Book Review: Fatal Throne

 

The tragic lives of Henry VIII and his six wives are reimagined by seven acclaimed and bestselling authors in this riveting novel, perfect for fans of Wolf Hall and Netflix’s The Crown

He was King Henry VIII, a charismatic and extravagant ruler obsessed with both his power as king and with siring a male heir.

They were his queens–six ill-fated women, each bound for divorce, or beheading, or death.

Watch spellbound as each of Henry’s wives attempts to survive their unpredictable king and his power-hungry court. See the sword flash as fiery Anne Boleyn is beheaded for adultery. Follow Jane Seymour as she rises from bullied court maiden to beloved queen, only to die after giving birth. Feel Catherine Howard’s terror as old lovers resurface and whisper vicious rumors to Henry’s influential advisors. Experience the heartache of mothers as they lose son after son, heir after heir.

Told in stirring first-person accounts, Fatal Throne is at once provocative and heartbreaking, an epic tale that is also an intimate look at the royalty of the most perilous times in English history.

Who’s Who:

* M. T. Anderson – Henry VIII
* Candace Fleming – Katharine of Aragon
* Stephanie Hemphill – Anne Boleyn
* Lisa Ann Sandell – Jane Seymour
* Jennifer Donnelly – Anna of Cleves
* Linda Sue Park – Catherine Howard
* Deborah Hopkinson – Kateryn Parr

Let’s be clear about something right from the start: This is young adult fiction, written by a collection of YA authors and aimed at a teen reader audience. So, claiming in the blurb that this is a book for fans of Wolf Hall? Not exactly a true statement.

Fatal Throne is broken up into six first-person narratives, one for each queen and written by a different author, interspersed with Henry’s viewpoints on and reactions to each of his queens. The stories are kept brief and dramatic, following the highs and lows of each marriage, each leading inevitably to a disaster of one sort or another.

While each queen is written by a different author, there’s a certain sameness to the tone. Without knowing it ahead of time, I wouldn’t have necessarily been able to tell that there were different writers for each piece of the story.

As for the stories themselves, they’re fast-paced and interesting, but I can’t say that they reveal anything particularly new or different. Here’s where I feel it’s important to again stress the intended audience. For YA readers who are unfamiliar with anything but the basics of these historical figures’ lives, the presentation of the queen’s lives through their own voices could be a very compelling way to get immersed in their stories and learn more about the women behind the throne.

But for anyone who’s already read either non-fiction or historical fiction accounts of Henry VIII and his six wives, Fatal Throne is merely a retread of very familiar events, people, and historical speculation.

Of the six queens, the presentation of Anna of Cleves here is perhaps the most interesting, showcasing her inner strength and her ultimate triumph in regaining control over her own life. The others are, of course, all tragic in their own ways. Catherine Howard is a touch more sympathetic than I’ve seen in other portrayals — here, she’s a silly 16-year-old who simply doesn’t grasp the significance of her own actions or where they could lead. Anne Boleyn, as always, is a fascinating woman, although some of her rough edges are smoothed out just a bit in Fatal Throne.

I did end up enjoying the book for its quick pace and dramatic approach to the storytelling, but in terms of true depth, an examination of the historical records, or new insights, there are plenty of other books I’d sooner recommend. That said, this could be a good entry point for a YA reader without prior familiarity with the subject matter.

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The details:

Title: Fatal Throne
Author: See synopsis for list
Publisher: Schwartz & Wade
Publication date: May 1, 2018
Length: 416 pages
Genre: YA historical fiction
Source: Library

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Audiobook Review: Competence by Gail Carriger (The Custard Protocol, #3)

 

 

From New York Times bestselling author Gail Carriger comes the delightful sequel to Imprudence.

Accidentally abandoned!

All alone in Singapore, proper Miss Primrose Tunstell must steal helium to save her airship, the Spotted Custard, in a scheme involving a lovesick werecat and a fake fish tail.

When she uncovers rumors of a new kind of vampire, Prim and the Custard crew embark on a mission to Peru. There, they encounter airship pirates and strange atmospheric phenomena, and are mistaken for representatives of the Spanish Inquisition. Forced into extreme subterfuge (and some rather ridiculous outfits) Prim must also answer three of life’s most challenging questions:

Can the perfect book club give a man back his soul?

Will her brother ever stop wearing his idiotic velvet fez?

And can the amount of lard in Christmas pudding save an entire species?

Picture yourself floating through the air, with a ladybug-spotted balloon overhead, surrounded by your best friends and some adoring crew members. Picture yourself floating above India, Africa, even the Pacific Ocean. Picture yourself with fancy hats, stylish traveling dresses, and oversized parasols.

Fun, right?

Did all that imagining make you feel light and bubbly, maybe even a little giddy? Well, that’s a bit what reading the Custard Protocol books feels like, start to finish. The books in this delightful series are clearly fantasy, feel-good adventures, featuring exotic locales and extravagant fashion mixed with plenty of tea, camaraderie, and mid-air shenanigans.

As Competence is the third book in the series (with one more still to come), it’s worth taking a moment to reflect on the story so far. In book #1, Prudence, we’re introduced to the young leading lady, Prudence Alessandra Maccon Akeldama, daughter of a preternatural and a werewolf (who themselves are the stars of the phenomenal Parasol Protectorate series). Known as Rue, she’s feisty, independent, and itching for adventure. When her adoptive father, the vampire Lord Akeldama, gives her her very own dirigible, Rue takes to the skies with her best friend Primrose, Prim’s twin brother Percy, the flirty Frenchman Quesnel as ship’s engineer, and a crew full of oddball characters. All sorts of chaotic escapades ensue, including run-ins with weremonkeys and a very attractive werelioness.

In the 2nd book, Imprudence, the crew once again floats off on adventure, this time to Egypt, where they’re pursued by various bad guys, meet a ghost, and befriend some airborne nomadic tribes, And in the midst of all this, Rue discovers the pleasures of physical intimacy and love, and enjoys both immensely.

Competence picks up the story just a little while later, but this time around, Primrose takes over as lead character, occasionally ceding the POV spotlight to her brother Percy. Through their eyes, we continue on to new adventures on board the Spotted Custard (Rue’s dirigible), first in Singapore and then across the ocean to Peru. Prim is a very proper young woman, a steadfast friend to Rue and one heck of a ship’s purser, responsible for keeping the dirigible stocked, fueled, and ready to float off at a moment’s notice. Despite being determined to achieve a society-approved good marriage, Prim finds herself increasingly drawn to Tasherit, the exotically beautiful werelioness who is now a full member of the crew. Prim can’t quite bring herself to venture so far outside the bounds of approved English standards as to enter into a relationship with a woman, but there’s no denying the spark between the two, and as Prim acknowledges, cats can be very persistent about getting what they want.

Meanwhile, the Spotted Custard’s adventures include the discovery of a strange and endangered breed of vampires, unusual weather patterns and weird pirate ships, and a spontaneous heist of helium from an unsuspecting tourist vehicle. Plus, the usual shipboard quibbles and romances, as well as philosophical discussion groups and scientific theorizing.

Competence is just as much fun as the first two books in the series. In this book, the romances in focus do not fit the mold of Victorian social acceptability — but the author’s depiction makes it clear that Rue and friends are open-minded and refuse to be bound by meaningless judgment. On the Spotted Custard, love is love, period… and that’s a very good thing, for the characters as well as for the readers. Prim takes a very long time to make up her mind, but the banter and flirtation between her and Tasherit light up the page, so you know it’s just a matter of time…

Looking back, I’m a little shocked at myself to discover that on first read, I didn’t fall in love with Prudence. It makes me itch to go back and rewrite my original review! Sometimes, though, it’s just a question of mood and timing. Maybe I wasn’t in the right frame of mind to appreciate the Custard Protocol when I first read the first book. When I revisited book 1 as an audiobook, I adored it, and loved the 2nd book just as much.

A note on the audiobooks: They’re amazing! Narrator Moira Quirk does an outstanding job with the characters, capturing their voices, their accents, and their personalities, and making each one distinct and instantly recognizable. She’s also great with the action scenes, and really brings out the humor of Gail Carriger’s fantastically quippy dialogue.

The Custard Protocol series is truly delectable, and Competence is a wonderful addition. And now, we wait… Book #4, Reticence, is due out in 2019.

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The details:

Title: Competence (The Custard Protocol, #3)
Author: Gail Carriger
Narrator: Moira Quirk
Publisher: Orbit
Publication date: July 17, 2018
Length (print): 309 pages
Length (audiobook): 11 hours, 52 minutes
Genre: Fantasy/steampunk
Source: Purchased

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Murderbot is back! Rogue Protocol – book #3

Murderbot returns for a 3rd adventure!

Thank you, Tor Books, for the review copy of Rogue Protocol!

The Murderbot Diaries
Book #3 – Rogue Protocol

(160 pages, published August 7, 2018 by Tor)

SciFi’s favorite antisocial A.I. is again on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah’s SecUnit is.

And Murderbot would rather those questions went away. For good.

My thoughts:

What’s not to love about a cantankerous SecUnit who’d really rather just be left alone? Too bad for Murderbot that those darn softy, squishy humans keep getting in its way and requiring its protection. So what’s an exasperated AI to do? In Rogue Protocol, Murderbot once again sneaks its way onto a transport filled with humans on a secret mission, this time looking for evidence against the nefarious GrayCris Corporation. But of course, nothing goes as planned, since the humans involved end up needing looking after, even though they’re not technically Murderbot’s to worry about.

I’ll be honest and say that the action feels a little opaque to me. Lots of hatches and corridors and whatnot… lots of energy blasters and armor and drones… It’s all quite energetic and high-speed, but the technical mumbo-jumbo tends to make my eyes glaze over.

Still, what redeems these novellas for me is the fabulous voice of Murderbot itself, who is just as fed up as always. Why can’t the poor AI just enjoy its media feeds in peace?

I’ll leave you with a few choice snippets of Murderbot ruminations:

This was going to be even more annoying than I had anticipated, and I had anticipated a pretty high level of annoyance, maybe as high as 85 percent. Now I was looking at 90 percent, possibly 95 percent.

Who knew being a heartless killing machine would present so many moral dilemmas.

(Yes, that was sarcasm.)

Right, so the only smart way out of this was to kill all of them. I was going to have to take the dumb way out of this.

If you’re a sci-fi fan and haven’t yet experienced Murderbot, definitely give these novellas a try! Now is a great time to jump in — the 4th (and final?) book is due out in October.

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Take A Peek Book Review: Eleanor Oliphant Is Completely Fine by Gail Honeyman

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

 

Synopsis:

(via Goodreads)

No one’s ever told Eleanor that life should be better than fine.

Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she’s thinking. Nothing is missing in her carefully timetabled life of avoiding social interactions, where weekends are punctuated by frozen pizza, vodka, and phone chats with Mummy.

But everything changes when Eleanor meets Raymond, the bumbling and deeply unhygienic IT guy from her office. When she and Raymond together save Sammy, an elderly gentleman who has fallen on the sidewalk, the three become the kinds of friends who rescue one another from the lives of isolation they have each been living. And it is Raymond’s big heart that will ultimately help Eleanor find the way to repair her own profoundly damaged one.

Soon to be a major motion picture produced by Reese Witherspoon, Eleanor Oliphant Is Completely Fine is the smart, warm, and uplifting story of an out-of-the-ordinary heroine whose deadpan weirdness and unconscious wit make for an irresistible journey as she realizes. . .

The only way to survive is to open your heart.

My Thoughts:

I had very wrong expectations when I started this book. Based on the synopsis, I was expecting something quirky, potentially funny, maybe reminiscent of The Rosie Project or something similar. I was shocked to discover just how misleading the synopsis is.

Yes, Eleanor has extreme social awkwardness. She lives a desperately lonely life and expects nothing else. But she’s not merely awkward or an odd duck waiting for her chance to shine — she’s the survivor of terrible childhood trauma that informs every moment of her life and keeps her trapped in her contact-free, isolated life.

Don’t get me wrong — Eleanor Oliphant is a terrific book. It’s deeply moving and horribly sad. Eleanor herself is a memorable lead character, lovable despite her coldness and judgmental nature. We understand early on that there’s something terrible lurking beneath the icy, unfeeling exterior. As we get to know Eleanor better, it’s easier to understand what has made her the way she is, and to cheer her on as she takes the necessary small steps toward recovery.

Eleanor Oliphant Is Completely Fine is a lovely, powerful book. Once again, I’m grateful to my book group for picking such a great book to discuss. I’ve had this book on my TBR list for a while now, but having a set date on the calendar is what finally made me pick it up… and once I started, I just couldn’t put it down until I finished it.

A final note: I bought my copy via Book Depository. The UK version has a very different cover, which I believe gives a truer sense of the book:

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The details:

Title: Eleanor Oliphant Is Completely Fine
Author: Gail Honeyman
Publisher: Pamela Dorman Books
Publication date: May 9, 2017
Length: 327 pages
Genre: Contemporary fiction
Source: Purchased

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An early look: October Daye, book 12 — Night and Silence by Seanan McGuire

I am beyond thrilled to have received an ARC of the newest, soon-to-be-released book in the October Daye urban fantasy series. Thank you, NetGalley and DAW Books! October Daye continues to be at the absolute top of my list of ongoing series (and October herself is definitely a favorite hero) — read on to find out why!

Things are not okay.

In the aftermath of Amandine’s latest betrayal, October “Toby” Daye’s fragile self-made family is on the verge of coming apart at the seams. Jazz can’t sleep, Sylvester doesn’t want to see her, and worst of all, Tybalt has withdrawn from her entirely, retreating into the Court of Cats as he tries to recover from his abduction. Toby is floundering, unable to help the people she loves most heal. She needs a distraction. She needs a quest.

What she doesn’t need is the abduction of her estranged human daughter, Gillian. What she doesn’t need is to be accused of kidnapping her own child by her ex-boyfriend and his new wife, who seems to be harboring secrets of her own. There’s no question of whether she’ll take the case. The only question is whether she’s emotionally prepared to survive it.

Signs of Faerie’s involvement are everywhere, and it’s going to take all Toby’s nerve and all her allies to get her through this web of old secrets, older hatreds, and new deceits. If she can’t find Gillian before time runs out, her own child will pay the price. One question remains:

Who in Faerie remembered Gillian existed? And what do they stand to gain? No matter how this ends, Toby’s life will never be the same.

Seanan McGuire never fails to amaze me… and to wreak utter havoc with my emotions. Night and Silence is a strong addition to the October Daye series, with new twists and turns and some totally startling revelations and developments. How many series can get to book #12 with no signs of slowing or slumping? The October Daye series has always been excellent, and this new book lives up to all the rest.

Since this is a pre-release review, I’m going to be vague about just about everything. I know I’d hate to discover spoilers before the book even comes out, so I’ll be discreet, I promise! If you’re reading this review, chances are more than good that you’re a Toby fan, and that you’re panting (and maybe drooling a bit) to find out what happens next, after that doozy of an ending from book #11, The Brightest Fell.

As the synopsis above makes clear, things are NOT okay at the beginning of this book. Toby and Tybalt are more or less estranged, since Tybalt is suffering serious trauma after his ordeal at the hands of Amandine in book #11. And this just breaks my heart. I love the two of them together, and I love Tybalt as an individual. It hurts to see him suffering, and it hurts to see Toby suffering from his distance and her inability to reach him and help him.

When Gillian is kidnapped and Toby springs into action, it brings her back into contact with both the humans from her past and some nefarious folks from the fae part of her life too. Still, it’s great to see Toby on a mission, and to see her allies rallying round to back her up and give her their support.

There are some MAJOR reveals, including the answer to a question that’s bugged me almost from the start of the series. But see, I’m being discreet, so I won’t even say what the question is, much less the answer.

The hunt for the kidnappers and the outcome are not what anyone would expect. Let’s leave it at that. The ending of this book is a game-changer, and I can’t wait to see what happens next.

It’s startling to me to realize that as of the beginning of this year, I had not yet entered the amazing world of October Daye. What a difference a few months make! I love this series to bits and pieces, and can’t recommend it highly enough! Seanan McGuire must be part Fae herself, because she spins the best magical stories. I love everything she writes, and Night and Silence is a treat. Read it! And if you haven’t read any October Daye books yet, start with Rosemary and Rue. I dare you to stop after one book!

I’ll wrap things up with a quote from the book, without providing any context, just because the dialogue in these stories always makes me smile:

“You have got to stop defusing every conversation you don’t want to have by talking like something out of a Regency romance.”

But wait, there’s more!

As an afterward to Night and Silence is the long short-story Suffer A Sea-Change. I’m not going to tell you who’s in it (okay, obviously the Luidaeg, but I’m not saying who else) or what it’s about, because anything I might say would be majorly spoilery. Suffice it to say that Suffer A Sea-Change picks up from the end point of Night and Silence, and is a fantastic side note to the main novel — absolutely not to be missed.

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The details:

Title: Night and Silence (October Daye, #12)
Author: Seanan McGuire
Publisher: DAW Books
Publication date: September 4, 2018
Length: 510 pages
Genre: Urban fantasy
Source: Review copy courtesy of the publisher via NetGalley

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Series wrap-up: The Song of the Lioness by Tamora Pierce

Sometimes, revisiting a series you read ages ago is just the thing for lifting your spirits. Or at least, that’s definitely true for me!

I first encountered the Alanna books (by Tamora Pierce) when my daughter, then a middle-schooler in her tweens, fell in love with the story. Naturally, I thought I’d better check out what had captured my 12-year-old’s attention so firmly. And while I was delighted by the girl-power message of the story, I’ll admit that there was slightly more bed-hopping than I felt entirely comfortable with my daughter reading at that point.

Years passed. My daughter, now an adult, has devoured ALL of Tamora Pierce’s books and treats them like comfort food, revisiting not just the Alanna books but all the other books set in the world of Tortall on a regular basis. She’s been urging the other books on me for years, but I had only so-so memories of the Alanna series, and didn’t remember much of the details. I just couldn’t see myself re-entering that world.

And then, I did.

I’m not sure why I decided to finally jump in, but I ended up listening to the audiobooks of the Song of the Lioness  quartet this summer… and loved them. Narrated by actress Trini Alvarado, the audiobooks were a low-stress, low-commitment way for me to dip my toe back in to the world of Tortall and see if I felt the need to truly swim deeper. Turns out, the answer was yes.

I became immersed in the story almost immediately, and continued listening all the way through until I finished the fourth book. Along the way, there were some surprises, such as the fact that I hadn’t actually read the 4th book when I first encountered the series. I was certain that I’d read them all, until I commented to my darling daughter that I didn’t remember certain of the characters or plot points from that book, and she informed me that I’d stopped before I ever got there! Silly me.

Let me now backtrack and explain a bit about the books, for the uninitiated.

In book #1, Alanna: The First Adventure, we meet Alanna of Trebond and  her twin brother Thom, two motherless 10-year-olds with a father who doesn’t particularly care about his children. They’re sent off to follow the prescribed path for noble children — boys to the capitol city to train as knights, and girls to the convent. But Alanna and Thom have different plans: Alanna dreams of knighthood and adventure, and Thom wishes to pursue a study of sorcery through the convent’s magical teachers. They switch places, and Alanna becomes Alan of Trebond, entering the palace as a young boy embarking on the training to become a knight, starting by serving as a palace page.

As Alan/Alanna grows up, she earns her place among the boys who are her peers through her toughness and her absolute determination to become the best. She’s loyal and fierce, and forms tight friendships with the pages and squires around her, including Prince Jonathan, heir to the throne. She also meets and becomes fast friends with George Cooper, a young man of the streets who presides over the lower class’s thieves and rogues. Between Jonathan and George, she has two allies and advocates who will stick with her no matter what.

Over the course of the series, we see Alanna advance to squire and finally to knighthood. She ultimately reveals her true gender, and sets out on a series of adventures, becoming a member of the Bazhir desert tribes, learning advanced magical skills as a shaman, and ultimately setting out on a quest that will either save the kingdom or end her own  life. There are romantic entanglements a-plenty (along with the bed-hopping that shocked me on behalf of my 12-year-old — although really it’s tame and non-graphic compared to today’s YA fare).

What I love about this series is the ongoing development of Alanna as an individual who refuses to adhere to the predetermined roles available to someone o f her social status and gender. She embraces her strengths, acknowledges her weaknesses, and never stops trying to improve and grow. She also refuses to be all one thing or another: Yes, she wants to be a knight, and to get there must hide her true gender, but she still manages to find kindly women to go to with her questions about women’s bodies, menstrual cycles, clothing, and relationships. Alanna remains true to herself throughout, and proves to be not just brave and skilled as a warrior, but a trustworthy friend, a beloved surrogate daughter, and a devoted lover.

Beyond all that, the Alanna quartet is quite simply a great fantasy adventure. There are sword fights and horseback adventures, battles and feats of chivalry, and all  manner of court dramas and  formalities. The world-building in the Alanna books is terrific, including not just the knighthood aspects but also its own brand of magical powers, sorcery, and a history of gods and goddesses with powers over the land. The pieces all come together brilliantly, and left me entirely satisfied by the awesome climax and conclusion of the final book, but also wanting more of the characters and this particular kingdom and world.

Luckily, there are plenty more books set in Tortall for me to explore, and my daughter has been kind enough to provide me with her recommended reading order. Next up is the Immortals quartet, starting with Wild Magic, which I’ll begin once I finish up the next couple of audiobooks in my queue.

I’m so happy to have finally revisited the Alanna books, and recommend them highly!

But please, not this set of covers. I can’t even.

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Book details:

Alanna: The First Adventure – 274 pages, published 1983
In the Hand of the Goddess – 264 pages, published 1984
The Woman Who Rides Like a Man – 284 pages, published 1986
Lioness Rampant – 308 pages, published 1988

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Book Review: Bellewether by Susanna Kearsley

 

Some houses seem to want to hold their secrets.

It’s 1759 and the world is at war, pulling the North American colonies of Britain and France into the conflict. The times are complicated, as are the loyalties of many New York merchants who have secretly been trading with the French for years, defying Britain’s colonial laws in a game growing ever more treacherous.

When captured French officers are brought to Long Island to be billeted in private homes on their parole of honour, it upends the lives of the Wilde family—deeply involved in the treasonous trade and already divided by war.

Lydia Wilde, struggling to keep the peace in her fracturing family following her mother’s death, has little time or kindness to spare for her unwanted guests. French-Canadian lieutenant Jean-Philippe de Sabran has little desire to be there. But by the war’s end they’ll both learn love, honour, and duty can form tangled bonds that are not broken easily.

Their doomed romance becomes a local legend, told and re-told through the years until the present day, when conflict of a different kind brings Charley Van Hoek to Long Island to be the new curator of the Wilde House Museum.

Charley doesn’t believe in ghosts. But as she starts to delve into the history of Lydia and her French officer, it becomes clear that the Wilde House holds more than just secrets, and Charley discovers the legend might not have been telling the whole story…or the whole truth.

Belleweather starts slowly, layering modern-day chapters with chapters from Lydia’s and Jean-Philippe’s perspectives. It’s masterfully done, like building a gorgeous home from the foundation upward. The early stages may seem like a lot of getting ready, but as the story builds, the pieces all come together to make an impressive whole.

We’re told from the outset that the Wilde House has a long, tangled history, going back centuries through generations of Wildes, who settled, married, bore and lost children, and over time expanded the original Colonial footprint of the house to include a Victorian wing. We also learn early on that the house may be haunted. When Charley accepts a job as curator for the Wilde House Museum, currently under renovation, one of the first stories she hears is the legend of a doomed love between a Wilde daughter and a French officer staying in the family home as a prisoner during the French and Indian War.

Charley is naturally charmed and intrigued by the tale — but the mission of the museum is supposed to be on Revolutionary War hero Benjamin Wilde. The stuffier members of the board of directors are not crazy about Charley anyway, and they refuse to expand their view of the musem’s purpose to include anything about this mysterious ghost story, despite the fact that over the years it’s become a favorite local legend, so much so that the woods around the museum have become a favorite Halloween destination for people wanting a chance at a ghost sighting.

Charley begins to dig through the old records to discover proof to back up the ghost story, and meanwhile, we hear from Lydia and Jean-Philippe about how they met, what conditions were like for them on the farm, and how family dynamics — especially conflicts with another French officer and Lydia’s brothers — seemed to make any future between the two utterly impossible.

Within the contemporary pieces of the story, we also learn more about Charley’s own family tragedies, including a long estrangement from her grandmother, the loss of her brother, her care for her young adult niece, and naturally, Charley’s own romantic frustrations and dreams. On top of that, there’s a particularly difficult and entitled set of board members to be dealt with, and lots of influential people with demands that can’t be ignored.

To be honest, I had my doubts at the beginning. The start is slow, and particularly in Charley’s chapters, there’s a lot of exposition up front, and tons of minor characters’ names to learn and remember. I was much more captivated by Lydia and Jean-Philippe from the start. Because we’re told the outlines of the ghost story at the beginning, we read about these two characters assuming we know where their story is going and wondering about the how and why — but the way it all comes together is both surprising and carefully built up to. I was very satisfied with the resolution, both of the contemporary and historical pieces of the story,

Overall, I enjoyed Bellewether very much, although I felt that certain of the emotional/family dynamics and complications in Charley’s part of the story were rushed. The storyline with her grandmother, in particular, needed a little more room to breathe and develop in order to have the intended emotional impact, and I thought the niece’s grief and healing was given a rather speedy treatment as well.

Still, as a whole, Bellewether is a great read, and by the second half, I just couldn’t put it down. Susanna Kearsley is a master of emotional, complex stories with historical elements that usually come with some sort of secretive or supernatural mysteries. Bellewether is a stand-alone that makes a great introduction to the author’s style and quality of writing, and for those who already love her works, you won’t be disappointed!

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A note on editions: The cover above belongs to the paperback edition released in Canada in April 2018, which I purchased via Amazon Canada prior to receiving an ARC via NetGalley. The US edition, releasing this coming week (August 7th), has a cover that, while nice, doesn’t match my existing collection of Susanna Kearsley books — and I’m enough of a fan and a completist that I just had to have that gorgeous Canadian cover!

Here’s the US cover:

And here’s a look at some of my other Susanna Kearsley books — which may help explain why I needed that particular cover:

 

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The details:

Title: Bellewether
Author: Susanna Kearsley
Publisher: Sourcebooks Landmark
Publication date: August 7, 2018
Length: 414 pages
Genre: Historical fiction
Source: NetGalley (also purchased)

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Take A Peek Book Review: The Hate U Give by Angie Thomas

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

 

Synopsis:

(via Goodreads)

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil’s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does or does not say could upend her community. It could also endanger her life.

My Thoughts:

I don’t think there’s anything I can say about The Hate U Give that hasn’t already been said. Released early in 2017, The Hate U Give has generated a tremendous amount of buzz, has been nominated for and won numerous literary awards, and won the 2017 Goodreads Choice Awards for Young Adult Fiction and Debut Author. Now that I’ve finally read the book, I can add my voice to the raves and say with certainty that all the praise is absolutely deserved.

The Hate U Give is a raw, unfiltered look inside a life and a world that people of privilege never see. It’s an eye-opening, upsetting, deeply human look at the costs of violence, prejudice, and brutality.  Main character Starr leads us through her double life, letting us see the conflicts she faces on a daily basis as she tries to navigate her neighborhood and her school. The entire book is engaging and impossible to put down. Where it really excels is by showing us, through the power of fiction, what the lives behind the headlines look like, and how the victim of violence is too often labeled a thug or a criminal when what truly matters is the person’s life being unjustly ended.

I’m so glad that I finally read The Hate U Give, and will be pushing it on my family and friends. Everyone should read this book.

I’m really looking forward to the movie version as well.

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The details:

Title: The Hate U Give
Author: Angie Thomas
Publisher: Balzer + Bray
Publication date: February 28, 2017
Length: 453 pages
Genre: Young adult fiction
Source: Library

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Book Review: Before We Were Yours by Lisa Wingate

 

Two families, generations apart, are forever changed by a heartbreaking injustice in this poignant novel, inspired by a true story, for readers of Orphan Train and The Nightingale.

Memphis, 1939. Twelve-year-old Rill Foss and her four younger siblings live a magical life aboard their family’s Mississippi River shantyboat. But when their father must rush their mother to the hospital one stormy night, Rill is left in charge—until strangers arrive in force. Wrenched from all that is familiar and thrown into a Tennessee Children’s Home Society orphanage, the Foss children are assured that they will soon be returned to their parents—but they quickly realize that the truth is much darker. At the mercy of the facility’s cruel director, Rill fights to keep her sisters and brother together—in a world of danger and uncertainty.

Aiken, South Carolina, present day. Born into wealth and privilege, Avery Stafford seems to have it all: a successful career as a federal prosecutor, a handsome fiancé, and a lavish wedding on the horizon. But when Avery returns home to help her father weather a health crisis, a chance encounter leaves her with uncomfortable questions—and compels her to take a journey through her family’s long-hidden history, on a path that will ultimately lead either to devastation or redemption.

Based on one of America’s most notorious real-life scandals—in which Georgia Tann, director of a Memphis-based adoption organization, kidnapped and sold poor children to wealthy families all over the country—Wingate’s riveting, wrenching, and ultimately uplifting tale reminds us how, even though the paths we take can lead to many places, the heart never forgets where we belong.

The story of Before We Were Yours is all the more shocking and heart-breaking when you realize that while the main characters are fictional, the tragedy depicted is all too real.

In this powerful work of historical fiction, we follow the story of 12-year-old Rill, a girl growing up poor but happy on a riverboat with her parents and four younger siblings. But when the children become separated from their parents due to complications of labor and an emergency trip to the hospital, their lives become dark and dangerous. Stolen away by the notorious Georgia Tann, the children are taken to a children’s home, where they’re starved, neglected, and abused before ultimately being adopted out, one by one, to wealthy families who are willing to pay.

In alternating chapters, we follow a modern-day story, as Avery Stafford comes home to South Carolina to support her ill father, a politician from a powerful family. Avery stumbles upon a woman in a nursing home, May Crandall, who seems to have some sort of connection to Avery’s family. What starts as a curiosity for Avery turns into a quest to unravel the mystery of May’s strange tie to Avery’s grandmother, now suffering early stages of dementia. As Avery digs deeper, she begins to see that her family’s hidden past may have intersected with the schemes of Georgia Tann, and Avery must decide if it’s wiser to uncover the truth or let the past stay in the past.

While Avery’s search for answers is interesting, it’s the story of Rill and her sisters and brother that’s truly stunning. The children grow up free and open to adventure, never minding that they’re looked down upon as “river rats”. On board their boat and with their parents, they live in a kingdom of their own. Reading about how this family is torn apart is shocking — it’s amazing how much cruelty was inflicted upon these young children, especially as the story drives home the fact that this happened to thousands of chlidren over a period of more than 20 years.

The mystery of how Avery’s grandmother is connect to May is not revealed until close to the end of the book, and while there are hints along the way, the answer isn’t entirely obvious. Meanwhile, while we see how Rill grew up and changed from the river girl to a woman with a family of her own and a new life, the journey she makes isn’t easy and is no fairy tale. Not all the loose ends are tied up, which is fitting, given that in the historical records of the Georgia Tann scandal, many families never did find their missing children, and many hundreds are believed to have died under the “care” of this awful, twisted adoption industry.

Before We Were Yours is a compelling read, although I was less engaged during the contemporary chapters, particularly when the focus shifted from Avery’s search into family history to dwell more upon Avery’s romantic life and her career choices. Other than that, I found it a quick, fascinating, and terribly sad read.

This was a book group pick, and I’m so glad it was! As with all of my book group’s books, I can’t wait to hear from my bookish friends and to exchange reactions, ideas, and questions.

If you’ve read Before We Were Yours, I’d love to hear your thoughts too!

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The details:

Title: Before We Were Yours
Author: Lisa Wingate
Publisher: Ballantine
Publication date: June 6, 2017
Length: 342 pages
Genre: Historical fiction
Source: Library

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Book Review: Thunderhead (Arc of a Scythe, #2) by Neal Shusterman

 

Rowan and Citra take opposite stances on the morality of the Scythedom, putting them at odds, in the chilling sequel to the Printz Honor Book Scythe from New York Times bestseller Neal Shusterman, author of the Unwind dystology.

The Thunderhead cannot interfere in the affairs of the Scythedom. All it can do is observe—it does not like what it sees.

A year has passed since Rowan had gone off grid. Since then, he has become an urban legend, a vigilante snuffing out corrupt scythes in a trial by fire. His story is told in whispers across the continent.

As Scythe Anastasia, Citra gleans with compassion and openly challenges the ideals of the “new order.” But when her life is threatened and her methods questioned, it becomes clear that not everyone is open to the change.

Will the Thunderhead intervene?

Or will it simply watch as this perfect world begins to unravel?

I absolutely loved Scythe, the first book in the Arc of a Scythe series. So it should be no surprise that I found myself swept away by Thunderhead, book #2, simply unable to put it down once I started.

Note: This review may be a bit spoilery, since it’s for the 2nd in a series. Look away now if you want to be spoiler-free!

Scythe ended on a suspenseful note. Apprentice Scythes Citra and Rowan make it to their final rite of passage, and while Citra is ordained, taking the name Scythe Anastasia, Rowan is not accepted into the scythedom. By rules of their apprenticeship, Citra should now “glean” (kill, permanently, with no revival) Rowan, but instead, she makes sure he gets a year’s immunity from gleaning and he escapes. By the end of the book, we know that Rowan has gone rogue, illegally donning the robes of a scythe and making it his mission to eliminate the worst of the scythes — those who kill for pleasure rather than as a means of keeping balance in the world.

Thunderhead picks right up with the action, as Citra/Anastasia carries out her scythe duties with thoughtfulness and purpose. Scythes are necessary tools in a world in which death has been banished. Without scythes, overpopulation and starvation would result, killing off humanity just as surely as war and disease did back in the mortal age. Anastasia treats those to be gleaned with respect and compassion, and while her task is still grim, she gives it a dignity that “new order” scythes find ridiculous, boring, and unnecessarily serious.

Things become deadly when Anastasia and her mentor Scythe Curie are almost killed in a bombing attack. Everything in the world is governed by the Thunderhead, the sentient intelligence that evolved from cloud computing. The Thunderhead is all-knowing, and has as its mission the preservation of life on the planet to the best of its ability. The one area removed from Thunderhead control is the scythedom — a rule created by the Thunderhead to ensure that humans could make the decisions necessary for their own species’ survival without undue interference. But over the course of the book, the Thunderhead realizes that the things it doesn’t know and doesn’t see, thanks to this separation, may spell doom rather than salvation for humanity.

Scattered throughout the book are pages narrated by the Thunderhead itself, and these are truly fascinating. The Thunderhead knows everything, and knows everyone. It understands what each person needs, and it understands how things must change in order for the world to endure. It knows every probable outcome and the statistical likelihood of every occurrence. And yet, the Thunderhead isn’t some evil computer overlord. It has what it considers the best interest of all things as its focus, and if it can be said to feel, we’d be likely to interpret its musings on human beings as a form of love. Still, there is perhaps something a little creepy about a world in which the illusion of complete choice is deliberately provided by the Thunderhead in certain situations in order for people to feel free, and in which a class of people known as “unsavories” are permitted (and even encouraged) so that those who need a sense of rebellion can get that satisfaction.

I won’t give away too much more, other than to say that the ending is a TREMENDOUS CLIFFHANGER,  with a lead-up that left me gasping. I mean, I could not believe what I was reading, was utterly horrified, kept waiting for things not to be as bad as they seemed (but they were), and could not look away. Really, the ending is a stunner.

Note: Pretty big spoiler here for anyone who’s familiar with classic opera:

At the end, I couldn’t help but chuckle sadly once I realized what exquisite foreshadowing the author used by having characters attend a performance of Aida.

Sorry, I couldn’t not say that.

End of spoilers!

I could rave about this book (and Scythe) a whole lot more, but I think you get the point! I just wish I had someone in my life to discuss this with! I’m trying to push the books on a few bookish friends, and hope to have some success soon. These are books that just NEED to be talked about!

Really, read Scythe and Thunderhead! You’ll thank me, I promise.

And now we wait for #3, coming (I hope) sometime in 2019.

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The details:

Title: Thunderhead (Arc of a Scythe, #2)
Author: Neal Shusterman
Publisher: Simon & Schuster Books for Young Readers
Publication date: January 9, 2018
Length: 504 pages
Genre: Young adult fiction
Source: Library

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