Book Review: Across the Green Grass Fields (Wayward Children, #6) by Seanan McGuire

Title: Across the Green Grass Fields (Wayward Children, #6)
Author: Seanan McGuire
Publisher: Tor
Publication date: January 12, 2021
Length: 176 pages
Genre: Fantasy
Source: ARC via Netgalley; hardcover purchased

Rating: 4.5 out of 5.

A young girl discovers a portal to a land filled with centaurs and unicorns in Seanan McGuire’s Across the Green Grass Fields, a standalone tale in the Hugo and Nebula Award-wining Wayward Children series.

“Welcome to the Hooflands. We’re happy to have you, even if you being here means something’s coming.”

Regan loves, and is loved, though her school-friend situation has become complicated, of late.

When she suddenly finds herself thrust through a doorway that asks her to “Be Sure” before swallowing her whole, Regan must learn to live in a world filled with centaurs, kelpies, and other magical equines―a world that expects its human visitors to step up and be heroes.

But after embracing her time with the herd, Regan discovers that not all forms of heroism are equal, and not all quests are as they seem…

A new Wayward Children book is always cause for celebration, and Across the Green Grass Fields is no exception.

In this book, the 6th in the series, we’re introduced to a young girl named Regan. She has lovely, loving parents, and is crazy about horses and riding lessons. At school, she originally had two best friends, Heather and Laurel, but when Heather dared to express interest in something Laurel deemed un-girl-like, Heather became shunned — and Regan learned her lesson. To retain her place as Laurel’s best friend, conformity is all that matters. She has to embrace Laurel’s strict rules about what girls do and don’t do and do and don’t like, if she wants to not end up like poor Heather.

Laurel was one of the “lucky ones,” according to the girls who flocked around her in their ribbons and flounces, praising her developing breasts like they were something she’d accomplished through hard work and personal virtue, not hormones and time.

But when Regan learns an unexpected truth from her parents, she makes the awful mistake of confiding in Laurel, and then realizes that she’s just blown up her own world. Distraught, Regan runs away into the woods, where she sees an unusual door, with the words “Be Sure”. In that moment, Regan is sure that anything would be better than where she is now, and she steps through into an entirely new world.

In the Hooflands, Regan is the only human in a world peopled by different hooved species — unicorns, centaurs, kelpies, and more. She is taken in by a family of centaurs, who adopt her as one of their own and love her fiercely. With the love of the centaurs, Regan grows and thrives — missing her parents, of course, but feeling more and more that she’s finally found a place to just be herself, a place that feels like a real home. And it’s Chicory, the centaur daughter, who shows Regan what a real friend can be:

In Chicory, she had finally found a friend who liked her for who she was, not for how well she fit an arbitrary list of attributes and ideals.

The only downside is that everyone in the Hooflands believes that humans have a destiny. Humans show up rarely, but when they do, they’re meant to save the world…. and then they disappear. No one really knows the how and why of it all, but all believe that sooner or later, Regan will have to confront the Queen of the Hooflands and do whatever it is that’s needed to save the world.

Destiny wasn’t real. Destiny was for people like Laurel, who could pin everything they had to an idea that the world was supposed to work in a certain way, and refuse to let it change. If these people said her destiny was to see the Queen, she would prove them wrong. She wasn’t their chosen one. She was just Regan, and as Regan, she ran.

Through her years in the Hooflands, Regan learns about listening to people and seeing beyond their surfaces, about true friendship and family, among making choices and remaining true to oneself, and about accepting and appreciating oneself, putting aside the unrealistic notions of “normal” and “destiny”. Regan learns to be Regan, and sees that she can be strong and pursue the people and activities that make her feel whole and good.

Across the Green Grass Fields is the first book in the Wayward Children series that does not include the Home for Wayward Children at all, although I imagine that that’s where Regan will be headed next. None of the characters from previous books pop up here either, so this book really can be read as a stand-alone. Still, it fits into the great world of the Wayward Children series, with its portal worlds and missing children and quests for meaning and one’s true place. Obviously, as a fan of the series, I’d recommend starting from the beginning and reading them all!

Across the Green Grass Fields includes illustrations by the amazingly talented Rovina Cai, and although I haven’t received my hard copy of the book yet, I’m already enchanted by the images available on Tor’s website, including this one of the centaur family:

Illustration by Rovina Cai; from Tor.com

The Wayward Children series as a whole is a delightful, magical experience, and Across the Green Grass Fields introduces a wonderful new world and heroine. Highly recommended.

Book Review: Come Tumbling Down (Wayward Children, #5) by Seanan McGuire

Title: Come Tumbling Down (Wayward Children, #5)
Author: Seanan McGuire
Publisher: Tor
Publication date: January 7, 2020
Length: 206 pages
Genre: Fantasy
Source: Purchased
Rating:

Rating: 5 out of 5.

The fifth installment in Seanan McGuire’s award-winning, bestselling Wayward Children series, Come Tumbling Down picks up the threads left dangling by Every Heart a Doorway and Down Among the Sticks and Bones

When Jack left Eleanor West’s School for Wayward Children she was carrying the body of her deliciously deranged sister–whom she had recently murdered in a fit of righteous justice–back to their home on the Moors.

But death in their adopted world isn’t always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome.

Eleanor West’s “No Quests” rule is about to be broken.

I adore Seanan McGuire. I adore everything she writes. I adore the Wayward Children series.

So is it any surprise when I say that I loved Come Tumbling Down?

In this, the 5th installment in what I hope will be a long, ongoing series of fantasy novellas, we return to the events of book #2, Down Among the Sticks and Bones, and finally find out what happened next.

Which, right off the bat, tickles me pink, because Down Among the Sticks and Bones is — no question about it — my favorite in the entire series. So I was thrilled to return to the world of the Moors, the war between mad scientists and vampires, and the struggle to resurrect and reanimate that which has been lost.

For those new to this series, the basic idea is this: Eleanor West runs a boarding school for children who’ve returned to their parents’ homes after an absence which has left them strange and unmanageable. What the parents don’t understand, but Eleanor West certainly does, is that these missing children found doors to other worlds — world of logic or nonsense, worlds of virtue or wickedness, and all sorts of points on the compass between extremes**. Whether kicked out or voluntarily returned, the children no longer fit in their mundane lives, but find solace and shelter with the other misfits like themselves at the home for wayward children.

In Down Among the Sticks and Bones, we learned about twins Jack and Jill and their time spent on the Moors. We pick up their story in Come Tumbling Down as one of the twins returns to the school – but which one?

Oh, I really don’t want to give anything away! This book, like all the others, is filled to the brim with fantasy and danger and challenges, but rooted deeply by its unique and memorable characters. There’s Sumi, a nonsense girl who knows her destiny lies in the world of Confection; Cora, a mermaid who longs to return to the sea; Kade, a Goblin prince who accepts that his chosen world may not choose him any longer; and Christopher, who dreams of life in the land of Mariposa with his true love, the Skeleton Girl.

When the missing twin returns and needs help with her life-or-death quest, the friends are quick to stand by her and venture through the door to the Moors, risking their own lives in an attempt to right the balance so crucial in that world.

As in all of the Wayward Children books, Seanan McGuire’s writing is lyrical and magical, infusing every moment with otherworldly flavors and fantastical elements, some menacing, some magical, some downright funny.

I’ll share some chosen selections here, although narrowing it down to just a few is hard. Here’s what my book looked like by the time I got close to the end:

 Sometimes Christopher thought any chance he’d had of falling for a girl with ordinary things like “skin” and “muscle tissue” and “a pulse” had ended with the soft, moist sound of Jack driving a pair of scisors through her sister’s horrible heart.

“My parents,” she said. “They were like Nancy’s but the other way around, chasing monochrome instead of spectrums. They didn’t understand. Thought if they threw enough gray and gray and gray at me, I’d forget I’d seen rainbows and learn how to be their little sparrow-girl again. She died in Confection and I rose from her ashes, a pretty pastry phoenix.

Sumi looked up and smiled serenely. “Look at the moon,” she said. “It’s like the sugared cherry on the biggest murder sundae in the whole world.”

Indoor lightning storms, resurrected girls, and giant, bloody moons were terrifying enough without throwing in headless corpses, vampire lords, and something called a “Drowned God.”

And another from Sumi, because she’s awesome and so are her sundae analogies:

“This is terrible,” said Sumi brightly. “I mean, we knew it was going to be terrible when we followed a mad scientist and her dead girlfriend to a horrifying murder world, but this is bonus terrible. This is the awful sprinkles on the sundae of doom.”

Ah, I’ll stop here. I loved this book, and I love this series wholeheartedly. Each of the books is lovely on its own, and Come Tumbling Down is a worthy, enthralling addition to the series.

Beautiful, haunting writing, a creep-tastic setting, mad scientists and Drowned Gods, and the bestest friends squad you’d ever want at your back. What more could we ask for?

A note of advice: If the events of Down Among the Sticks and Bones aren’t fresh in your mind, then definitely pause for a re-read (or enjoy the excellent audiobook version) before diving in to Come Tumbling Down.

**Want to know more about the worlds of the Wayward Children books? Check out this excellent guide!

Illustration by Rovina Cai from Come Tumbling Down.
You will love these two horses. Promise.

Top Ten Tuesday: A Selection of Favorite Fantasy Books and Series

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Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Books From My Favorite Genre. I bounce between genres quite a bit, but thought I’d focus here on fantasy. My list includes stand-alones as well as series, and because I’m sticking to just 10, I ended up not including three that pretty much go without saying: of course I love the Narnia, A Song of Ice and Fire, and Lord of the Rings books! (See? I managed to mention them after all!)

My top ten, in no particular order:

  • The Blue Sword by Robin McKinley
  • Codex Alera (series) by Jim Butcher
  • The Immortals (series) (standing in for ALL Tortall books) by Tamora Pierce (review)
  • Uprooted by Naomi Novik (review)
  • The Enchanted Forest Chronicles (series) by Patricia C. Wrede (review)
  • Wayward Children (series) by Seanan McGuire (review)
  • The Eyes of the Dragon by Stephen King (review)
  • The Sisters of the Winter Wood by Rena Rossner (review)
  • His Dark Materials (series) by Philip Pullman
  • Stardust by Neil Gaiman

What genre did you pick this week? If you wrote a TTT post this week, please share your link!

Book Review: In an Absent Dream (Wayward Children, #4) by Seanan McGuire

 

This is the story of a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should.

When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she’s found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.

For anyone . . .

Every Heart a Doorway was the first book in the Wayward Children series of novellas by Seanan McGuire, and ever since reading it, I’ve been captivated by the dreamy nature of the worlds portrayed. Now, here with the 4th book in the series, In An Absent Dream, the author once again works her magic through her lyrical, otherworldly writing.

In the Wayward Children books, we meet various children and teens who discover portals to magical worlds — but each door is unique to the particular child, taking him or her to a world that (in most cases) is exactly where that child belongs. We’ve seen people go to the halls of the dead, to a world made of cakes and sugary treats, to a world of monsters and haunted moors. In each case, the children involved may choose to stay, or may find themselves thrust out unwillingly — and when they’re forced out, they may spend the rest of their lives yearning for a way to get back “home”.

In this newest book, we’re reunited with a familiar face from the first book in the series. There, we met Lundy, a teacher at the boarding school inhabited by these wayward children. Without giving too much away, I’ll just say that Lundy is highly unusual and memorable, and is a favorite character for many readers of Every Heart a Doorway.

In An Absent Dream treats us to Lundy’s backstory, introducing us to her as a young child named Katherine who learns about fairness and independence and fitting in through the casual cruelty of other children. Lundy finds a door for the first time at age eight, and ends up in a world known as the Goblin Market. It’s a place of rules and absolute commitment to fairness. The most crucial rule is “always give fair value” — for every favor granted or assistance given, something of fair value must be given in return, or else a debt may be owed… and those who owe debts find themselves facing odd, disturbing changes.

As in the other Wayward Children books, the writing itself creates the magic — sometimes brooding, sometimes ethereal, sometimes menacing or full of foreboding. I simply can’t get enough of the delicious language. A few random samples:

It is an interesting thing, to trust one’s feet. The heart may yearn for adventure while the head think sensibly of home, but the feet are a mixture of the two, dipping first one way aand then the other.

They ran through the golden afternoon like dandelion seeds dancing on the wind, two little girls with all the world in front of them, a priceless treasure ready to be pillaged.

They held each other, both of them laughing and both of them weeping, and if this were a fairy tale, this is where we would leave them, the prodigal student and the unwitting instructor reunited after what should have been their final farewell. This is where we would leave them, and be glad of it, even as Lundy had long since left a girl named Katherine behind her.

Alas, that this is not a fairy tale.

These books are just too beautiful to miss. Read them, re-read them, maybe listen to the audiobooks, savor the lovely language… the Wayward Children books are not long, but they don’t need to be. In An Absent Dream and the other books in the series are must-reads. Start at the beginning and read all four!

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The details:

Title: In an Absent Dream
Author: Seanan McGuire
Publisher: Tor
Publication date: January 8, 2019
Length: 204 pages
Genre: Fantasy
Source: Purchased

Book Review: Every Heart A Doorway by Seanan McGuire

Every HeartThis slim novel is beautiful and creepy, oddly disturbing and yet practically poetic.

In Every Heart a Doorway, Nancy is a 17-year-old who’s more disaffected than your typical disaffected teen. Nancy spent years in the Halls of the Dead after stumbling through a hidden doorway… and now that she’s back in the world that she grew up in, she doesn’t belong at all. So her parents send her to boarding school, hoping it’ll cure her of her oddness and delusions and turn her back into their “normal” daughter. But this isn’t just any boarding school — it’s Eleanor West’s Home For Wayward Children, and it’s filled with teens who’ve been dumped back in the so-called real world after traveling to strange and mysterious lands.

But how do you adapt to an ordinary life after experiencing something so extraordinary? For most, the simple answer is — you don’t. Most of these teens will spend their lives yearning for and searching for their doorways back to the place they consider their true homes.

As Nancy adjusts to this odd school, she meets a girl who lived in a Nonsense world, and one who walked on rainbows. There are strange terms used to describe the various destinations, like High Logic and High Virtue. There’s a boy who lived in a world populated by skeletons, where he fell in love with Skeleton Girl, and a boy who fell through a Prism and became a Goblin Prince in Waiting, but was rejected when it was discovered that he had been born a biological female. There are twin sisters who lived in a dark and menacing world called the Moors, where blood and body parts were the center of their lives.

What all these children have is common is the burning desire to return and the despair stemming from not knowing how to get there.

Every Heart a Doorway may sound odd, but it’s odd in the very best way. Some of the worlds describe are icky and creepy, some are filled with unicorns and rainbows, and Nancy’s Halls of the Dead is a colorless world where absolute stillness is the ultimate virtue. There’s a beauty to the descriptions, and the sense of longing and displacement that the children feel is palpable.

She stayed where she was for a count of ten, enjoying the stillness. When she had been in the Halls of the Dead, she had sometimes been expected to hold her position for days at a time, blending in with the rest of the living statuary. Serving girls who were less skilled at stillness had come through with sponges soaked in pomegranate juice and sugar, pressing them to the lips of the unmoving. Nancy had learned to let the juice trickle down her throat without swallowing, taking it in passively, like a stone takes in the moonlight. It had taken her months, years even, to become perfectly motionless, but she had done it: oh, yes, she had done it, and the Lady of Shadows had proclaimed her beautiful beyond measure, little mortal girl who saw no need to be quick, or hot, or restless.

Ah, I loved this book! It’s a short, quick read, but I would have loved to get even more! The writing is just so lovely — but then there are parts that cross from poetic to bluntly bloody, as when a group of friends has to dissolve a body in acid in order to free the bones from the flesh.

Of course, Every Heart a Doorway could also be taken as a metaphor for the teen experience. Parents mean well, but just don’t get it. They try to to “fix” their children — who don’t need fixing at all. Teens search for the place that feels like home, where they can be their true selves, rather than trying to conform to a world where they always feel out of place and misunderstood.

Or… you can just read it as a straight-up fantasy tale that takes us behind hidden portals into worlds of wonder and dread and eerie splendour. I kind of prefer that approach, to be honest.

I was surprised to see on Goodreads that this is the first in a three-part series, rather than a stand-alone. I will definitely want to read more from this world. Meanwhile, I’m thinking that I’ll follow up with the audiobook, so I can concentrate less on plot details and more on the sound of the language of the book.

Every Heart A Doorway casts a magical spell that veers between beautiful, sinister, and downright creepy. Highly recommended for readers who enjoy a touch of the magic and the macabre — and enjoy it even more when the borders between the two become blurred.

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The details:

Title: Every Heart a Doorway
Author: Seanan McGuire
Publisher: Tor
Publication date: April 5, 2016
Length: 173 pages
Genre: Fantasy
Source: Purchased