Book Review: Disturbing the Dead (A Rip Through Time, #3) by Kelley Armstrong

Title: Disturbing the Dead
Series: A Rip Through Time, #3
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 7, 2024
Length: 352 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 5 out of 5.

Disturbing the Dead is the latest in a unique series with one foot in the 1890s and the other in the present day. The A Rip Through Time crime novels are a genre-blending, atmospheric romp from New York Times bestselling author Kelley Armstrong.

Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends―and feelings―in this century.

So, understanding the Victorian fascination with death, Mallory isn’t that surprised when she and her friends are invited to a mummy unwrapping at the home of Sir Alastair Christie. When their host is missing when it comes time to unwrap the mummy, Gray and Mallory are asked to step in. And upon closer inspection, it’s not a mummy they’ve unwrapped, but a much more modern body.

Kelley Armstrong is rapidly becoming a must-read author for me. Disturbing the Dead is the 3rd book in her excellent A Rip Through Time series… and I’ve also been head-over-heels for the A Stitch in Time series (of which I’ve read half so far). While both series have a timeslip/time travel element, they are completely different in tone and focus… and I’m loving them both.

A Stitch in Time has a romantic focus, with a woman slipping through a “stitch” that allows her to travel back and forth between our world and the Victorian era. Each book in the series has a different woman as the main character, but in all cases, travel back and forth is possible, and the characters must learn to fit in and blend in where they land, while also sorting out the complications of love across time.

In the A Rip Through Time series, a different core concept comes into play. 21st century detective Mallory Atkinson accidentally gets pulled through a rip in time during a visit to Edinburgh. When she is attacked and strangled in a dark alley — and the same thing happens to a young housemaid in the exact same place but in the 19th century — Mallory’s consciousness ends up inhabiting the housemaid’s body.

(There’s a lot more to it, so check out my review of the first book for more details).

Fortunately for Mallory, Catriona is employed as a servant in the home of eccentrics, a brother and sister who are devoted to science and social reform. Dr. Duncan Grey is an undertaker and the unofficial coroner of the Edinburgh police force; his sister Isla is a widow known for her independent thinking and her skills in the chemistry lab. Over the course of the first two books, they come to understand that the person they knew as Catriona isn’t actually Catriona any longer. They befriend Mallory, and her knowledge of 21st century police work and forensics quickly makes her an integral part of the household.

Here in Disturbing the Dead, six months have passed since Mallory’s appearance in their midst. Mallory has been promoted and is now officially Duncan’s assistant. Besides Duncan and Isla, police detective (and close family friend) Hugh McCreadie is also in on Mallory’s secret. Together, this group uses Mallory’s advanced knowledge to carry out investigations and apply a more rigorous scientific approach to Victorian era police work.

The action kicks off with an invitation to a mummy unwrapping. Egyptian artifacts and archaeology are all the rage, and Sir Alistair Christie is hosting a party to share his latest find. When the mummy is unwrapped, however, a very fresh corpse is discovered inside, and Mallory and Duncan find themselves once more in the thick of a complicated murder investigation.

The mystery is the driving force of the novel, and it’s a good one, with plenty of subjects, clues, motives, and red herrings. There’s also a very entertaining side plot about a pulp writer who’s started publishing lurid accounts of Mallory and Duncan’s exploits, much to their embarrassment (and Mallory’s annoyance, as the writer portrays her as an empty-headed girl whose main function is to look impressed — and sexy — while Duncan makes all the discoveries).

One of the many delights of the series is seeing Mallory being herself in the 19th century. Unlike the situation facing the characters in the Stitch in Time series, Mallory doesn’t need to make an effort to conceal herself or blend while amongst her friends. Yes, she must adapt to the time by dressing in corsets and adopting the appropriate social customs, but at home, her speech and knowledge are full of 21st century expressions, swearing, and casual sharing of unknown facts.

“Like people in my world who still think you can catch the common cold — or catarrh — by going out in cold weather, despite the fact we’ve known for generations that it’s caused by a virus.”

“Catarrh is caused by… what?” Gray says.

“Whoops. Sorry. Spoilers. Moving right along…”

She’s just so much fun, and scenes of her with Isla and Duncan are always a delight.

He opens his hand to reveal a derringer pistol. I may let out the kind of noise others make on seeing a puppy.

There a shocking development in the latter half of the book that left me gasping and dismayed. I did not see that coming! The author does a fabulous job of making the situation (no spoilers!) vivid and real, and yet also manages to pull off a great resolution to this particular twist.

Overall, Disturbing the Dead is a fantastic addition to a great series, and I can’t wait for more! Highly recommended — but definitely start at the beginning of the series.

Book Review: A Twist of Fate (A Stitch in Time, #2) by Kelley Armstrong

Title: A Twist of Fate
Series: A Stitch in Time, #2
Author: Kelley Armstrong
Publisher: Subterranean Press
Publication date: October 5, 2021
Length: 288 pages
Genre: Time slip/ghost story
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Four years ago, Rosalind Courtenay stumbled from the nineteenth century to the twenty-first, where she has been trapped ever since, leaving her husband and infant son behind. Now she’s found her way back.

The problem, of course, is how to explain her absence to her husband. Does he think she abandoned him? Has he remarried? Is he happy in a new life? Rosalind decides to don a disguise in hopes of answering her questions before showing up on his doorstep. Instead, a twist of fate has her mistaken for her young son’s new governess.

Rosalind has every intention of revealing herself as soon as August returns home from business. Until then, she’ll get to know her son, a quiet child who has inexplicably been abandoned by an endless stream of governesses. That’s when the hauntings begin. Rosalind has finally come home and something—or someone—doesn’t just want her gone. They want her dead.

I adored A Stitch in Time, the story of a 21st century woman who passes through a time stitch and lands two centuries in the past, where she reunites with the man who was once her secret childhood companion. In A Stitch in Time, we learn that William’s best friend’s wife is believed dead, after she set out riding one night and never returned. Her horse was found dead in the sea below a cliff — clearly, Rosalind had a tragic accident and fell to her death. But August has never accepted this as fact; despite the years that have passed, he’s convinced that she left him and their infant son.

In A Twist of Fate, we get Rosalind’s story, and it’s immediately captivating. Yes, Rosalind went out riding in the middle of the night, to retrieve the wedding ring she’d accidentally left behind in the kitchen of Thorne Manor. But hearing a strange noise from an upstairs room, in what was supposedly an unoccupied house, Rosalind ventures up to investigate, and falls through the time slip. Shocked and scared once she figures out what’s happened, she tries desperately to get back, but the portal seems to have closed. Alone in a strange world, Rosalind has no choice but to figure out how to get by, but she returns month after month to Thorne Manor to see if the way back has finally opened for her.

After four years and a chance encounter with William and Bronwyn in the 21st century, Rosalind realizes that her opportunity may finally have come — and it has. She manages the time passage, and is determined to get to her husband and son as quickly as possible.

On reaching August’s family’s country home, Rosalind is mistaken for the expected new governess. Learning that her husband is away on business, she takes this opportunity to spend time with her son and discover what she can about their lives, intending to tell August the truth as soon as he arrives. But complications arise, and Rosalind’s opportunity to reveal herself is delayed over and over again. Meanwhile, she spends time with her beloved boy Edmund, treasuring every precious moment, but fearing that she may be sent away (or sent to an asylum) if she can’t convince people of her true identity.

At the same time, Courtenay House appears to be haunted, and although Rosalind believes there is a ghost present, she doesn’t believe that the malicious tricks and nighttime scares she experiences are supernatural in origin. There’s a dangerous presence in the house, and it’s very much human in nature.

A Twist of Fate is an utterly engaging and absorbing story. Rosalind’s experiences are quite different that Bronwyn’s — she’s trapped in a strange world, separated from her husband and child, and although she manages to create a sort-of life for herself in the 21st century, she never stops aching for home. A true Victorian woman, Rosalind is also an independent individual, and so it’s quite fun to see her return back to her own time with some new-fangled ideas about motherhood, marriage, raising children, and women’s roles.

She and August truly love one another, but theirs was a marriage plagued by his irrational jealousy before her disappearance. I love that the author doesn’t reunite the two and magically erase all the prior troubles. Yes, they ultimately get a wonderfully romantic second chance at love, but they also have some hard conversations about their shared past, what went wrong, and what needs to change.

The mystery at the heart of the story — who is the ghost? who is the real threat? — is very well done, and had me guessing throughout. The unraveling of secrets and the revelations related to the mystery plotline are surprising and twisty, but fit together perfectly.

I loved seeing Rosalind’s time with Edmund, finding a way to care for and love her son even before he knows who she really is. They have a beautiful relationship, and it was also heartwarming to see what a loving father August became in Rosalind’s absence, definitely breaking with the time period’s societal norms regarding a father’s involvement in his child’s life.

I thoroughly enjoyed A Twist of Fate, and strongly recommend the series as a whole! There are two more novels (which I will absolutely read as soon as I can), and some Christmas-themed novellas that fit in between the main novels.

In fact, immediately upon finishing A Twist of Fate, I started the August and Rosalind novella, Snowstorms and Sleighbells, and will look forward to carrying on with the series. If you enjoy timeslip stories, lovely love stories, and a good mystery, then you must check out the Stitch in Time books.

Next in the series:

Book Review: A Grave Robbery (Veronica Speedwell, #9) by Deanna Raybourn

Title: A Grave Robbery
Series: Veronica Speedwell, #9
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 12, 2024
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Veronica and Stoker discover that not all fairy tales have happy endings, and some end in murder, in this latest historical mystery from New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.

Lord Rosemorran has purchased a wax figure of a beautiful reclining woman and asks Stoker to incorporate a clockwork mechanism to give the Rosemorran Collection its own Sleeping Beauty in the style of Madame Tussaud’s. But when Stoker goes to cut the mannequin open to insert the mechanism, he makes a gruesome discovery: this is no wax figure. The mannequin is the beautifully preserved body of a young woman who was once very much alive. But who would do such a dreadful thing, and why?

Sleuthing out the answer to this question sets Veronica and Stoker on their wildest adventure yet. From the underground laboratories of scientists experimenting with electricity to resurrect the dead in the vein of Frankenstein to the traveling show where Stoker once toured as an attraction, the gaslit atmosphere of London in October is the perfect setting for this investigation into the unknown. Through it all, the intrepid pair is always one step behind the latest villain—a man who has killed once and will stop at nothing to recover the body of the woman he loved. Will they unmask him in time to save his next victim? Or will they become the latest figures to be immortalized in his collection of horrors?

Veronica Speedwell is back! This outing — another potentially deadly investigation with her lover and partner Stoker — provides everything fans of this series love: Dastardly deeds, scheming scientists, Victorian scandal, and lots of sexy bantering.

As she and Stoker happily work on their ongoing commission to catalog and restore their patron Lord Rosemorran’s vast collection of natural wonders, a new challenge comes their way. Lord Rosemorran has purchased a waxwork of a lovely young woman, and to entertain his rambunctious youngest daughter, wants Stoker to add a mechanical element to give the illusion of breathing, as seen in a famous attraction at Madame Tussaud’s.

The promise of a new case to investigate becomes apparent once Stoker starts his work and discovers that this is no waxwork, but the meticulously preserved body of a young woman who was once very much alive. But who was she, and how did she come to be in this condition?

The more Veronica and Stoker learn, the more questions arise. It appears that this may be the body of a young woman who was found drowned in a river some fifteen years earlier, but that fact does not provide clues to her identity or shed light on the mystery of how such an impeccable work of preservation was carried out.

The details of their investigation are as delicious as readers can rightfully expect in this series, as we descend into worlds of mortuaries, mad scientists, and questionable examples of *ahem* anatomical study aides.

Through it all, Veronica and Stoker remain as wonderfully intertwined and perfectly in tune as ever, enjoying their restorative bouts of “congress” (as Veronica calls it) while also engaging as equal partners at a time when women are expected to be submissive.

It has been my experience that the male of the species, though often thoroughly illogical, can — when encouraged to sit quietly and think hard — be guided into a position of sense.

Veronica defers to no one and never backs down. She’s a smart, confident woman of science, and demands to be treated as such at all times. She never hesitates to call Stoker out, including his tendency toward anti-social behavior:

“Thanks to you, I speak to entirely too many people, entirely too often.”

“Exactly. You were practically a hermit when I met you.

“I was not a hermit,” he said through gritted teeth. “I was a professional man with work that I was actually permitted to do rather than being dragged into murder investigations because I had not yet met a woman whose very raison d’être seems to be falling over dead bodies.”

Author Deanna Raybourn seems to be having oodles of fun with these stories and characters. Her descriptions sparkle, and the quips, insults, and banter fly with zingy style. Even little throwaway lines are pure delight:

“That is the most preposterous load of plangent poppycock I have ever heard.”

I do hope she’ll continue writing Veronica Speedwell stories for many years to come. Each year’s new installment is something to savor… but sadly, they’re such fast, absorbing reads that I come to the end almost too quickly. And now, it’s another long year of waiting for the next adventure!

I’ll wrap up with words borrowed from my reviews of earlier books in the series:

If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!

This series has become one of my favorites. Don’t miss it.

Book Review: The Poisoner’s Ring (A Rip Through Time, #2) by Kelley Armstrong

Title: The Poisoner’s Ring
Series: A Rip Through Time
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 23, 2022
Length: 352 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 4 out of 5.

Edinburgh, 1869: Modern-day homicide detective Mallory Atkinson is adjusting to her new life in Victorian Scotland. Her employers know she’s not housemaid Catriona Mitchell―even though Mallory is in Catriona’s body―and Mallory is now officially an undertaker’s assistant. Dr. Duncan Gray moonlights as a medical examiner, and their latest case hits close to home. Men are dropping dead from a powerful poison, and all signs point to the grieving widows… the latest of which is Gray’s oldest sister.

Poison is said to be a woman’s weapon, though Mallory has to wonder if it’s as simple as that. But she must tread carefully. Every move the household makes is being watched, and who knows where the investigation will lead.

The Poisoner’s Ring is the 2nd book in Kelley Armstrong’s A Rip Through Time series, and while there’s a murder-mystery plot that’s complicated and compelling, I think a reader would be completely lost if they try to start here without reading the first book.

But the first book was great, so why not start at the beginning???

To recap as simply as possible, the plotof A Rip Through Time has to do with a modern-day detective who gets pulled through a rip in time while visiting Edinburgh and ends up in the 19th century. Mallory’s inner self now inhabits the 19-year-old body of housemaid Catriona… and she presumes that Catriona must be stuck inside Mallory’s body in the 21st century. (There’s a lot more to it, so check out my review for more details).

Here in book #2, The Poisoner’s Ring, about a month has passed since the events of the last book. Mallory hasn’t figured out how to get back to her own time, so she’s still stuck in a strange time and a strange body. Fortunately, Catriona’s employer, Dr. Duncan Gray and his widowed sister Isla know the truth about Mallory, and accept her. Even better, they’re both scientists, and they’re fascinated by what Mallory can teach them about advances in forensics and chemistry.

It’s an odd and consistently entertaining juxtaposition. Mallory finds herself about 10 years younger than her true age, in a much more delicate body, stuck wearing petticoats and corsets, yet in full possession of her true skills and knowledge. She has to learn to defend herself in this weaker, daintier body, and must learn to curb her natural instincts in order to fit in, at least on a surface level, in this Victorian setting. Chasing a perp down the streets just isn’t ladylike and is sure to attract unwanted attention… not to mention just how challenging she finds running and fighting in a corset.

The plot of The Poisoner’s Ring centers around a series of deaths that appear to be murder by poison. There are rumors of a poisoner’s ring — basically, an urban myth about unhappy wives referring one another to a source for illegal poison which they then use to kill their husbands. Since none of the victims appear to be connected, it’s a clever scheme… but Mallory isn’t buying it. As she, Duncan, and Isla dig deeper, they discover all sorts of secrets and misdeeds, but unfortunately, Duncan and Isla’s oldest sister ends up implicated as well. As the saying goes… now it’s personal.

This book is a delight, as is the first in the series. There’s something so completely delicious about having this 21st century detective mouthing off to her confidantes, with all of her modern-day attitude and know-how coming out of the mouth of a delicate young (and formerly illiterate and untrustworthy) housemaid.

The murder plot itself is complicated, maybe more so than really suits my reading tastes, but that’s more a matter of my preferred types of fiction than a knock against this book. After a certain point, I stopped trying very hard to keep all the various suspects and conspirators straight, and just enjoyed it for the sake of seeing Mallory in action, as well as the other main characters, who are also quite interesting and fun to spend time with.

I love Mallory’s dialogue and her inner thoughts — so amazingly out of place for where she finds herself. Her wry observations never fail to amuse:

The public house is, like most things in Victorian Edinburgh, both what I expect and not what I expect. My visual renderings of scenes like this all come from Hollywood, where’ I’m going to guess that — unless it’s a mega-budget movie — there’s a standard-issue “Victorian pub” on a soundstage somewhere.

… [T]here’s the boy just ahead of us, who has coming running from a shop a few blocks over, where he is employed to read the paper to the workers. They chip in to buy a newspaper and pay him a small wage to sit at a table and read aloud while they work. The Victorian version of a radio newscast… complete with child labor.

(I won’t give the context for this one, since it’s a bit of a plot spoiler, but I love the idea:)

It’s the Victorian equivalent of a deepfake.

The Poisoner’s Ring is a terrific 2nd book that builds on the promise of the 1st. Our main character continues to be a fish-out-of-water, surviving and thriving on her wits and 21st century know-how, stuck where she doesn’t want to be — but while stuck, making a life for herself. Because Mallory’s circumstances remain unresolved as of the end of this book, I can only assume that there will be more to come in this series, and I am here for it!

Highly recommended, and as I keep saying — starting with book #1 is a must!

Book Review: A Sinister Revenge (Veronica Speedwell, #8) by Deanna Raybourn

Title: A Sinister Revenge
Series: Veronica Speedwell, #8
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 7, 2023
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Veronica must find and stop a devious killer when a group of old friends is targeted for death in this new adventure from the New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.

Veronica’s natural-historian beau, Stoker, has been away in Bavaria for months and their relationship is at an impasse. But when Veronica shows up before him with his brother, Tiberius, Lord Templeton-Vane, he is lured back home by an intriguing job offer: preparing an iguanodon for a very special dinner party.

Tiberius has received a cryptic message—along with the obituaries of two recently deceased members of his old group of friends, the Seven Sinners—that he too should get his affairs in order. Realizing he is in grave danger but not knowing why, he plans a reunion party for the remaining Sinners at his family estate to lure the killer out while Veronica and Stoker investigate.

As the guests arrive and settle in, the evening’s events turn deadly. More clues come to light, leading Veronica, Stoker, and Tiberius to uncover a shared past among the Sinners that has led to the fatal present. But the truth might be far more sinister than what they were prepared for.

Hurray! A new Veronica Speedwell adventure is here, and it’s deliciously complicated and captivating.

Veronica is a dedicated lepidopterist and natural history enthusiast, with a more-or-less accidental sideline in investigating unsavory crimes such as murder, impersonation, and other deadly pursuits. In partnership with her soulmate Stoker, who is perhaps more obsessed with taxidermy than might be advisable, she pursues solutions to complex conspiracies and usually manages to bring wrong-doers to justice — even if her definition of justice doesn’t always match up exactly with the legal system’s definition.

As A Sinister Revenge opens, Veronica is dealing with the fall-out of a MAJOR complication that came to light in the previous book, An Impossible Impostor. The impact on her relationship with Stoker is severe — he’s removed himself from London to engage in fieldwork, and has quite clearly asked Veronica for space. Yes, he still loves her… but is that enough?

When Stoker’s oldest brother Tiberius requests Veronica’s help, they track down Stoker to the forests of Bavaria, where Tiberius pleads for help. He’s received death threats, and needs Veronica and Stoker to figure out who they’re from — and prevent his own and possibly other people’s demise.

The action moves to Tiberius’s country estate, to which he invites close companions from his youth, all of whom may be either potential murder victims… or the murderer. With our power duo on the case, the house party will hopefully end with the discovery of motive, means, and the guilty party, and not with dead bodies to mourn.

As always, Veronica and Stoker are incredibly fun to spend time with. Veronica, as narrator, is full of snark and sass, highly intelligent, and fully insistent on her right to be her own person, and not give in to societal expectations about a woman’s proper place. Because she and Stoker are semi-estranged for much of the book, some of their usual spicy chemistry and high-octane banter are missing, but they still manage to work together, contradict one another, and focus on the case enough to keep the entertainment value high.

The mystery itself is a good one, combining tropes such as a country-house/isolated setting, a guest list where one person is sure to be the murder, and many, many red herrings. There are plenty of clues scattered throughout, but also quite a bit of misdirection and false leads. I was kept guessing throughout the book, and found the unraveling of secrets and eventual big reveal of the whodunit very clever and very, very well done.

I always love seeing Veronica in action, and adore her independence, risk-taking, and sense of adventure. I also love her whole-hearted embrace of the importance of physical love as well as romantic love (or as she puts it: “Physical congress, I have often observed, is as revivifying to the spirt as to the body”.)

The writing in this series is utterly delightful — this book includes such terrific vocab words as “omnificent”, “rampageous”, “rumbustious” “cicerone”, “thaumatrope”, “vellicate”, and more. The dialogue is quick and witty, and the characters are all quite distinct and entertaining.

Eight volumes in, the Veronica Speedwell mysteries remain energetic, clever, and enchanting. In A Sinister Revenge, we get a captivating mystery plot as well as terrific character dynamics. Once again, I read the newest release much too quickly, and now face the long, long wait for another new book!

I’ll end with the same advice I’ve included in my reviews of every book in this series: If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!

This series has become one of my favorites. Don’t miss it.

Book Review: A Rip Through Time by Kelley Armstrong

Title: A Rip Through Time
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 31, 2022
Length: 352 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 4.5 out of 5.

In this series debut from New York Times bestselling author Kelley Armstrong, a modern-day homicide detective finds herself in Victorian Scotland—in an unfamiliar body—with a killer on the loose.

May 20, 2019: Homicide detective Mallory is in Edinburgh to be with her dying grandmother. While out on a jog one evening, Mallory hears a woman in distress. She’s drawn to an alley, where she is attacked and loses consciousness.

May 20, 1869: Housemaid Catriona Mitchell had been enjoying a half-day off, only to be discovered that night in a lane, where she’d been strangled and left for dead . . . exactly one-hundred-and-fifty years before Mallory was strangled in the same spot.

When Mallory wakes up in Catriona’s body in 1869, she must put aside her shock and adjust quickly to the reality: life as a housemaid to an undertaker in Victorian Scotland. She soon discovers that her boss, Dr. Gray, also moonlights as a medical examiner and has just taken on an intriguing case, the strangulation of a young man, similar to the attack on herself. Her only hope is that catching the murderer can lead her back to her modern life . . . before it’s too late.

Outlander meets The Alienist in Kelley Armstrong’s A Rip Through Time, the first book in this utterly compelling series, mixing romance, mystery, and fantasy with thrilling results. 

In this engrossing start to a new series, Canadian detective Mallory is visiting her dying grandmother in Edinburgh when she stops to investigate a woman’s cries down a dark alley. As Mallory is attacked, she sees a strange optical illusion, but quickly passes out as the unknown assailant strangles her.

When she wakes up, she’s in a strange house, in strange clothing, including — of all things — a corset. Weirdly true despite being hard to believe, it would appear that Mallory has been transported into the body of a housemaid named Catriona, who was attacked and strangled in the same alley as Mallory — but 150 years earlier.

Quick-thinking Mallory figures out the truth of her situation fairly quickly, and uses her head injury as an explanation for her severe memory loss and marked change in personality. The housemaid who’d claimed illiteracy previously can suddenly read and write, and what’s more, takes an interest in her master’s forensic work that’s decidedly new and different.

As Mallory spends more time as Catriona, she realizes that while she doesn’t have an obvious way back to her own life, she can make a contribution where she is by applying her knowledge of 21st century police procedures to help solve the case of a potential serial killer haunting Edinburgh. Unfortunately for Mallory, she also discovers that Catriona was not a sweet, innocent 19-year-old, but a young woman with a gift for thievery, deceit, and no moral compass. As Mallory struggles to make sense of her new life, she also is confronted by the mistrust and dislike earned by the person who’s body she inhabits.

Can’t say I’ve ever read a plot like this one before!

A Rip Through Time is fascinating and utterly immersive, exploring a fish-out-of-water situation through the eyes of a strong, accomplished woman forced into a life where she has none of the “womanly” qualities deemed necessary to fit in. Mallory is a terrific character, confronting her bizarre circumstances with intelligence and determination, applying her years of experience as a detective to both help her employer solve the mysteries he sees in his line of work as well as to solve the huge unknowns about her own case.

Not only is Mallory in the wrong century in the wrong body, but she’s been targeted at least once by a killer, and as her time in Edinburgh of the 1860s continues, she learns that she/Catriona is still in danger. There’s a mystery to solve and a killer to catch, and the action is fast-paced and totally fun to unpack and follow along.

This may all sound like an unbelievable set-up for a story, and I suppose in a less-skilled writer’s hands, that might make it unreadable — but here, Kelley Armstrong confidently weaves a story about crime, women’s roles, time travel, connections, independence, and family, and makes it all work.

It’s really fun to see Mallory’s takes on her life in this new time and place:

If I had to cast him in a period drama, it’d be somewhere between “mad scientist” and “brooding lord with his wife locked in the attic”.

I love how she compares everything she encounters to the way the era is portrayed in film and fiction:

I’m trying to pass back through time by returning to the place where I crossed over. My brain says that makes logical sense, but I am well aware that it only makes sense because I’ve seen it in movies and read it in books. […] I am basing my entire theory on the imagination of fiction writers. Not scientists, because there is no science. People can’t travel through time. Therefore, writers don’t need to worry about “getting it right.” They make up whatever they want.

{…]

If so many writers used that particular trope, maybe there was a kernel of truth to it. It’s like meeting a vampire while holding a vial of holy water and not throwing it at him.”

The writing throughout is fresh and fun, and while there is plenty of danger and some more serious moments, Mallory’s 21st-century voice keeps the story from feeling like a stodgy historical piece.

I was a little bit hesitant at first when I learned that A Rip Through Time is the first in a series, rather than a stand-alone. However, now that I’ve finished, I’m delighted that there will be more! I can’t say much about the ending or what I might expect from book #2 without entering spoiler territory… but let’s just say that I found the ending of this book very satisfying, and yet with plenty more to explore in future books. I can’t wait to see what’s next!

Book Review: An Impossible Impostor (Veronica Speedwell, #7) by Deanna Raybourn

Title: An Impossible Impostor
Series: Veronica Speedwell, #7
Author: Deanna Raybourn
Publisher: Berkley
Publication date: February 15, 2022
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

While investigating a man claiming to be the long-lost heir to a noble family, Veronica Speedwell gets the surprise of her life in this new adventure from the New York Times bestselling and Edgar Award-nominated author Deanna Raybourn.

London, 1889. Veronica Speedwell and her natural historian beau Stoker are summoned by Sir Hugo Montgomerie, head of Special Branch. He has a personal request on behalf of his goddaughter, Euphemia Hathaway. After years of traveling the world, her eldest brother, Jonathan, heir to Hathaway Hall, was believed to have been killed in the catastrophic eruption of Krakatoa a few years before.

But now a man matching Jonathan’s description and carrying his possessions has arrived at Hathaway Hall with no memory of his identity or where he has been. Could this man truly be Jonathan, back from the dead? Or is he a devious impostor, determined to gain ownership over the family’s most valuable possessions–a legendary parure of priceless Rajasthani jewels? It’s a delicate situation, and Veronica is Sir Hugo’s only hope.

Veronica and Stoker agree to go to Hathaway Hall to covertly investigate the mysterious amnesiac. Veronica is soon shocked to find herself face-to-face with a ghost from her past. To help Sir Hugo discover the truth, she must open doors to her own history that she long believed to be shut for good.

A new installment in the deliciously smart Veronica Speedwell series is always cause for delight, and book #7 is no exception.

Veronica and Stoker are a well-established couple at this point, but they’ve lost none of their spark or chemistry. Their passion continues to simmer, and they’re fulfilled by their work together on the natural history collection of Lord Rosemorran. But when Sir Hugo Montgomerie of Scotland Yard asks a favor, he’s awfully hard to ignore, and their peaceful moments are interrupted by a call to adventure.

Our fearless duo sets off to the Hathaway estate to discover whether the long-presumed dead eldest son has miraculously returned — which would have enormous ramifications for his surviving siblings, especially the brother who has legally inherited in his stead.

Veronica and Stoker discover a situation much more complicated than expected, further muddled by Veronica’s own distant past which included an acquaintance with the missing Hathaway son. While uncovering the truth, Veronica and Stoker once again end up in mortal peril, fighting for their lives, solving multiple mysteries, and using their wits to find solutions.

It’s all very charming, and the adventure itself is fun even while taking a while to build up stakes. Once our favorite couple are themselves in danger, of course it all escalates and becomes much more dramatic — but even then, the banter and sexy glances and innuendo continue.

I had a few qualms about a certain plot complication which the romantic in me found upsetting, but never fear, it’s more or less resolved by book’s end. The mystery is tied up nicely, although Veronica and Stoker are left in a status that’s less settled than in previous books… so can I have #8 now please???? (Sadly, no — I expect it’ll be another year’s wait for the next one).

As in all the books in this series, the humor is silly and fun, and Veronica is a treat — a fierce, intelligent woman of science who’s not afraid to follow her own path, including becoming romantically and physically involved with a man who’s very much her partner and equal.

And really, when else would we get to read a book that includes such delightful words and phrases as “fritillary”, “amatory arts”, “passamenterie”, “osculatory”, and “inanition”? Not to mention a quick little aside in which a character educates us on the origins of the bandanna?

An Impossible Impostor is just a super fun adventure. Each book in the series goes by too quickly, and I always tell myself to slow down and savor them… but I never do. An Impossible Impostor could potentially work as a stand-alone mystery. The key players and background are explained well enough to be able to follow along. But, I don’t really recommend this approach — you’d be missing out on all the delicious history of Veronica and Stoker’s relationship, as well as their individual backstories, and truly, those are too good to miss!

If you want to get to know Veronica Speedwell, I’d say start with book #1, A Curious Beginning. I’m pretty sure you’ll be hooked! And isn’t it nice to know that there are already another six books to enjoy after that one?

This series has become one of my favorites. Check it out!

Shelf Control #291: Crocodile on the Sandbank by Elizabeth Peters

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

Title: Crocodile on the Sandbank
Author: Elizabeth Peters
Published: 1975
Length: 290 pages

What it’s about (synopsis via Goodreads):

Amelia Peabody is Elizabeth Peters’ most brilliant and best-loved creation, a thoroughly Victorian feminist who takes the stuffy world of archaeology by storm with her shocking men’s pants and no-nonsense attitude!

In this first adventure, our headstrong heroine decides to use her substantial inheritance to see the world. On her travels, she rescues a gentlewoman in distress – Evelyn Barton-Forbes – and the two become friends. The two companions continue to Egypt where they face mysteries, mummies and the redoubtable Radcliffe Emerson, an outspoken archaeologist, who doesn’t need women to help him solve mysteries — at least that’s what he thinks!

How and when I got it:

I bought a used paperback edition at least five years ago.

Why I want to read it:

I’m wracking my brain trying to remember how I first heard of this book. I feel pretty certain that it was recommended by an author I follow (Gail Carriger? Dana Stabenow?), enough to make me want to check it out.

The Goodreads reviews are really mixed, but I have a feeling that’s because the book was first published in 1975, so I’m sure the subject matter and style feel a bit dated by now. But, if you weed out the comparisons to more recent fiction, the reviews tend to be more upbeat, praising the writing, the setting, and the lead character.

I really like the sound of the plot, with mummies and Egyptologists and potential curses. While I don’t often gravitate toward mystery series (this is the 1st in a series of 20 books), this book does sound like a fun, engaging read.

What do you think? Would you read this book?

Please share your thoughts!

Literary Potpourri


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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!

Book Review: An Unexpected Peril (Veronica Speedwell, #6) by Deanna Raybourn

Title: An Unexpected Peril (Veronica Speedwell, #6)
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 2, 2021
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

A princess is missing, and a peace treaty is on the verge of collapse in this new Veronica Speedwell adventure from the New York Times bestselling and Edgar Award-nominated author Deanna Raybourn.

January 1889. As the newest member of the Curiosity Club—an elite society of brilliant, intrepid women—Veronica Speedwell is excited to put her many skills to good use. As she assembles a memorial exhibition for pioneering mountain climber Alice Baker-Greene, Veronica discovers evidence that the recent death was not a tragic climbing accident but murder. Veronica and her natural historian beau, Stoker, tell the patron of the exhibit, Princess Gisela of Alpenwald, of their findings. With Europe on the verge of war, Gisela’s chancellor, Count von Rechstein, does not want to make waves—and before Veronica and Stoker can figure out their next move, the princess disappears.

Having noted Veronica’s resemblance to the princess, von Rechstein begs her to pose as Gisela for the sake of the peace treaty that brought the princess to England. Veronica reluctantly agrees to the scheme. She and Stoker must work together to keep the treaty intact while navigating unwelcome advances, assassination attempts, and Veronica’s own family—the royalty who has never claimed her.

Six books in, the Veronica Speedwell series shows no hint of getting stale or slowing down. In An Unexpected Peril, our intrepid lepidopterist finds herself once again embroiled in a murder investigation, putting her own life at risk as well as that of her hot, devoted, decidedly dangerous lover Stoker.

Veronica is Victorian-era spunk and determination personified. She’s a fearless explorer, a scientist passionately devoted to pursuit of rare butterfly species and the works of Darwin, a devoted sensualist, and a woman who does not back down. So when she and Stoker are commissioned to put together an exhibit dedicated to Alice Baker-Greene, a pioneering mountain climber who died tragically while attempting to summit an alp in the small (and fictional) country of Alpenwald, she finds herself unable to look past evidence that the death was murder.

Meanwhile, Veronica’s noted physical similarity to the princess of Alpenwald comes in handy when the princess disappears and the country’s diplomatic entourage to England recruits Veronica to act as a public stand-in. Naturally, nothing goes quite according to plan, and before long, Veronica and Stoker find themselves — yet again — in mortal danger as they pursue the truth.

The princess watched us in bemusement.

“Do you always take your own attempted murder in your stride?”

I considered this. “The first time is unnerving,” I admitted.

“But when it gets to be habit,” Stoker added, “one must adapt a rational attitude and make certain to eat to keep up one’s strength.”

An Unexpected Peril is a fun romp of a book, with royal glamour, risky adventures, misleading clues, and the deliciously passionate relationship between Veronica and Stoker. Their banter is always funny and outrageous, and their connection and relationship remain unconventional yet deeply loving.

The through-story of the series, related to Veronica’s background and her connection to the British royal family, remains simmering in the background, and I’m sure will be explored further as the series continues. (Book 7 should be released in 2022, and I hope there will be many, many more to come!)

This series is worth starting at the beginning. Veronica is a delightful character, and her adventures never fail to entertain. Start at the beginning (A Curious Beginning), and keep going!

Shelf Control #245: Unmentionable: The Victorian Lady’s Guide to Sex, Marriage, and Manners by Therese Oneill

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

Title: Unmentionable: The Victorian Lady’s Guide to Sex, Marriage, and Manners
Author: Therese Oneill
Published: 2016
Length: 307 pages

What it’s about (synopsis via Goodreads):

Have you ever wished you could live in an earlier, more romantic era?

Ladies, welcome to the 19th century, where there’s arsenic in your face cream, a pot of cold pee sits under your bed, and all of your underwear is crotchless. (Why? Shush, dear. A lady doesn’t question.)

UNMENTIONABLE is your hilarious, illustrated, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood, giving you detailed advice on:

~ What to wear
~ Where to relieve yourself
~ How to conceal your loathsome addiction to menstruating
~ What to expect on your wedding night
~ How to be the perfect Victorian wife
~ Why masturbating will kill you
~ And more

Irresistibly charming, laugh-out-loud funny, and featuring nearly 200 images from Victorian publications, UNMENTIONABLE will inspire a whole new level of respect for Elizabeth Bennett, Scarlet O’Hara, Jane Eyre, and all of our great, great grandmothers.

(And it just might leave you feeling ecstatically grateful to live in an age of pants, super absorbency tampons, epidurals, anti-depressants, and not-dying-of-the-syphilis-your-husband-brought-home.)

How and when I got it:

I picked up an e-book copy of this book in 2017.

Why I want to read it:

I really don’t remember where I first came across this book, but doesn’t it sound amazing? As a fan of Victorian era fiction, I know I’ve found myself daydreaming about an idealized version of life in those times, with all the complicated clothes and social niceties and balls and courting rituals.

But oh, the reality! Just reading the description of this book makes me cringe (and makes me super thankful for running water, modern medicine, and the freedom to dress comfortably). I’m so curious about this book, and look forward to diving in and learning about the cold heart facts of intimate Victorian life.

Have you read this book? Would you want to?

Please share your thoughts!


__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments or link back from your own post, so I can add you to the participant list.
  • Check out other posts, and…

Have fun!