA historical fiction
Source: Purchased
Rating:

Rating: 3 out of 5.

Valora Luck has two things: a ticket for the biggest and most luxurious ocean liner in the world, and a dream of leaving England behind and making a life for herself as a circus performer in New York. Much to her surprise, though, she’s turned away at the gangway; apparently, Chinese people aren’t allowed into America.

But Val has to get on that ship. Her twin brother, Jamie, who has spent two long years at sea, is on board, as is an influential circus owner. Thankfully, there’s not much a trained acrobat like Val can’t overcome when she puts her mind to it.

As a stowaway, Val should keep her head down and stay out of sight. But the clock is ticking and she has just seven days as the ship makes its way across the Atlantic to find Jamie, audition for the circus owner, and convince him to help get them both into America.

Then one night, the unthinkable happens, and suddenly Val’s dreams of a new life are crushed under the weight of the only thing that matters: survival.

I’ve been a bit obsessed with Titanic this week, after seeing the movie again after so many years, so I decided to dig into this YA historical novel about a Chinese-British teen and her Titanic voyage.

Valora and her twin brother Jamie grew up in London, the children of a Chinese father and a Cockney mother. Their father taught them a thousand ways to get by, whether through get-rich-quick scams, trickery, or performing amazing acrobatics and passing the hat. After the deaths of both parents, Jamie left England behind to work in the boiler-rooms of ships sailing the world, and Val worked as a lady’s assistant to a wealthy upper class woman.

Val’s employer, Mrs. Sloane, booked passage on Titanic for herself and Val, but then died shortly before the sailing date. Val decides to go anyway after learning that Jamie will be onboard as part of a crew of Chinese shipworkers being sent to New York and then Cuba for their next assignment.

Val plans to brazen out the sailing by pretending that Mrs. Sloane is there with her, keeping to herself in her first-class cabin, but plans go awry almost immediately. Val is denied boarding, as the Chinese Exclusion Act is in effect in the United States, and without authorization papers, she’ll be turned away immediately in New York. Val doesn’t take defeat so easily, and deploying her courage and acrobatic skills, she manages to sneak onboard, then find a way to inhabit Mrs. Sloane’s cabin and, courtesy of a black mourning veil, pretend to be the wealthy woman.

Meanwhile, once the ship sails, she reunites with Jamie, and divides her time between the first-class quarters and the lower deck seamen’s quarters, donning “sea slops”, eating in the third class dining hall, and concocting plans to perform a twin acrobatics act for the circus bigwig also traveling on Titanic.

The first 70% or so of Luck of the Titanic is the story of Val’s desperate attempts to avoid having her deceptions discovered, convince Jamie to give up his sea career and start a life with her in New York, and find a way to audition for the circus. And then, of course, none of this matters any longer, once the fateful night of April 14th arrives and Val and Jamie begin a struggle to survive as the Titanic sinks.

As with any book about Titanic, once the ship hits the iceberg, the drama is amplified and the scope of the human tragedy takes over the narrative. Naturally, this section of the book is the most moving and compelling. Val and Jamie take risks and make bold moves to try to ensure the survival of the crew they feel responsible for, but at the same time, each is committed to making sure the other makes it onto a lifeboat before it’s too late.

I found myself not entirely swept up in the book as a whole. It skews a little young, in my opinion — it might be good for a younger teen audience, but as an adult reader who often enjoys YA, I found it a little lean and less than believable. Val’s impersonation of a first class traveler, her stowaway status, and the remarkable luck she has in mostly getting away with it all and finding key allies stretches reality. In particular, the scene of how she gets on board in the first place is so beyond belief that it sets a tone of “okay, REALLY?” that lingers throughout the book.

The writing also didn’t sit particularly well with me. There are some truly clunky descriptions:

His back is steep and contoured like the cliffs of Dover when golden sunlight falls upon them.

… and some that I didn’t particularly understand. I really have no idea what these two are supposed to mean:

His hair tapers to a curve at the nape of his neck, like a hook waiting for a wriggly finger to bait it.

… brown rubber-soled shoes look as faithful as a pair of beagles.

Some of the dialogue is awkward too, although it’s not clear to me if the author is trying to capture era-appropriate slang or the Cockney influence. Either way, it doesn’t particularly flow.

“Jamie’s the oldest born, which means he’s the most important one, and he loves the queasy seasies.”

“Well, aren’t you a nelly naysayer, rabbitin’ on, all gloom and doom.”

I did appreciate learning about the status of the Chinese passengers, the rampant discrimination they faced even among the other immigrants in steerage, and the teachings and superstitions that Val and Jamie learned from their optimistic yet unsuccessful father.

Authors setting fiction in such a well-documented setting have a very specific challenge: Creating fictional characters to inhabit a world where every person present historically is known and accounted for. Some real-life Titanic passengers are present in the narrative, and as in the movie Titanic, where Jack Dawson is missing from ship records because he wasn’t a registered passenger, Val’s stowaway status is a viable excuse for how someone could be on the Titanic without ever becoming part of the written history.

Luck of the Titanic is compelling by the end, but it would be hard to write a story set on the Titanic that isn’t. I had too many issues with the believability of the story and the characters’ actions to truly get absorbed by the book as a whole — but overall, the approach was interesting enough to hold my attention, even if I wasn’t fully invested.

Audiobook Review: Miss Austen by Gill Hornby

Title: Miss Austen
Author: Gill Hornby
Narrator:  Juliet Stevenson
Publisher: Flatiron Books
Publication date: January 23, 2020
Print length: 288 pages
Audio length: 10 hours, 56 minutes
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Whoever looked at an elderly lady and saw the young heroine she once was?

England, 1840. For the two decades following the death of her beloved sister, Jane, Cassandra Austen has lived alone, spending her days visiting friends and relations and quietly, purposefully working to preserve her sister’s reputation. Now in her sixties and increasingly frail, Cassandra goes to stay with the Fowles of Kintbury, family of her long-dead fiancé, in search of a trove of Jane’s letters. Dodging her hostess and a meddlesome housemaid, Cassandra eventually hunts down the letters and confronts the secrets they hold, secrets not only about Jane but about Cassandra herself. Will Cassandra bare the most private details of her life to the world, or commit her sister’s legacy to the flames?

Moving back and forth between the vicarage and Cassandra’s vibrant memories of her years with Jane, interwoven with Jane’s brilliantly reimagined lost letters, Miss Austen is the untold story of the most important person in Jane’s life. With extraordinary empathy, emotional complexity, and wit, Gill Hornby finally gives Cassandra her due, bringing to life a woman as captivating as any Austen heroine.

What a lovely book! I have to admit that prior to reading Miss Austen, I’ve never really spent much time reading about Jane Austen’s life beyond the occasional article or Wikipedia page. I love her novels, but somehow never found myself wanting to look beyond into the author’s actual life.

In Miss Austen, we learn about Jane and the larger Austen family through the eyes of Jane’s older sister Cassandra. As the story begins, Cassandra journeys to Kintbury in 1840, ostensibly to help Isabella Fowle pack up the vicarage after her father’s death, but in reality, Cassandra has a different mission: She knows that Jane frequently wrote to Isabella’s mother Eliza, and she worries that unless she intervenes, potentially damaging personal correspondence of Jane’s may end up in the wrong hands, possibly tarnishing her public reputation.

Note: Throughout this book, lines from Hamilton kept popping into my head: Who lives, who dies, who tells your story? Who gets to tell a person’s story, who decides what to keep private and what to make public — these questions are very relevant to Cassandra’s main plot arc in the 1840 chapters of the book.

Using a split timeline, we follow Cassandra’s quest as an older woman to retrieve Jane’s letters. Through flashback chapters, we also see Cassandra’s journey from young woman to older spinster, always with Jane first and foremost in her mind.

As a younger woman, Cassandra became engaged to Tom Fowle (Eliza’s brother). Over the moon in love, the two were eager to wed, but agreed that a long engagement would be prudent. However, tragedy prevents the marriage from taking place, and from that point forward, the course of Cassandra’s life is set.

As the years progress and the fortunes of the Austens rise and fall, we see Cassandra’s devotion to Jane, as she protects her, nurtures her, and cares for her during her spells of melancholy (which today would likely be diagnosed as depression). The sisters’ love is quite beautiful to read about, and eventually, they and their cousin Martha find happiness in their lives as three single women setting up a home together.

I won’t go into a ton of detail here, but suffice to say, the characters are well-drawn, and the circumstances of Jane and Cassandra’s life together invokes some sadness, even during their happier years. There were moments when I almost wished I wasn’t reading historical fiction about real people: Certain plot points had me practically begging for a different outcome, but knowing that key elements of the Austens’ lives really couldn’t be changed (you know, since they were real people!), it was frustratingly sad to see possible love and joy slip away time after time.

Still, I was also captivated by the sisters’ wit and humor, by the clever dialogue created for Jane, and by the family’s tradition of having Jane read her works in progress to the family each evening. Again, seeing how I’d never read an actual biography of Jane Austen, the depiction of her writing challenges and successes was quite informative, and based on what I’ve looked up since, largely sticks to the facts as they’re known.

I need to give a huge hurrah to the terrific audiobook narration by Juliet Stevenson. What a treat! A few years ago, I went on an Austen audiobook binge, and five of the six I listened to were narrated by Juliet Stevenson. She’s amazing. Having her narrate Miss Austen made this an especially delightful experience. Because I’m used to hearing her narrate Austen’s characters, it felt like slipping back into those worlds listening to her voice this story as well. And I had to chuckle when certain obnoxious family members (especially a self-satisfied sister-in-law) were voiced so similarly to particularly annoying Austen characters. (Mrs. Elton from Emma is one who came immediately to mind… which made me wonder, was that character perhaps inspired by Jane’s real family member?)

I’ve had my eye on Miss Austen since it came out in 2020, but hadn’t gotten around to it until my book group selected it for this month’s group read. So, once again, enormous gratitude to my book group for leading me to yet another terrific reading experience!

I very much enjoyed Miss Austen. Highly recommended for Jane Austen fans!

PS – Now that I’ve read Miss Austen, I’m much more interested in a good Jane Austen biography! Any recommendations?

Book Review: Carrie Soto Is Back by Taylor Jenkins Reid

Title: Carrie Soto Is Back
Author: Taylor Jenkins Reid
Publisher: Ballantine Books
Publication date: August 30, 2022
Length: 384 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

In this powerful novel about the cost of greatness, a legendary athlete attempts a comeback when the world considers her past her prime—from the New York Times bestselling author of Malibu Rising.

Carrie Soto is fierce, and her determination to win at any cost has not made her popular. But by the time she retires from tennis, she is the best player the world has ever seen. She has shattered every record and claimed twenty Grand Slam titles. And if you ask Carrie, she is entitled to every one. She sacrificed nearly everything to become the best, with her father, Javier, as her coach. A former champion himself, Javier has trained her since the age of two.

But six years after her retirement, Carrie finds herself sitting in the stands of the 1994 US Open, watching her record be taken from her by a brutal, stunning player named Nicki Chan.

At thirty-seven years old, Carrie makes the monumental decision to come out of retirement and be coached by her father for one last year in an attempt to reclaim her record. Even if the sports media says that they never liked “the Battle-Axe” anyway. Even if her body doesn’t move as fast as it did. And even if it means swallowing her pride to train with a man she once almost opened her heart to: Bowe Huntley. Like her, he has something to prove before he gives up the game forever.

In spite of it all, Carrie Soto is back, for one epic final season. In this riveting and unforgettable novel, Taylor Jenkins Reid tells her most vulnerable, emotional story yet.

I’ve read all of Taylor Jenkins Reid’s books by now, have loved most, and at a minimum, have really liked even the ones that didn’t quite rise to 5-star levels for me. But I hesitated — a LOT — about reading Carrie Soto Is Back. A book about a tennis player? How could that possibly be relevant to me?

I should have had more faith! In the hands of Taylor Jenkins Reid, even a book on a subject I didn’t expect to care about managed to pull me in and hook me until the end.

Carrie Soto was born to be a tennis star. Daughter of a man who was himself a tennis phenomenon, she’s been on courts since she was a toddler. Under the coaching of her father Javier, Carrie’s entire existence has been focused on one thing only: being the best. Period.

The first section of the book is about Carrie’s rise to the top. From her childhood training sessions to the all-consuming process of going pro, to finally becoming the woman who set record after record by winning the most Grand Slam titles in history, Carrie is untouchable in her success. She also has earned the nickname of “The Battle-Axe” (and worse things) — she’s ruthless and unabashedly (some might say cruelly) competitive. She doesn’t pretend to be polite or nice. She wants to destroy her opponents on the court, and she does, tournament after tournament. She’s the most well-known woman athlete of her time… but no one actually likes her.

The story really heats up in the mid-90s, when Carrie, several years after retirement, sees her Grand Slam record broken by a younger player, Nicki Chan. Carrie feels as though her entire existence is being called into question. At the “old” age of 37, Carrie decides to win back her record. And despite exactly no one in the world of tennis thinking she can do it, Carrie and Javier set out to prove — one more time — what she’s capable of.

Carrie is a hard character to like, which is entirely intentional. She’s driven and focused — nothing but tennis and being the best matter to her. She has no use for flattery or friendship. She’s not here to make nice. She’s here to win. Yet as we spend time with Carrie, we get to see more of what drives her, and finally start to see the chinks in her armor give way, just a tiny bit, as she admits to herself that she does actually need people in her life.

I’ll admit that I had a hard time with parts of this book. I mean, I really have no experience with tennis, so reading shot-by-shot descriptions of each match felt a little much at times. Still, once I got into the rhythm of the book, I did find myself absorbed by Carrie and Javier’s meticulousness in their strategy and gameplay. If you’d asked me before I read Carrie Soto Is Back, I’d have said that tennis is just two people hitting a ball back and forth until one misses. But now, I have a much greater appreciation for the minutiae of shot planning and match strategy, and have a little bit more understanding of the complexity of what actually happens on the court.

As for the emotional impact, it’s slow to hit, but eventually, I felt very invested in Carrie’s comeback, especially as we spend so much time on her inner world and get to see how it aligns (or doesn’t) with what the rest of the world sees. Carrie is difficult and prickly, but there’s an inner core that a few people manage to reach, and when we see Carrie’s connection with certain people, it’s quite lovely.

As a book set in the world of professional tennis in the 80s and 90s, there are depictions of the casual sexism of the time that are just astonishing. Not that our own time is free of this, but we have definitely come a long way. The cruelty of the sports commentators and media coverage, as shown through transcripts throughout the book, is just infuriating — and made me root for Carrie all the more.

Overall, I’m glad that I finally picked up Carrie Soto Is Back. It’s a fast, engrossing read about an unusual, powerful woman. Despite my initial hesitation, this book is a winner.

Shelf Control #344: The Book of V. by Anna Solomon

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

***Question for Shelf Control participants: I currently go ahead and add the links for participants’ posts as they’re shared in the comments or via pingbacks. Does this work for you, or would you prefer a system where you add your own links (such as via InLinkz or similar)? Please let me know!**

Title: The Book of V.
Author: Anna Solomon
Published: 2020
Length: 320 pages

What it’s about (synopsis via Goodreads):

Anna Solomon’s kaleidoscopic novel intertwines the lives of a Brooklyn mother in 2016, a senator’s wife in 1970s Washington, D.C., and the Bible’s Queen Esther, whose stories of sex, power and desire overlap and ultimately converge—showing how women’s roles have and have not changed over thousands of years.

Lily is a mother and a daughter. And a second wife. And a writer, maybe? Or she was going to be, before she had children. Now, in her rented Brooklyn apartment, she’s grappling with her sexual and intellectual desires while also trying to manage her roles as a mother and a wife.

Vivian Barr seems to be the perfect political wife, dedicated to helping her charismatic and ambitious husband find success in Watergate-era Washington D.C. But one night he demands a humiliating favor, and her refusal to obey changes the course of her life—along with the lives of others.

Esther is a fiercely independent young woman in ancient Persia, where she and her uncle’s tribe live a tenuous existence outside the palace walls. When an innocent mistake results in devastating consequences for her people, she is offered up as a sacrifice to please the king, in the hopes that she will save them all.

Following in the tradition of The Hours and The Red TentThe Book of V. is a bold and contemporary investigation into the enduring expectations and restraints placed on women’s lives.

How and when I got it:

I bought the Kindle edition of this book late in 2020.

Why I want to read it:

This is my second week in a row with a historical fiction pick for Shelf Control! So why this particular book?

Dual timeline narratives seem to be everywhere when it comes to historical fiction, particularly novels that focus on women’s lives and societal roles. I can’t say I’ve ever come across a split timeline combining modern women’s lives with Queen Esther before now!

I’ve always loved the story of Queen Esther — as a child, we learned the simplistic version about a good and beautiful queen saving her people. We never did give much thought to the previous queen, Vashti, except to consider her the “bad” queen who came before Esther. Of course, as an adult, I’ve enjoyed more nuanced views of the tale, and especially learning about Vashti as a feminist icon!

The idea of Esther/Vashti as ancient counterparts to contemporary women’s experiences sounds… weird??? But also potentially fascinating. On the surface, it seems like a stretch to me — but I remain interested in seeing how the author balances and contrasts the two stories, and wonder whether it works well or feels forced.

I do think I’ll read this one — maybe I’ll time it just right and read it in time for the holiday of Purim!

What do you think? Would you read this book?

Please share your thoughts!


__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!

Shelf Control #343: The Heretic’s Daughter by Kathleen Kent

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

Title: The Heretic’s Daughter
Author: Kathleen Kent
Published: 2008
Length: 332 pages

What it’s about (synopsis via Goodreads):

Martha Carrier was one of the first women to be accused, tried and hanged as a witch in Salem, Massachusetts. Like her mother, young Sarah Carrier is bright and willful, openly challenging the small, brutal world in which they live. Often at odds with one another, mother and daughter are forced to stand together against the escalating hysteria of the trials and the superstitious tyranny that led to the torture and imprisonment of more than 200 people accused of witchcraft. This is the story of Martha’s courageous defiance and ultimate death, as told by the daughter who survived.

Kathleen Kent is a tenth generation descendant of Martha Carrier. She paints a haunting portrait, not just of Puritan New England, but also of one family’s deep and abiding love in the face of fear and persecution.

How and when I got it:

I have no idea! I’ve had a paperback edition on my shelf for many years now, but I’m not sure how I ended up with a copy. (Library sale is a likely suspect!)

Why I want to read it:

The subject of the Salem witch trials is an endlessly fascinating (and terribly tragic) topic to read about. Until I sat down to write this post, I didn’t realize that the author of this book is a descendant of the real-life person this historical novel is about.

While I’ve read several novels focused on the Puritan era and witch trials, this one sounds like it has a different perspective from what I’ve read so far, and I’m interested to see how the author presents this mother-daughter story.

What do you think? Would you read this book?

Please share your thoughts!


__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!