Title: Arch-Conspirator Author: Veronica Roth Publisher: Tor Books Publication date: February 21, 2023 Length: 128 pages Genre: Science fiction Source: Review copy via the publisher Rating:
Rating: 4.5 out of 5.
From dystopian visionary and bestselling phenomenon Veronica Roth comes a razor-sharp reimagining of Antigone. In Arch-Conspirator, Roth reaches back to the root of legend and delivers a world of tomorrow both timeless and unexpected.
Outside the last city on Earth, the planet is a wasteland. Without the Archive, where the genes of the dead are stored, humanity will end.
Passing into the Archive should be cause for celebration, but Antigone’s parents were murdered, leaving her father’s throne vacant. As her militant uncle Kreon rises to claim it, all Antigone feels is rage. When he welcomes her and her siblings into his mansion, Antigone sees it for what it really is: a gilded cage, where she is a captive as well as a guest.
But her uncle will soon learn that no cage is unbreakable. And neither is he.
This slim novella is tautly written and beautiful presented. Word to the wise: It does help to have a passing familiarity with the classic story of Antigone before reading Arch-Conspirator… but I suppose it would work even without reference to the source.
In this dystopian reimagining of the tale, humanity has reached the brink of its own end. The planet is mostly uninhabitable. There’s one city left; outside it is the wilderness. All goods are scarce, buildings are decaying, and blowing dust covers everything. The only hope for humanity’s future is the Archive, where genetic material taken from people after death is stored. A quasi-religious value is attached to these Archives — the stored samples represent immortality for the dead, a way of saving and then resurrecting their souls.
It was hard to imagine a time when it hadn’t been this way — when plants grew untended in the wild, maintained by their own seeds spreading; when the plains beyond the city were overrun with animals that we had not bred ourselves; when genes persisted through the generations, presenting a person with their grandmother’s brow, their great-grandfather’s jaw. Everything required effort now. Everything required editing.
Antigone and her siblings are considered soulless abominations — their parents conceived them naturally, rather than going through genetic manipulation to achieve best results. They’re scorned and shunned, but as the living children of the murdered king and queen, they also represent power and legitimacy. With their uncle Kreon, now the ruler, looking to consolidate power and squash all attempts at rebellion, it’s only a matter of time until Antigone herself is caught at the center of the resulting devastation.
Arch-Conspirator is chilling to read. Being aware of the basics of the classic story, I knew that this would be a story with a tragic ending. Feeling the inevitable looming makes every page an exercise in suspense and sadness. Author Veronica Roth weaves this brief tale together with gorgeous writing and precise plotting. The end took my breath away!
Title: The Daughter of Doctor Moreau Author: Silvia Moreno-Garcia Publisher: Del Rey Publication date: July 19, 2022 Print length: 320 pages Genre: Science fiction Source: Review copy courtesy of the publisher via NetGalley Rating:
Rating: 3.5 out of 5.
From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.
Carlota Moreau: a young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of either a genius, or a madman.
Montgomery Laughton: a melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.
The hybrids: the fruits of the Doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.
All of them living in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron, who will unwittingly begin a dangerous chain reaction.
For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle, passions may ignite.
THE DAUGHTER OF DOCTOR MOREAU is both a dazzling historical novel and a daring science fiction journey.
Doctor Moreau is certainly having a moment!
Originally introduced in the sci-fi classic The Island of Doctor Moreau by H. G. Wells, published in 1896, this character has remained in the public imagination ever since, as shown by movie adaptations across the years as well as more recent novels that put various spins on the original story. (See my links/notes at the end of this post for more).
In the original, Doctor Moreau works on a remote island, where he uses the practice of vivisection to surgically transform animals into humans. Here in The Daughter of Doctor Moreau, the story is set in the Yucatan, against a backdrop of a Mayan uprising against the colonial landowners.
The main characters are Carlota, the doctor’s daughter, and Montgomery, the new majordomo of the estate, a broken man who drinks to forget, but develops a strong loyalty to both Dr. Moreau and his unusual, beautiful daughter.
Through their shifting perspectives, we follow Carlota over the years as she grows from a young teen to a young woman, obedient to her father and dedicated to caring for the hybrids, whom she sees as family rather than as creations.
Despite the estate’s isolated location, the outside world intrudes, precipitating events that endanger the hybrids and Carlota herself. Secrets are revealed, and Carlota and Montgomery are forced into a battle for survival.
While there are interesting twists to this interpretation of the Doctor Moreau story, I did not find myself particularly absorbed or invested in the story. The narrative feels very episodic and exposition-heavy, and while I enjoyed the descriptions of the natural world of the Yucatan, the characters and the plot did not pull me in to any great extent.
The hybrids remain mostly in the background — unfortunately, since they’re the most interesting part of the story — and Carlota’s secrets, when finally shared, didn’t surprise me at all.
After a very slow start, the book takes a turn for the better and picks up the pace by the mid-point, but overall, for reasons I can’t quite define, I always felt at arms-length from the characters and the story. I wasn’t bored exactly, but I also felt that I could have put the book down and walked away at any point without experiencing much curiosity about the rest of the story. Despite the potential of the overarching story, this book felt a little too flat for me, which was disappointing.
As for Doctor Moreau having a moment — I’ve read two other books in the past couple of years that use The Island of Doctor Moreau as a jumping-off point:
The Strange Case of the Alchemist’s Daughter by Theodora Goss is the first book in a very creative YA trilogy, which stars the daughters of famous (fictional) scientists as the central characters — including a very different version of a daughter of Doctor Moreau.
And for something truly different, bizarre, and totally amazing, there’s The Album of Doctor Moreau by Daryl Gregory, which centers on a pop music boy band made up of animal/human hybrids. It’s so weird… and I loved it.
Title: What Moves the Dead Author: T. Kingfisher Publisher: Tor Nightfire Publication date: July 12, 2022 Print length: 176 pages Genre: Horror Source: Review copy courtesy of the publisher via NetGalley Rating:
Rating: 5 out of 5.
From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe’s classic “The Fall of the House of Usher.”
When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania.
What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves.
Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.
I’m convinced that the coming apocalypse will be the work of killer fungi. There are certainly enough works of horror fiction to back me up! What Moves the Dead further cements my belief that fungi are the creepiest life form there is. Prove me wrong!
What Moves the Dead is a twisted retelling of Edgar Allan Poe’s The Fall of the House of Usher. As in the original, the main character is summoned to a dark, disturbing, decrepit mansion located on the shores of a dark, scary tarn (lake), where a childhood friend cares for his dying sister and seeks companionship and support in their looming disaster.
In What Moves the Dead, Poe’s unnamed narrator is replaced by Lieutenant Alex Easton, a retired “sworn” soldier from the country of Gallacia, who once served as Roderick Usher’s officer during wartime, and who even earlier was close friends with Madeline Usher. Alex is shocked and horrified at the sight of the siblings, who appear gaunt, withered, and years older than their actual age. Madeline truly does seem to be on the verge of death, and Roderick appears unwell himself. The entire house and surrounding countryside (and that darned tarn) seem menacing, perhaps even poisonous.
Alex arrives at the house to find an American doctor already in residence, whose brashness eventually gives way to common cause. Dr. Denton doesn’t quite know what’s ailing Madeline either, but she does appear to be on the point of death.
Alex also meets Eugenia Potter, an Englishwoman whose chief passion in life is mycology (and who fumes against the stupid men-only rule of the English scientific societies of the time). Alex, Denton, and Potter all share the belief that something is wrong, not just with the Ushers but with the natural world too. What’s up with all the strangely-behaving hares in the area?
This short work is delightfully, deliciously creepy! The house is moldy, there are awful looking mushrooms all over the grounds, and the lake is stagnant and gross and seems too terrible to want to be anywhere near. I’ve read enough creepy fungi horror stories to have a pretty good sense of where the story would end up, but it was so much fun getting there, and the author still managed to surprise me time after time with all the crazy, strange, awful details.
Beyond the horror plotline, other delights await. Alex’s background in Gallacia is too good to reveal in a review, but trust me when I say that the explanations of how the Gallacian language adapts gender and pronoun formations based not just on biology but also on station in life, age, and other factors is absolutely wonderful and so fascinating. I’d read a whole book just about that!
Miss Potter is a secondary character, but she’s lots of fun, as is the reveal of who her one of her family members is. (I’m not telling!)
When I requested a review copy of What Moves the Dead, it was based on (a) how much I’ve loved everything else I’ve read by this amazing author and (b) the gorgeously creepy cover (*shudder*). I hadn’t realized at the time that this book would be a retelling of The Fall of the House of Usher — I actually didn’t know that until I started What Moves the Dead and happened to finally read the Goodreads blurb.
At that point, I took a small detour to read Poe’s story, which isn’t very long (the edition I read was 36 pages). I’m glad I did. It gave me great context for What Moves the Dead, and made it really fun to compare and contrast the two versions of the story, especially the character portrayals, the explanations, and the outcomes.
Note: The Fall of the House of Usher is easy to find online at no cost! Here’s one resource, and there are free versions available for Kindle too.
What Moves the Dead is an excellent read, perhaps not for the squeamish — but if you enjoy creepy, understated horror, definitely check it out!
Title: Ramón and Julieta Author: Alana Quintana Albertson Narrators: Alexander Amado, Vanessa Vasquez Publisher: Berkley Publication date: February 1, 2022 Print length: 304 pages Audio length: 8 hours, 25 minute Genre: Contemporary romance Source: Library Rating:
Rating: 3 out of 5.
When fate and tacos bring Ramón and Julieta together on the Day of the Dead, the star-crossed pair must make a choice: accept the bitter food rivalry that drives them apart or surrender to a love that consumes them.
Ramón Montez always achieves his goals. Whether that means collecting Ivy League degrees or growing his father’s fast-food empire, nothing sets Ramón off course. So when the sexy señorita who kissed him on the Day of the Dead runs off into the night with his heart, he determines to do whatever it takes to find her again.
Celebrity chef Julieta Campos has sacrificed everything to save her sea-to-table taqueria from closing. To her horror, she discovers that her new landlord is none other than the magnetic mariachi she hooked up with on Dia de los Muertos. Even worse, it was his father who stole her mother’s taco recipe decades ago. Julieta has no choice but to work with Ramón, the man who destroyed her life’s work–and the one man who tempts and inspires her.
As San Diego’s outraged community protests against the Taco King take-over and the divide between their families grows, Ramón and Julieta struggle to balance the rising tensions. But Ramón knows that true love is priceless and despite all of his successes, this is the one battle he refuses to lose.
The vibrancy of Mexican culture in a San Diego neighborhood is threatened by gentrification — and in this contemporary romance version of Romeo and Juliet (spoiler alert — with a much happier ending!), a Day of the Dead meet-cute throws together members of rival families with a long, bitter history.
Dia de los Muertos is a very big deal in Old Town, San Diego. Besides attracting tourists, for the Mexican community, it’s a day of beautiful traditions honoring their loved ones who’ve passed away. Julieta, chef at a popular, authentic local restaurant in Barrio Logan, plans to sell her specialty tacos at a pop-up stand at the festival, and Ramón, CEO of the multi-million-dollar family business that owns a hugely successful chain of Taco King fast food joints, is planning to schmooze up the local politicians and gain a little last-minute publicity before sealing the deal to buy an entire block of Barrio Logan.
Dressed in full Dia de los Muertos costumes and face paint, when Ramón and Julieta have a chance encounter in a garden near the festival, there’s instant attraction and a deeper connection as well — but they don’t exchange real names and can’t see one another’s faces. Tired of her responsiblities and lack of pleasure in her life, Julieta makes the impulsive decision to go home with Ramón, but once back in his La Jolla mansion, about to remove her face paint, she realizes who he really is — he’s the enemy.
Decades earlier, as Julieta’s been told countless times, her mother was a young woman selling home-made fish tacos at a stand in Mexico, when a Mexican-American student on a surfing trip during spring break fell in love with her and her tacos. He never returned as promised, but he stole her family’s secret recipe and turned it into the key to Taco King’s success. When Julieta realizes that Ramón is the son of her family’s nemesis, who profited off of her family’s recipe all these years without ever acknowledging or compensating them, she’s livid and appalled.
Things become even worse the following day when Ramon’s offer on the block in Barrio Logan is accepted. Ramón’s father plans to raise all the rents, force the existing businesses out, and replace Julieta’s lovely restaurant with a flagship location for a new Taco King. This is war! But also, this is love… because despite their stance on opposing sides of this gentrification battle, Ramón and Julieta can’t deny their feeling or their attraction for one another.
I enjoyed the depiction of the close-knit community of Barrio Logan, the sense of tradition and pride in the Mexican culture of the residents, and the absolutely amazing-sounding descriptions of spices and flavors and foods. But, these great elements are in many ways background to the romance, and that’s where the book didn’t particularly work for me.
First of all, the characters: Not only is Ramón CEO of the family empire, he’s also Stanford and Harvard educated. Not only is Julieta an amazing chef, but she’s been trained at Michelin-starred restaurants. [Side note: Why does every romance novel about foodies throw around Michelin stars? Why does everyone in business need a Harvard MBA?] They’re both gorgeous and have amazing bodies, of course. They’re not just reasonably nice people who meet and connect — they’re both stellar in every way. It’s too much.
Second, I just couldn’t help cringing over their dialogue and their inner thoughts. Within seconds of meeting, Julieta is admiring how good Ramón looks in his costume, including “that huge bulge in his pants”. But don’t worry, the ogling is two-sided, as Ramón notes about Julieta: “That ass was the kind that songs were written about”.
The supposedly romantic moments are super corny, and the sexy/steamy scenes are unnecessarily specific and graphic. Then again, I recognize that preferences about graphic vs implied sex vary widely among romance readers, so while this aspect didn’t work for me, it may not be a deal-breaker for other readers.
The audiobook features different narrators for chapters from Ramón and Julieta’s perspectives, although they each still have to depict the other character whenever there are scenes together, which means there are two different voices each for Ramón and Julieta — a little weird at times, since they sound so different. It’s a light listen, and overall, the audiobook presentation is well done and entertaining.
I gave Ramón and Julieta 3 stars: I really liked the creative use of Shakespearean inspiration in telling a modern tale and the way the story honors and depicts elements of Mexican heritage and the strong sense of community. It doesn’t rise above 3 stars for me, though, because of the hokiness of the love story — which, in a romance, should be its strongest element.
Ramón and Julieta is enjoyable, despite the cringe-factor. Apparently, it’s the first in a planned series called Love and Tacos. The pieces that didn’t work for me are enough to make me doubt whether I’d want to come back for more.
Title: So Many Beginnings Author: Bethany C. Morrow Publisher: Feiwel Friends Publication date: September 7, 2021 Length: 304 pages Genre: Historical fiction Source: Library Rating:
Rating: 4.5 out of 5.
Four young Black sisters come of age during the American Civil War in So Many Beginnings, a warm and powerful YA remix of the classic novel Little Women by national bestselling author Bethany C. Morrow.
North Carolina, 1863. As the American Civil War rages on, the Freedmen’s Colony of Roanoke Island is blossoming, a haven for the recently emancipated. Black people have begun building a community of their own, a refuge from the shadow of the old life. It is where the March family has finally been able to safely put down roots with four young daughters:
Meg, a teacher who longs to find love and start a family of her own.
Jo, a writer whose words are too powerful to be contained.
Beth, a talented seamstress searching for a higher purpose.
Amy, a dancer eager to explore life outside her family’s home.
As the four March sisters come into their own as independent young women, they will face first love, health struggles, heartbreak, and new horizons. But they will face it all together.
So Many Beginnings takes the classic Little Women story outline and turns it into something new and unexpected — truly a remix, rather than a retelling.
As the author explained during an interview with NPR:
Were you one of those people who read Little Women over and over when you were young, and was that part of the reason you agreed to write your new book?
I want to start by saying I have no recollection of reading the original.
Seriously? And you didn’t read it before you started writing?
I had no intention of reading it. As I told the editor, it would not matter. I am writing a story about four Black girls in 1863. It does not matter what a group of white girls was doing; that has no bearing on it. I will say that I, like a lot of people my age, was very in love with the 1994 film adaptation, so if there’s any similarity, I would expect it to be closer to a couple of elements from that film. Basically, Little Women is considered historical fiction, but as a Black woman, I have been excluded from that narrative. It seems like the kind of property that no matter how many times it’s revisited, it’s the same. It’s for white girls.
Here, the March family is recently freed from enslavement, living in the Freedmen’s Colony of Roanoke Island off the coast of North Carolina. While the father is away working with the Corinth Freedmen’s Colony, Mammy and her four daughters live together in a life full of love, but not without struggle.
The sisters are absolutely devoted to one another and to Mammy, but they’re each very different. Their lives are full of work and often frustrations. Being free does not mean being truly in control of their lives or free from discrimination and otherness, as is made plain by the white missionaries and Union soldiers who control so much of the day-to-day life of the people of Roanoke.
I don’t believe I’ve ever read a book told from the perspective of formerly enslaved young women, and the writing here is incredibly powerful in showing the impact on the sisters’ worldview, sense of self, and need for true liberation. The book absolutely shows that even those abolitionists devoted to emancipation weren’t necessarily devoted to the concept of equality. While the term micro-aggression wouldn’t have existed at the time, the concept itself is very plainly evident in even the most well-meaning but still hurtful of exchanges. As Meg and Jo discuss:
“…So why does it enrage me?”
“Because,” Jo told her. “They’re only ever speaking for us, and about us. Rarely with us. Even when they have our best interest in mind, how could they know it without our input? The person who believes they know best, still, in some small way in some interior place they’ve yet to interrogate, does not truly comprehend equality…”
So Many Beginnings preserves many of the characteristics of the March sisters, but with shifts in meaning and importance. Amy is not a spoiled, obnoxious brat here (yes, my anti-Amy bias is showing!) — instead, Amethyst, called Amy, is cherished and protected. As the youngest child, she doesn’t remember enslavement the way the older sisters do, and the family is determined to help her hold onto the joy of innocence for as long as possible, even if that means indulging her and not making demands of her. Beth is really interesting here as well. While still sickly, she’s also inspired by a higher purpose and an ambition that propel her forward. Meg and Jo too, while sticking to some basic framework (Meg dreams of marriage, Jo uses her words to change the world), have a completely different set of experiences and motivations. The characters are each unique and fascinating.
I was not aware of the American Colonization Society or of the history of Roanoke Island before reading this book, and it’s eye-opening to realize how much of the American past is still not discussed in meaningful ways. Hopefully, So Many Beginnings will bring awareness and stimulate discussions amongst its readers, particularly within its target YA audience.
So Many Beginnings is a powerful, moving, and lovely novel. I enjoyed both the Little Women framework and the new take on the story, and most especially, the March sisters themselves.
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I’ve just returned from a one-week trip (which was all sorts of awesome), and realize that I’ve fallen way behind on my reviews. Here’s a quick wrap-up of what I read while I was away (and the week before, when I was already in pre-trip mode). As always, a mix of genres, topics, and new vs old.
Fat Chance, Charlie Vegaby Crystal Maldonado: A YA story starring a plus-sized Latina high schooler who dreams of a first kiss, even while feeling like she’ll never measure up. The story emphasizes the importance of true friendship and trust, as well as body positivity. Charlie experiences a first relationship, has her relationship with her best friend tested, gains confidence as a writer, and learns to stand up for herself and not let others’ negativity undermine her belief in herself. While there are some plot points that I found frustrating (such as a mother whose toxicity about Charlie’s weight is never truly resolved, and unnecessary break-ups with both her boyfriend and her best friend), I loved the lead character enough to make this a really enjoyable read overall.
Rating: 4 out of 5.
Certain Dark Things by Silvia Moreno-Garcia: This is my 3rd book by this author, but it definitely won’t be my last. Certain Dark Things is a gritty, noir-ish story of vampires, gangs, and drug runners in Mexico City. The main character is a teen boy who devotes himself to helping a lone Aztec vampire escape the city and the various other clans of vampires who want to see her and her people wiped out. It’s a fascinating spin on the world of vampires, and while I would have liked to have seen a bit more on the origins and natures of the different vampire species, I still really enjoyed this book. It’s dark, fast-paced, and surprising.
Rating: 3.5 out of 5.
Honey Girl by Morgan Rogers: I guess I should have read the full synopsis, instead of deciding after just the first sentence that this book sounded like fun. The main character wakes up alone in a Las Vegas hotel room with a vague, hung-over memory of having married an adorable woman the night before. All she has to go on is a note left by the woman with a radio station listed. Grace decides to track down the mystery woman… but for the most part, despite the potential rom-com set-up, this is a story about a woman trying to find her place in the world, figure out who she’s meant to be, and understand her relationships with family and friends. Maybe because I went into it with incorrect (or incomplete) expectations, I was mostly frustrated and annoyed by the depth’s of the main character’s introspection and occasional selfishness.
Rating: 2.5 out of 5.
When You Were Mine by Rebecca Serle: This YA retelling of Romeo and Juliet offers a fresh perspective — that of Rosaline, the girl Romeo loved before meeting Juliet. Here, the teens are seniors at an upscale California high school. Rose has been looking forward to reuniting with Rob, her best friend and boy next door since they were small children, especially since their near-kiss right before he left for his summer job. But within a few days of school starting, Rob dumps Rose for the new girl in town — the mysterious Juliet, who also happens to be Rose’s cousin. I really liked the way the author turned the classic story into a contemporary YA drama, and found her portrayal of Rose very thoughtful as well as being a creative twist on a tale that’s been told and retold so many times. When You Were Mine follows some, but not all, of the original’s storyline, and the little differences keep this book fresh and engaging. Sure, I have a few quibbles and would have liked to see a few plot points handled differently, but overall, this is quite a good read.
Rating: 4 out of 5.
The Bennet Women by Eden Appiah-Kubi: Another classic retold! This twist on Pride and Prejudice centers on the “Bennet Women” — the young undergraduate women living in Bennet House at Longbourn College. EJ (the Elizabeth stand-in) is a senior studying engineering and the RA of Bennet House, who holds the values and standards of Bennet House dear to her heart. Her best friends are a trans woman, Jamie, who’s our Jane stand-in, and Tessa, who has a smaller role and seems to be taking the place of Charlotte Lucas. While hitting the major plot beats of P&P, it’s a fresh take full of woman power and feminism, with a nicely diverse cast and some clever approaches to the expected storylines. I really appreciated how EJ’s education and aspirations were given prominence. Here, marriage isn’t a goal or even talked about much — it’s about finding love and respect while also finding themselves, pursuing their dreams, and not giving in to the many ways the world outside of Bennet House might want to limit their opportunities or pull them down.
Rating: 4.5 out of 5.
That’s my reading round-up! And now, back to all the ARCs and other books calling my name…
Four sisters face new beginnings in this heartfelt modern take on Little Women by New York Times bestselling author Virginia Kantra.
Amy March is more like her older sister Jo than she’d like to admit. An up-and-coming designer in New York’s competitive fashion industry, ambitious Amy is determined to get out of her sisters’ shadow and keep her distance from their North Carolina hometown. But when Jo’s wedding forces her home, she must face what she really wants…and confront the One Big Mistake that could upend her life and forever change her relationship with Jo.
Gentle, unassuming Beth grew up as the good girl of the family. A talented singer-songwriter, she’s overcome her painful anxiety to tour with country superstar Colt Henderson. But life on the road has taken its toll on her health and their relationship. Maybe a break to attend her sister’s wedding will get her out of her funk. But Beth realizes that what she’s looking for and what she needs are two very different things….
With the March women reunited, this time with growing careers and families, they must once again learn to lean on one another as they juggle the changes coming their way.
The March Sisters audiobooks are a treat — let me tell you why! I enjoyed the first book, Meg & Jo, and I’m happy to be able to report that Beth & Amy is a worthy follow-up.
Note: While I rarely include content warnings in my reviews, I do think I need to mention that this book deals extensively with an eating disorder, so keep that in mind if that’s a triggering subject for you.
Obviously, from the title, the focus of this second book is on the two younger sisters from the world of Little Women, whose stories never get as much attention as Meg and Jo’s. Here, Beth and Amy take center stage, and it’s really fun to see author Virginia Kantra’s take on these sisters’ inner lives.
In these books, the girls are grown-ups, all in their mid-20s to early 30s. And let me just take a moment to dispel any fears, at the risk of being spoilery: Beth lives. So if you might avoid this book in order to avoid the heartbreak of Beth’s death… you’re good.
(And excuse my digression, but this seems like a good time to share one of my favorite Friends moments:)
As Beth & Amy opens, both characters seem to have achieved career success. Amy is living in New York, running her own business designing and selling fashion handbags. Orders are starting to pour in, now that a certain Duchess has been seen with one of Amy’s bags. But she’ll need to expand if she wants to really make her mark, and that’s going to take a cash infusion.
Beth is on tour with country superstar Colt Henderson, having written two songs for him that led to Grammy nominations. But she’s paralyzed by stage fright, and after a particularly awful experience, Colt sends her home to her family to recuperate. It doesn’t help that she’s in a relationship with Colt, and he seems more focused on his tour and his next Grammy than on Beth’s well-being.
The family is reunited for Jo’s wedding back in North Carolina, and it’s here that the sisters begin to reevaluate their hopes, their dreams, and what it looks like to be happy.
As in Meg & Jo, Beth & Amy is narrated in alternating chapters by different narrators, each representing one of the two sisters. This time around, their mother Abby also gets a voice, with a few key chapters of her own woven into the sisters’ story. The audiobook makes this story especially fun, and the narrators bring each character to life in a way that feels fresh and engaging.
I did really enjoy Beth & Amy. I’ve always loved Little Women, and before coming across these books, I would have had a hard time imagining that a modern-day retelling could work. The author does a terrific job of bringing the sisters’ lives and relationships into the 21st century, balancing contemporary issues with the more classic elements of the family dynamics.
I feel invested enough in Virginia Kantra’s vision of the March family at this point that I just wish there could be more! Maybe continue with retelling Little Men and Jo’s Boys next?
Final note: I think these two books are engaging enough to work perfectly fine even if you haven’t read Little Women — though of course, if you do love Little Women, these retellings will be even more fun.
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Title: Meg & Jo Author: Virginia Kantra Narrators: Shannon McManus, Karissa Vacker Publisher: Berkley Publication date: December 3, 2019 Print length: 400 pages Audio length: 13 hours 46 minutes Genre: Contemporary fiction Source: Library Rating:
Rating: 3.5 out of 5.
The timeless classic Little Women inspired this heartwarming modern tale of four sisters from New York Times bestselling author Virginia Kantra.
The March sisters—reliable Meg, independent Jo, stylish Amy, and shy Beth—have grown up to pursue their separate dreams. When Jo followed her ambitions to New York City, she never thought her career in journalism would come crashing down, leaving her struggling to stay afloat in a gig economy as a prep cook and secret food blogger.
Meg appears to have the life she always planned—the handsome husband, the adorable toddlers, the house in a charming subdivision. But sometimes getting everything you’ve ever wanted isn’t all it’s cracked up to be.
When their mother’s illness forces the sisters home to North Carolina for the holidays, they’ll rediscover what really matters.
One thing’s for sure—they’ll need the strength of family and the power of sisterhood to remake their lives and reimagine their dreams.
Christmas won’t be Christmas without any presents.
And a Little Women retelling wouldn’t be nearly as convincing if it didn’t start with that memorable opening line!
Dangle a Little Women retelling in front of me, and naturally I’m going to read it. And while Meg & Jo has been on my TBR for a while now, I finally got the motivation to dive in thanks to my book group, since this is our February pick.
In Meg & Jo, the March sisters are all grown up and living their own lives. Meg has settled into married life with her husband John and their adorable two-year-old twins, staying put in the family home town in North Carolina. Jo moved to New York years back to pursue a journalism career, but after being laid off from her newspaper job, she’s working as a prep cook at a fancy restaurant while secretly writing a food blog. Beth is in school studying music, and Amy has an internship in the fashion world.
Meg & Jo is narrated in alternating chapters by (obviously) Meg and Jo, and it’s their stories that are the focus of this book. (Beth and Amy are still there, mostly in the background and in their occasional appearances as they visit home, but they’re not POV characters in this book.)
As the book progresses, we learn that neither Meg nor Jo is truly leading their best lives. Meg is a stay-at-home mom, and her husband gave up his teaching and coaching job to work at a car dealership so he could better support their growing family once they found out Meg was pregnant. Neither one is entirely happy. Sure, they love each other and their children, but Meg pressures herself to do it all as payback for John working so hard, not realizing how she’s shutting him out and denying him the opportunity to be a true partner. Meanwhile, John is working at a job that means nothing to him, and can’t bring himself to talk to Meg about it. The communication problems between Meg and John are the central challenge they face.
As for Jo, her blog is doing well, but she’s frustrated. She likes working in the restaurant, but it’s not exactly advancing her writing career. As the story progresses, she falls into a romantic relationship with Eric, the renowned chef and owner of the restaurant, but secrets and a lack of clear intention seem to doom the romance before it can really bloom.
Complicating Meg and Jo’s separate lives further is family drama back home. The March parents live on the farm passed down through Abby’s (Marmee’s) side of the family. Abby runs the farm and the home herself, while her husband Ashton seems to devote all his time to his calling, serving as chaplain and counselor to military vets. When Abby becomes injured, her farm duties fall to Meg — and once Meg takes over, she starts to realize the precariousness of the farm’s future.
As the sisters return home for their mother’s recuperation and for the holidays, they come together to support and love one another. Secrets are revealed, there are plenty of surprises, and ultimately, there are promises of future happiness for Meg and Jo.
So… did I enjoy Meg & Jo? Yes, for sure! It took some getting used to, but seeing the March family transplanted into modern-day lives was quite fun and for the most part, really engaging. I did want to give Meg a good shake from time to time — it was so obvious to me that her attempts to take the household burdens off of John were actually alienating him. The book does a good job of showing how she was modeling her approach to doing it all on what she saw in her own parents’ marriage and internalized as the way things should work, and I was actually proud of Meg when she finally started to understand that accepting John as a true partner was the key to their future happiness.
Jo could be pretty clueless about certain things, and OF COURSE keeping her blog a secret was going to come back to bite her. I had a hard time believing some of the fallout, good and bad, once her secret came out. I did like her relationship with Eric, although I would have liked to see it given a little more time to grow before the big blow-up.
Beth and Amy seem to be basically true to their Little Women depictions, although (150-year-old spoiler alert!) Beth is alive and well in Meg & Jo! I held my breath for about half the book, waiting for her to develop a horrible illness, but thankfully, the book didn’t go there. Beth is gentle and sweet, very shy, and is committed to her musical career. Amy is spoiled, flighty, and impulsive, just as you’d expect.
One of my favorite parts of the book is Amy calling Jo out on trying to put them all into boxes, reminding Jo that in real life, people aren’t just one thing. I loved that their argument started over Pride and Prejudice – Jo sees Meg as Jane, and herself as Lizzie — but what roles does that leave for Beth and Amy? Amy rightfully resents that Jo can’t see her as anything but the pampered, entitled child she once knew. I loved the coming to terms that starts to occur between the sisters.
Another big difference between Little Women and Meg & Jo is how the March parents are depicted, especially the father. In Little Women, Mr. March is largely absent, off in the war and doing God’s work. They miss him terribly, but know he’s following an important path and never seem to resent him. In Meg & Jo, Mr. March comes off as kind of a jerk, at least when it comes to being a husband and father. Yes, he has a calling to tend to the men and women who are suffering after giving so much to their country — but he absolutely neglects his family in order to do so, leaving his wife and children to manage on their own and taking no responsibility for their financial or physical well-being.
Meg & Jo is a little longer than it needs to be, and some interludes at the restaurant and on the farm could have been tightened up a bit. I’m glad I listened to the audiobook rather than reading a print copy, since that helped me feel less like the story was dragging (and I could listen at a faster speed when it was!) The audiobook has different narrators for Meg and Jo, but honestly, their voices are very similar, so if I picked up in the middle of a chapter, it wasn’t obvious from the narrator whose chapter I was on.
As a Little Women fan, I was happy to experience Meg & Jo and see the author’s vision of a modern-day March family. While the story is a little light-weight at times, I enjoyed the characters and their challenges, and it was amusing to see how their 19th century lives could be translated to the 21st century. A follow-up, Beth & Amy, is due out this spring, and I will definitely be reading it!
Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.
Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.
Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!
Title: Lost Boy: The True Story of Captain Hook Author: Christina Henry Published: 2017 Length: 292 pages
What it’s about (synopsis via Goodreads):
From the national bestselling author of Alice comes a familiar story with a dark hook—a tale about Peter Pan and the friend who became his nemesis, a nemesis who may not be the blackhearted villain Peter says he is…
There is one version of my story that everyone knows. And then there is the truth. This is how it happened. How I went from being Peter Pan’s first—and favorite—lost boy to his greatest enemy.
Peter brought me to his island because there were no rules and no grownups to make us mind. He brought boys from the Other Place to join in the fun, but Peter’s idea of fun is sharper than a pirate’s sword. Because it’s never been all fun and games on the island. Our neighbors are pirates and monsters. Our toys are knife and stick and rock—the kinds of playthings that bite.
Peter promised we would all be young and happy forever. Peter lies.
How and when I got it:
I bought a copy via Book Depository about a year ago.
Why I want to read it:
I’ve read three books by Christina Henry so far. My first was The Girl in Red (a re-telling of Little Red Riding Hood), which I loved. Then I read The Mermaid, and I loved that too. I immediately ordered a few earlier books, including Alice and Lost Boy.
Unfortunately, I lost a bit of steam after reading Alice, which I didn’t enjoy. The story was too messy and violent for my taste, but I think one obstacle to my enjoyment is that I’ve just never gotten into Alice in Wonderland stories (and there are lots of retellings out there). And if you don’t enjoy the original story story, how can you enjoy a remix?
This is why I’ve been a bit hesitant about reading Lost Boy. I’m just not a bit fan of Peter Pan, and I’ve picked up and then put down a couple of retellings over the years too. Still, I know I’ve really liked the author’s writing and approach to storytelling in other books — and I do like the idea of telling the Peter Pan story through Captain Hook’s perspective.
What do you think? Have you read this book? Would you want to?
And how do you feel about Peter Pan stories in general?
Title: The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3) Author: Theodora Goss Publisher: Saga Press Publication date: October 1, 2019 Print length: 448 pages Genre: Fantasy Source: Purchased Rating:
Rating: 4 out of 5.
Mary Jekyll and the Athena Club race to save Alice—and foil a plot to unseat the Queen, in the electrifying conclusion to the trilogy that began with the Nebula Award finalist and Locus Award winner The Strange Case of the Alchemist’s Daughter.
Life’s always an adventure for the Athena Club…especially when one of their own has been kidnapped! After their thrilling European escapades rescuing Lucinda van Helsing, Mary Jekyll and her friends return home to discover that their friend and kitchen maid Alice has vanished— and so has their friend and employer Sherlock Holmes!
As they race to find Alice and bring her home safely, they discover that Alice and Sherlock’s kidnapping are only one small part of a plot that threatens Queen Victoria, and the very future of the British Empire. Can Mary, Diana, Beatrice, Catherine, and Justine save their friends—and save the Empire? Find out in the final installment of the fantastic and memorable Extraordinary Adventures of the Athena Club series.
Now THIS is how you end a trilogy! Author Theodora Goss delivers another rolicking escapade with the brave women of Athena Club, adding even more “monstrous” women to the mix.
For those new to these books, the main characters are all the daughters of famous men — mad scientists and members of the Alchemical Society, who used their own daughters as subjects of their dastardly experiments. Their goal? Biological transmutation. The outcome? Unusual women with strange, hidden talents and gifts, such as Beatrice Rappaccini, who thrives on rain and sunshine and gives off poison with her breath, and Catherine Moreau, transformed from a wild, free puma into a young woman with decidedly sharp teeth and claws.
This found family also includes the two daughters of Dr. Jekyll/Mr. Hyde, each one representing a different facet of his personae, Justine Frankenstein, Professor Van Helsing’s daughter Lucinda, and a young housemaid named Alice who turns out to have unusual powers of mesmerism.
In this 3rd book, the woman of the Athena Club have just returned from their adventures in Vienna and Budapest (described in book 2, European Travel for the Monstrous Gentlewoman) — but there’s no time to rest! Alice and Sherlock Holmes are missing, and there seems to be a terrible plot underway involving evil mesmerists, an Egyptian mummy, and a bunch of powerful, treasonous men who want to overthrow the Queen and purify the British Empire.
Luckily, our band of heroines are on the case, and they go chasing off to Cornwall to rescue their friends, save the Queen, and defeat the bad guys once and for all! It’s all high-spirited fun, with the quips and bickering that the characters seem to love so much.
I thought this was a terrific wrap-up for the trilogy, with heightened adventures and plenty of surprises and adrenaline-rushes. There are perhaps too many characters to keep track of, as the circle of acquaintances grows and grows with each book, but it’s all good fun.
If I had to choose, I’d still say that the first book in the trilogy, The Strange Case of the Alchemist’s Daughter, is really and truly the best, because of the emphasis on the main characters’ origin stories and their creation of a family of their own. But that doesn’t take away from how satisfying the other two books are, or how well all three fit together to create one glorious whole.
If you enjoy sparkling, witty characters in a Victorian setting, with touches of the fantastic and supernatural, then you just must check out the Athena Club books!