Shelf Control #265: Slayer by Kiersten White

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

Title: Slayer
Author: Kiersten White
Published: 2019
Length: 404 pages

What it’s about (synopsis via Goodreads):

Nina and her twin sister, Artemis, are far from normal. It’s hard to be when you grow up at the Watcher’s Academy, which is a bit different from your average boarding school. Here teens are trained as guides for Slayers—girls gifted with supernatural strength to fight the forces of darkness. But while Nina’s mother is a prominent member of the Watcher’s Council, Nina has never embraced the violent Watcher lifestyle. Instead she follows her instincts to heal, carving out a place for herself as the school medic.

Until the day Nina’s life changes forever.

Thanks to Buffy, the famous (and infamous) Slayer that Nina’s father died protecting, Nina is not only the newest Chosen One—she’s the last Slayer, ever. Period.

As Nina hones her skills with her Watcher-in-training, Leo, there’s plenty to keep her occupied: a monster fighting ring, a demon who eats happiness, a shadowy figure that keeps popping up in Nina’s dreams…

But it’s not until bodies start turning up that Nina’s new powers will truly be tested—because someone she loves might be next.

One thing is clear: Being Chosen is easy. Making choices is hard.

How and when I got it:

I picked up a Kindle version of this book during a one-day price drop, sometime last year.

Why I want to read it:

BUFFY!

Yes, I’m a Buffy fan. I miss the show, and I’m probably long overdue for (another) re-watch binge. I remember seeing the buzz about Slayer when it came out in 2019, and I was impressed by how many positive reviews I read at the time.

While the show ended way back in 2003, Buffy’s story lives on! I kept up with the comic seasons that followed (although I realize that I never did read the final one). These characters have a life of their own, and I’m always open to revisiting their world. While Slayer is apparently about a new main character and a very changed version of Buffy’s world, it sounds like there’s enough of a connection to pull me in and make me happy.

What do you think? Would you read this book?

Please share your thoughts!



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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
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Have fun!

As an Amazon affiliate, I’ll get a small commission if you make a purchase through one of these links, at no extra cost to you. Thanks!

Buy now at Amazon or Audible.

Audiobook Review: Bookish and the Beast by Ashley Poston

Title: Bookish and the Beast (Once Upon a Con, #3)
Author: Ashley Poston
Narrator:  Caitlin Kelly, Curry Whitmire
Publisher: Quirk Books
Publication date: March 29, 2016
Print length: 288 pages
Audio length: 7 hours, 21 minutes
Genre: Young adult fiction
Source: Digital review copy courtesy of the publisher via NetGalley; audiobook purchased from Audible
Rating:

Rating: 4.5 out of 5.

In the third book in Ashley Poston’s Once Upon a Con series, Beauty and the Beast is retold in the beloved Starfield universe.

Rosie Thorne is feeling stuck—on her college application essays, in her small town, and on that mysterious General Sond cosplayer she met at ExcelsiCon. Most of all, she’s stuck in her grief over her mother’s death. Her only solace was her late mother’s library of rare Starfield novels, but even that disappeared when they sold it to pay off hospital bills.

On the other hand, Vance Reigns has been Hollywood royalty for as long as he can remember—with all the privilege and scrutiny that entails. When a tabloid scandal catches up to him, he’s forced to hide out somewhere the paparazzi would never expect to find him: Small Town USA. At least there’s a library in the house. Too bad he doesn’t read.

When Rosie and Vance’s paths collide and a rare book is accidentally destroyed, Rosie finds herself working to repay the debt. And while most Starfield superfans would jump at the chance to work in close proximity to the Vance Reigns, Rosie has discovered something about Vance: he’s a jerk, and she can’t stand him. The feeling is mutual.

But as Vance and Rosie begrudgingly get to know each other, their careful masks come off—and they may just find that there’s more risk in shutting each other out than in opening their hearts.

It’s no surprise that Bookish and the Beast is completely charming. After the delightful Geekerella and the lovable The Prince and the Fangirl, how can Ashley Poston miss?

For those unfamiliar with the Once Upon a Con series, these books take us into the world of Starfield fandom, as devoted fans cross paths with stars of the movie reboot, all structured along the lines of classic fairy tales with a modern twist.

Starfield is a (fictional) cult TV series with a huge, obsessed fan base. In Geekerella, Starfield is being rebooted as a movie, and fans are up in arms over what they see as questionable casting and a fear that their beloved characters will be sacrificed in the name of box office success.

Two books later, the Starfield movie franchise has completely filming the second movie, and the fans are ecstatic. Unfortunately, the bad boy of the movie’s cast, Vance Reigns, who plays anti-hero General Sond, can’t stay out of the tabloids. At age 17, he parties hard and gets in trouble endlessly. Finally, fed up and wanting some serious damage control, his parents arrange for him to hide out in a small town in North Carolina at the home of the film’s director, along with a guardian to keep him in check. And Vance is not happy.

Meanwhile, in the same town, Rosie Thorne is entering her senior year of high school. She has two amazing best friends, Annie and Quinn, and lives with her dad (a former punk rocker who causes her friends to swoon, and who they refer to as Space Dad — because “he’s so beautiful that his beauty is out of this world…”. Rosie lost her mother the previous year, and she’s both still deeply grieving and also sick of everyone seeing her as the girl with the dead mother and nothing more.

Rosie and her dad’s finances are shaky, having spent all their savings and then some on medical bills, but they get by. A chance encounter with Vance’s dog leads her into his orbit, and after she accidentally ruins a rare Starfield book from his borrowed house’s library, she agrees to pay it off by working in the house, tasked with organizing and cataloging the cartons and shelves full of books.

What neither Rosie nor Vance realize is that they’ve met once before, at ExcelsiCon, the annual convention dedicated to Starfield. Wearing masks, they spent one magical evening together, but left without disclosing their true names or faces. Neither has been able to shake the memory of their first meeting or the feelings it stirred up, but both have accepted that they’ll never know who that special person was.

Until…

Well. It’s a Beauty and the Beast retelling, so you know where this is going. The house where Vance is living is known locally as the “Castle House” — a vanity project of some millionaire, not usually inhabited, with moats and turrets, located at the end of a hidden lane through the trees. Rosie stumbles upon it (at night, of course) while trying to rescue a dog that ran in front of her car, and when she follows the dog (uninvited and unannounced) into the spooky, dark house, she runs right into Vance, who is outraged by the intrusion and behaves… um… beastly.

I loved all the little B&tB references, from a diner waitress named Mrs. Potts to the rose symbolism to the library as a way to a young woman’s heart. Little lines thrown in made me smile:

They probably got sick of being the middle of nowhere and left to have grand adventures in the great wide somewhere.

… and also:

… it’s pretty, and at least — unlike most of the houses around here — it doesn’t use antlers in all of the decorating.

Then there’s the story’s villain, Garrett Taylor, a handsome, popular jock who can’t believe someone like Rosie could even dream of turning him down. Like Gaston, he’s decided Rosie is the prettiest, therefore the best, and he deserves the best. His persistence goes from annoying to overboard to damaging, and he simply won’t listen to Rosie’s rejections.

The story is sweet and clever, and keeps the Beauty & the Beast storyline going without it ever feeling forced or overdone. At the same time, Rosie and Vance are fleshed-out characters with inner lives, each dealing with pain and emotional challenges, each striving to find a new future.

The author shows us Rosie’s grief and the depths of her loss, and how dramatically losing a parent can devastate a teen’s entire world, leaving her feeling not just the loss, but also the isolation and the rootlessness that comes with being different and losing a mother’s love and support.

I really loved this book, and enjoyed the through-story bits that continue expanding the world of Starfield, its characters, and its plot twists. One of the characters refers to Fangirl by Rainbow Rowell, and like Fangirl, the story within the story always leaves me wanting more. Might Ashley Poston actually write a Starfield book? Because I’d love to get more Carmindor, Amara, and Sond into my reading life!

The audiobook is really well done, with two different narrators — one for Rosie, one for Vance. They keep it light and entertaining, and let me feel like I was listening to the characters telling their own stories.

I have one complaint about the audiobook, and it’s a pretty big one that, days later, still makes no sense to me. Vance’s last name is Reigns, which I assume is pronounced like “rains” — there are even some tabloid headline puns about Vance needing to be “reigned” in.

So why, then, does the Rosie narrator (and occasionally the Vance narrator too) pronounce his last name as “re-gins” (with a hard G, kind of like begins, but with the accent on the first syllable). I couldn’t figure out what I was listening to at first, and had to go back to the print version to see if I’d misunderstood. Like, is Vance Reigns his stage name, but the family name is actually Reagans or something? Nope, it’s Reigns throughout the book.

So why does the audiobook have a different pronunciation? No idea. But it’s super annoying, and constantly distracting. Did they finish recording, realize it was wrong, and decided not to go back and fix it? Honestly, it makes no sense at all.

I realize I’m harping on about this, but it was distracting throughout the entire audiobook, so as much as I loved it overall, this one thing made it really frustrating too.

Putting that aside… I wholeheartedly recommend Bookish and the Beast. I think this is my favorite of the Con books, and I really hope there are more to come! And while this could possibly be read on its own, I really recommend reading the books in order, because you might not get the Starfield elements and what they mean otherwise.

Don’t miss these wonderful books!

Me, after finishing Bookish & the Beast

Shelf Control #219: Tempests and Slaughter by Tamora Pierce

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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QUESTION FOR SHELF CONTROL PARTICIPANTS: Would you like me to add a “this week’s participants” section with links back to your posts? The basic idea would be for you to link back to me when you publish your Shelf Control post, and then I’ll add a list of participants and their links in the body of my post as they come in. I’ve used a link-up platform in the past, but found it was just extra work that didn’t seem worth it. Please let me know your preferences in the comments! 

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Title: Tempests and Slaughter (The Numair Chronicles, #1)
Author: Tamora Pierce
Published: 2018
Length: 465 pages

What it’s about (synopsis via Goodreads):

Arram. Varice. Ozorne. In the first book in the Numair Chronicles, three student mages are bound by fate . . . fated for trouble.

Arram Draper is a boy on the path to becoming one of the realm’s most powerful mages. The youngest student in his class at the Imperial University of Carthak, he has a Gift with unlimited potential for greatness–and for attracting danger. At his side are his two best friends: Varice, a clever girl with an often-overlooked talent, and Ozorne, the “leftover prince” with secret ambitions. Together, these three friends forge a bond that will one day shape kingdoms. And as Ozorne gets closer to the throne and Varice gets closer to Arram’s heart, Arram begins to realize that one day soon he will have to decide where his loyalties truly lie.

In the Numair Chronicles, readers will be rewarded with the never-before-told story of how Numair Salmalín came to Tortall. Newcomers will discover an unforgettable fantasy adventure where a kingdom’s future rests on the shoulders of a talented young man with a knack for making vicious enemies.

How and when I got it:

I bought a “special edition” version of this book during the 2018 holiday season — it’s a hardcover with a fold-out poster inside. A little holiday treat for myself!

Why I want to read it:

I spent about half of 2018 and the first few months of 2019 reading the entire Tortall body of works by Tamora Pierce. For those who don’t know. Tamora Pierce writes excellent young adult fantasy, with a major portion of her work set in the fictional kingdom of Tortall. I’ve read three quartets set in Tortall, a duology, a trilogy, and assorted other stories too. My daughter feel head over heels with Tamora Pierce’s books back in her tween/teen days, and finally, FINALLY, I decided to see what I’d been missing all these years.

What can I say? I fell in love. Pierce writes wonderful, complicated characters, and revels in having strong young women break down barriers and have their voices and their strengths recognized. Plus, awesome magical systems, complex family dynamics, magical creatures, and even a few dragons. The only Tortall book I haven’t read yet is Tempests and Slaughter, the newest book set in this world. Numair Salmalin is introduced in the Immortals quartet as an adult mage with unrivaled powers, serving as mentor (and eventually lover) to a young student new to her magical abilities. Numair is a terrific character whose history is only referenced in these books, but in Tempests and Slaughter, we get his backstory. The new book tells the story of Numair as a boy, and I’m incredibly excited to finally read it.

So why haven’t I read it yet? Well, two reasons, really. One, the same reason I haven’t read most of my Shelf Control books — so many books, not enough time. Second, though — I’ve been trying to more or less stick to my policy of not getting involved in open-ended or incomplete series without at least knowing when the next (or final) book will be released. In this case, I believe there are supposed to be three in all, but have not yet heard a definite release date for the 2nd book. So yes, I intend to read Tempests and Slaughter for sure. I just don’t know when!

What do you think? Would you read this book? 

Please share your thoughts!

Check out this week’s Shelf Control participants!
A Hot Cup of Pleasure
The Book Connection
Literary Potpourri
Bookmarked

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

Series wrap-up: The Beka Cooper trilogy by Tamora Pierce

Last year, I began a journey through the lands of Tortall, the incredibly rich and exciting fantasy world created by Tamora Pierce. This year, I continued the adventure by listening to the audiobooks of the Beka Cooper trilogy — and now that I’ve finished, I thought I’d share some thoughts.

The Beka Cooper books take place about 150 years before the beginning of the Song of the Lioness quartet, Tamora Pierce’s first Tortall books, which introduce the young squire who would grow up to become Lady Knight Alanna. The Beka books were published after the Alanna, Daine, Kel, and Aly books, yet they are chronologically the first books in terms of the kingdom of Tortall. I’ll admit that I wasn’t sure about going back into the kingdom’s past and the pre-Alanna days… but I can tell you now that these books are very much worth it!

Beka Cooper herself is a wonderful lead character, everything we could hope for in a young female protagonist. In terms of how these books relate to the (chronologically) later books in the Tortall universe, Beka is George Cooper’s ancestor. That’s about all you need to know, but it does tie together quite nicely.

The story of Beka Cooper:

 

In book #1, Terrier, Beka is a young woman just starting out as a “puppy” (trainee) in the Provost’s Guard — the kingdom’s law enforcement department, whose members are referred to as “dogs”. Beka is smart and strong, from the poorest neighborhood of the capital city of Corus, raised in poverty until she and her siblings became wards of the Lord Provost himself, Lord Gershom. As an untested puppy, Beka is paired with Tunstall and Goodwin, two highly respected and experienced dogs, and before long she proves herself in a variety of street fights and arrests. Besides her fighting skills and sharp eye for clues, Beka has a touch of magic: She converses with the spirits of the dead, who come to her attached to the city’s pigeons, and she can also converse with dust spinners — the funnels of swirling dust that show up on street corners, collecting and then sharing with Beka the random bits of conversation they pick up from passers-by. Over the course of her puppy year, Beka becomes embroiled in a life-threatening search for a murderer, digging into the corruption polluting the highest levels of money and power in the lower city.

In the 2nd book, Bloodhound, Beka is no longer a puppy but a fully qualified dog. Here, she is assigned with her partner Clary Goodwin to track down the influx of counterfeit coins that threaten to undermine the entire kingdom. Beka goes on the hunt with Goodwin to track down the counterfeiters, along the way making enemies of the criminal kingpin of a nearby town, but also finding herself romantically involved with a handsome gambler who may or may not be trustworthy.

Finally, in book #3, Mastiff, we rejoin Beka a few years later, still working as a dog and with the reputation of being one of the most talented and determined. She’s committed to fighting injustice and keeping people safe, especially those who can’t fight for themselves. When an attack is made on the royal family, Beka and Tunstall are sent out to track the evildoers, in a case that involves high treason and the realm’s most dangerous and powerful mages.

These books are long and complicated… and I just can’t say enough good things about them! My daughter has pushed me to read them for years, but the first few times I picked up Terrier, I was put off by the language. Tamora Pierce gives her characters a street language that’s rich and flavorful, but which at first glance seemed too out-there to me. When I finally gave it a chance, though, I ended up loving it. Probably listening to the audiobooks helped — I was able to get the feel of the words and their rhythm without getting too stuck on reading written dialect. It’s helpful, though, to keep a hard copy of the books on hand even if listening to the audio version, since the printed books include a glossary at the back, and it’s essential, especially when first entering Beka’s world.

Beyond the amazing language of the books, Beka herself is a wonderful character. Like many of Pierce’s heroines, she has an affinity for animals, and cat Pounce and dog Achoo become major characters in their own way over the course of the three books. Likewise, the supporting characters are fully developed, so we’re left in no doubt about their essences, values, skills, etc — except for the cases where someone’s motive are meant to be questionable, of course.

Pierce doesn’t shy away from sexual relationships, although thankfully she doesn’t seem to feel the need to give us anatomy lessons. Beka and others have sexual relationships as part of their natural lives, not a big deal, no moralizing or agonizing over whether to do it or not. Young women like Beka get charms to prevent pregnancy when they become sexually active, and that’s that. No fuss, no muss. Beka retains full agency over her body and her choices, and it’s a low-key message of empowerment that’s woven into the overall story.

By setting the books so much earlier than the other Tortallian books, we get a glimpse of how certain facets of life in the later (chronologically; earlier by publishing date) books came about. In the Beka books, women are well represented in law enforcement as well as among the knighthood — yet in the Alanna books, it’s considered unheard of for women to become knights, something that hasn’t happened in centuries. So how did the kingdom go from a fairly progressive stance toward women in combat or physical roles toward the idea that women must be proper ladies relegated to fashion, etiquette, embroidery, and other ladylike pursuits? We get a hint of the origins of this change in Mastiff, as Beka travels to one of the kingdom’s fiefdoms where the cult of the Gentle Mother seems to be taking hold — setting the standard that fighting is for men and that women’s greatest joy lies in hearth and home. Likewise, we see how the kingdom moves from a land that tolerates the slave trade to one where slavery is outlawed, thanks to the events initiated in this trilogy. It’s really fascinating to see the seeds here for the changes that are so apparent in the books set later in the kingdom’s history.

The audiobooks are narrated by Susan Denaker, who does an amazing job with the character voices, capturing the regional accents of characters from different geographical and ethnic backgrounds, as well as the language and slang differences in the dialogue of characters from different social strata, from street thugs to children of lower city slums to the nobility and even royalty.

Lots of Beka books in my house!

I really, truly adored getting to know Beka, who instantly jumped onto my ever-growing list of favorite fictional characters of all time. I’m absolutely loving my adventures in the world created by Tamora Pierce. Fortunately, I still have a few books to go!

Want to read my other Tortall series wrap-up posts? Here are the links:
Song of the Lioness (Alanna)
The Immortals (Daine)
Protector of the Small (Kel)
Daughter of the Lioness (Aly)

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Book details:

Terrier – published 2006
Bloodhound – published 2009
Mastiff – published 2011
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Shelf Control #148: Ingo by Helen Dunmore

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Ingo
Author: Helen Dunmore
Published: 2008
Length: 336 pages

What it’s about (synopsis via Goodreads):

I wish I was away in Ingo, Far across the sea, Sailing over the deepest waters, Where love nor care can trouble me…

Sapphire’s father mysteriously vanishes into the waves off the Cornwall coast where her family has always lived. She misses him terribly, and she longs to hear his spellbinding tales about the Mer, who live in the underwater kingdom of Ingo. Perhaps that is why she imagines herself being pulled like a magnet toward the sea. But when her brother, Conor, starts disappearing for hours on end, Sapphy starts to believe she might not be the only one who hears the call of the ocean.

In a novel full of longing, mystery, and magic, Helen Dunmore takes us to a new world that has the power both to captivate and to destroy.

How and when I got it:

I bought it at some point — no idea when or where.

Why I want to read it:

You never know what you’ll find when you do a bookshelf purge! As I pulled books off my over-crowded shelves, to be donated for the next library sale, this is one of the forgotten gems that suddenly appeared! I vaguely recall picking up a copy years ago. I’m sure the cover must have caught my eye, and I freely admit that I’m a sucker for a good mermaid story! I thought this was a stand-alone when I bought it (and maybe it was at the time), but I see on  Goodreads that it’s actually the first in a five-book series. I’d still like to give it a try one of these days, although it’ll have to be something truly special if I’m going to be interested enough to continue past the first book.

Have you read Ingo, or anything else by this author? I’d love to hear reactions from anyone who’s actually read this book!

__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

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Disappointment between the covers: On reading Trickster’s Choice and Trickster’s Queen by Tamora Pierce

If you’ve visited my blog at all during the last few months, you’ve probably seen me gushing over the series of fantasy books by Tamora Pierce that I’ve been listening to obsessively. These three quartets, all set in the kingdom of Tortall, feature brave young women finding their own unique strengths and showing courage under fire as well as compassion to those in need. I loved, loved, loved these books, and vowed to keep going until I’d read EVERYTHING set in Tortall.

That vow still holds, but this post will be a temporary break from the gushy lovefest.

I’ve been following story as well as publishing chronology, so after finishing the outstanding Protector of the Small quartet, my next adventure was to be the Daughter of the Lioness duology, starring Alianne, the 16-year-old daughter of Alanna, Tamora Pierce’s first heroine (and Tortall’s first Lady Knight).

I knew I was in trouble almost immediately. I’ve been listening to the audiobook for all of these series… but within the first few chapters of listening to book #1, Trickster’s Choice, I was hopelessly lost. So much exposition! It felt like I was being bombarded with thousands of names (people, places, historical figures), with no firm grounding in action to help keep track. I made the quick, tactical decision to switch to print, hoping that having the ability to flip back and forth and to refer to the maps and cast of characters listing in the print edition might help. Well… I suppose it helped a bit, but the essence of the story didn’t change, and that became a problem for me.

So what’s it all about?

Here’s the Goodreads summary for Trickster’s Choice:

The Future is in the hands of the next generation.

Aly: a slave with the talents of a master spy, a fabled lineage she must conceal, and the dubious blessing of a trickster god.

Sarai: a passionate, charming teenage noblewoman who, according to prophecy, will bring an end to a cruel dynasty.

Dove: the younger sister of Sarai; she has a calculating mind and hidden depths that have yet to be plumbed.

Nawat: a magical young man with a strangely innocent outlook and an even stranger past; Aly’s one true friend in a world where trust can cost you your life.

Aly is short for Alianne, daughter of Alanna the Lioness and George Cooper, Alanna’s husband and the spymaster of Tortall. Aly has been taught the tricks and secrets of the spy trade since infancy, but at age 16, she’s restless and wants to get out into the field, which her parents oppose. She sneaks out on her own to go boating and promptly gets kidnapped by pirates, who sell her into slavery in the nearby kingdom of the Copper Isles.

The Copper Isles are plagued by centuries of unrest between the ruling luarin (white) nobility and the down-trodden (brown-skinned, native) raka people. Aly becomes a slave in a noble household under suspicion from the reigning monarch. The trickster god Kyprioth, the god of the Copper Isles, enlists Aly in a plan to help raise a rebellion. And the adventure is underway.

I had a very hard time with this book. I was half-bored through most of it. As I mentioned, it’s a lot of people and places, but I didn’t connect with most of the characters. For a story about rebellion, the plot has some seriously slow points. But the chief problem I have with the story is Aly herself. She’s just too skillful and knowledgeable about being a spy. Yes, she comes from an espionage family, but she’s never been an agent or seen active duty. She never falters, never lacks the ability to carry out her ideas, and pretty much never screws up.

One of the things that makes the other Tortall quartets so special is seeing the main characters evolve from young, untrained youths who work and fight to fulfill their potential. Here in Trickster’s Choice, Aly already is who she is. There’s no learning curve, no doubt, and very little introspection.

And that’s not even addressing the social issues that are so problematic, which are talked about quite a bit in the many reviews to be found on Goodreads. Basically, this white, privileged girl from noble background has to swoop in to lead the native people to an uprising, which they apparently couldn’t manage without her. On top of which, when given the chance at freedom, Aly chooses to maintain her enslaved status in order to provide better cover for her mission from Kyprioth, which seems to imply that being enslaved maybe has a purpose. All of this made me very uncomfortable.

Oh, and the love interest is a crow who’s turned himself into a man and is learning to be human. Awkward.

I finished this book with a great sense of frustration and discontent… so why did I continue? Yes, despite my fairly unhappy time reading Trickster’s Choice, I went straight on to Trickster’s Queen, hoping for a stronger second act in the Daughter of the Lioness story.

In Trickster’s Queen:

The stage is set for revolution…

Aly: no longer just a master spy, but a master of spies. Can she balance her passion for justice and her compassion for others, and at what cost?

Sarai: beautiful, dramatic, and rash – will she fulfill the role chosen for her by destiny?

Dove: she has always stood in Sarai’s shadow. Can she prove to the world that she herself is a force to be reckoned with?

Nawat: half crow, half man. He wants Aly for his life mate, but will the revolution make that impossible as they step into new roles to change the future?

Suddenly, Aly is a spymaster. She pulls the strings and directs her pack of spies and their recruits, teaching spycraft and strategy, plotting with the raka rebellion leaders, and instigating high-stakes sabotage throughout the kingdom in an effort to undermine and destabilize the ruling monarchs.

And my frustration continues. How does Aly possibly have the skills to do all this? It makes no sense. And if I had to see Aly referring to her spies as “my children” or “dear ones” one more time, I was going to smack her.

I won’t go too far into story developments or resolutions. The book is sloooooow for a very long time, basically just a recounting of spy tactics and information gathering, over and over and over, until the actual battle takes place at the very end. Meanwhile, there’s a lot of bloodshed (and I’m not sure how we’re meant to feel about that), the fairly casual murder of children, and a befuddlingly huge number of named characters, when frankly, not every single spy, servant, or noble who shows up in a scene needs a name. It’s all just too much.

Argh. It’s so crushing to go from absolutely amazing books (like Protector of the Small) to such a let-down in the continuation of the overarching story.

I really did come close to quitting quite a few times, but I do want to continue with the Tortall books, and I still have a trilogy, a book of stories, and the 1st book in a new series to go. What if the people or events from the Trickster books end up mattering down the road? Call it bookish FOMO, but I forced myself… unhappily… to finish.

I will be moving on to the Beka Cooper trilogy fairly soon, once the library’s audiobooks become available. And once I get through all of my Tortallian TBR list, I’ll be able to better state whether Aly’s books are skippable. For future readers’ sakes, I hope that they are!

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Book details:

The Daughter of the Lioness duology:
Trickster’s Choice – published 2003
Trickster’s Queen – published 2004
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Series wrap-up: Protector of the Small by Tamora Pierce

My year of reading Tamora Pierce continues, and I’m loving every moment! My most recent audio adventure was the Protector of the Small quartet, the 3rd quartet set in the fantasy world of Tortall. These book take place roughly a decade after The Immortals, and two decades after the Song of the Lioness quartet.

Protector of the Small follows a similar pattern to the Lioness books, covering a young girl’s progression through the stages of training to become a knight. In this series, the main character is Keladry of Mindalen, a girl from a noble Tortallian family who idolizes Alanna, the King’s Champion (and star of the Lioness books). Kel’s ambition is to become a knight, like Alanna, but there’s a big difference: Alanna disguised herself as a boy and kept her true identity a secret throughout her training years, only revealing herself as a woman once she succeeded in becoming a knight. While the laws of the kingdom were then changed to allow girls to seek knighthood, none have tried — until Kel.

Kel enrolls in her training as a girl, and refuses to hide her gender or pretend to be something she’s not. She’s out to prove herself, but also to help pave the way for others girls who, like her, have dreamed of becoming warriors and need only the opportunity to make it happen.

Kel differs from Alanna in another significant way: Alanna had the Gift — magical abilities — but Kel has none. If Kel is to succeed, she’ll do so powered only by her mind, her will, her drive, and her strength.

The story of Protector of the Small:

In book #1, First Test, 10-year-old Kel arrives at the palace to begin her training as a page, the first step in becoming a knight. Raised in a noble family, Kel has spent her most recent years in the Yamani Islands, where she learned discipline as well as a variety of fighting skills. Kel’s acceptance into the page training program is hotly disputed, with the training instructor, Lord Wyldon, being absolutely opposed to admitting a girl. Finally, he agrees to train her on a probationary basis — something the boys aren’t subject to, which Kel fumes over. Still, this is the condition for her remaining at all, so she grits her teeth and sees it through.

From the start, it’s clear that Kel won’t back down. She’s been told that it’s customary for the older boys to haze the new pages, but when Kel witnesses outright bullying and degradation going on, she intervenes and fights back, soon earning the friendship of other first-year boys to whom she’s given her protection. Her circle of friends expands to include a working-class maid who begins serving Kel, whom Kel then encourages to stand up for herself and pursue her dream of becoming an independent dressmaker. Lord Wyldon can’t help but be impressed by Kel’s utter devotion to her training, her grit, her cool under fire, and her ability to lead in times of unexpected danger. Kel officially ends her probation, and becomes a full-fledged page.

Book #2, Page, sees Kel continue with the next three years of her training, becoming one of the most skilled fighters among her class, proving over and over again that she’s strong enough and dedicated enough to have the right to try for her shield. In the 3rd book, Squire, Kel becomes squire to Lord Raoul, the Lord Commander of the King’s Own, a fierce group of fighters. At Raoul’s side, Kel learns the art and science of the battlefield, studying warfare and the skills of command, and again proving herself of high value to her comrades and the kingdom. At long last, Kel passes the Ordeal of the Chamber, the terrifying test required as a last ritual before knighthood, and becomes the Lady Knight Keladry.

Finally, in book #4, Lady Knight, Kel sets to work in defense of the realm. A war rages on the northern border of Tortall, as Scanra, the neighboring kingdom, sends raiding parties and killing machines to slaughter townspeople living near the border and try to drive Tortallans off their own land. Kel is assigned to set up and protect a refugee camp, which she at first resents: Do they not think she’s capable of being a warrior in battle? But as she comes to realize, protecting a group of untrained civilians is an incredibly hard job, one that tests her ability to lead, to plan, and to fight. Ultimately, it’s up to Kel to stage a showdown with the evil mage behind the devastating killing machines and to rescue her people from their captors. I won’t give away the details… but rest assured that the Protector of the Small quartet has a very satisfying ending!

What a series! I really loved these books, and the audiobooks (narrated by Bernadette Dunne) are really well-done and exciting to listen to. There’s a big cast of characters, but it’s not hard to keep up and keep them all straight. It’s quite fun to see the beloved characters from earlier books pop up here — Alanna, King Jonathan, Daine, Numair — although they’re relegated to mostly smaller roles. After all, they’re all adults now — not nearly as exciting as teen-aged Kel! (Kidding… but this is YA, after all.)

Keladry of Mindelan, from Deviant Arts webisite, by artist CPatten, https://www.deviantart.com/cpatten/art/Protector-of-the-Small-484097486

Kel is a fantastic main character. She’s noble and strong, and consistently puts the needs of the weak and less powerful first, devoting herself to serving those who need her help the most. She doesn’t tolerate bullies or tyrants or people who abuse their power, and she just doesn’t back down. Kel is far from fearless — she’s terrified of letting people down, worries constantly about whether she’s doing the right thing — but once she’s set on her path, she doesn’t let fear stop her.

I love that Kel achieves all that she achieves under her own steam, no magic or interference from the gods involved. She works for what she gets, and if she’s not great at something, she’ll keep working at it until she is. But Kel doesn’t stop with her own training and skills — she trains those around her, all the various people she protects, so that they too can defend and fight for themselves. It’s inspiring, truly.

Being a Tamora Pierce book, there have to be special animals, and this book has plenty. Animals who live in the vicinity of Daine, the Wild Mage (see my wrap-up of The Immortals for more on Daine) develop extra skills, including the ability to communicate with humans and interact with them. Here, Kel has a flock of sparrows who become her devoted band of guardians, as well as a raggedy dog who fights alongside Kel — all of whom came into her life originally as animals Kel fed and cared for. There are more along the way, including Kel’s horse Peachblossom, a baby griffin, and by the end of the series, a whole squad of cats and dogs who help protect the people of Kel’s fortress camp.

I’ve loved all of the Tortall books I’ve read so far. I’m tempted to say that the Kel books are my favorite — but I’ve been saying that as I’ve finished each quartet along the way! Tamora Pierce has created an incredibly rich and detailed world filled with remarkable characters, and I love the strong young women at the center of her tales.

I can see why my daughter has returned to the Tortall books so many times over the years! I have a feeling I’ll be doing the same.

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Book details:

First Test – published 1999
Page – published 2000
Squire – published 2001
Lady Knight – published 2002

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Series wrap-up: The Immortals by Tamora Pierce

Once again, I need to thank my amazing daughter for her never-flagging enthusiasm for Tamora Pierce and the world of Tortall. After seeing her obsession with these books, starting in her tweens and continuing into adulthood, past college and grad school, I just knew my involvement was inevitable. I re-read (and loved) the Alanna series over the summer (see my thoughts, here), and thanks to a reading-order list supplied by my helpful daughter, I decided to continue onward.

So, following the list, my next stop on the Tortall adventure was The Immortals, another quartet, set roughly a decade after the end of the Alanna books. The Immortals introduces new characters, settings, and challenges, but retains the familiar Tortall at its center and keeps some familiar faces in the mix — although it’s decidedly odd to see our previous teen hero, Alanna, through the eyes of a younger girl, so that Alanna is viewed as an accomplished, brave, grown-up. (Which she is, but it’s a big jump from hearing the story through her teen voice.)

The story of The Immortals:

In book #1, Wild Magic, we meet Daine (full name Veralidaine Sarrasri — isn’t that gorgeous?). Daine is a young girl of about 13, orphaned after raiders killed her mother, who signs on as an assistant to the horse trainer who supplies horses to the Queen’s Riders, an elite fighting force serving the kingdom of Tortall. Daine has an unusual skill with animals of all sorts. When she meets the mage Numair, she learns that it’s not just a skill — it’s magic. Wild magic, to be specific, a rare and unusual gift that allows her to connect with animals and speak with them mind to mind. Later on, as she learns to use and expand her magic, she’s even able to inhabit animals and shape-shift at will, giving her powers that enable her to triumph in the most dangerous of situations.

Daine becomes a key player in the kingdom, working with the King’s forces and range of allies to combat enemies who wish to overthrow him. In book #2, Wolf-Speaker, a fiefdom within Tortall has taken disturbing steps to shield themselves from the rest of the kingdom, using the mining of unusual gems to establish a magical connection with the Emperor Ozorne of Carthak. And in book #3, Emperor Mage, Daine travels to Carthak with a Tortallian delegation to negotiate peace between the nations, only to find herself enmeshed in the Emperor’s sinister schemes.

Finally, in book #4, The Realms of the Gods, there’s the ultimate showdown between Tortall and Ozorne, although Daine and Numair spend much of it literally in another world, having been brought into the realms of the gods for their own protection. Much of the 4th book is spent on Daine and Numair’s quest to find a way back to their own world, in order to fight alongside their friends and defeat Ozorne once and for all.

 

I really and truly enjoyed this series, although (and I hate to say it), the fourth book was somewhat weak in comparison to the earlier three. I love Daine as a character: She’s fierce, talented, and strong. We see her development from a young girl who’s been wounded by life, full of guilt and self-doubt, into a young adult with the confidence to use and control her gift, but who never abuses her own power. She’s devoted to the animal world and respects all creatures, coming to understand that even animals that humans find repellant have a purpose and a right to their lives. Daine is a loyal friend, who loves unconditionally and pursues what she feels is right, even at risk to her own life.

My problem with the 4th book is right there in the title. By removing Daine and Numair to the realms of the gods, too much of the book is spent with them outside of the central arena of the story so far. They’re isolated, encountering new beings and places on their quest to return home. This takes them out of Tortall for way too much of the story, so that they’re only there for the final showdown. Yes, while in the realms of the gods, Daine learns important facts about her parentage and her own powers, but it’s not a great way to wrap up the series.

 

 

 

I can’t talk about these books without mentioning the amazing animals and gods Daine befriends. There’s Skysong, also known as Kitten, an orphaned baby dragon whom Daine rescues and raises; the badger god, who becomes Daine’s patron and mentor; Tkaa, the basilisk, a strong ally; Cloud, Daine’s pony, and so many more. Because Daine can converse with animals, we get to know all of these as people with their own minds and attitudes, and it’s quite fun and fascinating to see how the author chooses to portray them.

 

 

I listened to the audiobooks — such a treat! The Immortals was recorded by Full Cast Audio, who specialize in full-cast recordings of children’s books. Tamora Pierce herself serves as narrator for the series, and each character gets his or her own voice actor. This was a bit of an adjustment for me at first, as I’m not used to listening to audiobooks with more than a single narrator. Once I got into it, though, it was really a great experience. I particularly loved the voices for Daine and Numair, but also really enjoyed the voices used for their animal and immortal friends.

The Immortals was a terrific listen and a great adventure, and I will absolutely be continuing with my Tortallian quest! Next up (after a pause to catch up on some other audiobooks) — the Protector of the Small series!

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Book details:

Wild Magic – published 1992
Wolf-Speaker – published 1993
Emperor Mage – published 1994
The Realms of the Gods – published 1996

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Series wrap-up: The Song of the Lioness by Tamora Pierce

Sometimes, revisiting a series you read ages ago is just the thing for lifting your spirits. Or at least, that’s definitely true for me!

I first encountered the Alanna books (by Tamora Pierce) when my daughter, then a middle-schooler in her tweens, fell in love with the story. Naturally, I thought I’d better check out what had captured my 12-year-old’s attention so firmly. And while I was delighted by the girl-power message of the story, I’ll admit that there was slightly more bed-hopping than I felt entirely comfortable with my daughter reading at that point.

Years passed. My daughter, now an adult, has devoured ALL of Tamora Pierce’s books and treats them like comfort food, revisiting not just the Alanna books but all the other books set in the world of Tortall on a regular basis. She’s been urging the other books on me for years, but I had only so-so memories of the Alanna series, and didn’t remember much of the details. I just couldn’t see myself re-entering that world.

And then, I did.

I’m not sure why I decided to finally jump in, but I ended up listening to the audiobooks of the Song of the Lioness  quartet this summer… and loved them. Narrated by actress Trini Alvarado, the audiobooks were a low-stress, low-commitment way for me to dip my toe back in to the world of Tortall and see if I felt the need to truly swim deeper. Turns out, the answer was yes.

I became immersed in the story almost immediately, and continued listening all the way through until I finished the fourth book. Along the way, there were some surprises, such as the fact that I hadn’t actually read the 4th book when I first encountered the series. I was certain that I’d read them all, until I commented to my darling daughter that I didn’t remember certain of the characters or plot points from that book, and she informed me that I’d stopped before I ever got there! Silly me.

Let me now backtrack and explain a bit about the books, for the uninitiated.

In book #1, Alanna: The First Adventure, we meet Alanna of Trebond and  her twin brother Thom, two motherless 10-year-olds with a father who doesn’t particularly care about his children. They’re sent off to follow the prescribed path for noble children — boys to the capitol city to train as knights, and girls to the convent. But Alanna and Thom have different plans: Alanna dreams of knighthood and adventure, and Thom wishes to pursue a study of sorcery through the convent’s magical teachers. They switch places, and Alanna becomes Alan of Trebond, entering the palace as a young boy embarking on the training to become a knight, starting by serving as a palace page.

As Alan/Alanna grows up, she earns her place among the boys who are her peers through her toughness and her absolute determination to become the best. She’s loyal and fierce, and forms tight friendships with the pages and squires around her, including Prince Jonathan, heir to the throne. She also meets and becomes fast friends with George Cooper, a young man of the streets who presides over the lower class’s thieves and rogues. Between Jonathan and George, she has two allies and advocates who will stick with her no matter what.

Over the course of the series, we see Alanna advance to squire and finally to knighthood. She ultimately reveals her true gender, and sets out on a series of adventures, becoming a member of the Bazhir desert tribes, learning advanced magical skills as a shaman, and ultimately setting out on a quest that will either save the kingdom or end her own  life. There are romantic entanglements a-plenty (along with the bed-hopping that shocked me on behalf of my 12-year-old — although really it’s tame and non-graphic compared to today’s YA fare).

What I love about this series is the ongoing development of Alanna as an individual who refuses to adhere to the predetermined roles available to someone o f her social status and gender. She embraces her strengths, acknowledges her weaknesses, and never stops trying to improve and grow. She also refuses to be all one thing or another: Yes, she wants to be a knight, and to get there must hide her true gender, but she still manages to find kindly women to go to with her questions about women’s bodies, menstrual cycles, clothing, and relationships. Alanna remains true to herself throughout, and proves to be not just brave and skilled as a warrior, but a trustworthy friend, a beloved surrogate daughter, and a devoted lover.

Beyond all that, the Alanna quartet is quite simply a great fantasy adventure. There are sword fights and horseback adventures, battles and feats of chivalry, and all  manner of court dramas and  formalities. The world-building in the Alanna books is terrific, including not just the knighthood aspects but also its own brand of magical powers, sorcery, and a history of gods and goddesses with powers over the land. The pieces all come together brilliantly, and left me entirely satisfied by the awesome climax and conclusion of the final book, but also wanting more of the characters and this particular kingdom and world.

Luckily, there are plenty more books set in Tortall for me to explore, and my daughter has been kind enough to provide me with her recommended reading order. Next up is the Immortals quartet, starting with Wild Magic, which I’ll begin once I finish up the next couple of audiobooks in my queue.

I’m so happy to have finally revisited the Alanna books, and recommend them highly!

But please, not this set of covers. I can’t even.

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Book details:

Alanna: The First Adventure – 274 pages, published 1983
In the Hand of the Goddess – 264 pages, published 1984
The Woman Who Rides Like a Man – 284 pages, published 1986
Lioness Rampant – 308 pages, published 1988

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Book Review: Winter by Marissa Meyer

WinterAt long last, I’ve read the final volume in Marissa Meyer’s stunning Lunar Chronicles series! By now, all the die-hard fans have probably gobbled it up, maybe more than once. Being a fan but not quite as die-hard, I waited for my library to finally gets its copies and make one available to me… and I’ve spent the entire past week reading this big, long-awaited book.

I won’t bother with a recap or synopsis. If you’re still reading this review, it’s likely because you’ve either read Winter already or have read at least part of the series and want to know how it turns out.

Well, maybe a teensy bit of a recap. Here’s what you need to know: Winter is the 4th novel in the series (with a novella, Fairest, the most recently published, prior to Winter). The overarching storyline is about a mistreated cyborg mechanic named Cinder, her crush on the Prince (later Emperor) of the Commonwealth, Kai, and the struggle against the evil Queen Levana of Luna.

Woven throughout the four books are reimaginings of fairy tale characters: Cinder is Cinderella, Scarlet is Red Riding Hood, Cress is Rapunzel, and Winter is Snow White. Each gets to headline her own book, but Cinder is the ultimate hero, and hers is the through-story that ties it all together.

I binge-read the earlier books at the beginning of 2015, and adored them. However, it was a little tough getting into Winter at first, after a gap of so many months, and I had to rely on online recaps to feel up to speed enough to be able to move forward.

So what did I think of Winter?

First, the good:

All the action and world-building that we’ve come to love in this series continues in Winter, which plunges us immediately back into the battle for world domination. Cinder and her gang are the underdogs, trying to find a way to take down Levana, who seems to have every advantage possible. She has incredibly powerful mind-control abilities (the Lunar gift), and can make almost anyone within her reach do anything she wants, including self-mutilation, harming a loved one, and worse. How can you fight against power like that?

It’s pretty great to see Cinder’s transformation from unloved outcast to worthy leader. She’s fighting the good fight, standing up for the little guy, trying to take the throne not for her own glory, but for the freedom of the people. All the familiar friends are by her side, doing their parts for the greater good, all at great personal risk to themselves. Winter is a nice addition to the cast of characters, although… well, I’ll get into my “althoughs” below.

The ending is just as satisfying as you’d expect. This is a YA series based on fairy tales, and there’s just no way it’s not going to work out to a happily-ever-after. It’s the getting there that’s such fun.

What I didn’t love quite so much:

Oh, where to start? It’s hard to criticize a series that I mostly loved. I mean, really, it’s just so incredibly rich, detailed, and inventive. That said, there are a few things that felt a bit off to me.

WARNING: LIGHT SPOILERS AHEAD!

  • Artemisia: Is it just me, or did everyone else immediately think “oh hey, it’s the Capitol from The Hunger Games!”? A glittery, extravagantly beautiful city, filled with the privileged upper class, who are pampered, silly, and frivolous, wearing ridiculous fashions, utterly reliant on the underfed, overworked laborers from the outer districts in order to keep up their wealth and resources.
  • Length: Each book in the series has been longer than the one before. Cinder is 390 pages; Scarlet, 452; Cress, 550 — and Winter is a whopping 824. Yes, it’s the wrap-up to the entire series, and perhaps deserves to be big. But, there are scenes and chapters that could have been cut or whittled down, and the book would have been fine. It felt a little overstuffed to me.
  • Winter and Jacin: Look, I like them both — it just feels a bit late in the game to get invested in yet another couple.
  • Cast of characters: What can I say? The story sometimes loses focus because of the need to involve every single character in the story. The series is really and truly Cinder’s story, and while the others may be wonderful, by Winter, many of them are serving mostly a supporting function. We continue seeing them all because they’re a part of the series, but honestly, Scarlet didn’t seem all that important here, and while I understand that she had to be included, she’s just one of many who didn’t seem particularly necessary.

Finally, my two big issues:

  • Romance: I get it, these are fairy tales, and fairy tales need a happily ever after. But does every single character need to be coupled off? Is each love story so truly perfect and meant to be? It’s too much. Each of the four power couples is just so, so, so devoted and right and madly, truly, self-sacrificingly in love from the bottom of their perfect hearts.
  • Teens and politics: The incongruities get harder and harder to ignore, the further along we go in the series. Kai is the son of the Emperor when we first meet him, a teen heartthrob, adorable, a bit unruly, the boy every girl in the Commonwealth swoons over. Okay, fine. When his father dies, Kai becomes Emperor. Still fine. But there’s something off when we see Kai bouncing between the role of world leader and adorable boy crush. The better he gets at ruling and making the hard decisions needed to protect his people, the weirder it becomes to see him interacting with Cinder and the others — a politician hanging out with a gang of teen rebels. This little exchange made me laugh and wince at the same time:

(Again, spoilers!)

Levana sighed. “Why, Selene? Why do you want to take everything from me?”

Cinder narrowed her eyes. “You’re the one who tried to kill me, remember? You’re the one sitting on my throne. You’re the one who married my boyfriend!”

Wrapping it all up:

This may make it sound like I didn’t enjoy Winter, and that’s just not the case. I did enjoy it, quite a bit in fact. The writing is fresh and fun, mixing humorous moments with absolutely horrific scenes and pulse-pounding action.

The author takes a moment that was making me uncomfortable — showing the true face of Levana, scarred and burned, that lurks beneath the outward glamour she shows the world. At first, it felt as though her looks alone were being shown as making her worthy of contempt, but fortunately, that’s not what we end up getting:

Cinder hated her own mind for labeling the queen as grotesque. She had once been a victim, as Cinder had once been a victim. And how many had labeled Cinder’s own metal limbs as grotesque, unnatural, disgusting?

No. Levana was a monster, but it wasn’t because of the face she’d kept hidden all these years. Her monstrosities were buried much deeper than that.

Sometimes even a little throwaway moment is so well-written that it shines:

She wiped her nose with the back of her hand. She was not pretty when she cried, and Winter liked this about her.

So really, what’s the deal?

I liked Winter. I really did. Somehow, the plot felt a bit overcomplicated and jumbled, and the large cast of characters kept the focus scattered rather than firmly on Cinder, which would have created greater dramatic tension. The book is clearly a must-read for anyone who’s been reading the series, and it’s a much more satisfying series ender than a few others I can think of (like Mockingjay or Breaking Dawn). The book didn’t need to be 800+ pages long, and I missed some of the awkward quirkiness and self-doubt that made Cinder so special earlier on in the series. Still, I’m glad to have read it, and overall, I still give high marks to the series as a whole.

Reading tip:

Truly, my best advice for someone thinking about getting involved with this series is to read Cinder, decide if you want to continue, and then read straight through. I think one of the reasons Winter fell a little short of my hopes is that I had about a 10-month gap in between the rest of the series and this book. The Lunar Chronicles is a series that demands to be binge-read. I’d lost all momentum by the time I read Winter, but I think if I’d read it right after Cress and Fairest, I might still have been so swept up in the energy of the story that the little irritants I mentioned wouldn’t even have caught my notice.

Interested in the series? Check out my post about binge-reading the earlier books, here.

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The details:

Title: Winter
Author: Marissa Meyer
Publisher: Feiwel & Friends
Publication date: November 10, 2015
Length: 824 pages
Genre: Young adult/science fiction/fairy tale reimagining
Source: Library