Book Review: The Mystery of Mrs. Christie by Marie Benedict

Title: The Mystery of Mrs. Christie
Author: Marie Benedict
Publisher: Sourcebooks Landmark
Publication date: December 29, 2020
Length: 288 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

Marie Benedict, the beloved New York Times bestselling author of The Only Woman in the Room, uncovers the untold story of Agatha Christie’s mysterious eleven day disappearance.

In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car—strange for a frigid night. Her husband and daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away.

The puzzle of those missing eleven days has persisted. With her trademark exploration into the shadows of history, acclaimed author Marie Benedict brings us into the world of Agatha Christie, imagining why such a brilliant woman would find herself at the center of such a murky story.

What is real, and what is mystery? What role did her unfaithful husband play, and what was he not telling investigators?

A master storyteller whose clever mind may never be matched, Agatha Christie’s untold history offers perhaps her greatest mystery of all. 

In this fascinating new release, author Marie Benedict creates an Agatha Christie-worthy mystery out of a real-life mystery from Christie’s own life.

Agatha Christie really did disappear for eleven days in 1926, and when she was located, her missing days were attributed to amnesia. That was it — a rather vague and unsatisfying resolution to a headline-making missing person story. (Read more about the actual events, here.)

But what really happened? Is there more to the story than meets the eye? In The Mystery of Mrs. Christie, we get a tantalizing view of a possible (and highly entertaining) answer.

The novel follows two narrative streams in alternating chapters: Agatha’s courtship and marriage to Archie Christie, told from Agatha’s perspective starting in 1912, and Agatha’s disappearance in 1926, told from Archie’s point of view. As the two weave together, we come to understand Agatha’s brilliance, and just how much of herself she sacrificed in order to please her moody, controlling husband.

I laughed at his rare joke, a mad cackle that I knew was a mistake the moment it escaped my lips. It sounded brash and overreactive, and Archie wouldn’t like it. It smacked of disorderly emotions.

I really don’t want to give too much away, so I won’t talk about outcomes at all. What I will highlight is the shock and dismay I felt reading Agatha’s narration of how she devoted herself to her husband, pushing down her own successes, her natural vivacity, and even her love for her daughter in order to cater to a man who demanded to be constantly at the center of his wife’s attention. It’s heartbreaking.

On those nights when I longed to hold my baby in my arms, even sleep with her in my bed, I told myself that this distance was necessary practice. How else could I ensure that Archie maintained his position at the center of my affections?

Even after her beloved mother dies, Agatha is made to feel responsible for neglecting Archie and causing his infidelity:

It was likely my fault that he’d become fascinated with Nancy. Hadn’t Mummy always warned me never to leave my husband alone for too long? And hadn’t I emotionally and physically abandoned him this summer in my grief? Even when he was in Spain, he knew my heart and mind weren’t with him but lost to my sorrow over Mummy.

Argh. It’s just so upsetting to see this amazing woman tie herself in knots as a result of her husband’s passive-aggressive, emotionally manipulative and abusive behavior. He even manages to suck the joy out of Agatha’s early writing successes, making her feel unsupportive of her husband if she became too happy about her publishing contracts and the beginnings of her fame.

I mostly write because I adore creating worlds and puzzles, and I want to succeed at it wildly. But ambition is a dirty word when it’s used by women; it’s decidedly unladylike, in fact.

The author weaves together the historical facts to create a police procedural crime investigation in the chapters set in 1926. If it starts to feel like we’re in an Agatha Christie novel, well, kudos to Marie Benedict! She employs Agatha’s wittiness and intelligence to create a puzzle out of Agatha’s own life. According to The Mystery of Mrs. Christie, Agatha first started writing her stories as a result of a dare from her sister, who just didn’t believe that Agatha could create an unsolvable puzzle for readers — so naturally, she had to prove her sister wrong. As in an Agatha Christie mystery, this book delivers clever plotting and intriguing twists that manage to surprise and delight.

I was a little hesitant about reading The Mystery of Mrs. Christie, as I’ve only read one Agatha Christie novel (And Then There Were None), although I’ve seen adaptations of several others. I needn’t have worried. The Mystery of Mrs. Christie is perfectly accessible for a Christie novice like myself, and I imagine that it’ll be very enjoyable for the great lady’s more ardent fans too.

And now, of course, I need to read more Agatha Christie books! Do you have any favorites? Where should I start? I’m also definitely going to want to read more by Marie Benedict! So far, I’ve only listened to an audiobook novella written by her, Agent 355, and I loved it.

For anyone who’s a Christie fan, or for those who just enjoy a good literary puzzle with a strong, smart woman at its center, I highly recommend The Mystery of Mrs. Christie.

Book Review: Mexican Gothic by Silvia Moreno-Garcia

Title: Mexican Gothic
Author: Silvia Moreno-Garcia
Publisher: Del Rey
Publication date: June 30, 2020
Print length: 352 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

An isolated mansion. A chillingly charismatic artistocrat. And a brave socialite drawn to expose their treacherous secrets. . . .

From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico—“fans of classic novels like Jane Eyre and Rebecca are in for a suspenseful treat” (PopSugar).

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region.

Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.

Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness.

And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

This creepy, disturbing gothic novel lives up to all the rave reviews!

Mexican Gothic takes place in 1950s Mexico. We first meet Noemi Taboada coming home from a fancy party. She’s the pampered, pretty daughter of a wealthy family, at odds with her parents who want her to marry well (and soon), while what she really wants is to enroll in university to pursue a masters degree.

As the story starts, Noemi’s father shares with her a disturbing letter from her beloved older cousin Catalina. Catalina recently married a man she’d only known briefly and moved with him to his family’s isolated mountain estate. In her letter, Catalina seems to be rambling and incoherent, talking about hearing things in the walls and begging for help. Catalina’s husband explains her ravings away as a side effect of tuberculosis, and insists that she’s getting good medical care. But Mr. Taboada is worried enough that he decides to send Noemi as his ambassador to check up on Catalina’s well-being and nurse her back to health — or bring her back to Mexico City, if needed.

Noemi’s arrival at the Doyle estate is shocking. High up an isolated, treacherous mountain road, the mansion, High Place, is shambling and neglected, shrouded in mist and in a state of disrepair. Noemi is greeted by Florence, cousin to Catalina’s husband Virgil, a domineering, strict woman who asserts herself in charge not only of the house’s routines, but of Catalina’s care as well.

The house is dismal, and so are its occupants. There’s a no-talking rule at dinner, Noemi is forbidden from smoking, there’s no electricity and cool baths are encouraged, and the place is altogether repressive and awful. The only bright spot is Florence’s son Francis, a young man about Noemi’s age, who appears to be sympathetic and supportive, eager to help Noemi and keep her company.

Noemi’s visits with Catalina are severely restricted, and Catalina seems to be kept drugged most of the time. The doctor who sees her once a week doesn’t think anything is wrong, and the family is dismissive of Noemi’s prodding to call in a psychiatric specialist or to get another opinion.

I don’t want to say too much about the plot, because man, is it good! The atmosphere is grim and creepy in all the best ways. Strange insular family? Check. Decrepit old house? Check. Windows that don’t open and mold on the walls? Check and check.

Like in any good gothic novel, the setting is mysterious and threatening, and our brave heroine has no easy means of escape as she’s drawn further and further into the sick and twisted family secrets that have entrapped her cousin and now seem to be pulling her in as well.

And those secrets? Well, gross and disturbing and menacing don’t even quite encompass what’s going on in that terrible house. I love the growing sense of terror, the sickness at the heart of the family history, the interplay between these wealthy English landowners and the people of the surrounding areas, and the desperation that drives Noemi as she comes closer and closer to finally seeing the truth.

The moodiness of the book put me in mind of Wuthering Heights, Jane Eyre, and even Angels & Insects by A. S. Byatt. If you’re a fan of creaky old houses with terrible secrets, this book should be right up your alley. It’s not blood and guts horror exactly — more of the quietly creeping chill that turns into growing terror as more and more awful things happen.

Mexican Gothic is so well written, so dramatic and well-plotted. I loved it, even thought it completely creeped me out and kept me turning the pages in a non-stop anxious frenzy. I can’t wait to read more by this author!

Book Review: Party of Two by Jasmine Guillory

Title: Party of Two
Author: Jasmine Guillory
Publisher: Berkley
Publication date: June 23, 2020
Print length: 320 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

A chance meeting with a handsome stranger turns into a whirlwind affair that gets everyone talking.

Dating is the last thing on Olivia Monroe’s mind when she moves to LA to start her own law firm. But when she meets a gorgeous man at a hotel bar and they spend the entire night flirting, she discovers too late that he is none other than hotshot junior senator Max Powell. Olivia has zero interest in dating a politician, but when a cake arrives at her office with the cutest message, she can’t resist–it is chocolate cake, after all.

Olivia is surprised to find that Max is sweet, funny, and noble–not just some privileged white politician she assumed him to be. Because of Max’s high-profile job, they start seeing each other secretly, which leads to clandestine dates and silly disguises. But when they finally go public, the intense media scrutiny means people are now digging up her rocky past and criticizing her job, even her suitability as a trophy girlfriend. Olivia knows what she has with Max is something special, but is it strong enough to survive the heat of the spotlight?

Jasmine Guillory has quickly become one of my go-to authors for when I want a light, upbeat romance, for so many reasons. Her women are strong, determined, and professional; the relationships are relationships among equals; her cast of characters is always diverse and well grounded; and hey, the books are just fun!

Party of Two takes place in the author’s established world, first introduced in The Wedding Date. This is the 5th book in the series, although I use the term “series” loosely. Yes, characters from earlier books show up, and the characters are all connected — but on the other hand, the books absolutely work as stand-alones. You can read Party of Two on its own and enjoy it fully.

So… Party of Two.

This is the story of Olivia Monroe, a super-smart lawyer who’s left the corporate law environment to strike out on her own, opening a boutique law firm in LA with her friend and colleague Ellie. In her first week in LA, Olivia meets an attractive guy in her hotel’s bar, where they share a good conversation about cake, among other things — but this is LA, and Olivia assumes a guy this good-looking must be an actor, and she just isn’t interested in dating actors, thank you very much.

Imagine Olivia’s surprise when she later turns on the news and realizes the hot guy from the bar is actually an up-and-coming United States Senator, Max Powell. Obviously not for her. Can’t trust a politician, after all, and Olivia has no desire for a public spotlight.

Still, when they run into each other at a fundraising event a few weeks later, their connection is still there — and Max finds that he’s just as smitten with Olivia as he was when they first met. After courtship via baked goods, the two cautiously begin a cross-country romance, which soon blossoms into much more than the fling that Olivia was expecting.

The writing in Party of Two is funny, emotional, and on point. Olivia has some scathing views of the men she typically meets:

“I was in too many relationships in my late twenties and early thirties with men who got mad at me for how much I was working, or required so much of my time to, I don’t know, sympathize with them about their mean lady boss or tuck them into bed when they had a man cold or whatever.”

Man cold. Snicker.

She’s a very self-aware, determined woman who doesn’t compromise her integrity and doesn’t give in easily to big gestures, and yet…

“… I still get that fucking gooey look on my face when he texts me! I can tell I get it! I try not to get it! But the goo just spreads over my face and I can’t make it stop!”

One of the things I love about these characters (besides their chemistry and adorableness together) is that they’re socially aware and committed individuals who want to do good in the world. Max’s key goal in the Senate is to push through a justice reform bill, and he spends time learning and listening to people who’ve suffered from a broken system. Likewise, Olivia devotes herself to volunteer work in a food pantry, and is passionate about food insecurity and offering hope and resources to underprivileged and disenfranchised youth.

One of the key stumbling blocks between Max and Olivia is his tendency to rush forward without full consideration of risks. As a wealthy white man who has never truly known adversity, Max expects the world to work out for him. But as Olivia points out:

“… you just leap in to something without thinking about the implications, say the first thing comes to your mind, and smile and charm your way out of every hole you dig yourself in. I can’t do things like that. I’m a black woman, I don’t ever get the benefit of the doubt in the way someone like you does. I can’t afford to make split-second decisions and assume they’ll work out.”

Not that this is a heavy book in any way. The romance is sweet and sexy, and clearly, these two crazy kids are meant for each other. It’s totally engaging to see how they handle heavy-duty professional lives (which in Max’s case, comes with a lack of privacy and an ever-present spotlight) and balance these with their need for intimacy and space, and the ability to carve out time alone together to nurture and grow their relationship.

Party of Two is delightful, romantic summer reading, but with a grounding in the real world that makes it feel relevant. It delivers a message without pounding readers over the head, but consistently enough to keep the social justice theme prominent throughout the love story aspects of the plot.

As I mentioned, this book absolutely works on its own, but if you want to place it within the context of Jasmine Guillory’s other books, Olivia is the older sister of Alexa, the lead character in The Wedding Date.

Highly recommended!

Book Review: Ninth House by Leigh Bardugo

Title: Ninth House
Author: Leigh Bardugo
Publisher: Flatiron Books
Publication date: October 8, 2019
Length: 458 pages
Genre: Fantasy/horror
Source: Purchased
Rating:

Rating: 4 out of 5.

Galaxy “Alex” Stern is the most unlikely member of Yale’s freshman class. Raised in the Los Angeles hinterlands by a hippie mom, Alex dropped out of school early and into a world of shady drug dealer boyfriends, dead-end jobs, and much, much worse. By age twenty, in fact, she is the sole survivor of a horrific, unsolved multiple homicide. Some might say she’s thrown her life away. But at her hospital bed, Alex is offered a second chance: to attend one of the world’s most elite universities on a full ride. What’s the catch, and why her?

Still searching for answers to this herself, Alex arrives in New Haven tasked by her mysterious benefactors with monitoring the activities of Yale’s secret societies. These eight windowless “tombs” are well-known to be haunts of the future rich and powerful, from high-ranking politicos to Wall Street and Hollywood’s biggest players. But their occult activities are revealed to be more sinister and more extraordinary than any paranoid imagination might conceive.

Ninth House was one of the biggest, buzziest releases of fall 2019. Author Leigh Bardugo is a wildly popular YA author, and with Ninth House, she ventures into adult fiction with a bang, getting hyped by the master, Stephen King, among other notables. 

Whoo boy, with praise like that, how can a mere human like me ever attempt to write a review?

Let’s give it a try.

In Ninth House, we’re plunged right into the action as Alex Stern hides out alone with a grave injury, contemplating what went wrong and what happens next. But what exactly happened, and what is this thing called Lethe that we see her thinking about? All will be revealed…

Alex arrives at Yale completely unprepared. She’s an impoverished high school dropout, a former drug user and dealer, and the sole survivor of a brutal mass murder. She’s offered a fresh start with a full scholarship to Yale, courtesy of Lethe House. 

Yale’s most famous exclusive society is Skull & Bones, but there are actually many more. In Ninth House, the Ancient Eight are bastions of the rich and famous and their up and coming offspring, and each house has its own connection to the arcane. The houses’ powers are what fuel their alumni’s fortunes and influence, and they each have distinctive rituals that keep their magic topped up and charged. Lethe, the ninth house, is not one of these. Rather, Lethe was founded as a watchdog — they’re the ones who monitor the rituals and make sure they keep within the bounds of the rules, preventing uncontrolled magic from escaping into the world, and keeping the Grays (ghosts) from crossing over from beyond the Veil.

While Lethe members don’t have magic themselves, they have access to a vast store of knowledge and materials that allows them to carry out the warding and protective functions that keep the houses’ rituals operating mostly within determined limits. Alex is different, though. She doesn’t need Lethe’s elixirs to see beyond — she’s been cursed all her life by her ability to see and interact with Grays. And now that she’s at Yale, she’s caught up in unprecedented Gray activity, as well as a murder on campus that could be unrelated… or it could be the key to a sinister plot that threatens the magical equilibrium.

Alex is a fabulous lead character. She’s edgy and wild, but has a past that torments her and secrets that she’s only now coming to terms with. She’s brave even when terrified, and despite being a loner, manages to make connections with her roommate and a fellow Lethe member in ways that support all the best elements of true female friendship. 

The magical systems are fascinating, but — a warning for the squeamish — do not read this book if you have a weak stomach! There are some pretty disgusting scenes, with copious amounts of blood, body parts, guts, and more. Ick — but it’s not gratuitous. The violence and horror completely serve the plot, and I normally don’t mind horror, but there were a few places that left me feeling like I needed to scrub my brain in order to remove some particularly unpleasant images.

I do have a few quibbles — chiefly, this book is so detail-heavy that unless you’re prepared to either take notes or read straight through (stock up on coffee!), there’s almost too much to keep track of. Each house has its powers, its players, its agenda, its rituals… and we really do need to be able to distinguish one from the other in order to follow Alex’s investigation and the conspiracy it reveals. None of this is a negative, but it does feel overwhelming to try to pick up the pieces of the plot again after taking a break to — I don’t know — maybe sleep or work or eat.

Do I recommend Ninth House? Absolutely! It’s a mesmerizing, engrossing read. But I do suggest picking a time to read it when you have time to dive in and really concentrate. 

Take A Peek Book Review: The Girl in Red by Christina Henry

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Synopsis:

(via Goodreads)

From the national bestselling author of Alice comes a postapocalyptic take on the perennial classic “Little Red Riding Hood”…about a woman who isn’t as defenseless as she seems.

It’s not safe for anyone alone in the woods. There are predators that come out at night: critters and coyotes, snakes and wolves. But the woman in the red jacket has no choice. Not since the Crisis came, decimated the population, and sent those who survived fleeing into quarantine camps that serve as breeding grounds for death, destruction, and disease. She is just a woman trying not to get killed in a world that doesn’t look anything like the one she grew up in, the one that was perfectly sane and normal and boring until three months ago.

There are worse threats in the woods than the things that stalk their prey at night. Sometimes, there are men. Men with dark desires, weak wills, and evil intents. Men in uniform with classified information, deadly secrets, and unforgiving orders. And sometimes, just sometimes, there’s something worse than all of the horrible people and vicious beasts combined.

Red doesn’t like to think of herself as a killer, but she isn’t about to let herself get eaten up just because she is a woman alone in the woods….

My Thoughts:

The Girl in Red brings together so many elements that I absolutely love in books. Pandemic? Check. Breakdown of civilization? Check. Woman having to survive on her own? Check, check, check.

Red, in her earlier years, was an avid consumer of horror and disaster films, and so she knows the rules. Be prepared. Always have your weapon and pack ready. Never split up. Don’t do the stupid things that movie characters always do, because that leads to very bad things. And if you want to survive, you’ve got to learn fast and do whatever it takes.

I loved Red. She’s smart, strong, and determined. Left alone suddenly and tragically, her only hope is to avoid what she’s sure will be certain death in a quarantine camp by making her way to her grandmother’s isolated home in the woods, which means trekking through hundreds of miles of forest and defending herself along the way, all without being discovered or captured or exposed to the deadly disease that’s ravaged the world. Also, as a biracial, bisexual, disabled woman, Red is a breath of fresh air as a main character, especially since she’s a survivor who never lets anything, including her prosthetic leg, keep her from her path.

The plot is exciting and filled with danger. I love how the author flashes between present day, as Red progresses on her journey and uncovers all sorts of disturbing secrets, and the past, as she and her family prepare their escape and have their plans fall apart as the crisis escalates.

My only quibble here is that the end comes much too soon, and there are so many plot threads left untied. What happens next? What caused all the bad things (being vague here…)? I certainly hope there’s a next book, because I’m dying to know more. (I just wish this book was clearly marked as book #1 in a series, so I’d have been prepared to feel left hanging at the end.)

The Girl in Red is a great read, and I want more! I haven’t read anything else by this author yet, but that’s clearly got to change.

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The details:

Title: The Girl in Red
Author: Christina Henry
Publisher: Berkley
Publication date: June 18, 2019
Length: 308 pages
Genre: Speculative fiction
Source: Review copy courtesy of the publisher via NetGalley

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Book Review: The Spies of Shilling Lane by Jennifer Ryan



From the bestselling author of The Chilbury Ladies’ Choir comes a thrilling new WWII story about a village busybody—the mighty Mrs. Braithwaite—who resolves to find, and then rescue, her missing daughter

Mrs. Braithwaite, self-appointed queen of her English village, finds herself dethroned, despised, and dismissed following her husband’s selfish divorce petition. Never deterred, the threat of a family secret being revealed sets her hot-foot to London to find the only person she has left—her clever daughter Betty, who took work there at the first rumbles of war.

But when she arrives, Betty’s landlord, the timid Mr. Norris, informs her that Betty hasn’t been home in days–with the chaos of the bombs, there’s no telling what might have befallen her. Aghast, Mrs. Braithwaite sets her bullish determination to the task of finding her only daughter.

Storming into the London Blitz, Mrs. Braithwaite drags the reluctant Mr. Norris along as an unwitting sidekick as they piece together Betty’s unexpectedly chaotic life. As she is thrown into the midst of danger and death, Mrs. Braithwaite is forced to rethink her old-fashioned notions of status, class, and reputation, and to reconsider the question that’s been puzzling her since her world overturned: How do you measure the success of your life?

Readers will be charmed by the unforgettable Mrs. Braithwaite and her plucky, ruthless optimism, and find in The Spies of Shilling Lane a novel with surprising twists and turns, quiet humor, and a poignant examination of mothers and daughters and the secrets we keep. 

Jennifer Ryan is the author of The Chilbury Ladies’ Choir, one of my favorite reads of the past couple of years — and she strikes gold yet again with her newest novel, The Spies of Shilling Lane. Here, we meet the intimidating Mrs. Braithwaite, pushed out of her leadership position with her village women’s volunteer corps after one too many criticisms and commands aimed at the other women. Feeling utterly rejected, Mrs. Braithwaite decides to go visit her 21-year-old daughter Betty, who left the village to take up a clerical position in London, seeking excitement and a sense of purpose during wartime.

However, when Mrs. Braithwaite arrives at Betty’s lodging house, she finds out that no one has seen her daughter in at least four days, and while no one else seems particularly panicked, Mrs. Braithwaite is sure that Betty must need rescuing. And nobody stands between Mrs. Braithwaite and her daughter! She sets out to find her daughter, coercing poor Mr. Norris to help her out, and uses her cyclone energy to push, demand, and bully people into giving her information.

It turns out that her motherly instincts were indeed correct and Betty is in trouble, of a sort that Mrs. Braithwaite could not have anticipated. And despite the tumultuous, strained relationship between mother and daughter, Mrs. Braithwaite charges into action to save Betty, only to end up needing saving in return.

What follows is a rollicking adventure, full of can-do spirit as well as intrigue and double-crossing. Mrs. Braithwaite is an absolute delight as a main character. How many books do we get to read that feature a 50-something-year-old proper Englishwoman as an action hero? She is just a force of nature, and will not let anyone stand in the way of her taking care of her daughter. Of course, Betty is far from helpless, as Mrs. Braithwaite learns, and between the two of them, we see a pair of strong women whose courage makes a difference in the British war effort.

The Spies of Shilling Lane has a light-hearted feel at times, as the action sequences aren’t simply smooth Jame Bond maneuvers, but rather are full of errors and accidents and fumbling about. Mrs. Braithwaite and Mr. Norris are such an unlikely pair of secret agents, tracking down clues, picking locks, and befriending the local criminal element, all in pursuit of a rather nasty bunch of evil-doers. At the same time, the reflections on the mother-daughter relationship, the pressures of societal expectations, and the damage that can be done by overbearing family members are all well described and add resonance to the characters’ feelings and reactions.

It’s also incredibly harrowing and moving to see the air raids and the devastation that results, and I first found myself really loving Mrs. Braithwaite because of her interactions with an injured young woman whom she discovers as she’s searching for Betty.

All in all, I’d say that The Spies of Shilling Lane is an excellent look at remarkable women during wartime. There are plenty of moments that made me smile, as well as scenes of tension and suspense. Mrs. Braithwaite is so delightful — I’d love to read about more of her adventures!

If you enjoy women-centered historical fiction, definitely check this one out!

_________________________________________

The details:

Title: The Spies of Shilling Lane
Author: Jennifer Ryan
Publisher: Crown
Publication date: June 4, 2019
Length: 368 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley

Series wrap-up: The Beka Cooper trilogy by Tamora Pierce

Last year, I began a journey through the lands of Tortall, the incredibly rich and exciting fantasy world created by Tamora Pierce. This year, I continued the adventure by listening to the audiobooks of the Beka Cooper trilogy — and now that I’ve finished, I thought I’d share some thoughts.

The Beka Cooper books take place about 150 years before the beginning of the Song of the Lioness quartet, Tamora Pierce’s first Tortall books, which introduce the young squire who would grow up to become Lady Knight Alanna. The Beka books were published after the Alanna, Daine, Kel, and Aly books, yet they are chronologically the first books in terms of the kingdom of Tortall. I’ll admit that I wasn’t sure about going back into the kingdom’s past and the pre-Alanna days… but I can tell you now that these books are very much worth it!

Beka Cooper herself is a wonderful lead character, everything we could hope for in a young female protagonist. In terms of how these books relate to the (chronologically) later books in the Tortall universe, Beka is George Cooper’s ancestor. That’s about all you need to know, but it does tie together quite nicely.

The story of Beka Cooper:

 

In book #1, Terrier, Beka is a young woman just starting out as a “puppy” (trainee) in the Provost’s Guard — the kingdom’s law enforcement department, whose members are referred to as “dogs”. Beka is smart and strong, from the poorest neighborhood of the capital city of Corus, raised in poverty until she and her siblings became wards of the Lord Provost himself, Lord Gershom. As an untested puppy, Beka is paired with Tunstall and Goodwin, two highly respected and experienced dogs, and before long she proves herself in a variety of street fights and arrests. Besides her fighting skills and sharp eye for clues, Beka has a touch of magic: She converses with the spirits of the dead, who come to her attached to the city’s pigeons, and she can also converse with dust spinners — the funnels of swirling dust that show up on street corners, collecting and then sharing with Beka the random bits of conversation they pick up from passers-by. Over the course of her puppy year, Beka becomes embroiled in a life-threatening search for a murderer, digging into the corruption polluting the highest levels of money and power in the lower city.

In the 2nd book, Bloodhound, Beka is no longer a puppy but a fully qualified dog. Here, she is assigned with her partner Clary Goodwin to track down the influx of counterfeit coins that threaten to undermine the entire kingdom. Beka goes on the hunt with Goodwin to track down the counterfeiters, along the way making enemies of the criminal kingpin of a nearby town, but also finding herself romantically involved with a handsome gambler who may or may not be trustworthy.

Finally, in book #3, Mastiff, we rejoin Beka a few years later, still working as a dog and with the reputation of being one of the most talented and determined. She’s committed to fighting injustice and keeping people safe, especially those who can’t fight for themselves. When an attack is made on the royal family, Beka and Tunstall are sent out to track the evildoers, in a case that involves high treason and the realm’s most dangerous and powerful mages.

These books are long and complicated… and I just can’t say enough good things about them! My daughter has pushed me to read them for years, but the first few times I picked up Terrier, I was put off by the language. Tamora Pierce gives her characters a street language that’s rich and flavorful, but which at first glance seemed too out-there to me. When I finally gave it a chance, though, I ended up loving it. Probably listening to the audiobooks helped — I was able to get the feel of the words and their rhythm without getting too stuck on reading written dialect. It’s helpful, though, to keep a hard copy of the books on hand even if listening to the audio version, since the printed books include a glossary at the back, and it’s essential, especially when first entering Beka’s world.

Beyond the amazing language of the books, Beka herself is a wonderful character. Like many of Pierce’s heroines, she has an affinity for animals, and cat Pounce and dog Achoo become major characters in their own way over the course of the three books. Likewise, the supporting characters are fully developed, so we’re left in no doubt about their essences, values, skills, etc — except for the cases where someone’s motive are meant to be questionable, of course.

Pierce doesn’t shy away from sexual relationships, although thankfully she doesn’t seem to feel the need to give us anatomy lessons. Beka and others have sexual relationships as part of their natural lives, not a big deal, no moralizing or agonizing over whether to do it or not. Young women like Beka get charms to prevent pregnancy when they become sexually active, and that’s that. No fuss, no muss. Beka retains full agency over her body and her choices, and it’s a low-key message of empowerment that’s woven into the overall story.

By setting the books so much earlier than the other Tortallian books, we get a glimpse of how certain facets of life in the later (chronologically; earlier by publishing date) books came about. In the Beka books, women are well represented in law enforcement as well as among the knighthood — yet in the Alanna books, it’s considered unheard of for women to become knights, something that hasn’t happened in centuries. So how did the kingdom go from a fairly progressive stance toward women in combat or physical roles toward the idea that women must be proper ladies relegated to fashion, etiquette, embroidery, and other ladylike pursuits? We get a hint of the origins of this change in Mastiff, as Beka travels to one of the kingdom’s fiefdoms where the cult of the Gentle Mother seems to be taking hold — setting the standard that fighting is for men and that women’s greatest joy lies in hearth and home. Likewise, we see how the kingdom moves from a land that tolerates the slave trade to one where slavery is outlawed, thanks to the events initiated in this trilogy. It’s really fascinating to see the seeds here for the changes that are so apparent in the books set later in the kingdom’s history.

The audiobooks are narrated by Susan Denaker, who does an amazing job with the character voices, capturing the regional accents of characters from different geographical and ethnic backgrounds, as well as the language and slang differences in the dialogue of characters from different social strata, from street thugs to children of lower city slums to the nobility and even royalty.

Lots of Beka books in my house!

I really, truly adored getting to know Beka, who instantly jumped onto my ever-growing list of favorite fictional characters of all time. I’m absolutely loving my adventures in the world created by Tamora Pierce. Fortunately, I still have a few books to go!

Want to read my other Tortall series wrap-up posts? Here are the links:
Song of the Lioness (Alanna)
The Immortals (Daine)
Protector of the Small (Kel)
Daughter of the Lioness (Aly)

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Book details:

Terrier – published 2006
Bloodhound – published 2009
Mastiff – published 2011
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Disappointment between the covers: On reading Trickster’s Choice and Trickster’s Queen by Tamora Pierce

If you’ve visited my blog at all during the last few months, you’ve probably seen me gushing over the series of fantasy books by Tamora Pierce that I’ve been listening to obsessively. These three quartets, all set in the kingdom of Tortall, feature brave young women finding their own unique strengths and showing courage under fire as well as compassion to those in need. I loved, loved, loved these books, and vowed to keep going until I’d read EVERYTHING set in Tortall.

That vow still holds, but this post will be a temporary break from the gushy lovefest.

I’ve been following story as well as publishing chronology, so after finishing the outstanding Protector of the Small quartet, my next adventure was to be the Daughter of the Lioness duology, starring Alianne, the 16-year-old daughter of Alanna, Tamora Pierce’s first heroine (and Tortall’s first Lady Knight).

I knew I was in trouble almost immediately. I’ve been listening to the audiobook for all of these series… but within the first few chapters of listening to book #1, Trickster’s Choice, I was hopelessly lost. So much exposition! It felt like I was being bombarded with thousands of names (people, places, historical figures), with no firm grounding in action to help keep track. I made the quick, tactical decision to switch to print, hoping that having the ability to flip back and forth and to refer to the maps and cast of characters listing in the print edition might help. Well… I suppose it helped a bit, but the essence of the story didn’t change, and that became a problem for me.

So what’s it all about?

Here’s the Goodreads summary for Trickster’s Choice:

The Future is in the hands of the next generation.

Aly: a slave with the talents of a master spy, a fabled lineage she must conceal, and the dubious blessing of a trickster god.

Sarai: a passionate, charming teenage noblewoman who, according to prophecy, will bring an end to a cruel dynasty.

Dove: the younger sister of Sarai; she has a calculating mind and hidden depths that have yet to be plumbed.

Nawat: a magical young man with a strangely innocent outlook and an even stranger past; Aly’s one true friend in a world where trust can cost you your life.

Aly is short for Alianne, daughter of Alanna the Lioness and George Cooper, Alanna’s husband and the spymaster of Tortall. Aly has been taught the tricks and secrets of the spy trade since infancy, but at age 16, she’s restless and wants to get out into the field, which her parents oppose. She sneaks out on her own to go boating and promptly gets kidnapped by pirates, who sell her into slavery in the nearby kingdom of the Copper Isles.

The Copper Isles are plagued by centuries of unrest between the ruling luarin (white) nobility and the down-trodden (brown-skinned, native) raka people. Aly becomes a slave in a noble household under suspicion from the reigning monarch. The trickster god Kyprioth, the god of the Copper Isles, enlists Aly in a plan to help raise a rebellion. And the adventure is underway.

I had a very hard time with this book. I was half-bored through most of it. As I mentioned, it’s a lot of people and places, but I didn’t connect with most of the characters. For a story about rebellion, the plot has some seriously slow points. But the chief problem I have with the story is Aly herself. She’s just too skillful and knowledgeable about being a spy. Yes, she comes from an espionage family, but she’s never been an agent or seen active duty. She never falters, never lacks the ability to carry out her ideas, and pretty much never screws up.

One of the things that makes the other Tortall quartets so special is seeing the main characters evolve from young, untrained youths who work and fight to fulfill their potential. Here in Trickster’s Choice, Aly already is who she is. There’s no learning curve, no doubt, and very little introspection.

And that’s not even addressing the social issues that are so problematic, which are talked about quite a bit in the many reviews to be found on Goodreads. Basically, this white, privileged girl from noble background has to swoop in to lead the native people to an uprising, which they apparently couldn’t manage without her. On top of which, when given the chance at freedom, Aly chooses to maintain her enslaved status in order to provide better cover for her mission from Kyprioth, which seems to imply that being enslaved maybe has a purpose. All of this made me very uncomfortable.

Oh, and the love interest is a crow who’s turned himself into a man and is learning to be human. Awkward.

I finished this book with a great sense of frustration and discontent… so why did I continue? Yes, despite my fairly unhappy time reading Trickster’s Choice, I went straight on to Trickster’s Queen, hoping for a stronger second act in the Daughter of the Lioness story.

In Trickster’s Queen:

The stage is set for revolution…

Aly: no longer just a master spy, but a master of spies. Can she balance her passion for justice and her compassion for others, and at what cost?

Sarai: beautiful, dramatic, and rash – will she fulfill the role chosen for her by destiny?

Dove: she has always stood in Sarai’s shadow. Can she prove to the world that she herself is a force to be reckoned with?

Nawat: half crow, half man. He wants Aly for his life mate, but will the revolution make that impossible as they step into new roles to change the future?

Suddenly, Aly is a spymaster. She pulls the strings and directs her pack of spies and their recruits, teaching spycraft and strategy, plotting with the raka rebellion leaders, and instigating high-stakes sabotage throughout the kingdom in an effort to undermine and destabilize the ruling monarchs.

And my frustration continues. How does Aly possibly have the skills to do all this? It makes no sense. And if I had to see Aly referring to her spies as “my children” or “dear ones” one more time, I was going to smack her.

I won’t go too far into story developments or resolutions. The book is sloooooow for a very long time, basically just a recounting of spy tactics and information gathering, over and over and over, until the actual battle takes place at the very end. Meanwhile, there’s a lot of bloodshed (and I’m not sure how we’re meant to feel about that), the fairly casual murder of children, and a befuddlingly huge number of named characters, when frankly, not every single spy, servant, or noble who shows up in a scene needs a name. It’s all just too much.

Argh. It’s so crushing to go from absolutely amazing books (like Protector of the Small) to such a let-down in the continuation of the overarching story.

I really did come close to quitting quite a few times, but I do want to continue with the Tortall books, and I still have a trilogy, a book of stories, and the 1st book in a new series to go. What if the people or events from the Trickster books end up mattering down the road? Call it bookish FOMO, but I forced myself… unhappily… to finish.

I will be moving on to the Beka Cooper trilogy fairly soon, once the library’s audiobooks become available. And once I get through all of my Tortallian TBR list, I’ll be able to better state whether Aly’s books are skippable. For future readers’ sakes, I hope that they are!

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Book details:

The Daughter of the Lioness duology:
Trickster’s Choice – published 2003
Trickster’s Queen – published 2004
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Series wrap-up: Protector of the Small by Tamora Pierce

My year of reading Tamora Pierce continues, and I’m loving every moment! My most recent audio adventure was the Protector of the Small quartet, the 3rd quartet set in the fantasy world of Tortall. These book take place roughly a decade after The Immortals, and two decades after the Song of the Lioness quartet.

Protector of the Small follows a similar pattern to the Lioness books, covering a young girl’s progression through the stages of training to become a knight. In this series, the main character is Keladry of Mindalen, a girl from a noble Tortallian family who idolizes Alanna, the King’s Champion (and star of the Lioness books). Kel’s ambition is to become a knight, like Alanna, but there’s a big difference: Alanna disguised herself as a boy and kept her true identity a secret throughout her training years, only revealing herself as a woman once she succeeded in becoming a knight. While the laws of the kingdom were then changed to allow girls to seek knighthood, none have tried — until Kel.

Kel enrolls in her training as a girl, and refuses to hide her gender or pretend to be something she’s not. She’s out to prove herself, but also to help pave the way for others girls who, like her, have dreamed of becoming warriors and need only the opportunity to make it happen.

Kel differs from Alanna in another significant way: Alanna had the Gift — magical abilities — but Kel has none. If Kel is to succeed, she’ll do so powered only by her mind, her will, her drive, and her strength.

The story of Protector of the Small:

In book #1, First Test, 10-year-old Kel arrives at the palace to begin her training as a page, the first step in becoming a knight. Raised in a noble family, Kel has spent her most recent years in the Yamani Islands, where she learned discipline as well as a variety of fighting skills. Kel’s acceptance into the page training program is hotly disputed, with the training instructor, Lord Wyldon, being absolutely opposed to admitting a girl. Finally, he agrees to train her on a probationary basis — something the boys aren’t subject to, which Kel fumes over. Still, this is the condition for her remaining at all, so she grits her teeth and sees it through.

From the start, it’s clear that Kel won’t back down. She’s been told that it’s customary for the older boys to haze the new pages, but when Kel witnesses outright bullying and degradation going on, she intervenes and fights back, soon earning the friendship of other first-year boys to whom she’s given her protection. Her circle of friends expands to include a working-class maid who begins serving Kel, whom Kel then encourages to stand up for herself and pursue her dream of becoming an independent dressmaker. Lord Wyldon can’t help but be impressed by Kel’s utter devotion to her training, her grit, her cool under fire, and her ability to lead in times of unexpected danger. Kel officially ends her probation, and becomes a full-fledged page.

Book #2, Page, sees Kel continue with the next three years of her training, becoming one of the most skilled fighters among her class, proving over and over again that she’s strong enough and dedicated enough to have the right to try for her shield. In the 3rd book, Squire, Kel becomes squire to Lord Raoul, the Lord Commander of the King’s Own, a fierce group of fighters. At Raoul’s side, Kel learns the art and science of the battlefield, studying warfare and the skills of command, and again proving herself of high value to her comrades and the kingdom. At long last, Kel passes the Ordeal of the Chamber, the terrifying test required as a last ritual before knighthood, and becomes the Lady Knight Keladry.

Finally, in book #4, Lady Knight, Kel sets to work in defense of the realm. A war rages on the northern border of Tortall, as Scanra, the neighboring kingdom, sends raiding parties and killing machines to slaughter townspeople living near the border and try to drive Tortallans off their own land. Kel is assigned to set up and protect a refugee camp, which she at first resents: Do they not think she’s capable of being a warrior in battle? But as she comes to realize, protecting a group of untrained civilians is an incredibly hard job, one that tests her ability to lead, to plan, and to fight. Ultimately, it’s up to Kel to stage a showdown with the evil mage behind the devastating killing machines and to rescue her people from their captors. I won’t give away the details… but rest assured that the Protector of the Small quartet has a very satisfying ending!

What a series! I really loved these books, and the audiobooks (narrated by Bernadette Dunne) are really well-done and exciting to listen to. There’s a big cast of characters, but it’s not hard to keep up and keep them all straight. It’s quite fun to see the beloved characters from earlier books pop up here — Alanna, King Jonathan, Daine, Numair — although they’re relegated to mostly smaller roles. After all, they’re all adults now — not nearly as exciting as teen-aged Kel! (Kidding… but this is YA, after all.)

Keladry of Mindelan, from Deviant Arts webisite, by artist CPatten, https://www.deviantart.com/cpatten/art/Protector-of-the-Small-484097486

Kel is a fantastic main character. She’s noble and strong, and consistently puts the needs of the weak and less powerful first, devoting herself to serving those who need her help the most. She doesn’t tolerate bullies or tyrants or people who abuse their power, and she just doesn’t back down. Kel is far from fearless — she’s terrified of letting people down, worries constantly about whether she’s doing the right thing — but once she’s set on her path, she doesn’t let fear stop her.

I love that Kel achieves all that she achieves under her own steam, no magic or interference from the gods involved. She works for what she gets, and if she’s not great at something, she’ll keep working at it until she is. But Kel doesn’t stop with her own training and skills — she trains those around her, all the various people she protects, so that they too can defend and fight for themselves. It’s inspiring, truly.

Being a Tamora Pierce book, there have to be special animals, and this book has plenty. Animals who live in the vicinity of Daine, the Wild Mage (see my wrap-up of The Immortals for more on Daine) develop extra skills, including the ability to communicate with humans and interact with them. Here, Kel has a flock of sparrows who become her devoted band of guardians, as well as a raggedy dog who fights alongside Kel — all of whom came into her life originally as animals Kel fed and cared for. There are more along the way, including Kel’s horse Peachblossom, a baby griffin, and by the end of the series, a whole squad of cats and dogs who help protect the people of Kel’s fortress camp.

I’ve loved all of the Tortall books I’ve read so far. I’m tempted to say that the Kel books are my favorite — but I’ve been saying that as I’ve finished each quartet along the way! Tamora Pierce has created an incredibly rich and detailed world filled with remarkable characters, and I love the strong young women at the center of her tales.

I can see why my daughter has returned to the Tortall books so many times over the years! I have a feeling I’ll be doing the same.

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Book details:

First Test – published 1999
Page – published 2000
Squire – published 2001
Lady Knight – published 2002

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Series wrap-up: The Immortals by Tamora Pierce

Once again, I need to thank my amazing daughter for her never-flagging enthusiasm for Tamora Pierce and the world of Tortall. After seeing her obsession with these books, starting in her tweens and continuing into adulthood, past college and grad school, I just knew my involvement was inevitable. I re-read (and loved) the Alanna series over the summer (see my thoughts, here), and thanks to a reading-order list supplied by my helpful daughter, I decided to continue onward.

So, following the list, my next stop on the Tortall adventure was The Immortals, another quartet, set roughly a decade after the end of the Alanna books. The Immortals introduces new characters, settings, and challenges, but retains the familiar Tortall at its center and keeps some familiar faces in the mix — although it’s decidedly odd to see our previous teen hero, Alanna, through the eyes of a younger girl, so that Alanna is viewed as an accomplished, brave, grown-up. (Which she is, but it’s a big jump from hearing the story through her teen voice.)

The story of The Immortals:

In book #1, Wild Magic, we meet Daine (full name Veralidaine Sarrasri — isn’t that gorgeous?). Daine is a young girl of about 13, orphaned after raiders killed her mother, who signs on as an assistant to the horse trainer who supplies horses to the Queen’s Riders, an elite fighting force serving the kingdom of Tortall. Daine has an unusual skill with animals of all sorts. When she meets the mage Numair, she learns that it’s not just a skill — it’s magic. Wild magic, to be specific, a rare and unusual gift that allows her to connect with animals and speak with them mind to mind. Later on, as she learns to use and expand her magic, she’s even able to inhabit animals and shape-shift at will, giving her powers that enable her to triumph in the most dangerous of situations.

Daine becomes a key player in the kingdom, working with the King’s forces and range of allies to combat enemies who wish to overthrow him. In book #2, Wolf-Speaker, a fiefdom within Tortall has taken disturbing steps to shield themselves from the rest of the kingdom, using the mining of unusual gems to establish a magical connection with the Emperor Ozorne of Carthak. And in book #3, Emperor Mage, Daine travels to Carthak with a Tortallian delegation to negotiate peace between the nations, only to find herself enmeshed in the Emperor’s sinister schemes.

Finally, in book #4, The Realms of the Gods, there’s the ultimate showdown between Tortall and Ozorne, although Daine and Numair spend much of it literally in another world, having been brought into the realms of the gods for their own protection. Much of the 4th book is spent on Daine and Numair’s quest to find a way back to their own world, in order to fight alongside their friends and defeat Ozorne once and for all.

 

I really and truly enjoyed this series, although (and I hate to say it), the fourth book was somewhat weak in comparison to the earlier three. I love Daine as a character: She’s fierce, talented, and strong. We see her development from a young girl who’s been wounded by life, full of guilt and self-doubt, into a young adult with the confidence to use and control her gift, but who never abuses her own power. She’s devoted to the animal world and respects all creatures, coming to understand that even animals that humans find repellant have a purpose and a right to their lives. Daine is a loyal friend, who loves unconditionally and pursues what she feels is right, even at risk to her own life.

My problem with the 4th book is right there in the title. By removing Daine and Numair to the realms of the gods, too much of the book is spent with them outside of the central arena of the story so far. They’re isolated, encountering new beings and places on their quest to return home. This takes them out of Tortall for way too much of the story, so that they’re only there for the final showdown. Yes, while in the realms of the gods, Daine learns important facts about her parentage and her own powers, but it’s not a great way to wrap up the series.

 

 

 

I can’t talk about these books without mentioning the amazing animals and gods Daine befriends. There’s Skysong, also known as Kitten, an orphaned baby dragon whom Daine rescues and raises; the badger god, who becomes Daine’s patron and mentor; Tkaa, the basilisk, a strong ally; Cloud, Daine’s pony, and so many more. Because Daine can converse with animals, we get to know all of these as people with their own minds and attitudes, and it’s quite fun and fascinating to see how the author chooses to portray them.

 

 

I listened to the audiobooks — such a treat! The Immortals was recorded by Full Cast Audio, who specialize in full-cast recordings of children’s books. Tamora Pierce herself serves as narrator for the series, and each character gets his or her own voice actor. This was a bit of an adjustment for me at first, as I’m not used to listening to audiobooks with more than a single narrator. Once I got into it, though, it was really a great experience. I particularly loved the voices for Daine and Numair, but also really enjoyed the voices used for their animal and immortal friends.

The Immortals was a terrific listen and a great adventure, and I will absolutely be continuing with my Tortallian quest! Next up (after a pause to catch up on some other audiobooks) — the Protector of the Small series!

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Book details:

Wild Magic – published 1992
Wolf-Speaker – published 1993
Emperor Mage – published 1994
The Realms of the Gods – published 1996

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