Book Review: The Last Emperox by John Scalzi

Title: The Last Emperox (The Interdependency, #3)
Author: John Scalzi
Publisher: Tor
Publication date: April 16, 2020
Length: 336 pages
Genre: Science fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

The collapse of The Flow, the interstellar pathway between the planets of the Interdependency, has accelerated. Entire star systems—and billions of people—are becoming cut off from the rest of human civilization. This collapse was foretold through scientific prediction… and yet, even as the evidence is obvious and insurmountable, many still try to rationalize, delay and profit from, these final days of one of the greatest empires humanity has ever known.

Emperox Grayland II has finally wrested control of her empire from those who oppose her and who deny the reality of this collapse. But “control” is a slippery thing, and even as Grayland strives to save as many of her people from impoverished isolation, the forces opposing her rule will make a final, desperate push to topple her from her throne and power, by any means necessary. Grayland and her thinning list of allies must use every tool at their disposal to save themselves, and all of humanity. And yet it may not be enough.

Will Grayland become the savior of her civilization… or the last emperox to wear the crown?

Bravo to John Scalzi for this masterful conclusion to an entertaining and exciting sci-fi trilogy! Not every trilogy sticks the landing, but The Last Emperox absolutely does.

The story picks up right after the end of The Consuming Fire, as the Interdependency’s existence is threatened by the collapse of the Flow, the impossible-to-explain time/space stream that connects the various star systems of the empire. The Flow is what allows humankind to survive, since the empire was designed specifically to make each settlement and star system not self-sustaining, but dependent on all the others. As the Flow starts to disappear, the worlds of the Inderdependency will find themselves cut off and lacking vital resources, and unless a solution is found, the people there will be doomed to a slow, inevitable extinction.

As if that weren’t enough to deal with, Emperox Grayland II, the supreme leader of the Interdependency, has already survived a couple of assassination attempts and failed coups, and her future’s not looking too great either. Despite the threat to their very existence, the noble houses can’t seem to stop their endless backstabbing and manipulation, each attempting to grab as much power as possible for themselves, without worrying too much about the fate of the billions of commoners whose lives are at stake.

As always, John Scalzi’s writing is full of snark and snappy dialogue, as well as complex political machinations and intricate science fiction scenarios to drool over. Also, I just get such a kick out of his unique names for characters, including two of my favorites, Senia Fundapellonan and Nadashe Nohamapetan.

(To be clear, Nadashe Nohamapetan is a terrible person. I just love her name.)

My favorite character (although it’s hard to choose) would have to be Kiva Lagos, who is super smart, totally kick-ass, and never met a sentence that wouldn’t be better with a few f-bombs. I love this interchange between her and Senia (who’s speaking first here):

“It’s not a great idea to be too in love with your own cleverness.”

“What are you, my mother?”

“If I were your mother, I’d use the word ‘fuck’ more often.”

“It’s a perfectly good word.”

“Sure,” Senia said. “Maybe not as every other word that comes out of your mouth, though.”

“I don’t even hear myself saying it, half the fucking time.”

Senia patted Kiva. “I know that. You’d hear it if I used it as much as you did.”

“No I wouldn’t.”

“Fucking yes you fucking absolutely fucking would.”

“Now you’re just exaggerating.”

“Not by much.”

I won’t go into plot developments, because I don’t want to ruin anyone’s fun. I will say, though, that the ending goes in a way I never would have imagined, and it totally threw me for a loop! It’s cool, though, and makes sense, and even though the story comes to a satisfying close, I’d love to get an update on these characters and this world down the road and find out how it all worked out for them in the long run.

The Interdependency is, plain and simple, a great, funny, exciting, intricate sci-fi space opera. I had a blast reading these books. Read all three!

Interested in The Interdependency? Check out my reviews of books 1 & 2:
The Collapsing Empire
The Consuming Fire

Book Review: The Consuming Fire by John Scalzi

Title: The Consuming Fire (The Interdependency, #2)
Author: John Scalzi
Publisher: Tor
Publication date: October 16, 2018
Length: 336 pages
Genre: Science fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

The Consuming Fire―the sequel to the 2018 Hugo Award Best Novel finalist and 2018 Locus Award-winning The Collapsing Empire―an epic space-opera novel in the bestselling Interdependency series, from New York Times bestselling author John Scalzi

The Interdependency―humanity’s interstellar empire―is on the verge of collapse. The extra-dimensional conduit that makes travel between the stars possible is disappearing, leaving entire systems and human civilizations stranded.

Emperox Grayland II of the Interdependency is ready to take desperate measures to help ensure the survival of billions. But arrayed before her are those who believe the collapse of the Flow is a myth―or at the very least an opportunity to an ascension to power.

While Grayland prepares for disaster, others are preparing for a civil war. A war that will take place in the halls of power, the markets of business and the altars of worship as much as it will between spaceships and battlefields.

The Emperox and her allies are smart and resourceful, as are her enemies. Nothing about this will be easy… and all of humanity will be caught in its consuming fire.

If you like scheming and backstabbing, interplanetary exploration, geeky scientists, and kick-ass women, have I got a book for you!

The Consuming Fire is the second book in John Scalzi’s Interdependency trilogy, and it goes ten thousand miles per minute from start to finish. No middle-book doldrums here!

We pick up where we left off at the end of The Collapsing Empire. The Flow is collapsing, meaning that the shortcuts through space-time that allow interplanetary travel are starting to disappear without warning. Planets find themselves completely cut off from the rest of human settlement, and any ships in transit who are unfortunate enough to be caught in a Flow stream when it collapses don’t simply float off into space — they basically just blink out of existence.

How does the Flow work? It’s like a river, except it’s nothing like a river, as the story’s Flow physicists continually remind other characters. So, for mere humans like us (I’m assuming you and I are in this together), just accept the fact that SCIENCE. We wouldn’t understand.

Meanwhile, the people of the Interdependency are crafty and clever and absolutely not to be trusted. Most would (and maybe already have tried to) sell their own grandmothers for a chance at greater power. The leader of the Interdependency, Emperox Grayland II, is a smart, savvy, deceptively calm leader who refuses to bow to the nasty, murderous families who want to unseat her.

There’s plotting and faked deaths and bank fraud, prison assassination attempts (toothbrush and spoon shivs are involved) and space battles, previously undiscovered civilizations, and lots of random hook-ups. The characters are classic Scalzi, smart and full of smart-ass commentary and loads and loads of fun .

The 3rd book in the trilogy, The Last Emperox, was just released, and I’m eagerly waiting for my copy to arrive.

If you enjoy sci-fi with plenty of action and a great sense of humor, then you should absolutely check out this trilogy.

Book Review: The Collapsing Empire by John Scalzi

Title: The Collapsing Empire (The Interdependency, #1)
Author: John Scalzi
Publisher: Tor
Publication date: March 21, 2017
Length: 336 pages
Genre: Science fiction
Source: Purchased
Rating:

Rating: 3.5 out of 5.

The first novel of a new space-opera sequence set in an all-new universe by the Hugo Award-winning, New York Times-bestselling author of Redshirts and Old Man’s War.

Our universe is ruled by physics and faster than light travel is not possible — until the discovery of The Flow, an extra-dimensional field we can access at certain points in space-time that transport us to other worlds, around other stars.

Humanity flows away from Earth, into space, and in time forgets our home world and creates a new empire, the Interdependency, whose ethos requires that no one human outpost can survive without the others. It’s a hedge against interstellar war — and a system of control for the rulers of the empire.

The Flow is eternal — but it is not static. Just as a river changes course, The Flow changes as well, cutting off worlds from the rest of humanity. When it’s discovered that The Flow is moving, possibly cutting off all human worlds from faster than light travel forever, three individuals — a scientist, a starship captain and the Empress of the Interdependency — are in a race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

It’s been a while since I’ve read John Scalzi — about a year and a half, in fact, since I finished his Old Man’s War series. And I gotta say, it’s great to be back!

The Collapsing Empire is the first book in the Interdependency trilogy, which concludes with the upcoming The Last Emperox, to be published in April 2020.

In this trilogy, humanity has left Earth behind and has settled in a vast collection of systems known as the Interdependency, which functions as an empire ruled by hereditary royalty (the Emperox), with a leadership council made up of representatives of the ruling houses (the nobility), the church, and the parliament. The Emperox is the supreme leader and is also the head of the church. Whew. Kind of complicated.

The planets of the Interdependency are far-flung and without (non-existent) faster than light travel, would be completely isolated from one another. But there’s the Flow, a space-time current that, well, flows between the different system and allows for interplanetary commerce and travel. It’s been assumed that the Flow is stable, but a new, secret study shows that it’s collapsing… and once it collapses, the worlds it connects will once again be isolated. And given how interwoven economically the worlds of the Interdependency are, isolation will likely mean the eventual extinction of the human race, as none of these worlds are capable of self-sustenance.

That’s a lot to take in, right? I actually started this book as an audiobook, as I usually love Scalzi audiobooks thanks to (a) the humor and (b) the awesome narration by Wil Wheaton. With The Collapsing Empire, though, I had to switch to print before I even made it through the prologue. There was simply too much detail to take in, and for me at least, absorbing it all merely by listening just wasn’t going to work.

Thankfully, once I switched to print, I definitely got into the flow (ha!) of the story. It’s not terribly long, but the author absolutely packs it full of people, governmental systems, intricate family relationships, backstory on trade and rebellions, and much, much more.

But beyond how much world-building there is to adjust to, there’s the fun of the characters and their craziness. Scalzi books are always funny, and his characters here are not comic, but so clever and snarky that they made me giggle anyway. There ‘s a lot of scheming and manipulation and threats and bribery and intimidation, and it’s all great fun. Not to mention the fact that the story itself is pretty compelling — I’m going to want to get my hands on the next book, The Consuming Fire, just as soon as I can.

While I really enjoyed this book, I think it was perhaps just a little too packed for my taste. I had to stop and reread paragraphs all the time, just to make sure I was absorbing all the points about the government and the planets and the laws and the houses… like I said, it’s a lot.

Do I recommend this book? Definitely! But just be aware that while it’s mostly light-hearted, it’s not actually a light read. Be prepared to put in a bit of effort, and it’ll be fine.

Book Review: The Vanished Birds by Simon Jimenez

Title: The Vanished Birds
Author: Simon Jimenez
Publisher: Del Rey Books
Publication date: January 14, 2020
Length: 400 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley

Rating: 4 out of 5.

A mysterious child lands in the care of a solitary woman, changing both of their lives forever in this captivating debut of connection across space and time.

“This is when your life begins.”

Nia Imani is a woman out of place and outside of time. Decades of travel through the stars are condensed into mere months for her, though the years continue to march steadily onward for everyone she has ever known. Her friends and lovers have aged past her; all she has left is work. Alone and adrift, she lives only for the next paycheck, until the day she meets a mysterious boy, fallen from the sky.

A boy, broken by his past.

The scarred child does not speak, his only form of communication the beautiful and haunting music he plays on an old wooden flute. Captured by his songs and their strange, immediate connection, Nia decides to take the boy in. And over years of starlit travel, these two outsiders discover in each other the things they lack. For him, a home, a place of love and safety. For her, an anchor to the world outside of herself.

For both of them, a family.

But Nia is not the only one who wants the boy. The past hungers for him, and when it catches up, it threatens to tear this makeshift family apart. 

The Vanished Birds is both lovely and perplexing, a science fiction story about space travel and corporate domination that’s also a deeply personal story about love, identity, and home.

The book opens on what we come to learn is a Resource World owned by the ubiquitous Umbai corporation. At first glance, we’ve arrived in a rural, agricultural community that seems quaint and unsophisticated. The people of the village work in the dhuba fields; their crop is collected once every 15 years by the space travelling ships that carry out trade across the galaxy.

A boy in the village, Kaeda, is seven years old when he sees the ships arrive for the first time, and he’s immediately captivated by their beauty as well as by the mysterious allure of Nia Imani, the ship’s captain.

The trick here, though, is that ships travel through Pocket Space, secret folds through time that allow them to travel faster than the time passing on the planets. The fifteen years in between visits to Kaeda’s world take only eight months on Nia’s ship. The beautiful first chapter of The Vanished Birds traces the strange relationship between Kaeda and Nia, as each of her visits reintroduces her to Kaeda at a different point in his life, from boyhood to youth to adult to elder.

Later, a strange boy arrives in Kaeda’s world, seemingly out of nowhere. Mute, naked, and scarred, he’s taken in by Kaeda, but because it’s clear that he’s from elsewhere, he’s then given into Nia’s care.

The story shifts to Nia and her crew as they travel with the boy, trying to unravel his secrets and keep him safe. From here, the plot expands outward. We meet Fumiko Nakajima, the brilliant scientist who leaves behind her strange upbringing on a dying Earth to become the creator of the interplanetary systems of travel that fuel the next thousand years. And we learn more about the end of Earth, the expansion of Umbai and their tight control, and the different concepts of space travel.

But what really is essential here is the language and the people. The writing in The Vanished Birds is almost poetic at times, filled with unusual imagery and looping writing. The characters are complex, as are their relationships with time and memory.

While we see the unspeakable cruelty of Umbai and the degradation of the lives considered lesser, the exploitation of the Resource Worlds, and the easy dismissal of the value of life, most of science fiction elements are in soft focus. We learn about the methods of travel, the research institutes and their obscene experimentation, but very little of it is explained in great detail. This book is less hard science fiction and much more a meditation on the meaning of it all.

While beautifully written, at times The Vanished Birds frustrated me, as I do tend to gravitate toward a more literal science fiction approach, and occasionally wanted more straight-forward answers and explanations.

Still, this book overall is an unusual and emotionally powerful read. I think it’ll be on my mind for quite some time, from the almost folkloric beginning to the tragic but inevitable end.

Highly recommended.

For more on The Vanished Birds, check out:

Review – The Captain’s Quarters
The Big Idea – from John Scalzi’s Whatever blog
Review – AV Club
Review – Locus Magazine
Review – Tor.com

A novella two-fer: Heartwarming holiday tale and nuns in space

It’s time for another two-fer post — a quick wrap-up of two recent reads. In this case, I borrowed two novellas from the library this week, and while they’re quite different, I definitely enjoyed them both.

 

The Deal of a Lifetime by Fredrik Backman: Definitely not as Christmas-y as you might think from looking at the cover. This is a sweet (veering close to the edge of overly sentimental) tale of a man having to assess what makes a life valuable, and what it means to trade a life for a life. The prose is clear and simply stated, and there are illustrations throughout that emphasize the loveliness of the small moments that make a life. This is a quick read, and the little hardcover I borrowed from the library would make a really nice gift for fans of the author.

Length: 65 pages
Published: 2017
Rating:

Rating: 4 out of 5.

Sisters of the Vast Black by Lina Rather: This science fiction novella is set on board a living ship, the space-voyaging convent Our Lady of Impossible Constellations. The nuns on the ship travel to the outer reaches of the four systems, ministering to the sick and performing rites and rituals, largely independent of government and church politics. I was fascinated by the concept of the ship as a living creature — this novella would be worth reading just for the descriptions of the ship’s biology! The lives of the sisters hold more secrets than is immediately apparent, and their interactions with one isolated colony planet thrust them into the middle of an interstellar power play that is likely to result in devastation.

I really enjoyed the plot of Sisters of the Vast Black. I think I would have liked it even more as a full-length novel. Events seem somewhat rushed in this shorter form, and likewise, I would have preferred a little more time to get to know the characters as individuals. Still, despite these minor quibbles, I heartily recommend this sci-fi adventure. Nuns in space!! Really, what more do you need to know?

Length: 176
Published: 2019
Rating:

Rating: 4 out of 5.

Two quick 4-star reads for the end-of-the-year rush! Check ’em out.

Book Review: Do You Dream of Terra-Two? by Temi Oh

When an Earth-like planet is discovered, a team of six teens, along with three veteran astronauts, embark on a twenty-year trip to set up a planet for human colonization—but find that space is more deadly than they ever could have imagined. 

Have you ever hoped you could leave everything behind?
Have you ever dreamt of a better world?
Can a dream sustain a lifetime?

A century ago, an astronomer discovered an Earth-like planet orbiting a nearby star. She predicted that one day humans would travel there to build a utopia. Today, ten astronauts are leaving everything behind to find it. Four are veterans of the twentieth century’s space-race.

And six are teenagers who’ve trained for this mission most of their lives.

It will take the team twenty-three years to reach Terra-Two. Twenty-three years locked in close quarters. Twenty-three years with no one to rely on but each other. Twenty-three years with no rescue possible, should something go wrong.

And something always goes wrong.

Do You Dream of Terra-Two? is set during our lifetime, but in a world in which space exploration has advanced much further than in our own. There have already been successful human missions to Mars and Europa, and now, the ultimate goal is being frantically pursued.

Terra-Two is an Earth-like planet light years away, uninhabited but with atmosphere, geology, and natural resources suited for human life. With advanced technology, it will be possible for an initial expedition to reach Terra-Two with a 23-year flight.

The UKSA (United Kingdom Space Agency) is leading the way, and they’ve come up with a controversial approach: Train children from the age of 11 or 12 in an intensely competitive learning environment, so that by age 18, when the expedition is ready to launch, there will be a crew with a senior team and a younger generation in training. After all, even if they launch as teens, they’ll be in their 40s by the time they land. And once they land, it will be their role to prepare Terra-Two for the colonists coming after them.

As the book opens, we meet the students at Dalton Academy, the space training institution. They’re all fiercely smart, but motivated by different dreams and goals. There’s the rich pretty boy who’s the all-star athlete, who seems to have the easiest, most cushioned life; the twins, who each have secret dreams and desires motivating them; the beautiful girl who speaks over 20 languages but has her own demons, and more.

When an unexpected tragedy occurs the day before launch, the remaining crew is thrown into tumult, and a last-minute substitute is both elated at his opportunity and miserable over feeling like he’ll never be accepted or be good enough.

The book really gets going once the mission has launched. One striking element is how well we readers get a sense of the practically unbearable claustrophobia and monotony of being stuck in a contained vessel with the same small group of people FOR DECADES. Can you imagine how awful that must be, knowing that these other nine people are the only ones you’ll ever see or interact with for twenty-three years? I don’t know how they could manage to not go completely bonkers. (It’s not a spoiler to say that there are some pretty spectacular meltdowns and conflicts along the way — these are high-strung teens, after all.)

The plot of Do You Dream of Terra-Two? is fascinating and thrilling. I’m a sucker for a good space story, and I loved reading about the terror and the challenges of prolonged space flight, as well as the intricate interpersonal relationships that ensue when you have a small group in an enclosed space for such a long time.

I did feel that the book was possibly longer than it needed to be. At 500+ pages, it’s a lot, and sections dragged. Again, I don’t feel it’s a particular spoiler to say that the book does not cover all 23 years, but rather focuses on the lead-up to launch and mainly the first year after that — but it does wrap up in a way that’s both hopeful and satisfying (although one character’s conclusion particularly bothered me, but that’s by intention.)

Is it realistic that a space agency would train teens in this way and then send them into space? Well, maybe not — but even in this book,, we see that this is a controversial program that leads to international inquiries and protests. And because these are teens, despite their advanced training, there are moments of disobedience, rule-breaking, and emotional upset that wouldn’t occur with a more mature crew, yet serve here to create some of the drama between characters that drives the story.

All in all, I really enjoyed reading Do You Dream of Terra-Two?, and by the halfway point, just couldn’t put it down. It’s a great story, very unlike anything else I’ve read lately, and I’m really glad I gave it a chance. If you like stories of space exploration, check this one out!

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The details:

Title: Do You Dream of Terra-Two?
Author: Temi Oh
Publisher: Saga Press
Publication date: August 13 2019
Length: 544 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley

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Book Review: Artemis by Andy Weir

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you’ve got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she’s stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

 

I suppose I should acknowledge up front that it was practically impossible that Andy Weir’s second novel would measure up to his hugely successful first novel, The Martian. I mean, The Martian was amazing, plain and simple. It was fresh, it was new, it was smart, and it was highly entertaining.

So how does an author follow up such a tremendous hit?

Well, in this case, with a book that’s fun and light, but feels a little too familiar to really leave much of a mark.

In Artemis, Jazz (short for Jasmine) is a criminal-lite — she smuggles contraband while working as a porter, plans to become a wealthy EVA (extravehicular activity) tour guide, and meanwhile works odd jobs that are not quite legit in order to pay for her coffin-like bed chamber. (Calling it an apartment would be way overselling it.) Jazz seems to be well-connected, and while avoiding getting on the bad side of what passes for the law in Artemis, she drinks, avoids her observant Muslim father, and is something of a wise-ass.

When a mega-rich tycoon offers her a million slugs (moon currency) to carry out a dangerous, shady bit of sabotage, she sees a way to finally pay off some long-standing debts and improve her standard of living, but of course, nothing goes as planned. And when that escapade turns into a fiasco, she’s pulled into a worsening situation that involves murder, organized crime, and even more dangerous missions. If Jazz is caught, she’ll face deportation back to Earth, which would absolutely suck for her, since she’s lived on the moon since age six and wouldn’t be able to handle Earth’s gravity.

That’s the plot in a nutshell. Jazz is a survivor, and she manages to get on people’s bad sides constantly, and yet charms them into helping her anyway. She comes up with some clever plans, but naturally what ever can go wrong, does go wrong.

The book reads like a moon-based heist caper, like Ocean’s Eleven in a space bubble. We’ve got a scrappy gang applying their various skills to pull off one big job, making millions, disrupting a bunch of bad guys, and making sure that their little world ends up better than it started. Sure, there’s science and space involved — instead of robbing a casino, for example, here they’re trying to blow up a smelting plant, but it’s the same basic idea.

It all feels familiar somehow. As a science fiction reader, I’ve read other books about life on other planets with humans living in biospheres. I’ve seen plenty of caper flicks. So yes, putting those elements together is fun, and Artemis is definitely entertaining, but it doesn’t have that outrageous spark that powered The Martian.

Jazz herself is a bit problematic, verging on tokenism. Kudos for putting a Muslim woman in the main character role, and certainly her relationship with her father and the conflict between his beliefs and her approach to life are interesting — but she seems very cookie cutter to me. I didn’t get a feel for who she is beneath the surface facts — independent, mid-twenties, rebellious, daring… but when, for example, she ends up kissing one of the male characters toward the end of the book, it was completely out of the blue. I had no idea she had any interest in him, but it’s just that kind of story where you know the main character has to have a love interest, and the only question is which of the available characters will be it.

I enjoyed the time spent reading Artemis, but at the same time, it’s not a book that will stick with me now that I’m done. Still, I like Andy Weir’s writing and use of science to tell a story, and look forward to seeing what he does next.

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The details:

Title: Artemis
Author: Andy Weir
Publisher: Crown Publishing Group
Publication date: October 3, 2017
Length: 384 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley

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Book Review: Good Morning, Midnight

good-morning-midnight

Augustine, a brilliant, aging astronomer, is consumed by the stars. For years he has lived in remote outposts, studying the sky for evidence of how the universe began. At his latest posting, in a research center in the Arctic, news of a catastrophic event arrives. The scientists are forced to evacuate, but Augustine stubbornly refuses to abandon his work. Shortly after the others have gone, Augustine discovers a mysterious child, Iris, and realizes the airwaves have gone silent. They are alone.

At the same time, Mission Specialist Sullivan is aboard the Aether on its return flight from Jupiter. The astronauts are the first human beings to delve this deep into space, and Sully has made peace with the sacrifices required of her: a daughter left behind, a marriage ended. So far the journey has been a success, but when Mission Control falls inexplicably silent, Sully and her crew mates are forced to wonder if they will ever get home.

As Augustine and Sully each face an uncertain future against forbidding yet beautiful landscapes, their stories gradually intertwine in a profound and unexpected conclusion. In crystalline prose, Good Morning, Midnight poses the most important questions: What endures at the end of the world? How do we make sense of our lives?

Good Morning, Midnight is a melancholy, introspective novel, with moments of great beauty. And yet, it doesn’t quite succeed — or at least, not for me.

The set-up is interesting: An older man who chooses to remain in his isolated Arctic environment when all others evacuate, knowing that he may not have another opportunity to leave, and the crew of a space mission returning to their home planet with no idea of what awaits them. The book deals with the extremes of loneliness: What does it mean to be the last humans? How does existing have meaning when there likely is no possibility of a future? What does it mean to live without connection to others?

While the themes are interesting, the plot is a bit thin. This is a book about what happens within the souls of people in extreme situations; it’s not a typical post-apocalyptic adventure story. And yet, setting up a plot like this without offering explanation left me feeling very frustrated. Granted, the characters themselves did not get any answers, but I wanted to at least know the cause.

As the astronauts approach Earth orbit, they observe that the planet looks normal — no obliterating dust clouds, no evidence of massive destruction — and yet there’s the eerie fact that the night side of the globe has none of the twinkling lights they’d expect to see. The planet has gone dark, and no one responds to their attempts at communication. The mysterious catastrophe is not the point of the story, but rather what’s left for those who remain, but I simply couldn’t be satisfied without knowing more.

An additional negative for me is the revelation of a connection at the end of the book that’s entirely too coincidental for my taste. It makes the parallel storylines a bit too neat, and is both unnecessary and unbelievable.

Good Morning, Midnight didn’t fully engage my interest, and there are some serious flaws in the approach to the story. I was much more engaged by the idea of the story and how it might go than by the actual execution. Perhaps I expected more science fiction based on the description, and felt let down to discover that the sci-fi set-up is merely a frame for a story that’s very much a look at people’s interiors.

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The details:

Title: Good Morning, Midnight
Author: Lily Brooks-Dalton
Publisher: Random House
Publication date: August 9, 2016
Length: 272 pages
Genre: Science fiction
Source: Library

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