Title: A Grave Robbery
Series: Veronica Speedwell, #9
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 12, 2024
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:
Veronica and Stoker discover that not all fairy tales have happy endings, and some end in murder, in this latest historical mystery from New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.
Lord Rosemorran has purchased a wax figure of a beautiful reclining woman and asks Stoker to incorporate a clockwork mechanism to give the Rosemorran Collection its own Sleeping Beauty in the style of Madame Tussaud’s. But when Stoker goes to cut the mannequin open to insert the mechanism, he makes a gruesome discovery: this is no wax figure. The mannequin is the beautifully preserved body of a young woman who was once very much alive. But who would do such a dreadful thing, and why?
Sleuthing out the answer to this question sets Veronica and Stoker on their wildest adventure yet. From the underground laboratories of scientists experimenting with electricity to resurrect the dead in the vein of Frankenstein to the traveling show where Stoker once toured as an attraction, the gaslit atmosphere of London in October is the perfect setting for this investigation into the unknown. Through it all, the intrepid pair is always one step behind the latest villain—a man who has killed once and will stop at nothing to recover the body of the woman he loved. Will they unmask him in time to save his next victim? Or will they become the latest figures to be immortalized in his collection of horrors?
Veronica Speedwell is back! This outing — another potentially deadly investigation with her lover and partner Stoker — provides everything fans of this series love: Dastardly deeds, scheming scientists, Victorian scandal, and lots of sexy bantering.
As she and Stoker happily work on their ongoing commission to catalog and restore their patron Lord Rosemorran’s vast collection of natural wonders, a new challenge comes their way. Lord Rosemorran has purchased a waxwork of a lovely young woman, and to entertain his rambunctious youngest daughter, wants Stoker to add a mechanical element to give the illusion of breathing, as seen in a famous attraction at Madame Tussaud’s.
The promise of a new case to investigate becomes apparent once Stoker starts his work and discovers that this is no waxwork, but the meticulously preserved body of a young woman who was once very much alive. But who was she, and how did she come to be in this condition?
The more Veronica and Stoker learn, the more questions arise. It appears that this may be the body of a young woman who was found drowned in a river some fifteen years earlier, but that fact does not provide clues to her identity or shed light on the mystery of how such an impeccable work of preservation was carried out.
The details of their investigation are as delicious as readers can rightfully expect in this series, as we descend into worlds of mortuaries, mad scientists, and questionable examples of *ahem* anatomical study aides.
Through it all, Veronica and Stoker remain as wonderfully intertwined and perfectly in tune as ever, enjoying their restorative bouts of “congress” (as Veronica calls it) while also engaging as equal partners at a time when women are expected to be submissive.
It has been my experience that the male of the species, though often thoroughly illogical, can — when encouraged to sit quietly and think hard — be guided into a position of sense.
Veronica defers to no one and never backs down. She’s a smart, confident woman of science, and demands to be treated as such at all times. She never hesitates to call Stoker out, including his tendency toward anti-social behavior:
“Thanks to you, I speak to entirely too many people, entirely too often.”
“Exactly. You were practically a hermit when I met you.
“I was not a hermit,” he said through gritted teeth. “I was a professional man with work that I was actually permitted to do rather than being dragged into murder investigations because I had not yet met a woman whose very raison d’être seems to be falling over dead bodies.”
Author Deanna Raybourn seems to be having oodles of fun with these stories and characters. Her descriptions sparkle, and the quips, insults, and banter fly with zingy style. Even little throwaway lines are pure delight:
“That is the most preposterous load of plangent poppycock I have ever heard.”
I do hope she’ll continue writing Veronica Speedwell stories for many years to come. Each year’s new installment is something to savor… but sadly, they’re such fast, absorbing reads that I come to the end almost too quickly. And now, it’s another long year of waiting for the next adventure!
I’ll wrap up with words borrowed from my reviews of earlier books in the series:
If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!
This series has become one of my favorites. Don’t miss it.
Bookshelf Fantasies 