Jane the Virgin premiered on the CW back in 2014, and ran for five seasons. Back in the day, I faithfully watched season 1, but then only watched about 4 or 5 episodes of season 2 before giving it up.
Why did I quit? I think maybe I just didn’t get it at the time. Or maybe the weekly cadence didn’t quite pull me in enough to be completely hooked.
But now? After finishing my binge of all five seasons, I can say with complete confidence the Jane the Virgin is GLORIOUS.
What makes it so special? I’ll try to explain.
First, the basics: Jane Gloriana Villaneuva is a 23-year-old college student when we first meet her. She works part-time as a waitress at the swanky Marbella hotel in Miami, is studying to become a teacher, and lives with her mother Xiomara and grandmother Alba.
Alba is an undocumented immigrant from Venezuela, a devout Catholic, and the moral center of Jane’s life. Xiomara had Jane at age 16 as a single teen mom, and has told Jane all her life that the father was an army soldier passing through with whom she had a brief fling.
One of Jane’s core beliefs was instilled in her by her abuela from a young age — your virginity is like a flower that you must protect. Once it’s gone you can never get it back!
Jane is also very much in love with her boyfriend Michael, a police detective who’s sweet, kind, funny, and head over heels in love with Jane. And who’d really like to have sex with her, except she’s vowed to wait until marriage, despite their hot and heavy make-out sessions.
All is right with Jane’s world until she goes in for a pap smear, and ends up artificially inseminated instead by a distracted doctor who mixes up her patients. What’s a pregnant virgin to do?
From here, things get crazier and crazier. The sperm used to impregnate Jane belongs to Rafael Solano, the incredibly hot owner of the Marbella who froze his sperm sample prior to undergoing chemotherapy several years earlier. His marriage to scheming Petra is on its last legs, and Petra had planned to set insemininated with his only sperm sample as a way to hold onto the money that comes with her marriage.
And so many more twists and turns! The key thing to know about Jane the Virgin is that it’s about how much the Villanueva women love telenovelas, and the telenovela theme is what gives Jane the Virgin its style and approach.
So yes, there are long-lost twins and evil crime lords, amnesia and kidnappings, blackmail and murder, and so much more. There’s also a telenovela within the telenovela, since Jane’s father turns out to be Rogelio de la Vega, the star of the hit telenovela The Passions of Santos.
As the narrator often reminds us: “I know! Straight out of a telenovela!”
And yes, there’s a narrator, and he’s phenomenal. Funny, sarcastic, dramatic, he adds spice and humor to every scene, as well as the little subtitles and texts and emojis that pop up too. It works, trust me.
I think one of the things that didn’t work for me when I first watched the show was the telenovela aspect. I didn’t care about the crime and conspiracies, the police investigations, the crazy drug lord caper…
But with this binge, I was better able to appreciate the beauty of the whole, and how the crazy plot aspects balance so well against the marvelous depiction of daily life for a loving family.
Because that’s what this show is really about, at its core. The relationships between Jane, Xiomara, and Alba are lovely, so full of heart and devotion and real day-to-day experience. Yes, they fight and get fed up, but at the end of the day, these three women are strong and solid, and we can always count on their porch-swing heart-to-hearts to put things right.
A few more favorite things:
Magical realism: This show makes fabulous use of magical realism, from showing Jane’s heart glowing when she’s in love to the swirling flower petals that fill the air during an important kiss. It’s a lovely nod to Latin American literary traditions, and it adds so much.
Jane’s writing career: Jane is an aspiring writer, and we see her progress from tentatively sharing her dream to pursuing graduate school, then working on her first novel, and finally achieving success. It’s hard for movies and TV to show a writer at work and make it interesting, but Jane the Virgin does an amazing job of showing Jane’s struggles and her process.
High-stakes at the hotel: It just cracks me up how the ownership of the Marbella is such an issue throughout the entire show. Someone is always buying or giving or stealing hotel shares, so while Rafael might be the owner one day, he can be out on his ear the next. It’s super silly, and makes me roll my eyes, and is yet one more ridiculous but fun piece of the whole.
Rogelio: Oh, man. There’s nobody like Rogelio. He is incredibly vain, a total name-dropper, and yet also the sweetest man alive. He never fails to remind us that he’s super handsome and a big star with flawless skin, but he’s also vulnerable and loving and loves his family so, so much. He’s also hilarious.
The love triangle: For what it’s worth, I was Team Rafael from the start, and even when that didn’t work out quite as I’d hoped in season 1, I always held out hope. Through their ups and downs, Jane and Rafael managed to form a friendship that saw them through heartbreak and co-parenting challenges, so when they finally (spoiler alert!) make a go of it, it feels real and truly earned. (Sorry, Team Michael fans! I just never really felt it.)
Representation: It’s amazing to see so many talented Latinx actors center stage. And I love that Alba speaks almost exclusively in Spanish throughout the show, and that’s just who she is. Dialogue flows seamlessly from Spanish to English and back again, and it works so well.
Life: Beneath the silliness of so many plot devices, there are real issues that real people face — so many of which rarely get any attention on TV. We see Jane struggling with breast feeding and the feelings of inadequacy that can come with lactation challenges. We see Xiomara’s breast cancer diagnosis and treatment, presented so incredibly thoughtfully and sensitively — including how a woman’s relationship with her own sexuality might change in the aftermath of chemo and all the changes it brings. We also see Alba’s quest to become a citizen, going from a woman terrified of the police for fear that she’ll be deported, through the process of pursuing a green card and finally becoming a full citizen.
There’s so much more — loss and grief, establishing a family and what it means, Jane and Rafael’s efforts to co-parent in a way that supports their son even when they themselves are at odds, their struggle with son Mateo’s ADHD diagnosis and coming to terms with treatment options — I could go on and on. The beauty of Jane the Virgin is that the melodramatic twists never overshadow the day-to-day realities of people living realistic lives. It’s a hard balance to maintain, but the show does it beautifully.
I know I’ve rambled on, probably more than enough. But really, when a show is this great, I just want to shout about it! Jane the Virgin is a perfect binge for these coronavirus times. It’s full of joy and heart, is never dull, and reminds us that life can be full of magic.
Survivor’s 40th season ended this week. 40 seasons! Can you believe it? Now, I haven’t watched every single one and I in no way claim to be an expert, but as someone who watches the show week in and week out, I thought I’d chime in today and share my thoughts on the season and the winner.
First, my Survivor history: I watched Survivor season one twenty years ago, when it was new and different, when we all thought we were watching a show about actual survival that quickly became a show about alliances and social strategy. I know I watched at least one more season (Australia), but let it fade out of my life after that. I didn’t return to Survivor again until 2011, for season 24, “One World” — I was looking for something fun and different to watch with my 9-year-old son, and this worked for us! And I’m pretty sure I’ve seen every season since.
Back to season 40: With “Winners at War”, Survivor brought back 20 previous winners, some who’ve played multiple times, some who appeared only once but managed to win and make a big impression. Some of these players are Survivor gods by now — who hasn’t heard of Parvati or Tyson or Boston Rob? For a lot of Survivor winners — and even non-winners who are extremely popular with fans — Survivor celebrity can be a career all on its own.
It was, I thought, a pretty cool concept to bring back all these winners and let them battle it out. There were a bunch of old-school winners (Rob, Sandra, Parvati, Yul, etc), and plenty of newer winners too. I liked the idea, and I liked seeing these Survivor icons thrown together in new and different ways. And yes, I liked the awkwardness too, like when Nick confessed that Parvati was his Survivor crush way back when.
BUT… the game design itself this time around had serious flaws, and these came close to ruining the whole season for me.
For the 2nd time, Survivor included the ridiculous Edge of Extinction twist, only this time, it wasn’t a surprise. In normal seasons, when someone is voted out, that’s it — they’re gone. Well, unless they’re voted out post-merge, in which case they become a jury member. Still, there’s a very clear distinction. Either you’re in, or you’re out. The tribe has spoken.
With Edge of Extinction, voted-out players get sent to a different island, where they basically just sit around, occasionally compete for rewards, and wait for a chance to get back into the game. Mostly, they seem bored, and spend a lot of time talking about how tough they have it. These players all form the jury, so while they’re not playing with the remaining active players, they’re watching every Tribal Council and keeping up with the ins and outs of gameplay.
And then, the EoE players get two chances to return to the game — through challenges that happen about midway through (Tyson won, only to get voted out again pretty quickly), and three days before the end. And man, do I have a problem with this! More on that in a minute.
The other twist this season was the introduction of Fire Tokens, described as a “Survivor currency”. As players win rewards, they also earn these tokens, which can be spent on luxury items (like blankets or peanut butter) or saved to gain advantages down the road.
The fire tokens became a part of the interplay between EoE players and the players still in the game. Someone on EoE could sell an advantage to an active player, or extort them by demanding payment of tokens in order to avoid a disadvantage. The absolutely worst part of the fire tokens was being able to use them to gain advantages in the battle-back competition.
As the voted-out players spent time on EoE, there were numerous opportunities to gain tokens. The longer you’re there, the more chances there are. So a player who managed to last in the main game until day 30 had almost no chance to get any sort of advantage to re-enter the game, versus someone voted out early on, who spent weeks gathering tokens as rewards.
In season 38, a player who reentered from EoE ended up winning the game, and it was a controversial win for sure. This person may have lasted a long time, but did he actually play the game?
Here, in season 40, it was even worse. Natalie, voted out on day 2 of the game, the very first person voted out, spent 30+ days on Edge of Extinction. She won a ton of challenges over there and collected more fire tokens than any other player. She had all those weeks to bond with every other voted-out player, all of whom were jury members, to observe the main game from her own jury seat, and to never have to worry about getting removed from play permanently.
When it came time for the final battle-back challenge, Natalie used her token to buy herself three advantages in the challenge plus an immunity idol to bring back into the game with her if she won.
And if you ask me — that’s ridiculous! Having someone have major advantages like that at such a key moment is just out and out unfair. If I were any of the other players trying to get back in, I’d be frustrated and mad as hell. Naturally, Natalie won, and then tried to dominate the few days left by using her idol and spreading (possibly false) info that everyone on the Edge was saying Tony would absolutely win — hoping to use this as a lever to break up his alliance and get the others to turn against him.
Natalie’s reentry into the game was a disruption that didn’t seem fair or right. The other remaining players at that point had survived through challenges, social gameplay, and numerous tribal councils. I just really don’t like the concept of a voted-out player being able to re-enter so late in the game and stand a chance of winning — and especially being able to re-enter with an idol already in her pocket.
The final three ended up being Natalie, Michelle, and Tony. As I’ve said, I don’t think Natalie deserved a place there at all, and the fact that she lasted at EoE while hanging out with the rest of the jury didn’t seem like it could possibly justify handing her any votes to win.
I’ve never like Michelle as a player. I didn’t think she deserved her first win against Aubry, and I didn’t see her doing much of anything worthwhile in this game aside from lacking enough presence as a player to make anyone else want to target her. Yes, she lasted, but she didn’t actually do anything other than winning immunity at a couple of key times.
As for Tony — well, honestly, I’m delighted he won. I would have loved to see both him and Sarah at the final tribal, either with Ben or Denise. Now that would have been a showdown! This, by the way, is why I feel that the process is flawed when it comes to the end. There’s got to be a way that’s better than a fire-making challenge for determining the final three. Maybe when it’s down to four, you have one person win immunity, then let the remaining three battle it out for the next two spots? Otherwise, the one who wins that particular immunity challenge gets an outsized amount of power.
I hate seeing weak players at final tribal, with great players voted out (or eliminated by fire) in the 4th or 5th position. I get it — you want to win, so you try to make sure you’re sitting next to someone you can beat. But wouldn’t it be cool to have three amazing players at the end, each with a really strong argument to pitch to the jury?
I was sad to see Sarah out of the competition — but was practically in tears myself watching Tony and Sarah hug and share “I love you”s.
Tony was the right winner. He’s a delight to watch, no doubt about it. His crazy antics keep the show entertaining and surprising. How can you not love a guy who perches in a tree for hours? And actually, one of my favorite moments was earlier on when he helped Sarah infiltrate the other team’s camp to find an advantage. They were an amazing duo!
As for Edge of Extinction, I’ve seen a bunch of speculation that the producers basically had to do this in order to lure back the big-time former winners. I guess no one wants to come back with all the hoopla around this season and then get voted out right away. Still, I think it’s a weird and unnecessary addition to the game, it eats up airtime (and isn’t all that interesting), and it upsets the game dynamic, but in a negative (not creative) way. I’m hoping they do away with both EoE and fire tokens in future seasons!
Kudos, however, to Survivor production for going all-out with this season’s loved ones visit, which usually is super hokey. This time around, they brought not just one family member, but the entire family for each player. Yup, more waterworks as I watched all the various competitors dissolve into mom and dad tears as their kids ran out for hugs! So sweet, and I loved that unlike other seasons, everyone got to spend time with their families, not just the winners of a challenge.
Overall, it was a really fun season, and it was great to see some old-time players back in the game. Of course, I did feel like I was missing out by not knowing some of the “classic” winners… so maybe I should “challenge” myself to use my shelter-in-place time to watch some older seasons.
No matter how many seasons of Survivor I watch, I always end up hooked. Here’s to many more! Hopefully, next season’s final episode won’t be hosted out of Jeff Probst’s garage.
And hey, a question for my fellow Survivor fans out there: If I were going to go back and watch an old season for the first time, which do you recommend, and why?
You may have already seen me mention that my newest TV kick is watching Zoey’s Extraordinary Playlist, a new show on NBC that debuted in January this year. Remember January? Back when we could actually leave our houses?
Zoey’s Extraordinary Playlist is a total ray of sunshine in these gloomy days, and I’m loving it to pieces. Here’s the trailer, to give you a taste of what it’s all about:
Zoey is a super-talented engineer at a tech company in San Francisco. She’s close to her family, and torn up over her father’s degenerative disease. A weird encounter with an MRI machine during an earthquake gives her the power to hear people’s secret emotions as songs.
Does it make sense? Well, no. But that’s okay. Just go with it. Because it is just too cute to bother poking holes in the plot.
Not only does she hear songs, she sometimes experiences these musical messages as full-on song and dance numbers — which only she can hear or see. And, as she learns, some of these songs demand action — either she reaches out to try to help the person singing to her, or she’ll hear the song everywhere she goes.
Like I said, logically, realistically, scientifically, it doesn’t make any sense. But who cares? The show is charming and upbeat, often moving (I’m not crying! You’re crying!), enthusiastic, entertaining, and just plain fun. And don’t we all need some fun right about now?
Here are an assortment of terrific musical moments from the nine episodes that have aired so far:
Okay, this is just scratching the surface, and there are so many more that I can’t find decent videos for (including an amazing version of Fight Song performed completely in ASL).
Look, what else do you have to do during these long days of sheltering in place? Give Zoey a chance! And if you’ve watched the show, tell me — what have been your favorite musical numbers so far?
Title: Shrill Author: Lindy West Publisher: Hachette Publication date: May 17, 2016 Length: 260 pages Genre: Essays Source: Purchased Rating:
Rating: 4.5 out of 5.
Coming of age in a culture that demands women be as small, quiet, and compliant as possible–like a porcelain dove that will also have sex with you–writer and humorist Lindy West quickly discovered that she was anything but.
From a painfully shy childhood in which she tried, unsuccessfully, to hide her big body and even bigger opinions; to her public war with stand-up comedians over rape jokes; to her struggle to convince herself, and then the world, that fat people have value; to her accidental activism and never-ending battle royale with Internet trolls, Lindy narrates her life with a blend of humor and pathos that manages to make a trip to the abortion clinic funny and wring tears out of a story about diarrhea.
With inimitable good humor, vulnerability, and boundless charm, Lindy boldly shares how to survive in a world where not all stories are created equal and not all bodies are treated with equal respect, and how to weather hatred, loneliness, harassment, and loss–and walk away laughing. Shrill provocatively dissects what it means to become self-aware the hard way, to go from wanting to be silent and invisible to earning a living defending the silenced in all caps.
I’d never read anything by Lindy West before picking up this book, although I’d certainly heard of her. And now? Consider me a fan.
To be shrill is to reach above your station; to abandon your duty to soothe and please; in short, to be heard.
In Shrill, the author presents both personal stories from her own life and sharp critiques of society and culture, and manages to insert humor and clever language into even the saddest moments.
There are asome particularly funny pieces, like an analysis of Disney’s fat female characters. Upshot: There aren’t many, and they certainly aren’t main characters, or presented as worthy of either desire or empathy. A realization related to the animated version of Robin Hood:
The most depressing thing I realized while making this list is that Baloo dressed as a sexy fortune-teller is the single-most positive role model of my youth.
More serious pieces deal with body image, fat shaming, and the awful, insidious nature of internet trolls.
One piece that brought me to tears was “The Day I Didn’t Fit”, which is all about flying while fat. It made me mad and also made me feel guilty. Haven’t we all glared at people coming down the plane aisle, praying for whatever reason — their weight, having a child with them, or just some introverted/anti-social instinct — that they won’t end up sitting next to us? This essay really made me think about being on the other end of the equation, and how soul-killing it must be to have to deal with this every single time you fly.
I love Lindy West’s forthright, blunt statements, as in this one from the essay “You’re So Brave for Wearing Clothes and Not Hating Yourself!”:
As a woman, my body is scrutinized, policed, and treated as a public commodity. As a fat woman, my body is also lampooned, openly reviled, and associated with moral and intellectual failure. My body limits my job prospects, access to medical care and fair trials, and — the one thing Hollywood movies and Internet trolls most agree on — my ability to be loved. So the subtext, when a thin person asks a fat person, “Where do you get your confidence?” is, “you must be some sort of alien because if I loked like you, I would definitely throw myself into the sea.”
This book is entertaining and moving and inspirational. I will absolutely be seeking out more by Lindy West (including her newest book, The Witches Are Coming, which I just got a copy of).
I need to also mention that I came to the book Shrill after watching the Hulu series Shrill (adapted from the book, with Lindy West as an executive producer). The Hulu series is a fictional account of a woman based on the author, who starts off pretty downtrodden and mistreated, but over the course of the six half-hour episodes, finds her voice and grows into a proud, loud, shrill woman. Aidy Bryant is awesome and adorable and wonderful in the role. And the pool party scene is one of the best things ever, seriously.
I highly recommend the series, and can’t wait for season 2, coming January 24th, 2020.
My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
I ended up staying home three days this week due to a family medical situation (all is well, but I was just needed around the house) — so on the plus side, I ended up with more time for reading than usual!
What did I read during the last week?
Storm Cursed by Patricia Briggs: The newest Mercy book! Loved it, of course. My review is here.
Red, White & Royal Blue: A totally adorable love story! Really a delightful read. My review is here.
The Unhoneymooners by Christina Lauren: Light & fluffy romance. My review is here.
And a novella too! I read (and loved) The Undefeated by Una McCormack. My review is here.
I did a lot of thinking about TV this week, I guess, since I posted not one but two TV-related pieces:
After my somewhat insane splurging last week, I made it through a week with no book purchases at all. Yay, me!
What will I be reading during the coming week?
Currently in my hands:
Westside by W. M. Akers: Just getting started, but I like it already!
Now playing via audiobook:
A River of Stars by Vanessa Hua: My book group’s pick for May. Getting close to the end — which is good, since our discussion starts this week.
Two ongoing book group reads at the moment:
A Fugitive Green by Diana Gabaldon, from the Seven Stones To Stand or Fall collection: We’re just starting this (long) short story (novella?) this week. I’ve read it once before, but it’s a good one! Looking forward to sharing it with the group
The Pickwick Papers by Charles Dickens — our current classic selection. I’m all caught up, which is good — it’s my turn to write chapter summaries this week.
Pop culture footnote:
I’m writing this on Sunday, counting the hours until the Game of Thrones finale. My anxiety levels are creeping higher and higher. I hope the ending isn’t a major letdown.
I wouldn’t say I’ve been watching more TV than usual lately, but I thought I’d mention a few shows that were highlights for me this past week:
The Big Bang Theory. Is it too obvious to say that this show when out with a bang? After 12 seasons, the series finale of The Big Bang Theory aired this past week. I’ve had my moments of absolutely loving this show, although I think the last few seasons have been kind of spotty and the jokes a little too predictable. Still, twelve seasons with characters we care about is a pretty big accomplishment. For the most part, I was happy with the finale. (Spoilers ahoy!)
Sheldon and Amy won a Nobel prize!
Raj got to go the award ceremony with Sarah Michelle Gellar — not too shabby for a guy who didn’t used to be able to speak in front of women.
We finally got to see the Wolowitz children. (Adorable, of course).
Okay, but here’s where I get a little stuck: Penny is pregnant. After making very clear that she had no desire to have children, ever, and Leonard asserting that he accepted her choice, the show left Penny with a surprise, unplanned pregnancy, and she and Leonard seem perfectly happy about it. What happened? Why did the show feel the need to tack this on at the very end? If Penny had been ambivalent, or had said she didn’t want kids YET, it might feel more okay. But no, suddenly she’s totally into it, with no on-screen discussion whatsoever.
Look, I get that these are fictional characters on a sit-com and that the series finale is not the place for a serious conversation. But then why include it at all? It’s as if the show is saying that a marriage can’t be truly happy without children, that a couple needs a baby to be complete. And I think this sucks. Why not respect Penny’s very clear choice? Or at the very least, deal with it earlier in the season so Penny and Leonard could talk about it in a meaningful way? Choosing to be childless is a valid choice, and the show should have respected it, rather than forcing Penny and Leonard — a couple who don’t follow the usual path in their marriage — into a happily-ever-after formula that doesn’t suit them. Grrr.
Dead To Me. Who else is watching/has watched Dead To Me on Netflix? I just binged it this weekend, and loved it. With a terrific cast and a pretty dark sense of humor, the show zips through 10 30-minute episodes. Never boring, often deeply emotional, with plots twists and craziness and ridiculous situations galor, Dead To Me is hard to describe without giving away key plot elements. Let’s just say: It’s the story of a recently widowed mother of two who befriends a somewhat kooky woman through a grief support group, but really nothing is as simple as it seems. There’s a powerhouse ending — I want more!
Check out the trailer:
Santa Clarita Diet: Oh, I’m so sad to have come to the end of this zombies-in-suburbia series! What a pity that Netflix has chosen not to renew it for a 4th season. Drew Barrymore and Timothy Olyphant are spot-on hilarious as realtors Sheila and Joel, who sell houses, raise their daughter, and find bad guys for Sheila to kill and eat in order to quench her cravings for flesh. Sheila is undead, you see, and that’s kind of hard on a marriage. This show is amazing, really — crazy developments, terrific cast and guest stars, and buckets and buckets of blood (which means that if you’re at all squeamish, you probably shouldn’t watch).
The show ended with a cliffhanger, which makes it all the more awful that there won’t be more. C’mon, Netflix, give it another chance!
Game of Thrones: For anyone talking about TV today, this is the elephant (dragon?) in the room. But I’m just not going to get into it right now. There are thousands and thousands of opinion pieces out there related to the season so far — no one needs mine on top of that! As I write this, we’re about 4.5 hours away from the series finale, and I can barely breathe through all my anxiety over the ending. Will I be satisfied? Will the show do the remaining characters justice? AAAAAAGH. So hard to wait.
Are you watching any of these? Please share your thoughts!
Oh, Survivor. What did you do to my show this season?
I can’t call myself a superfan. There were bunches of seasons that I just didn’t watch. But I’ve been back in for the last 8 – 10 seasons, and it’s been a blast. There’s just something about Survivor. The personalities, the scheming, the strategizing, the challenges — it’s a suprisingly entertaining little social experiment, with stakes of $1 million dollars each time a batch of new players hits the beach.
The 38th season of Survivor wrapped up this past week, and geez — what a letdown. In some ways, the season was doomed from the start due to a weird and dull-but-infuriating theme. Here are some thoughts on the highs and lows, and where I think the season really went wrong.
New and returning players. This season, we had 14 new players and 4 returning players. Why, Survivor, why? The four returnees are all relatively recent players, all very popular with fans despite never winning the game. And I mean, it’s nice to see them again — but who decided it would be a good idea to mix new and returning this way? The new players, while some quite starstruck, nevertheless pretty immediately banded together to decide to get rid of the returnees. They were seen as big threats, and the general feeling seemed to be, “they had their shot already — this is OUR time.” Two returnees were placed on each of the two tribes, making them outnumbered from the start, and despite some good alliance-building, they never really seemed to have a shot at making it to the end.
I like seeing returning players (well, some of them, at any rate), but not in such a weird ratio to new. I’d much rather watch an all-returnees season, or a fans vs favorite set-up, where at the least the numbers are even going into the game. I couldn’t really figure out the rationale here, and it ended up seeming like a waste of good, exciting players to put them in this no-win situation.
The returning players
Edge of Extinction was a disaster. The concept here is a new one for Survivor. Instead of being out of the game once voted out, as expected, each player who’s voted out has a choice: Go home (to Ponderosa) and kick back until the game is over, or grab a torch and get in the boat to the Edge of Extinction. All of the players voted out chose the torch, naturally, and then they just sat around on a bare island, waiting… and waiting… and waiting. The voted-out players had a chance to compete to get back in the game mid-way through, and then again toward the end, when only a handful of players remain. And lo and behold, the guy who ended up winning the game spent 28 out of 39 days on the Edge of Extinction. So how did he win the game, and was it fair?
In my view, no, it wasn’t fair. Chris, the winner, was the 3rd person voted out of the game. He then had all those weeks to hang out with all of the other voted-out players, all of whom ended up being the Survivor jury. So he had a chance to make friends, resolve any hurt feelings, not compete, and basically just lay low, meanwhile scooping up all sorts of intel that ended up giving him an edge when he did win his way back in.
No disrespect to Chris — he’s not the one who created the concept. But it does seem like a bizarre twist, and one that gives an edge to someone who actually played much less than the other remaining contestants. And by playing less, he didn’t piss people off, have to compete, deal with alliances or betrayals, or any of the other key elements of game play. It just doesn’t make sense to me.
The final three
On top of the fairness question, Edge of Extinction had a strangely diluting impact on the TV show itself. Most episodes featured some amount of check-in time with the voted-off players, who really weren’t doing anything of note, which ended up taking time away from the action amongst the players who were actually still in the game. At first, the twist seemed kind of cool… but once it became clear that there was nothing actually happening at Edge of Extinction, it became more and more clear that something was off about the entire concept.
They need to fix the final four elimination. A couple of seasons ago, the Survivor powers-that-be added a fire-making competition to determine the final three. At the very last immunity challenge, when there are four players left, the winner automatically goes to final three. He/she then gets to pick who also goes to final three, and the remaining two have to compete to make fire, with the winner getting the 3rd spot in the finals.
The problem is, it’s a dumb way to figure out the finalists. In seasons where there’s someone who’s a clear favorite to win, unless that person wins that last immunity challenge, there’s no way anyone (with an eye on winning a million dollars) will bring that person to the end. And fire-making is a crapshoot. Someone could be a great fire maker, but just have an off day or maybe the wind is blowing wrong. It’s just so disappointing to see someone play a truly great game and get knocked out right before the end.
That’s what happened here. Chris, returned from Edge of Extinction, won the final immunity. The other three contestants included Rick Devens, the clear favorite to win, and two others, Gavin and Julie, who made almost no impression on me with their gameplay. Chris made the risky decision to give his immunity to Gavin and go up against Rick in the fire-making, knowing that (a) if he won, it would be a big move for his Survivor resume and increase his odds of winning the ultimate prize, and (b) if he lost, well, he would have lost to Rick in the final anyway, so why not chance it?
The player most likely to win… until he got knocked out in the fire-making competition.
Chris made a smart move — but I still hate it. At four, it feels like too much power in the hands of the person who won the last immunity challenge. And if that particular challenge happens to be one that the best overall player isn’t suited to, they’re pretty much guaranteed to be eliminated. Look what happened to Malcolm the first time he played — if he’d made it past that last challenge, he’d have won the game.
My suggestions? Try a different approach. Maybe make the remaining three battle it out three ways, with the top two finishers moving to the finals. Or maybe allow hidden immunity idols to still be played at final four, offering one more reward to a person who hustled to find it. I just can’t stand seeing finals where the strongest player has been pushed out, so we end up with lackluster players who made it to the end because no one saw them as dangerous enough to vote out.
Will I keep watching Survivor? You betcha. But I hope the show runners take steps to fix some of the problems from this season.
For anyone who watched, what did you think of this season? Did you think the right person won? Hit me up in the comments!
Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Bingeworthy TV Shows/Movies. Yes, I’m an avid read, but I do love my TV binges too! Here are ten shows that are well worth an obsessive binge — some old, some in their current runs, all entertaining as hell.
In no particular order:
Buffy the Vampire Slayer
The Walking Dead
The Good Place
Grace & Frankie
What shows do you love to binge? Please share your TTT link!
I’m having oodles of fun binge-watching TV… and I’m totally in love with three shows that are ridiculously fun.
First up: Claws on TNT
You haven’t lived until you’ve seen the glory of Desna, the nail salon owner turned money launderer turned Dixie Mafia kingpin (queenpin)… who always looks completely fabulous, whether sitting poolside or driving her Maserati or breaking into a drug-smuggling warehouse. The show’s true heart is the nail salon and the friendship of the women who work there with Desna. They’re hilarious, ridiculous, outrageous, over the top, and also, surprisingly moving.
Desna got into a life of crime reluctantly, needing a way to support her autistic brother and working toward her dream of establishing a more upscale salon. Pill-pushing clinics, gun-toting criminals, and plain bad luck have gotten in her way, but I keep rooting for Desna to free herself from all the crazy criminal shenanigans and get back to that amazing nail art.
I absolutely did not expect that this would be a show for me, but after much prodding from a couple of co-workers, I gave it a try, and I was hooked. You can’t take it seriously, but if you want escapist summer fun, Claws is top of the list.
And then there’s my more recent discovery: Harlots on Hulu
Yes, it’s about harlots. 18th century London prostitutes, two competing madams bitterly at war with one another, the “culls” (customers) who frequent the brothels, and the overall rotten condition of being a woman at a time when women had no power over their own lives. The show is written, directed, and produced by women, and it shows: The emphasis is not on bodies and sex, but on the women characters’ minds, desires, frustrations, and yearnings. It shows the limited options women had to control their own lives, and paints a pretty grim picture of what sex workers experience each day.
And yet, it’s a remarkably fun and entertaining show! Visually, Harlots is a treat. We alternate between seeing the mucky streets and filthy dress hems with ogling the gowns and wigs of the upper class (and the brothels that cater to the rich and noble). Oh, those wigs! Can we talk about the wigs for a minute? Powdered, sky-high, utterly glorious… between the wigs and the costumes, this show is just a feast for the eyes. Add in a compelling plot and terrific acting, and you’ve got some idea of why I’m obsessing over this show right now.
Finally, I’m loving the hell out of C B Strike on Cinemax:
And this is where the severed leg comes in.
C B Strike is a TV show that crept in while I wasn’t looking! I’d heard that a TV adaptation of the J. K. Rowling (Robert Galbraith) detective series was in the works, but had no idea it had been completed and released already! Three seasons are all available on Cinemax, each season covering the plot of one of the three books in the series. Season 1 is The Cuckoo’s Calling (murdered model), shown in 3 episodes. Seasons 2 and 3 are two episodes each, covering The Silkworm (murdered writer) and Career of Evil (body parts by special delivery). All are excellent, in large part because of the two excellent actors in the lead roles of Cormoran and Robin. They have great chemistry, and Cormoran especially is just what I imagined from the books.
The plots of the books are really dense and packed with detail, so the pacing of the TV series took a bit of getting used to. They manage to squeeze in enough to make the storie make sense without getting bogged down. It actually amazes me that they were able to condense the plot threads and clues enough to work in so few episodes — but the show is definitely a success.
Added bonus: It has been a while since I read Career of Evil, but now I’m back up to speed and completely ready to continue reading about Cormoran and Robin when book #4, Lethal White, comes out this fall!
Those are my top three… but I’m also really excited about the new season of Killjoys, and plan to dive into Castle Rock this week too.