Book Review: As You Wake, Break the Shell by Becky Chambers

Title: As You Wake, Break the Shell
Author: Becky Chambers
Publisher: Harper Voyager
Publication date: October 13, 2026
Length: 480 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Explore a universe of stubborn survival and found family, of persistent danger and quiet wonder in the first installment of a heartfelt new duology from Hugo Award–winning author Becky Chambers.

Life on the resource-poor planet of Fortune is challenging, but for its inhabitants, it’s home. For two of them, Signy and Cora, this home might no longer be enough.

Signy is a brilliant but reclusive botanist who bio-prints medicine from her small plant shop, often bending the rules to help those the system leaves behind. Her life is filled with the green of her store, the warmth of her one elderly friend, and the quiet determination to help others without putting herself in danger.

Cora is a rorqual pilot, one of the few with the unique ability to navigate the massive, living ships that connect the scattered settlements of their solar system. Her bond with her rorqual, Colibri, is profound—a connection that is both her greatest gift and a threat to her career.

It is that threat—the “mindbleed,” a dangerous side effect of her piloting—that brings her to Signy’s shop, and her appearance puts Signy in the danger she so fears. But it’s soon apparent it’s not just about losing her license—this delicate balance between risk and trust has the potential to change everything for them.

Told in an alternating timeline of their initial coming together and a not-so-distant future where they have found domestic bliss, this is a story harrowing and haunting, heartfelt and hopeful. Through a love story centered around survival, we are given a glimpse into the very best of what Becky Chambers does in her writing: explore what it means to be human, and what it means to come together.

As You Wake, Break the Shell is an imaginative, powerful, emotional look at connections, home, and purpose, as told through the story of two women, Signy and Cora, and two timelines — the timeline of their initial meeting and developing romance, and another 15 years later, where we see them living a very different life.

When they meet, both reside on Fortune, a planet that sounds, frankly, hellish. The surface and atmosphere are completely incompatible with sustaining life of any sort. Humans live on rafts inside a liquid filled crater, where going outside means donning gear to protect from acid rain and poisonous air, and the eruption of the planet’s very active volcanoes can send people running for emergency shelter at a moment’s notice.

Humans arrived on Fortune generations earlier through spacecraft originally from Earth, carrying embryonic life and a Primer that explains humanity’s origins. As people were grown from the bio-prints, they built homes and communities following Primer instructions, with the goal of eventually advancing enough to build spacecraft to enable them to reunite with the mothership. Meanwhile, thousands upon thousands of people live on Fortune, ferrying between rafts, building businesses and social structures, and otherwise going about the business of surviving.

Cora is a rorqual pilot, one of the gifted few who are able to mind-meld with giant flying creatures (rorquals) who ferry their pilots to quarry moons to collect the ice needed for Fortune’s water supply. Being a pilot requires skill and advanced training, but comes with high risk: By blending her consciousness with that of Colibri, her rorqual, Cora opens herself up to mindbleed, where she’s no longer able to separate her own mind from Colibri’s. This endangers her life and could ground her as a pilot… and if that happens, it would likely mean death for Colibri too, as rorquals generally cannot bond with more than one person, and would be put down.

Cora seeks out Signy who, under cover of her plant shop, runs a black market pharmacy creating medicines from genetically modified plant templates for those whom the healthcare system would consider beyond recovery, and therefore not provided with medicines other than for palliative care. Cora and Signy see something in one another, and connect on a profound level in love, friendship, and a deep understanding.

Meanwhile, in interspersed chapters, we see Cora and Signy’s lives fifteen years later, where they seem to lead an idyllic life on a distant moon where they’ve established a home and lush gardens. This life of theirs is filled with love, although they remain haunted by distant, painful memories of past losses.

How Cora and Signy get from where we meet them to this future life is something that doesn’t become clear for quite a long time — and in fact, we’re only partially there by the time the book ends. (Fear not — this is book one of a duology, and I trust that the full story will make sense once we get the second book.)

The book is roughly structured as a countdown (sections are labeled T-Minus 7, T-Minus 6, etc) — although, again, we really don’t know what we’re counting down to until we get there at the end. While the weaving of the two timelines and the jumps between the two can be confusing, that seems deliberate: We’re not meant to fully understand until we get to the right moment. Meanwhile, by slowly showing us the depth of the relationships, the book makes sure that what happens later feels right and well-grounded in what’s come before.

The story’s core themes are connection and love. What does it mean to truly open oneself to another? What does it mean to love someone enough to put them first? These seem like simple questions on the surface, but as we see through the characters’ deepening relationship, there are layers upon layers of trust, concern, and care that come into play. Equally important is the role of Colibri. Interwoven chapters show the mind-to-mind conversations between Cora and Colibri, as they struggle to find common language and concepts, a huge challenge for beings whose basic biology means that their perceptions of the world around them are so vastly different as to be practically unfathomable.

The writing in As You Wake, Break the Shell is beautiful, letting us into the characters’ lives and surroundings, illustrating the day-to-experiences of life in the harsh environment of Fortune, while also showing how the fundamentals of human love and connection remain recognizable even in such an unknown time and place.

This book has a darker, more serious feel than what I’ve come to expect from Becky Chambers’s writing, and she does provide some context in the afterward that helps the tone make sense. Overall, the book is lovely and the characters are wonderful, but tragedies inform their lives, and the joy of Cora and Signy’s love has a thread of sorrow as well.

As You Wake, Break the Shell is on the lengthier side and requires concentration. I recommend starting the book when you have time to really sink into it and spend time with it. Now that I’ve reached the end, the more I think back, the more I realize how beautifully told the overall story is. I’ve yet to be disappointed by anything I’ve read by Becky Chambers. As You Wake, Break the Shell is a remarkable achievement and a powerful reading experience. Don’t miss it.

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Wool (Silo, #1) by Hugh Howey

Title: Wool
Series: Silo, #1
Author: Hugh Howey
Publisher: William Morrow
Publication date: 2012
Length: 594 pages
Genre: Science fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

The first book in the acclaimed, New York Times best-selling trilogy, Wool is the story of mankind clawing for survival. The world outside has grown toxic, the view of it limited, talk of it forbidden. The remnants of humanity live underground in a single silo.

But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they want: They are allowed to go outside.

After the previous sheriff leaves the silo in a terrifying ritual, Juliette, a mechanic from the down deep, is suddenly and inexplicably promoted to the head of law enforcement. With newfound power and with little regard for the customs she is supposed to abide, Juliette uncovers hints of a sinister conspiracy. Tugging this thread may uncover the truth . . . or it could kill every last human alive.

I’ve been hearing about Wool for years and years, and now that I keep seeing the AppleTV adaptation (Silo) popping up on my recommendations list, I finally had both the time and motivation to pick up this chunky book and dive in.

Wool is structured around five stories, originally self-published as stand-alones, later picked up by a traditional publisher and bundled together into this very large (and totally engrossing) novel. The five stories work extremely well as parts of the whole; all together, they tell a fascinating story of a post-apocalyptic world where secrets abound and where the people at the heart of the story slowly learn the truth about their own existence.

Wool starts with a dramatic short section, introducing the novel’s world and core concepts. Wool takes place in a silo — a structure buried deep within the ground, with only the very top level having a view of the outside world. Outside is a place of death; the air is toxic and the earth is barren. Inside the silo, 144 descending levels provide life for thousands of people, from the sheriff and mayor who live on the highest floors, to the all-powerful IT department on the 30s, and further down to medical, farming, supply, and mechanics at the very bottom (where the generators, oil rigs, and mining functions keep the silo powered and functional).

The silo has existed for hundreds of years. No one really knows the origin, although priests say that the silo came from the gods. There are rumors of an uprising at some point in the past, but that’s not to be discussed. Breaching taboos — especially the absolute taboo of expressing an interest in going outside — is the ultimate crime, and those who do so are sent to “cleaning” — sent outside the silo to clean the sensors that allow those inside to see the outside world. Cleaners don’t survive — the cleaning suits protect for a short time, but eventually, the toxic environment eat away at the suits and the cleaners die.

As the story opens, we’re introduced to the basics through one memorable character, and the narrative shifts to yet another interesting person in the 2nd story. But it’s in the 3rd story and beyond that the action and investment really kick in, as a woman from Mechanical, Juliette, shifts places within the silo’s hierarchy and finds herself in possession of dangerous secrets — putting herself in danger, but also endangering the secrets guarded closely by the people who truly hold the reins of power.

I can’t go too much further into plot without divulging spoilers, which I really don’t want to do. What I will say is that each section of this book opens up new territory for thought and consideration, and reveals even more secrets about the inner workings and history of the silo. It’s fascinating, start to finish, and although I felt a bit daunted at the beginning, I quickly became hooked and raced through to the end. I can see why Wool has attracted such a devoted following over the years!

I will definitely be continuing with this series. From what I understand, book #2, Shift, is a prequel, and book #3, Dust, picks back up where Wool leaves off.

Thanks to Reddit, I’ve learned that I can safely watch seasons 1 and 2 of the AppleTV series without getting spoiled for future books… and while part of me is more inclined to wait until after I finish reading the trilogy, I’m not sure I’m all that patient!

Wrapping things up… I highly recommend Wool for those who enjoy sci-fi with a dystopian/post-apocalyptic focus. Great characters and an intriguing premise make the pages fly by!

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Top Ten Tuesday: [Cover Freebie] Books with spaceships on the cover

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is a cover freebie, with the prompt: Pick any topic related to book covers. You can make up your own topic or pick one from the list of previous ones!

I decided to go with spaceships… historic, modern, or science fiction! Anything involving space flight counts from where I’m standing!

Here’s my batch of 10:

  1. An Infinite Love Story by Chanel Cleeton
  2. Leviathan Wakes by James S. A. Corey
  3. The Long Way to a Small Angry Planet by Becky Chambers
  4. Spaceman by Mike Massimino
  5. The Right Stuff by Tom Wolfe
  6. Atmosphere by Taylor Jenkins Reid
  7. Children of Time by Adrian Tchaikovsky
  8. The Collapsing Empire by John Scalzi
  9. Serenity: Those Left Behind (graphic novel)
  10. Space by James A. Michener

What books have you read (or do you have on your TBR) with spaceships on the covers?

If you posted a TTT list this week, please share your link!

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Book Review: Not With a Bang by Temi Oh

Title: Not With a Bang
Author: Temi Oh
Publisher: Saga Press
Publication date: July 14, 2026
Length: 352 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

Station Eleven meets Leave the World Behind in this family drama at the end of the world about a crumbling household’s attempts to find their way back to each other amidst a cataclysmic event.

“Our father had imagined the end of the world so often that, for a while, he believed that he summoned it.”

The Minton family is in crisis. After losing his job, Marcus begins stockpiling cans, running evacuation drills and digging a doomsday bunker in the back garden. At the same time, his daughters are unravelling in their own ways – Chantale is being haunted by dreams of disaster, and Briar’s obsession with a missing classmate draws her deeper into the seductive world of a UFO cult. Meanwhile, no one is aware of the diagnosis their mother has been trying to keep hidden.

When, on the morning of the eldest daughter’s wedding, an extinction-level event tears the world apart, the Mintons must fight their way through a devastated city—back to safety, survival, and each other.

What is expected to be a once-in-a-lifetime, awe-inducing astronomical event — a planet, or possibly moon or asteroid, expected to pass by Earth so closely as to be visible — turns cataclysmic in Not With a Bang. And yet, despite the catastrophe that turns life on Earth into “before” and “after”, the story here is very much about a family — what brings them together and what tears them apart.

Marcus and Kim Minton have four daughters. Their oldest, Aaliyah, is about to be married at age 22. Briar, 17, and Tanice, 15, are both in high school, and their little sister Chantal is only 7. After losing his job as a police officer years earlier, Marcus has become an obsessed prepper, building a bunker in the backyard, stocking it with food and supplies to sustain his family for at least a year, and drilling the girls on emergency evacuations through middle-of-the-night alarms.

And yet, when the real thing comes along, none of the planning seems to matter. On the day of Aaliyah’s wedding, the family is scattered across London in various stages of getting ready. In the aftermath of destruction and chaos, alone and in groups, they must find their way back home, avoiding threats from their changed surroundings as well as from other people.

The book has an interesting storytelling approach. Chapters focus on relaying events through different family members’ experiences, and yet, Briar’s voice narrates throughout. As she explains in the opening chapter:

Almost everything I didn’t live through, I would learn later from witness reports and testimonies. I have examined everything in its entirety, more than once. Some things I can only imagine. Like my father’s expression the morning it happened.

We never forget that it’s Briar telling us the story, even as we move through third-person accounts focused on other people — so chapters may open with lines such as:

Tanice could tell it was about to happen before I did. She’d seen it more times than she cared to count.

And while Briar will share her insights during this chapter and others, the focus is on the person whose chapter it is; in this case, what Tanice did and felt and observed during these moments. We’re led to understand that all of this represents the family members’ memories, as shared with Briar at some future point.

The actual event (or the Event, as many refer to it) is terrifying and leaves utter ruin in its wake. Some pieces of society collapse immediately, while a few emergency services and official organizations seem to have been prepared in advance. The explanations related to what exactly has happened and what it represents come slowly over the course of the book; I didn’t feel that it all made sense, but I was willing to accept it for the sake of the overall story.

Not With a Bang is oddly compelling. From chapter to chapter and from character to character, I was always eager to see what might be next. A sense of danger looms over every scene. From Briar’s narration, we can rest assured that the family will survive somehow, even in the moments when this seems most questionable. After all, how could she be telling us what they all went through if she hadn’t had the opportunity in the “after” to find out?

This guarantee of the family’s safety does diminish the stakes to an extent, although that’s not to say that they come through the Event unscathed. Clearly, life will never be the same. Seeing how they all reach one another, and what they have to do to survive and overcome deadly obstacles, is what propels the reading experience forward and keeps the reader hooked until the end.

With a potential extinction-level event as the catalyst, you might expect more of a science fiction focus — but at its heart, Not With a Bang is the story of a family. Their struggles before, during, and after the Event form the narrative arc, but their interwoven dynamics — the hurts, resentments, and anger built up over all the preceding years — provide the central elements of the story. The parents’ fracturing marriage, the girls’ sense of abandonment as related to their mother’s earlier career choices, the selfish, misguided, or desperate actions of the older daughters — these are the pivot points as the narrative unfolds. The Event is the catalyst for the family members to confront their complicated relationships, come to certain realizations, and redefine themselves as they move forward.

Briar’s storyline is often frustrating, as she becomes entangled with an alien-worshipping cult who believe that the Event is a harbinger of the aliens’ arrival and turn to near-death experiences to try to make contact. While her involvement with the group starts as a way to discover the truth about a classmate’s disappearance, it becomes more complicated as she finds a sense of acceptance and belonging, and begins to question whether their beliefs could be real. She makes some truly terrible decisions, allowing the cult to pull her away from the relative safety of her family and their bunker, and puts herself in mortal danger in a way that doesn’t feel necessary.

Overall, I found Not With a Bang interesting and absorbing, but perhaps not entirely successful. Using a cataclysmic event to tell the story of a family is an inventive approach, and yet, I wished for just a bit more focus on the events themselves — digressions into the oldest daughter’s teen tennis career, for example, take up more space that seemed needed and pull focus from the family’s struggles to survive.

I’m glad to have read Not With a Bang, despite the elements that dragged the story down for me. The narrative style and voice is fresh and certainly different from other apocalyptic books that I’ve read. The story may not satisfy fans of hard science fiction, but readers looking for a character-focused story with a world-changing disaster as a catalyst will find plenty to appreciate and savor.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 7/24/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

I’ve been away from home for various reasons for the past several Fridays… but now I’m back, and ready for a FLF post!

This week’s lines are from the July new release that I’ve just started:

So what’s the book?


Not With A Bang by Temi Oh
Release date: July 14, 2026
352 pages

Synopsis:

Station Eleven meets Leave the World Behind in this family drama at the end of the world about a crumbling household’s attempts to find their way back to each other amidst a cataclysmic event.

“Our father had imagined the end of the world so often that, for a while, he believed that he summoned it.”

The Minton family is in crisis. After losing his job, Marcus begins stockpiling cans, running evacuation drills and digging a doomsday bunker in the back garden. At the same time, his daughters are unravelling in their own ways – Chantale is being haunted by dreams of disaster, and Briar’s obsession with a missing classmate draws her deeper into the seductive world of a UFO cult. Meanwhile, no one is aware of the diagnosis their mother has been trying to keep hidden.

When, on the morning of the eldest daughter’s wedding, an extinction-level event tears the world apart, the Mintons must fight their way through a devastated city—back to safety, survival, and each other.




I enjoyed this author’s 2019 novel, Do You Dream of Terra-Two?, and I’m excited to be starting this new release.

Does this sound like something you’d enjoy?

Happy Friday! Wishing everyone a great weekend!

Novella review: Nobody’s Baby (Dorothy Gentleman, #2) by Olivia Waite

Title: Nobody’s Baby
Series: Dorothy Gentleman, #2
Author: Olivia Waite
Publisher: Tor Books
Publication date: March 10, 2026
Length: 144 pages
Genre: Science fiction
Source: Library
Rating:

Rating: 4 out of 5.

Becky Chambers meets Miss Marple in the second entry of this cozy sci-fi mystery series, helmed by a formidable no-nonsense auntie of a detective

Welcome to the HMS Fairweather, Her Majesty’s most luxurious interstellar passenger liner! Room and board are included, new bodies are graciously provided upon request, and should you desire a rest between lifetimes, your mind shall be most carefully preserved in glass in the Library, shielded from every danger.

A wild baby appears! Dorothy Gentleman, ship detective, is put to the test once again when an infant is mysteriously left on her nephew’s doorstep. Fertility is supposed to be on pause during the Fairweather’s journey across the stars—but humans have a way of breaking any rule you set them. Who produced this child, and why did they then abandon him? And as her nephew and his partner get more and more attached, how can Dorothy prevent her colleague and rival detective, Leloup, a stickler for law and order, from classifying the baby as a stowaway or a piece of luggage?

Told through Dorothy’s delightfully shrewd POV, this novella series is an ode to the cozy mystery taken to the stars with a fresh new sci-fi take. Perfect for fans of the plot-twisty narratives of Dorothy Sayers and Ann Leckie, this well-paced story will leave readers captivated and hungry for the next installment.

Dorothy Gentleman is back! In the second installment in this delightful sci-fi/mystery novella series, our favorite spacefaring detective has another doozy of a case to solve.

The HMS Fairweather is a generation ship, currently 300 years into a millennium-long journey to a new planet. Passengers essentially live forever by preserving their minds in the ship library’s memory books, then downloading themselves back into new bodies when their current bodies wear out. Carrying 10,000 people, the ship is comfortable and well-provisioned, but can’t accommodate population growth, so reproductive abilities are put on hold for the duration of the journey.

Imagine everyone’s surprise when a baby — a real, human baby! — is left on Dorothy’s nephew’s doorstep. He and his husband are instantly smitten, but Dorothy knows there’s something serious afoot. How is a baby even possible? Who abandoned it and why? And who’s been taking care of it so far?

Her sleuthing leads her to the biological parents, who are just as confused as everyone else and have no memories of where this baby came from. Meanwhile, after a thwarted kidnapping attempt, Dorothy’s nephew wants custody — but there’s the legal conundrum of whether the baby is to be considered a legitimate passenger on the ship, entitled to memory preservation and bodily renewal, or if (because he’s not on the official passenger manifest) he’s a stowaway, with no rights beyond the length of a normal mortal life.

The mystery is a fun, not terribly serious tangle of people, technology, and motives which Dorothy unravels with style. Meanwhile, life on the Fairweather is a strange mix of advanced tech — memory books and journeying through the stars — and low tech even by our standards: There don’t appear to be computers, much less smart phones — everyone is always shuffling paperwork… as in, literally piles of paper!

I love the noir vibes that the writing gives off — basically, a noir detective story in space! The writing captures the tone perfectly:

I […] opened the door — only to find Violet St. Owen there on the threshold, looking like all my weaknesses made flesh.

I mean, doesn’t that just practically scream “and then this dame walked into my office…”?

I really enjoy the world of these novellas and the details of life aboard ship. As the 2nd in a series, Nobody’s Baby doesn’t offer quite the same level of delightful discovery as the first novella, Murder by Memory, but it’s still fun to revisit the characters and setting. I did feel a bit let down by the solution to the baby’s origin, which seemed not all that consequential in the end after quite a big build-up, but otherwise found the clues and legal wrangling to be highly amusing.

Overall, Nobody’s Baby is a nice, short treat. At novella length, it’s a quick, all-in-one-sitting sort of read, and offers great entertainment throughout. I enjoyed this newest adventure with Dorothy, and hope there are plenty more to come!

Purchase links: Amazon – Audible – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday: Trying something new here!

I’ve had fun seeing other people’s First Lines Friday posts, and finally decided to give it a try myself! Here’s an overview:

First Lines Friday is a weekly feature for book lovers hosted by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines?

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

Note: I’m not sure if the original host blog is still active — I haven’t been able to find it! If anyone knows of a current host, please share the info!

Onward with my FIRST first lines post! This week, I’m featuring lines from a book that I just borrowed from the library. Hint: It’s a novella, it’s a sequel, and it’s sci-fi. Here goes!

So what’s the book?


Nobody’s Baby (Dorothy Gentleman, #2) by Olivia Waite
Tor Books
Published March 10, 2026
144 pages

Synopsis:

Becky Chambers meets Miss Marple in the second entry of this cozy sci-fi mystery series, helmed by a formidable no-nonsense auntie of a detective

Welcome to the HMS Fairweather, Her Majesty’s most luxurious interstellar passenger liner! Room and board are included, new bodies are graciously provided upon request, and should you desire a rest between lifetimes, your mind shall be most carefully preserved in glass in the Library, shielded from every danger.

A wild baby appears! Dorothy Gentleman, ship detective, is put to the test once again when an infant is mysteriously left on her nephew’s doorstep. Fertility is supposed to be on pause during the Fairweather’s journey across the stars—but humans have a way of breaking any rule you set them. Who produced this child, and why did they then abandon him? And as her nephew and his partner get more and more attached, how can Dorothy prevent her colleague and rival detective, Leloup, a stickler for law and order, from classifying the baby as a stowaway or a piece of luggage?

Told through Dorothy’s delightfully shrewd POV, this novella series is an ode to the cozy mystery taken to the stars with a fresh new sci-fi take. Perfect for fans of the plot-twisty narratives of Dorothy Sayers and Ann Leckie, this well-paced story will leave readers captivated and hungry for the next installment.


Sound like something you’d enjoy?

Happy Friday! Wishing everyone a great weekend!

Top Ten Tuesday: Genre freebie — send in the clones!

snowy10

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Genre Freebie, with the prompt Pick a genre and build a list around it. You could do historical fiction featuring strong female leads, contemporary romance set in foreign countries, mysteries starring unreliable narrators, lyrical fiction books in verse, historical romance featuring pirates, Gothic novels with birds on the cover, etc. There are so many options!

After flipping between a few options, I’ve landed on science fiction for my genre… and getting more specific, I’m focusing on sci-fi books with clones, cloning, or other similar genetic shenanigans!

Here are a bunch I’ve found fascinating, including a few oldies:

  1. Never Let Me Go by Kazuo Ishiguro
  2. Archetype by M. D. Waters (review)
  3. The Echo Wife by Sarah Gailey (review)
  4. Six Wakes by Mur Lafferty (review)
  5. The Boys From Brazil by Ira Levin (check out this Flashback Friday post for more on this book and #6)
  6. Joshua Son of None by Nancy Freedman
  7. Micky 7 by Edward Ashton (the only one here that I haven’t read yet — the book is on my TBR, and I really enjoyed the movie!)
  8. Y: The Last Man (series) by Brian K. Vaughan
  9. Jurassic Park by Michael Crichton
  10. Extinction by Douglas Preston (review)

Have you read any great books about clones? I’d love to hear recommendations!

Which genre did you feature this week?

If you wrote a TTT post, please share your link!

Book Review: Detour by Jeff Rake & Rob Hart

Title: Detour
Series: Detour, #1
Authors: Jeff Rake & Rob Hart
Publisher: Random House Worlds
Publication date: February 4, 2026
Length: 320 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

A space shuttle flight crew discovers that the Earth they’ve returned to is not the home they left behind in the first book of this emotional, mind-bending thriller series from the creator of the hit Netflix show Manifest and the bestselling author of The Warehouse.

“If The Martian and The Twilight Zone had a baby, it would be Detour—a thriller that messes with your head as you scramble to piece together what’s really going on.”—Steve Netter, Best Thriller Books

Ryan Crane wasn’t looking for trouble—just a cup of coffee. But when this cop spots a gunman emerging from an unmarked van, he leaps into action and unknowingly saves John Ward, a billionaire with presidential aspirations, from an assassination attempt.

As thanks for Ryan’s quick thinking, Ward offers him the chance of a lifetime: to join a group of lucky civilians chosen to accompany three veteran astronauts on the first manned mission to Saturn’s moon Titan.

A devoted family man, Ryan is reluctant to leave on this two-year expedition, yet with the encouragement of his loving wife—and an exorbitant paycheck guaranteeing lifetime care for their disabled son—he crews up and ventures into a new frontier.

But as the ship is circling Titan, it is rocked by an unexplained series of explosions. The crew works together to get back on course, and they return to Earth as heroes.

When the fanfare dies down, Ryan and his fellow astronauts notice that things are different. Some changes are good, such as lavish upgrades to their homes, but others are more disconcerting. Before the group can connect, mysterious figures start tailing them, and their communications are scrambled.

Separated and suspicious, the crew must uncover the truth and decide how far they’re willing to go to return to their normal lives. Just when their space adventure seemingly ends, it shockingly begins.

Detour is an absolutely addictive science fiction thriller — and it’s totally on me that I didn’t realize until about 10 pages from the end that this book isn’t a stand-alone. More on that later… meanwhile, here’s what it’s all about.

Planet Earth is in dire trouble as Detour opens, with the collapse of a huge Antarctic glacier spelling a major escalation of the world’s climate catastrophe. Life on Earth may be unsustainable; science is now looking beyond the planet for a new home for humankind.

Enter billionaire and presidential candidate John Ward, a man with the deepest of pockets, limitless ambition, and a huge ego. He’s funding a project to send a space crew to circle Saturn’s moon Titan, to leave behind satellites to report back on Titan’s ecosystem and help plan for future human settlement there. Thanks to advances in power sources and radiation shielding, a new spaceship has been built that can make the journey to Titan in a year, which means the ship’s crew will have to commit to a two-year journey away from home and loved ones.

In addition to three experienced astronauts, three civilians have been chose to join the expedition: Padma, a scientist who has done pioneering work on the viability of Titan for human habitation; Ryan, a DC cop who just happened to be in the right time and place to save John Ward from an assassination attempt; and Stitch, a graffiti artist who won a lottery for a seat on the mission. With only the briefest of training periods, this motley assembly is soon on their way off-world, each leaving behind complicated work and family situations.

As the synopsis indicates, something goes wrong during the mission, but the crew is able to avert disaster and return home as scheduled. But for the astronauts, there’s something wrong about “home”. Nothing is quite as they left it. Their family lives are different in key ways. The world is mainly the same… but it’s not. And their treatment is decidedly suspicious — rather than getting a heroes’ welcome, they’re warned to avoid the press, stay quiet, and no matter what, not to contact any of the other members of the crew.

The final quarter of the book is a mad rush of action and investigation, as the six astronauts struggle to understand the lives to which they’ve returned, while also trying to piece together exactly what happened out there near Titan, and why powerful forces seem to be gathering to stop them.

And then the book stops! Which I did not expect. When I first requested this book on NetGalley, I didn’t see a mention of this being the first in a series — and I did not go back to re-read the synopsis, either there or on Goodreads, before starting the book. If I had, I might not have been so surprised, somewhere around the 90% mark, to realize that there was absolutely no way this story would be wrapped up by the last page. My bad. Let this be a lesson to me — always read the synopsis (again) before starting a new book!

In any case… Detour is thrilling page-turner, and I’m so glad I read it. I’m a sucker for a great space travel story, and this book delivers. The authors skillfully establish the stakes of the mission right from the start, as well as establishing the core main characters and their individual struggles and backstories. As they depart on their mission, we know them — their strengths, their doubts, what they leave behind, and what they hope for upon their return.

The story is told through vignettes that shift the action between all major players, as well as involving John Ward, some side characters, and a few shadier people as well. The mystery of what happened on the journey and why the world seems changed when the astronauts return isn’t resolved (must leave content for the next book!), but there are enough hints and partial theories that leave a reader with a sense of tantalizing information still to come.

I appreciate that the personal isn’t sacrificed in favor of the action. The action is terrific, but a large part of my enjoyment stems from feeling invested in the characters themselves and caring about each of their lives and their futures.

The authors’ credentials alone let us know that we’re in for a great ride in Detour. Jeff Rakes is the creator of the TV series Manifest, which was one of my pandemic-era binges. Detour has elements that remind me of some elements of Manifest — not in a repetitive way, but more in the sense of themes and the underlying mysteries. Co-author Rob Hart is the author of a bunch of very popular books — of which I’ve only read The Warehouse, but I do have several other of his books on my TBR, and now I’m even more motivated to read them. (There’s a very fun little moment in Detour when both Manifest and Assassins Anonymous get shout-outs — yay to the authors for including this!)

Detour was just the sort of compelling, drop-everything-and-read book that I needed this week! I enjoyed every moment, and will absolutely be back for book #2. Here’s hoping the wait for the next book will take less time than, say… a mission to Titan!

Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: All Better Now by Neal Shusterman

Title: All Better Now
Author: Neal Shusterman
Publisher: Simon & Schuster Books for Young Readers
Publication date: February 4, 2025
Length: 528 pages
Genre: Young adult dystopian/Science fiction
Source: Library
Rating:

Rating: 4 out of 5.

From New York Times bestselling author Neal Shusterman comes a “thought-provoking and grimly enjoyable” (Kirkus Reviews) “epic biological thriller” (Publishers Weekly, starred review) about a world where happiness is contagious but the risks of catching it may be just as dangerous as the cure.

A deadly and unprecedented virus is spreading. But those who survive it experience long-term effects no one has ever seen before: utter contentment. Soon after infection, people find the stress, depression, greed, and other negative feelings that used to weigh them down are gone.

More and more people begin to revel in the mass unburdening. But not everyone. People in power—who depend on malcontents and prey on the insecure to sell their products, and convince others they need more, new, faster, better everything—know this new state of being is bad for business. Surely, without anger or jealousy as motivators, productivity will grind to a halt and the world will be thrown into chaos. Campaigns start up to convince people that being eternally happy is dangerous. The race to find a vaccine begins. Meanwhile, a growing movement of Recoverees plans ways to spread the virus as fast as they can, in the name of saving the world.

It’s nearly impossible to determine the truth when everyone with a platform is pushing their agenda. Three teens from very different backgrounds who’ve had their lives upended in very different ways find themselves at the center of a power play that could change humanity forever.

All Better Now is a propulsive page-turner about viral contagion, with an incredibly interesting premise that provides all sorts of food for thought.

In this YA sci-fi thriller, a virus known as Crown Royale is sweeping the globe. It’s only been a few years since the last pandemic; no one wants to go back to lockdowns and mask mandates. Crown Royale is highly contagious and has about a 4% mortality rate for those infected. People who test positive for the virus experience dramatically high fevers and other dangerous symptoms. But in some ways, it’s the aftereffects that are most shocking.

Crown Royale recoverees are… well… different. Without exception, recoverees are happy and peaceful. Their aggressions, greed, drive for competition, avarice — all are gone. Recoverees are kind, driven by altruism. They’re non-violent, and have an unstoppable urge to help others, even at the risk of their own lives.

On the surface, that sounds pretty great. But big business and governments alike are worried. What will this mean for the economy? What does this mean for international politics, struggles, and power plays? If people are no longer motivated by consumerism, what does this mean for production? And of course, the billionaires are the most worried, both for their own enormous profits and what it might mean if — heaven forbid — they themselves become infected. Already, a worrying number of very wealthy people have recovered from Crown Royale only to give away everything they own.

Within this intriguing premise, we’re introduced to three teens with very different backgrounds. Rón (yes, with an accent over the “o” — it’s short for Tiburón) is the youngest son of the third richest man in the world. He’s a bit of a lost soul, constantly fighting the depression that threatens to pull him under. To Rón, a virus that will leave him happy for the first time in his life sounds pretty good. Mariel lives on the streets with her flighty mother, and after her mother’s death from Crown Royale, finds herself connecting with Rón at a pop-up commune for recoverees.

And then there’s Morgan, a hard-driving prodigy who lands a coveted internship with a very wealthy consortium — only to discover that the old woman who owns the consortium is signing over all her assets to Morgan in the event she contracts Crown Royale. Dame Havilland lives for spite, and hates the idea that she might turn into a kinder, gentler version of herself if she gets the virus, and so she creates ironclad legal documents to permanently keep control of her assets out of her own hands.

As the story progresses, we see how each of these three main characters, as well as the many people they’re connected to, navigate a world that’s changing before their eyes. Rón and Mariel develop a very deep connection, but seem to be diverging toward quite different trajectories. Meanwhile, Morgan shows all the cunning and ruthlessness that landed her the job in the first place — but with limitless power now in her hands, she has her own agenda when it comes to Crown Royale.

I’d hate to give away any more of the plot. Suffice to say, the story is twisty and turny, and goes in directions I didn’t see coming. There are fascinating moral dilemmas at the core of this story. Crown Royale is deadly for a relatively small percentage of its sufferers, but the rest experience beauty and true happiness in its aftermath. So should the world be trying to fight Crown Royale at all? Would the world be a better place if everyone was transformed by the virus? If war and cruelty could be eliminated, isn’t that a good thing?

Because if you took everything into consideration, from war to apathy, from greed to racism—all the self-destructive, self-loathing, self-annihilating tendencies of human nature—Crown Royale might just be the best thing to ever come along.

But on the other hand, many believe that the recoverees, although happy, aren’t truly themselves any longer — and for those with that belief, there’s a deep-seated fear of the virus and a hatred for it and those who might spread it.

“Despair builds character!” countered Morgan. “It’s what motivates us—but Crown Royale denies people that! You’re just too naïve to see it!”

For those who truly believe Crown Royale is a blessing for humanity, there’s a feeling that they’re called to pass it along to everyone else. But what about free will? Shouldn’t it be a choice? And when a potential vaccine or counter-virus seems possible, the same question applies: Should Crown Royale be absolutely eliminated? What about the people who want to seek it out and experience a better version of their lives?

I picked up All Better Now after seeing it mentioned in this Reactor article about what to read after watching Pluribus (AppleTV). I though Pluribus was terrific, and I’ve read and enjoyed several of Neal Shusterman’s books in the past (including the Arc of a Scythe series), so All Better Now seemed like an obvious choice for me.

I’m glad I stumbled across that article, and I’m glad that I gave this book a try! I actually didn’t realize that it was a YA novel (although I should have known based on the author and the publisher). And really, apart from the fact that the main characters are teens, I’d say this doesn’t have to be shelved as YA — it’s just a really good sci-fi book about a world-changing virus!

I also didn’t realize that All Better Now is the first book in a projected duology. Until I went back to the Goodreads listing as I neared the end of the book, I had no idea that I wasn’t reading a stand-alone novel. The book does have an open-ended conclusion… but given the subject matter, I suppose it could just be seen as ominously open to interpretation. I suppose I’m glad to know that there will be more in this world, and that the story will continue (and get wrapped up) in one more book — but I think I could have been satisfied with All Better Now on its own as well.

(According to Goodreads, book #2 will be called All Over Now, and does not yet have a release date.)

Once I started All Better Now, I just couldn’t put it down. Sure, there are plot points that stretch credulity, and I never quite bought Morgan’s trajectory. Likewise, having teens driving the plot make sense from a YA branding perspective, but left me at times wanting to know more about what the grown-ups were up to.

Still, quibbles aside, there’s no denying that this was a fascinating, utterly absorbing read that kept me up late turning pages, then not being able to get the various scenarios out of my head.

All Better Now wasn’t on my reading agenda for this year, but I’m so glad I picked it up!

Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.