Jazz Bashara is a criminal.
Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.
Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.
I suppose I should acknowledge up front that it was practically impossible that Andy Weir’s second novel would measure up to his hugely successful first novel, The Martian. I mean, The Martian was amazing, plain and simple. It was fresh, it was new, it was smart, and it was highly entertaining.
So how does an author follow up such a tremendous hit?
Well, in this case, with a book that’s fun and light, but feels a little too familiar to really leave much of a mark.
In Artemis, Jazz (short for Jasmine) is a criminal-lite — she smuggles contraband while working as a porter, plans to become a wealthy EVA (extravehicular activity) tour guide, and meanwhile works odd jobs that are not quite legit in order to pay for her coffin-like bed chamber. (Calling it an apartment would be way overselling it.) Jazz seems to be well-connected, and while avoiding getting on the bad side of what passes for the law in Artemis, she drinks, avoids her observant Muslim father, and is something of a wise-ass.
When a mega-rich tycoon offers her a million slugs (moon currency) to carry out a dangerous, shady bit of sabotage, she sees a way to finally pay off some long-standing debts and improve her standard of living, but of course, nothing goes as planned. And when that escapade turns into a fiasco, she’s pulled into a worsening situation that involves murder, organized crime, and even more dangerous missions. If Jazz is caught, she’ll face deportation back to Earth, which would absolutely suck for her, since she’s lived on the moon since age six and wouldn’t be able to handle Earth’s gravity.
That’s the plot in a nutshell. Jazz is a survivor, and she manages to get on people’s bad sides constantly, and yet charms them into helping her anyway. She comes up with some clever plans, but naturally what ever can go wrong, does go wrong.
The book reads like a moon-based heist caper, like Ocean’s Eleven in a space bubble. We’ve got a scrappy gang applying their various skills to pull off one big job, making millions, disrupting a bunch of bad guys, and making sure that their little world ends up better than it started. Sure, there’s science and space involved — instead of robbing a casino, for example, here they’re trying to blow up a smelting plant, but it’s the same basic idea.
It all feels familiar somehow. As a science fiction reader, I’ve read other books about life on other planets with humans living in biospheres. I’ve seen plenty of caper flicks. So yes, putting those elements together is fun, and Artemis is definitely entertaining, but it doesn’t have that outrageous spark that powered The Martian.
Jazz herself is a bit problematic, verging on tokenism. Kudos for putting a Muslim woman in the main character role, and certainly her relationship with her father and the conflict between his beliefs and her approach to life are interesting — but she seems very cookie cutter to me. I didn’t get a feel for who she is beneath the surface facts — independent, mid-twenties, rebellious, daring… but when, for example, she ends up kissing one of the male characters toward the end of the book, it was completely out of the blue. I had no idea she had any interest in him, but it’s just that kind of story where you know the main character has to have a love interest, and the only question is which of the available characters will be it.
I enjoyed the time spent reading Artemis, but at the same time, it’s not a book that will stick with me now that I’m done. Still, I like Andy Weir’s writing and use of science to tell a story, and look forward to seeing what he does next.
Author: Andy Weir
Publisher: Crown Publishing Group
Publication date: October 3, 2017
Length: 384 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley