Audiobook Review: Mr. Perfect on Paper by Jean Meltzer

Title: Mr. Perfect on Paper
Author: Jean Meltzer
Narrator: Dara Rosenberg
Publisher: Mira
Publication date: August 9, 2022
Print length: 387 pages
Audio length: 10 hours 27 minutes
Genre: Contemporary romance
Source: Library
Rating:

Rating: 3 out of 5.

From the author of The Matzah Ball comes a pitch-perfect romcom following a third-generation Jewish matchmaker who unwittingly finds her own search for love thrust into the spotlight…

The perfect Jewish husband should be:
* A doctor or lawyer (preferably a doctor)
* Baggage-free (no previous marriages, no children)
* And of course—he must be Jewish

As the creator and CEO of the popular Jewish dating app J-Mate, matchmaker Dara Rabinowitz knows the formula for lasting love—at least, for everyone else. When it comes to her own love life, she’s been idling indefinitely. Until her beloved bubbe shares Dara’s checklist for “The Perfect Jewish Husband” on national television and charming news anchor Chris Steadfast proposes they turn Dara’s search into must-see TV.

As a non-Jewish single dad, Chris doesn’t check any of Dara’s boxes. But her hunt for Mr. Perfect is the ratings boost his show desperately needs. If only Chris could ignore his own pesky attraction to Dara—a task much easier said than done when Dara starts questioning if “perfect on paper” can compete with how hard she’s falling for Chris…

Jean Meltzer, author of 2021’s The Matzah Ball, is back with another Jewish-themed romance, this one depicting a young Jewish matchmaker’s search for her own true love.

Dara Rabinowitz is the powerhouse CEO of J-Mate, the super successful Jewish dating app she created inspired by her mother and grandmother’s careers as matchmakers. Knowing what makes a good match, as well as being a hugely talented coder, is the secret to Dara’s rise to corporate stardom. Dara lives with generalized anxiety disorder, which she’s quite open about, and manages her high-pressure life through coping and calming strategies as well as medication.

Dara is devoted to her darling grandmother, bubbe Miriam, whom she considers her best friend — but Miriam wants to see Dara happily married and exploring life. When Miriam goes off-script on a TV appearance and shares a private list of Dara’s requirements for her perfect husband (written one night while drinking with her sister), Dara is utterly humiliated… until the video clip goes viral, the show’s rating skyrocket, and suddenly everyone wants more of Dara.

The show’s host, Chris (handsome, non-Jewish, and a widowed father of a tween girl) is enchanted by Dara, and sees her as a potential key to saving his floundering show. Reluctantly, Dara agrees to his proposal: He’ll use her app and algorithms to find her nice Jewish men who are “Mr. Perfect on Paper” — checking all the boxes on her list — and she’ll allow the show to follow her on her dates.

What could go wrong?

Obviously, plenty. Dara encounters one dating disaster after another… and meanwhile, even once she meets a man who might really be her perfect match, she can’t quite shake her attraction and feelings for Chris himself. Chris, too, feels drawn to Dara, but he knows he’s not what she wants. But what if????

Dara and Chris are both sensitively portrayed and well developed. I really felt like I got to know each of them, with attention paid to their family backgrounds and the tragedies and struggles they’ve each endured. Chris’s story is particularly sad, and his dedication to being the best dad he can be, while navigating the tricky world of dealing with a pre-teen girl, is quite moving.

Dara and Chris have good chemistry, and I appreciated how genuine their care and concern for one another is. While denying to themselves that they could ever be romantically involved, they do both consider themselves friends, and they’re truly there for one another in the way that real friends should be.

Some elements of the book just didn’t work as well for me, however. Based on this book as well as her previous one, it seems that this author’s approach to conveying humor is to create slapstick moments where everything goes wrong. Maybe some readers will find these moments funny (such as Dara ending up dunking her head into a barrel of water in the middle of a date in order to get away from a pesky bumblebee), but honestly, I tend to find them too silly and embarrassing and over the top.

I had to question some of the Jewish elements too. Dara is devoted to her religion and her people, which is nice to see, but some of her choices in regard to the TV show seem questionable — for example, allowing the camera crew to come to synagogue on Yom Kippur and follow the date that arranged for her at the break fast. I doubt any synagogue would actually allow a camera crew to set up and film on the holiday, and the idea of having a blind date at a break fast after a day of fasting seems like a set-up for disaster (which is exactly how it ends up).

The audiobook was mostly enjoyable, but the narrator seemed to struggle with some of the Jewish/Hebrew/Yiddish terms and names, and that was very distracting to me. Still, when the characters are in more natural or relaxed setting, the narration flows well, and I liked the scenes with Chris and his daughter very much.

Overall, Mr. Perfect on Paper is light entertainment with a sweet story to tell. The characters are bright spots, very engaging and sympathic, but on the downside, the predictable nature of the plot and the occasional cringe-worthy pratfalls and dating disasters keep this book from being totally successful. It’s fun, but I had to overlook a lot of my quibbles in order to appreciate the good stuff.

Book Review: The Light of the Midnight Stars by Rena Rossner

Title: The Light of the Midnight Stars
Author: Rena Rossner
Publisher: Redhook
Publication date: April 13, 2021
Length: 432 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2.5 out of 5.

An evocative combination of fantasy, history, and Jewish folklore, The Light of the Midnight Stars is fairytale-inspired novel from the author of The Sisters of the Winter Wood.

Deep in the Hungarian woods, the sacred magic of King Solomon lives on in his descendants. Gathering under the midnight stars, they pray, sing and perform small miracles – and none are more gifted than the great Rabbi Isaac and his three daughters. Each one is blessed with a unique talent – whether it be coaxing plants to grow, or predicting the future by reading the path of the stars.

When a fateful decision to help an outsider ends in an accusation of witchcraft, fire blazes through their village. Rabbi Isaac and his family are forced to flee, to abandon their magic and settle into a new way of life. But a dark fog is making its way across Europe and will, in the end, reach even those who thought they could run from it. Each of the sisters will have to make a choice – and change the future of their family forever.

I so wanted to love this book, but unfortunately, it just didn’t work out that way.

In The Light of the Midnight Stars, we meet a devout Jewish family living in the village of Trnava in the 14th century. The family has three daughters — Hannah, Sarah, and Levana — and each has her own special gifts. Their father is a Rabbi and a practitioner of ancient magics handed down through King Solomon’s descendants. This magic protects the community, yet as an ominous black mist intrudes on the village and the surrounding areas, the Jewish community’s gifts raise suspicion and anger among their neighbors.

Told through the perspectives of the three daughters, we learn about each girl’s gift, her frustrations and challenges, and see them each find (and lose) love in different ways. When the family is forced to flee after a tragedy, they finally emerge from a journey through the deep woods and start a new life in a new land, posing as simple village folk, hiding their Jewish heritage and powers.

While there are some lovely moments of magic and some beautiful descriptions of the natural world, the overall storyline is convoluted and overstuffed. In the author’s notes at the end, she discusses being influenced by family stories, folktales, fairy tales, medieval history, and more. It’s too much — the book has a “kitchen sink” feel, as in, everything was included, nothing left out but the kitchen sink.

At various slower-moving points, I was sorely tempted to DNF, but then I’d come across a particularly moving or interesting chapter, and hoped that I’d reached a turning point. As I said earlier, there are some especially good moments and some truly tragic, heartbreaking events — but there is also way too much symbolism, allegory, and magical flights of fancy for my taste, and as a result, I couldn’t completely invest in the story.

It’s too bad. I loved the author’s previous novel, The Sisters of the Winter Wood, and had such high hopes for this one. I did enjoy the characters of the sisters (well, mostly the two older sisters — the youngest one just confused me), but overall, the book just didn’t gel into one coherent story and followed too many wandering tangents for me to really love it.

The author is clearly quite gifted and has a terrific imagination, so I won’t give up — I’ll definitely keep an eye out for her future books.

Book Review: Florence Adler Swims Forever by Rachel Beanland

Title: Florence Adler Swims Forever
Author: Rachel Beanland
Publisher: Simon & Schuster
Publication date: July 7, 2020
Print length: 320 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

Over the course of one summer that begins with a shocking tragedy, three generations of the Adler family grapple with heartbreak, romance, and the weight of family secrets in this stunning debut novel that’s perfect for fans of Manhattan Beach and The Dollhouse.

Atlantic City, 1934. Every summer, Esther and Joseph Adler rent their house out to vacationers escaping to “America’s Playground” and move into the small apartment above their bakery. Despite the cramped quarters, this is the apartment where they raised their two daughters, Fannie and Florence, and it always feels like home.

Now Florence has returned from college, determined to spend the summer training to swim the English Channel, and Fannie, pregnant again after recently losing a baby, is on bedrest for the duration of her pregnancy. After Joseph insists they take in a mysterious young woman whom he recently helped emigrate from Nazi Germany, the apartment is bursting at the seams.

Esther only wants to keep her daughters close and safe but some matters are beyond her control: there’s Fannie’s risky pregnancy—not to mention her always-scheming husband, Isaac—and the fact that the handsome heir of a hotel notorious for its anti-Semitic policies, seems to be in love with Florence.

When tragedy strikes, Esther makes the shocking decision to hide the truth—at least until Fannie’s baby is born—and pulls the family into an elaborate web of secret-keeping and lies, bringing long-buried tensions to the surface that reveal how quickly the act of protecting those we love can turn into betrayal.

Based on a true story and told in the vein of J. Courtney Sullivan’s Saints for All Occasions and Anita Diamant’s The Boston Girl, Beanland’s family saga is a breathtaking portrait of just how far we will go to in order to protect our loved ones and an uplifting portrayal of how the human spirit can endure—and even thrive—after tragedy.

I don’t think it’s a spoiler to divulge something that happens in the very first chapter, is it?

When I picked up Florence Adler Swims Forever, my expectation was that the main story line would focus on Florence and her training to swim the English Channel. Wouldn’t you think so, based on the title, the cover, and the synopsis? Well, if so, you’d be as misled as I was.

While the opening chapter is about a day at the beach, as told by 7-year-old Gussie, who adores her aunt Florence, by the end of the chapter, Florence has drowned. She’s pulled lifeless from the ocean where she went for just her typical long swims, and despite heroic efforts by the beach lifeguards, Florence is beyond saving.

Florence’s sister Fannie is hospitalized on bedrest with a high-risk pregnancy, and doctors warn that any stress or upset might cause Fannie to lose the baby. Their mother Esther decides on a plan: They will keep Florence’s death quiet, keep all announcements out of the papers, have a private family burial — and will not tell Fannie that her only sister has died.

Fannie and Florence had quarreled right before the books opens, and Fannie is left to believe that Florence is still angry at her, not communicating or visiting with her sister before leaving for France to start her big swim. The family brings the nurses and doctors of the maternity ward into the circle of secrecy, and by moving her to a private room and limiting her access to news of the outside world, they’re able to keep Fannie in the dark for the remaining months of her pregnancy.

Meanwhile, the Adler family must struggle through their private grief, running a successful bakery business, dealing with an untrustworthy son-in-law, and hosting Anna, a European refugee with a connection to Esther’s husband Joseph, who’s desperate to find a way to get her parents out of Germany before it’s too late.

This book has so much going for it. The Altantic City of 1934 setting is a wonder, showcasing life in that particular time and place with attention to detail and evocative descriptions. The beach environment, the ritzy hotels, the large Jewish community all feel vibrant and alive, as do the people themselves, with their relationships, their struggles for success, the aftermath of the Depression and the rising tensions about the increasingly desperate plight of the Jews in Europe.

Through small moments, such as characters discussing the price of bread or going to a restaurant for a business meetings, we get an idea of the economics of the time, as well as the chasms between haves and have-nots. We also get a good picture of Atlantic City development, and the lingering anti-Semitism that pervades even a location with such a large Jewish population.

There are also some truly eye-popping moments. For example, did you know that up through the end of the 1930s, premature babies in incubators were displayed as sideshow attractions at World’s Fairs and along the boardwalk? It’s true! I couldn’t believe it when the scene was described in this book, but yup — I had to stop and Google it, and discovered that this was how incubator technology was established before being adopted as standard medical procedure, and that thousands of premature babies were saved through these exhibits. Crazy, right? (Read more here, if interested.)

The subplot about Anna’s parents is sad and scary and eye-opening as well. We all know what happened to German Jews as Hitler rose to power, and it’s heart-breaking to get this view of the practically impossible steps that friends and relatives had to go through in order to try to secure visas for their loved ones. Without money or political connection, there was basically no chance. We really feel Anna’s anguish and frustration as she keeps attempting to rescue her parents, only to find the bar moved higher every time she approaches the stated goal.

While the Adler family’s story is compelling and I loved the historical setting, there are just a few elements that left me wanting more. There a romance that develops over the summer showcased in this story, and I just couldn’t feel it. I never truly felt the connection between the characters, so it was hard to buy into their love story and its outcome.

Likewise, we’re told that the hotel mentioned in the synopsis is well known for anti-Semitic policies, but we don’t actually see that demonstrated. The owner, who’s the father of one of the POV characters, is supposed to be nasty and ruthless, but again, I didn’t truly get that from his portrayal.

Florence Adler Swims Forever takes place over the summer months following Florence’s death. The ending left me wanting more. I’ll be vague here (no more spoilers!), but I felt pretty cheated by not getting to see a particular scene I had assumed would be included. I’d also hoped to get a definite answer about Anna’s parents and whether they’d be rescued, but because the story ends where it does, that remains an unknown.

I will say that the author’s notes at the end are illuminating, as they help to ground the events of the story, which may come across as far-fetched in places, in her own family’s history.

All in all, I found Florence Adler Swims Forever to be a compelling, absorbing read, despite feeling like I needed a little more from the characters and the story as a whole to move this into 5-star territory. Still, I definitely recommend this book, and can see it being a great book group choice as well — there’s so much to think about and discuss.

Book Review: The Boy in the Striped Pajamas by John Boyne

Title: The Boy in the Striped Pajamas
Author: John Boyne
Publisher: David Fickling Books
Publication date: 2006
Length: 215 pages
Genre: Middle grade fiction
Source: Purchased

Rating: 3 out of 5.

Berlin, 1942: When Bruno returns home from school one day, he discovers that his belongings are being packed in crates. His father has received a promotion and the family must move to a new house far, far away, where there is no one to play with and nothing to do. A tall fence stretches as far as the eye can see and cuts him off from the strange people in the distance.

But Bruno longs to be an explorer and decides that there must be more to this desolate new place than meets the eye. While exploring his new environment, he meets another boy whose life and circumstances are very different from his own, and their meeting results in a friendship that has devastating consequences.

Oh, I have such mixed feelings about this book!

Published in 2006, the book originally came with all sorts of disclaimers urging people not to give away the story, but to allow all readers to experience this book without knowing what it was about. All these years later, the subject matter is no longer a secret: This is Holocaust fiction, telling the story of two young boys who meet through the fence at Auschwitz, and despite their vastly different circumstances, form a deep friendship.

We see the story unfold through 9-year-old Bruno’s eyes. Bruno’s father is a rising Nazi officer, favored by Hitler himself (whose name Bruno hears as “the Fury” rather than “the Fuhrer”). The father is promoted to Kommandant of Auschwitz, and when we first meet Bruno, he’s expressing his unhappiness at having his happy life in Berlin uprooted, as the family will be moving because of his father’s new job.

Bruno is remarkabley clueless (more on that later). They arrive at their new home, which is nowhere near as grand as his house in Berlin. There’s nothing to do, and no one to play with. From the upstairs window, Bruno has a view of strange people on the other side of a barbed wire fence, all wearing striped pajamas. He wonders who these people are and what they’re doing, and even feels some envy at what appears to be a large group of people who are all together while he is so very alone.

As Bruno goes exploring along the forbidden fence, he finds a strange boy sitting near it on the other side, a skinny, gray-faced boy wearing the striped pajamas. They start to talk, and Bruno and Shmuel begin to get to know one another. Soon, Bruno considers Shmuel his best friend, although he’s frustrated that they can never play together, and somehow knows enough never to mention Shmuel in his house.

On its surface, The Boy in the Striped Pajamas is a moving story. And yet, I can understand why it was controversial upon its release.

For starters, there are some story issues that make the book hard to digest. Bruno is 9 years old and lived in the heart of Berlin, in a house led by a Nazi officer and where soldiers and other important people constantly come and go… and yet he appears to never have heard of Jews until his sister tells him, much later, that that’s who those people on the other side of the fence are.

And why are there so many children at Auschwitz, when we know that the majority would have been murdered upon arrival? How is Shmuel able to sneak away for hours, day after day, with no one noticing?

And is Bruno’s language mix-ups (such as “the Fury” and his belief that they live at “Out-With”) supposed to be cute? Frankly, he presents as much younger than nine.

In the book’s favor, the title page clearly calls this story “a fable”. No, these are not historical events. No, this depiction of life at Auschwitz isn’t meant to be historically accurate.

And yet, what’s concerning is that apparently this book is often used in schools as an introduction to Holocaust fiction. In fact, the back of my paperback edition includes a blurb from USA Today that calls this book “as memorable an introduction to the subject as The Diary of Anne Frank”.

Um, no. That comparison is absurd. And it disturbs me to think that there are students whose first encounter with the horrors of Auschwitz might be through this “fable”, where nothing seems all that terrible at first, where the nightmarish reality is presented as a distant curiosity, and where a reader who doesn’t know the factual history might not even get what was going on.

As a companion book, or a different lens on known events, sure, this would be effective. But as the sole introduction, it’s sorely lacking in context and facts, and I’m afraid that the melodrama and Bruno’s limited worldview are pretty close to sugar-coating.

Now, I’ll add that I haven’t seen the movie, so I can’t comment on whether that version is more or less effective at conveying the full picture of Auschwitz. I actually picked up this book this week because my son saw the movie at school and came home to tell me how good it was. I think I should give it a chance, and see if I feel any differently about the story afterward.

I was eager to read this book not only because of my son’s recommendation, but because I just recently read my very first book by John Boyne, The Heart’s Invisible Furies, and thought it was brilliant.

As I was reading The Boy in the Striped Pajamas, I just couldn’t stop and ended up reading it straight through. It was only once I’d closed the covers and stopped to think that the various elements above started to bother me.

I’d be really curious to hear from others who’ve read this book and see if our responses and reactions are at all aligned.

Meanwhile, I’ve been looking up reviews from when the book was published, and have found more than a few pieces that discuss why this book had such a mixed and controversial response:

(Note: Some of these links may contain spoilers. Proceed with caution!)

Review – New York Times
Review – Jewish Book Council
Analysis – Holocaust Exhibition & Learning Centre
Movie review – Time Magazine
Book Review – Aish.com

Middle Grade Book Review: Broken Strings by Eric Walters and Kathy Kacer

Synopsis:

A violin and a middle-school musical unleash a dark family secret in this moving story by an award-winning author duo. For fans of The Devil’s Arithmetic and Hana’s Suitcase.

It’s 2002. In the aftermath of the twin towers — and the death of her beloved grandmother — Shirli Berman is intent on moving forward. The best singer in her junior high, she auditions for the lead role in Fiddler on the Roof, but is crushed to learn that she’s been given the part of the old Jewish mother in the musical rather than the coveted part of the sister. But there is an upside: her “husband” is none other than Ben Morgan, the cutest and most popular boy in the school.

Deciding to throw herself into the role, she rummages in her grandfather’s attic for some props. There, she discovers an old violin in the corner — strange, since her Zayde has never seemed to like music, never even going to any of her recitals. Showing it to her grandfather unleashes an anger in him she has never seen before, and while she is frightened of what it might mean, Shirli keeps trying to connect with her Zayde and discover the awful reason behind his anger. A long-kept family secret spills out, and Shirli learns the true power of music, both terrible and wonderful.

My thoughts:

Broken Strings is a layered, thoughtful, and ultimately uplifting book about the power of family, memory, and music. Set only months after the terrible events of 9/11, the story follows Shirli and her middle school classmates, all of whom experienced some of the horror of living through 9/11, whether through images on TV, or seeing the towers fall from across the Hudson River, or having lost friends or family in the attacks.

Now, six months later, the school readies for its spring musical production, Fiddler on the Roof. Shirli is initially disappointed not to get the flashier role of Hodel, the daughter in the musical with the best solo, but she grows to appreciate her role as Golde, especially since it means spending hours working with the adorable Ben, who has the star role of Tevye, Golde’s husband.

Shirli knows from her parents that her grandfather’s parents’ families were originally from Eastern Europe and lived through some of the pogroms that took place in the time period of Fiddler, so she begins to ask him questions in hopes of better understanding the characters. And although she’s aware that Zayde survived the Holocaust and bears a concentration camp tattoo on his arm, he’s never spoken of his experiences to her or to anyone else in the family. But as she visits Zayde, little by little he begins to share the story of what happened to his family during the Holocaust, and why he has never played his violin or even listened to music in all the years since.

There’s so much to love about Broken Strings. First, it’s a sweet story about middle school friendship and crushes, about talent and hard work and ambition, and about dedication to one’s passions. At the same time, it’s about family, the power of love, and the devastation of loss and memories too painful to bring into the light of day. And finally, it’s about the healing power of sharing oneself and one’s stories, about making connections, and about rising above hatred to find common ground in even unlikely places.

The characters are all well-drawn and realistic, and it’s beautiful to see how Zayde influences those around him by reaching across divides and making friends. Shirli is a lovely main character, and I appreciated how well the authors show both her insecurities and her devotion to her friends and family.

Broken Strings is really a special book. Highly recommended for middle grade readers as well as the adults in their lives.

With special thanks to Jill of Jill’s Book Blog, whose wonderful review first brought this book to my attention. Check it out, here.

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The details:

Title: Broken Strings
Authors: Eric Walters and Kathy Kacer
Publisher: Puffin Books
Publication date: September 10, 2019
Length: 288 pages
Genre: Middle grade fiction
Source: Library

Book Review: The World That We Knew by Alice Hoffman

 

In 1941, during humanity’s darkest hour, three unforgettable young women must act with courage and love to survive, from the New York Times bestselling author of The Dovekeepers and The Marriage of Opposites Alice Hoffman. 

In Berlin, at the time when the world changed, Hanni Kohn knows she must send her twelve-year-old daughter away to save her from the Nazi regime. She finds her way to a renowned rabbi, but it’s his daughter, Ettie, who offers hope of salvation when she creates a mystical Jewish creature, a rare and unusual golem, who is sworn to protect Lea. Once Ava is brought to life, she and Lea and Ettie become eternally entwined, their paths fated to cross, their fortunes linked.

Lea and Ava travel from Paris, where Lea meets her soulmate, to a convent in western France known for its silver roses; from a school in a mountaintop village where three thousand Jews were saved. Meanwhile, Ettie is in hiding, waiting to become the fighter she’s destined to be.

What does it mean to lose your mother? How much can one person sacrifice for love? In a world where evil can be found at every turn, we meet remarkable characters that take us on a stunning journey of loss and resistance, the fantastical and the mortal, in a place where all roads lead past the Angel of Death and love is never ending.

In The World That We Knew, author Alice Hoffman brings her unique infusion of magic and nature to a store of survival during the worst of times. Starting in Berlin in 1941, the story introduces us to Hanni and her young daughter Lea. Hanni knows it’s only a matter of time until they’re captured and sent to a death camp like the rest of the Jews around them. Desperate to save Lea, Hanni begs for a miracle from the rabbi known to have mystical abilities, but instead, his daughter Ettie offers help in exchange for an escape opportunity for her and her younger sister.

Etti, having listened outside her father’s door for years, has herself grown wise in the art of Jewish mysticism, and uses her knowledge to create a golem — a powerful creature made from clay shaped into human form and brought to life through secret rituals, whose entire purpose is to protect Lea. Hanni can’t escape with her elderly, disabled mother, nor can she leave her behind, so she sends Lea away in care of Ava the golem, to seek what safety might be available to them in France.

France isn’t exactly safe for Jews either. Finding refuge with the Levi family, and joined by Etti, Lea and Ava are still at risk, and finally make their escape before their new shelter is raided by Nazis — but first, Lea forms a connection with the young son of the Levi family, Julien. Lea and Julien make only one demand of one another: stay alive.

From here, the story spirals out in multiple directions. We follow Lea and Ava from one temporary haven to another, including a remote convent where the nuns shelter the children who come to them, at risk of their own lives. We follow Etti into the forests as she seeks and then finds the resistance, desiring only vengeance. We follow Julien on his own path toward escape, refuge, and meaning. For each, and for the other characters we meet, there are dangers around every corner — and yet, there is also the opportunity to help others, to find meaning even in the middle of horror and tragedy.

Once upon a time something happened that you never could have imagined, a spell was broken a girl was saved, a rose grew out of a tooth buried deep in the ground, love was everywhere, and people who had been taken away continued to walk with you, in dreams and in the waking world.

The writing in The World That We Knew is just gorgeous. The author evokes the glory of the natural world, even as the people in it carry out horrific deeds and leave destruction in their wake. There’s magic all around, both in the form of Ava, the golem who starts as a mere bodyguard but finds her own personhood as time goes on, and in the flowers, bees, and birds that surround our characters and interact with them in unexpected ways.

Every now and then a crow would soar past with a gold ring or coat button in its beak, a shiny souvenir of murder.

The characters are lovely and memorable. I especially loved Ava, but it’s also wonderful and awful to see Lea grow up during war, having lost eveyrthing, but still clinging to her mother’s love and her connection to Julien. But really, I can’t just single these two out. There are side characters who come into the story briefly, whose stories we come to know before they exit once more, and their stories have power as well. In some ways, it feels as though the author has painted a picture through her writing of all the lost potential represented by the millions murdered during this terrible time.

And yet, the book is not without hope. Despite the tragedies, there’s still goodness, the possibility of a future, and the possibility of meaning:

What had been created was alive. Ettie did not see clay before her, but rather a woman who had been made by women, brought to life by their blood and needs and desires.

I don’t think I can really do justice to how special and beautiful this book is. The writing is superb, and the story leaves an indelible impression. Highly recommended.

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The details:

Title: The World That We Knew
Author: Alice Hoffman
Publisher: Simon & Schuster
Publication date: September 24, 2019
Length: 384 pages
Genre: HIstorical fiction
Source: Review copy courtesy of the publisher via NetGalley

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Book Review: The Sisters of the Winter Wood by Rena Rossner

 

Captivating and boldly imaginative, with a tale of sisterhood at its heart, Rena Rossner’s debut fantasy invites you to enter a world filled with magic, folklore, and the dangers of the woods.

Raised in a small village surrounded by vast forests, Liba and Laya have lived a peaceful sheltered life – even if they’ve heard of troubling times for Jews elsewhere. When their parents travel to visit their dying grandfather, the sisters are left behind in their home in the woods.

But before they leave, Liba discovers the secret that their Tati can transform into a bear, and their Mami into a swan. Perhaps, Liba realizes, the old fairy tales are true. She must guard this secret carefully, even from her beloved sister.

Soon a troupe of mysterious men appear in town and Laya falls under their spell-despite their mother’s warning to be wary of strangers. And these are not the only dangers lurking in the woods…

The sisters will need each other if they are to become the women they need to be – and save their people from the dark forces that draw closer.

What a lovely and unusual debut novel!

Author Rena Rossner draws from folktales, fairy tales, and Jewish history and traditions to create an entrancing story of two sisters whose lives are informed by magic, yet who are deeply rooted among the Jewish villagers in the small town of Dubossary (located in modern-day Moldova).

Liba and Laya are very different — Liba, the elder, is 17 years old, with wild, dark hair and a rounded body. She loves to study with her father, learning Torah and Talmud and all sorts of scholarly Jewish subjects not considered fit for girls. Laya, the younger, is 15 years old, with white-blond silky hair, pale skin, and a lithe figure. She has no interest in studies, but prefers to dream in the sun, alongside their beautiful mother. The girls’ parents are semi-outcasts. While the father was descended from a respectable, revered Chassidic family, the mother is a non-Jew who converted to Judaism when she married the man she loved, yet the neighbors have never ceased to gossip and consider her an outsider.

When the parents are called away for a family emergency, the girls are left home alone in their small cabin at the edge of the forest, and immediately, strange things begin to happen around them. A group of brothers come to town and set up their fruit stall, selling exotic, exquisite out-of-season fruits that the townspeople can’t resist — and beguiling the young women of the village with their impossible good looks and flirtatious, wild demeanors. Liba and Laya have been told secrets by their parents about their own true identities, and each begins to experience her own set of changes — physical and emotional — as she grows into womanhood.

Meanwhile, there are rumors in the village of violence coming closer, as anti-Semitism rears its ugly head and pogroms begin to devastate Jewish communities across Russia. Dubossary has always been different, with Jews and Christians living in harmony, but when a beautiful Christian girl is found murdered in a Jewish family’s orchard, unrest, evil whispers, and soon real danger threatens the Jewish people of the town.

If the plot sounds a little jam-packed — well, it is. There’s a lot going on here, with Liba and Laya’s secrets and struggles, the mysterious fruitsellers and their addictive wares, the rising anti-Semitism, and the dynamics of Chassidic dynasties as well. Beyond plot, though, there are also so many little touches of loveliness. The book is filled with Yiddish, Hebrew, and Russian expressions (with a handy glossary at the end) that give the story an authentic, rich cadence. Likewise, the flavors and textures of this world come to life through the descriptions of the foods (borscht, mandelbrot, kugel, and more), the flowers and plants, the wildlife, and the natural beauty of the snow, the river, and the forest.

Each girl has her own voice, as we hear in alternating chapters. Liba’s chapters are in prose, and Laya’s are in verse. Each is compelling, and while Liba’s chapters are much more action-packed and immediate, Laya’s have a lightness that’s quite beautiful to read.

Come by, he calls out
after me,
come by, come by.
When moonlight sets itself high in the sky.

Sometimes the author’s notes at the end of a story really give me a different way to understand what I’ve read, and such is the case here with The Sisters of the Winter Wood. In her notes, author Rena Rossner describes her own family’s history in the region of the story and their immigration to America. She also explains the various sources of inspiration for her story, from fairy tales, Greek mythology, and even modern YA literature. She also mentions that the original idea for this book was to write a retelling of Christina Rossetti’s Goblin Market (which can be read online here) After I finished reading The Sisters of the Winter Wood, I went and read Goblin Market (which I’d never read before), and was so impressed by how well its elements are captured and transformed in Rena Rossner’s book. (I also discovered the connection between Goblin Market and the October Daye series, but that’s another topic entirely.)

Naturally, between the setting and the introduction of folktale elements, I was reminded of Katherine Arden’s excellent The Bear and the Nightingale, although the stories are very, very different. Fans of that book should definitely check out The Sisters of the Winter Wood. It’s a magical story filled with beauty and awfulness, balancing real and fantasy worlds, and above all celebrating the love between two devoted sisters and the sacrifices they make for one another. Highly recommended!

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The details:

Title: The Sisters of the Winter Wood
Author: Rena Rossner
Publisher: Redhook
Publication date: September 25, 2018
Length: 464 pages
Genre: Fantasy
Source: Review copy courtesy of Redhook

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Shelf Control #136: Home in the Morning by Mary Glickman

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Home in the Morning
Author: Mary Glickman
Published: 2010
Length: 233 pages

What it’s about (synopsis via Goodreads):

A powerful debut from a new literary talent, this novel tells the story of a Jewish family confronting the tumult of the 1960s—and the secrets that bind its members together

Jackson Sassaport is a man who often finds himself in the middle. Whether torn between Stella, his beloved and opinionated Yankee wife, and Katherine Marie, the African American girl who first stole his teenage heart; or between standing up for his beliefs and acquiescing to his prominent Jewish family’s imperative to not stand out in the segregated South, Jackson learns to balance the secrets and deceptions of those around him. But one fateful night in 1960 will make the man in the middle reconsider his obligations to propriety and family, and will start a chain of events that will change his life and the lives of those around him forever.

Home in the Morning follows Jackson’s journey from his childhood as a coddled son of the Old South to his struggle as a young man eager to find his place in the civil rights movement while protecting his family. Flashing back between Jackson’s adult life as a successful lawyer and his youth, Mary Glickman’s riveting novel traces the ways that race and prejudice, family and love intertwine to shape our lives. This ebook features rare photos and never-before-seen documents from the author’s personal collection.

How and when I got it:

I don’t really remember buying this book… but I assume I picked it up at one of the library book sales over the past several years.

Why I want to read it:

The synopsis makes this book sound fascinating — civil rights, a love story, the 1960s, Jewish life in the South. I’m definitely drawn to the description… and I’m glad this book just resurfaced for me during a shelf tidying adventure, because I plan to bump it up the TBR list!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

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Shelf Control #120: The Family Orchard by Nomi Eve

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: The Family Orchard
Author: Nomi Eve
Published: 2000
Length: 336 pages

What it’s about (synopsis via Goodreads):

In the bestselling tradition of The Red Tent, The Family Orchard is a spellbinding novel of one unforgettable family, the orchard they’ve tended for generations, and a love story that transcends the ages.

Nomi Eve’s lavishly imagined account begins in Palestine in 1837, with the tale of the irrepressible family matriach, Esther, who was lured by the smell of baking bread into an affair with the local baker. Esther passes on her passionate nature to her son, Eliezer, whose love for the forbidden Golda threatened to tear the family apart. And to her granddaughter, Avra the thief, a tiny wisp of a girl who thumbed her nose at her elders by swiping precious stones from the local bazaar-and grew to marry a man she met at the scene of a crime. At once epic and intimate, The Family Orchard is a rich historical tapestry of passion and tradition from a storyteller of beguiling power.

How and when I got it:

I bought a used copy about 3 years ago.

Why I want to read it:

Nomi Eve’s more recent novel, Henna House, went straight to the top of my oh-my-god-this-is-so-good-everyone-needs-to-read-this pile — and so I knew I needed to read her first novel as well. The subject matter and synopsis of The Family Orchard sound fascinating to me. I love reading books set in Israel and incorporating Jewish history, and I’m really looking forward to finally diving in.

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

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Shelf Control #68: The Gallery of Vanished Husbands

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! Fore more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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My Shelf Control pick this week is:

17707514Title: The Gallery of Vanished Husbands
Author: Natasha Solomons
Published: 2013
Length: 339 pages

What it’s about (synopsis via Goodreads):

London, 1958. It’s the eve of the sexual revolution, but in Juliet Montague’s conservative Jewish community where only men can divorce women, she ­finds herself a living widow, invisible. Ever since her husband disappeared seven years ago, Juliet has been a hardworking single mother of two and unnaturally practical. But on her thirtieth birthday, that’s all about to change. A wealthy young artist asks to paint her portrait, and Juliet, moved by the powerful desire to be seen, enters into the burgeoning art world of 1960s London, which will bring her fame, fortune, and a life-long love affair.

How I got it:

I bought it.

When I got it:

2 or 3 years ago.

Why I want to read it:

I don’t know how I first heard about this book, but when I stumbled across it at a book sale, it seemed familiar. The Jewish theme really calls to me, as does the idea of a young woman who’s already been pushed aside by society even though so much of her life is ahead of her. Between the setting and the time period, it sounds like a must read!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • And if you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

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