Book Review: The Last Lady B by Eloisa James

Title: The Last Lady B
Author: Eloisa James
Publisher: Gallery
Publication date: May 12, 2026
Length: 384 pages
Genre: Historical romance
Source: Library
Rating:

Rating: 4 out of 5.

Lady B may have married Bluebeard; she may have fallen in love with a gorgeous, grumpy solicitor; she may have met a ghost and survived to tell the tale! New York Times and USA TODAY bestselling author Eloisa James delights with witty historical romance with a gothic twist.

In the depths of winter, Lady Genevieve Hughes, her pet piglet, and her septuagenarian husband travel to a haunted abbey in the Scottish Highlands. Evie is excited to meet a ghost (perhaps one of her husband’s three previous wives), but didn’t expect the funny, quirky guests to become the friends she’s never had. And she certainly didn’t imagine meeting Sir Godric Everly, a sardonic, witty solicitor who loathes her husband.

Yet as secrets and lies turn Evie’s world upside down, Sir Godric becomes the one person whom she can trust.

[Note: Redacting part of the synopsis — too spoilery!]

More importantly, she has to figure out whose identity is false, whose vows are dishonorable, whose truths could destroy her reputation—and where her heart belongs.

The Last Lady B is such a fun historical rom-com romp! In this upbeat romance, our main character Genevieve (Evie) goes through twists galore, including ghostly encounters, strange mysteries, and adventures in a possibly cursed castle, before finally arriving at a happy ending.

Perhaps there comes a time in every woman’s life when she discovers that propriety is poppycock. To put it vulgarly, propriety is bollocks.

Or perhaps that only happens to a woman foolish enough to marry a man older than her father.

Evie, at age 25, isn’t much interested in courtship or having a successful season. Her family has a sterling reputation and her father has a title, but their fortunes are in tatters. Evie has seen one too many potential matches dissolved over her lack of a dowry (or new gowns). Then there’s the added fact that the idea of marriage isn’t all that attractive. From what she’s heard, all that bedroom stuff sounds like something to endure, so maybe she’s not missing much.

However, Evie has a beloved younger sister, and she does care very much about her future. And so, she develops a plan: The elderly Lord Burnsby, in his 70s and with three late wives, is looking for wife #4 — someone young, pretty, and a charming companion. Evie isn’t looking for romance, and makes it clear that she expects a platonic relationship — but he’s polite, kind, and willing to sign a contract for a generous dowry for her sister. So yes, call Evie a fortune hunter if you must, but she has a goal and is willing to tolerate scornful sniffs if it ensures a good future for those she loves.

Except things don’t quite work out that way. After an uneventful (boring) half-year of marriage, Evie heads to Lord Burnsby’s estate in the Scottish Highlands for the Christmas holidays — an ancient abbey rumored to be haunted by his three dead wives — and finds that her tolerable husband has secrets and a loathsome side that she never expected. As they’re joined by Lord Burnsby’s heir, his new (lovely) wife, and his best friend, complications abound, including the fact that the best friend, Sir Godric Everly, is attractive and has a wonderful heart hidden beneath a gruff exterior.

It gets even more convoluted, as more unexpected houseguests and residents show up, enormous secrets and scandals come to light, and the chilly, lonesome abbey reveals its own dangers. And is that really a ghost that Evie encounters? Could there be dead wives hovering about? And if they are, what could they possibly want?

The plots twists of The Last Lady B are highly entertaining, with each new reveal leading to yet another secret or misleading clue. Plenty of banter makes for scenes with a certain zing, and Evie’s spirit and willingness to speak her mind make her a delightful lead character.

The storyline offers ups and downs, moments of romantic bliss and erotic tension, while also providing an opportunity for Evie to redefine her own priorities, what she’s willing and not willing to do to achieve her goals, and what a real family might actually look like.

After the various twists concerning Lord B’s shady secrets are finally wrapped up, the book concludes with another couple of chapters focusing on Evie’s love life — and while it’s good to see her finally get the happiness she deserves, I could have done with a bit less detail about her sexual awakening. But that’s a matter of reader preference — your mileage may vary.

This was my first Eloisa James book. I can see from her website (https://eloisajames.com/books/) that she’s an incredibly prolific author. From a glance at all the titles and covers, my impression is that The Last Lady B is a bit of an outlier, with its light, comedic tone, and that most of her other novels are more serious/dramatic romances. Someone correct me if I’m wrong! If she does have other books with more of a similar vibe, I’d love to know about it.

The Last Lady B is a fun, engaging romance with a strong sense of sassy humor and snark. It was just the right book to lighten my mood when I most needed it, and I really enjoyed it. Highly recommended!

Purchase linksAmazon – AudibleBookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

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Top Ten Tuesday: Getting fancy: Books with titles in a cursive font

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Books with Handwriting on the Cover.

The topic got me thinking: Do kids still learn to write in cursive these days? I’m guessing not. I used to have a fairly nice cursive handwriting… and now when I attempt it, it’s mainly a big, messy scrawl. Sigh. I love how quick and easy it is to use a keyboard, but it’s a bit sad to think about handwriting as a lost art.

By the way, did you know that the National Archives is looking for people who can read cursive to volunteer to transcribe historical documents? Sounds like a really fun project… that I’ll bookmark for when I have more free time in my life! Learn more here: https://www.usatoday.com/story/news/nation/2025/01/12/national-archives-needs-citizen-archivists-cursive/77493951007/

Back to the books! Rather than focusing on actual handwriting, I just started looking through my physical and digital shelves for book titles in cursive fonts… and found more than I expected! Here’s a round-up of 13 that I really like… because I couldn’t decide which to drop to get to ten.

  1. Cinnamon & Gunpowder by Eli Brown
  2. Ready or Not by Cara Bastone
  3. The Taming of the Shrew by William Shakespeare
  4. Letters to the Lost by Iona Grey
  5. The Readers of Broken Wheel Recommend by Katarina Bivald
  6. All’s Fair in Love and War by Virginia Heath
  7. The Bronte Plot by Katherine Reay
  8. Off the Map by Trish Doller
  9. Pat of Silver Bush by L. M. Montgomery
  10. Pride by Ibi Zoboi
  11. Reputation by Lex Croucher
  12. The Scandalous Confessions of Lydia Bennet, Witch by Melinda Taub
  13. The One That Got Away by Mike Gayle
  14. Love Lettering by Kate Claybourn

If you wrote a TTT post this week, please share your link!

The Monday Check-In ~ 6/8/2026

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My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

Oof. Last week at work was intense, and I felt like I barely came up for air. Maybe because of that, my reading was really scattered, and it wasn’t until the weekend that I felt like I had time to read more than a few pages in a sitting.

Luckily, the weekend ended up being pretty mellow, so I did a deep dive into a few different books, and also had time to make progress on some travel planning, get outdoors, and have a fun dinner out with my husband and son at a neighborhood pizza place.

Random bookish stuff:

I love my audiobooks, and love being able to borrow them from the library… and I’m so annoyed with the Hoopla app. Libby is my usual go-to for library audiobooks, but sometimes, what I want is only available on Hoopla. Its functionality is so wonky — each time I try to use it while driving, I have to start from scratch, reopen the app, select the audiobook, and hit resume. If I forget to do all this before starting my drive, I either have to do it while driving (unsafe!) or find a place to pull over. In contrast, Libby just picks right back up with a simple touch on my touchscreen. Argh. Hoopla, fix yourself!

In other bookish developments… I’m on the verge of being caught up on ARCs through the end of June, and that means I can indulge in much more spur-of-the-moment mood reading! I have one more ebook ARC that I’ll likely finish this week, and my remaining two ARCs for June are books that I prefer to experience via audio. My Kindle is beckoning me to just come choose random books from my library! How exciting!

What did I read during the last week?

Take Me with You by Steven Rowley: A funny, moving novel about long-term relationships and… alien abduction. Trust me, it’s a delight. My review is here.

Frenchman’s Creek by Daphne du Maurier: My most recent Classics Club Spin book. Absolutely gorgeous. My review is here.

Pop culture & TV:

Continuing my For All Mankind binge! I cannot stop watching this show. I’m almost finished with season 3 — and then just two more seasons to go. The storytelling and characters are amazing, and there are moments that are so intense that I can barely breathe.

I was so sad to hear about the passing of Anthony Stewart Head, an amazing actor who’s had my heart ever since his Buffy days. RIP.

Fresh Catch:

No new books this week.

What will I be reading during the coming week?

Currently in my hands:

The Last Lady B by Eloisa James: Such a fun read! I’ve never tried anything by this author until now. I could be wrong, but my sense is that this is the only one of her books with a more comedic tone — judging just by covers and synopses. Someone correct me if that’s not accurate! I’m very close to the end… just need a good solid hour of reading time today to finish.

So, what’ll I read next? Well, I think most likely I’ll turn to:

The Unicorn Hunters by Katherine Arden: I always love this author’s writing, and I’m really curious to see how this story plays out.

Now playing via audiobook:

Swordheart by T. Kingfisher: Finally! I’ve had a copy of this book on my shelves ever since its release, and I don’t know why it’s taken me so long to pick it up. The audiobook narration is terrific. I’m about halfway through, and I’m enjoying every moment.

Ongoing reads:

The Mysteries of Udolpho by Ann Radcliffe: My book group’s newest classic read. We’re reading and discussing two chapters per week. Progress: 32%. Coming up this week: Volume 2, chapters 4 and 5.

A Midsummer Night’s Dream by William Shakespeare: I’m reading a little bit at a time; about to start Act IV.

What will you be reading this week?

So many books, so little time…

boy1

Book Review: Frenchman’s Creek by Daphne du Maurier (Classics Club Spin #44)

Title: Frenchman’s Creek
Author: Daphne du Maurier
Publication date: 1941
Length: 290 pages
Rating:

Rating: 5 out of 5.

Bored and restless in London’s Restoration Court, Lady Dona escapes into the British countryside with her restlessness and thirst for adventure as her only guides. Eventually Dona lands in remote Navron, looking for peace of mind in its solitary woods and hidden creeks. She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

My newest Classics Club Spin landed on this Daphne du Maurier gem, and I couldn’t be happier. Without the little push of the spin, I’m not sure when I would have picked up this book — and it would be such a shame to have missed it.

In this lush, sweeping novel set during the Restoration era (late 1600s), Lady Dona St. Columb is a pampered aristocrat, a 29-year-old wife and mother of two young children who is both bored and disgusted by the excesses and meaninglessness of her life in London. After too many nights of careless pranks and drinking with her husband’s friends, she abruptly departs with her children to the family estate at Navron on the Cornwall coast. There, she finds isolation and peace, a place to explore the wild beauty of the seaside and natural landscapes, and remove herself from the life that was turning her into someone she didn’t actually like.

Once at Navron, she hears startling rumors about a French pirate terrorizing the area. The nobility of the area are on high alert and desperate to catch this fiend, but Dona herself finds the stories fascinating.

One day, Dona spies a ship approaching the coast, and soon after, follows an unseen trail down to a creek near Navron, where she discovers the secret mooring place of the pirate ship La Mouette. And there, she’s introduced to a man most frequently referred to as “the Frenchman” — handsome, refined, a skilled artist, and captain of La Mouette. He and Dona find common ground immediately, and share a thirst for adventure and danger as a way of feeling alive, breaking out of the roles society expects of them, and experiencing true freedom.

Their connection leads to lazy days of fishing and swimming on the creek, as well as riskier and riskier adventures as Dona disguises herself as a cabin boy and joins the crew for expeditions. But eventually, Dona’s secret life catches up with her, and ultimately, her worlds collide and she is forced into the greatest risk of all, as well as a life-altering decision.

She looked out over the smooth sea towards the land, the smell of it came to her with the evening breeze, warm cliff grass, and moss, and trees, hot sand where the sun had shone all day, and she knew that this was happiness, this was living as she had always wished to live. Soon there would be danger, and excitement, and the reality perhaps of fighting, and through it all and afterwards they would be together, making their own world where nothing mattered but the things they could give to one another, the loveliness, the silence, and the peace.

Frenchman’s Creek is so beautifully written that it took my breath away. The story itself is marvelous. Dona is jaded and disillusioned; she hates what she’s become and the carelessness with which she lived her life in London. Her marriage is dull, and while she has all the jewels and gowns and comforts of a spoiled life, she lacks purpose. We see her transformation even before she meets the Frenchman. In Navron, it’s as if she can breathe again. She experiences peace and natural beauty, and is able to think for herself for what seems like the first time in years.

While we don’t learn much about Dona’s past or how she ended up married to Harry, it’s clear to see that she has a creative and adventurous spirit that’s been beaten down by the stifling life she’d been leading. At first appearance, she’s a beautiful, refined, well-dressed, respectable married woman… but she’s quick to throw off the trappings of Lady St. Columb and run barefoot through the trees, swim in the creek, and lie in the grass just to feel the world around her.

The other Dona was dead too, and this woman who had taken her place was someone who lived with greater intensity, with greater depth, bringing to every thought and every action a new richness of feeling, and an appreciation, half sensuous in its quality, of all the little things that came to make her day.

The overall feel of Frenchman’s Creek is headlong passion — not just in the love story aspects, which are beautifully told and sweep us up in the emotional heights — but in the sense of Dona’s reactions to having her spirit restored and being able to embrace having agency over her own life for the first time in years. The descriptions of the natural beauty of Cornwall, Navron, and the creek are simply gorgeous, and again convey a vibrancy and passion that are remarkably vivid.

Action and emotion tie together so well throughout Frenchman’s Creek. If you pick up a pirate story expecting swashbuckling action… well, there’s plenty here to enjoy! The sense of danger is profound in certain scenes, and I had no idea whether to expect a happy or tragic ending. Meanwhile, the love story is achingly beautiful and passionate; even when complications arise and Dona faces enormous conflicts, it’s impossible not to hope for a perfect solution.

For whatever happens we have had what we have had. No one can take that from us. And I have been alive, who was never alive before.

What a wonderful reading experience! I truly loved Frenchman’s Creek. Before this book, the only Daphne du Maurier book I’d read was Rebecca. Now, I’m very motivated to read more. I have copies of The House on the Strand, My Cousin Rachel, Jamaica Inn, and The King’s General — I’d welcome recommendations on which to try next!

About the author:

Daphne du Maurier (1907-1989) was the daughter of the legendary actor-manager Gerald du Maurier and granddaughter of George du Maurier, the author of the vastly successful late-Victorian novel Trilby and cartoonist for the magazine Punch. She grew up in London and Cornwall, where she would settle as an adult. Du Maurier published her first novel when she was twenty-three and would go on to write seventeen more, many of them best-sellers, including My Cousin RachelJamaica Inn, and Rebecca, one of the most popular novels of the twentieth century. In addition to her fiction, du Maurier wrote several family biographies, a biography of Branwell Brontë, a study of Cornwall, two plays, and a good deal of journalism. She was married to Tommy “Boy” Browning and was the mother of three children.

First Lines Friday 6/5/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

This week’s lines are from an upcoming summer romance:

So what’s the book?


The Romance Revival by Christina Lauren
Release date: July 15, 2026
352 pages

Synopsis:

New York Times bestselling author Christina Lauren returns with an unforgettable romance in which a fateful accident erases a troubled marriage from memory—and a scientific breakthrough gives love one extraordinary do-over.

Three years ago, scientist Emery Finch did something completely out of character: She got married. To Luca—the impossibly charming landscaper she met on one blistering night in Vegas who made her laugh, made her dance, made her feel.

But now, Emery is consumed by her top research, missing dinners, forgetting anniversaries, and promising herself Luca will understand once her cutting-edge discoveries come to light. Until the unthinkable happens: A tragic accident takes Luca from her.

Desperate not to lose him, Emery breaks every rule, using the classified technology she’s developed to bring him back to life. And Luca would probably thank her for it, if only he could remember her. Their first kiss, their Sunny Sundays at the beach, the life they built together…all of it is gone.

It may be a miracle of science, but for Emery it’s her one shot at a second chance. And this time, she won’t waste it—because true love is always worth reviving.




Does this sound like something you’d enjoy?

Happy Friday! Wishing everyone a great weekend!

Spell the Month in Books: June

Spell the Month in Books is a monthly meme hosted by Jana at Reviews from the Stacks. To participate, find a book title that starts with each letter in the month’s name, make a list, share your link, and that’s it! You can share anytime by the end of the month. Some months have additional themes, but feel free to participate however you’d like!

It looks like themes haven’t been added for a while, so I’ll make up my own. June means the start of summer, and what better way to welcome those sunny, beachy vibes than to highlight books with “summer” in the title? I tried to stick with books I’ve actually read… but ended up having to include a TBR book for the letter N!

Here are my JUNE books:


J:

Just For the Summer by Abby Jimenez

U:

Until Next Summer by Ali Brady

N:

The Narrowboat Summer by Anne Youngson


E:

Every Summer After by Carley Fortune



Happy June! Here’s to blue skies, warm beaches, and gorgeous sunshine-filled days!

If you spelled the month in books, please leave me a link to your post — I’d love to see it!

Book Review: Take Me with You by Steven Rowley

Title: Take Me with You
Author: Steven Rowley
Publisher: G.P. Putnam’s Sons
Publication date: May 19, 2026
Length: 368 pages
Genre: Contemporary fiction
Source: Review copy via NetGalley (audiobook purchased via Audible)
Rating:

Rating: 4 out of 5.

A poignant, hilarious, and wholly original love story, from the New York Times bestselling author of The Celebrants and winner of the Thurber Prize for American Humor.

College professor Jesse del Ruth has been abandoned. Thirty years into their relationship, Jesse witnesses his husband Norman get out of bed late one night, walk into their Joshua Tree backyard, step into a strange beam of light and . . . disappear. How could Norman desert him after a lifetime together? Where did he go? And, most confoundingly . . . will he ever return? Jesse knew they were longing for something, both feeling stuck. But had Norman been so stuck that his only option was to leave Jesse behind?

As Jesse struggles to understand Norman’s disappearance, he tries to piece together his new reality. Is he expected to wait patiently for a partner who may never come back? Or is this an opportunity for reinvention? He is, after all, alone for the first time in his adult life. Should he return to the classroom? Put in a pool? Get a dog? Call his estranged mother? What does it mean to be alone when you’ve always been one half of a whole?

When Norman’s sister Lally lands on Jesse’s doorstep with an urgent request, Norman’s absence becomes even more profound. Add to Jesse’s grief and confusion a conspiracy-theorist neighbor, a strange man following him, and suspicions that he may have had a hand in Norman’s disappearance, and Jesse starts to crack under the pressure. With his husband missing and the world closing in, all eyes are on Jesse. Before he can understand how Norman could leave it all behind, Jesse must confront what it means to stay.

In Take Me With You, Steven Rowley brings his resonant wit and emotional insight to an epic love story – an exploration of the forces that draw two people into the same orbit and the gravity that threatens to pull them apart.

Take Me With You is a sweet, gently humorous look at love, long-term relationships, being left behind… and alien abduction. Yes, that’s correct: In this lovely work of contemporary fiction, a man leaves his partner of 30-something years to soar off in a strange beam of light. And yet… don’t pick up Take Me With You expecting a science fiction adventure. The aliens are just the trappings of the story: The novel is actually about what it takes to stay together, what it means to be left, and how to find ways to move forward.

Jesse and Norman met as young men when their paths collided, literally, during a skating/biking accident. While very different people, they connected instantly and have grown — if not old — then certainly mid-to-late middle aged together. Living in a solitary home in the desert of Joshua Tree, they’ve built a good life together. So yes, their knees may creak, and Jesse is not okay with Norman’s new tongue scraper… but they’ve seen each other through a lot, and expect to always be together.

Until one night, Jesse wakes up to a bright light, and runs to the backyard just in time to see Norman step into a beam of light that draws him up into the sky. It’s not an abduction, really: Norman seems to be a willing participant. And then he’s gone, and Jesse is left behind, and he has no idea what to do with himself.

Jesse is an award-winning author, already committed to teaching a class on humor writing at the local community college. But how is he supposed to teach anyone to be funny, especially when his own life feels particularly tragic?

Much of the novel is told through Jesse’s perspective, until we hit a shift about halfway through. Norman’s sister Lally becomes the point-of-view character at that point, as she seeks answers about Norman’s whereabouts with an agenda of her own.

Because I listened to the audiobook (narrated by actor Michael Urie, who is fabulous), I wasn’t able to highlight great quotes/lines as I went along, which is a shame. The writing in Take Me With You is wonderful — not a surprise, given how terrific the author’s use of language is in previous novels such as The Guncle and The Celebrants. There’s an underlying sadness to so much of what happens here, but there’s joy and plenty of laughter too. Even at his lowest, Jesse can’t help but be funny, and his interactions with the people in his life make the book sing.

Abandonment is an overarching theme of this book. Many characters experience or have experienced abandonment at some point in their lives, whether through deliberate choices or unexpected tragedies — but there’s also the abandonment involved in emotional distance. Jesse and Norman have spent decades together, but are they truly still together the way they once were? Is Norman’s departure the act of abandonment, or have they each removed themselves from one another through inertia and routine and the general erosion of long relationships?

I’m not sure that I entirely understand what happens very near the end of the book… but that’s okay. I can live with some ambiguity, and meanwhile, loved getting to know these richly drawn characters and their quirky lives.

Take Me With You didn’t delight me quite as much as Steven Rowley’s previous books did… but I still enjoyed it very, very much. Upbeat writing adds a needed dose of light to what might otherwise be heavier moments. Memorable characters, an unusual premise, and clever dialogue make this a book to savor.

Purchase linksAmazon – Audible audiobook – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Top Ten Tuesday: Books I Can’t Believe I’ve Never Read

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Books I Can’t Believe I’ve Never Read.

My picks this week include a classic I should have read by now and a bunch of books that have been sitting on my shelves for way too long.

In no particular order, my top 10 are:

1. David Copperfield by Charles Dickens
2. Venetia by Georgette Heyer
3. Vicious by V. E. Schwab

4. Moloka’i by Alan Brennert
5. Hemlock Island by Kelley Armstrong
6. Lilith’s Brood by Octavia Butler

7. Firefly Lane by Kristin Hannah
8. Spinning Silver by Naomi Novik
9. Pat of Silver Bush by L. M. Montgomery
10. Sorcery & Cecelia by Patricia C. Wrede

Do you see any here that you’d particularly recommend?

If you wrote a TTT post this week, please share your link!

The Monday Check-In ~ 6/1/2026

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My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

It’s June already! Bring on summer sunshine and blue skies!

I had a nice week last week — after a long holiday weekend, I took one more day off mid-week to spend time with an old friend visiting the area. It was lovely to reconnect and have time to catch up, and we also hit some local tourist spots and went to a beautiful Matisse exhibit.

Bookish odds and ends:

Each week, there seems to be some new and exciting book release news! Tor just shared this cover reveal and release date:

The Double Dorothy by Olivia Waite, 3rd installment in the Dorothy Gentleman series of sci-fi novellas, will be released in March 2027.

What did I read during the last week?

Dolly All the Time by Annabel Monaghan: Terrific summer fiction. My review is here.

Obstetrix by Naomi Kristzer: Chilling, tense story set in a near-future world. My review is here.

The Marriage Portrait by Maggie O’Farrell: My book group’s pick for May. Highly recommended. My review is here.

Take Me with You by Steven Rowley: Finished Sunday afternoon — watch for my review later this week!

Pop culture & TV:

I’m completely hooked on For All Mankind! I’d originally thought I’d take a break after the first season… but once I got to the final episode, I couldn’t do anything but keep going. I’m just past the halfway point of season 2… and unless something really changes, I’m guessing I’ll want to binge straight through until I catch up with the newest season (#5)!

Fresh Catch:

No new books this week.

What will I be reading during the coming week?

Currently in my hands:

Frenchman’s Creek by Daphne du Maurier: My newest Classics Club Spin book! Just getting started. I’m excited to have the spin as motivation to finally read this book.

Now playing via audiobook:

I have quite decided what I feel like listening to next… but I think it’ll be one of these two options:

Let’s see where my mood takes me!

Ongoing reads:

The Mysteries of Udolpho by Ann Radcliffe: My book group’s newest classic read. We’re reading and discussing two chapters per week. Progress: 26%. Coming up this week: Volume 2, chapters 2 and 3.

A Midsummer Night’s Dream by William Shakespeare: I’m reading a little bit at a time; about to start Act II.

What will you be reading this week?

So many books, so little time…

boy1

Book Review: The Marriage Portrait by Maggie O’Farrell

Title: The Marriage Portrait
Author: Maggie O’Farrell
Publisher: Knopf
Publication date: September 6, 2022
Length: 355 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 5 out of 5.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.
 
Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?
 
As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance.
 
Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.

I hesitated about picking up The Marriage Portrait, despite having loved Maggie O’Farrell’s Hamnet. I tend to shy away from “literary” fiction, and assumed this book might not be for me. Fortunately, with a book group discussion to motivate me, I went ahead and started… and then couldn’t put it down.

The Marriage Portrait is a taut, beautifully written story about a powerless young girl forced into marriage and a life she never wanted. Set in the mid-1500s, the book starts with a shock: Lucrezia, Duchess of Ferrara, is at dinner with her husband, and realizes with utter certainty that he intends to kill her.

From there, we move back to the beginning of her story. The middle child and youngest daughter of the Duke of Florence, Lucrezia de Medici has always been a bit odd — defiant, artistic, and with her own private passions and flights of fancy. When her oldest sister dies on the eve of her marriage, Lucrezia is expected to wed Maria’s fiance, despite the fact that Lucrezia is only thirteen. The marriage can only be delayed so long, and by age fifteen, she’s wed to Alfonso, Duke of Ferrara.

Alfonso seems at first to be good-hearted, but his kindness is a veneer for a ruthlessness that Lucrezia only uncovers through missteps and dangerous confrontations. Slowly, she comes to see that theirs is not a marriage of companionship or even affection, as her own parents’ marriage is. Instead, she’s firmly under Alfonso’s control, cherished when she behaves, but shown just how badly things could go for her if she doesn’t. As a year passes and Lucrezia does not become pregnant, her situation becomes more dire. Timelines converge, as the chapters where Lucrezia anticipates her own murder are interspersed between longer sections following her earlier life and the timeline of her marriage.

From the historical record, we know that the real Lucrezia died at age fifteen after a year of marriage, supposedly of a sudden, severe illness, and that doubts remained about the true cause of death. In The Marriage Portrait, the author keeps readers on our toes, providing room for doubt and for the possibility of other outcomes while building a sense of growing dread with each passing chapter.

The book shows how devastatingly trapped Lucrezia is, even leaving aside the issue of what a sociopath her seemingly charming husband turns out to be. She wishes for rescue, and wishes that she hadn’t been forced into this marriage — but being forced into a marriage is literally the point of her and her sisters’ existence. A marriage for her family’s political gain was invitable; if she’d been lucky, she may have ended up with a kinder man, but the prospective husband’s character was never going to be a deciding factor. For girls of her status and rank, the power and advantages of a marriage are all that matters.

The theme of being trapped is established early on, as a young Lucrezia is allowed to see the exotic tiger newly added to her father’s menagerie:

The cry again! It was not so much a roar, no, which is what Lucrezia had expected: this had a yearning, desperate rasp to it. The sound, Lucrezia thought, of a creature captured against its will, a creature whose desires have all been disregarded.

There’s a sense of doom in even the most mundane of descriptions. Lucrezia can never escape the signs that her future is full of danger:

In the square room, from a hook in the wall, hangs the skirt of the gown. The bodice and sleeves are separate entities, draped over the credenza and the table. To Lucrezia, as she steps over the threshold, it looks as if a woman has been cut into four pieces and calmly arranged around the furniture.

Once I started The Marriage Portrait, I found myself completely immersed and didn’t want to put the book down. Lucrezia is a fascinating, tragic character, trapped in a world that offers her no safe refuge and no true allies. She possesses an artist’s soul and a fiery will, and neither trait is valued by her husband or his court. As Lucrezia senses her own violent death looming just ahead, there seems to be few options. No one is coming to save her. She’ll have to save herself… or literally die trying.

Once again, this was a terrific book group pick, and I’m so thankful I had that little push that I needed to dive in and read this gorgeous, terrifying, powerful story. Highly recommended.

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