Audiobook Review: Margo’s Got Money Troubles by Rufi Thorpe

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Margo’s Got Money Troubles
Author: Rufi Thorpe
Narrator: Elle Fanning
Publisher: William Morrow
Publication date: June 11, 2024
Print length: 304 pages
Audio length: 10 hours 21 minutes
Genre: Contemporary fiction
Source: Library
Rating:

A bold, laugh-out-loud funny, and heartwarming story about one young woman’s attempt to navigate adulthood, new motherhood, and her meager bank account in our increasingly online world—from the PEN/Faulkner finalist and critically acclaimed author of The Knockout Queen.

As the child of a Hooters waitress and an ex-pro wrestler, Margo Millet’s always known she’d have to make it on her own. So she enrolls at her local junior college, even though she can’t imagine how she’ll ever make a living. She’s still figuring things out and never planned to have an affair with her English professor—and while the affair is brief, it isn’t brief enough to keep her from getting pregnant. Despite everyone’s advice, she decides to keep the baby, mostly out of naiveté and a yearning for something bigger.

Now, at twenty, Margo is alone with an infant, unemployed, and on the verge of eviction. She needs a cash infusion—fast. When her estranged father, Jinx, shows up on her doorstep and asks to move in with her, she agrees in exchange for help with childcare. Then Margo begins to form a plan: she’ll start an OnlyFans as an experiment, and soon finds herself adapting some of Jinx’s advice from the world of wrestling. Like how to craft a compelling character and make your audience fall in love with you. Before she knows it, she’s turned it into a runaway success. Could this be the answer to all of Margo’s problems, or does internet fame come with too high a price?

Blisteringly funny and filled with sharp insight, Margo’s Got Money Troubles is a tender tale starring an endearing young heroine who’s struggling to wrest money and power from a world that has little interest in giving it to her. It’s a playful and honest examination of the art of storytelling and controlling your own narrative, and an empowering portrait of coming into your own, both online and off.

When Margo’s Got Money Troubles came out in 2024, I was sure it wasn’t a book for me, despite the buzz I kept seeing. A book about someone starting an OnlyFans account? Nope, no thanks.

But… when the AppleTV adaptation (starring Elle Fanning, who narrates this audiobook) was released a few weeks ago, the reviews were unvaryingly positive — and once I started paying attention, I realized there might be much more to this story than I thought.

So, I borrowed the audiobook from the library, got started… and was immediately captivating by Margo’s narrative voice and the overall excellent storytelling.

Margo’s Got Money Troubles is about a 19-year-old trying to figure things out, without much in the way of parental or other support. A college freshman with a flare for writing, Margo supports herself through waitressing and lives with three roommates in order to make rent. When her (married) English professor takes an interest, Margo falls into a brief affair with him — and when she discovers that she’s pregnant, he tells her to get an abortion and then basically cuts her out of his life completely.

Despite not being at all prepared to become a mother, Margo can’t bring herself to end the pregnancy. Her mother Shyanne is no help whatsoever, being an entirely self-centered woman who sees Margo as an accessory rather than a person separate from herself. Margo’s father Jinx is a former pro wrestler and manager, hugely famous in the wrestling world, who’s always been a guest in Margo’s life, showing up here and there but clearly focused on his “real” family.

Once the baby is born, Margo’s money troubles really hit. Her roommates are furious about the noise a baby makes — they have midterms to study for! She’s fired after leaving a shift due to a baby emergency, and really can’t afford childcare without spending all the money meant for rent. When Jinx shows up needing a place to stay, it’s perfect timing, since two of the roommates have left in a huff. Jinx’s splitting the rent isn’t a long-term solution, but Margo appreciates his help and companionship. One night, watching a wrestling match together, he casually mentions that a particular woman wrestler has struck it rich via OnlyFans… and Margo has to know more.

Let me pause here to say that while the plot may sound somewhat tawdry, it’s anything but — and the key is Margo herself. Funny and smart, Margo tells her story with humor and with a narrative flare.

The sadness from the morning didn’t exactly go away; it dried on me and slowly crumbled, leaving me covered in little flakes, like if you eat a glazed donut in a black shirt.

She alternates between first person and third person throughout the book, which initially feels like an odd choice, but gives Margo room to tell both a straightforward account of her life and a story with a more fanciful feel.

As Margo describes her investigation of OnlyFans and how she might use it as a source of income, it’s clear that her creative spark, once nurtured through her writing classes, has found a new source of inspiration. Margo is curious about what makes someone stand out, and what makes subscribers keep coming back. It’s Jinx who’s able to supply some critical advice. Drawing from his wresting career, they discuss “faces” versus “heels” (hero characters and villain characters), how to draw attention, and what keeps a crowd interested and engaged. Margo isn’t interested in just posting nudes for a few dollars; she wants to know how to succeed online, and engages in some incredibly creative research and outreach to figure it all out.

Margo never would have guessed she loved money this much. In fact, in the movies and TV shows and books she’d read, you could tell if a character was the bad guy by how much he cared about money. And since she wanted to be good, she’d always been careful not to care too much about money. Now she wondered if all those Disney movies were merely propaganda to keep poor people content with their lot.

Meanwhile, her struggles with her mother, and the return of her baby’s father (with a potential custody battle) create tension in her personal life, especially when she starts to achieve the type of viral success she’d hoped for. And I must point out: Margo is a terrific mother. She may struggle financially, have some odd people in her life, and does something very unconventional as her job — but she loves little Bodhi and is a gem when it comes to caring for him and providing him with safety and showers of affection.

Elle Fanning’s narration is fabulous. Her voice for Margo is full of the character’s spirit; the humor and intelligence come through even when Margo is going through some of her worst challenges. I didn’t want to stop listening!

Margo’s Got Money Troubles is highly engaging and entertaining, and it also has a lot to say about reputation, finding one’s own way, and non-conventional families. Margo’s solution to her money troubles certainly isn’t for everyone — but it’s incredibly fun and even inspiring to see her figure out a way to be creative and support her baby through sheer willpower and a kooky sort of talent.

Highly recommended (and do check out the audiobook version if you can).

I’m hoping to start the TV adaptation this week — can’t wait to see how it compares!

Purchase links: Amazon – Audible – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

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25Apr2026

Book Review: Yesteryear by Caro Claire Burke

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Yesteryear
Author: Caro Claire Burke
Publisher: Knopf
Publication date: April 7, 2026
Length: 400 pages
Genre: Contemporary fiction
Source: Library
Rating:

My name was Natalie Heller Mills, and I was perfect at being alive.

Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it.

Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible.

A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

The premise sounds like a perfect reality TV show, in a way: Take a tradwife influencer and make her actually live on a homestead. No running water, no appliances, no fresh veggies except what she can grow herself. Make bread for the family every day… without an electric stove or perfect kitchen tools or curated ingredients. And do it all again, day in, day out. How many would last more than a day? A week?

In Yesteryear, this is exactly the set-up… sort of. Natalie is a perfect wife and perfect mother, raising her adorable brood of adorable children with good old-fashioned family values, with a devoted husband to protect them all and care for the farm while she prepares wholesome food and homeschools her little ones. She’s devout, she’s pretty, she’s hard-working… and she’s an influencer with millions of followers. So yes, she makes a small fortune from the products her fans buy, and she’s adored and hated probably in equal measure — but loved or hated, that’s attention, and that means money and fame.

Until it doesn’t. Because one day, Natalie wakes up cold, under a rough quilt rather than the high quality linens she’s used to, and the children in her kitchen aren’t really her children. Instead of a rustic-looking but actually highly polished home, her house is truly rustic, with gaps in the boards, heat from a wood-burning hearth, and no modern conveniences whatsoever. Is this a trick? Is she being secretly filmed? Has she teleported back in time? All Natalie knows is that something is very, very wrong, and she’s powerless to change it or to escape.

As Yesteryear moves forward, we follow several timelines. We seeing Natalie’s history from childhood to college, where she disdained her classmates and dropped out to marry a seemingly perfect man, to their complicated early years of marriage, and finally, to their life at Yesteryear Ranch and her growing internet fame. We also see Natalie’s panic when, pregnant with her sixth child and experiencing huge success, her carefully constructed world starts to crumble around her. And mixed in with all this, we see Natalie’s awakening in the ranch of 1855, experiencing displacement, confusion, and sheer panic as she tries to figure out what’s been done to her and how she can get back to her real life.

Lest you have the impression that Natalie is a hero or a good person, let me assure you: She is not. In every age and stage, Natalie — who professes to be a good, Christian, God-fearing woman — is full of spite, scorn, and even hatred for the people around her. She judges everyone and finds them lacking, and sees herself as the epitome of everything a woman should be.

And who was I? A flawless Christian woman. The manic pixie American dream girl of this nation’s deepest, darkest fantasies. The mother every woman wanted to be, and the wife every man wanted to come home to. Like a nun in a porno, it didn’t make sense, but also, by God: it worked. My name is Natalie Heller Mills, and I was perfect at being alive.

As Natalie’s world unravels, readers may struggle to feel any sympathy for her at all. The world she’s built is so blatantly false, existing only while the cameras roll. Modern conveniences, nannies, farmhands — all are hidden behind false fronts, so that her perfect prairie life appears on screens as a shining example of virtuous, healthy, wholesome family living. It’s all a bit sickening… but even Natalie is aware that she exists as both Online Natalie and Offline Natalie, and it’s only when the two converge that things really go south.

Yesteryear is a strange book in so many ways. It’s truly dismal for much of it. I have no idea why the synopsis calls this book darkly funny; I couldn’t find anything to laugh at. Well, okay, that’s not entirely true: Natalie’s self-serving statements and prayers really did make me stifle a snort at times:

Thank you for watching over the farm animals, Lord, and thank you for helping us pass five million on Instagram this week.

And yet, Natalie is just so awful that there isn’t truly much in the way of enjoyment in reading about her rise and fall and the startling transposition to a 19th century farmhouse. She’s certainly not sympathetic in any way. There’s a weird fascination to it all, as readers are forced to piece together the truth of what’s going on from hints and clues. It takes a very long time for any of it to make sense. I will say that the author manages to pull it all together in an ending that answers all the questions posed along the way, although I didn’t necessarily think the actual events and explanations were believable.

I picked up Yesteryear after seeing the book start gaining buzz once it was selected as the April pick for Good Morning America’s book club, and after winning two hardcover copies for my Little Free Library (which got snapped up in the blink of an eye). Luckily, I was able to get a copy from the library to read myself without too long a wait.

I’m not sorry that I read Yesteryear — but I also didn’t find it as compelling or deep as the buzz might have us believe. Until close to the end, I probably would have given this book less than a 3-star rating… but I did admire the author’s sleight of hand in coming up with an ending that (more or less) works, so long as you can apply a hefty dose of suspending disbelief.

I’d be curious to hear other people’s thoughts on Yesteryear: Timely story about today’s society, influencer culture, the rot beneath the family values/tradwife hype, a rant against anti-feminism? Or a muddled book that seems to want to be saying more than it actually is?

Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

22Apr2026

Book Review: Mad Mabel by Sally Hepworth

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Mad Mabel
Author: Sally Hepworth
Publisher: St. Martin’s Press
Publication date: April 21, 2026
Length: 348 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley (also won a copy in a Goodreads giveaway)
Rating:

From New York Times bestselling author Sally Hepworth comes a twisty tale of justice, redemption, and one irrepressible woman who’s not done breaking the rules just yet.

Meet Elsie Mabel Fitzpatrick: eighty-one years old, gloriously grumpy, fiercely independent, and never without a hot cup of tea—or a cutting remark. She minds her own business in her quiet Melbourne suburb, until a neighbor turns up dead and the whispers start flying.

Because Elsie hasn’t always been Elsie. Once upon a headline, she was Mad Mabel Waller—Australia’s youngest convicted murderer. But was she really mad, or just misunderstood? Either way, she’s kept her secret buried for decades.

Enter seven-year-old Persephone, a relentless little chatterbox who has just moved in across the road (armed with stickers, questions, and no sense of personal boundaries); Joan, who appears to have it in for Elsie; and a healthy dose of public interest—the cops are sniffing around, and the media is circling like seagulls at a picnic.

So Mabel does what she’s always done best—she takes matters into her own hands.

Is she a cantankerous old lady with a shady past? A cold-blooded killer with arthritis? Or just someone who’s finally ready to tell her side of the story?

Sharp, surprising, and wickedly funny, this is the unforgettable story of a woman who’s spent a lifetime being underestimated—and is about to prove everyone wrong. Again.

What a dark, twisted delight it is to have a new book by Sally Hepworth to read! To read? Maybe I should say to devour. I could not put this book down once I started.

As Mad Mabel opens, we meet grouchy 81-year-old Elsie, who lives on Kenny Lane, a quiet Melbourne street close enough to a seedier part of town to have to deal with the occasional miscreants who stumble through. Still, it’s mostly a predictable life, as Elsie spends time with her best friend Daphne, feuds with her neighbor over his yappy dog, and exchanges nasty little notes with the nosy woman across the street. When 7-year-old Persephone decides that Elsie is her new best friend, despite Elsie’s clear resistance, the door is opened to chaos.

First, the dog-owner next door dies and Elsie finds the body. Next, the nosy neighbor lets it be known that she knows the truth about Elsie’s past. Soon, the police want to talk to Elsie about the body, and packs of reporters are staking out her house. Elsie, it turns out, is Mad Mabel, the youngest convicted murderer in Australian history. Has Mad Mabel struck again?

When a pair of persistent podcasters show up on her doorstep, Elsie decides to finally tell her story. After all, she’s 81 years old! What does she have to lose?

The story Elsie tells is dark and tragic, as the truth about her family and her alleged crimes is revealed. The stories of the murders she was rumored to be responsible for as well as the murder for which she was convicted are shared over the course of her interviews with the podcasters, which we see doled out in small doses in “then” chapters interspersed throughout the book. The story of Mabel’s childhood and early teens is shocking and heartbreaking, and we’re fully on Mabel’s side long before the more sordid events come to pass.

The flashback chapters are fascinating; it was jarring to be forced to return to the “now” chapters. And yet, Elsie’s “now” story is also terrific, with much more humor as well as some rising tension. I couldn’t help but laugh at Persephone’s persistence and Elsie’s utter inability to drive her away. Elsie reveals a tender, nurturing heart underneath the cranky exterior as it becomes clear that she does, in fact, care about her neighbors, that they care about her, and that’s she’s more than willing to take action to protect those who need it.

Elsie is a fabulous character, and her story held me tight from start to finish. The balance of now and then is masterfully managed, with just enough revealed chapter by chapter to keep readers on the edge of their seats. I had plenty of guesses about where the story was going — and while some may have been in the general ballpark, I was delighted by just how many twists and surprises the book had in store for me.

Mad Mabel ranks right up at the top of my list of favorite Sally Hepworth books, along with The Good Sister and The Things We Keep — although you really can’t go wrong with any of her books. I have just one of her books yet to read, The Secrets of Midwives (2015), and I’m going to make it a priority to finally pick it up this year.

Mad Mabel is a compelling story that will keep you hooked. Highly recommended — don’t miss it!

*Australia edition – which cover do you prefer?*

Interested in this author? Check out my reviews:
The Things We Keep by Sally Hepworth
The Mother’s Promise by Sally Hepworth
The Family Next Door by Sally Hepworth
The Mother-In-Law by Sally Hepworth
The Good Sister by Sally Hepworth
The Younger Wife by Sally Hepworth
The Soulmate by Sally Hepworth
Darling Girls by Sally Hepworth

19Apr2026

Audiobook Review: The Name Game by Beth O’Leary

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Name Game
Author: Beth O’Leary
Narrator: Harriet Cains and Arty Froushan
Publisher: Berkley
Publication date: April 7, 2026
Print length: 379 pages
Audio length: 10 hours 55 minutes
Genre: Contemporary romance
Source: Audible (eARC via NetGalley)
Rating:

A man and a woman with the same name are looking for a fresh start only to discover they have landed the same job in this charming new romance by bestselling author Beth O’Leary.

Charlie couldn’t be happier to take the job of farm-shop manager on the remote, wild Isle of Ormer. She’s grieving, a little lost, and in desperate need of a fresh start.

Jones has come out of a difficult breakup and is looking forward to some peace away from the noise of his city life. Moving to Ormer couldn’t have come at a better time.

But when Charlie Jones and, ahem, Charlie Jones both turn up at Ormer’s one and only farm shop, claiming to have been offered the role of manager, everyone is baffled. How could this have happened? And just who is the real Charlie Jones?

In The Name Game, a seemingly simple mix-up leads to a wild mix of truths, deceptions, accidental discoveries, and found community, all set on a small island in the English Channel that’s known for its farms, wild donkeys, natural beauty, and isolation.

When Charlie Jones and Charlie Jones both turn up for the job of shop manager at Bramblebay Farm on the Isle of Ormer, the farm owners, married couple Rosie and Marley, are perplexed. Yes, they sent a job offer to Charlie Jones — but having conducted the entire process via letters, they have no idea which is the intended Charlie. She (Charlie) is a bubbly woman who seems unprepared for island life; he (Charlie, but prefers to be called Jones) is a bit more taciturn but seems solid enough. There’s only one job, and only one accommodation available. The obvious solution? They’ll need to share — the job and the lodgings — until they can figure out which one is actually right for the job and for the island.

As Charlie and Jones settle in, the mystery of which one the job offer was intended for remains murky, but as both prove they’re capable, a solution of sorts is offered: If they can get the shop to be profitable enough to support co-managers by the time the fall harvest festival rolls around, they can both stay.

At first rivals, Charlie and Jones eventually warm up enough to get past resentment and hostility and achieve the start of a friendship. Forced proximity, grumpy-sunshine tropes anyone? The islanders are a mixed group, with everything run by committee, and the most resistant of all is a super ornery store employee and long-time Ormer resident who seems determined to undermine everything Charlie and Jones set out to do.

As the story progresses, we get flashback chapters showing earlier moments in Charlie and Jones’s lives, explaining the pain and secrets each has brought with them to Ormer and shedding a bit of light on why and how they’ve both arrived at this moment.

I must be honest and say that until somewhere a bit past the midpoint of this book, I would have given The Name Game a 3-star rating at best. Nothing much happens. There are the expected fish-out-of-water moments — such as dealing with an errant pig and getting stuck on a hike after a change in tides — showing how little these people (especially Charlie) are suited for the life they seem to be pursuing. But of course, they settle in, begin to make connections with the islanders, and make a positive difference in the life of the community.

Just when my impatience was really reaching a boiling point, things turn around. Without entering spoiler territory, I can’t say why… but the last third or so of the book kept me pretty enthralled and made the reading experience — even the less interesting parts — worth it in the end.

One aspect I found myself more than a little annoyed by is the characters’ approach to wellness and mental health. While on Ormer, and with prodding from Jones, Charlie acknowledges to herself that she has anxiety. Although she asks the local doctor a question about it, she never seeks treatment, and instead finds ways to self-heal and get to a place where she can manage the anxiety when it spikes. Jones, meanwhile, is an alcoholic whose arrival on Ormer marks day one of sobriety. Like Charlie, he seeks no professional help and does not participate in meetings or counseling, choosing to manage his addiction through his own powers of self-healing and control. Both of these situations disturbed me. It’s nice to think that people could address issues of anxiety or addiction on their own, but a healthier version might have shown them seeking actual help.

I listened to the audiobook of The Name Game, and enjoyed the dual narrators, who alternate as the POV changes between Charlie and Jones. I will say, though, that the story complications late in the book can be a bit challenging to follow via audio — listeners may want to keep a print edition handy as backup!

I’ve loved some of Beth O’Leary’s books more than others, and have found my opinions of some changing once I have more time to think and digest. For example, I was surprised to look back and discover that I gave her previous book, Swept Away, four stars! In retrospect, I have a LOT of issues with the plot, but I suppose in the moment, I was caught up in the story enough to go high on the rating. Regardless, I had to chuckle while listening to The Name Game and coming across this line, which just has to be a wink at the previous book:

“Being stranded together in the sea sounds romantic but is actually just quite inconvenient, surely?”

Overall, my early frustration with the story was redeemed by the fun of the confusion and resolution closer to the end. I wouldn’t say this is the best of Beth O’Leary’s books, but it’s a good one! Be patient with it, and you’ll get to a good payoff. Silliness mixed with more serious emotional moments and a highly unusual and quirky setup make The Name Game an entertaining read/listen.

For more by Beth O’Leary:
The Road Trip
The Flatshare
The Switch
The No-Show
The Wake-Up Call
Swept Away

18Apr2026

Book Review: Cherry Baby by Rainbow Rowell

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Cherry Baby
Author: Rainbow Rowell
Publisher: William Morrow
Publication date: April 14, 2026
Length: 416 pages
Genre: Contemporary fiction / romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Everybody knows that Cherry’s husband, Tom, is in Hollywood making a movie . . .

Almost nobody knows that he isn’t coming home.

Tom is the creator of Thursday—a semi-autobiographical webcomic that’s become an international phenomenon.

Semi-autobiographical. That means there’s a character in this movie based on Cherry . . . “Baby.”

Wide-hipped, heavy-chested, double-chinned Baby.

Cherry never wanted this. No fat girl wants to see herself caricatured on the page—let alone on the big screen. But there’s no getting away from it. Baby looks so much like Cherry that strangers recognize her at the grocery store.

While her soon-to-be ex-husband is in Los Angeles getting rich and famous and being the internet’s latest boyfriend, Cherry is stuck in Omaha taking care of the dog he always wanted and the house they were going to raise a family in . . . and wondering who she’s supposed to be without him.

Cherry had promised to love Tom through thick and thin.

She’d meant it.

One night, Cherry decides to leave all her problems, including Tom’s overgrown puppy, at home. She ventures out to see her favorite band play her favorite album . . . and someone recognizes her from across the room.

Russ Sutton knew Cherry when she was a young art student with a fondness for pin-up dresses and patent leather heels. Before Tom.

Russ knows Cherry. He likes Cherry.

And best of all . . . he’s never heard of Thursday.

Tender, funny, and utterly human, Cherry Baby is Rainbow Rowell’s richest, most surprising—sexiest—novel yet.

Cherry Baby is a beautiful depiction of the stages of love — beginnings and endings, and all the messy stuff in between. Main character Cherry is a delight — the middle of five sisters from a devout yet raucous family, Cherry knows she’s gorgeous, accepts that she’ll always be fat, and knows she deserves to be happy… although getting there seems almost impossible.

As Cherry Baby opens, Cherry lives alone in the Omaha home she once shared with her husband Tom. Well, alone except for their outrageously large dog Stevie (as in Stevie Nicks), who really was Tom’s dog before he headed to LA and left Cherry to deal with the aftermath. Cherry and Tom met as art students, and while she went on to have a successful career in marketing, he unexpectedly found fame and fortune when Thursday, the webcomic he’d created as his own little creative outlet, suddenly became a huge sensation.

And now, Cherry is alone, because Tom left for Hollywood to work on the movie version of Thursday and never came back. Making matters worse all these months later is that the trailer for Thursday has dropped, and once again, Tom’s version of Cherry, via the character Baby, is everywhere. Cherry can’t avoid the exaggeratedly fat depiction of herself that apparently shows how Tom truly sees her.

When Cherry decides to treat herself to a night out listening to a favorite nostalgia band, she runs into someone she once had a crush on during college, and learns that he had a crush on her as well. As they begin to date, Cherry wonders if she has a new chance at happiness. But then Tom comes back to Omaha to pack up his belongings, and the more time he spends at their house, working with Cherry to dismantle the physical remnants of their lives together, the more their unfinished business looms over them both.

There’s a beauty in seeing the past and present unfold through the chapters of this book. We’re firmly rooted in Cherry’s present, as she deals with the men in her life and struggles to hold onto her sense of self — yet we also see flashbacks to the start of Tom and Cherry’s love story, from their first meeting through their early relationship and into the years of their marriage. It’s not sugar-coated, and yet it’s incredibly touching. Rainbow Rowell’s depiction of marriage is gritty and real. Love is wonderful, but it doesn’t fix everything, and we see time and again all the ways in which Tom and Cherry get derailed from the life they thought they were working toward.

Cherry Baby surprised me in all sorts of ways. Based on the synopsis, I expected a certain basic story arc, but in fact, that’s not what the book ended up being at all… and honestly, I loved it. I think Cherry Baby is best experienced without a lot of foreknowledge — not because there are dramatic reveals or shocking plot twists, but because its focus on people figuring things out is just such a powerful journey.

Cherry is a fantastic, funny, complex character, and I loved seeing all the ways in which she believes in herself, and all the ways in which doubt and pain creep in. She’s realistic and strong and vulnerable, and an utter delight.

A minor quibble for me is the overly graphic sex scenes — which, on the one hand, show the intricate levels of intimacy involved and also illustrate Cherry’s ease/discomfort dynamic with her own body… yet on the other hand, I think the point could have been made even without the close-up-and-personal details. Then again, I recognize that each reader has their own preferences when it comes to spicy scenes — your mileage may vary.

I can’t say I’ve ever been disappointed by a Rainbow Rowell book, and Cherry Baby is no exception. The banter between Cherry and her sisters is absolutely delicious, and even the more serious scenes include clever quips and dialogue. At the same time, this book is a heartfelt look at love and trust and commitment, and includes a powerful mix of heartbreak and joy. Highly recommended.

11Apr2026

Audiobook Review: Just Kiss Already by Lily Chu

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Just Kiss Already
Author: Lily Chu
Narrators: Phillipa Soo & Simu Liu
Publisher: Audible Originals
Publication date: March 12, 2026
Print length: n/a
Audio length: 9 hours 30 minutes
Genre: Contemporary fiction
Source: Audible download
Rating:

Enemies. Coworkers. Accidental Icons.

Dr. Ben Song likes his life orderly, predictable, and blissfully private. By day, he’s a forensic anthropologist running a controversial research project. By night, he’s the anonymous author of a bestselling cozy mystery series. What he absolutely doesn’t need? One viral moment turning him into the internet’s new favorite grumpy heartthrob.

Lauren Wei has built her career in the spotlight—and paid for it. A former teen star turned serious filmmaker, she’s determined to prove she’s more than her past persona. With her first feature film about to premiere and a press tour that could make or break her future, she can’t afford distractions. Especially not the brilliant, infuriating author whose book she adapted…and whose visibly unimpressed reaction to her movie just made him a viral meme.

When the studio forces Ben and Lauren to share the press circuit to capitalize on the moment, sparks fly. But between industry politics, public scrutiny, and a growing sense they might actually be perfectly imperfect for each other after all, their reluctant partnership soon turns into something far more complicated….

Lily Chu’s audiobooks are always a treat, and Just Kiss Already is no exception! This clever story about a film star and a scientist (who’s secretly a bestselling author) hits familiar beats of the celebrity romance and enemies-to-lovers tropes, but keeps things fresh with engaging characters and interesting dilemmas.

Lauren Wei is a former teen star, known for playing a chaotic character on a popular TV show until her reputation took a hit. Now, Lauren is reestablishing herself by directing and starring in a movie adaptation of the first book in the popular Lady Petronella mystery series. The success of the film will help her make sure the world sees her as a serious talent.

Dr. Ben Song is a forensic anthropologist who runs a lab devoted to studying the decomposition of bodies… and is also the secret author of the Lady Petronella books. When he attends the advance press screening of the movie, he’s annoyed by what he sees as some factual errors — and when his sour expression is caught on camera and turned into a meme, it could spell disaster for the movie’s success and Lauren’s future.

Desperate to capitalize on Ben’s viral moment and turn it into social media gold, the studio strong-arms Ben and Lauren into doing a press tour together leading up to the film’s premiere at the Toronto Film Festival. Ben is opposed at first, but is won over by both his lingering crush on Lauren’s TV character and by Lauren herself, who is smart, funny, and not at all the Hollywood snob Ben had expected. Naturally, they get past their initial hostilities and discover both friendship and chemistry, but challenges in their respective careers seem to put up roadblocks before their relationship can really get started.

Just Kiss Already sets up the connection between Lauren and Ben really well, quickly moving past their grumpy/sunshine, enemies-to-lovers dynamic and focusing on the deeper ways they communicate and understand one another, offering support to each other in a way that’s refreshing to see. Their careers seemingly couldn’t be more different, yet each faces professional hurdles that an outsider’s perspective helps them to overcome. Ben and Lauren work as a couple because they take the difficult steps needed to establish trust and friendship first, and even when they have the inevitable misunderstandings so typical of the romance trope, they’re able to quickly clear things up through open communication. Honestly, I wish more third-act break-ups/fights could be resolved so maturely!

The Lady Petronella books sound like they’d be so much fun to actually read (and it’s a nice little treat that each chapter opens with a line from Lady P). Likewise, I’d love to see Lauren’s movie! Just Kiss Already establishes these fictional elements so well that they seem believable, and Ben’s work sounds both fascinating and important. A side plot about a community trying to undermine his research site is also interesting, and gives Ben professional challenges to overcome that balance his parts of the story nicely against Lauren’s.

As always, Phillipa Soo is an amazing narrator (she’s narrated all of Lily Chu’s audiobooks so far), and the pairing here with actor Simu Liu for the Ben chapters offers great listening entertainment,

I really enjoyed Just Kiss Already (despite being annoyed by the title, which has nothing to do with the story). It’s currently available only through Audible. Lily Chu’s previous novels were released the same way, and then released in paperback about a year later. As I’ve said in previous reviews, I always look forward to a new Lily Chu audiobook! The Comeback and The Stand-In remain my favorites, but you can’t go wrong with any of them.

Purchase links: Amazon
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29Mar2026

Audiobook Review: And Then There Was You by Sophie Cousens

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: And Then There Was You
Author: Sophie Cousens
Narrator: Kerry Gilbert
Publisher: G.P. Putnam’s Sons
Publication date: November 18, 2025
Print length: 352 pages
Audio length: 9 hours 10 minutes
Genre: Contemporary romance
Source: Library
Rating:

She’s found the perfect man . . . There’s just one big twist.

Stuck in a Production Assistant job and living at home with her parents after a painful breakup, thirty-one-year-old Chloe Fairway isn’t where she wants to be in life. The last thing she needs is to face the people who once voted her “most likely to succeed” at her upcoming ten-year college reunion. And she definitely doesn’t want to see her former best friend, Sean Adler, who is now a hotshot film director living the life Chloe dreamed of. Desperate to make a splash—and to save face in front of the man who might be the one that got away—she turns to a mysterious dating service.

Enter Rob, her handsome, well-read, and charming match, the perfect plus-one to take to her reunion. The more she gets to know him, the more perfect he appears to be. Could it be that this dating service knows her better than she knows herself? And can she overlook the one big catch? As Chloe reconnects with old friends, she begins to question everything she thought she wanted. Maybe, just maybe, revisiting the past is exactly what she needs to move forward.

After really enjoying my last audiobook by Sophie Cousens (Is She Really Going Out With Him?), I grabbed her newest when I saw it was available through the library. And while I enjoy her upbeat storytelling and the terrific narration by Kerry Gilbert, this romance had certain elements that just didn’t work for me.

Ten years after graduating from Oxford, Chloe feels like a failure. Once considered most likely to succeed, sure of a brilliant career ahead of her as an actress and playwright, Chloe now lives with her parents and works as the personal assistant to a highly unpleasant man at a mediocre production company. All of her old schoolmates have gone on to do amazing things, especially Sean, once her best friend and writing partner, now practically a stranger, who’s a big-time Hollywood director. With the reunion looming, Chloe’s instinct is to hide and avoid it all. A chance encounter with a friend who seems to be radiantly happy leads Chloe to an exclusive matchmaking company that promises to find her the man of her dreams, someone who’ll be perfect for her. And when Chloe meets Rob, they just click. He’s gorgeous, smart, and sweet… so maybe attending the reunion with this impressive guy on her arm will be just the confidence boost that Chloe needs?

There’s a catch, of course… and here’s where I’m going to insert a big, fat…

SPOILER ALERT!

I’m guessing Goodreads reviews will already have spilled the beans, but in case you don’t want to know, here’s where to look away.

Seriously!

I’m going to get into the details of what I really did not like about this book.

SPOILERS COMING RIGHT NOW!

Okay, you’ve been warned.

The reason that Rob seems perfect for Chloe is that… he is. Rob is an AI robot created to Chloe’s exact specifications, based on an exhaustive questionnaire that she’s required to complete as part of her intake at the matchmaking company. She (and we) have no idea what she’s signing up for until after she’s signed an NDA and is introduced to Rob, who instantly impresses her with his good lucks, excellent manners, and sensitivity. He’s everything she thinks she wants in a man… because he’s been built and programmed that way.

Taking Rob to her reunion seems like a crazy idea. And it is. Convincing herself that she could have a future with Rob also seems ridiculous. And it is. Chloe spends a lot of mental energy trying to figure out whether a robot boyfriend might be her best bet for a happy life. Meanwhile, the entire reunion weekend is rife with moments when Rob’s perfection or stilted manners or weird affect threatens to reveal Chloe’s secret and undermine everything she’s trying to achieve.

From the moment of the reveal about what Rob really is (somewhere around the 15% mark), I was kind of over this book. I stuck with it because I liked certain elements of the story — but this was very nearly a DNF. The sad thing is that I don’t think this story needed the robot storyline at all. Rob could have simply been a date-for-hire, and the plot could have played out practically the same way. The AI/robot piece is a distracting novelty that just doesn’t work at all.

It’s a shame, because there are other elements that are very good. Who can’t relate to the feeling that everyone else is doing better at life than you are? Or the anxiety of reuniting with people who were once the center of your world? It’s not exactly surprising that at the reunion, Chloe discovers romantic feelings for an old friend and learns secrets that change what she thought she knew about their past. This part was very good! I liked Chloe’s process of understanding her past, admitting where she’d made mistakes, and getting past the roadblocks that had her feeling stuck professionally and emotionally.

END SPOILERS

All in all, And Then There Was You has some very engaging bits and pieces that unfortunately get swamped by a ridiculous overarching storyline. Sticking with this book all the way to the end tried my patience, despite the great audiobook narration and the generally interesting, quirky characters. The clever and entertaining bits just can’t save an unconvincing storyline. My eyes hurt from too much rolling.

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25Mar2026

Audiobook Review: Grace & Henry’s Holiday Movie Marathon by Matthew Norman

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Grace & Henry’s Holiday Movie Marathon
Author: Matthew Norman
Narrators: Alex Finke, Jay Myers
Publisher: Random House
Publication date: October 14, 2025
Print length: 337 pages
Audio length: 8 hours 43 minutes
Genre: Contemporary fiction
Source: Library
Rating:

A sentimental advertising creative and a blunt, no-nonsense bar owner find a second chance at love while binge-watching iconic holiday movies in this poignant and heartwarming romance, from the author of Charm City Rocks and All Together Now.

“Norman weaves nostalgic references to modern holiday classics . . . throughout this comforting romance.”—The Washington Post (Noteworthy Books of the Month)

The new year had barely begun when Grace White and Henry Adler both lost their spouses. Now, nearly a year later, the first holiday season since their “Great and Terrible Sadnesses” approaches. Although their mothers scheme to matchmake the two surviving spouses, it’s clear that neither is ready to date again. Yet no one understands what they are going through better than each other, and a delicate friendship is born.

When Henry sees an ad for a Christmas movie marathon—once an annual tradition for him and his wife—Grace offers to watch some films with him, despite her aversion to a few of his picks. Her two young kids, Ian and Bella, also join in whenever possible—bedtimes permitting, of course.

With each movie, Grace and Henry’s shared grief eases as they start to see a life beyond the sadness. But as they draw closer, other romantic possibilities leave them uncertain about their future together. Is their bond merely the result of loneliness and shared circumstances, or have they found something that’s worth taking a shot at . . . again?

Grace & Henry’s Holiday Movie Marathon was an unusual pick for me — I don’t tend to read a lot of holiday-themed fiction, especially when it’s not even the holiday season! And yet… the charming title caught my eye, and then the story drew me in.

Grace and Henry both suffered terrible losses at the beginning of the year: Grace’s husband Tim died after a fast-moving cancer diagnosis, and Henry’s wife Bryn died in a shocking plane crash. Now, as the holidays approach, neither is doing particularly well. Grace is busy with her two children Ian and Bella (and their hilariously-named dog Harry Styles), but she spends most of her down time in her Costco sweats talking with the version of her dead husband who lives in her head. Henry can’t bring himself to return to the home he shared with his wife, so he’s rented a mostly empty apartment but mainly hangs out in his parents’ basement playing Mario Kart.

When Henry’s mom asks him to pop over to Grace’s mom’s house to “fix the internet” (which isn’t working due to a sneakily unplugged modem), Henry and Grace are helpless in the face of motherly matchmaking. Neither are interested in being fixed up or even considering dating again, but they do recognize that they might actually fit together as friends. As they talk about holiday movies, they find common ground, and soon, Henry is popping by for family movie nights, and then hanging out with Grace and the kids to help with Ian’s art projects, free captive mice (don’t ask), and discovering a mutual friendship that helps them all start finding a little joy in their lives.

I suppose most people would shelve this as a romance — and yes, of course there’s an underlying romance brewing slowly between Henry and Grace. But that, to me, isn’t the main point. The story overall is much more about loss and grieving, about the process of remembering and letting go, about finding ways to move on when everything you expected for your life is taken away.

The narrative is organized by the movies Henry and Grace watch, together and separately, as the holiday season advances. There are plenty of fun little references to a wide range of holiday (and holiday-adjacent) movies, from Die Hard and Edward Scissorhands to Love Actually, The Holiday, The Family Stone, and more. Point-of-view chapters shift between Henry and Grace; the audiobook has a narrator for each, and both are terrific at voicing the lead and supporting characters and adding humor (and sadness) as the story progresses.

I found both characters’ stories to be quite moving, each loss awful in its own way. Grace is forced to carry on for the sake of her children and does a wonderful job, but there’s a sadness in their home that they can’t quite overcome. Henry’s loneliness is different yet also deep and real. It’s easy to see why these two need one another, first as “grief buddies”, then as friends, to get through the worst of times — or even just normal days when a sudden memory or association can knock them out of orbit. Their ability to understand one another’s pain forms the backbone of what becomes a beautiful support system.

I also appreciated how well both Grace and Henry are supported by their families and friends. While their well-meaning mothers may be pushing a bit too hard for them to get back into the dating world, it’s clear that the people who love them want to help — somehow — and are often stuck on how to do it.

I’d be remiss if I didn’t mention that Baltimore, the book’s setting, feels like a living, breathing character in this charming story. Grace and Henry have rich, deep connections to the city and the community, and it comes to sparkling life on every page.

All in all, I truly enjoyed Grace & Henry’s Holiday Movie Marathon. The holiday spirit, the sense of fun, and the straightforward treatment of loss and grieving all contribute to making this sweet book feel like something special. The audiobook delivery is terrific — but in whatever format, I think this is a book well worth picking up and experiencing.

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22Mar2026

Book Review: Once and Again by Rebecca Serle

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Once and Again
Author: Rebecca Serle
Publisher: Atria Books
Publication date: March 10, 2026
Length: 256 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

New York Times bestselling author Rebecca Serle, the author behind “heartbreaking, redemptive, and authentic” (Jamie Ford, New York Times bestselling author) modern classic In Five Years, returns with an unforgettable tale of a family of women with an astonishing gift: the ability to redo one moment in their lives.

The women of the Novak family were each born with a gift: they can, just once, turn back time.

Lauren has known since she was fifteen that her mother Marcella saved Lauren’s father from a deadly car accident. Dave is alive and happy, and out on the Malibu waves. But ever since, Marcella, her power spent, has lived in fear of what she won’t be able to reverse. Her own mother, Sylvia, is her polar opposite: a free-spirited iconoclast with a glamorous past she only hints at. Lauren has spent her life between these two role models—and waiting for her own catastrophe to strike.

Then one summer, Lauren’s husband takes a job in New York and she moves back to Broad Beach Road, back into her childhood home on the shores of Malibu. Lauren looks forward to surfing with her dad again and perhaps repairing an unspoken fracture in her relationship with her mother. What she doesn’t expect is for the boy next to door to return home as well: Stone, Lauren’s first love, who broke her heart nearly a decade before.

As Lauren falls into familiar patterns, with her family and, more dangerously, Stone, she finds herself thinking about all the choices, large and small, that have brought her to this moment. And wondering, finally, if one of them should be undone.

In Once and Again, main character Lauren’s family has a secret — a superpower, of sorts. Each woman in the family is gifted with the ability to undo one event that’s already happened, but it’s a gift that’s a one-time deal. Use it, and it’s gone forever. While we might think of this as an amazing opportunity, in these women’s lives, it’s also a burden. How do you know when is the right time to use it? What if you use it, and then end up needing it even more later on?

Lauren is 37 years old, married for three years at this point to her wonderful husband Leo — but things have become fraught between them as they struggle with infertility. After multiple attempts at IVF and IUI, Leo is ready to stop trying, but Lauren is not, and the stress of the financial, physical, and psychological burdens is straining their marriage almost to the breaking point.

When Leo heads to New York for a short-term work opportunity, Lauren decides to rent out their West Hollywood home and spend the summer at the shambling Malibu bungalow where her parents and grandmother live. Back home in Malibu, Lauren reintroduces herself to the surfing and slower beach rhythms that she grew up with, while also spending time with her cool surfer dad, uptight mother, and loving, super-hip grandmother. But being there also brings up memories for Lauren of the intensity of her teen years, especially her mother’s obsessive worry over her father’s health.

Meanwhile, Lauren encounters Stone while out surfing — the man she loved and was involved with for a solid ten years, only ending the relationship when he moved away from Malibu and left her behind. Seeing Stone again brings up old feelings, even as Lauren juggles her love for Leo and how much she misses him with the pain of their current marital problems.

Lauren has an opportunity to fix something using her gift — but is this the right moment? If she uses it, will she regret it later? And what will her choice mean for the rest of the family?

Once and Again presents a unique take on the subjects of regret and second chances. There’s no explanation offered for the family’s gift, and there doesn’t need to be. It’s a magical element that just is — and if you have a hard time with this sort of magical plotline, this may not be the book for you. To be clear, there’s nothing else that’s fantasy or magic-based in the story. This is a family that’s ordinary in every way… but one.

I appreciated the insights we get from the intermittent chapters that provide Lauren’s mother’s and grandmother’s backstories, as well as the story of the first woman to have the gift. The family’s Jewish heritage features in both the gift and their ongoing lives as a lovely background element. It’s fascinating to learn more about how each woman chose to use the gift and what the ramifications were — and there’s a major twist later in the book that made me look at it in an entirely new way.

The ability to turn back time isn’t trivial and has consequences. The characters experience joy with their second chances, but also carry a unique pain: The woman who uses the gift still remembers what they’ve changed, even if no one else does, which means they may be grieving for something that no one else understands. Another fascinating element is the choice to undo everything that’s come since the event that they’re changing. How far back can or should they go? And if they change something terrible that happened, can they live with losing all the good things that happened too?

I’ve had hit or miss experiences with Rebecca Serle’s books in the past — I’ve loved two of her books, and felt less connected with two others. Once and Again belongs firmly in the “hit” category. I found it emotional, thought-provoking, and engaging, with characters to care about and a plot strongly rooted in reality even with a magical gift in the mix. Highly recommended.

For more by this author:
The Dinner List
In Five Years
One Italian Summer
Expiration Dates

19Mar2026

Book Review: Mania by Lionel Shriver

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Mania
Author: Lionel Shriver
Publisher: Harper Collins
Publication date: April 9, 2024
Length: 388 pages
Genre: Dystopian / alternative reality
Source: Library
Rating:

What if calling someone stupid was illegal? In a reality not too distant from our own, where the so-called Mental Parity Movement has taken hold, the worst thing you can call someone is ‘stupid’.

Everyone is equally clever, and discrimination based on intelligence is ‘the last great civil rights fight’.

Exams and grades are all discarded, and smart phones are rebranded. Children are expelled for saying the S-word and encouraged to report parents for using it. You don’t need a qualification to be a doctor.

Best friends since adolescence, Pearson and Emory find themselves on opposing sides of this new culture war. Radio personality Emory – who has built her career riding the tide of popular thought – makes increasingly hard-line statements while, for her part, Pearson believes the whole thing is ludicrous.

As their friendship fractures, Pearson’s determination to cling onto the ‘old, bigoted way of thinking’ begins to endanger her job, her safety and even her family.

Lionel Shriver turns her piercing gaze on the policing of opinion and intellect, and imagines a world in which intellectual meritocracy is heresy. Hilarious, deadpan, scathing and at times frighteningly plausible, MANIA will delight the many fans of her fiction and journalism alike.

Mania has got to be one of the strangest books I’ve ever read. This depiction of an alternate reality where Mental Parity is the new normal imagines a society where variation in intelligence is considered a myth. All are equally capable. All are equally intelligent. Some people may just process differently.

As narrated by main character Pearson Converse, what starts as a ridiculous idea — the idea that mental parity is the “last great civil rights fight” — takes over the country and much of the world. From a fringe cultural phenomenon, mental parity (MP) becomes a strident, powerful force for overturning everything from school (grades are eliminated, because all children are equally intelligent) to university admissions (strictly lottery based, because all are equally qualified) to employment opportunities, parenting, and all manner of social discourse.

Pearson, an English instructor at what was once considered a high-prestige liberal arts college, finds her hands increasingly tied as her surly students practically dare her to step out of line so they can report her to an MPC (Mental Parity Champion).

Even language becomes strictly policed. Words used to denote levels of intelligence are grossly offensive — stupid and dumb being prime examples — but over time, even words used in other contexts are stricken because they could possibly denote judgment that defies the concepts of mental parity. Can’t talk about the deep end of a swimming pool, because “deep” has a nasty association with the myth that some people are “deeper” than others — so let’s just refer to the end of the pool with more water. Also ruled out are words like dull or sharp, even in the context of kitchen knives, or brilliant as in the stars in the sky, or profound… as in deep… as in… oops, never mind.

As time passes and adherence to MP becomes absolute, Pearson finds herself increasingly on the outs with her former best friend Emory, someone with whom she was once aligned on just about everything. Now, Emory seems to have traded in her personal belief system in order to bolster her broadcast career, becoming a star commentator on CNN by offering high profile opinion pieces on the evils of those who oppose MP. Meanwhile, Pearson’s family life is increasingly at risk, as stepping a toe out of line brings down the wrath of Child Protective Services and puts her job (and financial survival) in danger.

Mania is clearly satirical, but what exactly is the author satirizing? At times, the MP world seems to be aligned with MAGA viewpoints denigrating academics and intellectuals as out-of-touch elitists, and the total undermining of scientific rigor mirrors some views of the MAHA movement. And yet, the hyperfocus on policing word choice and sanding away the edges of anything that ever might possibly offend anyone can also speak to what some see as the excesses of “wokeness”. The point, I think, is to show the damage of any sort of extremism taking over rational society — and as we see in Mania, bouncing from one extreme to another as the pendulum of societal norms swings to correct itself poses fresh set of dangers too.

I puzzled over the language in Mania. Pearson’s narration of her life is full of overstuffed sentences and pretentious, convoluted wording. I often had to stop to parse out what a particular sentence might mean. Not having read anything by this author previously, I was left to wonder: Is this delivery typical of this author, or is this meant to show how Pearson holds herself apart and embraces her intellectual superiority even while trying to survive in a world where the use of big words is derided as “brain-vain” or “smartist”? Yet Pearson repeats throughout the book that even while she’s adamantly opposed to MP and its concepts, she herself isn’t all that smart. And so, I remain a bit baffled by the character’s delivery of her life story.

A few examples:

To my embarrassment, here I am relating picayune points of philological fascism—the death of the “dumbbell”—while, out in the rest of the world, events of more considerable moment were afoot.

Emory’s ducking-below-the-parapet strategy had much to recommend it. We could keep our heads down, shuffling the world in camouflage like soldiers wearing dun in the desert, duly observing every new linguistic prohibition and suppressing perceptions of our species once prevailing, now retrograde, the better not to stand out.

Needless to say, heroin users were no longer “dope fiends,” although if you were an opioid addict, surely having your perspicacity traduced was the least of your problems.

The author weaves our own world into the story, warping people and events to suit this strange alternate reality. Obama is president… but only for one term. His brand of intellectualism is a huge turn-off — prime example of being brain-vain! — but his VP, Biden — with his lost trains of thought and awkward public speeches — is a perfect MP president. He’s just as intelligent as everyone else! Because everyone is just as intelligent as everyone else!

Even later, political standards become yet more entrenched in MP:

It’s now taken as a given that for any candidate to be seriously considered for either major party’s presidential nomination next year, he or she will necessarily be badly educated, uninformed, poorly spoken, crass, oblivious to the rest of the world, unattractive and preferably fat, unsolicitous of advice from the more experienced, suspicious of expertise, inclined to violate constitutional due process if only from perfect ignorance of the Constitution, self-regarding without justification, and boastful about what once would have been perceived as his or her shortcomings. We blithely assume that whoever is elected president will surround him- or herself with mediocrities or worse and purposefully appoint a cabinet whose leading credentials are having no credentials.

Hmm. Does that ring any bells?

My ratings graphic only allows full and half stars; otherwise, I would have rated Mania at 3.25. It’s better than a 3-star read, which to me is a “meh”, but I can’t bring myself to go all the way to 3.5, which would imply that it succeeds much more than I feel is accurate. Despite the weirdness of so much of the story, Mania still pulled me in. Once I started, I didn’t want to put it down. I just can’t say that I loved it.

I recommend Mania as a thought experiment and as a very different sort of reading experience. There’s a lot to chew on, despite being so totally outside the scope of believability. Mania is commentary on all sorts of societal woes, dressed up as the story of a woman’s struggle to hold onto the truth even if it costs her everything.

Mania was my book group’s pick for March, and I’m looking forward to hearing what everyone else thought of it. Despite its strangeness, this book is probably a great one for kicking off a lively discussion!

Interested in learning more? Here’s a round-up of reviews:
New York Times
The Guardian
NPR
Kirkus
The Times (UK)