Audiobook Review: Meet Me at the Seaside Cottages by Jenny Colgan

Title: Meet Me at the Seaside Cottages
Author: Jenny Colgan
Narrator: Eilidh Beaton
Publisher: Avon
Publication date: June 16, 2026
Print length: 352 pages
Audio length: 11 hours, 44 minutes
Genre: Contemporary fiction
Source: Purchased (audiobook); E-book ARC from the publisher/NetGalley
Rating:

Rating: 3.5 out of 5.

EVERYONE IS SEARCHING FOR THEIR PERFECT HOUSE. BUT HOME IS REALLY WHERE THE HEART IS…

Janey Carter has a lot to be grateful for—a home by the sea in the Scottish isles, a job that she loves, two kids who have successfully launched, and a network of kind and supportive friends. But since her husband left, her confidence has taken a nosedive. And then, out of the blue, her thirty-year-old daughter Essie announces she’s moving back home. Janey loves Essie dearly, but she was never the easiest to live with, and Janie has been enjoying the empty nest life.

Yes, Essie Carter has just lost her job, can’t afford her rent in Edinburgh, and her boyfriend isn’t ready to commit. She hates to admit defeat and isn’t wild about moving back to the remote island community where she was raised. But maybe the sea air will clear her head?

No sooner is Essie back under her mother’s roof than an unusual opportunity pops up: the shabby and unloved Seaside Cottages next door come up for sale. Janey has some experience renovating the island’s famous stone fisherman’s cottages, Essie needs something to do, and they could both use a little Air B&B income to warm their pockets. Mother and daughter slowly bond over the shared challenge, which delivers some much-needed revelations for Essie, and offers Janey a surprise second chance at love as well.

If a house can be brought back to life, along with the community around it, then so can a heart …

Jenny Colgan’s books can be counted on to provide a lovely escape to a charming small town, humorous challenges as well as interesting relationship dynamics, and simply gorgeous landscapes — which may induce hallucinations of chucking it all and running away to a sweet little Scottish village on the northern coast!

In Meet Me at the Seaside Cottages, the heart of the story is a mother-daughter relationship that just as prickly now as when Essie was in her teens. Janey is a mid-50s audiologist who loves her job, loves her community, loves the tiny cottage she’s made her home, and loves her adult children… although a bit of distance is best. Essie, around 30, fled their small town of Carso as soon as she could, preferring a life in the business world, with posh social events and gorgeous clothes (and a gorgeous financier boyfriend) in Edinburgh. Essie has never gotten over her parents’ divorce, for which she mainly blames Janey… even though it was her father who cheated and ultimately left for another woman.

Janey loves Essie, but Essie treats her with scorn and can’t really be bothered answering most of her texts. But as the story opens, Essie learns that her banking firm is relocating to Switzerland and she’s being let go. Sure, she had a well-paying job in finance, but she didn’t see this coming and has no savings. With housing in Edinburgh either impossible to find or exorbitantly priced, she can’t afford to stay — so full of dread and misery, she heads back to Carso, to her mom’s tiny cottage, to regroup and (hopefully) get back to a job and “real life” in Edinburgh as soon as humanly possible.

Meanwhile, Janey is slowly coming out of her shell socially. She has very good friends and is well liked and appreciated within the community, but she hasn’t dared dip her toes back into the dating pool since the divorce. She feels old and unattractive, and the dating apps aren’t exactly enticing. When she encounters a very nice man at a pub quiz, she’s interested in someone for the first time, and thanks to a pregnant dog in distress (and a very ungainly batch of puppies), Janey has a strangely quirky reason to interact with this man. Who wouldn’t want to bond over pupppies?

While Janey is delightful, Essie is hard to warm to. She returns to Carso full of despair and feeling hopeless, which she expresses through disdain of the of the town and absolute nastiness toward her mother. She loosens up eventually, once she gets involved in assisting a local with rehabbing the cottages next door — finding purpose and a potential romance along the way — but meanwhile, she can be a total pill.

There’s not exactly a ton of plot in Meet Me at the Seaside Cottages, but that’s okay. The setting, the tone, the characters — these are the reasons we pick up Jenny Colgan novels, after all! I enjoyed seeing the interwoven relationships within the community, and very much enjoyed Janey and her day to day life, as well as the slow dawning of a new romance for her.

I struggled with the mother-daughter relationship, not that it might not be realistic, but just that Essie’s behavior makes her so unlikeable for much of the story. I recognize that she lashes out at her mother because of her own traumas, but it’s just unpleasant to have to see, and made me less interested in following her through the chapters about her adjustment and transformation. (Then again, demographic-wise, I’m much more aligned with Janey than Essie. Perhaps a reader in Essie’s age range might feel more sympathetic toward her?)

It’s interesting to see how the author weaves economic challenges into the story. People in Carso can’t find housing, because outsiders keep scooping up properties and converting them to vacation rentals for people from the cities, who swoop in, don’t shop at or patronize local businesses, and drive rents sky-high for the people who actually live there. Essie experiences the same in Edinburgh, where she’s constantly exposed to the have/have-not divide and lives in a state of envy over all the gorgeous flats she’ll never be able to afford. While the overarching story is very much centered on the lives of the characters, much of the plot is informed by the financial challenges they experience and the interest in property — for both locals and the wealthy investors who see money rather than people when they look at Carso.

A note on the audiobook: Eilidh Beaton is wonderful. She narrates many of Jenny Colgan’s books, and has a talent for voicing an array of characters, adding just the right humorous touches, and evoking the feel of the place and its people.

Meet Me at the Seaside Cottages is a sweet, light story about mothers and daughters, and about life in a changing community whose people are anxiously trying to hold onto the qualities that make their world so special. The storyline overall is gentle and entertaining. Don’t pick up this book expecting much in the way of action — but if you enjoy interesting characters, beautiful settings, and small town goings-on (and puppies!), this makes a lovely option for good escapist reading.

Note: Amazon and Goodreads indicate that this book is part of the Mure series. It’s not. There’s really no connection at all, other than a location that’s in the same general vicinity. This book does include characters from Close Knit and The Summer Skies, but only in passing — there’s no actual impact on the story here, so no need to read these novels in any particular order.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: The Midnight Train by Matt Haig

Title: The Midnight Train
Author: Matt Haig
Publisher: Viking
Publication date: May 26, 2026
Length: 296 pages
Genre: Fantasy
Source: Purchased
Rating:

Rating: 4.5 out of 5.

When your life flashes before your eyes, where would you stop?

No one can change the past, but the Midnight Train can take you there. The chance to re-live the moments that meant most. To see what kind of person you really were.

For Wilbur his best days were with Maggie, the love of his life. On his honeymoon in Venice.

Before he gave it all away.

He wishes he could go back and live differently. But to do so risks everything . . .

A magical, time-travelling love story, from the world of The Midnight Library.

As The Midnight Train opens, it’s 1974, and Wilbur and Maggie are on their honeymoon in Venice. They’re young, in love, and have their whole lives in front of them. They promise to love one another forever.

They talked and talked, as though a relationship was really just a conversation that never wants to end.

And then we readers turn the page. Wilbur is 81 years old, and it’s the day he dies. And we learn that he and Maggie have been divorced for years, although he still has their wedding photo on display in his house. He clearly still loves her. What went wrong?

Upon dying, Wilbur is summoned to board a train — the Midnight Train — that takes him back through scenes from his life. To reach eternity, where he’ll exist forever and be reunited with everyone he’s ever cared about, he first has to revisit his life, getting off the train to witness significant moments, then reboarding as the train carries him onward. He can only observe, not change things — this is an opportunity to see all the places in his life where his decisions and actions set him on certain paths, and to understand where and how he might have chosen differently.

The incredibly annoying thing about being dead was that you got all your priorities in order, just when it was too late to do anything about them.

The journey is difficult. While Wilbur has the joy of seeing his first meetings with Maggie and how they fell in love, he also must revisit the most painful moments as well, when he lost important people in his life, responded from a place of fear, and made some crucially bad decisions. The further Wilbur travels, the more he wonders: Could he actually interact with his younger self? Knowing all the ways in which he failed, can he try to course-correct? And should he, if it means that he’ll be giving up eternity?

He had lived long enough to know that time and meaning were not shared out equally. Some personal eras were relatively empty. The temporal equivalent of air. And then you would come across a day—or even a minute—and it would have a whole decade’s worth of weight. It would be everything. It would have the power to change an entire life.

The Midnight Train is a moving look at what it means to live fully, and how working toward some unknowable future can mean not fully inhabiting the present. Wilbur is a well-meaning person who loves his wife devotedly, and yet lets the pain of past losses drive him in a way that brings financial success while losing what really matters along the way. Wilbur and Maggie start off so clearly meant for one another, with such brightness ahead of them. It’s painful to see them losing their connection, not through ill intent, but through distraction and ambition and a misdirected focus.

The magical elements of The Midnight Train work well as a conduit for Wilbur’s journey back through his own life. It doesn’t have to make perfect sense, and indeed, we’re told that each person experiences their journey in a way that’s personal to them. Traveling alongside Wilbur, we see the heartbreaking losses of his younger years and can understand the fear and guilt that stays with him, even as we wish for things to turn out differently.

The Midnight Train is a companion of sorts to the author’s 2020 novel, The Midnight Library. You don’t have to have read the first book to appreciate this one, although an important character from The Midnight Library plays a role here. Both books deal with themes related to finding meaning in life, but come at this theme from different angles. Each approach is fascinating — as the author states in his acknowledgments, the two books can be seen as being in conversation with one another.

I found The Midnight Train to be a fast, engaging read with an emotional core that feels true. Wilbur’s journey conveys profound messages about appreciating the life in front of us, but these messages never feel preachy or overly sentimental. There’s a beauty to Wilbur’s experiences and the wisdom that he finally finds at the end of his life. We’re left with a lovely sort of hope as we reach the final pages and see how his story turns out.

I highly recommend The Midnight Train. A lively writing style with humor mixed in alongside the sadness and seriousness make this a thoroughly enjoyable reading experience, and there are plenty of life lessons to be absorbed along the way — not to mention a love story that’s sweet and powerful.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Top Ten Tuesday: Most Anticipated Books Releasing in the Second Half of 2026

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Most Anticipated Books Releasing in the Second Half of 2026.

So many to look forward! Plus all the other books already on my shelves that I still need to read! How will I ever keep up?

Here are ten books scheduled for release from July through December that I’m looking forward to:

  • The Amateur by Chris Bohjalian (8/4/2026)
  • Daggerbound by T. Kingfisher (8/25/2026)
  • Kiss Slay Replay by Rachel Harrison (9/1/2026)
  • Exit Party by Emily St. John Mandel (9/15/2026)
  • A Divided Duty (October Daye, #20) by Seanan McGuire (9/29/2026)
  • Life Out of Order by Audrey Niffenegger (10/6/2026)
  • Dive Bar at the End of the Road by Kelley Armstrong (10/6/2026)
  • As You Wake, Break the Shell by Becky Chambers (10/13/2026)
  • Eight Ways to Say I Love You by Amanda Elliot (10/27/2026)
  • Murmuration by TJ Klune (11/17/2026)

What upcoming new releases are you most excited for? Please share your TTT links!

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The Monday Check-In ~ 6/29/2026

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My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

Another busy week — but the sun finally came out over the weekend, and I was able to get outdoors to enjoy it.

My book group had a Zoom chat with author Marjan Kamali on Saturday, discussing her excellent novel The Lion Women of Tehran. She was very kind and gracious with her time, and the conversation was so interesting!

A programming note:

I’ll be away for about a week and a half starting later this week — my husband and I are heading out on a summer road trip to Ashland, Oregon, the Columbia River Gorge, and various points in between! I expect to mainly be offline while we’ll traveling (maybe some random check-ins here and there). We’ll be on the go every day, but I do hope to be able to unwind each evening with some quiet reading time!

What did I read during the last week?

The Children by Melissa Albert: Chilling, compelling, terrific fantasy/horror. My review is here.

I Who Have Never Known Men by Jacqueline Harpman: This book seems to have exploded on BookTok in the past year. I’m glad I decided to check it out — my review is here.

Pop culture & TV:

I finished my For All Mankind binge! I loved seasons 1 and 2, thought season 3 was pretty good, mostly felt that season 4 sucked, and then like season 5 better than season 4. I’m glad to be done at this point. Despite the letdown of the last two seasons, I still intend to watch the 6th and final season whenever it’s released (most likely 2027). Meanwhile, I plan to check out the spin-off series Star City, which covers the space race from the Soviet perspective. I posted an overview about my experiences watching For All Mankind — check it out, here.

And now that my binge is over, I’m looking forward to catching up on other shows I’ve been wanting to watch. So many options!

Fresh Catch:

I try not to give in to the temptations of Prime Day… but couldn’t resist when there was a significant price drop on a book that’s been on my wish list for a long time:

I read The Women soon after it came out via the library, and have been wanting a copy of my own ever since.

What will I be reading during the coming week?

Currently in my hands:

The Midnight Train by Matt Haig: I got a signed copy of this book at an author event in early June, and I managed to get through about half over the weekend. Hoping to finish before we hit the road!

Now playing via audiobook:

Meet Me at the Seaside Cottages by Jenny Colgan: Jenny Colgan audiobooks are always such great entertainment! I’d hoped to finish over the weekend, but ran out of time. Now my goal is to finish before I leave on my trip… and I think I’ll (maybe) manage just in time. Fingers crossed…

Ongoing reads:

The Mysteries of Udolpho by Ann Radcliffe: My book group’s classic read. We’re reading and discussing two chapters per week. Progress: 46%. Coming up this week: Volume 2, chapters 10 and 11.

Pronoun Trouble: The Story of Us in Seven Little Words by John McWhorter: A really entertaining linguistics book! I do love this sort of thing. I’m reading it in bits and pieces, and this week read the 2nd chapter (called “Poor Little You”). Progress: 46%.

What will you be reading this week?

So many books, so little time…

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TV Time: For All Mankind; seasons 1 – 5

This week marks the end of my For All Mankind binge. Overall, this is a fascinating, absorbing (but sometimes maddening) show. With one season still to come (possibly in 2027), I’m glad that I took the time to dive in and watch seasons 1 – 5. Here’s my season by season breakdown of the show and my reactions to each.

Warning: Spoilers ahead! I won’t divulge specifics about plots twists, character fates, etc — but talking about the general premise for the show and each season is unavoidably spoilery. In fact, I had no idea what I was getting into when I started season 1, and loved the major twist… but I’d guess that anyone who’s aware of this show and has seen any of the trailers has at least some basic knowledge of what to expect.

Let’s jump right in.

SEASON 1

Setting: Earth and the Moon, 1970s

Here’s where I got my biggest and best surprise: Before starting this show, all I knew was that it was a series about the space race. Period. So imagine my surprise and delight to learn at the end of the very first episode that this is alternate history. It’s 1969, the world is watching the moon landing… and instead of hearing Neal Armstrong’s famous words while taking his first steps on the moon, we hear… Russian.

That’s right, in the world of For All Mankind, the Soviet Union gets to the moon first, a huge embarrassment for NASA, but also just the kick in the pants that the US needs to invest much more heavily in its own space program.

The season focuses on NASA’s moon program, ultimately landing astronauts on the moon and setting up the beginnings of a moon colony adjacent to a crater where ice has been discovered. To accelerate the program and keep up with the Russians, the astronaut corps accepts women, which is where the mix of characters becomes fascinating. We have the type of tough-guy fighter pilot astronauts we’d expect, but also daring women who’ve fought for the opportunity to fly and now go to space.

Season 1 does an excellent job of immersing us in the lives of the astronauts, their families on Earth, the scientists and dreamers of NASA, and an immigrant family who becomes involved with the space program as well. The personal elements add emotional weight to everything that happens. Absolutely fabulous characters.

The alternate history is fascinating. This is our world, but different. What does it mean for the greater society and political environment that the US lost the space race? We get news coverage and snapshots that show the impact, from an earlier end to the Vietnam War to the passing of the Equal Rights Amendment to Teddy Kennedy winning the 1972 presidential election.

Still, it’s the emotional beats (plus space adventures!) that make this season so incredibly powerful.

SEASON 2

Setting: Earth and the Moon, 1980s

As we’ll come to expect each season, we open with a time jump to the next decade. The Jamestown Colony on the moon is well established and has expanded from the tiny, claustrophobic unit of season 1. Astronauts rotate in and out of Jamestown as Apollo missions continue. The discovery of key minerals on the moon has changed life on Earth, and advances in technology bring private corporations into the business of space exploration. Meanwhile, the Cold War makes its mark on the moon, as territory is divided between the US and USSR, and a competition for resources leads to each country sending armed troops to the moon to protect their own interests.

The main characters from season 1 are back, older and some in positions of greater authority, with new family configurations and personal life complications. We’re so invested in these people by now that anything that goes wrong (and plenty does) feels personal.

Honestly, I was on the edge of my seat throughout this season, and the finale left me more emotionally wrung out than anything else I remember watching in recent years. No spoilers about what happens… but it’s intense, to say the very least.

SEASON 3

Setting: Earth and Mars, 1990s

Another ten years have passed, and the US, the USSR, and private company Helios are in a three-way race to be the first to Mars. Some intense space scenes open the season, which feels like tradition at this point. We also open with the expected montage of news clippings, showing us in super-fast speed what’s happened since we last checked in. Politically, Gary Hart is President, following the presidency of Ronald Reagan; culturally, one piece I loved is learning that John Lennon survived an assassination attempt. Space exploration and the technological advances that it has provided have led to demonstrations on Earth, as coal and other former industries have become obsolete, leading to mass unemployment. While there’s excitement about reaching Mars, a growing segment of the population demands that Earth’s needs come first, and the protests threaten to turn violent.

On Mars, there’s an initial settlement of astronauts and cosmonauts as the US and USSR are forced to share resources in order to survive. The interpersonal dynamics are outstanding, and the drama ratchets higher and higher as significant dangers loom. Again, can’t get too specific without spoilers, but the season ends with shocking events, some joyous and some tragic.

SEASON 4

Setting: Mars (mostly), 2000s

Here’s where the show starts to lose me a bit. Yes, we get the opening new montage, learning that Al Gore is President, Bill Clinton is a political has-been (having never made it to the presidency in the wake of scandals), and gay marriage is the law of the land. But the show’s focus on space exploration has given way, perhaps inevitably, to storylines about living on Mars. It’s less alternate history, and much more standard sci-fi fare — shades of both Battlestar Galactica and The Expanse, in terms of showing off-planet human society and living conditions.

While some of the original characters are still around, 30 years have passed since the first season, and much of the focus has shifted to new characters, including family members of some of the originals. For at least one of the O.G. characters, there’s a personality change that seems unsupported by everything we formerly knew about this person, and I didn’t like it.

Mostly, though, the problem with season 4 is that the focus is mainly on labor unrest and social stratification, and not the challenges of continued space exploration. The workers want rights, better wages, and living conditions. The powers that be want to exploit every resource Mars has to offer for the benefit of Earth, even if it means that the Mars colony becomes irrelevant. Add to that the introduction of someone intended to become a new lead who I found unappealing (and whose storyline, mainly about smuggling, did not show him in a particularly good light), and we end up with a season with not enough space drama and too much emphasis on class and economic struggles.

SEASON 5

Setting: Mars (mostly) and Titan, 2010s

Another 10 year time jump! And now we see how much has changed on Mars. The news from Earth is not that interesting — what matters is that Mars is mining iridium, incredibly valuable on Earth, and that the combined Earth powers (known as the M-6) want to exploit it even further, even if it means that the “Marsies” (the hundreds of workers who live on Mars, along with their families) may see their way of life destroyed.

The last of the O.G. characters fade away, and the next generations and newer characters are firmly in the lead. Armed conflict between the M-6 and the Marsies becomes inevitable, and we see the terrible devastation when things come to a head.

Season 5 is better than season 4… but overall, I think the show has lost the power of its first three seasons, which played up the awe of seeing the space programs develop and the incredible dedication of the people involved. By seasons 4 and 5, the show is just too similar in feel to other sci-fi franchises — yes, with differences, but essentially, it’s become a show about human life on other planets. It’s moved so far beyond our reality that it’s lost the element of surprise and delight that come from seeing alternate versions of our own history. Yes, it’s entertaining, but somehow less special. (And it doesn’t help that one of the lead characters is a total dud, but maybe I’m in the minority on that issue).

Looking ahead: Season 6

Setting: Presumably, Mars and Titan, 2020s… ??

Not much is known yet about season 6, other than that it will be the final season for the series — which makes sense, as it brings the timeline more or less into alignment with ours. Despite the letdown of the last two seasons, I will absolutely want to see how it all wraps up!

Do I recommend For All Mankind?

Overall, yes. The first few seasons are (excuse the pun) stellar. I loved the presentation, the storytelling, and the characters, was on the edge of my seat for so many of the episodes, and felt totally invested every step of the way. The same was not true while watching seasons 4 and 5 — but even so, I was interested enough to see how the various conflicts played out, and still want to know what’s next.

The show has a terrific, talented cast and many, many breathtaking space sequences and moments of exhilaration and terror. The alternate history (particularly during seasons 1 – 3) make for a fascinating speculative look at all the “what ifs” of our own world and how small alterations might have huge impacts.

Book Review: I Who Have Never Known Men by Jacqueline Harpman

Title: I Who Have Never Known Men
Author: Jacqueline Harpman
Publisher: Transit Books
Publication date: 1995
Length: 173 pages
Genre: Speculative fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

Deep underground, forty women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only a vague recollection of their lives before.

As the burn of electric light merges day into night and numberless years pass, a young girl—the fortieth prisoner—sits alone and outcast in the corner. Soon she will show herself to be the key to the others’ escape and survival in the strange world that awaits them above ground.

Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

Published in 1995, I Who Have Never Known Men came roaring back in recent years as a BookTok sensation. After hearing the buzz from so many sources, I finally decided to check it out for myself.

In this strange, moving, puzzling work of speculative fiction, our unnamed narrator introduces us to a harsh new world. As the story opens, she is one of forty women locked in a cage in an underground bunker, watched constantly by a rotating set of male guards who patrol outside the cage, armed with whips. They do not interact with the prisoners, using the whips to threaten if the women break rules, such as touching, hiding, or expressing strong emotions. The women have been there for years, and have only vague memories of a life before or how they ended up in the cage.

But our narrator is different. Caged as a child, she knows nothing of any other life. The women share stories of families, husbands, homes… but she has no understanding of what these concepts are. As she enters her teen years, she holds herself apart, but eventually learns to count her heartbeats as a way of making sense of the unknowable passage of time. When the routine finally breaks and the guards flee, she’s able to secure the key that will allow them out of the bunker… but the world they find above is not what they expect.

The women are finally free, but for what? They find themselves on a vast plain, with no other people anywhere within sight. Out in the open, but with no direction or answers, they must fend for themselves and find a way to survive yet another type of existence they have no understanding of.

She wondered when it had dawned on us that we were as much prisoners out in the open as we had been behind bars.

The narrator tells the women’s stories through her own unique voice, mostly devoid of emotion, keen to find sense in the vast nothingness, connected to but never quite understanding her companions. As years and then decades pass, the women forge a community together, surviving their isolated existence in a world devoid of other living beings.

What has happened to lead to this point? Where are they? What became of all the other people? Why are there no animals or seasons? Why are there so many bunkers and cages identical to the one they escaped? And why are these bunkers the only buildings they’ve ever found in all their years of wandering?

If you pick up I Who Have Never Known Men expecting answers… well, this isn’t that sort of book. The narrator makes it clear early on that she’s lived a long, strange life, that she’s the last one left, and that she’ll never truly know what happened to the world that came before. This is the only life she knows or remembers. Readers go along with her and the other women as they journey over the course of many years. The narrator’s inner thoughts provide an odd sort of focus, centering this existence through the perspective of someone who begins as a clean slate and finds purpose, skills, and perseverance through sheer stubbornness and an innate sense of curiosity, a desire to learn and understand.

While described as a work of feminist speculative fiction, I don’t know that I’d stick with that label completely. The story’s focus is about the women, first as prisoners and then through the experiences they have once they achieve freedom. And yet, this doesn’t fit the mold of many works of dystopian fiction, in which women are oppressed by a misogynistic, authoritarian society. We really have no idea why the women are in a cage — but as we learn later, the cages aren’t exclusively for women. As this group of women travel and find bunker after bunker, they find many that had once held forty men as prisoners as well. (The cages always hold forty people. Why forty? Yet another unknown.) The reason for the bunkers isn’t necessarily related to misogyny — we get the impression that there was a total collapse of civilization, perhaps war or some other sort of disaster. But I suppose the fact that what we focus on is how this group of women survivors chooses to live and move forward is where the feminist fiction categorization applies. I don’t have a problem with that — it’s just that the book was definitely not what I expected it to be.

That’s a good thing, actually. It’s nice to have expectations turned upside down. Starting a book with no real idea of where it will go and feeling totally immersed along the way is one of the joys of reading, after all. I Who Have Never Known Men is a short book — under 200 pages — that contains powerful language and imagery on every page.

A note on the reading experience: There are no chapter breaks, or even section breaks. This is one long unbroken narrative, as the narrator — approaching the end of her life — thinks back on the earliest days she remembers, already in the cage, and tells the story of everything she’s experienced since then. Being inside her head is a unique, unsettling experience. Yes, I prefer my books to have chapters! But once I got into the rhythm of this story, it moved so quickly that I was willing to just go with it.

I recommend checking out I Who Have Never Known Men. It’s definitely not like anything else I’ve read lately. Thought-provoking and disquieting, this is a book that will stay with you long after reading the final pages.

For more about this book, check out this essay from The New Yorker and this article from The Guardian. More about the book’s resurgence thanks to social media buzz:
Medium
The Cut

Purchase linksAmazon – Audible audiobook – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 6/26/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

This week’s lines are from an upcoming July release that sounds eerie and atmospheric:

I got so caught up in this opening that I just had to share the first two paragraphs!

Vocab time: Snell
Scottish / Northern English Dialect (Adjective)
Meaning: Quick, active, sharp, or bitterly severe.
Context: It is most commonly used to describe piercingly cold or biting weather (e.g., “a snell wind smote us”) or a witty, sharp remark.

So what’s the book?


Habits of the Sea by Shea Ernshaw
Release date: July 7, 2026
304 pages

Synopsis:

A new adult novel from New York Times bestselling author Shea Ernshaw, in which a woman rediscovers the mythical island she stumbled upon as a child—and the man she once met who apparently hasn’t aged.

The night Clay Lockhart’s wife dies, a violent storm tears their home—and the eight hectares of land beneath it—away from the Scottish coast, sending it adrift into the Atlantic. Thirty years later, twelve-year-old Ellie Mills discovers the fabled floating island off the coast of Nova Scotia and finds Clay still living in the weatherworn farmhouse perched on its highest hill.

When the island vanishes overnight, Ellie is left questioning whether it ever existed at all. But decades later, the island resurfaces—and Ellie, now in her thirties, returns, determined to uncover the truth. What she finds is even stranger: Clay hasn’t aged a single day.

Faced with the impossible, Ellie learns that some mysteries aren’t meant to be solved—and that a life shaped by wonder may hold more promise than one bound by certainty.

With her signature atmospheric, lyrical prose, Shea Ernshaw offers us an original work of folklore with a masterful modern touch. A haunting tale, Habits of the Sea spans centuries and coastlines, journeys through time and memory, and redefines the very meaning of love itself.




I’ve read two previous novels by Shea Earnshaw, including the excellent A History of Wild Places — so I was delighted to win a copy of Habits of the Sea in a Goodreads giveaway, and can’t wait to get started.

Does this sound like something you’d enjoy?

Happy Friday! Wishing everyone a great weekend!

Book Review: The Children by Melissa Albert

Title: The Children
Author: Melissa Albert
Publisher: Bramble
Publication date: June 2, 2026
Length: 416 pages
Genre: Fantasy/Horror
Source: Library
Rating:

Rating: 4.5 out of 5.

An intoxicating, haunting new novel from New York Times bestselling author Melissa Albert, in which the estranged adult children of a legendary author, written into their dead mother’s beloved fantasy series, contend with the vine-like creep of legacy, memory, and magic.

Guinevere Sharpe has two childhoods.

In one, she lives in the wooded shadow of her family’s isolated Vermont farmhouse; in the other, the pages of her mother’s world-famous Ninth City books, where her magical adventures have made her a household name. In reality, Guinevere’s childhood isn’t the enchanted idyll her mother’s readers imagine: she and her older brother are growing up near-feral, unwashed and underfed, escaping each day to the lichen-clotted woods they’ve made their playland. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame—until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors.

Now an adult coasting on her mother’s name, Guinevere is mid-promotion for a ghostwritten memoir when her estranged brother, an artist who has until now spurned his family’s legacy, announces an upcoming installation titled Mother. As rumors swirl around a death connected to his last show, unsettling recollections from Guinevere’s childhood begin to surface. Her public facade starts to crack, forcing her to confront the questions she’s spent the last twenty years running from: What really happened the night of the fire? And what dark history lies behind their mother’s creative genius?

Wise to the mythic weight childhood memories gather over time, The Children whispers to you from the hallway outside your bedroom, lights flickering as you turn the pages of a book that didn’t seem so scary a moment ago. It’s a story for anyone who’s ever revisited an old favorite and found it cast in a darker light, the line separating magic and memory blurring as the gap widens between the authors we imagined and the people they turn out to be.

The Children is a creepy, haunting tale that drew me in practically from page 1 and never let me go. I found myself immersed in this story about the children of a bestselling author — whose childhood was anything but the ideal dream portrayed to the public.

Edith Sharpe writes the children’s fantasy series, The Ninth City, at the family’s rural Vermont home, an isolated place known as the Farmhouse, surrounded by forests and orchards, miles from anywhere. As Edith’s fame grows, so too does the never-ending streams of stars and artists and wannabes who gravitate into Edith’s orbit. Edith’s children, however, never asked for or agreed to the fame that they’re forced into by their mother, who gives her main characters her children’s names. The world thinks they know Ennis and Guinevere Sharpe, the brave, clever brother and sister who star in the series. Only Ennis and Guin know the truth about their childhood — one in which they essentially grew up wild and untended, cared for only by one another while their parents indulged in a life of creative frenzies, dissipated parties, and a general lack of interest about their children’s wellbeing.

As adults, Guin and Ennis have been estranged for twenty years, ever since the horrific night of a fire that destroyed their world and thrust them into very different lives. Now in her early 30s, Guin has been living off her mother’s legacy, in terms of both her inheritance and being part of the publicity machine that keeps Edith Sharpe on the bestseller list year after year. While promoting her own memoir — a whitewashed, ghost-written, surface-level and sunny depiction that bears little resemblance to the truth — Guin learns that Ennis will be opening a new art installation entitled “Mother”, and is immediately consumed by the need to reconnect with him… and to find out whether he’s finally decided to break his silence on Edith Sharpe after all these years.

As Guin goes off the rails, ruining her carefully constructed publicity tour through unpredictable and ill-advised interviews, she’s thrust back into childhood memories she’s worked so hard to ignore or deny.

The story unfolds through modern-day chapters, in which adult Guin spins out of control in her search for meaning and for Ennis, woven among chapters going back to the siblings’ childhood, from arriving at the Farmhouse when Guin was five years old to the final disaster when she was eleven. There’s a certain beauty to some elements of their early years, as they run wild, unhindered in their exploration of the forests, with no rules and little to no guidance about their daily lives. They’re supposedly home-schooled, but they’re not. They’re fed… when someone remembers, or when they fend for themselves. Their father, a gifted actor who was forced out of the spotlight due to scandal, is a shining, glorious creature… until he’s not; until something, somehow causes him to lose bits and pieces of himself and fade into a failed has-been.

And then there’s Edith, a woman who’s never been predictable, married young to an older man, and an uninvolved mother even at the best of times. But something happens at the Farmhouse. Guin loves the house, except for the sinister 3rd floor room where Edith writes. And Edith writes in frenzied bursts, clacking away on her typewriter with no interruptions allowed.

The sense of menace is pervasive throughout The Children. We may not know exactly why, but we know from the start that very bad things have happened. At the same time, we know that the Ninth City books were life-changing for their millions of fans, and that Guin and Ennis are seen as heroes, standing in for Edith and the world she created even as they attempt to live their own lives. The neglect that Guin and Ennis live through is disturbing in and of itself, but add to that the sense that something other is going on, something very much not right, and the chills ratchet up higher and higher.

While I had guesses about the mysteries of The Children, I never did quite manage to figure it all out, and I’d guess that most readers end up in the same boat. The revelations near the end of the book are mind-blowing, yet tie the entire story together in a way that makes a frightening sort of sense. I simply couldn’t put the book down; each chapter is stunning in its own way. I cringed quite a bit over adult Guin’s choices and actions, but there’s no denying that she follows a path that seem practically foreordained. The childhood chapters are more deeply disturbing and impactful, but the entire book works so well together that it’s impossible to point out any moments where the story lags or loses focus.

I’d say that my only complaint about The Children has more to do with my reading experience than with the book itself. I tore through the final third or so in such a mad dash to get to the end that I’m afraid that I may not have absorbed it all as deeply as I might have if I’d taken my time. I can definitely see going back for a reread to savor it more slowly and pick up the themes and hints I might have missed along the way the first time through.

The Children is one of this summer’s biggest, buzziest books… and it’s well worth giving in to the hype and giving it a chance! Creepy, scary, disturbing, and compelling, this story will stick with you long after the final pages.

Want to know more? Check out these great reviews:
Tammy at Books, Bones & Buffy
Krysta at Pages Unbound

Purchase linksAmazon – AudibleBookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Top Ten Tuesday: Top ten books on my TBR list for summer 2026

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Books on My Summer 2026 to-Read List.

Before getting started with my summer TBR, I took a look back at my spring TBR post… and discovered that I did pretty well! Of my 10 winter TBR books, I actually read eight and DNFd one. I still intend to read the one remaining book, which is the first in a series I’ve been planning to start this year:

So, I’ll leave Just One Damned Thing After Another here as a reference… and meanwhile, I’m picking another ten books for my summer reading TBR! Of course, narrowing it down to just ten is practically impossible, but here’s the batch of books I’m putting high on my priority list right now:

  • The Midnight Train by Matt Haig
  • To the Moon and Back by Eliana Ramage
  • My Imaginary Mary by Cynthia Hand, Brodi Ashton, Jodi Meadows
  • Paladin’s Grace by T. Kingfisher
  • This Kingdom Will Not Kill Me by Ilona Andrews
  • The Calamity Club by Kathryn Stockett
  • We Solve Murders by Richard Osman
  • The Fox and the Devil by Kiersten White
  • Theo of Golden by Allen Levi
  • I Who Have Never Known Men by Jacqueline Harpman

What are you planning to read this summer? Please share your TTT links!

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The Monday Check-In ~ 6/22/2026

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My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

Do you ever have weeks where you feel like you’re just bad at reading? I know I’m not, really, but this past week, I was so busy and had so much going on that even when I had a few minutes to pick up a book, my concentration was not there. I made almost no progress in the ebook I was reading, despite being really interested and wanting to be able to get into it. Thank goodness for audiobooks! At least I’m able to listen during my daily commute.

Work was crazy (what else is new?)… but in real life, it was actually quite a good week! We had our adult kids in town, had a fun family dinner at home one night, then Father’s Day dinner out at a favorite restaurant. It’s always a treat to get to spend time together with our awesome kids and their wonderful spouses.

Random bookish stuff:

Both of these feel very specific to my life:

I feel seen.

What did I read during the last week?

The Lion Women of Tehran by Marjan Kamali: Beautiful story of women’s lives and friendship in 20th century Tehran. My review is here.

Time Loops and Meet Cutes by Jackie Lau: A very fun rom-com with a clever premise and great characters. My review is here.

Pop culture & TV:

I’m midway through the 5th season of For All Mankind… and honestly, I about ready for this binge to be done. I loved seasons 1 – 3, but season 4 was such a disappointment. Season 5 is better, but I think overall the show has lost a lot of what made the early seasons so special. I’ll probably share a wrap-up post once I finish this season — and yes, despite not loving the show quite as much at this point, I’ll certainly be back for the sixth and final season whenever it drops (most likely sometime in 2027).

Fresh Catch:

After being fairly restrained about buying physical books lately, I splurged this week! I had a gift card burning a hole in my pocket and, well, here we are!

  • This Kingdom Will Not Kill Me by Ilona Andrews: Can’t wait to read this book!
  • Mansfield Park by Jane Austen: I’ve been buying these special editions over the last few years — this is the last one I needed to have the full set!
  • Our Perfect Storm by Carley Fortune: Read already… and loved.
  • This Book Made Me Think of You by Libby Page: One of my favorite books of 2026.

Also this week:

A Goodreads giveaway! I was notified that I’d won a copy of The Foursome by Christina Baker Kline back in March, and it finally arrived this week. I’ve already read the book via NetGalley ARC, but I’m delighted to have a copy of my own — and getting a finished, lovely hardcover makes it worth the wait for my giveaway to get here.

What will I be reading during the coming week?

Currently in my hands:

The Children by Melissa Albert: I started this book early in the week and had no time to really focus on it until the weekend… and then I got totally hooked! I have about 25% left to go, and wish I could just sit and read straight through to the end.

Now playing via audiobook:

Meet Me at the Seaside Cottages by Jenny Colgan: If it’s summer, it must be time for a new Jenny Colgan book! I always enjoy this author’s audiobooks. Just getting started.

Ongoing reads:

The Mysteries of Udolpho by Ann Radcliffe: My book group’s classic read. We’re reading and discussing two chapters per week. Progress: 43%. Coming up this week: Volume 2, chapters 8 and 9.

Pronoun Trouble: The Story of Us in Seven Little Words by John McWhorter: A really entertaining grammar book! I do love this sort of thing. I’m reading it in bits and pieces, and have read the first chapter (all about “I” and “me”) so far. Progress: 25%.

What will you be reading this week?

So many books, so little time…

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