Book Review: Darling Girls by Sally Hepworth

Title: Darling Girls
Author: Sally Hepworth
Publisher: St. Martin’s Press
Publication date: April 23, 2024
Length: 368 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley (also won a copy in a Goodreads giveaway)
Rating:

Rating: 4 out of 5.

SISTERS, SECRETS, LOVE, AND MURDER… Sally Hepworth’s new novel has it all.

For as long as they can remember, Jessica, Norah, and Alicia have been told how lucky they are. As young girls they were rescued from family tragedies and raised by a loving foster mother, Miss Fairchild, on an idyllic farming estate and given an elusive second chance at a happy family life.

But their childhood wasn’t the fairy tale everyone thinks it was. Miss Fairchild had rules. Miss Fairchild could be unpredictable. And Miss Fairchild was never, ever to be crossed. In a moment of desperation, the three broke away from Miss Fairchild and thought they were free. Even though they never saw her again, she was always somewhere in the shadows of their minds. When a body is discovered under the home they grew up in, the foster sisters find themselves thrust into the spotlight as key witnesses. Or are they prime suspects?

A thrilling page-turner of sisterhood, secrets, love, and murder by New York Times bestselling author Sally Hepworth.

If you’ve read any books by Sally Hepworth, you know to expect twists, turns, and then even more twists. Darling Girls delivers them all, and packs in plenty of complex relationships and emotions as well.

In Darling Girls, we meet Jessica, Alicia, and Norah — a chosen family of sisters who came together through traumatic years as foster children. Despite the terrible experiences they endured as young teens, their relationship has been the bedrock of their years since then. Now adults, they’re all dysfunctional in different ways, but their sister bonds are the one constant that keeps them grounded.

When bones are found under the demolished home where they once lived, they’re summoned back to the town of Port Agatha to give statements to the police. What actually happened at Wild Meadows? Whose bones could they be? And are the sisters witnesses or suspects?

Through flashback chapters, we learn more about their childhood. Jessica was the first to be fostered with Miss Fairchild, a seemingly lovely woman whose farmhouse and grounds appear to be ideal for a small child. And at first, everything is perfect. Miss Fairchild dotes on Jessica, encourages her to call her “Mummy”, and never wants them to be apart. There are downsides, of course: When Jessica begins attending school and talking about new friends, she’s quickly shut down. No one is allowed to replace Mummy as the center of Jessica’s life.

Years later, when Miss Fairchild also takes in Norah and Alicia, Jessica’s world is abruptly changed yet again, as she’s reprimanded, punished, and pushed aside. But Miss Fairchild’s iron control is slipping — she hadn’t anticipated the girls’ bond or that they might start to question her rules and her methods.

It’s best not to know much more than that when reading Darling Girls. The characters are quite interesting — the sisters all have lasting scars from their years in the foster system, and their trauma manifests in different ways. The depiction feels realistic, and it’s sad and scary to read. At the same time, the chosen family is beautiful in its own way, and I loved seeing the unwavering support that Jessica, Norah, and Alicia provide to one another.

Being a Sally Hepworth book, I knew to expect to have my expectations up-ended, and that’s exactly what happened. I’m not a frequent thriller reader, but diving in every once in a while and going along for the roller coaster ride is quite fun.

As with all books by this author, Darling Girls is immersive and impossible to put down. It made me think, it gave me a few chills along the way, and it definitely kept me on my toes. Check it out!

Book Review: On the Rooftop by Margaret Wilkerson Sexton

Title: On the Rooftop
Author: Margaret Wilkerson Sexton
Publisher: Ecco
Publication date: September 6, 2022
Length: 304 pages
Genre: Historical fiction
Source: Library
Rating:

Rating: 4 out of 5.

A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.

The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, another yearns to make her own voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.

In On the Rooftop, the world of 1950s-era San Francisco — specifically, the city’s Fillmore District — is brought to life through a family of talented women. Sisters Ruth, Esther, and Chloe range in age from 20 – 24, and they’re on the cusp of stardom. Singing in three-part harmony, moving through their perfect dance steps, they’re the main attraction at the top clubs of the Fillmore, but their mother Vivian wants more. LA, New York, everywhere — her girls are destined for greatness.

Yet as we learn through chapters told from each sister’s POV, Vivian’s dreams aren’t necessarily her daughters’ dreams.

Meanwhile, the neighborhood around them is on the verge of change as well. The Fillmore is the family’s safe haven — it’s where Vivian and her husband landed twenty years earlier after fleeing Klan violence in Louisiana. In the Fillmore, every building and block and the people who live there represent a piece of a tight-knit community. Everyone knows everyone’s business; everyone looks out for one another… or if not, is ready to carry tales when someone steps out of line.

But white businessmen having been showing up more and more frequently, and soon their goal is clear. The neighborhood has been identified as one suitable for redevelopment, and that means its current residents and businesses have to go. At first, the approach is more of a sales pitch — home and business owners offered a buyout to relocate. But persuasion turns into coercion, and evictions due to public domain eventually threaten every member of the community.

On the Rooftop is both a family story and a community story. The sisters and Vivian are well-drawn, distinct personalities, each with their own hopes, sorrows, and intentions. Through their separate POV chapters, we get multiple perspectives on the turning points in their lives, and come to understand the women’s options and limitations in that time and place.

As a portrait of a community, On the Rooftop shows the devastation of gentrification and displacement, as it illustrates the dismantling of a community who have no say or voice in the matter.

It took me until close to the end of the book to realize that the story beats were reminding me of a story that at first glance might seem like something completely unrelated — Fiddler on the Roof. But once I made the connection, I experienced a huge “aha moment” as the pieces came together. Sure enough, in the author’s notes at the end of the book, she lists Fiddler on the Roof as one of her inspirations.

Themes of (yes) tradition, children choosing paths different from their parents’ expectations, community dispersal and forced exile — all are integral to the story of the these sisters, their mother, and their neighborhood. The author beautifully incorporates these elements so that the Fiddler motifs are subtly part of the story — this isn’t a retelling, and we’re not hit over the head with obvious comparisons. The commonalities enhance the reading experience, but the story is strong enough to stand on its own even without noticing these elements.

Overall, On the Rooftop is a powerful, emotional, lovely book about family and community. This book is our library’s “On the Same Page” book for February, and it’s also the group read one of my in-person book groups has selected for Black History Month. I look forward to the various discussions and events for this book coming later in the month — and meanwhile, highly recommend this terrific book.

Audiobook Review: Get Lucky by Katherine Center

Title: Get Lucky
Author: Katherine Center
Narrator: Morgan Hallett
Publisher: Ballantine Books
Publication date: April 6, 2010
Print length: 288 pages
Audio length: 8 hours 13 minutes
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 3.5 out of 5.

How do you change your luck? Katherine Center’s marvelously entertaining and poignant new novel is about choosing to look for happiness—and maybe getting lucky enough to find it.

Sarah Harper isn’t sure if the stupid decisions she sometimes makes are good choices in disguise—or if they’re really just stupid. But either way, after forwarding an inappropriate email to her entire company, she suddenly finds herself out of a job. 

So she goes home to Houston—and her sister, Mackie—for Thanksgiving. But before Sarah can share her troubles with her sister, she learns that Mackie has some woes of her own: After years of trying, Mackie’s given up on having a baby—and plans to sell on eBay the entire nursery she’s set up. Which gives Sarah a brilliant idea—an idea that could fix everyone’s problems. An idea that gives Sarah the chance to take care of her big sister for once—instead of the other way around.

But nothing worthwhile is ever easy. After a decade away, Sarah is forced to confront one ghost from her past after another: the father she’s lost touch with, the memories of her mother, the sweet guy she dumped horribly in high school. Soon everything that matters is on the line—and Sarah can only hope that by changing her life she has changed her luck, too.

After reading and loving Katherine Center’s five most recent novels plus one from her backlist, I decided to listen to another backlist book via audio when I stumbled across it on Hoopla. And while Get Lucky was a fun, engaging listen, it’s clear to see that this is an earlier work from an author whose books just keep getting better and better.

In Get Lucky, Houston-born Sarah is thriving at her New York ad agency. Well, okay, she got passed over for promotion in favorite of the less-qualified jerk she’d been dating… but still, her ideas have resulted in a huge campaign (more on this later) that’s getting loads of attention. Unfortunately, when an email from her sister has her spiraling in the middle of the night, she shares a link with the rest of the company (never hit Send on an all-staff email in the middle of the night!!) that’s deemed inappropriate, and she’s abruptly fired. By her jerky ex. Whose nickname is Mr. Dynamite, in case you’re wondering.

Getting fired right before Thanksgiving is not ideal, and things get worse for Sarah when she boards her flight back to Houston for the holiday and ends up seated next to her high school ex-boyfriend, who (a) has gotten incredibly hot and (b) has apparently never forgiven her for dumping him in a truly thoughtless and cruel manner (which she regrets, but of course, you can’t undo the past).

Arriving home, Sarah’s sister Mackie immediately informs her that she’s done with trying to have a baby. After yet another miscarriage related to endometriosis, Mackie is giving up on her dreams of becoming a mom. And Sarah — adrift, jobless, and without plans — has an idea. Her uterus is just fine, after all. Why not become Mackie and her husband’s gestational carrier? After a tiny pause to consider, Mackie and Clive are in, and in practically the blink of an eye, Sarah is living in Mackie’s nursery/guest room, and pregnant.

The book delves into Sarah and Mackie’s past, the death of their mother during their teen years, and how that’s affected (and continues to affect) their openness toward love, connection, and commitment. While their father continued to care for them after their loss, he was so befuddled by his own grief that his parenting was always distant and ineffectual, so the girls had to rely on one another for everything that mattered. As Sarah lives with Mackie and moves forward with the pregnancy, she also is confronted by the feelings from her past that bubble up, complicating an already complicated situation.

There’s also a love story, of sorts, which is more of a background plot thread than a front-and-center focus, which is why I wouldn’t classify this book as a romance. Sarah also deals with career choices, rebuilding a relationship with her father, and finding a new outlook on life thanks to the outrageous-but-awesome new woman in his life.

Get Lucky is enjoyable, but some elements feel especially dated or jarring, even though it was only published 13 years ago. The ad campaign launch that kicks off the story is truly atrocious — it’s a campaign for a new line of bras, and the tagline is “boob ’em”… and I won’t even go into all the ways this plays out and how awful it sounds. Later, there’s an extended plot element revolving around Sarah’s involvement with the young woman who was the ad campaign’s bra model — all of which feels unnecessary and distracting, and does nothing to move the plot forward.

Overall, I’m not sure that the story truly holds together. There are a lot of random plotlines, and Sarah’s journey sort of meanders through them all. That said, there’s also plenty of humor, some very funny dialogue, and sneaky little moments that are suddenly quite emotional and pack a punch.

Morgan Hallett’s narration is quite good, capturing Sarah’s inner voice, the zaniness of some of the side characters, and the array of voices and situations. I found this a light, entertaining listen that didn’t demand a whole lot of attention, which was perfect for my life this week.

If you’re a Katherine Center fan, or simply enjoy a sister-centric story, it’s worth checking out this backlist title.

Book Review: Hello Beautiful by Ann Napolitano

Title: Hello Beautiful
Author: Ann Napolitano
Publisher: The Dial Press
Publication date: March 14, 2023
Length: 416 pages
Genre: Contemporary fiction
Source: Purchased

Rating: 4.5 out of 5.

An emotionally layered and engrossing story of a family that asks: Can love make a broken person whole?

William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him. So it’s a relief when his skill on the basketball court earns him a scholarship to college, far away from his childhood home. He soon meets Julia Padavano, a spirited and ambitious young woman who surprises William with her appreciation of his quiet steadiness. With Julia comes her family; she is inseparable from her three younger sisters: Sylvie, the dreamer, is happiest with her nose in a book and imagines a future different from the expected path of wife and mother; Cecelia, the family’s artist; and Emeline, who patiently takes care of all of them. Happily, the Padavanos fold Julia’s new boyfriend into their loving, chaotic household.

But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable loyalty to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?

Vibrating with tenderness, Hello Beautiful is a gorgeous, profoundly moving portrait of what’s possible when we choose to love someone not in spite of who they are, but because of it.

Hello Beautiful is a hard book to describe, and in some ways, just as hard to commit to reading — but as I discovered, sticking with it pays off in the end.

The events of Hello Beautiful swirl around William Waters, whom we follow from boyhood through middle age. His life is marked for tragedy from the start — his older sister dies when he’s less than one week old, permanently scarring his parents and leaving him bereft of their love and attention. William grows up lonely, saved only by the relief and belonging he finds on the basketball court.

In college, he meets Julia Padavano, oldest of four sisters in a tight-knit family. Julie is determined to achieve her life plans, which include marrying a successful man and devoting herself to becoming a wife and mother. William has so little belief in himself that he molds himself to whomever he’s with; Julia falls for William and his readiness to be who she needs him to be. His only passion is basketball, but Julia believes he’d make a great college professor, so he follows the path she sets for him — getting married, entering graduate school, starting a family.

Things go disastrously wrong after the birth of their daughter, and a permanent rift severs the Padavano family. Without entering spoiler territory, I’ll just say that William is at the center of the storm, but the relationships between all members of the extended family end up shattered or reconfigured.

There’s a great deal of sorrow and pain in Hello Beautiful, but real loveliness as well. The Padavano sisters have such closeness and are so interconnected that the changes within the family feel tragic, even though some pieces of the relationships survive and end up even stronger.

I often feel overwhelmed by books that introduce a large family all at once, as it can be daunting to tell the characters apart or remember which personality goes with which person. Not so here — each of the four sisters is distinct and memorable, and they all shine in their own ways. The sisters compare themselves to the March sisters of Little Women (even declaring “I’m Beth today” on days when they’re not feeling well), and by the end, it’s fairly clear which Padavano matches which March girl. I’ve seen some reviewers refer to Hello Beautiful as a Little Women retelling, which I’d disagree with. Yes, there are a few parallels which the sisters themselves call out, but this is a very different book as a whole.

Hello Beautiful is big and sprawling, and for the first third or so, takes a while to truly get going and develop a focus. Much of the story feels anecdotal, and the narrative approach — with alternating chapters dedicated to William, Julia, Sylvie, and other characters — adds to the sense of scattered storytelling. However, when catastrophe strikes midway through, the plot itself sharpens, and the emotional impact truly kicks in.

I took issue with some of the characters’ perspectives on certain events, and disagreed with the commonly held interpretation of what had happened (being intentionally vague… again, no spoilers from me!) — and yet, I can appreciate that each character has their own worldview that shapes their version of events and gives them what they need to carry on and move forward.

The book’s emphasis on family, love, and friendship is quite lovely, and this is what leaves a lasting impression. There’s so much depth to the relationships depicted in Hello Beautiful, as well as the recognition that people’s impact on others can be vast and unseen, and that we can never truly know just how important someone is to so many others.

I’ll be thinking about Hello Beautiful for quite a while to come, and just wish I had others to discuss it with! This would make a great book club selection — there’s so much food for thought.

Hello Beautiful is highly recommended. Don’t miss it!

Book Review: California Golden by Melanie Benjamin

Title: California Golden
Author: Melanie Benjamin
Publisher: Delacorte Press
Publication date: August 8, 2023
Length: 368 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

Two sisters navigate the turbulent, euphoric early days of California surf culture in this dazzling saga of ambition, sacrifice, and longing for a family they never had, from the New York Times bestselling author of The Aviator’s Wife

Southern California, 1960s: endless sunny days surfing in Malibu, followed by glittering neon nights at Whisky A-Go-Go. In an era when women are expected to be housewives, Carol Donelly is breaking the mold as a legendary female surfer struggling to compete in a male-dominated sport–and her daughters, Mindy and Ginger, bear the weight of her unconventional lifestyle.

The Donnelly sisters grow up enduring their mother’s absence–physically, when she’s at the beach, and emotionally, the rare times she’s at home. To escape questions about Carol’s whereabouts–and chase their mom’s elusive affection–they cut school to spend their days in the surf. From her first time on a board, Mindy shows a natural talent, but Ginger, two years younger, feels out of place in the water.

As they grow up and their lives diverge, Mindy and Ginger’s relationship ebbs and flows. Mindy finds herself swept up in celebrity, complete with beachside love affairs, parties at the Playboy Club, and USO tours to Vietnam. Meanwhile, Ginger–desperate for a community of her own–is tugged into the vibrant counterculture of drugs and cults. Through it all, their sense of duty to each other survives, as the girls are forever connected by the emotional damage they carry from their unorthodox childhood.

A gripping, emotional story set at a time when mothers were expected to be Donna Reed, not Gidget, California Golden is an unforgettable novel about three women living in a society that was shifting as tempestuously as the breaking waves.

Content warning: Parental neglect, child abandonment, partner abuse, cults, violence.

In California Golden, a legacy of neglectful parenting leads sisters Mindy and Ginger to the Southern California surf culture of the 1960s. Ignored and starved for affection by their mother Carol, whose own dreams were cut short by an unplanned pregnancy and the marriage that followed, the sisters throw themselves into surfing as a way to follow their mother and make sure she doesn’t abandon them completely. But while Mindy takes to surfing almost instinctively and displays a huge talent for it, Ginger struggles to keep up.

Over time, Mindy becomes a champion surfer, a surfing stand-in for the stars of beach party movies, and a spokesmodel for sponsors keen to have her sunny good looks and popularity attached to their brands. As Mindy becomes more involved with the club and music scene, Ginger instead gets caught up in the personal aura of a self-proclaimed “Surf God”, a charismatic beach bum who deplores surfing’s commercialization and who demands absolute devotion.

As years go by, Mindy and Ginger are pulled farther and farther apart by their different worlds — Mindy immersed in celebrity and stardom, while Ginger falls deeper into an abusive, all-encompassing relationship that leaves her powerless and penniless.

Meanwhile, Carol seems to live in her own world, always resentful of the sacrifices she had to make for the sake of motherhood, and wanting more than anything to reclaim her own body and her own passions.

With the Vietnam War ramping up and the surfing craze finally passing its peak, the lives of these three women intersect again and again, not always in ways that they’d expected or wanted.

Through these characters, California Golden shows the incredibly strong pressure (and hypocritical stances) imposed on women of the late 1950s and 1960s — to fit in, to become wives and mothers, to put men and children first, and to always do it with a smile. Carol is a hard person to sympathize with, but when later in the book, we get more of the story of her younger years, it’s clear that she faced a no-win situation where every last ounce of agency was stripped away from her. It’d hard to feel sorry for a neglectful mother, but at least we get to see how she ended up where she did.

The dynamic between Mindy and Ginger is complicated and sad, and it’s excruciating to see Ginger become pulled further and further into abuse, neglect, and a cult-like life revolving around drug smuggling and obedience.

The depiction of SoCal surf culture is evocative, although Mindy’s time in the music and celebrity life of the Sunset Strip feels somewhat repetitive of other books set in that era — the surf elements feel new and fresh, but the rest less so.

I appreciated the web of relationships and connections, but would have liked certain romantic connections to have more time to grow and breathe, and a conflict over racism isn’t especially well developed. I got the sense at various points that this book was trying to cram in too many iconic elements of the 1960s, sometimes to the point of overwhelming the central focus on the sisters and their mother.

The chapters focused on Mindy and Ginger’s childhood are so hard to read, so that when we do finally get the opportunity late in the book to learn about events from Carol’s perspective, it’s too late to salvage much in the way of good feelings toward her… but at least we get the chance to understand, even if we don’t condone or feel much empathy.

Reading California Golden, it’s impossible not to be grateful for reliable birth control and freedom of choice, endangered as that may be. If you want to convince someone that pregnancy and childbirth are traumatic, you might want to give them a copy of this book.

After a slow start (hampered by some weird chronology early on), the book begins to pick up steam — so while I wasn’t sure about it at first, by the midpoint, I was hooked and couldn’t put the book down. While I eventually got very caught up in the characters’ lives, I felt the ending tried to shoe-horn in too much, and left me with questions that I couldn’t ignore, despite the deliberate emotional fireworks.

Overall, I found California Golden entertaining, but questioned some of the plot choices, and didn’t feel that certain 1960s touchpoints added anything new or fresh to the book. It’s an interesting work of historical fiction, and for anyone interested in the era, it’s worth checking out.

Shelf Control #323: One Perfect Summer by Brenda Novak

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

A scheduling note for Shelf Control: I have a short trip planned for next week, and rather than schedule a Shelf Control post in advance, I’m planning to go easy on myself and skip a week! So, for June 22nd, I will not have a Shelf Control post up on Bookshelf Fantasies, but if you’re participating in the meme, please add your link to this week’s post so I don’t miss it!

Title: One Perfect Summer
Author: Brenda Novak
Published: 2020
Length: 464 pages

What it’s about (synopsis via Goodreads):

From New York Times bestselling author Brenda Novak comes a novel about finding family in unexpected places and the lifelong bonds that don’t need a lifetime to forge

When Serenity Alston swabbed her cheek for 23andMe, she joked about uncovering some dark ancestral scandal. The last thing she expected was to discover two half sisters she didn’t know existed. Suddenly, everything about her loving family is drawn into question. And meeting these newfound sisters might be the only way to get answers.

Serenity has always found solace at her family’s Lake Tahoe cabin, so what better place for the three women to dig into the mystery that has shaken the foundation each of them was raised on? With Reagan navigating romantic politics at her New York City advertising firm, and Lorelei staring down the collapse of her marriage, all three women are converging at a crossroads in their lives. Before the summer is over, they’ll have to confront the paths they walked to get there and determine how to move forward when everything they previously thought to be true was a lie.

But any future is easier to face with family by your side.

How and when I got it:

I bought the Kindle edition about a year ago.

Why I want to read it:

I mean… summer!!

Check out that cover! Doesn’t that just make you want to curl your toes in the sand and kick back with a fruity, slushy drink and a good book?

I did a Top 5 Tuesday post this week about books that make me think of summer, and when this one popped up as I was browsing through my Kindle library, I had to stop and ask myself why I haven’t read it yet.

There’s no particular reason why not — just time and moods, I guess. I’ve never read anything by this author, but I know she’s incredibly popular. I don’t necessarily go for books that get tagged (dismissively, in my humble opinion) as “chick lit” — but something about this synopsis really calls to me. In fact, I think it may have originally caught my eye after I did a home DNA test. (Mine came back with unsurprisingly not-surprising results. Still, it was fun to think about “what if” — what if some deep dark family secret suddenly comes to light?)

The book’s description of finding sisters suddenly and getting to know them sounds intriguing — plus, gotta love that Lake Tahoe setting!

This doesn’t sound like a heavy or serious read… and with summer just around the corner, I’m thinking one of my upcoming trips to visit family might be the perfect time to finally dig into it.

What do you think? Would you read this book?

Please share your thoughts!


__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!

Book Review: Getaway by Zoje Stage

Title: Getaway
Author: Zoje Stage
Publisher: Mulholland Books
Publication date: August 17, 2021
Length: 352 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

A cinematic and terrifying new novel from “the master of the psychological thriller” and the bestselling author of Baby Teeth and Wonderland, about three friends who hike into the wilds of the Grand Canyon—only to find it’s not so easy to leave the world behind (Entertainment Weekly).

It was supposed to be the perfect week away . . . 

Imogen and Beck, two sisters who couldn’t be more different, have been friends with Tilda since high school. Once inseparable, over two decades the women have grown apart. But after Imogen survives a traumatic attack, Beck suggests they all reunite to hike deep into the Grand Canyon’s backcountry. A week away, secluded in nature . . . surely it’s just what they need.

But as the terrain grows tougher, tensions from their shared past bubble up. And when supplies begin to disappear, it becomes clear secrets aren’t the only thing they’re being stalked by. As friendship and survival collide with an unspeakable evil, Getaway becomes another riveting thriller from a growing master of suspense and “a literary horror writer on the rise” (BookPage).

I went into Getaway not knowing much about it other than that it takes place in the Grand Canyon and that something ominous happens. The cover image makes it clear that this will not be a happy book! But I truly had no idea what awaited me, and that was a good thing. With no foreknowledge, I was shaken and then terrified by every new development.

That said, if you haven’t read Getaway and want to experience it the way I did, stop reading this review right now! Just know that this is a five-star reading experience, steel yourself to be truly disturbed, and go for it.

Onward, though, to discussing more of the book. First off, I must say that I had no idea that there would be a Jewish component to this book, and that’s always something that speaks to me. The book starts off shockingly, as we learn that main character Imogen survived the horrific attack on the Etz Chayim synagogue in Pittsburgh, by chance arriving just as the shooting began and being able to hide outside rather than being inside the building to be massacred.

Although physically unharmed, Imogen bears psychological scars that only intensify those she already carried from “the thing” (which we learn about over the course of the novel) that happened to her in college. Over her adult years, Imogen has become more and more reclusive, to the point of agoraphobic. She doubts herself, her worth, and her ability to function in the world.

Imogen and her sister Beck grew up in an outdoorsy family, with frequent backpacking and wilderness trips. It’s been years since Imogen has felt secure enough to venture out like this, but Beck has arranged for the two of them plus their friend Tilda to spend a week in the Grand Canyon. Once inseparable, Tilda and Imogen have been estranged since “the thing”. Beck hopes that their week together, away from society and distractions, basking in the beauty of the wilderness, will provide an opportunity for the three of them to come back together, heal, and reestablish the closeness they once had.

Needless to say, things go horribly wrong. I wont’ say how or why, but the beautiful getaway that Beck envisioned turns into a nightmare in which their lives are on the line, and any wrong move can spell disaster. The three women must rely on each other and on their own internal resources if they have even a tiny hope of making it out of the Grand Canyon again.

Getaway is a thriller that introduces its dangers in an almost innocuous way. As with the characters, I was lulled into thinking “how bad could this be?” But the danger becomes more and more clear, and the escalation is terrifying yet also insidious. There seems to be hope, again and again, that reason and compassion and conversation can yield a solution… but that hope gets dashed repeatedly, and it quickly becomes clear that only drastic action can save them.

(Sorry, being deliberately vague here… but honestly, it’s best not to know much in advance.)

I loved the complexity of the women’s relationships, and how this informs the way they interact as well as how they initially respond to the threats they face. Imogen, as our point of view character, is fascinating — we see her doubts and fears, her resentment toward Tilda, her sense of inadequacy when comparing herself to Beck, and the self-doubt she’s harbored for years about whether she’s good enough, whether she’s able to defend herself, whether she lets herself and others down in times of urgency. In order to survive, Imogen has to face her inner turmoil and put herself on the line in ways that would seem unimaginable in any other facet of her life.

Truly, Getaway is rich and complex, and scary as hell. I was creeped out and terrified throughout much of the book, and had a hard time envisioning any outcome that wasn’t devastating. At the same time, I loved the main characters, loved the Grand Canyon setting, and really marvelled at the author’s ability to weave together the elements of an engrossing thriller with a moving story about friendship and resilience.

This is my first encounter with Zoje Stage, but I hope it won’t be my last! I know she has two previously published novels, and I’m eager to find out more about them. If you’ve read either Baby Teeth or Wonderland, please let me know what you thought and if you recommend them!

Getaway is highly recommended, a powerful and frightening read that’s also redemptive and empowering. Don’t miss it.

Audiobook Review: Beth & Amy by Virginia Kantra

Title: Beth & Amy
Author: Virginia Kantra
Narrators: Janet Metzger, Brittany Pressley, Catherine Taber
Publisher: Berkley
Publication date: May 11, 2021
Print length: 348 pages
Audio length: 11 hours 8 minutes
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 4 out of 5.

Four sisters face new beginnings in this heartfelt modern take on Little Women by New York Times bestselling author Virginia Kantra.

Amy March is more like her older sister Jo than she’d like to admit. An up-and-coming designer in New York’s competitive fashion industry, ambitious Amy is determined to get out of her sisters’ shadow and keep her distance from their North Carolina hometown. But when Jo’s wedding forces her home, she must face what she really wants…and confront the One Big Mistake that could upend her life and forever change her relationship with Jo.

Gentle, unassuming Beth grew up as the good girl of the family. A talented singer-songwriter, she’s overcome her painful anxiety to tour with country superstar Colt Henderson. But life on the road has taken its toll on her health and their relationship. Maybe a break to attend her sister’s wedding will get her out of her funk. But Beth realizes that what she’s looking for and what she needs are two very different things….

With the March women reunited, this time with growing careers and families, they must once again learn to lean on one another as they juggle the changes coming their way.

The March Sisters audiobooks are a treat — let me tell you why! I enjoyed the first book, Meg & Jo, and I’m happy to be able to report that Beth & Amy is a worthy follow-up.

Note: While I rarely include content warnings in my reviews, I do think I need to mention that this book deals extensively with an eating disorder, so keep that in mind if that’s a triggering subject for you.

Obviously, from the title, the focus of this second book is on the two younger sisters from the world of Little Women, whose stories never get as much attention as Meg and Jo’s. Here, Beth and Amy take center stage, and it’s really fun to see author Virginia Kantra’s take on these sisters’ inner lives.

In these books, the girls are grown-ups, all in their mid-20s to early 30s. And let me just take a moment to dispel any fears, at the risk of being spoilery: Beth lives. So if you might avoid this book in order to avoid the heartbreak of Beth’s death… you’re good.

(And excuse my digression, but this seems like a good time to share one of my favorite Friends moments:)

As Beth & Amy opens, both characters seem to have achieved career success. Amy is living in New York, running her own business designing and selling fashion handbags. Orders are starting to pour in, now that a certain Duchess has been seen with one of Amy’s bags. But she’ll need to expand if she wants to really make her mark, and that’s going to take a cash infusion.

Beth is on tour with country superstar Colt Henderson, having written two songs for him that led to Grammy nominations. But she’s paralyzed by stage fright, and after a particularly awful experience, Colt sends her home to her family to recuperate. It doesn’t help that she’s in a relationship with Colt, and he seems more focused on his tour and his next Grammy than on Beth’s well-being.

The family is reunited for Jo’s wedding back in North Carolina, and it’s here that the sisters begin to reevaluate their hopes, their dreams, and what it looks like to be happy.

As in Meg & Jo, Beth & Amy is narrated in alternating chapters by different narrators, each representing one of the two sisters. This time around, their mother Abby also gets a voice, with a few key chapters of her own woven into the sisters’ story. The audiobook makes this story especially fun, and the narrators bring each character to life in a way that feels fresh and engaging.

I did really enjoy Beth & Amy. I’ve always loved Little Women, and before coming across these books, I would have had a hard time imagining that a modern-day retelling could work. The author does a terrific job of bringing the sisters’ lives and relationships into the 21st century, balancing contemporary issues with the more classic elements of the family dynamics.

I feel invested enough in Virginia Kantra’s vision of the March family at this point that I just wish there could be more! Maybe continue with retelling Little Men and Jo’s Boys next?

Final note: I think these two books are engaging enough to work perfectly fine even if you haven’t read Little Women — though of course, if you do love Little Women, these retellings will be even more fun.

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Book Review: The Light of the Midnight Stars by Rena Rossner

Title: The Light of the Midnight Stars
Author: Rena Rossner
Publisher: Redhook
Publication date: April 13, 2021
Length: 432 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2.5 out of 5.

An evocative combination of fantasy, history, and Jewish folklore, The Light of the Midnight Stars is fairytale-inspired novel from the author of The Sisters of the Winter Wood.

Deep in the Hungarian woods, the sacred magic of King Solomon lives on in his descendants. Gathering under the midnight stars, they pray, sing and perform small miracles – and none are more gifted than the great Rabbi Isaac and his three daughters. Each one is blessed with a unique talent – whether it be coaxing plants to grow, or predicting the future by reading the path of the stars.

When a fateful decision to help an outsider ends in an accusation of witchcraft, fire blazes through their village. Rabbi Isaac and his family are forced to flee, to abandon their magic and settle into a new way of life. But a dark fog is making its way across Europe and will, in the end, reach even those who thought they could run from it. Each of the sisters will have to make a choice – and change the future of their family forever.

I so wanted to love this book, but unfortunately, it just didn’t work out that way.

In The Light of the Midnight Stars, we meet a devout Jewish family living in the village of Trnava in the 14th century. The family has three daughters — Hannah, Sarah, and Levana — and each has her own special gifts. Their father is a Rabbi and a practitioner of ancient magics handed down through King Solomon’s descendants. This magic protects the community, yet as an ominous black mist intrudes on the village and the surrounding areas, the Jewish community’s gifts raise suspicion and anger among their neighbors.

Told through the perspectives of the three daughters, we learn about each girl’s gift, her frustrations and challenges, and see them each find (and lose) love in different ways. When the family is forced to flee after a tragedy, they finally emerge from a journey through the deep woods and start a new life in a new land, posing as simple village folk, hiding their Jewish heritage and powers.

While there are some lovely moments of magic and some beautiful descriptions of the natural world, the overall storyline is convoluted and overstuffed. In the author’s notes at the end, she discusses being influenced by family stories, folktales, fairy tales, medieval history, and more. It’s too much — the book has a “kitchen sink” feel, as in, everything was included, nothing left out but the kitchen sink.

At various slower-moving points, I was sorely tempted to DNF, but then I’d come across a particularly moving or interesting chapter, and hoped that I’d reached a turning point. As I said earlier, there are some especially good moments and some truly tragic, heartbreaking events — but there is also way too much symbolism, allegory, and magical flights of fancy for my taste, and as a result, I couldn’t completely invest in the story.

It’s too bad. I loved the author’s previous novel, The Sisters of the Winter Wood, and had such high hopes for this one. I did enjoy the characters of the sisters (well, mostly the two older sisters — the youngest one just confused me), but overall, the book just didn’t gel into one coherent story and followed too many wandering tangents for me to really love it.

The author is clearly quite gifted and has a terrific imagination, so I won’t give up — I’ll definitely keep an eye out for her future books.

Book Review: The Good Sister by Sally Hepworth

Title: The Good Sister
Author: Sally Hepworth
Publisher: St. Martin’s Press
Publication date: April 13, 2021
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

From the outside, everyone might think Fern and Rose are as close as twin sisters can be: Rose is the responsible one and Fern is the quirky one. But the sisters are devoted to one another and Rose has always been Fern’s protector from the time they were small.

Fern needed protecting because their mother was a true sociopath who hid her true nature from the world, and only Rose could see it. Fern always saw the good in everyone. Years ago, Fern did something very, very bad. And Rose has never told a soul. When Fern decides to help her sister achieve her heart’s desire of having a baby, Rose realizes with growing horror that Fern might make choices that can only have a terrible outcome. What Rose doesn’t realize is that Fern is growing more and more aware of the secrets Rose, herself, is keeping. And that their mother might have the last word after all.

I have not been disappointed in a Sally Hepworth book yet, and The Good Sister is no exception! Talk about a page-turner! I couldn’t put the book down, and finished this compelling story in one day.

Rose and Fern are adult sisters who’ve only had each other to rely on for as long as they can remember. Rose is calm and responsible and protective; Fern has sensory issues and struggles to understand the nuances of interpersonal communications, completing missing nonvisual cues and unable to take words as anything but literal.

When Rose shares with Fern her heartache over infertility, Fern decides to have a baby for Rose. And when she meets a sweet guy at the library where she works, Fern realizes that he’s a good candidate for the baby’s father.

Things don’t always go as expected, and as Fern becomes attached to the man she calls Wally, Rose becomes uneasy about the relationship and the feeling that Fern is pulling away from her.

Man, this book is hard to talk about without entering spoiler territory!

Told through Rose’s diary entries and Fern’s first-person narration, we learn bits and pieces about the sisters’ bond, their painful childhood, and their memories of their mother. We also learn more about why and how Fern became so dependent on Rose, and why neither of them consider Fern to be reliable or trustworthy.

It’s only as we get deeper into the story that we start to realize that neither sister is telling the whole story, and that what we’re hearing might not be the true picture of certain key events. Puzzling out the pieces and figuring out what’s true and what’s a lie makes this an incredibly engrossing read.

I especially loved Fern’s character. She’s unusual and has certain needs when it comes to interacting with the world, but she’s also very loving in her own odd way. And hey, she’s a librarian! And a really great one — despite her outward prickliness and tendency to ignore people who ask for help with the library photocopier, she’s terrific at helping people find what they need, whether it’s the right book or a bit of distraction, a way to calm down or even just some basic toiletries so they can use the public showers.

The plot of The Good Sister has some very clever twists and turns, and honestly, I just could not stop reading once I started. I won’t say more about the story, because it’s just too much fun to experience it without advance clues or information. Sally Hepworth has written yet another engrossing story with memorable characters, and I heartily enjoyed it. Don’t miss The Good Sister!