Audiobook Review: Eight Ways to Say I Love You by Amanda Elliot

Title: Eight Ways to Say I Love You
Author: Amanda Elliot
Narrators: Dara Rosenberg & Eli Schiff
Publisher: Berkley
Publication date: October 27, 2026
Length: 384 pages
Audio length: 10 hours 18 minutes
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley; audiobook via Audible
Rating:

Rating: 4 out of 5.

A spark of attraction burns brighter each year between childhood friends in this sweeping Hanukkah romance by USA Today bestselling author Amanda Elliot.

This Hanukkah, Shira Levinson is returning home to New Jersey riding the high of achieving major milestones. Though she only just graduated from college, she’s got her dream job and a perfect Los Angeles apartment—an actual miracle in the city of dreams.

Life has not been quite as kind to Leo David. Not only did he fail out of college, he was forced to move in with his estranged dad, who he still hates for cheating on his mom years ago. The only silver lining? Getting to see Shira, his childhood friend (and crush, though he’ll never tell her that) while she’s home for her family’s holiday party.

But that’s just the beginning. Over the next eight years, Shira’s and Leo’s lives spin them in all sorts of directions as they grow and change, taking them places they never imagined going. Sometimes those paths take them farther away from each other, and other times closer together. If they can only time it right, they might uncover a love that burns forever.

It’s fall, the holiday season is racing toward us… and it’s the perfect time for a Hanukkah romance! After really enjoying Amanda Elliot’s 2024 novel, Love You a Latke, I was eager to get my hands (ears) on this new release.. and I’m happy to report that Eight Ways to Say I Love You does not disappoint.

Shira and Leo were best friends, inseparable throughout their childhoods — so close that they were constantly running in and out of one another’s houses, no need to knock. But their time together came to a crashing halt when Leo’s dad cheated and Leo’s mom decided to get a fresh start, moving with Leo from their New Jersey home to be with her family in Michigan. At age 14, both Shira and Leo were devastated and promised to stay in touch — but teen life and high school pressures got in the way, and suddenly, eight years went by with no contact at all.

As the story opens, Shira is twenty-two, working tirelessly toward her goal of a thriving art career. Living in LA, she has an impressive job at a gallery and has also secured representation for her own first exhibit. Shira has devoted her high school and college years to making the right impressions — joining clubs, taking on leadership roles, and checking all the boxes — and it’s paid off. She’s firmly on the road to success.

Not so for Leo. Dropping out of college due to burn-out and lack of funds, he’s been forced to move back in with his dad, with whom he’s barely spoken all these years, still feeling furious about how he destroyed their family. Leo works in a warehouse, plays video games, and has no idea what to do with himself. But when Shira shows up for her annual Hanukkah visit and Leo sees her for the first time in eight years, the old crush comes back to life. As the two friends reconnect, it’s clear that they’re in very different places in their lives… and a major misunderstanding seems like it might put an end to their rekindled friendship before it truly gets a chance.

And yet… over the following years, during each Hanukkah visit, Leo and Shira spend more time together, and slowly work their way back toward friendship, connection, and possibly something more. As their lives and careers and families cycle through ups and downs, we see how Leo and Shira each grow and change, in many ways inspired by one another. Shira is forced to reassess her life and her constant need to perform, and to take stock of what truly matters to her. Leo finds new meaning and purpose, and even manages to start to engage with his father again, realizing that past hurts don’t mean that rebuilding isn’t possible.

Along the way, Shira and Leo’s lives are each informed by their connection to Jewish traditions and community. The sense of Jewish joy is pervasive throughout this lovely story, and feels heartening and wonderful to witness.

I appreciated the challenges of Leo and Shira’s growth over the years. This isn’t an insta-love story. Sure, their happiness at reconnecting after so many years apart is evident right from the start, but it takes years and lots of effort for them to rebuild trust, open up to one another, and start putting aside the assumptions and roadblocks that get in their way. It’s not easy, but they value one another enough to make the effort.

Narrators Dara Rosenberg and Eli Schiff alternate chapters as they voice Shira and Leo, and their voices provide warmth, personality, and emotion. It’s a lovely listen, with humor lightening the mood yet with space for the more serious moments to play out as well.

Eight Ways to Say I Love You feels like a great way to get in the Hanukkah mood! Highly recommended.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Fallow by Sarah Anderson

Title: Fallow
Author: Sarah Anderson
Publisher: Farrar, Straus and Giroux
Publication date: September 15, 2026
Length: 336 pages
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 4 out of 5.

Slyly funny and disarmingly tender, Fallow is the story of a young woman who signs up to be the world’s first in-house corporate surrogate, then finds herself caught up in a social experiment of another kind.

Natalie knows one truth: there is no such thing as a good job.

As the clock ticks away at the call center where she logs complaints of workplace harassment, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.

Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program, pitched as an opportunity to help women access greater gender equity. She will be their in-house surrogate, delivering seven babies in ten years and enabling their executives to have motherhood without maternity leave. Finally, she will be adequately—generously—compensated.

For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock health care. Between deliveries, she takes time off— a fallow period, with no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.

But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything. Natalie is pulled into an entirely different kind of social experiment, one that raises new questions about her future, her freedom, her purpose, what she can expect from the world, and what she can offer to it.

Woundingly funny and genuinely moving, Sarah Anderson’s Fallow is a tender, alarmingly real vision of a woman balancing on the knife-edge of capitalism as she comes to realize who she wants to be.

From the opening lines of this strange yet utterly absorbing book, it’s clear what Natalie doesn’t want: Work.

When we were little, my sisters’ stuffed animals became astronauts and firefighters and chefs. Mine took vacations and naps and watched TV.

Sure, she’s done her time in afterschool jobs during high school, got a college degree (and all the debt that comes with it), and works full-time at a call center processing workplace harassment complaints. But none of it means anything, and none of it pays the bills. Or comes with dental insurance. A dental emergency that she can’t afford leads her to plasma donation, and at the blood center, she finds a flyer for a job with the Company — which we’re told is one of the most ubiquitous tech companies in the world. (I’m thinking Google, Microsoft, Apple… ) The job posting is vague, but promises to pay well… and yes, there’s dental!

After passing in-depth, intrusive screenings and signing intense NDAs (without reading the fine print), Natalie finally learns what she’s been selected for. She’ll be the Company’s first in-house gestational carrier. No longer will top professional women have to step away from their careers for maternity leave! By providing them with a company-paid surrogate, they can truly have it all — the baby they’ve always wanted, without the career disruption that comes with it. Gender equality at last! Sigh.

And so begins Natalie’s strange new life. Her contract is for seven pregnancies within ten years, with bonuses at various milestones and after each birth, a huge completion bonus at the end of the contract, a very nice salary, luxury accommodations provided by the Company, and all medical and health needs provided. It’s quite the sweet deal for someone who hates work.

I knew that being pregnant meant being tired all the time. But it also meant reason to rest. Being pregnant meant people offering to do things for you. Being pregnant was the perfect excuse, in fact, to not do anything at all.

Yes, there’s quite a bit of monitoring (if her biofeedback ring reports a less-than-ideal night’s sleep, she gets an immediate call from her doctor), tons of rules (playing language lessons in two selected languages to her belly everyday, strict dietary and exercise requirements, no artificial anything), and even performance reviews after each pregnancy.

Natalie also gets a “fallow” period after each delivery — a period of months where she’s free (or freer) of the intense rules, before beginning the preparation for the next pregnancy. She interprets her fallow time as time to cut loose — wild nights out, indulging in junk food, alcohol, random sex, and all the things she must deny herself otherwise. It’s an odd life, but it’s hers, and for once, she doesn’t have to worry about money, or much of anything at all.

But midway through the book, things change in a way that Natalie couldn’t have foreseen, and her cozy life of pampered pregnancies and fallow periods is knocked off course. From here, events occur (no spoilers!) that take Fallow out of the realm of corporate culture into something else entirely. It’s quite a transition, and requires a sharp adjustment for readers right alongside Natalie.

In some ways, Fallow reads as a satire of corporate culture. Breaking down barriers, enabling true workplace equality… by eliminating the need for maternity leave, a workplace protection that took years to enshrine into employment rights. The idea of Natalie writing a self-evaluation after each delivery is absurd, yet fits within the skewering of corporate life and the ladder to success.

At the same time, Fallow is an exploration of finding one’s path amidst the untenable reality of mounting bills, housing and health insecurity, and lack of safety nets. Natalie takes the Company job not just for the life of ease it promises, but also because she really has nothing else on the horizon and can’t imagine any job or career that offers a realistic option for her. She’s quite clear that she doesn’t want to work — but would that change if she actually found meaning or joy in any of the work she might be able to find?

The back half of the book goes in a very different direction, as Natalie finds herself in a situation she didn’t expect. Without going into detail, I’ll just say that it’s weird and jarring, but ends up being a fantastic contrast to the first half of the book, and finally gives Natalie the space to think about what she actually wants. I did wish for a bit more resolution at the end. We get a good idea of what Natalie’s life might look like going forward, but I would have liked an epilogue or at least something a bit more concrete to tie it all together. That’s a minor quibble — overall, I was satisfied with the plot and character development, and my attention never flagged.

I read Fallow in about two days — it’s fast-paced, totally engaging, a lot of fun, and hard to put down. The premise sounds off the wall, but the execution is so good that we readers have no choice but to buy into it and go along for the ride.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 10/30/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

Today’s lines are from a 2026 fantasy that’s been on my TBR for a few months now:

So what’s the book?


Fishbone Cinderella by Elizabeth Lim
Release date: July 23, 2026
436 pages

Synopsis:

A mother and daughter must break their family’s curse through trials of war and immigration, love, loss, and redemption in this “enchanting multi-generational tale” (People) with a shimmer of magic, from the #1 New York Times bestselling author of A Forgery of Fate.

1940s Hong Kong
When Japanese soldiers invade her hometown, Ha Yut Ying makes an unlikely escape—by turning invisible. But her miraculous survival is only the beginning. After the war is over, she’s sent to Hong Kong to live with her distant father and glamorous stepmother, who end her dreams of becoming a singer and turn her into the family’s servant. As the years pass, Yut Ying learns the hard truths of betrayal and ambition, of forbidden love and devastating loss, and discovers that sometimes the only way to endure is to disappear.

1960s San Francisco
Marigold has always had a knack for uncovering secrets, but nothing prepares her for the day she accidentally witnesses her mother vanish before her eyes. The moment fractures their bond, leaving questions that shadow her entire childhood. But when her mother’s condition suddenly deteriorates, Marigold is convinced she’s the only person who can save her. To do so, she must journey into the secrets her mother never shared and uncover the tragic, fairytale-tinged history their family has fought to forget.

A story of mothers and daughters, the scars they inherit and the magic that binds them, Fishbone Cinderella is a tender and enchanting exploration of what it means, at last, to be seen.



I’ve read such excellent reviews, and I’m eager to dive in! Have you read this book? And if not, does this sound like something that might appeal to you?

Happy Friday! Wishing everyone a great weekend!

Book Review: Life Out of Order by Audrey Niffenegger

Title: Life Out of Order
Author: Audrey Niffenegger
Publisher: Hanover Square Press
Publication date: October 6, 2026
Length: 560 pages
Genre: Science fiction / time travel
Source: Purchased
Rating:

Rating: 3 out of 5.

The multi-million copy bestselling author of The Time Traveler’s Wife returns with an exhilarating speculative story set in a dystopian future where virtual reality and real life converge.

Alba DeTamble has never lived a life in order. Born with the same rare Chrono-Displacement Disorder as her father Henry, she slips unpredictably through decades, haunted by the secrets of a future she can witness but cannot change. As Alba strives to maintain a normal life with Zach, her safe, supportive anchor, she forms a tight-knit community of artists and activists who fight to take care of each other in an increasingly unstable world. 

At once intimate and expansive, Life Out of Order plunges readers into a world of Niffenegger’s dazzling imagination: from the riot-torn streets of a dystopian Chicago, to a digital museum for forgotten memories and lost artifacts. Curating this ever-expanding museum is Isadora, Alba’s mysterious stepsister and an unsettling presence in their family – whose fate may be intertwined with Alba’s in more dangerous ways than she knows.

Told through a kaleidoscope of perspectives, the story moves through a boundless, unfolding universe of virtual reality, skimming the wildest reaches of technology and our natural world. The result is a testament to the power of art and community to sustain us in these fractured times—and an epic tale that’s set to define an entirely new genre in a way only Niffenegger can.

The Time Traveler’s Wife is firmly ensconced on my “favorites” shelf — so much so that I’ve been hesitant to reread it, fearing that revisiting it after so many years would change my feelings about the story. Still, it made a huge impression when I first read it. In fact, in remains the one and only book that I read two times in a row! I loved the concepts, the execution, the writing, and the gorgeous emotions at the heart of the story. (The less said about the TV and movie adaptations, the better…)

My expectations were incredibly high when I learned that finally, after more than 20 years, a sequel would be released! I knew going in that Life Out of Order would focus on Alba, daughter of the original book’s main characters, also a time traveler like her father. Sadly, my overall impression of Life Out of Order is that it’s a big, muddled book that simply does not have the same focus or emotional impact as The Time Traveler’s Wife.

If I had been a normal girl, I might have done all the normal things in the normal order: school, job, marriage, kids. I might have had one husband, or none, or one and then another, instead of two at once. Maybe I would have been less chaotic, less troublesome, but maybe also less loved; who knows? I look ahead and marvel at the near misses, the good intentions and lucky guesses. I look back and regret all the lies. I try not to hurt people. But mostly, I just try not to panic.

Life Out of Order begins in 2022. Alba is 21 years old, in the standard course of her life. As each chapter lets us know, her time traveling means that she can be present in various times and places at other ages as well, and the rules of time travel in Audrey Niffenegger’s fiction allow someone to not only cross their own timeline, but hang out with other versions of themselves. So, in 2022, Alba is 21… but her 29- and 47-year-old selves also show up.

To give you a sense of how that plays out, this is a typical scenario:

After a day of adrenaline and anxiety, it’s a pleasure to be quiet and watch one Alba soothing the other. When the milkshake has been consumed, future Alba places the empty cup in the trash and present Alba rearranges herself cautiously on the bed.

As the story opens, there seems to be civil unrest in Chicago (and presumably elsewhere) — a citywide curfew is in effect, helicopters fly overhead incessantly, and surveillance seems to be pervasive. Alba and her closest friends seem to be involved in underground protest and action groups. I say “seem to be” because explanations are hard to come by — she’s immediately involved in an undercover action to deal with a group of fascist goons, but details are a bit murky.

And onward the story goes, looping forward and backward through time, as we follow Alba across the years, back to her childhood but also far into her own future — and the future is not pretty. Social collapse, flooding from the climate change that everyone saw coming but no one did anything to stop, famine and disease, the destructive forces of uncontrolled technology… it’s pretty much everything you’d expect from futuristic fiction. As we saw with Alba’s father Henry in The Time Traveler’s Wife, knowledge of the future doesn’t come with the ability to change anything. In these books’ concept of time, past, present, and future all exist at once; things happen because they’ve always happened. Alba may know what’s coming for all the people she loves, but she chooses to share that information or not in part to allow people to continue believing they have agency and free will, even while all outcomes have already been determined.

Characters and complications abound. We spend time with Clare, Alba’s mother, seeing her life after Henry (although Henry, being a time traveler, makes appearances throughout Life Out of Order despite having died already in the chronology of the non-time traveling characters), as well as with new people who comes into Alba and Clare’s lives. A major plotline involves an AI creation who’s considered Alba’s sister, and then there’s the husband factor, which I won’t even attempt to untangle here.

As I said from the start, this book is quite a muddle, and it’s very long. To be honest, I was itching to consider this book a DNF — and the only thing that kept me going was the fact that I’d already purchased a hardcover edition. Forcing myself to keep going, I finally felt a bit more invested by about the 20% point, and from then onward I was determined to make it through to the end.

Part 2 of the book, going back to Alba’s childhood and including much more Clare and Henry, was more engaging and enjoyable than the first part. (Basically, scenes with Henry were the highlight of the book.) Still, my overall impression didn’t really change. The author is trying to do a lot in this book, and I don’t think it particularly works.

The Time Traveler’s Wife is a love story. Life Out of Order is not, although love stories are parts of the whole. The jumbled storytelling approach, so effective in the first book as a way of showing love across time, here just ends up feeling like lots of random jumping around. And while age discrepancies in certain love scenes — caused by effects of time travel — are presented as unusual but ultimately romantic, I couldn’t get past the ick factor.

By the time I made it past the halfway point, I did feel more involved and wanted to see how all the various storylines would work out. But did I love it? Sadly, no. I’d rather hold onto my positive memories of The Time Traveler’s Wife than have to consider the events of Life Out of Order as part of the characters’ stories. I’d give this book 3.25 stars for creativity and some interesting character moments… but I wouldn’t go out of my way to recommend it, and I have a feeling others who loved The Time Traveler’s Wife will likely feel the same way.

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

First Lines Friday 10/23/2026

First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:

  • Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
  • Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
  • Finally… reveal the book!

It’s been quite a while — over a month — since I last did a FLF post… but this book sounded too bonkers not to share!

Today’s line are from a book released this fall — and I’m just waiting for my library hold to come in:

So what’s the book?


Fallow by Sarah Anderson
Release date: September 15, 2026
324 pages

Synopsis:

Slyly funny and disarmingly tender, Fallow is the story of a young woman who signs up to be the world’s first in-house corporate surrogate, then finds herself caught up in a social experiment of another kind.

Natalie knows one truth: there is no such thing as a good job.

As the clock ticks away at the call center where she logs complaints of workplace harassment, she tries to ignore the increasing pain in her jaw. She has no dental insurance. She has no skills or ambitions. She has student loans. And, minute by minute, she hears the many ways workers are not just not getting by, but actually getting hustled.

Then, at the blood bank where she sells her plasma, a mysterious flyer leads her to The Company. Natalie turns out to be the perfect candidate for their pilot program, pitched as an opportunity to help women access greater gender equity. She will be their in-house surrogate, delivering seven babies in ten years and enabling their executives to have motherhood without maternity leave. Finally, she will be adequately—generously—compensated.

For years, her every need is met: stacks of healthy meals in the refrigerator of a luxury condo, fitness coaches and nutritionists, around-the-clock health care. Between deliveries, she takes time off— a fallow period, with no obligations or expectations. For the first time in her life, she is good at her job; for the first time, she feels free.

But just as she’s about to fulfill the terms of her contract, a staffing decision upends everything. Natalie is pulled into an entirely different kind of social experiment, one that raises new questions about her future, her freedom, her purpose, what she can expect from the world, and what she can offer to it.

Woundingly funny and genuinely moving, Sarah Anderson’s Fallow is a tender, alarmingly real vision of a woman balancing on the knife-edge of capitalism as she comes to realize who she wants to be.



This book was not on my radar at all until I stumbled across a review for it… and the synopsis really caught my attention. I hope it’s as good as it sounds! This book has been described as a dark comedy. Can’t wait to give it a try!

Happy Friday! Wishing everyone a great weekend!

Short fiction: Warm Bodies by John Marrs

 

Title: Warm Bodies
Author: John Marr
Publisher: Amazon Original Stories
Publication date: November 1, 2026*
Length: 107 pages
Genre: Contemporary fiction
Source: Kindle First Reads freebie
Rating:

Rating: 4 out of 5.

From the multimillion-copy bestselling author comes a chilling tale about Brenda: they watched her, judged her, and talked. They should have left her alone.

Brenda lives quietly in a picture-perfect English village. She looks after her grandchildren, restores old furniture, and keeps herself to herself. She’s the sort of neighbour people feel comfortable judging.

And judge they do. Because villages notice everything. The shopping. The visitors. The hours kept behind closed doors. And when the local WhatsApp group begins to turn its attention to Brenda, curiosity hardens into suspicion, and gossip becomes a sport.

As scrutiny tightens, Brenda finds herself navigating busybodies, moral crusaders and a community that believes it knows best. What they don’t know is that Brenda has spent a lifetime solving problems discreetly.

Methodically. Permanently.

Well, this was a fun little diversion! Warm Bodies was one of the free options for Kindle First Reads this month. The cover caught my eye, I read the synopsis, and I just had to know more!

In this short(ish) story, Brenda is just trying to take care of her family and mind her own business. In her fifties, she provides a home for her daughter and three grandchildren. They’ve had the good fortune of moving to a sweet little cottage in a lovely village, where the children are safe and attend good schools. Brenda is a doting grandmother, and after years of just barely scraping by, works hard to provide a good life for the people she loves.

What she actually does for work is revealed and, well, it’s not precisely what you’d consider grandmotherly… but it keeps a nice roof over the family’s heads and food on the table, and she does enjoy the challenge of it all.

But the neighbors are not exactly warm and welcoming, and Brenda has declined invitations to join volunteer committees and clubs once too often. The village chat has zoomed in on Brenda, and they’re determined to drive her away. As the gossip mounts, Brenda finds herself at the center of unwanted attention that presents a danger to herself and her family’s well-being… and she really can’t have that.

The writing here is snappy and a bit twisted. The village WhatsApp thread oozes viciousness under a layer of fake concern. Brenda is a marvel, savvy and practical, incredibly loving yet capable of doing whatever needs to be done, and what needs to be done… well, let’s just say, it isn’t pleasant.

Warm Bodies is a small town thriller with a dark sense of humor. Some scenes may be a bit much for squeamish readers. I found it all oodles of fun. Brenda is a terrific character — I wouldn’t want to hang out with her, but it was certainly entertaining (in a totally macabre way) to be inside her head for a while. I’m glad I stumbled across this short read and gave it a try!

*A note on the publication date: November 1, 2026 is listed as the official release date for Warm Bodies, but it’s available now as a First Reads pick for Amazon Prime subscribers.

Book Review: As You Wake, Break the Shell by Becky Chambers

Title: As You Wake, Break the Shell
Author: Becky Chambers
Publisher: Harper Voyager
Publication date: October 13, 2026
Length: 480 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Explore a universe of stubborn survival and found family, of persistent danger and quiet wonder in the first installment of a heartfelt new duology from Hugo Award–winning author Becky Chambers.

Life on the resource-poor planet of Fortune is challenging, but for its inhabitants, it’s home. For two of them, Signy and Cora, this home might no longer be enough.

Signy is a brilliant but reclusive botanist who bio-prints medicine from her small plant shop, often bending the rules to help those the system leaves behind. Her life is filled with the green of her store, the warmth of her one elderly friend, and the quiet determination to help others without putting herself in danger.

Cora is a rorqual pilot, one of the few with the unique ability to navigate the massive, living ships that connect the scattered settlements of their solar system. Her bond with her rorqual, Colibri, is profound—a connection that is both her greatest gift and a threat to her career.

It is that threat—the “mindbleed,” a dangerous side effect of her piloting—that brings her to Signy’s shop, and her appearance puts Signy in the danger she so fears. But it’s soon apparent it’s not just about losing her license—this delicate balance between risk and trust has the potential to change everything for them.

Told in an alternating timeline of their initial coming together and a not-so-distant future where they have found domestic bliss, this is a story harrowing and haunting, heartfelt and hopeful. Through a love story centered around survival, we are given a glimpse into the very best of what Becky Chambers does in her writing: explore what it means to be human, and what it means to come together.

As You Wake, Break the Shell is an imaginative, powerful, emotional look at connections, home, and purpose, as told through the story of two women, Signy and Cora, and two timelines — the timeline of their initial meeting and developing romance, and another 15 years later, where we see them living a very different life.

When they meet, both reside on Fortune, a planet that sounds, frankly, hellish. The surface and atmosphere are completely incompatible with sustaining life of any sort. Humans live on rafts inside a liquid filled crater, where going outside means donning gear to protect from acid rain and poisonous air, and the eruption of the planet’s very active volcanoes can send people running for emergency shelter at a moment’s notice.

Humans arrived on Fortune generations earlier through spacecraft originally from Earth, carrying embryonic life and a Primer that explains humanity’s origins. As people were grown from the bio-prints, they built homes and communities following Primer instructions, with the goal of eventually advancing enough to build spacecraft to enable them to reunite with the mothership. Meanwhile, thousands upon thousands of people live on Fortune, ferrying between rafts, building businesses and social structures, and otherwise going about the business of surviving.

Cora is a rorqual pilot, one of the gifted few who are able to mind-meld with giant flying creatures (rorquals) who ferry their pilots to quarry moons to collect the ice needed for Fortune’s water supply. Being a pilot requires skill and advanced training, but comes with high risk: By blending her consciousness with that of Colibri, her rorqual, Cora opens herself up to mindbleed, where she’s no longer able to separate her own mind from Colibri’s. This endangers her life and could ground her as a pilot… and if that happens, it would likely mean death for Colibri too, as rorquals generally cannot bond with more than one person, and would be put down.

Cora seeks out Signy who, under cover of her plant shop, runs a black market pharmacy creating medicines from genetically modified plant templates for those whom the healthcare system would consider beyond recovery, and therefore not provided with medicines other than for palliative care. Cora and Signy see something in one another, and connect on a profound level in love, friendship, and a deep understanding.

Meanwhile, in interspersed chapters, we see Cora and Signy’s lives fifteen years later, where they seem to lead an idyllic life on a distant moon where they’ve established a home and lush gardens. This life of theirs is filled with love, although they remain haunted by distant, painful memories of past losses.

How Cora and Signy get from where we meet them to this future life is something that doesn’t become clear for quite a long time — and in fact, we’re only partially there by the time the book ends. (Fear not — this is book one of a duology, and I trust that the full story will make sense once we get the second book.)

The book is roughly structured as a countdown (sections are labeled T-Minus 7, T-Minus 6, etc) — although, again, we really don’t know what we’re counting down to until we get there at the end. While the weaving of the two timelines and the jumps between the two can be confusing, that seems deliberate: We’re not meant to fully understand until we get to the right moment. Meanwhile, by slowly showing us the depth of the relationships, the book makes sure that what happens later feels right and well-grounded in what’s come before.

The story’s core themes are connection and love. What does it mean to truly open oneself to another? What does it mean to love someone enough to put them first? These seem like simple questions on the surface, but as we see through the characters’ deepening relationship, there are layers upon layers of trust, concern, and care that come into play. Equally important is the role of Colibri. Interwoven chapters show the mind-to-mind conversations between Cora and Colibri, as they struggle to find common language and concepts, a huge challenge for beings whose basic biology means that their perceptions of the world around them are so vastly different as to be practically unfathomable.

The writing in As You Wake, Break the Shell is beautiful, letting us into the characters’ lives and surroundings, illustrating the day-to-experiences of life in the harsh environment of Fortune, while also showing how the fundamentals of human love and connection remain recognizable even in such an unknown time and place.

This book has a darker, more serious feel than what I’ve come to expect from Becky Chambers’s writing, and she does provide some context in the afterward that helps the tone make sense. Overall, the book is lovely and the characters are wonderful, but tragedies inform their lives, and the joy of Cora and Signy’s love has a thread of sorrow as well.

As You Wake, Break the Shell is on the lengthier side and requires concentration. I recommend starting the book when you have time to really sink into it and spend time with it. Now that I’ve reached the end, the more I think back, the more I realize how beautifully told the overall story is. I’ve yet to be disappointed by anything I’ve read by Becky Chambers. As You Wake, Break the Shell is a remarkable achievement and a powerful reading experience. Don’t miss it.

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: The Harvey Girl (The Harvey Girls Mysteries, #1) by Dana Stabenow

Title: The Harvey Girl
Series: The Harvey Girls Mysteries, #1
Author: Dana Stabenow
Publisher: Head of Zeus
Publication date: March 5, 2026
Length: 272 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 3.5 out of 5.

From the award-winning author of the Kate Shugak Mysteries, a thrilling new detective series set during America’s wild boom time and frontier expansion of the nineteenth century.

WELCOME TO THE GILDED AGE. WHERE NOT EVERYTHING GLITTERS.


1890. The New Mexico Territory is a lawless frontier where criminals steal money and land alike with impunity. Everyone wears a six-gun and is ready and willing to draw it.

In the new city of Montaña Roja, Fred Harvey’s growing empire is threatened by the robberies plaguing his newest Harvey House restaurant. To get justice, he needs a skilled detective to go undercover and procure answers to questions the law will not ask.

The assignment falls to Clare Wright, a young Pinkerton agent. Disguised as one of Harvey’s famous hostesses, Clare travels west where she risks being exposed at every step of her investigation. To get answers – and to get out alive – there are only two things she can trust: her instincts, and her derringer.

Dana Stabenow’s Kate Shugak series is one of my favorites, so of course I was eager to try The Harvey Girl, the first book in the author’s newest series. Here, the focus is on crime-solving in the lawless Wild West of the 1890s, as a young woman working for the famous Pinkerton Detective Agency goes undercover to solve a series of train robberies in the booming New Mexico territory.

Clare, at age 22, is young, brave, well-trained, and up for a challenge. She’s hired by Fred Harvey, founder of the Harvey Houses — restaurants located at every major stop of the railroad, where respectable young women offer pristine food service to passengers and locals, held to high standards of conduct at all times. Fred Harvey’s goods have been stolen during brazen train heists, and he needs the crimes solved — and stopped — immediately.

As Clare arrives in Montaña Roja, New Mexico, she begins work as a Harvey Girl, and must quickly unravel the tangle of mining tycoons, bankers, sheriffs, and the various outlaws, cowboys, and businessmen who make up the boomtown’s population. Meanwhile, she works demanding shifts carrying out her Harvey Girl duties according to the high standards expected, while befriending the other girls and hiding her own true purpose there.

The Harvey Girl is at its best portraying frontier life during the Gilded Age, when greed and profit rule, lawlessness runs rampant, and bar fights ending in gun battles are seemingly everyday occurrences. Vibrant descriptions capture the desert settings, the natural beauty, and the feel of a Western town enjoying rapid growth, as well as the personalities of the upwardly mobile and wannabes attempting to cash in on every available source of profit.

Learning about Harvey Houses and Harvey Girls was fascinating. I was unfamiliar with this piece of history, and fell down a few major internet rabbit holes while looking for more details and images. I even stumbled across the IMDb page of a 1946 movie musical called The Harvey Girls, starring Judy Garland! I may have to track it down and watch it, if it’s available to stream.

I struggled more with the mystery around the train robberies and related crimes which Clare uncovers. Honestly, the trail of clues and suspects felt difficult to follow. The conclusion is rushed, with a lot of exposition as Clare explains her findings, but the answers didn’t seem especially concrete or supported by what we actually see happening on the page.

Still, there’s a lot to enjoy here, especially some action-packed moments of danger, a couple of parties that illustrate different types of social gatherings, and cameos from some real historical figures alongside all the fictional characters. Clare herself is an interesting character, although I wish we’d gotten a bit more of her internal life, rather than just snippets of her background and scenes showing her detective skills.

A second book in the series, The Iron Trail, has been announced already, with a projected release date of November 2027. It looks as though this installment will provide Clare with new adventures while also picking up some of the lingering threads from The Harvey Girl. I’ll be interested in seeing where the story goes!

Purchase links: Amazon – Bookshop.org – Libro.fm
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Audiobook Review: Well Versed (Well Met, #5) by Jen DeLuca

Title: Well Versed
Series: Well Met, #5
Author: Jen DeLuca
Narrator: Brittany Pressley
Publisher: Berkley
Publication date: September 22, 2026
Print length: 352 pages
Audiobook length: 10 hours, 8 minutes
Genre: Contemporary romance
Source: Purchased (audiobook); e-ARC via NetGalleyRating:

Rating: 4 out of 5.

It’s a second chance at first love at the Renaissance Faire, where the search for a new queen shapes a destiny, from USA Today bestselling author Jen DeLuca.

Caitlin Parker was eighteen when she fell out of love with the magic of the Willow Creek Renaissance Faire—the site of her first real heartbreak. But now, twenty-four and unemployed, she finds herself in her childhood bedroom and her childhood lady-in-waiting costume, assisting a rotating cast of substitute queens for the season. The very last person she wants to see is Alexander Wright—the sword-fighting, Shakespeare-spouting young man who won and broke her teenage heart. Yet there he is, older, annoyingly hotter, and back on stage at her Faire.

When Alex broke things off with Caitlin the first time, he thought he was just ending a summer fling. He didn’t realize how much he’d fallen for her until he let her go, and he certainly didn’t know he’d tarnished her memories of her cherished Faire and worse, shattered her view on love and relationships. His need to right that wrong this summer brings them together again and again, and this time, it won’t be so easy to let go of this summer fling.

But as summer winds down, real life is catching up to both of them. Caitlin’s always thought that being an adult with adult responsibilities means leaving whimsy behind. Alex, with a life full of stage combat, songs, and sonnets, doesn’t know how to live any other way. Can they go after their dreams and find a future together where they can still say “huzzah”?

It’s good to get back to the Faire! Four years after the release of Well Traveled, Jen DeLuca’s delightful Renaissance Faire romance series is back, delivering her signature mix of Faire fun and modern-day romantic challenges.

In Well Versed, Caitlin — whom we first met way back in book #1, Well Met, as a 14-year-old volunteering at the Faire — is now all grown up! Time flies for sure. Caitlin is now 24 years old and recently laid off from a tech job, and while she job hunts, has moved back home with her mother April and April’s partner Mitch (whose love story was the focus of book #3, Well Matched). And since it’s the start of summer, that means it’s also time for the Willow Creek Renaissance Faire, organized by Caitlin’s aunt and uncle and the focus for their entire community each summer.

Caitlin used to love the Faire as a teen, when she’d don the costume of a lady-in-waiting, get into character, and wander the faire grounds at the side of her queen. But a heartbreaking end to her first love left her disillusioned and absolutely done with anything related to Faire — she hasn’t been back, and even swore off her love of Shakespeare in order to pursue a career in IT. No more swoony sonnets for her!

The past comes crashing back on opening day of Faire, when her ex Alex strolls back into her life. Two years older than Caitlin, he’d broken up with her after their first romance, telling her to find someone her own age (he was 20, she was 18). She’s never forgiven him, and is furious that he’s back, up on a stage spouting Shakespeare and looking unfairly great. It gets worse, though — when Mitch is injured, Alex steps in to take his place in the Faire’s centerpiece swordfighting exhibition, and that means he’s at her house every day to practice. She can’t get away from the guy!

Meanwhile, the Faire itself is missing its queen — the former queen has officially retired, and each replacement seems to miss the mark. It seems inevitable that a certain jaded someone will finally step up and embrace the role, if only she can recapture some of that earlier joy she used to feel at the Faire each summer.

As Caitlin and Alex spend time together, old wounds are finally given time to heal. Caitlin thinks a summer fling with Alex might be a great way to have fun, as a break from dealing with the pressures waiting at the end of the summer — figuring out jobs, where to live, and what to do with the rest of her life. But as things heat up, Caitlin and Alex’s feelings definitely go beyond a mere fling, leaving them wondering how to balance this new beginning with all the demands of adulting that they feel closing in on them.

As always, the sense of delight at the Renaissance Faire is fully embodied here in Well Versed. The book captures the summer experience, the joy of putting on a costume and embracing a different way of being, and the sense of community as people come together to create something magical.

While it was a bit of an adjustment at first to see Caitlin as an adult (we met her as a young teen!), she’s an interesting main character to spend time with. Caitlin’s struggle to get over past hurts, assert herself differently, fit back in with her hometown, and also figure out her future feel realistic for a young woman in that particular phase of her life. I enjoyed seeing her reconnect with family and friends, especially since they’re all so much a part of the Well Met series’s broader story. How fun to catch up with them all and see how they’re doing!

The love story elements are well done, showing the repairing needed before Caitlin can accept Alex as a friend once again. I appreciated that Caitlin comes to realize that Alex’s intentions were good all those years ago, despite his not-great delivery, and that the time wasn’t right back then for a serious relationship. Of course, being set at a Ren Faire, their reconciliation is full of swoony gestures, and all the swordplay and sonnet deliveries don’t hurt!

I treated myself to a signed paperback, which came with this adorable artwork!

I did wish for a bit more Faire content — we see them at the Faire throughout, of course, but often it’s just a recap of how the day went after a few brief scenes of the day starting. Perhaps the author felt that we didn’t need full-on scenes of Faire life, after the previous four books… but I did! I wanted to spend just a little more time wandering the lanes, hearing about characters and accents and flower crowns and mead, seeing the jousts… all the little touches that make these books so enjoyable.

The inevitable communication issues pop up right near the end, as is typical for so many romances. Thankfully, here the issues are less about misunderstanding one another than that the characters are so in in their own heads that they’re not fully listening to one another… and also, thankfully, it all gets resolved without too much agonizing to wade through.

Brittany Pressley is one of my favorite audiobook narrators, and once again, she does a terrific job with the characters and the Ren Faire dynamics. She lets the various personalities shine through and keeps them all distinct, conveys the humor and whimsy of so many scenes, and captures the dialects (pirate, Scottish warrior, Queen!) of the Faire voices with flair.

Overall, I really enjoyed Well Versed… and as usual, really hope we’ll get more books set in this world! Huzzah!

Interested in this series? Don’t miss the previous books:

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Dive Bar at the End of the Road by Kelley Armstrong

Title: Dive Bar at the End of the Road
Author: Kelley Armstrong
Publisher: St. Martin’s Press
Publication date: October 6, 2026
Length: 288 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Final Destination meets The Cabin at the End of the World in this supernatural horror from New York Times bestselling author Kelley Armstrong, in which a series of car accidents traps a group of strangers at a dive bar.

A forested road at night, slick from the pounding rain and eerily illuminated by flashes of lightning. Just before midnight, a car swerves to avoid something―or someone―mysteriously standing in the road, only to slam into a fallen tree instead. In the pitch black, four more cars follow in a pileup no one can seem to avoid.

Stumbling out of the wreckage, soaked from the rain and nursing various injuries, five strangers find themselves in a backwoods dive bar, waiting for daybreak and hoping for cell service. But as tensions rise and the storm rages on outside, the occupants of the dive bar start to notice that not everything is as it seems. Time is moving differently, and they quickly learn that going outside―whether to assist another accident victim or to hike for help―is a very bad idea.

There’s something in the woods, something that isn’t natural. Could the figure in the road have been a warning? Or something more sinister? None of this is normal, and they’ll need to work together to figure out what’s happening if they have any hope of surviving the night.

If it’s October, it must be time for a new stand-alone horror novel from the prolific and talented Kelley Armstrong! Dive Bar at the End of the Road delivers a menacing sort of existential horror, as a puzzling situation turns life-threatening and characters find themselves in a trap that defies logic and understanding.

Ellie drives through a storm to reach her parents’ home, but ends up on a deserted road with no GPS or cell service after following detour signs. A shocking crash leaves her stranded, and within moments a second car collides with her own. Wounded and disoriented by their sudden accidents, she and Henry stumble up the road in search of help, following lights to a bar in the middle of nowhere, empty except for the bartender and one strange woman. Before long, they hear the sounds of further crashes, and soon, there are five accident survivors huddled in the bar, seeking shelter until the storm passes and cell service is restored.

But this is no ordinary storm, and these are not ordinary car crashes. Dangerous anomalies abound; they’re all sure that they left their hazard lights on when leaving their totaled vehicles, but each new driver swears that the cars were in pitch blackness with no lights on at all. Could someone or something have intentionally caused the massive pile-up? If so, why?

More terrors await. Venturing off the road into the forest, Henry swears he sees zombies… but another driver encounters a rabid dog, and Ellie is sure someone is hunting her with a gun. Meanwhile, the bartender cracks jokes and the strange woman makes only cryptic comments. As the night wears on, some answers surface, but not before there’s bloodshed and absolute nightmares that are all too real.

Dive Bar at the End of the Road delivers chilling moments of horror, as experienced by a group of seemingly ordinary people who simply have the bad luck to be on that particular road at that particular time. But as we learn, it may not be random or bad luck… and each may have a reason why they find themselves stuck at this awful bar.

One of the most fascinating elements of this book is the character focus, as the various people — especially Ellie and Henry — are revealed to have backstories that add complex issues to their current lives. For a story that takes place over a relatively short time frame, we get to know most of them very well. The author lets us really feel the conflicts that drive each of them, as well as the deeply embedded fears and issues that they carry.

The action is compelling, and while much of the horror feels psychological, there’s also plenty of blood and gore. Some scenes are particularly brutal and frightening. While I had a few ideas about what might actually be going on, the revelations about the meaning of it all were nothing that I could have anticipated, and I could empathize with the sense of disbelief, shock, and denial the characters experience when answers are finally provided.

Dive Bar at the End of the Road is a fast, compelling read that’s impossible to put down. Scary and disturbing, it’s a great choice for a horror-filled October.

Kelley Armstrong’s previous stand-alone horror novels:

  • Hemlock Island (2023) — on my TBR (still)
  • I’ll Be Waiting (2024) — I gave this book 5 stars! Check out my review.
  • The Haunting of Payne’s Hollow (2025) — 4.5 stars! My review.

Purchase links: Amazon –  Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.