My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Life.
What a week. My husband and I were supposed to be heading up to Yosemite for a 4-night stay starting yesterday, but due to smoke from wildfires and concerns about air quality, we decided very last minute not to go. So… there goes this week’s vacation!
What did I read during the last week?
Siege and Storm (Shadow & Bone, #2) by Leigh Bardugo: I’m continuing with the Grishaverse books as they become available from the library. Just finished #2, and I liked it enough to keep going, although I don’t feel hugely invested.
The Stand-In by Lily Chu (performed by Phillipa Soo): A fun contemporary romance audiobook. The narration is a treat! My review is here.
Feral Creatures by Kira Jane Buxton: Weird and wonderful follow-up to Hollow Kingdom. My review is here.
Pop culture & TV:
My son and I watched The Silent Place II, and I gotta say, it was pretty terrifying! I had a whole bunch of jump-scare reactions (leading to my son being very amused at my expense). I also started the series Hit & Run on Netflix, and so far, it’s really good!
Fresh Catch:
No new books! Unless you count all the Kindle deals I just couldn’t resist…
What will I be reading during the coming week?
Currently in my hands:
Instructions for Dancing by Nicola Yoon: Yay, I’m finally reading this one! I bought a copy several months ago, but it took a reminder from my daughter (who just read and loved this book) for me to remember to get to it.
And since this library book just came through, I’m flipping over to this one, once in a while, in between chapters of the other:
Now playing via audiobook:
Heroes by Stephen Fry: I really enjoyed listening to Mythos last year, and was just reminded that I never got around to listening to the next book. With Stephen Fry narrating, it’s a very fun way to absorb some classical storytelling!
Ongoing reads:
Outlander Book Club is doing a speed-re-read of Written in My Own Heart’s Blood, #8 in the Outlander series. We’re reading and discussing 5 chapters per week. Let me know if you want to join in — the more, the merrier! This week: Chapters 81 – 85.
Also in book group, we’re doing a group read of A Doll’s House by Henrik Ibsen. We’ll be done next week.
Title: Feral Creatures Author: Kira Jane Buxton Publisher: Grand Central Publishing Publication date: August 24, 2021 Length: 368 pages Genre: Speculative fiction/ horror Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐
Rating: 4 out of 5.
In this stunning follow-up to Hollow Kingdom, the animal kingdom’s “favorite apocalyptic hero”is back with a renewed sense of hope for humanity, ready to take on a world ravaged by a viral pandemic (Helen Macdonald).
Once upon an apocalypse, there lived an obscenely handsome American crow named S.T. . . .
When the world last checked-in with its favorite Cheeto addict, the planet had been overrun by flesh-hungry beasts, and nature had started re-claiming her territory from humankind. S.T., the intrepid crow, alongside his bloodhound-bestie Dennis, had set about saving pets that had become trapped in their homes after humanity went the way of the dodo.
That is, dear reader, until S.T. stumbled upon something so rare—and so precious—that he vowed to do everything in his power to safeguard what could, quite literally, be humanity’s last hope for survival. But in a wild world plagued by prejudiced animals, feather-raising environments, new threats so terrifying they make zombies look like baby bunnies, and a horrendous dearth of cheesy snacks, what’s a crow to do?
Why, wing it on another big-hearted, death-defying adventure, that’s what! Joined by a fabulous new cast of animal characters, S.T. faces many new challenges plus his biggest one yet: parenthood. .
A quick take on this book:
I feel like I should write a proper review, but I’m not sure I have a lot to say. I absolutely loved Hollow Kingdom, which introduced us to ST and his post-apocalyptic world of rotting humans, domestic animals waiting to be freed, and tigers wandering the streets of Seattle.
In this follow up, ST is once again our narrator, with chapters narrated by whales, spiders, and cats thrown into the mix. The story picks up with ST now in Alaska, having found the last remaining MoFo (human) — a small baby girl with no one to raise her but ST and his friends. ST is determined to protect Dee no matter what, hiding her away from the world and keeping her safe — but by isolating her, is he depriving her of the ability to discover her own true nature?
Through the raucous escapades of ST and allies, the action moves from Alaskan wilderness to the Bering Sea and back to Seattle, with deeply funny and illuminating encounters with orcas and owls and polar bears along the way. But all is not well in the wild kingdom. Trees are dying, and the MoFos seem to have evolved from shambling zombies into Changed Ones — animal/human hybrids who are freakin’ scary and weird AF.
ST’s narration is fabulous as always, a mix of vulgarity, impressive vocabulary, insightful introspection, and crazy digressions. The writing in Feral Creatures veers between emotional impact and laugh-inducing craziness from moment to moment.
In a once-beautiful winery that was now a den of doom, with fur fizzed up and an arched spine, stood a domestic shorthair cat. A fire starter. The Bruce Lee of felines. A tabby that had sired an entire generation of Seattleite cats — generation FU — and was probably singlehandedly responsible for the eradication of at least one entire songbird species. There was Genghis, with greasy punk rock fur and an arthritic gait purchased at heavy discount from the Ministry of Silly Walks. There wasn’t a bison brave enough to tell him that the earth’s twirling had caught up with him.
I enjoyed a lot about this book… and yet at times, I just couldn’t wait to be done. Maybe because this is a sequel, there’s less room for surprise and delight based on the premise, and the story’s action starts to feel drawn-out and repetitive at times. Even while loving the writing, I did have to continually pull myself back from the brink of boredom when chapters went on too long, and even found myself considering DNFing at times.
I’m glad I stuck with it, though. Even when I grew tired of parts of the story, something amazing (like the arrival of a heard of musk oxen) would pull me back in.
I was experiencing acute déjà poo — the feeling that I’d heard this crap before.
Definitely read Hollow Kingdom first — but if you loved that book, then you’ll want to read Feral Creatures too. My impatience with the book may have more to do with my own reading mood than with the book itself, so take a look and see what you think!
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Title: The Stand-In Author: Lily Chu Narrator: Phillipa Soo Publisher: Audible Originals Publication date: July 15, 2021 Print length: n/a Audio length: 10 hours 55 minutes Genre: Contemporary fiction Source: Audible Plus Catalog Rating:
⭐⭐⭐⭐
Rating: 3.5 out of 5.
How to upend your life: –Get fired by gross, handsy boss –Fail to do laundry (again) –Be mistaken for famous Chinese actress –Fall head-first into glitzy new world
Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together.
But when a mysterious SUV pulls up beside her, revealing Chinese cinema’s golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in. The catch? Gracie will have to be escorted by Sam, the most attractive—and infuriating—man Gracie’s ever met.
If it means getting the money she needs for her mother, Gracie’s in. Soon Gracie moves into a world of luxury she never knew existed. But resisting Sam, and playing the role of an elegant movie star, proves more difficult than she ever imagined—especially when she learns the real reason Fangli so desperately needs her help. In the end, all the lists in the world won’t be able to help Gracie keep up this elaborate ruse without losing herself… and her heart.
The Stand-In is an Audible Original in which an ordinary woman suddenly gets the chance to experience the lifestyles of the rich and famous. It’s a fun Cinderella story, but it helps to suspend disbelief A LOT to truly enjoy it.
When we meet Gracie, she has a job she hates thanks to a boss who sexually harasses her constantly — but rather than making a fuss or going to HR to report him, Gracie tries even harder to blend into the background, dressing dully and using makeup that’s neutral and not the least bit eye-catching. Gracie’s mother, a Chinese immigrant to Canada, drilled into Gracie’s head that she should always try to fit in, not stand out.
But when Gracie is mistaken for Chinese actress Wei Fangli in a coffee shop, her world changes dramatically. Caught on camera by a paparazzo on a day when she’d called in sick, Gracie is fired by her creepy boss and plunges into despair. How will she afford the nursing home her mother needs if she has no income? With her mother’s dementia steadily progressing, Gracie feels the pressures mounting, and none of her daily planners and apps seem to help her get her life under control. (Remember the bit about the planners — this is important later.)
Gracie is approached by Wei Fangli and her super-hot costar Sam Yao with a proposition: Because of their similar looks, Fangli wants to hire Gracie — for a huge amount of money — to be her public double. Gracie will dress and act like Fangli and attend social engagements in her place, allowing Fangli to just focus on her theater performances and otherwise avoid the pressure of a public life.
Against her better judgment, Gracie accepts the offer. She needs that money! But she soon learns that she likes it, too. She gets to dress in gorgeous clothes, live in a luxury hotel suite, and spend lots and lots of time with Sam. Yes, she feels guilty for essentially lying to everyone she meets as Fangli, but she keeps reminding herself that she’s doing it for her mother.
The Stand-In is a fun fairy tale of a story, with echoes of The Prince and the Pauper too. Wouldn’t every “ordinary” person love the chance to walk in a celebrity’s (high-priced designer) shoes? I wouldn’t say the plot is believable — I mean, they can’t really be that identical, can they? But it’s certainly amusing to see Gracie trying to master the art of posing on a red carpet, being photographed from every angle, and speaking as if she’s used to being the center of attention.
There are some interesting ideas too about public personas and what it means to always be on, especially as compared with someone like Gracie who’s been taught all her life not to make waves. Additionally, Grace is a biracial woman living in Toronto who doesn’t speak Mandarin, yet is impersonating a Mandarin-speaking Chinese actress and is also trying to connect with a mother who slips more and more into the language of her youth. Gracie has to deal with issues related to identity and race, on the one hand being seen as Chinese rather than Canadian, yet being seen by Chinese people she interacts with as not Chinese enough.
There’s also a love story, of course, and while it comes across as absolute wish-fulfillment (the sexiest man in the world falling for an ordinary woman!), it does have some very sweet moments of flirtation, sharing secrets and wishes, and making connections. Also, Sam really is a great character, and it’s easy to see how some of his big romantic gestures might make anyone with a heartbeat swoon.
I really liked Gracie’s blossoming friendship with Fangli and the ways in which they end up helping and supporting one another. I wasn’t crazy about the plotline revolving around Gracie inventing a daily planner. While I suppose the point is to show Gracie finding a way to take control of her own life and make a splash as a businesswoman, there’s too much time spent on her figuring out ways to organize her tasks and to-do lists.
Plotwise, The Stand-In really is more romantic fairy tale than real-life contemporary drama. A lot of the developments are ridiculous if you think about them too hard. If you can put aside the need to say “but this could never happen!”, it’s still a fun listen. I would also add my main quibble about the plot — the old “listening through a doorway and jumping to conclusions” romance trope. This makes me batty — a character overhears a conversation, immediately misinterprets what they hear, and then take dramatic action based on this misinterpretation. It’s just so dumb. At least verify what you think you’ve heard!! Sigh… but then where would the drama be?
In terms of the audiobook narration, it’s a treat to listen to Hamilton star Phillipa Soo. This is her first full-length audiobook — you can read more about her experience recording it here. Overall, I think she does a good job voicing the different characters and making them distinct. The one complaint I have is that in dialogue scenes, it can be hard to tell whether Gracie is thinking a response to herself or saying the response to the other person — her voice isn’t actually different for asides, so it does get confusing.
The Stand-In is an Audible Original and is available (free) as part of the Audible Plus Catalog. For those who have access, I recommend giving it a listen. The story is sweet and engaging, and despite the fairy tale-esque twists and revelations, the characters are really special and will stick with you.
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Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.
Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.
Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!
Title: The Book of Strange New Things Author: Michel Faber Published: 2014 Length: 528 pages
What it’s about (synopsis via Goodreads):
It begins with Peter, a devoted man of faith, as he is called to the mission of a lifetime, one that takes him galaxies away from his wife, Bea. Peter becomes immersed in the mysteries of an astonishing new environment, overseen by an enigmatic corporation known only as USIC. His work introduces him to a seemingly friendly native population struggling with a dangerous illness and hungry for Peter’s teachings—his Bible is their “book of strange new things.” But Peter is rattled when Bea’s letters from home become increasingly desperate: typhoons and earthquakes are devastating whole countries, and governments are crumbling. Bea’s faith, once the guiding light of their lives, begins to falter.
Suddenly, a separation measured by an otherworldly distance, and defined both by one newly discovered world and another in a state of collapse, is threatened by an ever-widening gulf that is much less quantifiable. While Peter is reconciling the needs of his congregation with the desires of his strange employer, Bea is struggling for survival. Their trials lay bare a profound meditation on faith, love tested beyond endurance, and our responsibility to those closest to us.
Marked by the same bravura storytelling and precise language that made The Crimson Petal and the White such an international success, The Book of Strange New Things is extraordinary, mesmerizing, and replete with emotional complexity and genuine pathos.
How and when I got it:
I bought the paperback edition in 2015.
Why I want to read it:
I picked up this book after a friend strongly (and repeatedly!) recommended it. I’m always up for good science fiction, and stories about space travel, humanity exploring other planets, first contact with other beings, etc really appeal to me.
That said, this book does strike me as being more “literary” than I’d typically be drawn to, and it’s also over 500 pages, which is a negative for me these days. Maybe because I always feel so behind with my reading, it really takes a lot to make me want to start a book that’s this long.
But, as I said, my friend was pretty insistent at the time that I absolutely needed to read this book. I also have a copy of of The Crimson Petal and the White by the same author, which I’ve also heard raves about.
What do you think? Would you read this book? Have you read anything by this author?
Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Favorite Places to Read. I actually did this topic as a freebie a few years ago, but I’ll do it again — while most of my answers are the same, it’s still fun to think about where I love to read. (Simplest answer — everywhere!)
Note: Photos are all mine; the illustration are from free web sources.
My new round of top 10 reading spots are:
My backyard
2. My cozy book room (aka, downstairs TV/hangout space):
3. In a park
4. On an airplane
5. At the beach
6. Any pretty outdoor spot
7. Any place I have to wait
8. At a silent reading party (this photo is taken at a pre-COVID reading party, but I’m hoping eventually the idea of reading in a crowded room with other people won’t feel so strange):
And for audiobooks…
9. On a walk
10. Driving
Where are your favorite places to read? Please share your links!
My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Life.
It was my son’s birthday this past weekend. My baby is 19!! Where did the time go?
Other than that, it’s been a busy week, catching up on work after being away, and always feeling like there aren’t enough hours in the day to get everything done and still have time to read, watch TV, and try to fit in a bit of exercise too!
What did I read during the last week?
She Wouldn’t Change a Thing by Sarah Adlakha: This time-travel thriller seems to have high ratings on Goodreads, but it just didn’t do it for me. My review is here.
Yours Cheerfully by AJ Pearce: A nice historical fiction follow-up to the 2018 novel Dear Mrs. Bird. My review is here.
Pop culture & TV:
This was the week I fell in love with Love, Victor! I also managed to catch up on season 2 of A Discovery of Witches, and I’m excited to start watching the first four episodes of the final season of Grace & Frankie (the rest of the season airs in 2022).
Fresh Catch:
No new books!
What will I be reading during the coming week?
Currently in my hands:
Juggling two books:
Disappearing Earth by Julia Phillips: My book group’s discussion of this book is coming up this week, and I’ve barely even started! I need to get down to some serious reading if I’m going to finish in time.
Siege and Storm by Leigh Bardugo: I’m also continuing with the Grisha books. Onward to #2!
Now playing via audiobook:
The Stand-In by Lily Chu: I didn’t have much listening time this past week, but I’m really liking this super cute story of an ordinary woman asked to become a secret stand-in for a movie star. Lots of fun!
Ongoing reads:
Outlander Book Club is doing a speed-re-read of Written in My Own Heart’s Blood, #8 in the Outlander series. We’re reading and discussing 5 chapters per week. Let me know if you want to join in — the more, the merrier! This week: Chapters 76 – 80.
Also in book group, we’re doing a group read of A Doll’s House by Henrik Ibsen. Two more weeks to go.
Title: Yours Cheerfully Author: AJ Pearce Publisher: Scribner Publication date: August 10, 2021 Length: 304 pages Genre: Historical fiction Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐
Rating: 3.5 out of 5.
London, November 1941. Following the departure of the formidable Henrietta Bird from Woman’s Friend magazine, things are looking up for Emmeline Lake as she takes on the challenge of becoming a young wartime advice columnist. Her relationship with boyfriend Charles (now stationed back in the UK) is blossoming, while Emmy’s best friend Bunty, still reeling from the very worst of the Blitz, is bravely looking to the future. Together, the friends are determined to Make a Go of It.
When the Ministry of Information calls on Britain’s women’s magazines to help recruit desperately needed female workers to the war effort, Emmy is thrilled to be asked to step up and help. But when she and Bunty meet a young woman who shows them the very real challenges that women war workers face, Emmy must tackle a life-changing dilemma between doing her duty and standing by her friends.
In this follow-up to Dear Mrs. Bird, the story of Emmy Lake continues — although Yours Cheerfully works perfectly well as a stand-alone. Emmy is a young woman who’s just learning the journalism ropes at Woman’s Friend magazine, while also juggling her wartime volunteer work as part of the fire watch, spending time with her best friend Bunty, and squeezing in precious visits with her boyfriend Charles whenever he can get leave. It’s 1941, and the war dominates every aspect of life in London.
As the story opens, the British Ministry of Information convenes a briefing for representatives of women’s magazines, urging them to do their patriotic duty by promoting recruitment of women workers to support the war effort. For Emmy, this represents a chance to advance in her journalism career, but as she visits a munitions factory as part of her research, she learns that there’s a darker side to women’s factory work: For those with small children, childcare can be difficult to impossible to find, and women who sneak their children into the factories so they can watch them face immediate firing.
Emmy learns as well that some of these women are war widows or have husbands missing in action, so that the factory work is not only patriotic, but is essential to their families’ financial survival.
Despite the magazine needing to keep up the positive portrayal of woman’s war work, Emmy can’t help feeling that she’s letting their readers down by not advocating for more attention to the needs of the workers — especially since there are supposed to be government-funded nurseries, but only if the factory owners make the effort to make the arrangements, and apparently, many of them don’t bother.
The story of the factory workers with whom Emmy becomes friends becomes a main thread of the plot of Yours Cheerfully. Interspersed with this is Emmy’s friendship with Bunty, recovering from injury and terrible loss after events in Dear Mrs. Bird, and the story of Emmy’s romance with Charles. There are sweet romantic moments, as well as a depiction of the challenges of everyday life during war and the fragility of every moment of happiness, knowing sorrow could be just around the corner.
I enjoyed Yours Cheerfully, although it starts very slowly. My interest was slow to engage, but eventually I was drawn in by the story of the factory workers, whom we come to know as individuals, each with their own backstory, and by the ups and downs faced by Emmy and Charles as they try to juggle courtship and engagement with the realization that Charles is likely to be sent overseas at any moment.
Yours Cheerfully is a quiet book — even the moments of greater action, such as a march to promote nurseries for the munitions workers, are fairly mild affairs. The characters are all lovely, but the book doesn’t build a great sense of drama or urgency. It’s a very nice read, but I can’t say I ever felt compelled by the plot or totally engrossed.
Overall, Yours Cheerfully provides a thoughtful look at women on the homefront during war, depicting the bravery embodied in carrying on during a time of heightened tragedy and crisis, and the power of friendship and joy to see the characters through the worst of times.
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Is it wrong for a grown-ass woman to be completely in love with a teen TV series? If so… well, guilty as charged. I binge-watched this adorable, addictive series over the past week, and become instantly obsessed.
Love, Victor is a Hulu original series that starts out as a spin-off of the 2018 movie Love, Simon (which is an adaptation of the 2015 young adult novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli). Got all that? Love, Victor has just aired its 2nd season, and if anything, it’s even better than the first.
Each of the two seasons includes ten 30-minute episodes — perfect for nonstop bingeing!
The storyline centers on lead character Victor Salazar, a 15-year-old whose family has moved from Texas to Atlanta after a messy situation (not immediately explained) involving his parents. Victor, along with his two siblings, has to start over, and for Victor, it’s a chance to redefine himself and figure out who he wants to be.
He’s heard great things about Creekwood High, especially when it comes to Simon Spier, a former student who was cheered on by the entire student body when he had the ultimate romantic moment kissing the boy of his dreams on a ferris wheel. (See Love, Simon or read the book if you want to know more!) For Victor, he’s inspired by the idea of Simon, but also annoyed that Simon’s situation seemed to be so easy while for Victor it’s complicated as hell.
For starters, Victor is the son of conservative Catholic Latinx parents who are fine with tolerating nontraditional approaches to life, so long as they’re not in their own family. Victor is also trying to understand his own sexuality, definitely attracted to boys but not quite ready to come out or declare himself gay.
When Mia Brooks, a totally sweet and cute popular girl, takes an interest in Victor, he allows himself to fall into a relationship with her. He likes her and thinks she’s great, and quickly learns that being Mia’s boyfriend gives him instant acceptance at Creekwood. (Being a top basketball player doesn’t hurt either). He even likes kissing her… although when she’s ready for more and he’s absolutely not, he has to face some hard facts — like he’s just not attracted to girls.
Meanwhile, Victor develops an immediate and intense crush on Benji, an out and proud gay boy who attends his high school (and who I think looks distractingly like Rob Pattinson/Edward Cullen). Victor works with Benji at the local coffee shop, where they become good friends, although Victor doesn’t dare admit to his growing more-than-friendly feelings.
Season 1 ends with Victor and Benji embarking on a new chapter and with Victor coming out to his parents. And it’s awesome! And even more awesome that I watched the season when the 2nd season had already dropped, so I could continue straight on through.
Season 2 picks up right where season 1 ends, with Victor coming out to his parents, who are not able to put aside their own biases in order to give him the support he needs. While dealing with his parents’ reactions (especially his mother’s), Victor and Benji are moving forward with their relationship, navigating being out as a couple at school and what that might mean for them.
Victor faces hostility and intolerance from some of his basketball teammates, which becomes one of the season’s overarching storylines. The show also shows Victor and his best friend Felix’s parallel journeys into first love, first relationships, and losing their virginity. I really appreciated the honesty and anxiety depicted about becoming sexually active, feeling really nervous about it, and figuring out whether they’re ready.
Victor and Benji are lovely together, although over the season, certain differences between them build up obstacles that neither had foreseen while in the rosy days of first love. And as the season winds to a close, a love triangle comes into play and the series has the inconsiderate audacity to end on a cliffhanger!
I’m totally Team Benji, by the way, and if you want to know why, you might want to check out this adorable clip:
And just another little taste of sweetness:
I don’t want to give the wrong impression, that this show is just sweetness and light and sweet kissy moments. The characters all face challenges and emotional ups and downs, both the teens and the adults. In season 2, there are many heavier moments, including Felix’s struggle to support his bipolar mother, a Muslim boy’s desire to live his truth but fearing his parents’ reactions, and issues of trust and secrets that affect several of the couples in the series. Additionally, Victor’s parents’ storyline in season 2 is especially strong, as they deal with both the strains in their marriage and their different reactions to Victor’s coming out.
The acting is strong all around in both seasons. Season 2 features some great cameos, and the main cast is terrific all the way through.
I can’t recommend Love, Victor highly enough! I’m thrilled that Hulu has confirmed renewal for a 3rd season already, although I’m frantic over that cliffhanger ending and the fact that it’ll probably be a year before season 3 airs. That’s a long time to be in suspense!
But seriously, check out this sensitive, sweet, funny show. It may be a teen TV series, but adults will love it too.
Title: She Wouldn’t Change a Thing Author: Sarah Adlakha Publisher: Forge Books Publication date: August 10, 2021 Length: 304 pages Genre: Contemporary fiction/time travel Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐
Rating: 2 out of 5.
Sliding Doors meets Life After Life in Sarah Adlakha’s story about a wife and mother who is given the chance to start over at the risk of losing everything she loves.
A second chance is the last thing she wants.
When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband, daughters, and unborn son.
But she also knows that, in only a few weeks, a devastating tragedy will strike her husband, a tragedy that will lead to their meeting each other.
Can she change time and still keep what it’s given her?
Exploring the responsibilities love lays on us, the complicated burdens of motherhood, and the rippling impact of our choices, She Wouldn’t Change a Thing is a dazzling debut from a bright new voice.
In She Wouldn’t Change a Thing, time travel is less a fantasy element and more of a nightmarish trap that sends a person back into their own earlier life.
Maria is close to her due date for her third child, married mostly happily but also incredibly frazzled, mother to two adorable daughters, and a successful psychiatrist, when a strange new patient shows up in her office. Sylvia comes with disjointed warnings and rambles on about having a purpose. She gives Maria a warning about her own life, and tries to gain Maria’s understanding — but Maria naturally sees Sylvia as delusional and offers medication and follow-up visits.
Later, Maria learns that Sylvia has killed herself, and has left a note for Maria. She can’t shake Sylvia’s words, and despite knowing she should ignore the warning, follows up. I won’t go into details on what happens next, but after a terrible encounter, Maria wakes to find that she’s back in her childhood home, in her 17-year-old body.
Completely frantic, Maria’s parents believe she’s having a breakdown, and Maria soon finds herself confined to a psych ward. Maria knows that she’s not schizophrenic, but who would believe a teen girl who claims to be a pregnant 39-year-old needing to return to her husband and children?
Time travel in this book, as we learn, is typically triggered by a death or a violent event which propels the person back to an earlier point in their lives — with a purpose. There’s something they have to accomplish, and it’s typically at great cost. For Maria, once she realizes her purpose, there’s an understanding that accomplishing her purpose will change events so completely that she and her husband will never meet. And while she thinks she may have a way to get back to her own life, it would mean ignoring this purpose, and ignoring the chance to save an innocent life. She has to decide — does she give up her “real” life to do the right thing, or put her need to be back with her family above everything else?
I’m a fan of well-conceived time travel plots, and can even accept far-fetched scenarios — but something about this concept of being sent back with a purpose really set my nerves on edge. I suppose if you believe in higher beings and deities and predestination, maybe this might be more appealing, but for me, it just smacks of quasi-religious mumbo jumbo.
There’s no good “why” to all of this. Okay, fine, there’s a purpose… but why these people and not others? Why doesn’t every unfair death get deleted and reversed? Why isn’t the world overrun with people from the future?
In Maria’s story, there are overlaps and revisions in her life, and we see characters from her own time transformed and changed by the actions she takes once she goes back. Some of the convergences are interesting, but for the most part, most of this plot felt forced and illogical to me.
As I said, I love a good time travel story. Sure, I can buy the idea of a woman wandering into a stone circle and being transported 200 years back in time (as happens in a certain favorite series…), but in She Wouldn’t Change a Thing, the mechanics and reasons and the higher purpose elements of the story just didn’t work for me at all.
Beyond the plot falling flat for me, the writing style is often awkward and clunky, and certain lines and stylistic choices took me right out of the plot. Overall, not a great reading experience for me… your mileage may vary.
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Two exes reach a new level of awkward when forced to take a road trip together in this endearing and humorous novel by the author of the international bestseller The Flatshare.
What if the end of the road is just the beginning?
Four years ago, Dylan and Addie fell in love under the Provence sun. Wealthy Oxford student Dylan was staying at his friend Cherry’s enormous French villa; wild child Addie was spending her summer as the on-site caretaker. Two years ago, their relationship officially ended. They haven’t spoken since.
Today, Dylan’s and Addie’s lives collide again. It’s the day before Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked, and the wedding is in rural Scotland–he’ll never get there on time by public transport.
So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart–and ask themselves whether that final decision was the right one after all.
In The Road Trip, exes Dylan and Addie are forced into spending time together on a road trip from hell. In sections alternating between “Now” and “Then”, we see the awful hours spent in the car as well as flashbacks to their first days of romance — and most importantly, learn how they went from swooningly in love to completely estranged over the last few years.
Addie and Dylan first meet in the most romantic of settings, a huge villa in the south of France where Dylan is vacationing and Addie is the summer caretaker. There’s an immediate attraction, and within days they’re spending every waking moment together (as well as every night in bed together). Even when they’re joined by a swarm of Dylan’s buddies (including his posh but toxic best friend Marcus), Dylan and Addie are inseparable.
When the holidays are over, they pick up their relationship back in England, but not without hiccups. Addie is a teacher in training, and Dylan is still trying to find himself. He’s a poet, and wants to pursue a graduate English degree, but his domineering, emotionally abusive father wants him to either join the family business or be cut off entirely. On top of this, Marcus wants Dylan by his side constantly and resents Addie’s presence, and does what he can to pry the two apart.
Meanwhile, in the “now” portions of the story, the cramped Mini and its passengers encounter hazards and accidents and a variety of unfortunate escapades they make them later and later to the wedding. The upside of the crowded car and the endless hours on the road is that Dylan and Addie are literally thrown together, and are finally forced to confront the circumstances that drove them apart. Emotions run high, truths are shared, and ultimately, the couple have an opportunity to face the problems that came between them and to admit to the deep love that still exists.
The Road Trip is not nearly as light and fluffy as I’d expected it to be, but it works remarkably well. The “now” side of things is mostly light-hearted and comical — there’s spilled breast milk and a random trucker and an ill-timed pee break and a musty motel room without enough beds… not to mention a mad dash to save the bride from a stalker and getting lost in a faux castle. It can be quite silly, but the more we get to know the characters, the more endearing it all is.
In the “then” parts of the story, Addie and Dylan go through tremendous ups and downs, and these sections are much more wrenching than the “now”. The author gives a sensitive portrayal of two young adults with enormous chemistry and a deep love between them, yet shows that other people and other problems can derail even the most devoted of couples. A love story that starts in a summer villa has the feel of a perfect fantasy romance, but when it has to survive in the real world of jobs and family and unreliable friends, the fantasy elements fall away and the couple’s love faces its hardest tests.
I listened to the audiobook, and it was wonderful. There are different narrators for the Addie and Dylan sections, and can I just take a minute to fangirl over the fact that Eleanor Tomlinson narrates Addie??? Eleanor Tomlinson is the actress who played Demelza in the BBC series Poldark, and she’s wonderful. Her narration gives so much character and expressiveness to Addie. I’m not sure whether I’d have enjoyed it nearly as much in print — the narration is that good!
Overall, The Road Trip is often touching, sometimes very sad, quite a bit silly, and frequently very romantic. There’s a nice mix of serious and fun moments, and the framing of a hellish road trip works very well as a contrast to the sweetness and then sorrow of the earlier days of Addie and Dylan’s relationship.
The characters are all well-drawn and nicely detailed, from leads Addie and Dylan, to an array of supporting characters including sad-sack Rodney, unsteady and mostly unlikeable Marcus, Addie’s wild sister Deb, and the very over-the-top bride Cherry. Their banter and arguments and lighter moments feel very in tune with how they’ve been depicted, and I really enjoyed the time spent with them.
The Road Trip is a great summer read, and I especially recommend the audiobook edition. Enjoy!
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Bookshelf Fantasies 