
Title: Cherry Baby
Author: Rainbow Rowell
Publisher: William Morrow
Publication date: April 14, 2026
Length: 416 pages
Genre: Contemporary fiction / romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:
Everybody knows that Cherry’s husband, Tom, is in Hollywood making a movie . . .
Almost nobody knows that he isn’t coming home.
Tom is the creator of Thursday—a semi-autobiographical webcomic that’s become an international phenomenon.
Semi-autobiographical. That means there’s a character in this movie based on Cherry . . . “Baby.”
Wide-hipped, heavy-chested, double-chinned Baby.
Cherry never wanted this. No fat girl wants to see herself caricatured on the page—let alone on the big screen. But there’s no getting away from it. Baby looks so much like Cherry that strangers recognize her at the grocery store.
While her soon-to-be ex-husband is in Los Angeles getting rich and famous and being the internet’s latest boyfriend, Cherry is stuck in Omaha taking care of the dog he always wanted and the house they were going to raise a family in . . . and wondering who she’s supposed to be without him.
Cherry had promised to love Tom through thick and thin.
She’d meant it.
One night, Cherry decides to leave all her problems, including Tom’s overgrown puppy, at home. She ventures out to see her favorite band play her favorite album . . . and someone recognizes her from across the room.
Russ Sutton knew Cherry when she was a young art student with a fondness for pin-up dresses and patent leather heels. Before Tom.
Russ knows Cherry. He likes Cherry.
And best of all . . . he’s never heard of Thursday.
Tender, funny, and utterly human, Cherry Baby is Rainbow Rowell’s richest, most surprising—sexiest—novel yet.
Cherry Baby is a beautiful depiction of the stages of love — beginnings and endings, and all the messy stuff in between. Main character Cherry is a delight — the middle of five sisters from a devout yet raucous family, Cherry knows she’s gorgeous, accepts that she’ll always be fat, and knows she deserves to be happy… although getting there seems almost impossible.
As Cherry Baby opens, Cherry lives alone in the Omaha home she once shared with her husband Tom. Well, alone except for their outrageously large dog Stevie (as in Stevie Nicks), who really was Tom’s dog before he headed to LA and left Cherry to deal with the aftermath. Cherry and Tom met as art students, and while she went on to have a successful career in marketing, he unexpectedly found fame and fortune when Thursday, the webcomic he’d created as his own little creative outlet, suddenly became a huge sensation.
And now, Cherry is alone, because Tom left for Hollywood to work on the movie version of Thursday and never came back. Making matters worse all these months later is that the trailer for Thursday has dropped, and once again, Tom’s version of Cherry, via the character Baby, is everywhere. Cherry can’t avoid the exaggeratedly fat depiction of herself that apparently shows how Tom truly sees her.
When Cherry decides to treat herself to a night out listening to a favorite nostalgia band, she runs into someone she once had a crush on during college, and learns that he had a crush on her as well. As they begin to date, Cherry wonders if she has a new chance at happiness. But then Tom comes back to Omaha to pack up his belongings, and the more time he spends at their house, working with Cherry to dismantle the physical remnants of their lives together, the more their unfinished business looms over them both.
There’s a beauty in seeing the past and present unfold through the chapters of this book. We’re firmly rooted in Cherry’s present, as she deals with the men in her life and struggles to hold onto her sense of self — yet we also see flashbacks to the start of Tom and Cherry’s love story, from their first meeting through their early relationship and into the years of their marriage. It’s not sugar-coated, and yet it’s incredibly touching. Rainbow Rowell’s depiction of marriage is gritty and real. Love is wonderful, but it doesn’t fix everything, and we see time and again all the ways in which Tom and Cherry get derailed from the life they thought they were working toward.
Cherry Baby surprised me in all sorts of ways. Based on the synopsis, I expected a certain basic story arc, but in fact, that’s not what the book ended up being at all… and honestly, I loved it. I think Cherry Baby is best experienced without a lot of foreknowledge — not because there are dramatic reveals or shocking plot twists, but because its focus on people figuring things out is just such a powerful journey.
Cherry is a fantastic, funny, complex character, and I loved seeing all the ways in which she believes in herself, and all the ways in which doubt and pain creep in. She’s realistic and strong and vulnerable, and an utter delight.
A minor quibble for me is the overly graphic sex scenes — which, on the one hand, show the intricate levels of intimacy involved and also illustrate Cherry’s ease/discomfort dynamic with her own body… yet on the other hand, I think the point could have been made even without the close-up-and-personal details. Then again, I recognize that each reader has their own preferences when it comes to spicy scenes — your mileage may vary.
I can’t say I’ve ever been disappointed by a Rainbow Rowell book, and Cherry Baby is no exception. The banter between Cherry and her sisters is absolutely delicious, and even the more serious scenes include clever quips and dialogue. At the same time, this book is a heartfelt look at love and trust and commitment, and includes a powerful mix of heartbreak and joy. Highly recommended.
Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
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