Book Review: Daggerbound (Swordheart, #2) by T. Kingfisher

Title: Daggerbound
Series: Swordheart, #2
Author: T. Kingfisher
Publisher: Bramble
Publication date: August 25, 2026
Length: 436 pages
Genre: Fantasy
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Learned Edmund, a disillusioned scholar, is transporting yet another precious relic from one stuffy temple to a different stuffy temple. Another great adventure for the ages…

But when Edmund is set upon by bandits, in desperation, he breaks the cardinal rule and grabs for the relic, an ancient sword. To his surprise, instead of unsheathing a rusty, ancient weapon, an alarmingly handsome man appears, wielding daggers of blue steel and cutting the thieves down.

This man is the Dervish, an immortal warrior who’s been trapped for centuries in a sword of enchanted steel, and is angry as hell about it. He hates the curse that put him there, and he wants to hate Edmund, just as he has hated every wielder before him.

But the damned scholar is just so sweet and clever and kind. And while the Dervish may be able to protect Edmund from bandits, cultists, dragons, and strange inhuman diplomats, he may find it much harder to protect his own heart.

T. Kingfisher’s fantasy novels are always a delight, and this sequel to Swordheart is every bit as wonderful as I’d expected it to be! Swordheart told the story of Sarkis, a man condemned to immortality while bound to a sword and whoever wields it. Here in Daggerbound, we pick up the story with the Dervish, one of Sarkis’s two fellow soldiers sentenced to the same fate.

As the story opens, Learned Edmund, a scholar and dedicate of the Many-Armed God, is leaving his temple to transport books and an ancient sword to recipients in a distant city. His temple doesn’t know, however, that he’s taking this opportunity to leave his religious order behind, having grown disillusioned from years of pushing for progress and change. Edmund’s journey does not go well — set upon by bandits, he accidentally unsheathes the sword, and is astonished by the appearance of what he at first takes to be an angel — a ridiculously handsome man with silver markings who appears out of nowhere in a flash of silver and proceeds to dispatch the men assaulting Edmund.

The man is no angel — it’s the Dervish, a man bound to the sword and forced to serve whoever wields it, compelled by the sword’s magic to defend his wielder, if need be at the cost of his own life. Of course, being immortal, he can only be temporarily dead, and some time spent back inside the sword heals him up again.

The Dervish is gorgeous, fierce, and angry, and is tormented by memories of the anguish he suffered at the hands of a particularly sadistic former wielder. He’s understandably irritated to find himself bound to yet another wielder, but quickly comes to see that Edmund is very different from those he’s served before. Edmund is a scholar, who only wishes to learn and apply his knowledge to helping others. He’s not interested in personal power or glory, and doesn’t wish to manipulate Dervish, and in fact agrees to help him figure out if there’s a way to break the curse and free him from his immortal, sword-bound existence.

As the pair travel onward, they acquire some highly unusual companions, find themselves in a variety of dangerous situations, and must fight their way out of more than one trap. The more time they spend together, the more evident it becomes that there’s something beyond a wielder/sword dynamic going on here — despite Dervish constantly reminding himself that Edmund is not his type.

Dervish is a fantastic character. His blend of hardened toughness and self-assuredness make him a formidable opponent for anyone who even looks like they might threated Edmund, and his ego — especially about his astonishing good looks — is never not hilarious. And yet, the terrible memories from his former wielder rise to the surface at unpredictable moments, revealing his unhealed psychic wounds and leaving him emotionally vulnerable.

Dervish and Edmund have a fabulous dynamic — opposites in so many ways, they find a deep appreciation for one another, and come to realize just how much they care and are willing to risk to keep the other person safe.

Other characters are also quite memorable (I won’t go into specifics — it’s so much fun to discover them on your own!), and having key characters from Swordheart join the adventure later in the book feels like meeting up with old friends.

Daggerbound is a wonderful follow-up to Swordheart. I loved being back in the world of this series, and enjoyed every twist and turn, every dangerous escapade and every tender moment. Daggerbound‘s love story is humorous, charming, and quite beautiful, and the characters are terrific, together and on their own.

I can’t wait to see what happens in the next book in the series. Book #3, which will focus on the third person cursed alongside Sarkis and Dervish, is scheduled for release in August 2027 — much too far away from now!

Book #3, Shieldborn; to be released 8/2027

Daggerbound succeeds as a sequel to Swordheart and as a terrific fantasy adventure story. Another outstanding book from an incredibly talented author. Highly recommended.

A note on the audiobook edition:

Narrator: Jesse Vilinsky
Released: 2026
Audio length: 16 hours 9 minutes

I enjoyed the audio version of Swordheart so much that I opted to go the same route with Daggerbound, and I’m so glad that I did. Once again, narrator Jesse Vilinsky knocks it out of the park with her excellent character voices and expressive storytelling.

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 9/11/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

Today’s line are from the upcoming new book in a favorite series:

So what’s the book?


A Divided Duty (October Daye, #20) by Seanan McGuire
Release date: September 29, 2026
384 pages

Synopsis:

Seanan McGuire’s New York Times bestselling and Hugo Award-nominated October Daye series finds Toby Daye torn between caring for her newborn daughter and keeping the world of Faerie—and her found family—safe.

October “Toby” Daye is settling into life with a baby, remembering the ins and outs of motherhood, and trying to find ways to balance her work with her desire to keep her baby safe at home and away from all the terrors Faerie has to offer. Her whole household is pitching in, from May all the way down to Raysel, the estranged daughter of Toby’s liege lord, who is currently serving out a term of offense in Toby’s home.

Naturally, as everything is beginning to find a balance, it’s time for Raysel’s term of offense to end, and Luna Torquill very much wants her daughter back.

But Toby has been helping Raysel get the help she desperately needs, from giving her a safe place to hide all the way to finding her a licensed therapist who works with the fae, and Raysel isn’t ready to leave. Luna isn’t taking no for an answer, and before anyone can realize what she’s planning, she steals her own child away to Blind Michael’s lands.

Not even Luna knows all the terrible secrets her father and his works hid from the world, and not even she can protect her daughter from the monsters in their lineage. All too quickly, Toby must race the clock to save Raysel—before it’s too late for her to ever come home.

It’s been years, but now the question will be asked again: can she get there and back by the light of a candle?



October Daye is one of my all-time favorite fantasy series… and it amazes me that it remains so incredibly strong after so many books! Can’t wait to get started!

Happy Friday! Wishing everyone a great weekend!

Audiobook Review: Kill the Beast by Serra Swift

Title: Kill the Beast
Author: Serra Swift
Narrator: Moira Quirk
Publisher: Tor Books
Publication date: October 14, 2025
Print length: 309 pages
Audiobook length: 10 hours 40 minutes
Genre: Fantasy
Source: Library
Rating:

Rating: 4 out of 5.

The Witcher meets Howl’s Moving Castle in this debut original faerie tale of revenge, redemption, and friendship―for fans of T. Kingfisher, Naomi Novik, and cozy fantasy with a dash of gritty adventure.

The night Lyssa Cadogan’s brother was murdered by a faerie-made monster known as the Beast, she made him a promise: she would find a way to destroy the immortal creature and avenge his death. For thirteen years, she has been hunting faeries and the abominations they created. But in all that time, the one Beast she is most desperate to find has never resurfaced.

Until she meets Alderic Casimir de Laurent, a melodramatic dandy with a coin purse bigger than his brain. Somehow, he has found the monster’s lair, and―even more surprising―retrieved one of its claws. A claw Lyssa needs in order to forge a sword that can kill the Beast.

When the witch Ragnhild decrees that Alderic and Lyssa must gather the other ingredients to forge the weapon together, or else the spell will fail, Lyssa gets more than she bargained for. Alderic is ill-equipped for the task at hand, and almost guaranteed to get himself killed.

But as the two of them search for the materials that will be the Beast’s undoing, Alderic reveals hidden depths: dark secrets that he guards as carefully as Lyssa guards hers. Before long, and against Lyssa’s better judgment, they begin to forge a blooming friendship―one that will either lead to the culmination of Lyssa’s quest for vengeance, or spell doom for them both.

Kill the Beast is a creative, often blood-soaked fairy tale retelling… and given the title, it’s really no surprise to discover exactly which fairy tale we find ourselves immersed in.

In this tale of vengeance and redemption, Lyssa has a fearsome reputation as “the Butcher”, a brutal sword for hire who specializes in killing trolls, goblins, and other magical menaces. But beyond that, Lyssa’s true purpose is killing Hounds — faerie-made creatures whose bloodthirsty rampages lead to mass deaths, and who have a reputation for being unkillable.

Thirteen years earlier, Lyssa saw her beloved older brother slaughtered by a creature known as the Beast, and vowed to avenge him. Over the years, her blood oath has led to successful quest after successful quest, but her ultimate quarry — the Beast — has remained elusive. When she receives a letter from a rich nobleman offering to hire her, she’s skeptical, until she realizes that he also wants to see the Beast dead.

Alderic is not what she’d expected. Beyond the drunken dandy who seems to only care about outrageously gaudy clothing, she finds a man who has a vengeance goal of his own. When the witch who acts as both mentor and spell-creator for Lyssa pronounces that she’ll need to work with Alderic to kill the Beast if they’re to have any chance of success, she hates the idea, but has no choice. The only thing she’s wanted all these years is to kill the Beast, and she’ll put up with Alderic’s company if she must if that’s the only way to get it done.

As they gather the ingredients they’ll need to forge a powerful enough weapon to destroy the Beast, Lyssa starts to see Alderic’s hidden depths. After near misses and dangerous encounters, their goal is within reach, but devastating secrets threaten to derail it all before the end.

The truth behind what’s going on is much (MUCH!) more shocking to Lyssa than it will be to any reader who’s ever watched a certain Disney movie (although Disney was never as bloody as Kill the Beast!). Still, despite a revelation that really isn’t much of a surprise, it’s enthralling to see how the story gets there, what the complicated explanations and origins turn out to be, and to see how the entire plot comes together.

Lyssa is a bristly, argumentative, thoroughly aggressive character who seems to have never met a problem that she couldn’t punch or stab into submission. She’s tough to love, yet we can understand how deeply wounded she is underneath the hard exterior — so even while wishing she’d stop and listen more often, or learn to control her blood lust, it’s hard not to empathize as well. Her partnership with Alderic leads to comic moments as well as surprisingly tender ones. Their friendship is strange and strained, but rings true.

In terms of pacing, the plot sags for a while as Lyssa and Alderic journey from place to place collecting the items they’ll need for the spell to forge a sword with enough magical power to kill the Beast. There are some tense set pieces, but it’s a lot of figuring out what they need, where to find it, how to get it, and then going through some sort of challenging circumstances to make it happen. The story is much more engaging when the focus is on the characters, their personal struggles, and their secrets. Collecting bits of stuff… not so much.

By the final third, Lyssa and Alderic’s quest picks up in terms of intensity and interest level. As hard truths are revealed, we learn just how much is truly at stake for each of them, which makes the entire story feel more dramatic and dire. I appreciated the climactic scenes and the realizations that come — practically too late — as Lyssa finally is forced to reconsider everything she’s held on to since her brother’s death and choose a path forward that might not be what she’d envisioned all along.

The audiobook for Kill the Beast is narrated by Moira Quirk, who’s been a favorite ever since I first listened to her narration of Gail Carriger’s Finishing School and Custard Protocol series. She’s quite wonderful here, especially when it comes to imbuing Lyssa and Alderic with distinct voices, but also at making the action sequences spring to life.

Kill the Beast is much darker in tone than I originally expected, but that’s okay. It’s a fairly grim story, but there are some nice little moments here and there to add a touch of lightness too. With storytelling flair and terrific characters, this is an enjoyable, compelling tale, and I look forward to reading more by this author in the future.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 8/7/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

Here’s a long-ish opening that I found really amusing… so I didn’t want to cut anything!

So what’s the book?


Kill the Beast by Serra Swift
Published 2025
309 pages

Synopsis:

The night Lyssa Cadogan’s brother was murdered by a faerie-made monster known as the Beast, she made him a promise: she would find a way to destroy the immortal creature and avenge his death. For thirteen years, she has been hunting faeries and the abominations they created. But in all that time, the one Beast she is most desperate to find has never resurfaced.

Until she meets Alderic Casimir de Laurent, a melodramatic dandy with a coin purse bigger than his brain. Somehow, he has found the monster’s lair, and—even more surprising—retrieved one of its claws. A claw Lyssa needs in order to forge a sword that can kill the Beast.

Alderic is ill-equipped for a hunt and almost guaranteed to get himself killed. But as the two of them search for the rest of the materials that will be the Beast’s undoing, Alderic reveals hidden depths: dark secrets that he guards as carefully as Lyssa guards hers. Before long, and against Lyssa’s better judgment, an unlikely friendship begins to bloom—one that will either lead to the culmination of Lyssa’s quest for vengeance, or spell doom for them both.



I picked up a copy of this book earlier this year, but haven’t had a chance to start it yet. Have you read it? And if not, does it sound like something you’d enjoy?

Happy Friday! Wishing everyone a great weekend!

Book Review: Bromantasy by Máire Roche

Title: Bromantasy
Author: Máire Roche
Publisher: G.P. Putnam’s Sons
Publication date: May 26, 2026
Length: 352 pages
Genre: Fantasy romance
Source: Purchased
Rating:

Rating: 4 out of 5.

Two heroes. One brain cell.

BROMANTASY is a cozy, queer fantasy about the mortifying ordeal of being known by your totally platonic best friend and the epic quest that might force you to confront the truth.

Fellas, is it gay to kiss your bff while on a quest through the forest you’re unqualified for?

Juniper O’Reilly is good at only two things: demolishing a pint of mead and finding the perfect skincare routine. Everything else—taking care of the farm, bartering for goods, any sort of manual labor—falls to Juniper’s best friend, the absurdly capable, endlessly patient Mo Elmthorn.

But when Juniper accidentally volunteers them both for a quest to kill a fearsome monster, he knows he’s finally gotten in over his head. Juniper hates camping, he hates the dark, and there’s no way all these foraged mushrooms are going to sit well in his stomach. One thing he doesn’t hate? How good Mo’s thighs look in his questing pants—he doesn’t have time to think about that, though, with a monster to hunt and their futures on the line.

But monsters come in all shapes and sizes. When Juniper and Mo realize that the terrifying beast they’ve sworn to kill is just a scared little girl torn from her family, they’re off to find not only the true villain of the story, but maybe even a happy ending.

If you’re craving sweet, silly, flirty fun… plus a quest… plus dragons… have I got a book for you!

Bromantasy is the story of two best friends, Juniper and Mo, who’ve lived and worked together on their cozy little farm for ten years. They enjoy their harvests, their sheep and cat, trading and bartering with other local farmers, spending warm evenings by the fire, eating lots of cheese, and drinking delicious mead at the local taverns. They’re also always up for a brawl — such a satisfying way to stretch their muscles and work off any lingering tension at the end of the day!

But Juniper worries that Mo is dissatisfied. Each autumn, he’s afraid that this will be the year when Mo decides he needs more adventure in his life. When an unfortunate mistake (involving drinking and brawling) lands Juniper in trouble with representatives of the king, the consequence is a choice between joining a quest or facing, as Mo puts it, “unalivement”. Mo is not about to let Juniper go off on a quest without him there to look out for him, so with little preparation, the two BFFs find themselves trekking through the land with the goal of capturing and/or eliminating dragons. This is not at all good for Juniper’s skin care routines!

Who knew quests could be so complicated? Until now, Juniper had assumed you just went out and glamped, camped, or cried in the woods, and came home after a brief, mostly uneventful, and slightly depressing vacation.

The quest — full of uncomfortable sleeping arrangements and accidents involving rivers, fires, and trousers — eventually leads Juniper and Mo into confrontation with the non-crown prince, who is both insanely attractive and also quite an arrogant jerk. And soon after meeting the prince, they discover that the fearsome dragon everyone is hunting is actually a little girl (and dragon shifter) who misses her mother and tends to burn villages when she’s feeling scared or threatened.

For the first time in his fool life, though, Juniper forced his body to stay still instead of running headlong into danger. Mo had already done that for the both of them, and they had always had an unspoken pact: When one was in their “running headlong into danger without a second thought” era, the other had to be in their “levelheaded enough not to do that” era.

While Juniper and Mo realize the little dragon girl (named Bear) needs protection, the prince and his followers want to drag her off to the capitol, get a big reward, and then use her to help them hunt down and eradicate any other remaining dragons. Soon, Juniper and Mo find themselves on a heroic quest of their own… while trying to outsmart their enemies, rescue a dragon, and finally — FINALLY — talk about the feelings they’ve spent a decade suppressing.

Prepare for utter adorableness when you pick up Bromantasy! The two lead characters are goofballs with big hearts, competent in different ways, utterly in love, and completely clueless when it comes to one another’s feelings (although the admiring looks, hand-holding, and massages really should have been major hints all along).

Mo’s hand wrapped around Juniper’s bicep. Juniper swallowed hard at the sight, as was common for two men who shared a bond of deep but friendly camaraderie.

The quest itself is entertaining, with a nefarious prince, various henchpeople, a questionably motivated princess, and Juniper’s nemesis (who maybe isn’t actually terrible?) crossing paths and swords, double-crossing one another, and mainly being pretty ridiculous when it comes to actually achieving anything.

Juniper is a total cinnamon roll character, and Mo can be too, although he also leans a bit more toward the strong and silent side of things. Together, they’re a delight, and it positively hurts (except we know it’ll all be fine, so maybe more of a little pinch than actual pain) when they are at odds or (as they do) misconstrue one another’s actions and feelings and end up feeling unloved or abandoned.

But obviously, with a cover and title and premise like this, you just know that Bromantasy promises and delivers a happy ending. This book is oodles of fun, and I’m so glad I picked it up on a whim and read it instantly. What a treat!

Via Next Chapter Booksellers on Facebook

A reader’s note: Don’t miss out on how utterly adorable the physical edition is! I love my little paperback…

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 7/31/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

I’m going with a short opening line that says a lot with just a few words. This is from a book that’s been on my shelf (unread) for far too long:

So what’s the book?


Spinning Silver by Naomi Novik
Published 2018
480 pages

Synopsis:

With the Nebula Award–winning Uprooted, Naomi Novik opened a brilliant new chapter in an already acclaimed career, delving into the magic of fairy tales to craft a love story that was both timeless and utterly of the now. Spinning Silver draws readers deeper into this glittering realm of fantasy, where the boundary between wonder and terror is thinner than a breath, and safety can be stolen as quickly as a kiss.

Miryem is the daughter and granddaughter of moneylenders, but her father’s inability to collect his debts has left his family on the edge of poverty—until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk—grim fey creatures who seem more ice than flesh—Miryem’s fate, and that of two kingdoms, will be forever altered. She will face an impossible challenge and, along with two unlikely allies, uncover a secret that threatens to consume the lands of humans and Staryk alike.



I keep promising myself that this will be the year when I finally read this book! Have you read it? If not, does this sound like something you think you’d enjoy?

Happy Friday! Wishing everyone a great weekend!

Book Review: Habits of the Sea by Shea Ernshaw

Title: Habits of the Sea
Author: Shea Ernshaw
Publisher: Atria
Publication date: July 7, 2026
Length: 304 pages
Genre: Magical realism
Source: Review copy courtesy of Atria
Rating:

Rating: 5 out of 5.

The second adult novel from New York Times bestselling author Shea Ernshaw, in which a woman rediscovers the mythical island she stumbled upon as a child—and the man she once met who apparently hasn’t aged—and must choose between the life she’s built and a love that defies the laws of time and nature.

The night Clay Lockhart’s wife dies, a violent storm tears their home—and the eight hectares of land beneath it—away from the Scottish coast, sending it adrift into the Atlantic. Thirty years later, twelve-year-old Ellie Mills discovers the fabled floating island off the coast of Nova Scotia and finds Clay still living in the weatherworn farmhouse perched on its highest hill.

When the island vanishes overnight, Ellie is left questioning whether it ever existed at all. But decades later, the island resurfaces—and Ellie, now in her thirties, returns, determined to uncover the truth. What she finds is even stranger: Clay hasn’t aged a single day.

Faced with the impossible, Ellie learns that some mysteries aren’t meant to be solved—and that a life shaped by wonder may hold more promise than one bound by certainty.

With her signature atmospheric, lyrical prose, Shea Ernshaw offers us an original work of folklore with a masterful modern touch. A haunting tale, Habits of the Sea spans centuries and coastlines, journeys through time and memory, and redefines the very meaning of love itself.

Habits of the Sea is a lushly written, beautifully emotional story about a love powerful enough to cross the boundaries of time, and even more so, about what it means to choose love over and over again.

This lovely book opens with a devastating scene. On a stormy night in 1952, on an island in the
Outer Hebrides of Scotland, a grief-stricken man buries his wife and stillborn babies. By the next morning, the storm is gone — and so is the piece of land where his house and farm once stood. There’s no wreckage to be found; it’s as if the land itself has broken off and disappeared.

Over the years, the legend of Saltwell Island spreads — how Clay Lockhart’s grief was so intense that it split the ground apart. Fishermen and sailors would share the story of spotting:

… the newly formed island with its white house perched atop a stony outcropping, drifting out into the farthest reaches of the deep gray Atlantic.

Many years later, in 2007, 12-year-old Ellie Mills is living with her grandmother in a small coastal village in Nova Scotia when she hears a strange noise during a storm. Running outside, she sees what she assumes to be a shipwreck stuck against the rocks along their harbor, and without much thought, takes their small boat out to investigate. But it’s not a shipwreck — it’s an island, drifted up on the rocks. And there, Ellie encounters Clay Lockhart, a man who appears to be in his 30s. She spends just a few hours on the island, warming up after sailing through the rainstorm, but when she returns home, a full week has passed.

Ellie’s life is forever changed. No one believes her tale of a floating island, and she’s mocked by her friends and sent for psychiatric care by the adults who believe she’s created a fantasy as an explanation for a traumatic event. And over the years that follow, Ellie manages to convince herself that her journey to Saltwell Island wasn’t real.

But almost twenty years later, having left Nova Scotia and her troubled past behind, Ellie hears that the fabled island has been spotted by a passing cruise ship way off in the Atlantic. Needing to settle her own mind once and for all, she flies off to the last known location… and once again, finds Saltwell Island — and Clay Lockhart, who hasn’t aged a day.

The heart and soul of Habits of the Sea revolves around Ellie’s connection to Clay, and to the life and love they gradually discover together. The longer Ellie finds herself on Saltwell, the more she’s able to see how so much of her adult life was an attempt to shelter herself from risk, to protect herself from the possibility that perhaps she did once experience something extraordinary. To Clay, it’s only been a year since an odd little girl first washed up on his island; clearly, Saltwell Island has become separated not only from the land it was once attached to, but from time itself.

A thread of passion and purpose runs through every moment of Ellie’s time with Clay. Even before love develops, there’s a connection between them, and Ellie feels grounded in this strange place more than she’s every been anywhere else.

I sleep now each night as if I’ve never really slept a day before this. A restfulness that feels childlike, something from a storybook: She slept so deeply that even the wolves could not wake her. And when she finally rose with the sun she was restored to who she was always meant to be. It’s the kind of sleep that I won’t be able to describe once I’m back in the real world. There are no words for it. Unless you’ve felt it, unless you’ve been pulled into your dreams like sinking below a waterline.

Life on the island is simple and wonderful. Ellie and Clay tend the gardens, chickens, and sheep. They live peacefully, relying on the bounty of the sea and the island for sustenance. The island drifts where the sea takes it; there’s no navigation or power to control its voyaging. Some seas are calm, some full of danger. There are warmer days as they drift south and pull mangos from trees along the shores, and bitterly cold days where they rely on the cellar full of preserved foods to get by, until they drift again to someplace more nurturing of growing things once again.

As time passes, Ellie is faced with unbearable choices. She knows that time passes differently on the island — how long has she been gone from the “real” world? What does this mean for her grandmother and the almost-fiancé she left behind? If she can find a way to get back to a mainland somehow, should she? But how can she leave Clay and everything he’s come to mean to her? In a deeply visceral way, Ellie is forced to reckon with understanding who she is and where she truly belongs, and must grapple with a choice about sacrifice and destiny before committing to a future — because she knows that if she leaves the island, she’ll likely never have the chance to find it — and Clay — again.

Maybe we’re not meant to know what’s right or wrong. To know which path to choose. Which life. Maybe the no-knowing is the point. Because maybe we’re meant to be a little reckless.

Habits of the Sea has a Brigadoon-ish feel at times — Saltwell Island is a mystical, fairy tale-like place that magically appears for a brief time before disappearing off into the unknown. How can someone leave the place they feel truly alive, knowing they may be leaving it forever? I was reminded in certain ways of Outlander as well, where a character displaced from her own time must decide in which world she truly belongs.

The sense of building emotional entanglement is gorgeously written. We readers can feel how complicated Ellie’s inner life has become — the conflicted sense of loyalty, the desire, the questions about belonging, obligation, and fulfillment. The pull between Ellie and Clay feels real and true; their connection leaps off the page.

He breathes and the air seems to change — subtly, like a sudden drop in barometric pressure, atoms dividing, seconds splitting. The line between before and after unspools. Right from wrong. Him from me. It all feels perilous. And unnamable.

In the latter part of the book, the storyline seems to veer from magical realism — the unworldliness, a place out of time, almost like a visit to a faerie kingdom — toward speculative fiction, as the plot moves in a direction that surprised me, yet makes complete sense in the grand scheme of the overall narrative. Without going into detail, while I didn’t expect this, I ended up feeling that the book as a whole operates on a grand scale that absolutely brings every bit of the characters’ arcs to a point of perfect resolution.

Habits of the Sea is a book that will be haunting my thoughts and dreams for a long time to come. With gorgeous writing, a plot that wraps a reader in layers of a reality that’s magical yet intensely tangible, and characters who we come to care about deeply, this is a book filled with wonder and beauty. Once I started, I never wanted to look away.

Don’t miss this incredible reading experience.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: The Midnight Train by Matt Haig

Title: The Midnight Train
Author: Matt Haig
Publisher: Viking
Publication date: May 26, 2026
Length: 296 pages
Genre: Fantasy
Source: Purchased
Rating:

Rating: 4.5 out of 5.

When your life flashes before your eyes, where would you stop?

No one can change the past, but the Midnight Train can take you there. The chance to re-live the moments that meant most. To see what kind of person you really were.

For Wilbur his best days were with Maggie, the love of his life. On his honeymoon in Venice.

Before he gave it all away.

He wishes he could go back and live differently. But to do so risks everything . . .

A magical, time-travelling love story, from the world of The Midnight Library.

As The Midnight Train opens, it’s 1974, and Wilbur and Maggie are on their honeymoon in Venice. They’re young, in love, and have their whole lives in front of them. They promise to love one another forever.

They talked and talked, as though a relationship was really just a conversation that never wants to end.

And then we readers turn the page. Wilbur is 81 years old, and it’s the day he dies. And we learn that he and Maggie have been divorced for years, although he still has their wedding photo on display in his house. He clearly still loves her. What went wrong?

Upon dying, Wilbur is summoned to board a train — the Midnight Train — that takes him back through scenes from his life. To reach eternity, where he’ll exist forever and be reunited with everyone he’s ever cared about, he first has to revisit his life, getting off the train to witness significant moments, then reboarding as the train carries him onward. He can only observe, not change things — this is an opportunity to see all the places in his life where his decisions and actions set him on certain paths, and to understand where and how he might have chosen differently.

The incredibly annoying thing about being dead was that you got all your priorities in order, just when it was too late to do anything about them.

The journey is difficult. While Wilbur has the joy of seeing his first meetings with Maggie and how they fell in love, he also must revisit the most painful moments as well, when he lost important people in his life, responded from a place of fear, and made some crucially bad decisions. The further Wilbur travels, the more he wonders: Could he actually interact with his younger self? Knowing all the ways in which he failed, can he try to course-correct? And should he, if it means that he’ll be giving up eternity?

He had lived long enough to know that time and meaning were not shared out equally. Some personal eras were relatively empty. The temporal equivalent of air. And then you would come across a day—or even a minute—and it would have a whole decade’s worth of weight. It would be everything. It would have the power to change an entire life.

The Midnight Train is a moving look at what it means to live fully, and how working toward some unknowable future can mean not fully inhabiting the present. Wilbur is a well-meaning person who loves his wife devotedly, and yet lets the pain of past losses drive him in a way that brings financial success while losing what really matters along the way. Wilbur and Maggie start off so clearly meant for one another, with such brightness ahead of them. It’s painful to see them losing their connection, not through ill intent, but through distraction and ambition and a misdirected focus.

The magical elements of The Midnight Train work well as a conduit for Wilbur’s journey back through his own life. It doesn’t have to make perfect sense, and indeed, we’re told that each person experiences their journey in a way that’s personal to them. Traveling alongside Wilbur, we see the heartbreaking losses of his younger years and can understand the fear and guilt that stays with him, even as we wish for things to turn out differently.

The Midnight Train is a companion of sorts to the author’s 2020 novel, The Midnight Library. You don’t have to have read the first book to appreciate this one, although an important character from The Midnight Library plays a role here. Both books deal with themes related to finding meaning in life, but come at this theme from different angles. Each approach is fascinating — as the author states in his acknowledgments, the two books can be seen as being in conversation with one another.

I found The Midnight Train to be a fast, engaging read with an emotional core that feels true. Wilbur’s journey conveys profound messages about appreciating the life in front of us, but these messages never feel preachy or overly sentimental. There’s a beauty to Wilbur’s experiences and the wisdom that he finally finds at the end of his life. We’re left with a lovely sort of hope as we reach the final pages and see how his story turns out.

I highly recommend The Midnight Train. A lively writing style with humor mixed in alongside the sadness and seriousness make this a thoroughly enjoyable reading experience, and there are plenty of life lessons to be absorbed along the way — not to mention a love story that’s sweet and powerful.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: The Children by Melissa Albert

Title: The Children
Author: Melissa Albert
Publisher: Bramble
Publication date: June 2, 2026
Length: 416 pages
Genre: Fantasy/Horror
Source: Library
Rating:

Rating: 4.5 out of 5.

An intoxicating, haunting new novel from New York Times bestselling author Melissa Albert, in which the estranged adult children of a legendary author, written into their dead mother’s beloved fantasy series, contend with the vine-like creep of legacy, memory, and magic.

Guinevere Sharpe has two childhoods.

In one, she lives in the wooded shadow of her family’s isolated Vermont farmhouse; in the other, the pages of her mother’s world-famous Ninth City books, where her magical adventures have made her a household name. In reality, Guinevere’s childhood isn’t the enchanted idyll her mother’s readers imagine: she and her older brother are growing up near-feral, unwashed and underfed, escaping each day to the lichen-clotted woods they’ve made their playland. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame—until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors.

Now an adult coasting on her mother’s name, Guinevere is mid-promotion for a ghostwritten memoir when her estranged brother, an artist who has until now spurned his family’s legacy, announces an upcoming installation titled Mother. As rumors swirl around a death connected to his last show, unsettling recollections from Guinevere’s childhood begin to surface. Her public facade starts to crack, forcing her to confront the questions she’s spent the last twenty years running from: What really happened the night of the fire? And what dark history lies behind their mother’s creative genius?

Wise to the mythic weight childhood memories gather over time, The Children whispers to you from the hallway outside your bedroom, lights flickering as you turn the pages of a book that didn’t seem so scary a moment ago. It’s a story for anyone who’s ever revisited an old favorite and found it cast in a darker light, the line separating magic and memory blurring as the gap widens between the authors we imagined and the people they turn out to be.

The Children is a creepy, haunting tale that drew me in practically from page 1 and never let me go. I found myself immersed in this story about the children of a bestselling author — whose childhood was anything but the ideal dream portrayed to the public.

Edith Sharpe writes the children’s fantasy series, The Ninth City, at the family’s rural Vermont home, an isolated place known as the Farmhouse, surrounded by forests and orchards, miles from anywhere. As Edith’s fame grows, so too does the never-ending streams of stars and artists and wannabes who gravitate into Edith’s orbit. Edith’s children, however, never asked for or agreed to the fame that they’re forced into by their mother, who gives her main characters her children’s names. The world thinks they know Ennis and Guinevere Sharpe, the brave, clever brother and sister who star in the series. Only Ennis and Guin know the truth about their childhood — one in which they essentially grew up wild and untended, cared for only by one another while their parents indulged in a life of creative frenzies, dissipated parties, and a general lack of interest about their children’s wellbeing.

As adults, Guin and Ennis have been estranged for twenty years, ever since the horrific night of a fire that destroyed their world and thrust them into very different lives. Now in her early 30s, Guin has been living off her mother’s legacy, in terms of both her inheritance and being part of the publicity machine that keeps Edith Sharpe on the bestseller list year after year. While promoting her own memoir — a whitewashed, ghost-written, surface-level and sunny depiction that bears little resemblance to the truth — Guin learns that Ennis will be opening a new art installation entitled “Mother”, and is immediately consumed by the need to reconnect with him… and to find out whether he’s finally decided to break his silence on Edith Sharpe after all these years.

As Guin goes off the rails, ruining her carefully constructed publicity tour through unpredictable and ill-advised interviews, she’s thrust back into childhood memories she’s worked so hard to ignore or deny.

The story unfolds through modern-day chapters, in which adult Guin spins out of control in her search for meaning and for Ennis, woven among chapters going back to the siblings’ childhood, from arriving at the Farmhouse when Guin was five years old to the final disaster when she was eleven. There’s a certain beauty to some elements of their early years, as they run wild, unhindered in their exploration of the forests, with no rules and little to no guidance about their daily lives. They’re supposedly home-schooled, but they’re not. They’re fed… when someone remembers, or when they fend for themselves. Their father, a gifted actor who was forced out of the spotlight due to scandal, is a shining, glorious creature… until he’s not; until something, somehow causes him to lose bits and pieces of himself and fade into a failed has-been.

And then there’s Edith, a woman who’s never been predictable, married young to an older man, and an uninvolved mother even at the best of times. But something happens at the Farmhouse. Guin loves the house, except for the sinister 3rd floor room where Edith writes. And Edith writes in frenzied bursts, clacking away on her typewriter with no interruptions allowed.

The sense of menace is pervasive throughout The Children. We may not know exactly why, but we know from the start that very bad things have happened. At the same time, we know that the Ninth City books were life-changing for their millions of fans, and that Guin and Ennis are seen as heroes, standing in for Edith and the world she created even as they attempt to live their own lives. The neglect that Guin and Ennis live through is disturbing in and of itself, but add to that the sense that something other is going on, something very much not right, and the chills ratchet up higher and higher.

While I had guesses about the mysteries of The Children, I never did quite manage to figure it all out, and I’d guess that most readers end up in the same boat. The revelations near the end of the book are mind-blowing, yet tie the entire story together in a way that makes a frightening sort of sense. I simply couldn’t put the book down; each chapter is stunning in its own way. I cringed quite a bit over adult Guin’s choices and actions, but there’s no denying that she follows a path that seem practically foreordained. The childhood chapters are more deeply disturbing and impactful, but the entire book works so well together that it’s impossible to point out any moments where the story lags or loses focus.

I’d say that my only complaint about The Children has more to do with my reading experience than with the book itself. I tore through the final third or so in such a mad dash to get to the end that I’m afraid that I may not have absorbed it all as deeply as I might have if I’d taken my time. I can definitely see going back for a reread to savor it more slowly and pick up the themes and hints I might have missed along the way the first time through.

The Children is one of this summer’s biggest, buzziest books… and it’s well worth giving in to the hype and giving it a chance! Creepy, scary, disturbing, and compelling, this story will stick with you long after the final pages.

Want to know more? Check out these great reviews:
Tammy at Books, Bones & Buffy
Krysta at Pages Unbound

Purchase linksAmazon – AudibleBookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Swordheart by T. Kingfisher

Title: Swordheart
Author: T. Kingfisher
Publisher: Bramble
Publication date: Originally published November 27, 2018; new hardcover edition released 2025
Length: 448 pages
Genre: Fantasy
Source: Purchased
Rating:

Rating: 5 out of 5.

Halla has unexpectedly inherited the estate of a wealthy uncle. Unfortunately, she is also saddled with money-hungry relatives full of devious plans for how to wrest the inheritance away from her.

While locked in her bedroom, Halla inspects the ancient sword that’s been collecting dust on the wall since before she moved in. Out of desperation, she unsheathes it—and suddenly a man appears. His name is Sarkis, he tells her, and he is an immortal warrior trapped in a prison of enchanted steel.

Sarkis is sworn to protect whoever wields the sword, and for Halla—a most unusual wielder—he finds himself fending off not grand armies and deadly assassins but instead everything from kindly-seeming bandits to roving inquisitors to her own in-laws. But as Halla and Sarkis grow closer, they overlook the biggest threat of all—the sword itself.

I adore T. Kingfisher’s fantasy novels, so it’s not a surprise that Swordheart seems written just for me! Originally published in 2018, Swordheart was reissued in 2025 with a gorgeous new cover… and call me shallow, but I just cannot resist a pretty book. Although I gifted myself the hardcover edition last year, I hadn’t found the right moment to pick it up and read it… until on a whim, I borrowed the audiobook from the library last week. What a treat! My main complaint… is against myself. Why did I wait so long to indulge in this delicious story?

The main character of Swordheart is Halla, a “respectable widow” (as she defines herself) in her thirties who lost her inept, less-than-charming husband years earlier, and has spent the years since as his kindly great-uncle’s housekeeper. With no other family and no means of support, Halla has been grateful for her place in his home. When Great-uncle Silas dies of old age, Halla is startled to learn that he’s left her his entire estate… but not as startled as his scheming niece and her son, who are positively irate.

Aunt Malva decides that the best solution is for Halla to marry her pathetic son Alver, so that the inheritance will legally belong to Alver. And if Halla meets with an accident soon after, well, who would really mind? This assumes that Halla will agree to the plan, and she most emphatically does not. Halla’s unwillingness doesn’t seem to faze Malva, who locks Halla in her bedroom and plans to leave her there until she complies. Malva doesn’t count on Halla finding an antique sword hanging on the wall. Intending to put herself out of her own misery, Halla unsheaths the sword to see if she can find a way to use it on herself, and instead ends up face to face with the tough, scowling, ancient warrior who appears in a burst of blue light.

Sarkis is the servant of the sword, a man who centuries earlier was magically bound to the weapon, condemned to live forever and serve the sword’s wielder, whoever that might be. Sarkis has served kings and warlords and all sorts of unsavory types, but never a stubborn “respectable widow” with a tendency to stop and chat when she should be running away.

An unlikely pair, Halla and Sarkis are bound together nonetheless, and after making a daring escape from Silas’s house, they set off on the road to seek help in reclaiming Halla’s inheritance. At first, they find one another maddening: Sarkis has a tendency to manhandle Halla into ditches whenever trouble approaches, and Halla asks questions about absolutely everything. But as their spur-of-the-moment road trip progresses, they find a sense of camaraderie they hadn’t expected. Later, joined by Zale, a priest of the order of the White Rat, it’s practically a buddy movie! The travelers get into a crazy amount of adventures and trouble, but somehow manage to keep their quest moving forward… even if it’s at the excruciatingly slow pace of the ox pulling their wagon.

Swordheart is pure delight, there’s just no other way to put it. From the start, Halla is an incredibly entertaining main character. She’s kind, but unwilling to just take orders, especially when it comes to Aunt Malva and Cousin Alver, whose clammy hands are but one of his unpleasant defining features. Halla’s superpower seems to be driving people batty: She’s learned that people in power just can’t deal with women they underestimate, and has perfected the fine art of playing stupid in order to get others to see her as not a threat and therefore not worth questioning too closely.

Sarkis’s tortured past leaves him dour and scowly. He’s utterly fierce, but finds himself continually flabbergasted by Halla’s chatter and tendency to march right into trouble. And yet, he can’t help but soften toward her… and the feelings quickly become mutual.

The adventure aspects of the story zip along quickly, as Halla and Sarkis meet an eclectic assortment of rogues, priests, bandits, and more along the road, not to mention the otherworldly dangers they stumble into when they end up traveling through magical lands. Still, the most menacing people they encounter are the family members and close associates of Silas’s, who pose more of a threat than all the various others who wave weapons at them from time to time.

The dialogue throughout Swordheart is incredibly entertaining, and made me laugh out loud throughout the book. The humor leavens even the tensest of situations, and I adored the chemistry between Halla and Sarkis, as well as their friendship with Zale. The world of Swordheart is fascinating, with a whole host of gods and religions complicating the group’s journey, and Sarkis’s backstory, including the lingering questions about the magic of his sword, adds a magical element with its own rules and complications.

The ending implies that there’s more to come, if not for Halla and Sarkis personally, then certainly within the world of their story… and so it’s wonderful to know that book #2, Daggerbound, will be released in August 2026. I’ve already placed my preorder!

Swordheart is easily one of my favorite reads for 2026. I’m beyond thrilled that I finally experienced this terrific tale. Highly recommended for anyone who enjoys fantasy books with a touch of humor and light romance… and of course, a must-read for fans of T. Kingfisher.

A note on the audiobook edition:

Narrator: Jesse Vilinsky
Released: 2021
Audio length: 14 hours 32 minutes

While I own a beautiful hardcover edition of Swordheart, I ended up listening to the audio version when a long-time library hold came in — and I’m so glad I did! Jesse Vilinsky’s narration is perfection! Halla’s personality shines through, and Sarkis’s growly voice (with a bizarrely Scottish-sounding accent — which totally works!) is exactly how I’d want him to sound. The action scenes ring with vibrancy, and the entire delivery is well worth the 14-hour listening time. If you’re thinking of checking out Swordheart and enjoy audiobooks, this is the way to go!

Question for readers: I understand that Swordheart connects to the same world as the author’s Clockwork duology and Paladin series. Has anyone read either or both of these? Any recommendations on which to pick up first?

Purchase linksAmazon – AudibleBookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.