Book/Audiobook Review: Clanlands by Sam Heughan and Graham McTavish

Title: Clanlands: Whisky, Warfare, and a Scottish Adventure Like No Other
Authors: Sam Heughan and Graham McTavish
Narrator:  Sam Heughan and Graham McTavish
Publisher: Hodder & Stoughton
Publication date: November 3, 2020
Print length: 352 pages
Audio length: 10 hours 22 minutes
Genre: Travel/adventure/history/non-fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

From their faithful camper van to boats, kayaks, bicycles, and motorbikes, join stars of Outlander Sam and Graham on a road trip with a difference, as two Scotsmen explore a land of raw beauty, poetry, feuding, music, history, and warfare.

Unlikely friends Sam and Graham begin their journey in the heart of Scotland at Glencoe and travel from there all the way to Inverness and Culloden battlefield, where along the way they experience adventure and a cast of highland characters. In this story of friendship, finding themselves, and whisky, they discover the complexity, rich history and culture of their native country.

Take two actors, put them in a rickety camper van, and turn them loose in the Scottish Highlands. What do you get? Clanlands, the new book by Outlander stars Sam Heughan and Graham McTavish — part road trip memoir, part bromance, part history lesson, and all good fun.

Sam and Graham met thanks to their work on Outlander, and in Clanlands, they set out together to explore their native land, traveling from site to site in search of deeper meaning and connection, with the occasional adventure and crazy stunt thrown in along the way.

Reading or listening to Clanlands, we learn about the history and role of the clans in Scotland, the various wars and rebellions, and how Scotland’s history is still very much a part of the land and its people today.

We’re also treated to Sam and Graham’s ongoing banter, in which they complain, ridicule, and criticize one another (while making it clear how very much they actually do value each other’s friendship.) It’s pretty adorable.

There are also stories shared about the filming of Outlander and how the show has changed their lives, as well as stories from their earlier acting days and the various roles and opportunities that led them to where they are today.

Plus, Sam seems to delight in making Graham as uncomfortable as possible at all times, so besides hair-raising near-misses while driving, there’s also kayaking, bicycling, climbing rocks and rocking boats, a motorcycle sidecar ride that nearly ends in disaster, and so much more.

I’d originally picked up a hard copy of the book, then had to get the audiobook once I realized it was narrated by Sam and Graham. I highly recommend going the audio route! The two narrators put so much of their personalities into their narration, and listening, we’re treated to their bickering and comedic moments in a way that the printed page doesn’t capture nearly as well.

Outlander author Diana Gabaldon wrote the book’s forward, and she reads this on the Clanlands audiobook, so yet another treat for fans.

The book includes pages of terrific photos, as well as maps and various lists and glossaries, but fortunately, these are also available with the audiobook as a downloadable PDF.

I think Clanlands is especially a treat for Outlander lovers — you really do need to know who the two authors are and have a sense of what they’re like to appreciate their chemistry and how funny they are together. Still, there’s a lot of truly interesting information included about Scottish culture, history, and locations, so a non-fan could enjoy much of the book too.

The road trip that Sam and Graham describe in Clanlands was taken while filming the upcoming Starz series Men in Kilts, which I personally cannot wait to see.

If you’re looking for a holiday gift for the rabid Outlander fan in your life who already has ALL of the Outlander books and assorted memorabilia, consider getting them Clanlands. They’ll love you for it.

And if you yourself are an Outlander fan, particularly a fan of the TV series, then treat yourself to the audiobook. For me, it’s been a laugh-inducing, silly, informative, and overall delightful way to spend 10 hours!

Book Review: The Princes in the Tower by Alison Weir

Title: The Princes in the Tower
Author: Alison Weir
Publisher: Ballantine
Publication date: 1992
Length: 287 pages
Genre: History
Source: Purchased
Rating:

Rating: 4 out of 5.

Despite five centuries of investigation by historians, the sinister deaths of the boy king Edward V and his younger brother Richard, Duke of York, remain two of the most fascinating murder mysteries in English history. Did Richard III really kill “the Princes in the Tower,” as is commonly believed, or was the murderer someone else entirely? Carefully examining every shred of contemporary evidence as well as dozens of modern accounts, Alison Weir reconstructs the entire chain of events leading to the double murder. We are witnesses to the rivalry, ambition, intrigue, and struggle for power that culminated in the imprisonment of the princes and the hushed-up murders that secured Richard’s claim to the throne as Richard III. A masterpiece of historical research and a riveting story of conspiracy and deception, The Princes in the Tower at last provides a solution to this age-old puzzle.

After watching The White Queen on Starz a couple of weeks ago, I realized how little I knew about the War of the Roses and the complicated history of English royalty prior to the Tudors. And one of the things that really caught my attention was the story of the lost princes.

I’d heard about “the Princes in the Tower” before, but didn’t know the historical context at all. After learning about the missing princes through the fictionalized version of Edward IV’s reign and Richard III’s ascension, as presented in The White Queen, I was dying to know more.

I’ve had a few Alison Weir books on my shelves for years, but only those focused on Henry VIII, his children, and his court. I eagerly picked up her 1992 historical investigation into the fate of the young princes.

It’s a fascinating story, and one that’s pretty mind-boggling in terms of cruelty and tragedy. Upon the death of Edward IV, his young son Edward was the acknowledged heir. Edward IV named his brother Richard as Lord Protector for his son, but the protectorship by law would only last until the young king’s formal coronation.

Richard, seeking power for himself, brought Edward V into the Tower for protection in the months leading up to the coronation. He eventually convinced the boys’ mother, Queen Elizabeth, to send her younger son Richard to join Edward.

In a brief period of time, Richard convinced Parliament to delegitimize the boys, by declaring Edward IV’s marriage to Elizabeth invalid. With Edward’s heirs named as bastards, Richard was more easily able to claim the throne, and was eventually coronated himself.

Meanwhile, after a few documented months in the Tower, the young princes were never seen again.

Over the centuries, mystery has swirled around their disappearances. They are presumed to have been murdered, and the murder is most frequently attributed to Richard III, although other theories dispute this and even question whether they actually died in the Tower at all.

Author Alison Weir combs through sources from the time period as well as soon thereafter, and delves deeply into both what the written record shows as well as what details may have been omitted. She painstakingly builds her case, and by the end of The Princes in the Tower, presents a very compelling argument for her conclusion.

I found The Princes in the Tower an intriguing read, occasionally dry (especially to someone who — I admit — more frequently picks up history via historical fiction), but always full of interesting facts, sources, and speculations.

She carefully identifies which sources were contemporaneous with the events related to the princes, and which were created after the fact (such as Sir Thomas More’s chronicles), and how changing political climates could have affected the way in which events were portrayed.

Highly recommended for those interested in intricate studies of complicated times. I look forward to reading more of Alison Weir’s work.

Book Review: The Turn of the Key by Ruth Ware

Title: The Turn of the Key
Author: Ruth Ware
Publisher: Gallery/Scout Press
Publication date: August 6, 2019
Length: 337 pages
Genre: Thriller
Source: Purchased
Rating:

Rating: 3 out of 5.

When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.

What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.

Writing to her lawyer from prison, she struggles to explain the unravelling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.

It was everything.

She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.

Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

The Turn of the Key is my book group’s pick for November, and I suppose I’m glad to have been “forced” to read it. I’ve been hearing about this book and author Ruth Ware for a while now, so it’s good to know what all the fuss is about!

From the start, we know that there’s something off about the main character. We meet Rowan as she reaches out by letter to a lawyer she’s heard about, one who might be able to turn around her hopeless case. Rowan is in prison, awaiting trial for murdering a child left in her care. And while Rowan admits that she’s done plenty wrong, she insists that she didn’t kill the child.

From here, she relates her strange story, starting with the advertisement for a nanny. A wealthy couple is offering a huge salary for a live-in nanny for their four children at their Scottish estate. To Rowan, this is simply too good to be true. The money involves a huge step up for her, she’s ready for a change, and as we later learn, she has other reasons for wanting the position too.

It’s a weird set-up. The house is a huge, beautiful old Victorian, but the back half has been totally converted into a sleek, glass-walled modern structure. The estate encompasses acres of woods and trails that the children are free to roam about unattended. The children range from toddler to teen, and seem like a handful, but Rowan is enchanted.

Less enchanting is the smart-house design. Everything is run via an app called Happy, that controls all lights, locks and unlocks doors, interfaces with phone calls, replenishes the grocery list, plays music and audiobooks, and so much more. There are cameras everywhere. Creepy!

The parents, Sandra and Bill, are strangely hands-off, to say the least. Upon hiring Rowan, they depart on a business trip the very next day. Suddenly, Rowan is left alone with children who don’t know her (and seem very hostile), a house she doesn’t know how to operate, and only a thick binder left behind by Sandra to offer her instructions on the daily routines and needs of the children.

There are so many red flags that honestly, if I were in Rowan’s shoes, I’d be heading for the hills. Being left alone with children I’ve just met for weeks? Living in an isolated old house? The creaky floors and strange noises? The scary walled garden? The impossible-to-figure-out house app and Sandra’s remote surveillance? No thank you very much.

Still, we also suspect early on that Rowan has secrets. What was her real reason for wanting this job? Why does she hesitate when someone calls her by name? Why does she hide her necklace and just seem so damned awkward all the time?

I had a lot of guesses about Rowan’s secrets, but I was wrong. I was slightly more on target with some of my guesses about the murder — I mean, I got that wrong too, but I figured out some of the “hows” at least!

The ending is pretty abrupt and perhaps a little manipulative, and there’s an ambiguous line thrown in right before the end that has me wondering what happened to Rowan after she finished telling her story.

Overall, I was only partially engaged; hence my 3-star rating. Granted, I’m not a thriller fan in general, so take my responses with a grain of salt. Still, I thought there was something stilted about the set-up, and felt that Rowan’s actions didn’t make enough sense going along. She displays a temper toward the children that made me go in some really dark directions which turned out not to be true — which is a relief, but then why such strong displays of anger? For a childcare professional, Rowan’s anger issues seem really inappropriate and probably should disqualify her from working with children.

Also, it didn’t feel rational to me that a person would show up and take this job in the first place with no adjustment period, and the smart-house aspects are creepy without really adding to the plot. Likewise, the awful garden is in the mix as a danger sign and huge clue… except in the end, it doesn’t really have anything to do with what’s going on, except for being yet one more thing to freak out the main character.

Rowan’s letters from prison make her sound pretty unhinged, so learning that she’s not as unreliable a narrator as we’re led to believe makes me feel like I was being handled, rather than tricked by a clever story.

I don’t know. I was engaged and needed to see how it all turned out, but never particularly connected to any of the characters or cared about them as individuals — not even the children, who didn’t seem particularly realistic.

So yeah, just a 3-star read for me. *Shrug*. Kind of disappointing, considering that I have another book by this author on my shelf. Here’s hoping I have better luck with the next one!

PS – I keep having to stop myself from referring to this book as The Turn of the Screw… and I assume that’s an intentional nod to the classic. New nanny, strange and potentially haunted house, weird children… although the Henry James version doesn’t include invasive smart devices and apps!

Book Review: To Have and To Hoax by Martha Waters

Title: To Have and To Hoax
Author: Martha Waters
Publisher: Atria
Publication date: April 7, 2020
Length: 367 pages
Genre: Historical fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

In this fresh and hilarious historical rom-com, an estranged husband and wife in Regency England feign accidents and illness in an attempt to gain attention—and maybe just win each other back in the process.

Five years ago, Lady Violet Grey and Lord James Audley met, fell in love, and got married. Four years ago, they had a fight to end all fights, and have barely spoken since.

Their once-passionate love match has been reduced to one of cold, detached politeness. But when Violet receives a letter that James has been thrown from his horse and rendered unconscious at their country estate, she races to be by his side—only to discover him alive and well at a tavern, and completely unaware of her concern. She’s outraged. He’s confused. And the distance between them has never been more apparent.

Wanting to teach her estranged husband a lesson, Violet decides to feign an illness of her own. James quickly sees through it, but he decides to play along in an ever-escalating game of manipulation, featuring actors masquerading as doctors, threats of Swiss sanitariums, faux mistresses—and a lot of flirtation between a husband and wife who might not hate each other as much as they thought. Will the two be able to overcome four years of hurt or will they continue to deny the spark between them?

With charm, wit, and heart in spades, To Have and to Hoax is a fresh and eminently entertaining romantic comedy—perfect for fans of Jasmine Guillory and Julia Quinn. 

Needing a light-hearted read this week, I turned to an ARC that’s been on my to-read list since earlier this year. To Have and To Hoax by Martha Waters perfectly fit my mood, giving me a nice little break from reality by means of a Regency romance and a battle of wits.

Violet and James were a true love match, falling in love at first sight during Violet’s first season out in society, and marrying within four weeks of meeting. They enjoyed a loving, passionate first year together, and when they quarreled, they fought hard and then made up even harder.

But one year into their marriage, there was an argument that struck to the very core of their relationship and their trust in one another. In the four years since, Violet and James have lived in stony silence, neither willing to forgive or ask forgiveness, avoiding each other as much as possible.

This cold war stand-off is disturbed when Violet receives word that James has been gravely injured — although James has no idea that his friend has sent for Violet. When they meet, and Violet sees that James is both recovered and surprised that she’d been notified, years of anger boil to the surface.

In a game of one-up-manship, Violet decides to feign illness and make James suffer. He, in turn, sees through her game and treats her as an invalid, confining her to a sick room and making her miserable. When she suspects that he he knows the truth, he escalates matters by publicly flirting with another woman, yet Violet manages to turn even that scandalous situation to her own advantage.

Through it all, it’s absolutely clear that Violet and James still love one another, and just need a breakthrough (or a good shaking) to finally talk about their grievances and put them behind for good. There are plenty of fights, heavy doses of flirtation and teasing, a few good dances, proddings from friends, and some rather naughty encounters too.

It’s all great fun. Chapters alternate between Violet and James’s points of view, so we’re treated to both sides of the great divide between them and can see just how badly they’ve misunderstood and reacted to one another — but we also become aware well before the characters do that the love and passion between Violet and James are still there beneath the surface, just waiting to come out.

As a historical romance, To Have and To Hoax is very entertaining, and I was mostly convinced by the Regency society norms, manners, and settings. There are a few moments where more modern terminology jarred me out of the story (for example, a moment when Violet has thoughts about men’s “emotional intelligence”), but overall, I enjoyed this read.

A follow-up book featuring two secondary characters from To Have and To Hoax is due out in 2021 (To Love and To Loathe), and I will certainly want to read that too. Meanwhile, for a light romantic reading escape, check out To Have and To Hoax.

Audiobook Review: Mythos by Stephen Fry

Title: Mythos: The Greek Myths Reimagined
Author: Stephen Fry
Narrator:  Stephen Fry
Publisher: Chronicle Books
Publication date: August 27, 2019
Print length: 352 pages
Audio length: 15 hours 26 minutes
Genre: Myths & legends
Source: Purchased
Rating:

Rating: 5 out of 5.

Rediscover the thrills, grandeur, and unabashed fun of the Greek myths—stylishly retold by Stephen Fry. This legendary writer, actor, and comedian breathes new life into beloved tales. From Persephone’s pomegranate seeds to Prometheus’s fire, from devious divine schemes to immortal love affairs, Fry draws out the humor and pathos in each story and reveals its relevance for our own time. Illustrated throughout with classical art inspired by the myths, this gorgeous volume invites you to explore a captivating world, with a brilliant storyteller as your guide.

Stephen Fry’s book on Greek mythology is an absolute delight, and his narration of the audiobook is a perfect showcase for his wit and humor.

From the creation myths through the age of the Titans and the Olympians, Stephen Fry treats us to story after story that never fail to amuse. It’s a wonderful accomplishment, breathing fresh life into stories that many of us have heard repeatedly since childhood. In Mythos, even the most familiar of tales feels fresh, and there are plenty included that I’d never heard of before.

Of course, it’s all very funny too, and is kept at a very light and entertaining level. This isn’t an academic study — it’s storytelling, and it works beautifully. I also really appreciated the little nuggets of linguistic origins tucked in amidst all the gods and demigods and nymphs — the narrator always points out the modern day words and places that are related to the Greek names of the figures in the myths. As a word geek, I found it just so much fun!

Stephen Fry’s versions of the stories are light-hearted and told for maximum entertainment, and every so often there are some absolute gems, such as this line from the story of King Midas:

Everything around him glinted and glittered, gleamed and glimmered with a gorgeous gaudy golden glow but his heart was as grim and grey as granite.

After listening to the audiobook, I couldn’t resist treating myself to a physical copy of the book, and I’m so glad I did — it’s beautiful. The text is of course wonderful, and there are illustrations throughout that add to it and make it a book I’ll be happy to open at random and flip through from time to time for years to come.

This is one instance where I feel confident in saying that you’ll be missing out if you only read the print version, because Stephen Fry’s narration is just so terrific. So, if you enjoy mythology told with flair, absolutely give a listen to this great audiobook!

I can’t wait to listen to the next in the series!

Book Review: The Children of Red Peak by Craig DiLouie

Title: The Children of Red Peak
Author: Craig DiLouie
Publisher: Redhook
Publication date: November 17, 2020
Length: 384 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Bram Stoker Award-nominated author Craig DiLouie brings a new twist to the cult horror story in a heart-pounding novel of psychological suspense.

David Young, Deacon Price, and Beth Harris live with a dark secret. As children, they survived a religious group’s horrific last days at the isolated mountain Red Peak. Years later, the trauma of what they experienced never feels far behind.

When a fellow survivor commits suicide, they finally reunite and share their stories. Long-repressed memories surface, defying understanding and belief. Why did their families go down such a dark road? What really happened on that final night?

The answers lie buried at Red Peak. But truth has a price, and escaping a second time may demand the ultimate sacrifice.

Reading The Children of Red Peak gave me serious chills — but I’m not sure whether this story needed the horror/supernatural element to have that effect. How can a story about childhood survivors of a death cult be anything but horrifying?

In The Children of Red Peak, we meet the three main characters — David, Beth, and Deacon, at the funeral of their childhood friend, Emily. Emily has committed suicide, leaving a note that says simply “I couldn’t fight it anymore”.

Fifteen years earlier, these four people, plus David’s older sister Angela, were the sole survivors of a brutal yet mysterious mass suicide out in the desert at a location known as Red Peak. A religious congregation, led by their pastor, endured weeks of starvation, hard labor, and mutilations before finally drinking poison (and murdering those who balked) — all with the goal of gaining eternal life in heaven, leaving behind the rest of the world to suffer the end times.

The survivors were all teens at the time, and after their rescue and extended psychological treatment, they eventually went their separate ways and made lives for themselves. But none are truly happy, and none can really explain what happened on that terrible day at Red Peak.

Through chapters that alternate between Beth, David, and Deacon’s perspectives, we learn about their varied current lives — Beth is a psychologist, Deacon an up-and-coming rock star, and David a cult exit counselor. We also see the characters start to allow their memories to resurface, so we get the backstory of the Family of the Living Spirit, its road to ruin, and the events of the final day in bits and pieces, until they eventually add up to a disturbing, terrible whole.

While there is a mysterious supernatural (religious?) element that comes into play, for me the true impact of this book lies in the description of the Family of the Living Spirit’s trajectory toward destruction. When we’re introduced to this community, they are a peaceful, religious, spiritual group living off the land on a small farm, devoted to the worship of the Living Spirit, but also living a joyful, celebratory life.

It’s only when the pastor discovers a miracle in the desert that the group’s emphasis on gaining eternal life kicks into high gear. With growing fervor for the apocalypse and their crossing over, the congregation evolves quickly into a doomsday cult. Choices are removed, blind obedience is emphasized, and increasingly destructive behaviors are held up as testaments to faith. It’s horrible, especially as we see these events through the eyes of people who were children at the time.

I’m not sure that I loved the climax and conclusion of The Children of Red Peak. The story of the cult and its destructive power is the true horror — for me, the addition of a supernatural element seems almost beside the point. Yes, it’s all very scary and horrifying, but even if this story were just about the delusions and failings of a group of brainwashed people, it would be just as scary and horrifying.

Maybe even more so?

The ending gives us a way out, so to speak. It allows for the possibility that the group’s beliefs might actually have had some sort of fulfillment, in its own awful way. And truly, there are no excuses. Whether the events were the work of a supernatural or divine being, it still resulted in suffering, death, and the permanent psychological damage done to the children who survived.

The Children of Red Peak is thought-provoking and utterly devastating. I came to really care about the characters, and found the entire story and the characters’ various endings heart-breaking and tragic.

This is a powerful read, and I just wish I had someone to talk about it with! Craig DiLouie is a gifted writer, and I will gladly read whatever he writes next.

For more by this author, check out my reviews of:
One of Us
Our War

Book Review: The Case of the Missing Marquess (Enola Holmes, #1) by Nancy Springer

Title: The Case of the Missing Marquess (Enola Holmes, #1)
Author: Nancy Springer
Publisher: Puffin
Publication date: 2006
Length: 228 pages
Genre: Middle grade
Source: Library
Rating:

Rating: 3.5 out of 5.

Meet Enola Holmes, teenaged girl turned detective and the younger sister to Sherlock Holmes.

When Enola Holmes, sister to the detective Sherlock Holmes, discovers her mother has disappeared, she quickly embarks on a journey to London in search of her. But nothing can prepare her for what awaits. Because when she arrives, she finds herself involved in the kidnapping of a young marquess, fleeing murderous villains, and trying to elude her shrewd older brothers—all while attempting to piece together clues to her mother’s strange disappearance. Amid all the mayhem, will Enola be able to decode the necessary clues and find her mother?

After watching the delightful Netflix adaptation of this book (more about this below), I just had to check out the source material! I’m glad I did — the first book in Nancy Springer’s Enola Holmes series is clever, funny, and full of adventure.

In The Case of the Missing Marquess, Enola wakes up on her 14th birthday to discover that her mother is missing. When her older brothers, Mycroft and Sherlock, arrive on the scene, it’s clear that they have no faith in the ability of a woman to fend for herself or to think rationally. As for what to do with Enola, boarding school is the obvious choice, as far as the men are concerned.

Enola is having none of it, and resolves to run off and go in search of her mother. Using clues left for her by her mother, Enola sets out in clever disguise, making use of the awful requirements of women’s dress (including corsetry and bustle) to find hiding places for money and other essentials.

Along her journey, she stumbles across the case of the missing Marquess — a 12-year-old boy from a prestigious family who’s been reportedly abducted, but Enola sees enough through her own perspective to realize that he’s probably run away as well.

As Enola travels to London, she crosses paths with the Marquess, and together they endure hardships, threats, near-death encounters with bad guys, and a thrilling escape.

By the end, Enola has not yet found her mother, but she’s learned a lot about the ways of the world, how women are viewed and how to use that to her own advantage, and how to survive on her own.

Enola is a delightful character, and the book is a fun caper story. It’s geared toward a younger crowd than YA, which is why I’d call it middle grade, although it might skew somewhere in between.

The writing and dialogue are clever, and it’s quite fun to see how Enola uses society’s view of women to her own ends, subverting the patriarchy right under the patriarchy’s chauvinistic noses.

I’m not sure that I’ll continue with the series — while this book was really enjoyable, I’m not really feeling the need to carry on with something that’s essentially a children’s book series. (If my kids were still in the the target age range, I might feel differently.)

In terms of the Netflix adaptation, well.. it’s not really a fair comparison! The books are a great read for the right age group, but as an adult, I just loved the Netflix version, its cast, and its super-clever approach to the story.

The adaptation also has a much more intricate plot and more story threads to unwind. I do wonder whether some of these other pieces will come into play in later books, but not really enough to make me want to keep reading.

I’d recommend the books for middle grade readers (and parents/teachers/friends of middle grade readers), but for adults looking to enjoy the essence of the story, Netflix’s Enola Holmes is the way to go!

Book Review: The Red Lotus by Chris Bohjalian

Title: The Red Lotus
Author: Chris Bohjalian
Publisher: Doubleday
Publication date: March 17, 2020
Length: 400 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

From the #1 New York Times bestselling author of Midwives and The Flight Attendant comes a twisting story of love and deceit: an American man vanishes on a rural road in Vietnam, and his girlfriend, an emergency room doctor trained to ask questions, follows a path that leads her home to the very hospital where they met.

The first time Alexis saw Austin, it was a Saturday night. Not in a bar, but in the emergency room where Alexis sutured a bullet wound in Austin’s arm. Six months later, on the brink of falling in love, they travel to Vietnam on a bike tour so that Austin can show her his passion for cycling and he can pay his respects to the place where his father and uncle fought in the war. But as Alexis sips white wine and waits at the hotel for him to return from his solo ride, two men emerge from the tall grass and Austin vanishes into thin air. The only clue he leaves behind is a bright yellow energy gel dropped on the road.

As Alexis grapples with this bewildering loss, and deals with the FBI, Austin’s prickly family, and her colleagues at the hospital, Alexis uncovers a series of strange lies that force her to wonder: Where did Austin go? Why did he really bring her to Vietnam? And how much danger has he left her in?

Set amidst the adrenaline-fueled world of the emergency room, The Red Lotus is a global thriller about those who dedicate their lives to saving people, and those who peddle death to the highest bidder.

The Red Lotus is a thriller that moves between Vietnam and New York, ratcheting up the tension until it’s impossible to put down.

We open with our main character Alexis, an ER doctor, waiting anxiously at a luxurious hotel for her boyfriend Austin to return from a solo bike ride across difficult terrain in Vietnam. He’s late, and getting later. Eventually, she reports him missing to their bike tour guides, the local police, and the American consulate, which dispatches the resident FBI representative to assist with the search.

After many hours, Austin’s body is finally found. He’s apparently been killed in a hit and run on a steep mountain road.

But we know there’s more to the story, having read a chapter from Austin’s point of view, in which he’s stopped on the road, taken blindfolded to an undisclosed location, and interrogated. Forcefully. Austin is clearly involved in something sketchy, and just as clearly, he’s in way over his head.

After identifying Austin’s body, Alexis sadly returns alone to New York, but certain inconsistencies nag at her. His injuries can’t all be accounted for as due to a hit and run accident. And why did he lie to her about his father and uncle’s service records in Vietnam? She should probably let it go, but one of her skills as an ER doctor is pattern recognition — spotting key facts and connecting the dots to find out what’s really going on. For her own peace of mind, Alexis has to know the truth about Austin and the real reason he insisted on their trip to Vietnam.

I really don’t want to give away anything more about the plot. There are many different point of view characters, and the intricacies and clues pile up quickly.

Early on, we’re aware that there’s something awful going on behind the scenes involving medical research and murky, disturbing science. How this involves Alexis and Austin is one of the driving mysteries of The Red Lotus.

Even as early as about a third of the way into the story, I just couldn’t stop reading. I had to know if my guesses were right (and some were! yay, me!), how the crazy plotlines would unravel or come together, and whether Alexis herself would end up in mortal danger (she does).

Chris Bohjalian is a master storyteller, and his books never fail to surprise me with their intricate plots and compelling characters. I loved how seemingly secondary characters in this book still got their own backstories and, in the case of the PI Alexis hires, a rich life story full of challenges, love, and loss.

Maybe I just didn’t read the synopsis thoroughly before picking up this book, but I was expecting something more focused on the aftermath of the Vietnam War — and while that does come into play, the true pulse-pounding aspect of the story is along the lines of a medical thriller.

As I said, there’s not much more I can say without giving out major spoilers, so I’ll stop! The Red Lotus is a fascinating, disturbing read, and I just couldn’t look away.

If you enjoy medical thrillers with an international setting and a brave, intelligent lead character, check this one out!

Book Review: Plain Bad Heroines by Emily M. Danforth

Title: Plain Bad Heroines
Author: Emily M. Danforth
Publisher: William Morrow
Publication date: October 20, 2020
Length: 608 pages
Genre: Horror
Source: Purchased
Rating:

Rating: 4 out of 5.

The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit.

Our story begins in 1902, at The Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.

A story within a story within a story and featuring black-and-white period illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read.

This 600+ page book almost defies description, but I’ll give it a shot!

“I wish some one would write a book about a plan bad heroine so that I might feel in real sympathy with her.” – Mary MacLane

Plain Bad Heroines is a story-within-a-story book, with interlocking characters and motifs that center on the (supposedly) cursed and/or haunted grounds of the Brookhants School for Girls — an early 20th century institution for the education of society girls, located on a wooded estate in upper-crust Rhode Island.

Mary MacLane

In 1902, students Clara and Flo are inspired by the writings of (real-life) Mary MacLane and form a secret society, the Plain Bad Heroines, to celebrate her work and her life. Clara and Flo are in love, but after a disastrous trip home and a ride back to school with her judgmental cousin, Clara storms off into the woods to meet up with Flo, only for both girls to meet a ghastly end by being attacked by swarms of yellow jackets.

In our own timeline, the events from 1902 gain new notoriety after Merritt Emmons publishes The Happenings at Brookhants at the age of sixteen. Now years later, the book is being made into a film by an edgy director, with superstar “celesbian” Harper Harper committed to star as Flo. Merritt is on board as a producer, and she’s not pleased when Audrey Wood, a B-list actor who bombed her audition in a major way, is cast as Clara.

As the production cast and crew settle in to film on location at Brookhants, weird things start to happen, and there’s much more going on than can be easily explained. Is the place truly haunted? Or is this Hollywood manipulation at its most devious?

The plot weaves backward and forward in time, cutting between the modern-day movie storyline and the complicated relationships between Harper, Merritt, and Audrey, and the timeline that includes the aftermath of Clara and Flo’s deaths and the impact on Libbie, the school headmistress, and her lover, Alex (Alexandra).

There’s so much more to both pieces of the story than is readily apparent, and the author carefully layers on more and more hints and explanations, constantly deepening the story and shifting its direction and meaning.

Plain Bad Heroines is proudly, unabashedly queer, and its (plain, bad) heroines make no attempts to follow anyone’s rules but their own. They love as they please, and take inspiration from Mary MacLane’s own bold pronouncements when they need courage. The relationships are intricate and shifting, in both timelines, and the character refuse to be cookie-cutter types — author Emily M. Danforth does an amazing job of managing such a large cast and making sure each individual character has a life and personality of her own.

This book is BIG, and it takes concentration, but I could not stop reading once I started. The writing style is clever and filled with footnotes and commentary that are snarky and funny and informative. There are also dire and tragic happenings — and this IS a horror story too, with plenty of creepy, spine-tingling moments.

Black and white illustrations throughout the book add to the overall mood and make reading this book feel like an experience.

Yellow jackets are scary anyway, but now, having read Plain Bad Heroines, I’m pretty sure I’m terrified of them. Read the book — you’ll see what I mean.

I really only have two complaints about Plain Bad Heroines, and the first is not with the story itself but with the layout. Whoever picked the typeface for this book should have paid more attention to the asterisks that lead to the footnotes — I almost never saw them (they’re tiny), and had to constantly go back and search the page to see where the footnotes connect to.

My second complaint is a larger one, which is that I wasn’t completely satisfied with the ending. It leaves a bunch of unanswered questions, and I’m a little frustrated that certain elements didn’t get more clarity and resolution.

Still, this is overall a marvelous and unique book, and I laughed and shivered my way through it. The final scene takes place at the Cannes Festival premiere of The Happenings at Brookhants, and all I could think was, damn! I wish this was a real movie, because it would be fascinating to see how it all worked out.

Plain Bad Heroines is a terrific read. Don’t miss it!

To learn more about the real Mary MacLane, visit The Mary MacLane Project.

Graphic Reaction: Good Talk by Mira Jacob

Title: Good Talk: A Memoir in Conversations
Author: Mira Jacob
Publisher: One World
Publication date: March 26, 2019
Length: 349 pages
Genre: Graphic memoir
Source: Purchased
Rating:

Rating: 5 out of 5.

Mira Jacob’s touching, often humorous, and utterly unique graphic memoir takes readers on her journey as a first-generation American. At an increasingly fraught time for immigrants and their families, Good Talk delves into the difficult conversations about race, sex, love, and family that seem to be unavoidable these days.

Inspired by her popular BuzzFeed piece “37 Difficult Questions from My Mixed-Raced Son,” here are Jacob’s responses to her six-year-old, Zakir, who asks if the new president hates brown boys like him; uncomfortable relationship advice from her parents, who came to the United States from India one month into their arranged marriage; and the imaginary therapy sessions she has with celebrities from Bill Murray to Madonna. Jacob also investigates her own past, from her memories of being the only non-white fifth grader to win a Daughters of the American Revolution essay contest to how it felt to be a brown-skinned New Yorker on 9/11. As earnest and moving as they are sometimes laugh-out-loud funny, these are the stories that have formed one American life.

I can’t think of a more timely book to read this week — on the eve of a monumentally important election — than Mira Jacob’s Good Talk. In this graphic memoir, the author shares conversations between her and her six-year-old (and later, eight-year-old) son, her husband, her in-laws, her parents, her friends, and all sorts of other relatives and acquaintances. Through these conversations, she explores what it means to have brown skin in America, and how she hopes to help her mixed-race child navigate a world that still doesn’t know how to stop treating people as others.

From her son’s early obsession with Michael Jackson up through the 2016 election, she navigates the strange and treacherous landscape of race in America, using drawn characters against photographic backgrounds to highlight a variety of conversations that are funny while also sad, startling, and infuriating.

This is a quick read, but so lovely and warm and powerful. I will definitely want to read more by this author!