Book Review: Imaginary Numbers (InCryptid, #9) by Seanan McGuire

Title: Imaginary Numbers (InCryptid series, book #9)
Author: Seanan McGuire
Publisher: DAW
Publication date: February 25, 2020
Length: 448 pages
Genre: Urban fantasy
Source: Won in a Goodreads giveaway!
Rating:

⭐⭐⭐⭐

The ninth book in the fast-paced InCryptid urban fantasy series returns to the mishaps of the Price family, eccentric cryptozoologists who safeguard the world of magical creatures living in secret among humans.

Sarah Zellaby has always been in an interesting position. Adopted into the Price family at a young age, she’s never been able to escape the biological reality of her origins: she’s a cuckoo, a telepathic ambush predator closer akin to a parasitic wasp than a human being. Friend, cousin, mathematician; it’s never been enough to dispel the fear that one day, nature will win out over nurture, and everything will change.

Maybe that time has finally come.

After spending the last several years recuperating in Ohio with her adoptive parents, Sarah is ready to return to the world–and most importantly, to her cousin Artie, with whom she has been head-over-heels in love since childhood. But there are cuckoos everywhere, and when the question of her own survival is weighed against the survival of her family, Sarah’s choices all add up to one inescapable conclusion.

This is war. Cuckoo vs. Price, human vs. cryptid…and not all of them are going to walk away.

It makes me so happy to have a new InCryptid book in my hands, especially since I won this one in a Goodreads giveaway, which pretty much never happens for me!

In Imaginary Numbers, the ongoing InCryptid series turns to two new point-of-view characters, Sarah Zellaby and Artie Harrington. Sarah and Artie are both members of the sprawling Price-Healy clan, a group of cryptozoologists dedicated to protecting non-human species from the persecution of the deadly Covenant, and equally dedicated to protecting humans from the deadlier of cryptid species. To that end, the Prices are all highly skilled with weaponry of all sorts, learning to become excellent shots and to throw knives with precision from childhood.

Sarah is the first non-human main character in this series. She’s a cuckoo, the common term for Johrlacs, which are a human-appearing species that are more or less descended from telepathic wasps. Cuckoos are apex predators. They can take over anyone’s mind and make them do whatever they want, and the effects can be fatal. Sarah was adopted into the Price family as a child, and so was raised with a different set of influences than a typical cuckoo, making her more aware of her responsibility to respect others’ boundaries and giving her a deep, true love for her family. As well as a different and very strong love for her cousin Artie, which the two of them have been too shy and awkward to ever acknowledge.

In this book, Sarah’s return to the family compound after a lengthy recovery from injury brings the attention of unknown cuckoos, who want to use her for their own purposes, and don’t care who they have to kill to make it happen. The action is intense and fast-paced, with a plot that’s occasionally confusing but always fun.

The InCryptid books tend to be a little less dire than Seanan McGuire’s October Daye series, which regularly rips out my heart. This series is generally light-hearted, not that there aren’t perilous situations and heartbreaks here as well. Still, with a family that includes a sorcerer whose boyfriend is a human-sized monkey, a grandfather who’s patched together from dead bodies, and a time-traveling grandma who appears to be in her teens, things can’t get all that serious for too extended a time.

The author’s trademark quippiness and cleverness is on full display in Imaginary Numbers:

It wouldn’t stop the cuckoos on the lawn from pouring into the house if they got the signal — it would barely even slow them down — but every little bit helps when you’re going up against telepathic killers from another dimension.

… [T]hat made it better than standing around waiting for the invisible floor to drop out from under my feet and send me plummeting into the void. I am not a big fan of plummeting. If I had to commit to a position, I’dd probably have to say that I was anti-plummeting.

“She seems nice.”

“No, she doesn’t,” I said. “She seems like an unstable old lady who somehow keeps aging backward, and who carries grenades that are older than I am way too frequently for comfort’s sake.”

Normal people get meet-cutes. I get crime scene cleanup.

Imaginary Numbers ends with a sort-of cliffhanger — the main plot is resolved, but ends up dumping a few key characters into a brand-new situation in the last lines… and I’m dying to know what will happen! It sounds as though the next in the series, Calculated Risks, will pick up where this one leaves off. Too bad we have to wait a year for it!

As an added treat, Imaginary Numbers includes a bonus novella, Follow the Lady, which takes place chronologically between books 8 and 9. It’s fun, not earth-shattering, and a nice way to de-stress after the high-pitched excitement at the end of Imaginary Numbers.

This series is a delight, and I’ll echo my previous advice to start at the beginning. These books do not work as stand-alones, not if you want to have any hope of getting what’s going on and the complex, convoluted family trees. All of the InCryptid books are fast reads, so even though this is the 9th book in the series, it really won’t be too hard to catch up.

I love these books! Check ’em out.

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Book Review: Come Tumbling Down (Wayward Children, #5) by Seanan McGuire

Title: Come Tumbling Down (Wayward Children, #5)
Author: Seanan McGuire
Publisher: Tor
Publication date: January 7, 2020
Length: 206 pages
Genre: Fantasy
Source: Purchased
Rating:

⭐⭐⭐⭐⭐

The fifth installment in Seanan McGuire’s award-winning, bestselling Wayward Children series, Come Tumbling Down picks up the threads left dangling by Every Heart a Doorway and Down Among the Sticks and Bones

When Jack left Eleanor West’s School for Wayward Children she was carrying the body of her deliciously deranged sister–whom she had recently murdered in a fit of righteous justice–back to their home on the Moors.

But death in their adopted world isn’t always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.

Eleanor West’s “No Quests” rule is about to be broken.

I adore Seanan McGuire. I adore everything she writes. I adore the Wayward Children series.

So is it any surprise when I say that I loved Come Tumbling Down?

In this, the 5th installment in what I hope will be a long, ongoing series of fantasy novellas, we return to the events of book #2, Down Among the Sticks and Bones, and finally find out what happened next.

Which, right off the bat, tickles me pink, because Down Among the Sticks and Bones is — no question about it — my favorite in the entire series. So I was thrilled to return to the world of the Moors, the war between mad scientists and vampires, and the struggle to resurrect and reanimate that which has been lost.

For those new to this series, the basic idea is this: Eleanor West runs a boarding school for children who’ve returned to their parents’ homes after an absence which has left them strange and unmanageable. What the parents don’t understand, but Eleanor West certainly does, is that these missing children found doors to other worlds — world of logic or nonsense, worlds of virtue or wickedness, and all sorts of points on the compass between extremes**. Whether kicked out or voluntarily returned, the children no longer fit in their mundane lives, but find solace and shelter with the other misfits like themselves at the home for wayward children.

In Down Among the Sticks and Bones, we learned about twins Jack and Jill and their time spent on the Moors. We pick up their story in Come Tumbling Down as one of the twins returns to the school – but which one?

Oh, I really don’t want to give anything away! This book, like all the others, is filled to the brim with fantasy and danger and challenges, but rooted deeply by its unique and memorable characters. There’s Sumi, a nonsense girl who knows her destiny lies in the world of Confection; Cora, a mermaid who longs to return to the sea; Kade, a Goblin prince who accepts that his chosen world may not choose him any longer; and Christopher, who dreams of life in the land of Mariposa with his true love, the Skeleton Girl.

When the missing twin returns and needs help with her life-or-death quest, the friends are quick to stand by her and venture through the door to the Moors, risking their own lives in an attempt to right the balance so crucial in that world.

As in all of the Wayward Children books, Seanan McGuire’s writing is lyrical and magical, infusing every moment with otherworldly flavors and fantastical elements, some menacing, some magical, some downright funny.

I’ll share some chosen selections here, although narrowing it down to just a few is hard. Here’s what my book looked like by the time I got close to the end:

 Sometimes Christopher thought any chance he’d had of falling for a girl with ordinary things like “skin” and “muscle tissue” and “a pulse” had ended with the soft, moist sound of Jack driving a pair of scisors through her sister’s horrible heart.

“My parents,” she said. “They were like Nancy’s but the other way around, chasing monochrome instead of spectrums. They didn’t understand. Thought if they threw enough gray and gray and gray at me, I’d forget I’d seen rainbows and learn how to be their little sparrow-girl again. She died in Confection and I rose from her ashes, a pretty pastry phoenix.

Sumi looked up and smiled serenely. “Look at the moon,” she said. “It’s like the sugared cherry on the biggest murder sundae in the whole world.”

Indoor lightning storms, resurrected girls, and giant, bloody moons were terrifying enough without throwing in headless corpses, vampire lords, and something called a “Drowned God.”

And another from Sumi, because she’s awesome and so are her sundae analogies:

“This is terrible,” said Sumi brightly. “I mean, we knew it was going to be terrible when we followed a mad scientist and her dead girlfriend to a horrifying murder world, but this is bonus terrible. This is the awful sprinkles on the sundae of doom.”

Ah, I’ll stop here. I loved this book, and I love this series wholeheartedly. Each of the books is lovely on its own, and Come Tumbling Down is a worthy, enthralling addition to the series.

Beautiful, haunting writing, a creep-tastic setting, mad scientists and Drowned Gods, and the bestest friends squad you’d ever want at your back. What more could we ask for?

A note of advice: If the events of Down Among the Sticks and Bones aren’t fresh in your mind, then definitely pause for a re-read (or enjoy the excellent audiobook version) before diving in to Come Tumbling Down.

**Want to know more about the worlds of the Wayward Children books? Check out this excellent guide!

Illustration by Rovina Cai from Come Tumbling Down.
You will love these two horses. Promise.

Top Ten Tuesday: A Selection of Favorite Fantasy Books and Series

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Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Books From My Favorite Genre. I bounce between genres quite a bit, but thought I’d focus here on fantasy. My list includes stand-alones as well as series, and because I’m sticking to just 10, I ended up not including three that pretty much go without saying: of course I love the Narnia, A Song of Ice and Fire, and Lord of the Rings books! (See? I managed to mention them after all!)

My top ten, in no particular order:

  • The Blue Sword by Robin McKinley
  • Codex Alera (series) by Jim Butcher
  • The Immortals (series) (standing in for ALL Tortall books) by Tamora Pierce (review)
  • Uprooted by Naomi Novik (review)
  • The Enchanted Forest Chronicles (series) by Patricia C. Wrede (review)
  • Wayward Children (series) by Seanan McGuire (review)
  • The Eyes of the Dragon by Stephen King (review)
  • The Sisters of the Winter Wood by Rena Rossner (review)
  • His Dark Materials (series) by Philip Pullman
  • Stardust by Neil Gaiman

What genre did you pick this week? If you wrote a TTT post this week, please share your link!

Take A Peek Book Review: That Ain’t Witchcraft (InCryptid, #8) by Seanan McGuire

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

 

Synopsis:

(via Goodreads)

Crossroads, noun:

1. A place where two roads cross.
2. A place where bargains can be made.
3. See also “places to avoid.”

Antimony Price has never done well without a support system. As the youngest of her generation, she has always been able to depend on her parents, siblings, and cousins to help her out when she’s in a pinch—until now. After fleeing from the Covenant of St. George, she’s found herself in debt to the crossroads and running for her life. No family. No mice. No way out.

Lucky for her, she’s always been resourceful, and she’s been gathering allies as she travels: Sam, fūri trapeze artist turned boyfriend; Cylia, jink roller derby captain and designated driver; Fern, sylph friend, confidant, and maker of breakfasts; even Mary, ghost babysitter to the Price family. Annie’s actually starting to feel like they might be able to figure things out—which is probably why things start going wrong again.

New Gravesend, Maine is a nice place to raise a family…or make a binding contract with the crossroads. For James Smith, whose best friend disappeared when she tried to do precisely that, it’s also an excellent place to plot revenge. Now the crossroads want him dead and they want Annie to do the dirty deed. She owes them, after all.

And that’s before Leonard Cunningham, aka, “the next leader of the Covenant,” shows up…

It’s going to take everything Annie has and a little bit more to get out of this one. If she succeeds, she gets to go home. If she fails, she becomes one more cautionary tale about the dangers of bargaining with the crossroads.

But no pressure.

My Thoughts:

Seanan McGuire can pretty much do no wrong in my worldview, and That Ain’t Witchcraft is a prime example of why. The InCryptid series is relatively light-hearted, although bad things do happen, but overall these books maintain a whimsical, wise-ass feel that keeps the mood more on the fun end of the urban fantasy spectrum.

Eight books in, the series continues to rock and roll. The beauty (or I really should say, one of the beauties) of this series is the focus on the sprawling Price family, which gives the author plenty of characters to share the spotlight from book to book. So far, we’ve had three books with Verity as the lead, two with Alex, and now three with Antimony, the baby sister of the family. (I understand that the spotlight will be moving to a different family member in book #9 — I’m already on pins and needles to see what happens next!)

That Ain’t Witchcraft continues from the ending of book #7, Tricks For Free, with Antimony and friends on the run from the Covenant, the globally powerful cryptid-hating organization that would also like to track down and annihilate the entire Price clan. Looking for a hideout where they can rest and catch their breaths for a while, Antimony and the gang instead find themselves in a small town with a big problem involving the crossroads, the otherworldy entity that makes bargains that never seem to work out well for the human side.

The writing, as always in Seanan McGuire books, is snappy and snarky and full of pop-culture references and overall geekiness, and I love it all to bits. Random example:

“He’s a delicate boy. He doesn’t need some loose woman coming from out of town and getting him all confused.”

I blinked. “I… what? I don’t know whether to be more offended by you calling James ‘delicate’ or you calling me ‘loose.’ I assure you, I am the opposite of a loose woman. I’m a tightly wound, sort of prickly woman. Hermione Granger is my Patronus.”

Need I say more? In case it’s not perfectly obvious, the 8th book in an ongoing series is NOT the place to start. So, I encourage you to go find a copy of book #1, Discount Armageddon, and dive in. If you’re like me, you’ll be hooked, and will want to keep going until you’ve gobbled up all eight books and are panting for more.

InCryptids rule. Check out this series!

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The details:

Title: That Ain’t Witchcraft (InCryptid series, book #8)
Author: Seanan McGuire
Publisher: DAW
Publication date: March 5, 2019
Length: 368 pages
Genre: Urban fantasy
Source: Review copy courtesy of the publisher via NetGalley

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Series wrap-up: The Beka Cooper trilogy by Tamora Pierce

Last year, I began a journey through the lands of Tortall, the incredibly rich and exciting fantasy world created by Tamora Pierce. This year, I continued the adventure by listening to the audiobooks of the Beka Cooper trilogy — and now that I’ve finished, I thought I’d share some thoughts.

The Beka Cooper books take place about 150 years before the beginning of the Song of the Lioness quartet, Tamora Pierce’s first Tortall books, which introduce the young squire who would grow up to become Lady Knight Alanna. The Beka books were published after the Alanna, Daine, Kel, and Aly books, yet they are chronologically the first books in terms of the kingdom of Tortall. I’ll admit that I wasn’t sure about going back into the kingdom’s past and the pre-Alanna days… but I can tell you now that these books are very much worth it!

Beka Cooper herself is a wonderful lead character, everything we could hope for in a young female protagonist. In terms of how these books relate to the (chronologically) later books in the Tortall universe, Beka is George Cooper’s ancestor. That’s about all you need to know, but it does tie together quite nicely.

The story of Beka Cooper:

 

In book #1, Terrier, Beka is a young woman just starting out as a “puppy” (trainee) in the Provost’s Guard — the kingdom’s law enforcement department, whose members are referred to as “dogs”. Beka is smart and strong, from the poorest neighborhood of the capital city of Corus, raised in poverty until she and her siblings became wards of the Lord Provost himself, Lord Gershom. As an untested puppy, Beka is paired with Tunstall and Goodwin, two highly respected and experienced dogs, and before long she proves herself in a variety of street fights and arrests. Besides her fighting skills and sharp eye for clues, Beka has a touch of magic: She converses with the spirits of the dead, who come to her attached to the city’s pigeons, and she can also converse with dust spinners — the funnels of swirling dust that show up on street corners, collecting and then sharing with Beka the random bits of conversation they pick up from passers-by. Over the course of her puppy year, Beka becomes embroiled in a life-threatening search for a murderer, digging into the corruption polluting the highest levels of money and power in the lower city.

In the 2nd book, Bloodhound, Beka is no longer a puppy but a fully qualified dog. Here, she is assigned with her partner Clary Goodwin to track down the influx of counterfeit coins that threaten to undermine the entire kingdom. Beka goes on the hunt with Goodwin to track down the counterfeiters, along the way making enemies of the criminal kingpin of a nearby town, but also finding herself romantically involved with a handsome gambler who may or may not be trustworthy.

Finally, in book #3, Mastiff, we rejoin Beka a few years later, still working as a dog and with the reputation of being one of the most talented and determined. She’s committed to fighting injustice and keeping people safe, especially those who can’t fight for themselves. When an attack is made on the royal family, Beka and Tunstall are sent out to track the evildoers, in a case that involves high treason and the realm’s most dangerous and powerful mages.

These books are long and complicated… and I just can’t say enough good things about them! My daughter has pushed me to read them for years, but the first few times I picked up Terrier, I was put off by the language. Tamora Pierce gives her characters a street language that’s rich and flavorful, but which at first glance seemed too out-there to me. When I finally gave it a chance, though, I ended up loving it. Probably listening to the audiobooks helped — I was able to get the feel of the words and their rhythm without getting too stuck on reading written dialect. It’s helpful, though, to keep a hard copy of the books on hand even if listening to the audio version, since the printed books include a glossary at the back, and it’s essential, especially when first entering Beka’s world.

Beyond the amazing language of the books, Beka herself is a wonderful character. Like many of Pierce’s heroines, she has an affinity for animals, and cat Pounce and dog Achoo become major characters in their own way over the course of the three books. Likewise, the supporting characters are fully developed, so we’re left in no doubt about their essences, values, skills, etc — except for the cases where someone’s motive are meant to be questionable, of course.

Pierce doesn’t shy away from sexual relationships, although thankfully she doesn’t seem to feel the need to give us anatomy lessons. Beka and others have sexual relationships as part of their natural lives, not a big deal, no moralizing or agonizing over whether to do it or not. Young women like Beka get charms to prevent pregnancy when they become sexually active, and that’s that. No fuss, no muss. Beka retains full agency over her body and her choices, and it’s a low-key message of empowerment that’s woven into the overall story.

By setting the books so much earlier than the other Tortallian books, we get a glimpse of how certain facets of life in the later (chronologically; earlier by publishing date) books came about. In the Beka books, women are well represented in law enforcement as well as among the knighthood — yet in the Alanna books, it’s considered unheard of for women to become knights, something that hasn’t happened in centuries. So how did the kingdom go from a fairly progressive stance toward women in combat or physical roles toward the idea that women must be proper ladies relegated to fashion, etiquette, embroidery, and other ladylike pursuits? We get a hint of the origins of this change in Mastiff, as Beka travels to one of the kingdom’s fiefdoms where the cult of the Gentle Mother seems to be taking hold — setting the standard that fighting is for men and that women’s greatest joy lies in hearth and home. Likewise, we see how the kingdom moves from a land that tolerates the slave trade to one where slavery is outlawed, thanks to the events initiated in this trilogy. It’s really fascinating to see the seeds here for the changes that are so apparent in the books set later in the kingdom’s history.

The audiobooks are narrated by Susan Denaker, who does an amazing job with the character voices, capturing the regional accents of characters from different geographical and ethnic backgrounds, as well as the language and slang differences in the dialogue of characters from different social strata, from street thugs to children of lower city slums to the nobility and even royalty.

Lots of Beka books in my house!

I really, truly adored getting to know Beka, who instantly jumped onto my ever-growing list of favorite fictional characters of all time. I’m absolutely loving my adventures in the world created by Tamora Pierce. Fortunately, I still have a few books to go!

Want to read my other Tortall series wrap-up posts? Here are the links:
Song of the Lioness (Alanna)
The Immortals (Daine)
Protector of the Small (Kel)
Daughter of the Lioness (Aly)

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Book details:

Terrier – published 2006
Bloodhound – published 2009
Mastiff – published 2011
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Disappointment between the covers: On reading Trickster’s Choice and Trickster’s Queen by Tamora Pierce

If you’ve visited my blog at all during the last few months, you’ve probably seen me gushing over the series of fantasy books by Tamora Pierce that I’ve been listening to obsessively. These three quartets, all set in the kingdom of Tortall, feature brave young women finding their own unique strengths and showing courage under fire as well as compassion to those in need. I loved, loved, loved these books, and vowed to keep going until I’d read EVERYTHING set in Tortall.

That vow still holds, but this post will be a temporary break from the gushy lovefest.

I’ve been following story as well as publishing chronology, so after finishing the outstanding Protector of the Small quartet, my next adventure was to be the Daughter of the Lioness duology, starring Alianne, the 16-year-old daughter of Alanna, Tamora Pierce’s first heroine (and Tortall’s first Lady Knight).

I knew I was in trouble almost immediately. I’ve been listening to the audiobook for all of these series… but within the first few chapters of listening to book #1, Trickster’s Choice, I was hopelessly lost. So much exposition! It felt like I was being bombarded with thousands of names (people, places, historical figures), with no firm grounding in action to help keep track. I made the quick, tactical decision to switch to print, hoping that having the ability to flip back and forth and to refer to the maps and cast of characters listing in the print edition might help. Well… I suppose it helped a bit, but the essence of the story didn’t change, and that became a problem for me.

So what’s it all about?

Here’s the Goodreads summary for Trickster’s Choice:

The Future is in the hands of the next generation.

Aly: a slave with the talents of a master spy, a fabled lineage she must conceal, and the dubious blessing of a trickster god.

Sarai: a passionate, charming teenage noblewoman who, according to prophecy, will bring an end to a cruel dynasty.

Dove: the younger sister of Sarai; she has a calculating mind and hidden depths that have yet to be plumbed.

Nawat: a magical young man with a strangely innocent outlook and an even stranger past; Aly’s one true friend in a world where trust can cost you your life.

Aly is short for Alianne, daughter of Alanna the Lioness and George Cooper, Alanna’s husband and the spymaster of Tortall. Aly has been taught the tricks and secrets of the spy trade since infancy, but at age 16, she’s restless and wants to get out into the field, which her parents oppose. She sneaks out on her own to go boating and promptly gets kidnapped by pirates, who sell her into slavery in the nearby kingdom of the Copper Isles.

The Copper Isles are plagued by centuries of unrest between the ruling luarin (white) nobility and the down-trodden (brown-skinned, native) raka people. Aly becomes a slave in a noble household under suspicion from the reigning monarch. The trickster god Kyprioth, the god of the Copper Isles, enlists Aly in a plan to help raise a rebellion. And the adventure is underway.

I had a very hard time with this book. I was half-bored through most of it. As I mentioned, it’s a lot of people and places, but I didn’t connect with most of the characters. For a story about rebellion, the plot has some seriously slow points. But the chief problem I have with the story is Aly herself. She’s just too skillful and knowledgeable about being a spy. Yes, she comes from an espionage family, but she’s never been an agent or seen active duty. She never falters, never lacks the ability to carry out her ideas, and pretty much never screws up.

One of the things that makes the other Tortall quartets so special is seeing the main characters evolve from young, untrained youths who work and fight to fulfill their potential. Here in Trickster’s Choice, Aly already is who she is. There’s no learning curve, no doubt, and very little introspection.

And that’s not even addressing the social issues that are so problematic, which are talked about quite a bit in the many reviews to be found on Goodreads. Basically, this white, privileged girl from noble background has to swoop in to lead the native people to an uprising, which they apparently couldn’t manage without her. On top of which, when given the chance at freedom, Aly chooses to maintain her enslaved status in order to provide better cover for her mission from Kyprioth, which seems to imply that being enslaved maybe has a purpose. All of this made me very uncomfortable.

Oh, and the love interest is a crow who’s turned himself into a man and is learning to be human. Awkward.

I finished this book with a great sense of frustration and discontent… so why did I continue? Yes, despite my fairly unhappy time reading Trickster’s Choice, I went straight on to Trickster’s Queen, hoping for a stronger second act in the Daughter of the Lioness story.

In Trickster’s Queen:

The stage is set for revolution…

Aly: no longer just a master spy, but a master of spies. Can she balance her passion for justice and her compassion for others, and at what cost?

Sarai: beautiful, dramatic, and rash – will she fulfill the role chosen for her by destiny?

Dove: she has always stood in Sarai’s shadow. Can she prove to the world that she herself is a force to be reckoned with?

Nawat: half crow, half man. He wants Aly for his life mate, but will the revolution make that impossible as they step into new roles to change the future?

Suddenly, Aly is a spymaster. She pulls the strings and directs her pack of spies and their recruits, teaching spycraft and strategy, plotting with the raka rebellion leaders, and instigating high-stakes sabotage throughout the kingdom in an effort to undermine and destabilize the ruling monarchs.

And my frustration continues. How does Aly possibly have the skills to do all this? It makes no sense. And if I had to see Aly referring to her spies as “my children” or “dear ones” one more time, I was going to smack her.

I won’t go too far into story developments or resolutions. The book is sloooooow for a very long time, basically just a recounting of spy tactics and information gathering, over and over and over, until the actual battle takes place at the very end. Meanwhile, there’s a lot of bloodshed (and I’m not sure how we’re meant to feel about that), the fairly casual murder of children, and a befuddlingly huge number of named characters, when frankly, not every single spy, servant, or noble who shows up in a scene needs a name. It’s all just too much.

Argh. It’s so crushing to go from absolutely amazing books (like Protector of the Small) to such a let-down in the continuation of the overarching story.

I really did come close to quitting quite a few times, but I do want to continue with the Tortall books, and I still have a trilogy, a book of stories, and the 1st book in a new series to go. What if the people or events from the Trickster books end up mattering down the road? Call it bookish FOMO, but I forced myself… unhappily… to finish.

I will be moving on to the Beka Cooper trilogy fairly soon, once the library’s audiobooks become available. And once I get through all of my Tortallian TBR list, I’ll be able to better state whether Aly’s books are skippable. For future readers’ sakes, I hope that they are!

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Book details:

The Daughter of the Lioness duology:
Trickster’s Choice – published 2003
Trickster’s Queen – published 2004
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Series wrap-up: Protector of the Small by Tamora Pierce

My year of reading Tamora Pierce continues, and I’m loving every moment! My most recent audio adventure was the Protector of the Small quartet, the 3rd quartet set in the fantasy world of Tortall. These book take place roughly a decade after The Immortals, and two decades after the Song of the Lioness quartet.

Protector of the Small follows a similar pattern to the Lioness books, covering a young girl’s progression through the stages of training to become a knight. In this series, the main character is Keladry of Mindalen, a girl from a noble Tortallian family who idolizes Alanna, the King’s Champion (and star of the Lioness books). Kel’s ambition is to become a knight, like Alanna, but there’s a big difference: Alanna disguised herself as a boy and kept her true identity a secret throughout her training years, only revealing herself as a woman once she succeeded in becoming a knight. While the laws of the kingdom were then changed to allow girls to seek knighthood, none have tried — until Kel.

Kel enrolls in her training as a girl, and refuses to hide her gender or pretend to be something she’s not. She’s out to prove herself, but also to help pave the way for others girls who, like her, have dreamed of becoming warriors and need only the opportunity to make it happen.

Kel differs from Alanna in another significant way: Alanna had the Gift — magical abilities — but Kel has none. If Kel is to succeed, she’ll do so powered only by her mind, her will, her drive, and her strength.

The story of Protector of the Small:

In book #1, First Test, 10-year-old Kel arrives at the palace to begin her training as a page, the first step in becoming a knight. Raised in a noble family, Kel has spent her most recent years in the Yamani Islands, where she learned discipline as well as a variety of fighting skills. Kel’s acceptance into the page training program is hotly disputed, with the training instructor, Lord Wyldon, being absolutely opposed to admitting a girl. Finally, he agrees to train her on a probationary basis — something the boys aren’t subject to, which Kel fumes over. Still, this is the condition for her remaining at all, so she grits her teeth and sees it through.

From the start, it’s clear that Kel won’t back down. She’s been told that it’s customary for the older boys to haze the new pages, but when Kel witnesses outright bullying and degradation going on, she intervenes and fights back, soon earning the friendship of other first-year boys to whom she’s given her protection. Her circle of friends expands to include a working-class maid who begins serving Kel, whom Kel then encourages to stand up for herself and pursue her dream of becoming an independent dressmaker. Lord Wyldon can’t help but be impressed by Kel’s utter devotion to her training, her grit, her cool under fire, and her ability to lead in times of unexpected danger. Kel officially ends her probation, and becomes a full-fledged page.

Book #2, Page, sees Kel continue with the next three years of her training, becoming one of the most skilled fighters among her class, proving over and over again that she’s strong enough and dedicated enough to have the right to try for her shield. In the 3rd book, Squire, Kel becomes squire to Lord Raoul, the Lord Commander of the King’s Own, a fierce group of fighters. At Raoul’s side, Kel learns the art and science of the battlefield, studying warfare and the skills of command, and again proving herself of high value to her comrades and the kingdom. At long last, Kel passes the Ordeal of the Chamber, the terrifying test required as a last ritual before knighthood, and becomes the Lady Knight Keladry.

Finally, in book #4, Lady Knight, Kel sets to work in defense of the realm. A war rages on the northern border of Tortall, as Scanra, the neighboring kingdom, sends raiding parties and killing machines to slaughter townspeople living near the border and try to drive Tortallans off their own land. Kel is assigned to set up and protect a refugee camp, which she at first resents: Do they not think she’s capable of being a warrior in battle? But as she comes to realize, protecting a group of untrained civilians is an incredibly hard job, one that tests her ability to lead, to plan, and to fight. Ultimately, it’s up to Kel to stage a showdown with the evil mage behind the devastating killing machines and to rescue her people from their captors. I won’t give away the details… but rest assured that the Protector of the Small quartet has a very satisfying ending!

What a series! I really loved these books, and the audiobooks (narrated by Bernadette Dunne) are really well-done and exciting to listen to. There’s a big cast of characters, but it’s not hard to keep up and keep them all straight. It’s quite fun to see the beloved characters from earlier books pop up here — Alanna, King Jonathan, Daine, Numair — although they’re relegated to mostly smaller roles. After all, they’re all adults now — not nearly as exciting as teen-aged Kel! (Kidding… but this is YA, after all.)

Keladry of Mindelan, from Deviant Arts webisite, by artist CPatten, https://www.deviantart.com/cpatten/art/Protector-of-the-Small-484097486

Kel is a fantastic main character. She’s noble and strong, and consistently puts the needs of the weak and less powerful first, devoting herself to serving those who need her help the most. She doesn’t tolerate bullies or tyrants or people who abuse their power, and she just doesn’t back down. Kel is far from fearless — she’s terrified of letting people down, worries constantly about whether she’s doing the right thing — but once she’s set on her path, she doesn’t let fear stop her.

I love that Kel achieves all that she achieves under her own steam, no magic or interference from the gods involved. She works for what she gets, and if she’s not great at something, she’ll keep working at it until she is. But Kel doesn’t stop with her own training and skills — she trains those around her, all the various people she protects, so that they too can defend and fight for themselves. It’s inspiring, truly.

Being a Tamora Pierce book, there have to be special animals, and this book has plenty. Animals who live in the vicinity of Daine, the Wild Mage (see my wrap-up of The Immortals for more on Daine) develop extra skills, including the ability to communicate with humans and interact with them. Here, Kel has a flock of sparrows who become her devoted band of guardians, as well as a raggedy dog who fights alongside Kel — all of whom came into her life originally as animals Kel fed and cared for. There are more along the way, including Kel’s horse Peachblossom, a baby griffin, and by the end of the series, a whole squad of cats and dogs who help protect the people of Kel’s fortress camp.

I’ve loved all of the Tortall books I’ve read so far. I’m tempted to say that the Kel books are my favorite — but I’ve been saying that as I’ve finished each quartet along the way! Tamora Pierce has created an incredibly rich and detailed world filled with remarkable characters, and I love the strong young women at the center of her tales.

I can see why my daughter has returned to the Tortall books so many times over the years! I have a feeling I’ll be doing the same.

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Book details:

First Test – published 1999
Page – published 2000
Squire – published 2001
Lady Knight – published 2002

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Series wrap-up: The Immortals by Tamora Pierce

Once again, I need to thank my amazing daughter for her never-flagging enthusiasm for Tamora Pierce and the world of Tortall. After seeing her obsession with these books, starting in her tweens and continuing into adulthood, past college and grad school, I just knew my involvement was inevitable. I re-read (and loved) the Alanna series over the summer (see my thoughts, here), and thanks to a reading-order list supplied by my helpful daughter, I decided to continue onward.

So, following the list, my next stop on the Tortall adventure was The Immortals, another quartet, set roughly a decade after the end of the Alanna books. The Immortals introduces new characters, settings, and challenges, but retains the familiar Tortall at its center and keeps some familiar faces in the mix — although it’s decidedly odd to see our previous teen hero, Alanna, through the eyes of a younger girl, so that Alanna is viewed as an accomplished, brave, grown-up. (Which she is, but it’s a big jump from hearing the story through her teen voice.)

The story of The Immortals:

In book #1, Wild Magic, we meet Daine (full name Veralidaine Sarrasri — isn’t that gorgeous?). Daine is a young girl of about 13, orphaned after raiders killed her mother, who signs on as an assistant to the horse trainer who supplies horses to the Queen’s Riders, an elite fighting force serving the kingdom of Tortall. Daine has an unusual skill with animals of all sorts. When she meets the mage Numair, she learns that it’s not just a skill — it’s magic. Wild magic, to be specific, a rare and unusual gift that allows her to connect with animals and speak with them mind to mind. Later on, as she learns to use and expand her magic, she’s even able to inhabit animals and shape-shift at will, giving her powers that enable her to triumph in the most dangerous of situations.

Daine becomes a key player in the kingdom, working with the King’s forces and range of allies to combat enemies who wish to overthrow him. In book #2, Wolf-Speaker, a fiefdom within Tortall has taken disturbing steps to shield themselves from the rest of the kingdom, using the mining of unusual gems to establish a magical connection with the Emperor Ozorne of Carthak. And in book #3, Emperor Mage, Daine travels to Carthak with a Tortallian delegation to negotiate peace between the nations, only to find herself enmeshed in the Emperor’s sinister schemes.

Finally, in book #4, The Realms of the Gods, there’s the ultimate showdown between Tortall and Ozorne, although Daine and Numair spend much of it literally in another world, having been brought into the realms of the gods for their own protection. Much of the 4th book is spent on Daine and Numair’s quest to find a way back to their own world, in order to fight alongside their friends and defeat Ozorne once and for all.

 

I really and truly enjoyed this series, although (and I hate to say it), the fourth book was somewhat weak in comparison to the earlier three. I love Daine as a character: She’s fierce, talented, and strong. We see her development from a young girl who’s been wounded by life, full of guilt and self-doubt, into a young adult with the confidence to use and control her gift, but who never abuses her own power. She’s devoted to the animal world and respects all creatures, coming to understand that even animals that humans find repellant have a purpose and a right to their lives. Daine is a loyal friend, who loves unconditionally and pursues what she feels is right, even at risk to her own life.

My problem with the 4th book is right there in the title. By removing Daine and Numair to the realms of the gods, too much of the book is spent with them outside of the central arena of the story so far. They’re isolated, encountering new beings and places on their quest to return home. This takes them out of Tortall for way too much of the story, so that they’re only there for the final showdown. Yes, while in the realms of the gods, Daine learns important facts about her parentage and her own powers, but it’s not a great way to wrap up the series.

 

 

 

I can’t talk about these books without mentioning the amazing animals and gods Daine befriends. There’s Skysong, also known as Kitten, an orphaned baby dragon whom Daine rescues and raises; the badger god, who becomes Daine’s patron and mentor; Tkaa, the basilisk, a strong ally; Cloud, Daine’s pony, and so many more. Because Daine can converse with animals, we get to know all of these as people with their own minds and attitudes, and it’s quite fun and fascinating to see how the author chooses to portray them.

 

 

I listened to the audiobooks — such a treat! The Immortals was recorded by Full Cast Audio, who specialize in full-cast recordings of children’s books. Tamora Pierce herself serves as narrator for the series, and each character gets his or her own voice actor. This was a bit of an adjustment for me at first, as I’m not used to listening to audiobooks with more than a single narrator. Once I got into it, though, it was really a great experience. I particularly loved the voices for Daine and Numair, but also really enjoyed the voices used for their animal and immortal friends.

The Immortals was a terrific listen and a great adventure, and I will absolutely be continuing with my Tortallian quest! Next up (after a pause to catch up on some other audiobooks) — the Protector of the Small series!

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Book details:

Wild Magic – published 1992
Wolf-Speaker – published 1993
Emperor Mage – published 1994
The Realms of the Gods – published 1996

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Series wrap-up: The Song of the Lioness by Tamora Pierce

Sometimes, revisiting a series you read ages ago is just the thing for lifting your spirits. Or at least, that’s definitely true for me!

I first encountered the Alanna books (by Tamora Pierce) when my daughter, then a middle-schooler in her tweens, fell in love with the story. Naturally, I thought I’d better check out what had captured my 12-year-old’s attention so firmly. And while I was delighted by the girl-power message of the story, I’ll admit that there was slightly more bed-hopping than I felt entirely comfortable with my daughter reading at that point.

Years passed. My daughter, now an adult, has devoured ALL of Tamora Pierce’s books and treats them like comfort food, revisiting not just the Alanna books but all the other books set in the world of Tortall on a regular basis. She’s been urging the other books on me for years, but I had only so-so memories of the Alanna series, and didn’t remember much of the details. I just couldn’t see myself re-entering that world.

And then, I did.

I’m not sure why I decided to finally jump in, but I ended up listening to the audiobooks of the Song of the Lioness  quartet this summer… and loved them. Narrated by actress Trini Alvarado, the audiobooks were a low-stress, low-commitment way for me to dip my toe back in to the world of Tortall and see if I felt the need to truly swim deeper. Turns out, the answer was yes.

I became immersed in the story almost immediately, and continued listening all the way through until I finished the fourth book. Along the way, there were some surprises, such as the fact that I hadn’t actually read the 4th book when I first encountered the series. I was certain that I’d read them all, until I commented to my darling daughter that I didn’t remember certain of the characters or plot points from that book, and she informed me that I’d stopped before I ever got there! Silly me.

Let me now backtrack and explain a bit about the books, for the uninitiated.

In book #1, Alanna: The First Adventure, we meet Alanna of Trebond and  her twin brother Thom, two motherless 10-year-olds with a father who doesn’t particularly care about his children. They’re sent off to follow the prescribed path for noble children — boys to the capitol city to train as knights, and girls to the convent. But Alanna and Thom have different plans: Alanna dreams of knighthood and adventure, and Thom wishes to pursue a study of sorcery through the convent’s magical teachers. They switch places, and Alanna becomes Alan of Trebond, entering the palace as a young boy embarking on the training to become a knight, starting by serving as a palace page.

As Alan/Alanna grows up, she earns her place among the boys who are her peers through her toughness and her absolute determination to become the best. She’s loyal and fierce, and forms tight friendships with the pages and squires around her, including Prince Jonathan, heir to the throne. She also meets and becomes fast friends with George Cooper, a young man of the streets who presides over the lower class’s thieves and rogues. Between Jonathan and George, she has two allies and advocates who will stick with her no matter what.

Over the course of the series, we see Alanna advance to squire and finally to knighthood. She ultimately reveals her true gender, and sets out on a series of adventures, becoming a member of the Bazhir desert tribes, learning advanced magical skills as a shaman, and ultimately setting out on a quest that will either save the kingdom or end her own  life. There are romantic entanglements a-plenty (along with the bed-hopping that shocked me on behalf of my 12-year-old — although really it’s tame and non-graphic compared to today’s YA fare).

What I love about this series is the ongoing development of Alanna as an individual who refuses to adhere to the predetermined roles available to someone o f her social status and gender. She embraces her strengths, acknowledges her weaknesses, and never stops trying to improve and grow. She also refuses to be all one thing or another: Yes, she wants to be a knight, and to get there must hide her true gender, but she still manages to find kindly women to go to with her questions about women’s bodies, menstrual cycles, clothing, and relationships. Alanna remains true to herself throughout, and proves to be not just brave and skilled as a warrior, but a trustworthy friend, a beloved surrogate daughter, and a devoted lover.

Beyond all that, the Alanna quartet is quite simply a great fantasy adventure. There are sword fights and horseback adventures, battles and feats of chivalry, and all  manner of court dramas and  formalities. The world-building in the Alanna books is terrific, including not just the knighthood aspects but also its own brand of magical powers, sorcery, and a history of gods and goddesses with powers over the land. The pieces all come together brilliantly, and left me entirely satisfied by the awesome climax and conclusion of the final book, but also wanting more of the characters and this particular kingdom and world.

Luckily, there are plenty more books set in Tortall for me to explore, and my daughter has been kind enough to provide me with her recommended reading order. Next up is the Immortals quartet, starting with Wild Magic, which I’ll begin once I finish up the next couple of audiobooks in my queue.

I’m so happy to have finally revisited the Alanna books, and recommend them highly!

But please, not this set of covers. I can’t even.

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Book details:

Alanna: The First Adventure – 274 pages, published 1983
In the Hand of the Goddess – 264 pages, published 1984
The Woman Who Rides Like a Man – 284 pages, published 1986
Lioness Rampant – 308 pages, published 1988

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Shelf Control #118: Who Fears Death by Nnedi Okorafor

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Who Fears Death
Author: Nnedi Okorafor
Published: 2010
Length: 386 pages

What it’s about (synopsis via Goodreads):

An award-winning literary author presents her first foray into supernatural fantasy with a novel of post-apocalyptic Africa. 

In a far future, post-nuclear-holocaust Africa, genocide plagues one region. The aggressors, the Nuru, have decided to follow the Great Book and exterminate the Okeke. But when the only surviving member of a slain Okeke village is brutally raped, she manages to escape, wandering farther into the desert. She gives birth to a baby girl with hair and skin the color of sand and instinctively knows that her daughter is different. She names her daughter Onyesonwu, which means “Who Fears Death?” in an ancient African tongue.

Reared under the tutelage of a mysterious and traditional shaman, Onyesonwu discovers her magical destiny – to end the genocide of her people. The journey to fulfill her destiny will force her to grapple with nature, tradition, history, true love, the spiritual mysteries of her culture – and eventually death itself.

How and when I got it:

I bought this book last summer… so relative to some of the other books on my shelves, it hasn’t been all that long!

Why I want to read it:

After reading Binti and Lagoon, I knew I wanted to read more by this author, and then when it was announced that Who Fears Death was being adapted into a TV series for HBO, with George R. R. Martin producing — well, I ran right out and picked up a copy. I plan to take it with me when I travel this summer, and hope it’s amazing!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

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