My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Life.
As you read this, I’m probably on a plane! I’m traveling to the East Coast today for a two-week stay so I can visit my elderly father for the first time in a year. Fortunately, he and all the residents of his nursing home have been vaccinated, but I’ll still need to quarantine for a bit upon arrival before visiting. Basically, I’ll just be working as usual during the days, just from a new remote location!
What did I read during the last week?
The Echo Wife by Sarah Gailey: Loved it. My review is here.
Emily of New Moon by L. M. Montgomery: Such a sweet, enjoyable audiobook! I’m going to hold off on writing a review until I finish the trilogy.
Calculated Risks by Seanan McGuire: The 10th book in the super-fun InCryptid series. My review is here.
Pop culture & TV:
My Queen Sugar binge continues! I’m nearing the send of season 4, which means I’m almost caught up! Excellent, excellent show.
On a sillier note, my son convinced me to watch The Gentlemen with him, and I have to admit — much to my surprise — I enjoyed it. Really violent and inappropriate in so many ways, but we still had fun.
Puzzle of the week:
Challenging but fun… except ARGH — there was a piece missing at the end!
Fresh Catch:
Hurray for an advanced copy of this book:
Looks amazing!
What will I be reading during the coming week?
Currently in my hands:
Bouncing between two very different books at the moment:
The Kitchen Front by Jennifer Ryan: I’m just starting, but since I loved the author’s previous two novels (The Chilbury Ladies’ Choir and The Spies of Shilling Lane), I have very high hopes that I’ll love this one too!
An Offer From a Gentleman by Julia Quinn: I couldn’t resist starting yet another Bridgertons book (#3) — perfect airplane reading!
Now playing via audiobook:
Emily Climbs by L. M. Montgomery: The 2nd book in the Emily Starr trilogy. Very sweet!
Ongoing reads:
Outlander Book Club is re-reading Outlander! We’re reading and discussing one chapter per week. This week: Chapter 37, “Escape”.
Our current classic read is part 2 of Don Quixote. Continuing onward, 3 chapters per week. We’ll be done in May, so it’s starting to feel like the end is in sight.
Title: Calculated Risks (InCryptid series, book #10) Author: Seanan McGuire Publisher: DAW Publication date: February 23, 2021 Length: 448 pages Genre: Urban fantasy Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐
Rating: 4 out of 5.
The tenth book in the fast-paced InCryptid urban fantasy series returns to the mishaps of the Price family, eccentric cryptozoologists who safeguard the world of magical creatures living in secret among humans.
Just when Sarah Zellaby, adopted Price cousin and telepathic ambush predator, thought that things couldn’t get worse, she’s had to go and prove herself wrong. After being kidnapped and manipulated by her birth family, she has undergone a transformation called an instar, reaching back to her Apocritic origins to metamorphize. While externally the same, she is internally much more powerful, and much more difficult to control.
Even by herself. After years of denial, the fact that she will always be a cuckoo has become impossible to deny.
Now stranded in another dimension with a handful of allies who seem to have no idea who she is–including her cousin Annie and her maybe-boyfriend Artie, both of whom have forgotten their relationship–and a bunch of cuckoos with good reason to want her dead, Sarah must figure out not only how to contend with her situation, but with the new realities of her future. What is she now? Who is she now? Is that person someone she can live with?
And when all is said and done, will she be able to get the people she loves, whether or not they’ve forgotten her, safely home?
It’s that wonderful time of the year… when we get another InCryptid book! Calculated Risks is #10 in this ongoing urban fantasy series, and it does not disappoint in the slightest. Really, you could look at Calculated Risks as #9, part II, since the action picks up right where the previous book, Imaginary Numbers, left off.
Books 9 & 10 focus on Sarah Zellaby, a non-human member of the extended Price-Healy family, who are renowned cryptozoologists and deadly enemies of the all-powerful Covenant. There’s a lot to know about the Price family, which is why anyone new to the InCryptid series absolutely must start at the beginning. There’s just no way for these books and the complex relationships between the characters to make sense without the full picture and backstory.
Here in #10, our main character Sarah finds herself in a strange alternate world, along with her cousins Annie and Artie, her kind-of cousin James, and a cuckoo, Mark, who is of the same species as Sarah. Got that? Sarah has inadvertently transported all of them, as well as the college campus they’d been standing on, to another dimension, as a last ditch effort to stop the world from being destroyed as the side effect of Sarah undergoing a mathematically based metamorphosis. It’s complicated.
Now, in this weird world, Sarah’s allies don’t know who she is and treat her with suspicion. The sky is orange. There are huge flying millipedes. And indignity of all indignities, Sarah doesn’t even have a bra! Still, it’s up to Sarah to convince her friends and relatives that they know her, that they don’t want to hurt her, and that she is likely the only person who can get them home again.
The adventure rips along at a super-charged pace, but we also get lots of emotional moments too as Sarah faces distrust and rejection from people she’s loved all her life. The challenge of getting home again relies on Sarah’s ability to carry out a dangerous equation that can rip through worlds, and to do it without killing herself and everyone around her.
As always, Seanan McGuire’s writing is funny, quirky, clever, and highly quotable:
“I have so many knives,” said Annie. “I am the Costco of having knives. You really want to provoke me right now, cuckoo-boy?”
“I am not a good place to store your knives,” he said. “I don’t know how many times I need to tell you this, but sticking knives in living people just because they say something you don’t like is the reason no one likes you or the rest of your fucked-up family.”
“I don’t want to be a monster. I refuse to be a monster. I am a person, and people get to make our own choices about whether or not we bare our claws.”
“Mean girl from the murder family has a point,” said Mark. “Also, now that I have spoken those words aloud, please kill me.”
Do not be afraid.
I hate it when people tell me not to be afraid. They never do that when something awesome is about to happen. No one says “don’t be afraid” and then hands you an ice cream cone, or a kitten, or tickets to Comic-Con.
Calculated Risks is just as much fun as the preceding books in the InCryptid series. I love that the main characters in the series shift between different family members as the books go along, and I can’t wait to see who the star of #11 will be (although — sigh — that’ll be a long year from now). Meanwhile, between familiar Price characters, Aeslin mice (a sapient species of talking mice who worship the Prices as deities), and new friends (like Greg, the humongous leaping spider who becomes Sarah’s protector), there’s plenty here to love and enjoy.
Calculated Risks includes a bonus novella, Singing the Comic-Con Blues, which is a light-weight, upbeat adventure set nine years before the events of the main novel. It’s sweet and entertaining, and is a nice little treat for dessert after some of the more dire events of Calculated Risks.
The InCryptid series continues to be fresh, exciting, and full of surprises. Seriously, if you’ve never read these books, start at the beginning (with Discount Armageddon) — I’ll bet you’ll be hooked before you even finish book #1. As for me, I’m tempted to go back to the beginning, just to have the pleasure of experiencing the bonkers adventures of the Prices all over again.
Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.
Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.
Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!
Title: Six Months, Three Days, Five Others Author: Charlie Jane Anders Published: 2017 Length: 188 pages
What it’s about (synopsis via Goodreads):
Before the success of her debut SF-and-fantasy novel All the Birds in the Sky, Charlie Jane Anders was a rising star in SF and fantasy short fiction. Collected in a mini-book format, here–for the first time in print–are six of her quirky, wry, engaging best:
In -The Fermi Paradox Is Our Business Model, – aliens reveal the terrible truth about how humans were created–and why we’ll never discover aliens.
-As Good as New- is a brilliant twist on the tale of three wishes, set after the end of the world.
-Intestate- is about a family reunion in which some attendees aren’t quite human anymore–but they’re still family.
-The Cartography of Sudden Death- demonstrates that when you try to solve a problem with time travel, you now have two problems.
-Six Months, Three Days- is the story of the love affair between a man who can see the one true foreordained future, and a woman who can see all the possible futures. They’re both right, and the story won the 2012 Hugo Award for Best Novelette.
And -Clover, – exclusively written for this collection, is a coda to All the Birds in the Sky, answering the burning question of what happened to Patricia’s cat.
How and when I got it:
I bought this book when it came out in 2017.
Why I want to read it:
Put this in the “judging a book by its cover” category. When I saw an announcement about Tor releasing certain books as mini-hardcovers, I was completely charmed. This is one of several I bought on the spot, because it’s just so cute! But not only that — I’ve enjoyed Charlie Jane Anders’s writing for years, going back to her days on the io9 forum. More recently, I read and loved All the Birds in the Sky, at which point I knew I’d have to keep reading whatever she wrote!
I don’t tend to gravitate toward short story collections, but this one does sound amazing! I love the descriptions of the different stories, and think I just needed a reminder (like, for instance, writing this post) to motivate me to take this book off the shelf and actually start reading it.
Title: The Echo Wife Author: Sarah Gailey Publisher: Tor Books Publication date: February 16, 2021 Length: 256 pages Genre: Science fiction Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
The Echo Wife is a non-stop thrill ride, perfect for readers of Big Little Lies and enthusiasts of “Killing Eve” and “Westworld”
Martine is a genetically cloned replica made from Evelyn Caldwell’s award-winning research. She’s patient and gentle and obedient. She’s everything Evelyn swore she’d never be. And she’s having an affair with Evelyn’s husband.
Now, the cheating bastard is dead, and the Caldwell wives have a mess to clean up. Good thing Evelyn Caldwell is used to getting her hands dirty.
Wow, do I hate the synopsis for this book! It makes it sound cheap and derivative, and it’s not either of those things!
At under 300 pages, The Echo Wife is a taught, exciting, provocative tale, with not an ounce of wasted space or padding. It’s compelling reading, start to finish… and the synopsis doesn’t even begin to do it justice.
Evelyn Caldwell is a highly esteemed pioneer in the field of cloning, at the pinnacle of her career, but with a personal life that’s fallen apart. Her husband Nathan, not as talented as Evelyn, has apparently resented her brilliance, success, and focus on her career for a long time. And as Evelyn learns, Nathan knows just enough to steal her scientific secrets and replicate her research, producing a cloned duplicate of Evelyn whom he’s programmed to be a perfect wife.
Evelyn’s clone Martine appears identical to Evelyn, but Nathan has programmed Martine to be all the things he wants but couldn’t get from Evelyn — a devoted wife, submissive and obedient, living to please, and eager to bear his children. Of course, what he’s done is a huge ethical breach as well as a theft of Evelyn’s research and an absolute betrayal of their marriage.
Evelyn is a brilliant, focused, unemotional woman who lives to find truth in science. Her work in cloning is revolutionary. She’s very clear on the boundaries of her work: Clones are produced for a purpose — they’re not people, they’re scientific material. If one is faulty, it becomes biowaste. They’re grown in a lab, programmed for specific types of brain patterns to create the desired cognition, and “conditioned” to match the original. Conditioning is a particularly disturbing part of the creation of clones, and a step that causes Evelyn to lose multiple lab assistants. Since clones are produced fresh and new, to become convincing duplicates, their bodies must be conditioned to match the original, meaning scars, missing organs, teeth, and limbs, and other physical defects must be replicated. Yes, this is just as gross as it sounds, but serves as a visceral example of how Evelyn views clones as laboratory materials, not people.
Martine’s very existence throws a wrench into Evelyn’s carefully ordered scientific approach. She can’t convince herself that Martine isn’t a person, not when Martine starts to grown and ask questions and think for herself. The more entangled Evelyn becomes with Martine, the more she’s forced to face certain truths about herself, her work, and what it actually means — and face her own troubled childhood and accept how it’s affected her and programmed her to be who she is.
I didn’t forge the tool. I just wanted to use it effectively. That didn’t make me a monster. It wasn’t wrong of me, wishing she would behave as she’d been designed to.
The Echo Wife also provides a scathing commentary on the odiousness of the sexism that women in science face. Even at the height of her success, at a celebration in honor of her achievements, Evelyn is subjected to mansplaining and interruptions from male colleagues who feel a need to correct her.
Evelyn is not what society as a whole might consider a likeable woman. She’s sanded away all the softness and uncertainty from her public persona. She’s polished, professional, unapologetic, straightforward, no fidgeting, no second-guessing. But when Martine enters her life, Evelyn sees all the pieces her husband found lacking — Martine is pleasing and sweet, and always mindful of what she’s for.
There’s no winning. Either I’m a bitch who needs to control everything, or I’m an easy mark.
Martine wasn’t just a manifestation of my failure to create a foolproof cloning model. She wasn’t just a symbol of my failure to hang on to a man who had been good when I met him. Before he married me.
She was also a consequence of my failure to keep a handle on things.
The plot of The Echo Wife is complex and constantly surprising, with big shocking revelations as well as smaller moments that are just as unsettling and powerful. The intricacies of the moral dilemmas represented by Evelyn’s and Martine’s connections are truly mesmerizing, and their shifting power dynamics can be mind-boggling.
While overall more psychological than bloody, there are some moments that seem to lean more heavily toward horror, and even the matter-of-fact description of the cloning process can be pretty gruesome, especially when presented in such a cut-and-dried fashion.
Sarah Gailey’s writing is always surprising and powerful, and The Echo Wife is no exception. I found it fascinating, and recommend it highly.
And a final note — please ignore the obligatory hype-machine comparisons to Big Little Lies, Westworld, etc. It’s its own thing, and is actually far better than the books and TV shows it’s being compared to!
Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Purple, Yellow, and/or Green Book Covers, in honor of Mardi Gras.
My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Life.
Three day weekend! Funny how excited I am about basically another day to spend in my house. Woo hoo!
What did I read during the last week?
The Future Is Yours by Dan Frey: A fast, exciting techno-thriller. My review is here.
Meg & Jo by Virginia Kantra: Little Women retold! Really enjoyable. My review is here.
The Heroine’s Journey by Gail Carriger: Non-fiction, and fascinating “for writers, readers, and fans of pop culture”. My review is here.
Pop culture & TV:
Finished season 2 of Queen Sugar, and continued straight on to season 3. This show is excellent!
And in the category of good, silly fun — Men in Kilts premiered on Starz this weekend! A can’t-miss for Outlander fans.
Puzzle of the week:
Another fun one! This one was way more challenging than I expected it to be.
Fresh Catch:
No new books this week. That’s two weeks in a row! Not that I’m in any danger of running out of reading material…
What will I be reading during the coming week?
Currently in my hands:
The Echo Wife by Sarah Gailey: As of late Sunday, I’m at 80%, and loving it! Can’t wait to see how it turns out.
Now playing via audiobook:
Emily of New Moon by L. M. Montgomery: One of my 2021 reading goals is to read the Emily trilogy, and I’m glad to be getting started! I’m really enjoying book #1 so far.
Ongoing reads:
Outlander Book Club is re-reading Outlander! We’re reading and discussing one chapter per week. This week: Chapter 36, “MacRannoch”.
Our current classic read is part 2 of Don Quixote. It’s so nice to be caught up! We’re reading three chapters per week, and it’s actually pretty fun these days.
Title: Meg & Jo Author: Virginia Kantra Narrators: Shannon McManus, Karissa Vacker Publisher: Berkley Publication date: December 3, 2019 Print length: 400 pages Audio length: 13 hours 46 minutes Genre: Contemporary fiction Source: Library Rating:
⭐⭐⭐⭐
Rating: 3.5 out of 5.
The timeless classic Little Women inspired this heartwarming modern tale of four sisters from New York Times bestselling author Virginia Kantra.
The March sisters—reliable Meg, independent Jo, stylish Amy, and shy Beth—have grown up to pursue their separate dreams. When Jo followed her ambitions to New York City, she never thought her career in journalism would come crashing down, leaving her struggling to stay afloat in a gig economy as a prep cook and secret food blogger.
Meg appears to have the life she always planned—the handsome husband, the adorable toddlers, the house in a charming subdivision. But sometimes getting everything you’ve ever wanted isn’t all it’s cracked up to be.
When their mother’s illness forces the sisters home to North Carolina for the holidays, they’ll rediscover what really matters.
One thing’s for sure—they’ll need the strength of family and the power of sisterhood to remake their lives and reimagine their dreams.
Christmas won’t be Christmas without any presents.
And a Little Women retelling wouldn’t be nearly as convincing if it didn’t start with that memorable opening line!
Dangle a Little Women retelling in front of me, and naturally I’m going to read it. And while Meg & Jo has been on my TBR for a while now, I finally got the motivation to dive in thanks to my book group, since this is our February pick.
In Meg & Jo, the March sisters are all grown up and living their own lives. Meg has settled into married life with her husband John and their adorable two-year-old twins, staying put in the family home town in North Carolina. Jo moved to New York years back to pursue a journalism career, but after being laid off from her newspaper job, she’s working as a prep cook at a fancy restaurant while secretly writing a food blog. Beth is in school studying music, and Amy has an internship in the fashion world.
Meg & Jo is narrated in alternating chapters by (obviously) Meg and Jo, and it’s their stories that are the focus of this book. (Beth and Amy are still there, mostly in the background and in their occasional appearances as they visit home, but they’re not POV characters in this book.)
As the book progresses, we learn that neither Meg nor Jo is truly leading their best lives. Meg is a stay-at-home mom, and her husband gave up his teaching and coaching job to work at a car dealership so he could better support their growing family once they found out Meg was pregnant. Neither one is entirely happy. Sure, they love each other and their children, but Meg pressures herself to do it all as payback for John working so hard, not realizing how she’s shutting him out and denying him the opportunity to be a true partner. Meanwhile, John is working at a job that means nothing to him, and can’t bring himself to talk to Meg about it. The communication problems between Meg and John are the central challenge they face.
As for Jo, her blog is doing well, but she’s frustrated. She likes working in the restaurant, but it’s not exactly advancing her writing career. As the story progresses, she falls into a romantic relationship with Eric, the renowned chef and owner of the restaurant, but secrets and a lack of clear intention seem to doom the romance before it can really bloom.
Complicating Meg and Jo’s separate lives further is family drama back home. The March parents live on the farm passed down through Abby’s (Marmee’s) side of the family. Abby runs the farm and the home herself, while her husband Ashton seems to devote all his time to his calling, serving as chaplain and counselor to military vets. When Abby becomes injured, her farm duties fall to Meg — and once Meg takes over, she starts to realize the precariousness of the farm’s future.
As the sisters return home for their mother’s recuperation and for the holidays, they come together to support and love one another. Secrets are revealed, there are plenty of surprises, and ultimately, there are promises of future happiness for Meg and Jo.
So… did I enjoy Meg & Jo? Yes, for sure! It took some getting used to, but seeing the March family transplanted into modern-day lives was quite fun and for the most part, really engaging. I did want to give Meg a good shake from time to time — it was so obvious to me that her attempts to take the household burdens off of John were actually alienating him. The book does a good job of showing how she was modeling her approach to doing it all on what she saw in her own parents’ marriage and internalized as the way things should work, and I was actually proud of Meg when she finally started to understand that accepting John as a true partner was the key to their future happiness.
Jo could be pretty clueless about certain things, and OF COURSE keeping her blog a secret was going to come back to bite her. I had a hard time believing some of the fallout, good and bad, once her secret came out. I did like her relationship with Eric, although I would have liked to see it given a little more time to grow before the big blow-up.
Beth and Amy seem to be basically true to their Little Women depictions, although (150-year-old spoiler alert!) Beth is alive and well in Meg & Jo! I held my breath for about half the book, waiting for her to develop a horrible illness, but thankfully, the book didn’t go there. Beth is gentle and sweet, very shy, and is committed to her musical career. Amy is spoiled, flighty, and impulsive, just as you’d expect.
One of my favorite parts of the book is Amy calling Jo out on trying to put them all into boxes, reminding Jo that in real life, people aren’t just one thing. I loved that their argument started over Pride and Prejudice – Jo sees Meg as Jane, and herself as Lizzie — but what roles does that leave for Beth and Amy? Amy rightfully resents that Jo can’t see her as anything but the pampered, entitled child she once knew. I loved the coming to terms that starts to occur between the sisters.
Another big difference between Little Women and Meg & Jo is how the March parents are depicted, especially the father. In Little Women, Mr. March is largely absent, off in the war and doing God’s work. They miss him terribly, but know he’s following an important path and never seem to resent him. In Meg & Jo, Mr. March comes off as kind of a jerk, at least when it comes to being a husband and father. Yes, he has a calling to tend to the men and women who are suffering after giving so much to their country — but he absolutely neglects his family in order to do so, leaving his wife and children to manage on their own and taking no responsibility for their financial or physical well-being.
Meg & Jo is a little longer than it needs to be, and some interludes at the restaurant and on the farm could have been tightened up a bit. I’m glad I listened to the audiobook rather than reading a print copy, since that helped me feel less like the story was dragging (and I could listen at a faster speed when it was!) The audiobook has different narrators for Meg and Jo, but honestly, their voices are very similar, so if I picked up in the middle of a chapter, it wasn’t obvious from the narrator whose chapter I was on.
As a Little Women fan, I was happy to experience Meg & Jo and see the author’s vision of a modern-day March family. While the story is a little light-weight at times, I enjoyed the characters and their challenges, and it was amusing to see how their 19th century lives could be translated to the 21st century. A follow-up, Beth & Amy, is due out this spring, and I will definitely be reading it!
Tired of the hero’s journey? Frustrated that funny, romantic, and comforting stories aren’t taken seriously? Sad that the books and movies you love never seem to be critically acclaimed, even when they sell like crazy?
The heroine’s journey is here to help.
Multiple New York Times bestselling author Gail Carriger presents a clear concise analysis of the heroine’s journey, how it differs from the hero’s journey, and how you can use it to improve your writing and your life.
In this book you’ll learn:
* How to spot the heroine’s journey in popular books, movies, and the world around you. * The source myths and basic characters, tropes, and archetypes of this narrative. * A step-by-step break down of how to successfully write this journey.
What do Agatha Christie, JK Rowling, and Nora Roberts all have in common? They all write the heroine’s journey. Read this book to learn all about it.
From Harry Potter to Twilight, from Wonder Woman to Star Wars, you’ll never look at pop culture the same way again.
I’m not a writer… so why am I reading a book about writing? Because it’s by Gail Carriger, that’s why!
Gail Carriger is a favorite writer, and her books own prime shelf real estate in my personal library. I adore her characters, her plots, her world-building, her dialogue, and her silliness. (She’s also unfailingly welcoming and warm at book signings, which can’t be easy…)
In any case — after reading about The Heroine’s Journey through Gail’s social media and newsletters, I was intrigued enough to want to check it out. Lo and behold, it was a fascinating read, even for a non-writer like me!
In The Heroine’s Journey, Gail explains in details how a Heroine’s Journey differs from the much better-known Hero’s Journey. Surprise #1 — the heroine of a Heroine’s Journey does not have to be female! The concept of the hero and heroine, at least as Gail explains, has much more to do with the types of journeys they’re on, the obstacles they encounter, the resources they use, and their ultimate goal, than with a definition based on gender identification.
Through the use of literary and pop culture references, Gail clearly identifies the key elements of a Heroine’s Journey, and explains the tropes, characters, and beats that provide the journey’s framework. She also provides excellent examples of different techniques to use to bring characters to life, get readers involved, and provide a satisfactory payoff for devoted readers.
As an avid reader, and someone who loves genre fiction of all sorts, I found this book so interesting! It really helped me understand why certain types of stories and plots resonate, and taught me a lot about structure and underlying themes as part of understanding a writer’s craft and accomplishments.
And as for the geek in me, I adored the fact that she used Harry Potter throughout the book to explain different facets of the Heroine’s Journey. It’s fine to provide a writerly explanation of different points, but the examples are what really brought the points to life for me.
The Heroine’s Journey is a great read for anyone who enjoys learning about the craft behind the stories we love. I’ll be pushing this book into the hands of a few writer friends of mine too!
Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.
Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.
Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!
Title: Lost Boy: The True Story of Captain Hook Author: Christina Henry Published: 2017 Length: 292 pages
What it’s about (synopsis via Goodreads):
From the national bestselling author of Alice comes a familiar story with a dark hook—a tale about Peter Pan and the friend who became his nemesis, a nemesis who may not be the blackhearted villain Peter says he is…
There is one version of my story that everyone knows. And then there is the truth. This is how it happened. How I went from being Peter Pan’s first—and favorite—lost boy to his greatest enemy.
Peter brought me to his island because there were no rules and no grownups to make us mind. He brought boys from the Other Place to join in the fun, but Peter’s idea of fun is sharper than a pirate’s sword. Because it’s never been all fun and games on the island. Our neighbors are pirates and monsters. Our toys are knife and stick and rock—the kinds of playthings that bite.
Peter promised we would all be young and happy forever. Peter lies.
How and when I got it:
I bought a copy via Book Depository about a year ago.
Why I want to read it:
I’ve read three books by Christina Henry so far. My first was The Girl in Red (a re-telling of Little Red Riding Hood), which I loved. Then I read The Mermaid, and I loved that too. I immediately ordered a few earlier books, including Alice and Lost Boy.
Unfortunately, I lost a bit of steam after reading Alice, which I didn’t enjoy. The story was too messy and violent for my taste, but I think one obstacle to my enjoyment is that I’ve just never gotten into Alice in Wonderland stories (and there are lots of retellings out there). And if you don’t enjoy the original story story, how can you enjoy a remix?
This is why I’ve been a bit hesitant about reading Lost Boy. I’m just not a bit fan of Peter Pan, and I’ve picked up and then put down a couple of retellings over the years too. Still, I know I’ve really liked the author’s writing and approach to storytelling in other books — and I do like the idea of telling the Peter Pan story through Captain Hook’s perspective.
What do you think? Have you read this book? Would you want to?
And how do you feel about Peter Pan stories in general?
Title: The Future Is Yours Author: Dan Frey Publisher: Del Rey Books Publication date: February 9, 2021 Length: 400 pages Genre: Science fiction Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐
Rating: 4 out of 5.
Two best friends create a computer that can predict the future. But what they can’t predict is how it will tear their friendship—and society—apart.
If you had the chance to look one year into the future, would you?
For Ben Boyce and Adhi Chaudry, the answer is unequivocally yes. And they’re betting everything that you’ll say yes, too. Welcome to The Future: a computer that connects to the internet one year from now, so you can see who you’ll be dating, where you’ll be working, even whether or not you’ll be alive in the year to come. By forming a startup to deliver this revolutionary technology to the world, Ben and Adhi have made their wildest, most impossible dream a reality. Once Silicon Valley outsiders, they’re now its hottest commodity.
The device can predict everything perfectly—from stock market spikes and sports scores to political scandals and corporate takeovers—allowing them to chase down success and fame while staying one step ahead of the competition. But the future their device foretells is not the bright one they imagined.
Ambition. Greed. Jealousy. And, perhaps, an apocalypse. The question is . . . can they stop it?
Told through emails, texts, transcripts, and blog posts, this bleeding-edge tech thriller chronicles the costs of innovation and asks how far you’d go to protect the ones you love—even from themselves.
If I had the technology of this book back in February 2020, then I could have found out a year ago that I would end up reading The Future Is Yours this week — compulsively, start to finish, taking a break just for the bare necessities. (And work. Because work waits for no woman. Or book. But I digress.)
The Future Is Yours is just so freakin’ cool. Two friends, former college roommates now stuck in the workworld grind, invent a technology that can change the world. Ben is charming, charismatic, and dreams of success. Adhi is brilliant, introverted, and not particularly socially adept. Adhi leaves Stanford before finishing his Ph.D. in Computer Science, frustrated that the dissertation advisors can’t see the possibilities of his complex thoughts on quantum entanglement.
But Ben gets it — sure, maybe he doesn’t get the physics, but he gets the potential, and convinces Adhi that they can make his dream a reality. The dream is seeing the future, using quantum entanglement (no, don’t ask me to explain) to create a connection between a computer in the present and itself in the future, so that someone using the device will be able to access the Internet for information that hasn’t happened yet.
Armed with a dream, Ben and Adhi set out to take Silicon Valley by storm. And while they get laughed out of plenty of rooms, they finally find a VC investor who’s willing to bet on them. From nobodies, they’re suddenly at the helm of The Future, a company that’s getting billion-dollar buyout offers from the likes of Google.
One of the basic principles of The Future is that the future it sees, one year forward, can’t be changed. Everything is connected, everything is already determined. This of course opens up all sorts of debates about free will and human nature, and also leads to The Future’s first scandal — a prototype user who takes his own life after reading about his future death. But did The Future simply report on inevitable events, or did it somehow cause what happened?
Told through memos, emails, texts, hearing transcripts, and other written communications, The Future Is Yours takes us on a journey through Adhi and Ben’s friendship and the crazy trajectory of their company. The deeper they get into The Future, the darker their lives become, and their friendship and closest relationships are all on the line… and if certain dire predictions turn out to be true, the future of human life might be at risk too.
This book is one crazy ride. At first, it feels like putting together a puzzle with pieces missing. We jump straight into Congressional hearings, then go back to Ben and Adhi’s college days, moving forward with the story while also seeing how such an incredibly messed-up situation came into being.
Through their texts and emails, we get to know Adhi and Ben’s personalities, their values, and how they view life, and see how very different they are. Adhi won my heart by virtue of a being a closet pop culture geek, making references to everything from Star Trek to Doctor Who to Twilight (yes, really). Quite awesome.
As I said at the start of this review, I just couldn’t put The Future Is Yours down. It’s fast-paced, exciting, weird, and challenging, not to mention funny and just a wee bit scary in a cautionary tale kind of way. I didn’t really know what to expect when I picked it up — and I think that was a big piece of the fun. A great read for when you want to get away from the real world for a while.