Book Review: As You Wake, Break the Shell by Becky Chambers

Title: As You Wake, Break the Shell
Author: Becky Chambers
Publisher: Harper Voyager
Publication date: October 13, 2026
Length: 480 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Explore a universe of stubborn survival and found family, of persistent danger and quiet wonder in the first installment of a heartfelt new duology from Hugo Award–winning author Becky Chambers.

Life on the resource-poor planet of Fortune is challenging, but for its inhabitants, it’s home. For two of them, Signy and Cora, this home might no longer be enough.

Signy is a brilliant but reclusive botanist who bio-prints medicine from her small plant shop, often bending the rules to help those the system leaves behind. Her life is filled with the green of her store, the warmth of her one elderly friend, and the quiet determination to help others without putting herself in danger.

Cora is a rorqual pilot, one of the few with the unique ability to navigate the massive, living ships that connect the scattered settlements of their solar system. Her bond with her rorqual, Colibri, is profound—a connection that is both her greatest gift and a threat to her career.

It is that threat—the “mindbleed,” a dangerous side effect of her piloting—that brings her to Signy’s shop, and her appearance puts Signy in the danger she so fears. But it’s soon apparent it’s not just about losing her license—this delicate balance between risk and trust has the potential to change everything for them.

Told in an alternating timeline of their initial coming together and a not-so-distant future where they have found domestic bliss, this is a story harrowing and haunting, heartfelt and hopeful. Through a love story centered around survival, we are given a glimpse into the very best of what Becky Chambers does in her writing: explore what it means to be human, and what it means to come together.

As You Wake, Break the Shell is an imaginative, powerful, emotional look at connections, home, and purpose, as told through the story of two women, Signy and Cora, and two timelines — the timeline of their initial meeting and developing romance, and another 15 years later, where we see them living a very different life.

When they meet, both reside on Fortune, a planet that sounds, frankly, hellish. The surface and atmosphere are completely incompatible with sustaining life of any sort. Humans live on rafts inside a liquid filled crater, where going outside means donning gear to protect from acid rain and poisonous air, and the eruption of the planet’s very active volcanoes can send people running for emergency shelter at a moment’s notice.

Humans arrived on Fortune generations earlier through spacecraft originally from Earth, carrying embryonic life and a Primer that explains humanity’s origins. As people were grown from the bio-prints, they built homes and communities following Primer instructions, with the goal of eventually advancing enough to build spacecraft to enable them to reunite with the mothership. Meanwhile, thousands upon thousands of people live on Fortune, ferrying between rafts, building businesses and social structures, and otherwise going about the business of surviving.

Cora is a rorqual pilot, one of the gifted few who are able to mind-meld with giant flying creatures (rorquals) who ferry their pilots to quarry moons to collect the ice needed for Fortune’s water supply. Being a pilot requires skill and advanced training, but comes with high risk: By blending her consciousness with that of Colibri, her rorqual, Cora opens herself up to mindbleed, where she’s no longer able to separate her own mind from Colibri’s. This endangers her life and could ground her as a pilot… and if that happens, it would likely mean death for Colibri too, as rorquals generally cannot bond with more than one person, and would be put down.

Cora seeks out Signy who, under cover of her plant shop, runs a black market pharmacy creating medicines from genetically modified plant templates for those whom the healthcare system would consider beyond recovery, and therefore not provided with medicines other than for palliative care. Cora and Signy see something in one another, and connect on a profound level in love, friendship, and a deep understanding.

Meanwhile, in interspersed chapters, we see Cora and Signy’s lives fifteen years later, where they seem to lead an idyllic life on a distant moon where they’ve established a home and lush gardens. This life of theirs is filled with love, although they remain haunted by distant, painful memories of past losses.

How Cora and Signy get from where we meet them to this future life is something that doesn’t become clear for quite a long time — and in fact, we’re only partially there by the time the book ends. (Fear not — this is book one of a duology, and I trust that the full story will make sense once we get the second book.)

The book is roughly structured as a countdown (sections are labeled T-Minus 7, T-Minus 6, etc) — although, again, we really don’t know what we’re counting down to until we get there at the end. While the weaving of the two timelines and the jumps between the two can be confusing, that seems deliberate: We’re not meant to fully understand until we get to the right moment. Meanwhile, by slowly showing us the depth of the relationships, the book makes sure that what happens later feels right and well-grounded in what’s come before.

The story’s core themes are connection and love. What does it mean to truly open oneself to another? What does it mean to love someone enough to put them first? These seem like simple questions on the surface, but as we see through the characters’ deepening relationship, there are layers upon layers of trust, concern, and care that come into play. Equally important is the role of Colibri. Interwoven chapters show the mind-to-mind conversations between Cora and Colibri, as they struggle to find common language and concepts, a huge challenge for beings whose basic biology means that their perceptions of the world around them are so vastly different as to be practically unfathomable.

The writing in As You Wake, Break the Shell is beautiful, letting us into the characters’ lives and surroundings, illustrating the day-to-experiences of life in the harsh environment of Fortune, while also showing how the fundamentals of human love and connection remain recognizable even in such an unknown time and place.

This book has a darker, more serious feel than what I’ve come to expect from Becky Chambers’s writing, and she does provide some context in the afterward that helps the tone make sense. Overall, the book is lovely and the characters are wonderful, but tragedies inform their lives, and the joy of Cora and Signy’s love has a thread of sorrow as well.

As You Wake, Break the Shell is on the lengthier side and requires concentration. I recommend starting the book when you have time to really sink into it and spend time with it. Now that I’ve reached the end, the more I think back, the more I realize how beautifully told the overall story is. I’ve yet to be disappointed by anything I’ve read by Becky Chambers. As You Wake, Break the Shell is a remarkable achievement and a powerful reading experience. Don’t miss it.

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: The Harvey Girl (The Harvey Girls Mysteries, #1) by Dana Stabenow

Title: The Harvey Girl
Series: The Harvey Girls Mysteries, #1
Author: Dana Stabenow
Publisher: Head of Zeus
Publication date: March 5, 2026
Length: 272 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 3.5 out of 5.

From the award-winning author of the Kate Shugak Mysteries, a thrilling new detective series set during America’s wild boom time and frontier expansion of the nineteenth century.

WELCOME TO THE GILDED AGE. WHERE NOT EVERYTHING GLITTERS.


1890. The New Mexico Territory is a lawless frontier where criminals steal money and land alike with impunity. Everyone wears a six-gun and is ready and willing to draw it.

In the new city of Montaña Roja, Fred Harvey’s growing empire is threatened by the robberies plaguing his newest Harvey House restaurant. To get justice, he needs a skilled detective to go undercover and procure answers to questions the law will not ask.

The assignment falls to Clare Wright, a young Pinkerton agent. Disguised as one of Harvey’s famous hostesses, Clare travels west where she risks being exposed at every step of her investigation. To get answers – and to get out alive – there are only two things she can trust: her instincts, and her derringer.

Dana Stabenow’s Kate Shugak series is one of my favorites, so of course I was eager to try The Harvey Girl, the first book in the author’s newest series. Here, the focus is on crime-solving in the lawless Wild West of the 1890s, as a young woman working for the famous Pinkerton Detective Agency goes undercover to solve a series of train robberies in the booming New Mexico territory.

Clare, at age 22, is young, brave, well-trained, and up for a challenge. She’s hired by Fred Harvey, founder of the Harvey Houses — restaurants located at every major stop of the railroad, where respectable young women offer pristine food service to passengers and locals, held to high standards of conduct at all times. Fred Harvey’s goods have been stolen during brazen train heists, and he needs the crimes solved — and stopped — immediately.

As Clare arrives in Montaña Roja, New Mexico, she begins work as a Harvey Girl, and must quickly unravel the tangle of mining tycoons, bankers, sheriffs, and the various outlaws, cowboys, and businessmen who make up the boomtown’s population. Meanwhile, she works demanding shifts carrying out her Harvey Girl duties according to the high standards expected, while befriending the other girls and hiding her own true purpose there.

The Harvey Girl is at its best portraying frontier life during the Gilded Age, when greed and profit rule, lawlessness runs rampant, and bar fights ending in gun battles are seemingly everyday occurrences. Vibrant descriptions capture the desert settings, the natural beauty, and the feel of a Western town enjoying rapid growth, as well as the personalities of the upwardly mobile and wannabes attempting to cash in on every available source of profit.

Learning about Harvey Houses and Harvey Girls was fascinating. I was unfamiliar with this piece of history, and fell down a few major internet rabbit holes while looking for more details and images. I even stumbled across the IMDb page of a 1946 movie musical called The Harvey Girls, starring Judy Garland! I may have to track it down and watch it, if it’s available to stream.

I struggled more with the mystery around the train robberies and related crimes which Clare uncovers. Honestly, the trail of clues and suspects felt difficult to follow. The conclusion is rushed, with a lot of exposition as Clare explains her findings, but the answers didn’t seem especially concrete or supported by what we actually see happening on the page.

Still, there’s a lot to enjoy here, especially some action-packed moments of danger, a couple of parties that illustrate different types of social gatherings, and cameos from some real historical figures alongside all the fictional characters. Clare herself is an interesting character, although I wish we’d gotten a bit more of her internal life, rather than just snippets of her background and scenes showing her detective skills.

A second book in the series, The Iron Trail, has been announced already, with a projected release date of November 2027. It looks as though this installment will provide Clare with new adventures while also picking up some of the lingering threads from The Harvey Girl. I’ll be interested in seeing where the story goes!

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Audiobook Review: Well Versed (Well Met, #5) by Jen DeLuca

Title: Well Versed
Series: Well Met, #5
Author: Jen DeLuca
Narrator: Brittany Pressley
Publisher: Berkley
Publication date: September 22, 2026
Print length: 352 pages
Audiobook length: 10 hours, 8 minutes
Genre: Contemporary romance
Source: Purchased (audiobook); e-ARC via NetGalleyRating:

Rating: 4 out of 5.

It’s a second chance at first love at the Renaissance Faire, where the search for a new queen shapes a destiny, from USA Today bestselling author Jen DeLuca.

Caitlin Parker was eighteen when she fell out of love with the magic of the Willow Creek Renaissance Faire—the site of her first real heartbreak. But now, twenty-four and unemployed, she finds herself in her childhood bedroom and her childhood lady-in-waiting costume, assisting a rotating cast of substitute queens for the season. The very last person she wants to see is Alexander Wright—the sword-fighting, Shakespeare-spouting young man who won and broke her teenage heart. Yet there he is, older, annoyingly hotter, and back on stage at her Faire.

When Alex broke things off with Caitlin the first time, he thought he was just ending a summer fling. He didn’t realize how much he’d fallen for her until he let her go, and he certainly didn’t know he’d tarnished her memories of her cherished Faire and worse, shattered her view on love and relationships. His need to right that wrong this summer brings them together again and again, and this time, it won’t be so easy to let go of this summer fling.

But as summer winds down, real life is catching up to both of them. Caitlin’s always thought that being an adult with adult responsibilities means leaving whimsy behind. Alex, with a life full of stage combat, songs, and sonnets, doesn’t know how to live any other way. Can they go after their dreams and find a future together where they can still say “huzzah”?

It’s good to get back to the Faire! Four years after the release of Well Traveled, Jen DeLuca’s delightful Renaissance Faire romance series is back, delivering her signature mix of Faire fun and modern-day romantic challenges.

In Well Versed, Caitlin — whom we first met way back in book #1, Well Met, as a 14-year-old volunteering at the Faire — is now all grown up! Time flies for sure. Caitlin is now 24 years old and recently laid off from a tech job, and while she job hunts, has moved back home with her mother April and April’s partner Mitch (whose love story was the focus of book #3, Well Matched). And since it’s the start of summer, that means it’s also time for the Willow Creek Renaissance Faire, organized by Caitlin’s aunt and uncle and the focus for their entire community each summer.

Caitlin used to love the Faire as a teen, when she’d don the costume of a lady-in-waiting, get into character, and wander the faire grounds at the side of her queen. But a heartbreaking end to her first love left her disillusioned and absolutely done with anything related to Faire — she hasn’t been back, and even swore off her love of Shakespeare in order to pursue a career in IT. No more swoony sonnets for her!

The past comes crashing back on opening day of Faire, when her ex Alex strolls back into her life. Two years older than Caitlin, he’d broken up with her after their first romance, telling her to find someone her own age (he was 20, she was 18). She’s never forgiven him, and is furious that he’s back, up on a stage spouting Shakespeare and looking unfairly great. It gets worse, though — when Mitch is injured, Alex steps in to take his place in the Faire’s centerpiece swordfighting exhibition, and that means he’s at her house every day to practice. She can’t get away from the guy!

Meanwhile, the Faire itself is missing its queen — the former queen has officially retired, and each replacement seems to miss the mark. It seems inevitable that a certain jaded someone will finally step up and embrace the role, if only she can recapture some of that earlier joy she used to feel at the Faire each summer.

As Caitlin and Alex spend time together, old wounds are finally given time to heal. Caitlin thinks a summer fling with Alex might be a great way to have fun, as a break from dealing with the pressures waiting at the end of the summer — figuring out jobs, where to live, and what to do with the rest of her life. But as things heat up, Caitlin and Alex’s feelings definitely go beyond a mere fling, leaving them wondering how to balance this new beginning with all the demands of adulting that they feel closing in on them.

As always, the sense of delight at the Renaissance Faire is fully embodied here in Well Versed. The book captures the summer experience, the joy of putting on a costume and embracing a different way of being, and the sense of community as people come together to create something magical.

While it was a bit of an adjustment at first to see Caitlin as an adult (we met her as a young teen!), she’s an interesting main character to spend time with. Caitlin’s struggle to get over past hurts, assert herself differently, fit back in with her hometown, and also figure out her future feel realistic for a young woman in that particular phase of her life. I enjoyed seeing her reconnect with family and friends, especially since they’re all so much a part of the Well Met series’s broader story. How fun to catch up with them all and see how they’re doing!

The love story elements are well done, showing the repairing needed before Caitlin can accept Alex as a friend once again. I appreciated that Caitlin comes to realize that Alex’s intentions were good all those years ago, despite his not-great delivery, and that the time wasn’t right back then for a serious relationship. Of course, being set at a Ren Faire, their reconciliation is full of swoony gestures, and all the swordplay and sonnet deliveries don’t hurt!

I treated myself to a signed paperback, which came with this adorable artwork!

I did wish for a bit more Faire content — we see them at the Faire throughout, of course, but often it’s just a recap of how the day went after a few brief scenes of the day starting. Perhaps the author felt that we didn’t need full-on scenes of Faire life, after the previous four books… but I did! I wanted to spend just a little more time wandering the lanes, hearing about characters and accents and flower crowns and mead, seeing the jousts… all the little touches that make these books so enjoyable.

The inevitable communication issues pop up right near the end, as is typical for so many romances. Thankfully, here the issues are less about misunderstanding one another than that the characters are so in in their own heads that they’re not fully listening to one another… and also, thankfully, it all gets resolved without too much agonizing to wade through.

Brittany Pressley is one of my favorite audiobook narrators, and once again, she does a terrific job with the characters and the Ren Faire dynamics. She lets the various personalities shine through and keeps them all distinct, conveys the humor and whimsy of so many scenes, and captures the dialects (pirate, Scottish warrior, Queen!) of the Faire voices with flair.

Overall, I really enjoyed Well Versed… and as usual, really hope we’ll get more books set in this world! Huzzah!

Interested in this series? Don’t miss the previous books:

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Dive Bar at the End of the Road by Kelley Armstrong

Title: Dive Bar at the End of the Road
Author: Kelley Armstrong
Publisher: St. Martin’s Press
Publication date: October 6, 2026
Length: 288 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Final Destination meets The Cabin at the End of the World in this supernatural horror from New York Times bestselling author Kelley Armstrong, in which a series of car accidents traps a group of strangers at a dive bar.

A forested road at night, slick from the pounding rain and eerily illuminated by flashes of lightning. Just before midnight, a car swerves to avoid something―or someone―mysteriously standing in the road, only to slam into a fallen tree instead. In the pitch black, four more cars follow in a pileup no one can seem to avoid.

Stumbling out of the wreckage, soaked from the rain and nursing various injuries, five strangers find themselves in a backwoods dive bar, waiting for daybreak and hoping for cell service. But as tensions rise and the storm rages on outside, the occupants of the dive bar start to notice that not everything is as it seems. Time is moving differently, and they quickly learn that going outside―whether to assist another accident victim or to hike for help―is a very bad idea.

There’s something in the woods, something that isn’t natural. Could the figure in the road have been a warning? Or something more sinister? None of this is normal, and they’ll need to work together to figure out what’s happening if they have any hope of surviving the night.

If it’s October, it must be time for a new stand-alone horror novel from the prolific and talented Kelley Armstrong! Dive Bar at the End of the Road delivers a menacing sort of existential horror, as a puzzling situation turns life-threatening and characters find themselves in a trap that defies logic and understanding.

Ellie drives through a storm to reach her parents’ home, but ends up on a deserted road with no GPS or cell service after following detour signs. A shocking crash leaves her stranded, and within moments a second car collides with her own. Wounded and disoriented by their sudden accidents, she and Henry stumble up the road in search of help, following lights to a bar in the middle of nowhere, empty except for the bartender and one strange woman. Before long, they hear the sounds of further crashes, and soon, there are five accident survivors huddled in the bar, seeking shelter until the storm passes and cell service is restored.

But this is no ordinary storm, and these are not ordinary car crashes. Dangerous anomalies abound; they’re all sure that they left their hazard lights on when leaving their totaled vehicles, but each new driver swears that the cars were in pitch blackness with no lights on at all. Could someone or something have intentionally caused the massive pile-up? If so, why?

More terrors await. Venturing off the road into the forest, Henry swears he sees zombies… but another driver encounters a rabid dog, and Ellie is sure someone is hunting her with a gun. Meanwhile, the bartender cracks jokes and the strange woman makes only cryptic comments. As the night wears on, some answers surface, but not before there’s bloodshed and absolute nightmares that are all too real.

Dive Bar at the End of the Road delivers chilling moments of horror, as experienced by a group of seemingly ordinary people who simply have the bad luck to be on that particular road at that particular time. But as we learn, it may not be random or bad luck… and each may have a reason why they find themselves stuck at this awful bar.

One of the most fascinating elements of this book is the character focus, as the various people — especially Ellie and Henry — are revealed to have backstories that add complex issues to their current lives. For a story that takes place over a relatively short time frame, we get to know most of them very well. The author lets us really feel the conflicts that drive each of them, as well as the deeply embedded fears and issues that they carry.

The action is compelling, and while much of the horror feels psychological, there’s also plenty of blood and gore. Some scenes are particularly brutal and frightening. While I had a few ideas about what might actually be going on, the revelations about the meaning of it all were nothing that I could have anticipated, and I could empathize with the sense of disbelief, shock, and denial the characters experience when answers are finally provided.

Dive Bar at the End of the Road is a fast, compelling read that’s impossible to put down. Scary and disturbing, it’s a great choice for a horror-filled October.

Kelley Armstrong’s previous stand-alone horror novels:

  • Hemlock Island (2023) — on my TBR (still)
  • I’ll Be Waiting (2024) — I gave this book 5 stars! Check out my review.
  • The Haunting of Payne’s Hollow (2025) — 4.5 stars! My review.

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Audiobook Review: No Matter What (Hearts of New York, #3) by Cara Bastone

Title: No Matter What
Series: Hearts of New York, #3
Author: Cara Bastone
Narrator: Alex Finke
Publisher: Dial Press
Publication date: March 3, 2026
Print length: 352 pages
Audio length: 10 hours 39 minutes
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 3.5 out of 5.

Sometimes love sends you back to the drawing board.

After a traumatic accident threatens the foundations of their happy marriage, a couple tries to rebuild and find their way back to each other—and themselves—in this tender, slow-burn romance.

Roz and Vin can’t look each other in the eyes anymore, let alone share a bed. It’s been a year since they survived a life-altering accident, and their marriage hasn’t been the same. But Roz has held out hope that they can fix things, until she discovers Vin has signed a new lease. So she does what any soon-to-be-divorced Manhattanite would do: sign up for a figure-drawing class.

Between Roz’s determined attempts to improve her artistic skills and her adventures with her best friend, Raffi, she can almost ignore Vin’s impending move-out date and his footsteps in their previously unoccupied guest room. But it would all be a lot easier if Vin wasn’t Raffi’s older brother, and if she didn’t still find him incredibly, debilitatingly attractive and kind.

So kind, in fact, that Vin offers to let Roz draw him. What is she supposed to say? It’s probably better than her original plan of finding some random male model online, and she needs all the practice she can get. Plus, that’s sure to make a separation easier, right? Focus on every detail of your estranged spouse’s body while drawing him in the nude? But after the year they’ve spent avoiding each other, it feels good to see and be seen by one another again.

As Roz works to capture the wholeness of the person she fell in love with, will they both be able to draw upon the feelings they buried deep inside to finally heal together?

Cara Bastone excels at portraying people going through difficult times and responding in ways that feel real, and No Matter What is another fine example of her compelling storytelling. What’s more, this book has a quite lovely reversal of a standard romance trope — more on that in a moment!

Quick note first, though: No Matter What appear on Goodreads and elsewhere as #3 in the Hearts of New York series — but if you didn’t see that on the description, it wouldn’t really matter. The series is actually just different stand-alone stories, all set in New York. There’s a teeny bit of cross-over between books, but in No Matter What, you could blink and miss it. My point is — while I’ve enjoyed each of these books, there’s no actual reason to go in a particular order, so if the synopsis for this book appeals to you, there’s no need to worry if you haven’t read the other books.

Onward with the story: No Matter What opens with main character Roz contemplating the end of her marriage. Married for eight years to Vin, the man she expected to spend forever with, Roz comes home one day to find a lease for a new apartment on her kitchen counter. They’ve had the year from hell: Following a devastating accident that left her, Vin, and Vin’s brother (and Roz’s best friend) Raffi with serious injuries and lasting trauma, she and Vin can barely be in the same room together any more, and he’s been sleeping in the guest room ever since Raffi finally recovered enough to move back out on his own. So it shouldn’t be a total surprise that Vin is leaving, but Roz is distraught. Fleeing her apartment, she goes to check out the building he’ll be moving into, and stumbles across a figure drawing class taking place there. Although it’s been many years since she explored her artistic side, Roz picks up pencils and begins to draw.

As the story unfolds, we start to learn more about Roz, Vin, and Raffi, and see the lingering after-effects of the accident. Roz and Vin clearly still love one another, but that doesn’t seem to be enough to move them past the horrible experiences of the past year. But as Roz continues attending the drawing classes, she finds herself looking not just at the models, but at the world around her with fresh eyes — and learning how to see helps her finally start to view Vin’s behavior and their crumbling relationship in new ways.

I could feel the tension and pain between Roz and Vin, and loved how Raffi — a total cinnamon roll character — manages to bring joy to the people he loves, even when things clearly aren’t going well. Roz’s exploration of drawing gives her a way to get out of her own head, and also helps her look at Vin in a different way — including literally, when he offers to model for her when she needs extra practice. Nothing like carefully viewing your nude husband to make you truly see him!

I mentioned early on the inversion of expected tropes. What I’m referring to is the classic 3rd act break-up, which can be maddening when it feels more like a plot device than an organic development in the course of a love story. Here, we get something that feels fresh: a 3rd act reconnection! Roz and Vin are separated by pain and trauma and emotional struggles when we meet them; he’s on the verge of moving out, she’s angry and feels abandoned. No one is happy. Their love story seems to have come to a screeching halt. But over the course of the novel, they finally begin to inch back toward one another, so that the 3rd act becomes a focus on rebuilding from the ashes left behind after the accident, and committing to finding a way to rediscover their love and learn to be together once again. It’s lovely.

On the flip side, these are two people in desperate need of therapy, both as a couple and as individuals who clearly suffer from PTSD. Their communication is absolutely awful — and perhaps it’s especially maddening via audiobook, where the stilted sentences, incomplete thoughts, and awkward pauses are all the more obvious. I had to wonder what their communication style was like before the accident. Were they just so happy then that it didn’t matter that they didn’t know how to express themselves directly? It can be painful to read/listen to their interactions in the first two-thirds or so of the book, and while it’s a huge relief when they finally start to truly talk, I couldn’t help but feel frustrated by their inability to have a complete conversation for so long.

My other, quite minor quibble about this book is that the drawing scenes go on a long time. Maybe this will work for readers who are more drawn (pun intended) to artistic pursuits. For me, a little goes a long way, and the descriptions of the class and the drawing styles and lessons felt repetitive after a while.

The narration by Alex Finke is highly engaging, with a great deal of expression in both the sad and funny moments. Certain characters are especially fun to listen to, and the narrator delivers distinct voices, full of personality.

Overall, I enjoyed No Matter What, and look forward to reading more by Cara Bastone, including the next book in the Hearts of New York series, I’ve Got You, scheduled for release in March 2027.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Exit Party by Emily St. John Mandel

Title: Exit Party
Author: Emily St. John Mandel
Publisher: Picador
Publication date: September 15, 2026
Length: 320 pages
Genre: Science fiction
Source: Purchased
Rating:

Rating: 4.5 out of 5.

From the bestselling author of Station Eleven, Exit Party is Emily St. John Mandel’s epic new story of crimes committed and loves lost across worlds and decades.

2031. America is at war with itself, but for the first time in weeks there is some hope: the Republic of California has been declared, the curfew in Los Angeles is lifted, and everyone in the city is going to a party.

Ari, newly released from prison, arrives with her friend Gloria just as a fragile new era begins. But there are people at the party who shouldn’t be there. Something is very wrong…

Years later, living a different life in Paris, Ari remains haunted by that night. Whatever happened at the party fractured her sense of reality – and may hold the key to a very different world.

Freedom and surveillance, art and survival, love and loss in a broken world: Exit Party is the electrifying new novel from Emily St. John Mandel.

Emily St. John Mandel’s books are always startling and practically impossible to describe. They have to be experienced; there’s a sense of wonder that comes with seeing her stories unfold on the page. Exit Party is another fine example of her strange, lyrical storytelling.

In 2031, the United States is no more. After a coup d’état, the country has fractured into a myriad of territories and republics and city-states. As the story opens, war has ended — at least for the moment — in Los Angeles, and people are ready to celebrate. The main character is Ari, recently released after an eighteen-year prison sentence, who lives in LA with her roommate Gloria. Gloria had intended to bring Ari to a friend’s party, but has a hard time leaving the apartment; Ari — after a lifetime of premonitions that come true — feels strongly that they need to attend.

The party is fun at first, but odd things happen. A woman Ari’s never met calls her by the name on her birth certificate — a name she never uses — and then seems to appear in a completely different outfit moments later. Another woman looks almost exactly like Gloria, and Ari sees more things that she can’t explain. Later, the party’s host disappears, and is never heard from again.

Following the party, Ari’s life goes on, as she move from place to place, in and out of danger, finding new ways to survive and making new connections, navigating a world of militias and checkpoints and violence. The mysteries surrounding that party never really leave her mind, and we see how the ripple effects follow her across decades.

All this is in the “A-Side” section of Exit Party; the book’s second half is “B-Side”, and without going into too much detail, it provides a look at a very different version of the world. In “B-Side”, there’s no longer a United States — instead, there’s the State, a surveillance based country in which life is supposedly safe, because it’s absolutely controlled. There’s no war, because the Service knows and sees everything and stops problems before they start. There’s a connection to Ari’s story; let’s leave it at that.

Exit Party is astounding in all the right ways. The parallels between the halves of the book are a joy to discover, a puzzle to unravel and muse over. Characters weave in and out of both halves, some fully fleshed out and alive, some who make brief but memorable appearances before disappearing again. Both halves show worlds that seems awful in their own ways, yet it’s intriguing to see how events play out in both, and scarily possible to imagine a path from our own world to these other versions.

My one minor quibble with this book is that despite how much I loved the writing and was fascinated by the complex storytelling, I often felt emotionally disengaged. I was interested in the characters, but not actually connected to them on a deeper level. The plot threads are woven together beautiful and I was intrigued by the characters’ lives and experiences; I just didn’t feel that I was in the story alongside them, if that makes any sense.

Despite that, I was very absorbed throughout my time with Exit Party. The author’s writing casts a spell, and the book as a whole is a fascinating journey. Highly recommended for fans of the author as well as for readers new to her work.

Interested in this author? Check out my review of more books by Emily St. John Mandel:
Station Eleven
The Glass Hotel
Sea of Tranquility

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Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: An Infinite Love Story by Chanel Cleeton

Title: An Infinite Love Story
Author: Chanel Cleeton
Publisher: Berkley
Publication date: July 7, 2026
Length: 352 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 3.5 out of 5.

When an astronaut is lost in space, his wife relives their epic love as she attempts to unravel what truly happened to him, in this sweeping love story set against the backdrop of the 1960s Space Race, from the New York Times bestselling author of The Lost Story of Eva Fuentes.

When Joe Mitchell launches into space, the world is watching. It’s 1968, and the country waits with anticipation and excitement for another successful mission, another celebration as America sets its sights on the Moon. And then comes the knock at the door.

Joe Mitchell’s spacecraft has lost contact. He and his fellow astronauts onboard are feared to be dead. It’s his wife Vivian’s worst nightmare come to life, her grief suddenly taking center stage as the nation waits and mourns. In her quiet moments, Vivian relives their memorable story, unable to accept that this is the end to a love that felt as though it was written in the stars.

As the investigation surrounding Joe’s lost spacecraft intensifies and the mishap is written off as an operator error, Vivian is determined to clear her husband’s name and uncover the mystery of what happened in space. When someone starts sending Vivian messages—messages she believes only Joe could send—she begins to wonder if their love is stronger than space and time, and she’ll do whatever it takes to bring her husband back to her.

Space exploration and space-related historical fiction are always favorite topics for me, so picking up An Infinite Love Story seemed like an obvious choice. And while I found a lot to love about this book, its foray into a more speculative resolution didn’t quite work for me.

An Infinite Love Story is, as the title promises, first and foremost a story about love. When Vivian meets Joe in the early 1960s, she’s a hard-working reporter trying to break into the boys-club DC newsroom business. Despite her obvious talents, she’s too often shoved aside or assigned to coffee-making duties rather than getting to sink her teeth into real reporting. One of Vivian’s hard and fast rules for her personal life is no dating pilots — her own childhood was a blur of being dragged around the country as her mother pursued one risky relationship after another, after Vivian’s fighter pilot father was killed in action when she was quite young. Vivian wants a career first and foremost, and maybe a safe, quiet dating life on the side.

All that changes when she meets Joe Mitchell, the stereotypical fighter pilot whose charisma and good looks dominate whatever room he’s in. Joe and Vivian share an instant spark, but she’s absolutely not interested… and yet, each time they meet, they find that they can’t resist or walk away from the connection that draws them together. Even once they’re married, Vivian is unhappy with Joe’s career, as his dream of getting selected as an astronaut finally comes true and he begins his NASA training. And yet, she can’t help but support him, despite the pain of knowing that the man she loves works at a job that entails daily risk and uncertainty.

When Joe is assigned command of the first mission to orbit the moon, he’s elated and Vivian is fearful. With launch approaching, he makes a promise:

“Fine, let’s take the issue of whether or not I’m a great pilot and try it this way—have I ever broken a promise to you?”

“No.”

She’d learned that early on in their relationship—that when Joe gave his word about something, he meant it, wholly, completely. It was one of the things she admired most about him.

“Then I’ll make you a promise now. I’ll always come back to you. Always.”

“You can’t make a promise like that. No one can.”

“I can and I will.”

The day after launch, the worst possible news arrives: Mission Control has lost contact with the spacecraft. No communications, no telemetry, no signals at all — it’s just gone. Vivian refuses to believe it. If something terrible had happened, wouldn’t there be evidence? Debris? Something in the communication history to indicate a problem? But as days pass, the world seems ready to accept the tragic fact that the mission has failed and the spacecraft is lost. Vivian’s worst fears have come to pass — but then odd things begin to happen. Moved objects, a note in Joe’s handwriting, a strange book showing up on his nightstand. Is she imagining things, or is Joe somehow out there, trying to reach her?

First, what I really enjoyed about An Infinite Love Story: I’m always fascinated by stories set during the space race, whether faithfully recreated historical fiction or alternate versions (see my comments on The Calculating Stars and AppleTV’s For All Mankind as examples). By using a dual timeline to show Vivian and Joe’s early courtship starting in 1961, interwoven with the failed mission in 1968, the book provides readers with a good sense of the focus and fervor associated with the space program as well as the expectations and burdens placed on astronauts’ wives and families.

But… where I struggled with this book has to do with the more “woo-woo” aspects, specifically what Vivian perceives as Joe’s communication after the disaster and her belief that he’s still out there somewhere. While her experiences and investigation are interesting, I didn’t buy the resolution, and felt that the conclusion betrays some of the sentiment so important to the rest of the story. I suppose some readers will have quite an opposite reaction and will find the ending uplifting and hopeful. To me, it was simply not believable or palatable, and made my overall experience of the book a bit of a letdown.

An Infinite Love Story held my attention, and I came to truly care about the characters. Plot choices later in the story made this a less successful read for me, but I still found much to enjoy earlier on.

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Book Review: Newbourne Park by Jennifer Thorne

Title: Newbourne Park
Author: Jennifer Thorne
Publisher: G.P. Putnam’s Sons
Publication date: September 29, 2026
Length: 368 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGallety
Rating:

Rating: 4.5 out of 5.

From the USA Today bestselling author of Diavola comes a darkly funny, blood-soaked horror novel about the terrifying seduction of unlimited power.

After years of caring for her dying mother, Martha Shaw feels empty, exhausted, and far older than her twenty-six years. So when her brother invites her to a weekend getaway at the opulent, two-hundred-acre country estate where his friend works, Martha reluctantly agrees. After all, what’s the harm? The owners and all their staff will be gone. Security cameras will be off. The house will be theirs. For the first time in years, Martha might actually have fun.

And it is fun, taking advantage of the historic mega-mansion and its vast grounds. Martha begins to feel human again. But when night falls, the rightful master of Newbourne Park returns—and she’s not alone. Suddenly, being caught trespassing is the least of their worries, because what steps out into the moonlight is something vicious. And hungry.

What began as a lark becomes a bloody battle for survival, where greed and morality collide—and a woman must choose to bow, break, or bite back.

Have you read books where you went in knowing only the bare basics, and had a sharply defined moment where you thought, “Oh, so THAT’s what this book is about!”? That was my reading experience with Newbourne Park, and I have to say, I loved experiencing it that way. So, with that in mind, I’m going to be as general as I can when talking about this book… although I suspect most reviews will tell you straight away that this is a [insert theme here!] story.

What the brief bits of the blurb I’d paid attention to told me, and what I’ll share here, is this: Martha Shaw has spent years caring for her dying mother in their cottage in a working-class village. Martha was expected to rise above her station; as a child, her mother took her and her brother on outings to visit great houses and estates, and Martha’s intelligence and gift for learning earned her a place in a prestigious school and an offer to study medicine at Oxford. Her shining future collapsed when her mother became ill, and now, months after her mother’s death, Martha finds herself lonely, depressed, and with not much going for her.

But as Martha tells us in the first few pages:

You’ll likely hate me by the end of this — but oh, my darlings, I could not care less.

Doesn’t sound like the woman I’ve described so far, does it? Clearly, something changes.

Martha’s brother insists on getting her out of the house once a week for pub nights, and convinces her to join him, his girlfriend, and his best friend Tommy on a weekend adventure. Tommy is a footman at a lavish estate, and the owners and staff will all be away. With even the security cameras disarmed for the weekend, it’s a rare opportunity to sneak onto the grounds and live like the rich folks do for a few days. Reluctantly, Martha agrees to go along, and feels drawn by Newbourne the moment she enters the estate.

At first, it’s a crazy risk that pays off. Yes, they’re trespassing, and of course, Tommy could be fired and they could all be arrested if caught… but Newbourne Park is beautiful and isolated, and its luxuries are too much to resist. But on their second day there, unexpected deliveries and arrivals interrupt the trespassers’ country getaway… and things take a turn toward violence and extreme danger.

And that’s only in the opening chapters!

Author Jennifer Thorne creates an unforgettable story out of familiar elements, showing Martha’s evolution into a person of power — both through elements outside of her control and through her own deliberate decisions. The descriptions of what she experiences at Newbourne are blood-soaked and scary, and yet, there are social elements that are downright funny as we see Martha skewering expectations and forcing her way into a world where she’d more naturally be excluded.

The horror elements are well-drawn, imbuing certain tropes with new twists as well as providing startling and often entertaining character moments. I loved seeing what becomes of Martha, how she changes from mousy and beaten-down into someone to be reckoned with, and what she’s willing to do in order to make sure her place at Newbourne is secure.

The pacing in Newbourne Park is fabulous, giving space for the personal moments and interactions while also keeping the sense of menace going full-tilt, and with scenes of violent action interspersed so the readers never lose sight of just what’s going on here.

Jennifer Thorne’s 2022 novel Lute remains my favorite of her books… but Newbourne Park is a close second! This author is incredibly talented, with a flair for compelling, complicated characters and vivid storytelling. I’m already eager to hear what she’ll be writing next!

Meanwhile, if my vague description of Newbourne Park has piqued your interest in any way… absolutely make a point of checking out the book! I couldn’t put it down. For horror fans, it’s a must-read.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: A Divided Duty (October Daye, #20) by Seanan McGuire

Title: A Divided Duty
Series: October Daye, #20
Author: Seanan McGuire
Publisher: Tor Books
Publication date: September 29, 2026
Print length: 400 pages
Genre: Urban fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Seanan McGuire’s New York Times bestselling and Hugo Award-nominated October Daye series finds Toby Daye torn between caring for her newborn daughter and keeping the world of Faerie―and her found family―safe.

October “Toby” Daye is settling into life with a baby, remembering the ins and outs of motherhood, and trying to find ways to balance her work with her desire to keep her baby safe at home and away from all the terrors Faerie has to offer. Her whole household is pitching in, from May all the way down to Raysel, the estranged daughter of Toby’s liege lord who is currently serving out a term of offense in Toby’s home.

Naturally, as everything is beginning to find a balance, it’s time for Raysel’s term of offense to end, and Luna Torquill very much wants her daughter back.

But Toby has been helping Raysel get the help she desperately needs, from giving her a safe place to hide all the way to finding her a licensed therapist who works with the fae, and Raysel isn’t ready to leave. Luna isn’t taking no for an answer, and before anyone can realize what she’s planning, she steals her own child away to Blind Michael’s lands.

Not even Luna knows all the terrible secrets her father and his works hid from the world, and not even she can protect her daughter from the monsters in their lineage. All too quickly, Toby must race the clock to save Raysel―before it’s too late for her to ever come home.

It’s been years, but now the question will be asked again: can she get there and back by the light of a candle?

October Daye is back, and going strong! The 20th book in an ongoing series is clearly not the place to jump in… but for readers who’ve been along for the ride so far, A Divided Duty hits all the high marks we’ve come to love and expect from Seanan McGuire’s brilliantly detailed fantasy world.

In short: Toby, a hero of the realm, is also a new mother. Her baby girl Miranda is fully fae, although it’s still too early to know how much of each of her parents’ magical lineages she carries. Toby and her husband Tybalt are sleep-deprived but happy, as are the rest of the assorted people who make up their quirky household.

One of these is Raysel, daughter of Toby’s liege, recovering from a tormented past in which she committed major crimes and offenses. Toby offers her the space to heal, but her officially sanctioned time in Toby’s household is coming to a close, and Raysel’s mother wants her back — but going home to Luna would be terrible for Raysel, and she’s desperate to stay where she is. The law of the realm backs Raysel’s wishes, but Luna refuses to accept the Queen’s ruling, and steals Raysel away to a land of darkness and terror, where she believes they’ll be untouchable.

Toby and Tybalt must set out on yet another dangerous, practically impossible quest to rescue Raysel, leaving baby Miranda at home while they attempt to bring back the stolen member of their found family — and hoping with all their might that they won’t end up leaving Miranda an orphan.

A Divided Duty is another excellent adventure for Toby, and a terrific showcase for the dynamics of her relationship with Tybalt. The two have navigated tremendous ups and downs over the course of the series; it’s fascinating to see all the ways in which they balance one another, recognizing their individual strengths and vulnerabilities and how they work best in tandem.

The characters in Toby’s world are still in recovery from the traumatic events of books 16 – 18, which upended their lives and the entire fae world in ways still having ripple effects. The author skillfully shows how the various characters have experienced life-altering changes due to those events, and how the traumas continue to linger and reverberate even after the main threats have been dealt with.

A Divided Duty wraps up well, and of course leaves plenty more issues and conflicts to explore. Central mysteries of the series remain unresolved, and it feels as though there are endless more adventures ahead for Toby, Tybalt and the rest of these beloved characters.

At this point, the world of the October Daye series is vast. In addition to the twenty main books, there are novellas (often included as bonus sections in the main books) and countless short stories, including many on Seanan McGuire’s author website and on her Patreon. Some of these provide older histories, while others fill in the gaps between main novels, and honestly, it’s overwhelming (for me, at least) to even attempt to keep up. I’d love it if someone published/maintained a directly of all of these, including where they fit into the main stories chronologically and in which characters’ story arcs. Who knows? Maybe someday I’ll have enough time on my hands (ha!) to actually do a deeper dive!

In any case… A Divided Duty provides a compelling next chapter for Toby and Tybalt. The danger and drama are terrific, as are the lighter character moments. As always, quirky moments and quippy banter provide entertainment, and it’s always a pleasure to spend time in Toby’s world.

I’ll close with my typical statement about the October Daye series: Starting at the beginning is a must. Pick up Rosemary and Rue — you won’t want to stop!

As I mentioned, main books in this series tend to include a novella at the end. For A Divided Duty, the novella is But by Degrees, narrated by Toby’s squire Quentin, a complicated young man who finds himself at a loss after the events of books 16 – 18. In those books, Quentin — along with everyone else — found himself living in an alternate version of reality, and now that the real world has been restored, he’s struggling to reconcile the person he’s always believed himself to be with what he saw himself become in that alternate world. But by Degrees is a moving character study, and I appreciated the insights into Quentin’s emotional state as well as this look at the lingering effects of unresolved trauma. It’s a fitting closing piece for A Divided Duty and works well as a companion to the main novel.

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Book Review: The Unmagical Life of Briar Jones by Lex Croucher

Title: The Unmagical Life of Briar Jones
Author: Lex Croucher
Publisher: Harper Voyager
Publication date: June 9, 2026
Length: 447 pages
Genre: Fantasy / dark academia
Source: Purchased
Rating:

Rating: 4.5 out of 5.

Casey McQuiston meets The Secret History in this unmissable dark academia fantasy from New York Times bestselling author Lex Croucher following former childhood best friends who reunite at magical boarding school after years, only to find themselves enemies on opposite sides of the ugly secrets hidden within the gilded walls.

Welcome to the Temple School of Thaumaturgy … and your newest dark academia obsession.

For as long as they can remember, Briar Jones dreamed of attending the Temple School of Thaumaturgy. Behind its looming ornate gates, the elite prep school—the place that has produced the most CEOs and Prime Ministers in British history—is whispered to be magical. 

Briar’s best friend, Sebastian Wolfe, never cared about Temple or believed in the rumors. He just wanted them to stay together forever. 

When, at age 11, Seb gets an acceptance letter and Briar doesn’t, their childhood friendship is shattered. Seb vanishes onto Temple’s grounds and Briar resigns themself to a mundane life. But they can’t completely forget their yearning for Temple, for the extraordinary, to be one of the chosen in the ivory tower. 

Then, seven years later, Briar secures a temp job sorting through the junk in Temple’s attics. And they discover that quiet, sensitive Seb, the boy they once loved more than anything else in the world, has become Bastian: a beautiful, arrogant villain feared by the entire school. And worse, the secrets Temple is hiding might not be so magical after all, but a dark conspiracy with implications that extend far beyond the gates.

If you’d asked me a week ago whether I wanted to check out a new dark academia novel, my answer would have been no. And then… I saw a New York Times book review column with the headline This Is the Best Book Our Fantasy Columnist Has Read All Year… and how could I resist at least giving it a try?

The Unmagical Life of Briar Jones is a story of a broken friendship, a shot at dealing with childhood pain, and a deep, dark conspiracy that reaches the highest levels of British society and beyond. Sounds like a lot, right? Somehow, the pieces all come together to form an intense, compelling drama that’s impossible to put down. (The NYT columnist says she forgot to eat while reading this book… I didn’t quite have that problem, but it was hard to focus on anything else until I finished the book!)

Briar and Seb were best friends from before Briar can even remember. Despite being on quite different ends of the economic divide — Seb’s family has a gorgeous estate and piles of money and connections; Briar’s mother and stepfather run a small farm and get by — the two are inseparable throughout their childhoods. Seb is sensitive and easily wounded, both by a cruel, cold father and by the mean village kids who bully him. But Briar is a fierce defender, and they protect Seb as best they can. The two of them dream about Temple, the mysterious school located behind forbidding walls just a short bike ride from their village. Temple is rumored to be a school of magic, although no one knows for sure — but what is fact is that Temple has produced more Prime Ministers, CEOs, and other influential people than any other school in the UK.

Seb and Briar have concocted all sorts of fantasies about what their magical lives will be like once they’re admitted to Temple and learn its secrets… but at age eleven, their applications have very different outcomes. Seb is accepted — not surprising, as his father and older brothers all attended Temple — and Briar is not. With no connections and no money, Briar doesn’t even get the courtesy of a reply to her application. And while we don’t learn the details until much later in the book, Seb and Briar’s friendship is irreparably broken. Seb leaves for Temple, Briar is left behind, and the two never see each other again.

Until… seven years later, Briar gets a summer temp job at Temple. Their assignment is to sort, organize, and clear out decades worth of junk from an unused attic on campus. Meanwhile, they’ll be assigned a dorm room and will live at Temple as well. It’s a redemption of sorts for Briar. The pain of their rejection has never really gone away, and while they made friends and got by at the local high school, the yearning for Temple and Seb have left them feeling like something’s been missing all these years.

Briar’s work isn’t all that interesting, but they soon befriend a group of 17-year-old students entering their final Temple year, who explain the ropes to them and help them navigate what’s quickly revealed to be a dangerous world. School society is dominated by the Mons, the powerful advanced students who control everyone else, mete out punishments, carry out the Trials required for all first-years (“pips”), and answer to the school’s mysterious board of governors. Briar has spent years defending underdogs, but their instinct to protect gets her on the wrong side of the Mons almost immediately, and to their dismay, one of these is revealed to be Seb, now known as Bastian, the most powerful and cruelest of them all.

How did the sweet, gentle boy of Briar’s childhood turn into this cold, dangerous person? Bastian has mastered the Work, which is what Temple’s magical powers are called. Students learn Workings with different areas of focus, and all seem to revolve around influence over others — including the ability to force others to answer questions and obey orders without hesitation, and to induce feelings of acceptance even in the most horrific of circumstances. What’s worse, there’s no defense against Workings, other than by studying and learning them. Pips are defenseless; as Temple students (known as scholars) advance through their studies, their knowledge of Workings shield them from having these types of influence being used against them.

I realize this is quite a lot of explanation! But The Unmagical Life of Briar Jones has some complicated world-building to accomplish, and author Lex Croucher does it incredibly well. Temple is not a happy place; there’s no cutesy moving staircases or charming professors or silly charms bouncing around — it’s more like going to school with nothing but Slytherins, but worse. Faculty turn a blind eye or passively encourage the torments going on around them; Temple is a legacy school, and they’ve all been through it. It’s the price of power, steeped in generations of tradition. Temple’s connections are everywhere, and it’ll do anything to keep its secrets and maintain its access to the power the Workings provide.

Briar’s growing friendship with the three people she meets early on gives her some small measure of security, but they’re all vulnerable, especially when these friends seem determined to disrupt the Trials, placing a huge target on all of their backs. But while Briar’s friends are able to protect themselves through knowledge of the Work, Briar has no defenses at all, and ends up subject to terrible punishments at the hands of a particularly sadistic Mons.

While Bastian at first seem indifferent, even unhappy, to see Briar once again, his reaction to them is shown to have more complex layers. He’s horrified to see Briar entering such a dangerous setting, and conflicted over the unresolved complications of their childhood — yet he also can’t stand by while Briar is threatened and hurt, and his involvement eventually places him at odds with the very power structure he so strongly represents.

The storytelling in The Unmagical Life of Briar Jones is fast-paced and breathless, so while the book is on the longer side, it absolutely flies by. Readers discover Temple’s dark secrets alongside Briar, and their sense of dismay, helplessness, and anger is palpable. It seems impossible that an unmagical person such as Briar could ever make a difference, but they can’t walk away from their new friends. As Briar spends time at Temple, they keep encountering Bastian, and the two eventually confront their pasts and the truths that had been hidden for so many years — and Bastian becomes yet another reason that Briar can’t walk away.

Some fascinating themes emerge, especially around self-image and the concepts of good and evil. Briar has spent years convinced that they’re the hero, the defender of the weak, and upon arrival at Temple, immediately categorizes Bastian as a villain. But the truth is more nuanced than these surface-level distinctions. Part of Briar’s growth arc throughout the story is how they come to understand past actions and learn that they themself contain darker elements than they want to admit.

One of the reasons I typically shy away from dark academia is my challenge in suspending disbelief long enough to accept that parents would willingly send their children to such scenes of mayhem and danger, or to find that the schools’ structures and rules make sense in a way that would allow them to continue to operate. Yet here, I bought it completely. The Unmagical Life of Briar Jones is fantasy in that magic exists, but in every other way, it’s rooted firmly in our own real world. Temple is a source of wealth and power and influence; it seems entirely realistic to me that should such a place exist, the powers that be would do everything to protect and preserve it.

There may be a tendency to categorize dark academia fantasy as young adult fiction. That would be a mistake here. The author makes clear in the book’s introduction that this is not intended for young readers, and a content warning section fills up a good half a page. I won’t go into all the details; you can find them on the author’s website (https://www.lexcroucher.co.uk/the-unmagical-life-of-briar-jones-content-warnings). Suffice it to say, the content can be very disturbing; readers with content sensitivities should be aware ahead of time what they may encounter.

Overall, I found the premise, characters and plotting of The Unmagical Life of Briar Jones completely fascinating, and could barely breathe at times from all the stress, tension, and danger as the story progresses. Briar is a complex lead character, and their relationship with Bastian as well as with their new-found friend group adds depth and emotion to an action-packed, dramatic story. Highly recommended.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.