Aubiobook Review: Kopp Sisters on the March by Amy Stewart

 

In the fifth installment of Amy Stewart’s clever and original Kopp Sisters series, the sisters learn some military discipline—whether they’re ready or not—as the U.S. prepares to enter World War I.

It’s the spring of 1917 and change is in the air. American women have done something remarkable: they’ve banded together to create military-style training camps for women who want to serve. These so-called National Service Schools prove irresistible to the Kopp sisters, who leave their farm in New Jersey to join up.

When an accident befalls the matron, Constance reluctantly agrees to oversee the camp—much to the alarm of the Kopps’ tent-mate, the real-life Beulah Binford, who is seeking refuge from her own scandalous past under the cover of a false identity. Will she be denied a second chance? And after notoriety, can a woman’s life ever be her own again?

In Kopp Sisters on the March, the women of Camp Chevy Chase face down the skepticism of the War Department, the double standards of a scornful public, and the very real perils of war. Once again, Amy Stewart has brilliantly brought a little-known moment in history to light with her fearless and funny Kopp sisters novels.

My Thoughts:

Long live the Kopp sisters! This brilliant series continues strong, as fearless Constance Kopp and her sisters Norma and Fleurette leave behind their New Jersey farm to attend a women’s training camp. The US is on the verge of joining the war in Europe. Young women, mostly of privileged families, sign up to attend a National Service School to learn military bed-making, bandage-rolling, and some basics about marching in formation and understanding signalling.

For most of these women, it’s not particularly serious. Most will go back home to mommy and daddy afterward — but for some, it’s a stepping stone to sailing for France, where they hope to join the war effort in whatever way they can. And for one woman in Kopp Sisters on the March, the camp and France represent an escape from her intolerable, scandal-ridden life.

When the Kopp sisters arrive at camp, it’s the year after Constance has lost her job as a sheriff’s deputy, after the election of a new sheriff who has no interest in or tolerance for women in law enforcement. Constance is adrift and rather hopeless, until she ends up being put in charge of the camp after the camp matron is injured. Under Constance’s direction, the camp takes on a more disciplined and focused feel, and she even introduces secret hand-to-hand combat and shooting lessons for the small group of women who are determined to be taken seriously and prepare themselves for the war.

The narrative is split between Constance and her sisters and the historical figure Beulah Binford. As the author explains in her notes, there’s no record of the real-life Beulah attending such a camp, but it seems like a great fit for her to place her in this story. Beulah was the “other woman” in a highly publicized murder case, and while she was never charged with a crime, she was dragged through the papers and became one of the most notorious women of the time, forcing her to live under assumed identities and live in hiding. I didn’t realize until I got to the end of the book and read the notes that Beulah was a real person — this made her parts of the story all the more fascinating and tragic, seeing how an uneducated, resourceless woman could end up having her life so thoroughly ruined.

It’s a bit jarring to have the action in a Kopp sisters book move away from law enforcement and local police work to a military setting, but it tracks with the timeline of the real Kopp sisters, and seems like a natural choice for them in the context of the US’s war preparations. As always, Constance is a strong character who doesn’t back down and who is determined to improve the lives of the women around her. I’m less fond of her sisters — Fleurette is flighty as always, and Norma and her pigeon-obsession are a bit much to take — but their family dynamics are always fun.

As with the previous four books, I listened to the audiobook version, becuase the narrator is so gifted when it comes to portraying the sisters and the various other characters. As I mentioned in my reviews of the other audiobooks, she makes each character come alive, and as a listener, I really got the essence of each character’s personality through Chrsitina Moore’s presentation.

The author’s notes at the end of the book are essential reading (as they are in all of the Kopp Sisters books). Amy Stewart provides the historical context, explains her research, and makes clear which parts of her story are from the record and which are her invention. It’s fascinating to see how she so skillfully weaves together fact and fiction, and really remarkable to learn just how much of these women’s lives actually happened.

And as I’ve said in each review I’ve written for the books in this series:

If you haven’t had the pleasure of reading the Kopp Sisters books yet, start with Girl Waits With Gun, and then keep going!

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The details:

Title: Kopp Sisters on the March
Author: Amy Stewart
Narrator: Christina Moore
Publisher: Houghton Mifflin Harcourt
Publication date: September 17, 2019
Audiobook length: 10 hours, 26 minutes
Printed book length: 355 pages
Genre: Historical fiction
Source: Audible download (purchased); ARC from the author

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Graphic Reaction: The Beauty, volumes 1 – 5

 

Oh boy, what a crazy bunch of books I just read! The Beauty is an ongoing comic series, available in five volumes (so far) of trade paperbacks. I picked these books up on a total whim while browsing library shelves — and something about the covers made me decide to grab all five at once, instead of trying just one.

From Goodreads, synopsis for volume 1:

Modern society is obsessed with outward beauty. What if there was a way to guarantee you could become more and more beautiful every day? What if it was a sexually transmitted disease?

In the world of The Beauty, physical perfection is only one sexual encounter away. The vast majority of the population has taken advantage of it, but Detectives Vaughn and Foster will soon discover it comes at a terrible cost. Now, they’ll have to find their way past corrupt poiticians, vengeful federal agents, and a terrifying mercenary out to collect the price on their heads.

In The Beauty, some people contract the disease accidentally, and others deliberately seek it out. Either way, more and more people are becoming infected, and the people with the Beauty find themselves in enviable positions within society… until Beauties start dying. And it’s not just the victims of anti-Beauty violence who die — some Beauties are found dead by internal combustion. They literally burn up from the inside out. Gross, right?

Volume one introduces us to Detectives Foster and Vaughn, assigned to the Beauty beat, who become enmeshed in the growing violence and conspiracies regarding the Beauty, as well as having personal stakes in the outcome of their investigation. They’re partners with great chemistry and friendship, nothing romantic at all, which is refreshing in a male/female detective duo.  As the story progresses, we learn that there’s an underground faction of scientists trying to expose big pharma’s role in the perpetuation of the disease, and there also people (government? organized crime?) who’ll stop at nothing to keep their secrets.

One thing I really enjoyed about the series is how the artwork uses color and light to visually cue us in on who has the Beauty. People with it have a radiance that others just don’t, so even when someone as drawn is reasonably attractive, it’s the play of light that let’s us know who has the disease.

Volume 1 ends on a major cliffhanger… and as of the end of volume 5, we never get back to that point. Let me explain…

Volumes 2 – 5 are all backstory, occurring chronologically before volume 1, each showing different views into the development of the Beauty and the vast amount of violence that goes with it. In volume 2, we meet two completely new characters, participants in the world of crime who have a devoted patron and manage to establish a family of sorts. Their little found family is of course caught up in the chaos surrounding the Beauty, and both inflict and suffer tremendous amounts of damage.

Volumes 3 and 4 continue with this story, as well as mixing stories of the scientists and the corporate bad guys who all have some part in the spread of the disease. And in volume 5, we return to Vaughn and Foster in the earlier days of their partnership, as they join the Beauty task force in response to a series of murders.

 

 

I suppose I was most enamored of the story in volume 1, although all volumes remain interesting. Still, I wished throughout for some resolution or forward motion from the end of volume 1, rather than the build-up of backstory. I know the series is ongoing, so I’m hoping that whenever the next volume is released, we can finally find out what happens next.

 

 

 

The artwork is a little uneven, especially in volumes 2 and 3, as some pretty different styles are used for parts of the story, and not all work. (It can also be hard to identify characters when their images change so much between chapters and volumes).

Still, I really enjoyed the series overall, and sped my way through all five volumes in about a day and a half. Warning: Not for the squeamish. There’s a lot of violence, lots of weaponry, close-ups of blood and bodily harm… you get the point. If you can handle these elements in your graphic novel reading, then by all means, check out The Beauty!

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The details:

Title: The Beauty, volumes 1 – 5
Author: Jeremy Haun and Jason A. Hurley
Illustrator: Jeremy Haun and John Rauch
Publisher: Image Comics
Publication date: ongoing (started 2016)
Length: varies
Genre: Graphic novel
Source: Library

Book Review: A Dangerous Collaboration (Veronica Speedwell, #4) by Deanna Raybourn

Victorian adventuress Veronica Speedwell is whisked off to a remote island off the tip of Cornwall when her natural historian colleague Stoker’s brother calls in a favor. On the pretext of wanting a companion to accompany him to Lord Malcolm Romilly’s house party, Tiberius persuades Veronica to pose as his fiancée–much to Stoker’s chagrin. But upon arriving, it becomes clear that the party is not as innocent as it had seemed. Every invited guest has a connection to Romilly’s wife, Rosamund, who disappeared on her wedding day three years ago, and a dramatic dinner proves she is very much on her husband’s mind.

As spectral figures, ghostly music, and mysterious threats begin to plague the partygoers, Veronica enlists Stoker’s help to discover the host’s true motivations. And as they investigate, it becomes clear that there are numerous mysteries surrounding the Romilly estate, and every person present has a motive to kill Rosamund…

The house party with a twist is such a trope in old-timey feeling mysteries… and with good reason. Take a remote location, preferably in a house with some grandeur or mystique, add in a motley assortment of house guests, all invited for a variety of reasons, most of which end up being pretenses, maybe mix in some gothic family secrets… and bam! You’re all set up for a slightly claustrophobic, atmospheric whodunnit.

In the case of A Dangerous Collaboration, while the set-up is reminiscent of Agatha Christie, with perhaps a hint of Rebecca too, it’s a trope that works extremely well. We pick up with our plucky heroine Veronica Speedwell, already a world-famous lepidopterist despite being only in her mid-20s, and her dark and dangerous colleague Revelstoke Templeton-Vane, known as Stoker. The two have chemistry galore. When we last saw them in A Treacherous Curse, Veronice and Stoker had just solved a mystery involving plundered Egyptian tombs and Stoker’s notorious past… and were on the verge of a long-awaited lip-lock and possible confession of feelings, when they were interrupted by Stoker’s older brother, the Viscount Tiberius Templeton-Vane.

In A Dangerous Collaboration, we continue mere moments later. Tiberius arrives with a proposition for Veronica — to accompany him to a gathering at his friend Malcolm’s Cornish island castle, where she’ll be able to collect specimens of a rare butterfly previously thought extinct. Naturally, Veronica jumps at the chance, despite Stoker’s objections. So also naturally, Stoker shows up at the island too, where the two brothers and Veronica join Malcolm, his spinster sister, his widowed sister-in-law, and his nephew for a social gathering. At which point Malcolm informs them all that he needs their help — he wants to learn the truth of what really happened to Rosamund on their wedding day. Did she flee? Did she die? Was she murdered? There are some dark and disturbing possibilities, and all of the assembled guests, apart from Veronica and Stoker, seem to have much more at stake than is initially apparent.

The Veronica Speedwell books are utterly delightful, with their arch humor, constant sense of adventure, and layered mysteries to solve, all of which are enhanced a thousand times over by the sparks continually flying between Veronica and Stoker. While A Dangerous Collaboration felt at first a little tamer than the previous three books, probably because Veronica and Stoker did not appear themselves to be in mortal peril this time around, soon the danger grows and before long they’re once again risking life and limb to learn the truth.

Along the way, we get to know Tiberius better and understand what makes him tick, as well as gaining insight on the highly charged relationship between the brothers. For me, the most delicious part of the reading experience was the mounting tension between Veronica and Stoker, as they creep closer and closer to the point where they’ll just have to finally admit their feelings and declare their intentions toward one another. Like I said, these two — chemistry, sparks, fire, passion… you name it. (But no, there’s no graphic physical stuff, just tension and attraction galore.)

As always, the language and dialogue in these books is so much fun. A little sampling:

“What in the name of seven hells do you mean you want to ‘borrow’ Miss Speedwell? She not an umbrella, for God’s sake.”

Her doglike devotion was appalling; any woman with spirit or strength could only feel revulsion at the notion of offering oneself up like a sacrificial lamb to the slaughter of one’s own independent thought and feeling.

Men were a joy to sample, but a mate would be a complication I could not abide.

“Does this mean you will stop torturing me by displaying yourself in various states of undress?’

“Not a chance.”


At the end of A Dangerous Collaboration, we get a hint about what Veronica and Stoker’s next adventure will be in book #5. And now I’m jumping out of my skin, dying to read it NOW. This is really a terrific series, and I encourage everyone to start at the beginning and dive in!

Want to know more? Check out my reviews of the previous books in the Veronica Speedwell series:
A Curious Beginning
A Perilous Undertaking
A Treacherous Curse
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The details:

Title: A Dangerous Collaboration (Veronica Speedwell, #4)
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 12, 2019
Length: 336 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via NetGalley

Take A Peek Book Review: That Ain’t Witchcraft (InCryptid, #8) by Seanan McGuire

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

 

Synopsis:

(via Goodreads)

Crossroads, noun:

1. A place where two roads cross.
2. A place where bargains can be made.
3. See also “places to avoid.”

Antimony Price has never done well without a support system. As the youngest of her generation, she has always been able to depend on her parents, siblings, and cousins to help her out when she’s in a pinch—until now. After fleeing from the Covenant of St. George, she’s found herself in debt to the crossroads and running for her life. No family. No mice. No way out.

Lucky for her, she’s always been resourceful, and she’s been gathering allies as she travels: Sam, fūri trapeze artist turned boyfriend; Cylia, jink roller derby captain and designated driver; Fern, sylph friend, confidant, and maker of breakfasts; even Mary, ghost babysitter to the Price family. Annie’s actually starting to feel like they might be able to figure things out—which is probably why things start going wrong again.

New Gravesend, Maine is a nice place to raise a family…or make a binding contract with the crossroads. For James Smith, whose best friend disappeared when she tried to do precisely that, it’s also an excellent place to plot revenge. Now the crossroads want him dead and they want Annie to do the dirty deed. She owes them, after all.

And that’s before Leonard Cunningham, aka, “the next leader of the Covenant,” shows up…

It’s going to take everything Annie has and a little bit more to get out of this one. If she succeeds, she gets to go home. If she fails, she becomes one more cautionary tale about the dangers of bargaining with the crossroads.

But no pressure.

My Thoughts:

Seanan McGuire can pretty much do no wrong in my worldview, and That Ain’t Witchcraft is a prime example of why. The InCryptid series is relatively light-hearted, although bad things do happen, but overall these books maintain a whimsical, wise-ass feel that keeps the mood more on the fun end of the urban fantasy spectrum.

Eight books in, the series continues to rock and roll. The beauty (or I really should say, one of the beauties) of this series is the focus on the sprawling Price family, which gives the author plenty of characters to share the spotlight from book to book. So far, we’ve had three books with Verity as the lead, two with Alex, and now three with Antimony, the baby sister of the family. (I understand that the spotlight will be moving to a different family member in book #9 — I’m already on pins and needles to see what happens next!)

That Ain’t Witchcraft continues from the ending of book #7, Tricks For Free, with Antimony and friends on the run from the Covenant, the globally powerful cryptid-hating organization that would also like to track down and annihilate the entire Price clan. Looking for a hideout where they can rest and catch their breaths for a while, Antimony and the gang instead find themselves in a small town with a big problem involving the crossroads, the otherworldy entity that makes bargains that never seem to work out well for the human side.

The writing, as always in Seanan McGuire books, is snappy and snarky and full of pop-culture references and overall geekiness, and I love it all to bits. Random example:

“He’s a delicate boy. He doesn’t need some loose woman coming from out of town and getting him all confused.”

I blinked. “I… what? I don’t know whether to be more offended by you calling James ‘delicate’ or you calling me ‘loose.’ I assure you, I am the opposite of a loose woman. I’m a tightly wound, sort of prickly woman. Hermione Granger is my Patronus.”

Need I say more? In case it’s not perfectly obvious, the 8th book in an ongoing series is NOT the place to start. So, I encourage you to go find a copy of book #1, Discount Armageddon, and dive in. If you’re like me, you’ll be hooked, and will want to keep going until you’ve gobbled up all eight books and are panting for more.

InCryptids rule. Check out this series!

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The details:

Title: That Ain’t Witchcraft (InCryptid series, book #8)
Author: Seanan McGuire
Publisher: DAW
Publication date: March 5, 2019
Length: 368 pages
Genre: Urban fantasy
Source: Review copy courtesy of the publisher via NetGalley

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