Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.
Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.
Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!
Title: The Blue Salt Road Author: Joanne M. Harris Published: 2019 Length: 215 pages
What it’s about (synopsis via Goodreads):
An earthly nourris sits and sings And aye she sings, “Ba lilly wean, Little ken I my bairn’s father, Far less the land that he staps in. (Child Ballad, no. 113)
So begins a stunning tale of love, loss and revenge, against a powerful backdrop of adventure on the high seas, and drama on the land. The Blue Salt Road balances passion and loss, love and violence and draws on nature and folklore to weave a stunning modern mythology around a nameless, wild young man.
Passion drew him to a new world, and trickery has kept him there – without his memories, separated from his own people. But as he finds his way in this dangerous new way of life, so he learns that his notions of home, and your people, might not be as fixed as he believed.
Beautifully illustrated by Bonnie Helen Hawkins, this is a stunning and original modern fairytale.
How and when I got it:
I bought a copy last year.
Why I want to read it:
This is a slim little hardcover book, and on my copy, the cover design is in silver, not white. So eye-catching! I just happened to be at my favorite bookstore one weekend and saw this book in the window, and felt completely drawn to it. I love folk tales and fairy tales, and a story about a selkie sounds just about perfect.
What do you think? Would you read this book?
Please share your thoughts!
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Want to participate in Shelf Control? Here’s how:
Write a blog post about a book that you own that you haven’t read yet.
Add your link in the comments!
If you’d be so kind, I’d appreciate a link back from your own post.
Once again, I’m joining in with the Top 5 Tuesday meme this week! Top 5 Tuesday is hosted by Bionic Bookworm, who posts the month’s topics at the start of each month. Today’s topic is Top 5 Opening Lines.
This is such a great topic! So many to choose from… but here are the five that come to mind for me:
1. Mr. and Mrs. Dursley of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much. Harry Potter and the Sorcerer’s Stone by J. K. Rowling
2. There was a hand in the darkness, and it held a knife. The Graveyard Book by Neil Gaiman
3. I did two things on my seventy-fifth birthday. I visited my wife’s grave. Then I joined the army. Old Man’s War by John Scalzi
4. Late one evening toward the end of March, a teenager picked up a double-barreled shotgun, walked in to the forest, put the gun to someone else’s forehead and pulled the trigger. Beartown by Fredrik Backman
5. People disappear all the time. Outlander by Diana Gabaldon
And one extra, because how can I leave out this classic?
6. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way […] A Tale of Two Cities by Charles Dickens
What are your favorite opening lines? Let me know, and please share your Top 5 link if you have one!
My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Life.
Work, work, work. Who said remote work was relaxing? Apart from getting to wear sweatpants all day, every day, I swear I’m more stressed working remotely than I ever was in my actual office.
But yeah, the sweatpants will be hard to give up when and if we finally return to on-site work.
And hey, here’s my puzzle for the week! Cute, right?
Sorry for the glare — it’s super-detailed bookstore, with really adorable and funny book titles and all sorts of adorable little details. (I’d try to get a better picture, but I already took it apart.)
What did I read during the last week?
If It Bleeds by Stephen King: Fabulous collection of four novellas. My review is here.
Ask Again, Yes by Mary Beth Keane: My book group’s book for May (and yes, I finished on time!). My review is here.
Sword of Destiny by Andrzej Sapkowski: Terrific audiobook! A must for Witcher fans — my review is here.
Pop culture — Outlander, season 5:
Ha ha, made you look! Season 5 of Outlander ended last week, so this was my first week since February without a new episode to watch. I guess it’s time to say good-bye for now and settle in for the next long Droughtlander.
Other TV watching:
I had fun doing a binge-watch of Dead to Me, season 2. Maybe not quite as funny and surprising as the first season, but still really enjoyable, and it left me wanting more.
I wrote up my thoughts on the season finale of Survivor: Winners at War, here.
Fresh Catch:
Two exciting new books this week:
My awesome daughter sent me this book for Mother’s Day! It’s gorgeous.
And… after finishing If It Bleeds (as a library e-book loan), I really felt like I needed my own copy, and luckily, I had an unused Amazon giftcard sitting on my desk just begging for some attention! The book arrived on Friday. The cover image (above) looks kind of flat-orangey, but in person, it’s got a bit of a gold glittery-ness to it. Very cool. (Also, I hadn’t noticed until I had the book in my hand that the cat face actually has a rat instead of a nose, and now I wish I’d never seen it! Eek.)
What will I be reading during the coming week?
Currently in my hands:
Beach Read by Emily Henry: I’m LOVING this book. I tore through about half today, and stopped only because (big surprise) I needed to get some work done.
Now playing via audiobook:
Akata Warrior by Nnedi Okorafor: The sequel to Akata Witch, which I really loved. I’m just getting started, but it’s great so far!
Ongoing reads:
Don Quixote by Miguel de Cervantes: I was within one chapter of being all caught up with my book group… and now I’m three chapters behind again. Boo.
A profoundly moving novel about two neighboring families in a suburban town, the bond between their children, a tragedy that reverberates over four decades, the daily intimacies of marriage, and the power of forgiveness.
Francis Gleeson and Brian Stanhope, two rookie cops in the NYPD, live next door to each other outside the city. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne—sets the stage for the explosive events to come.
Ask Again, Yes is a deeply affecting exploration of the lifelong friendship and love that blossoms between Francis and Lena’s daughter, Kate, and Brian and Anne’s son, Peter. Luminous, heartbreaking, and redemptive, Ask Again, Yes reveals the way childhood memories change when viewed from the distance of adulthood—villains lose their menace and those who appeared innocent seem less so. Kate and Peter’s love story, while tested by echoes from the past, is marked by tenderness, generosity, and grace.
In Ask Again, Yes, we follow the trajectories of two families over the years, seeing how their connections follow them and affect their entire lives.
Kate and Peter, born within months of each other, grow up as next door neighbors and best friends. Their fathers served on the police force together, and the families’ background are entwined in shared history and parallel origins. For Kate and Peter, they have no memory of life without the other. But a tragic, violent incident when they’re fourteen shatters both families’ lives, and cuts short the romantic relationship just starting to bloom between Kate and Peter.
Ask Again, Yes traces the roots of the family dynamics at play, and then follows Kate and Peter as their lives diverge and then come back together.
There’s a lot to unpack here — themes of mental illness, alcoholism and addiction, infidelity, parenthood and abandonment, the ups and downs of a long marriage — and yet, the story for the most part left me cold.
This story of family and suburban drama covers a lot of years, but feels diffuse somehow. The POV shifts between characters, so we view events through Kate and Peter’s eyes, but also through the experiences of their parents and others. Perhaps as a result, we often don’t stick with one character long enough to see an event through, and there seem to be some odd choices in terms of which events we experience in detail and which only get referred to in passing or in summary.
There are certainly some tragic occurrences, and places where tragedy could possibly have been avoided if appropriate mental health resources had either been available or sought out. I never really bought into the central love story between Kate and Peter, and the troubles they experience later in their marriage felt sort of shoe-horned in for me.
I read Ask Again, Yes as a book group read, and I’m thinking that I probably wouldn’t have picked this one up on my own. That said, the relationships are complex and thought-provoking — it’s simply not my preferred subject matter, and the writing didn’t engage or move me.
Still, I look forward to the book group discussion later this week. Maybe I’ll find more to appreciate once I hear what my book friends have to say about it!
Title: Sword of Destiny Author: Andrzej Sapkowski Narrator: Peter Kenny Publisher: Orbit Publication date: May 19, 2015 Print length: 384 pages Audio length: 12 hours, 58 minutes Genre: Fantasy Source: Purchased Rating:
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety.
In this collection of short stories, following the adventures of the hit collection THE LAST WISH, join Geralt as he battles monsters, demons and prejudices alike…
Ready to toss another coin to your Witcher?
Geralt is back! In this second collection of Witcher stories, Geralt of Rivia once more battles monsters, saves people who can’t save themselves, fights his inner demons — love and destiny — and returns again and again to the people who are central to his life.
This set of six stories covers a lot of ground, some already familiar from the Netflix series, some new to me, and all delightful. As with the previous collection, The Last Wish, there are some fairy tale references included that make these stories extra fun.
While each story stands on its own, there are key characters (Dandelion, Yennefer, Ciri) who appear repeatedly. While the stories seem to be presented roughly chronologically, they’re only loosely connected — yet I’m guessing as a whole that they’re important in laying the groundwork for the novels that come next in the book series.
As for the stories themselves, the book opens with the wonderful The Bounds of Reason, which corresponds to the 6th episode of the TV series, “Rare Species”, aka the one about the dragons. The plotline isn’t exactly the same, but the main points hold true, and it’s awfully fun.
There’s also a story that focuses on Geralt and Yennefer, a story set in Brokilon Forest where Geralt and Ciri meet for the first time, a Little Mermaid-ish tale, and more. Throughout, the recurring theme is Geralt’s struggle to understand destiny — does it exist? Are we obligated to follow it? Is destiny enough to bring two people together, or does it require something more?
I had the pleasure of listening to the audiobook, as I did with The Last Wish, and I loved it. Narrator Peter Kenny does an excellent job of bringing the characters to life. I just love his voice for Geralt, although all are quite good, and even when there’s a crowd scene or a big action sequence, there’s never any doubt who’s speaking.
As an added plus, the narrator SINGS in the story about a mermaid, since that’s what mermaid language sounds like. It’s amazing.
Now that I’ve finished Sword of Destiny, I abolutely intend to continue with the series, and most likely I’ll stick with audiobooks. Blood of Elves is up next. Can’t wait!
Survivor’s 40th season ended this week. 40 seasons! Can you believe it? Now, I haven’t watched every single one and I in no way claim to be an expert, but as someone who watches the show week in and week out, I thought I’d chime in today and share my thoughts on the season and the winner.
First, my Survivor history: I watched Survivor season one twenty years ago, when it was new and different, when we all thought we were watching a show about actual survival that quickly became a show about alliances and social strategy. I know I watched at least one more season (Australia), but let it fade out of my life after that. I didn’t return to Survivor again until 2011, for season 24, “One World” — I was looking for something fun and different to watch with my 9-year-old son, and this worked for us! And I’m pretty sure I’ve seen every season since.
Back to season 40: With “Winners at War”, Survivor brought back 20 previous winners, some who’ve played multiple times, some who appeared only once but managed to win and make a big impression. Some of these players are Survivor gods by now — who hasn’t heard of Parvati or Tyson or Boston Rob? For a lot of Survivor winners — and even non-winners who are extremely popular with fans — Survivor celebrity can be a career all on its own.
It was, I thought, a pretty cool concept to bring back all these winners and let them battle it out. There were a bunch of old-school winners (Rob, Sandra, Parvati, Yul, etc), and plenty of newer winners too. I liked the idea, and I liked seeing these Survivor icons thrown together in new and different ways. And yes, I liked the awkwardness too, like when Nick confessed that Parvati was his Survivor crush way back when.
BUT… the game design itself this time around had serious flaws, and these came close to ruining the whole season for me.
For the 2nd time, Survivor included the ridiculous Edge of Extinction twist, only this time, it wasn’t a surprise. In normal seasons, when someone is voted out, that’s it — they’re gone. Well, unless they’re voted out post-merge, in which case they become a jury member. Still, there’s a very clear distinction. Either you’re in, or you’re out. The tribe has spoken.
With Edge of Extinction, voted-out players get sent to a different island, where they basically just sit around, occasionally compete for rewards, and wait for a chance to get back into the game. Mostly, they seem bored, and spend a lot of time talking about how tough they have it. These players all form the jury, so while they’re not playing with the remaining active players, they’re watching every Tribal Council and keeping up with the ins and outs of gameplay.
And then, the EoE players get two chances to return to the game — through challenges that happen about midway through (Tyson won, only to get voted out again pretty quickly), and three days before the end. And man, do I have a problem with this! More on that in a minute.
The other twist this season was the introduction of Fire Tokens, described as a “Survivor currency”. As players win rewards, they also earn these tokens, which can be spent on luxury items (like blankets or peanut butter) or saved to gain advantages down the road.
The fire tokens became a part of the interplay between EoE players and the players still in the game. Someone on EoE could sell an advantage to an active player, or extort them by demanding payment of tokens in order to avoid a disadvantage. The absolutely worst part of the fire tokens was being able to use them to gain advantages in the battle-back competition.
Here’s why:
As the voted-out players spent time on EoE, there were numerous opportunities to gain tokens. The longer you’re there, the more chances there are. So a player who managed to last in the main game until day 30 had almost no chance to get any sort of advantage to re-enter the game, versus someone voted out early on, who spent weeks gathering tokens as rewards.
In season 38, a player who reentered from EoE ended up winning the game, and it was a controversial win for sure. This person may have lasted a long time, but did he actually play the game?
Here, in season 40, it was even worse. Natalie, voted out on day 2 of the game, the very first person voted out, spent 30+ days on Edge of Extinction. She won a ton of challenges over there and collected more fire tokens than any other player. She had all those weeks to bond with every other voted-out player, all of whom were jury members, to observe the main game from her own jury seat, and to never have to worry about getting removed from play permanently.
When it came time for the final battle-back challenge, Natalie used her token to buy herself three advantages in the challenge plus an immunity idol to bring back into the game with her if she won.
And if you ask me — that’s ridiculous! Having someone have major advantages like that at such a key moment is just out and out unfair. If I were any of the other players trying to get back in, I’d be frustrated and mad as hell. Naturally, Natalie won, and then tried to dominate the few days left by using her idol and spreading (possibly false) info that everyone on the Edge was saying Tony would absolutely win — hoping to use this as a lever to break up his alliance and get the others to turn against him.
Natalie’s reentry into the game was a disruption that didn’t seem fair or right. The other remaining players at that point had survived through challenges, social gameplay, and numerous tribal councils. I just really don’t like the concept of a voted-out player being able to re-enter so late in the game and stand a chance of winning — and especially being able to re-enter with an idol already in her pocket.
The final three ended up being Natalie, Michelle, and Tony. As I’ve said, I don’t think Natalie deserved a place there at all, and the fact that she lasted at EoE while hanging out with the rest of the jury didn’t seem like it could possibly justify handing her any votes to win.
I’ve never like Michelle as a player. I didn’t think she deserved her first win against Aubry, and I didn’t see her doing much of anything worthwhile in this game aside from lacking enough presence as a player to make anyone else want to target her. Yes, she lasted, but she didn’t actually do anything other than winning immunity at a couple of key times.
As for Tony — well, honestly, I’m delighted he won. I would have loved to see both him and Sarah at the final tribal, either with Ben or Denise. Now that would have been a showdown! This, by the way, is why I feel that the process is flawed when it comes to the end. There’s got to be a way that’s better than a fire-making challenge for determining the final three. Maybe when it’s down to four, you have one person win immunity, then let the remaining three battle it out for the next two spots? Otherwise, the one who wins that particular immunity challenge gets an outsized amount of power.
I hate seeing weak players at final tribal, with great players voted out (or eliminated by fire) in the 4th or 5th position. I get it — you want to win, so you try to make sure you’re sitting next to someone you can beat. But wouldn’t it be cool to have three amazing players at the end, each with a really strong argument to pitch to the jury?
I was sad to see Sarah out of the competition — but was practically in tears myself watching Tony and Sarah hug and share “I love you”s.
Tony was the right winner. He’s a delight to watch, no doubt about it. His crazy antics keep the show entertaining and surprising. How can you not love a guy who perches in a tree for hours? And actually, one of my favorite moments was earlier on when he helped Sarah infiltrate the other team’s camp to find an advantage. They were an amazing duo!
A favorite Tony moment
As for Edge of Extinction, I’ve seen a bunch of speculation that the producers basically had to do this in order to lure back the big-time former winners. I guess no one wants to come back with all the hoopla around this season and then get voted out right away. Still, I think it’s a weird and unnecessary addition to the game, it eats up airtime (and isn’t all that interesting), and it upsets the game dynamic, but in a negative (not creative) way. I’m hoping they do away with both EoE and fire tokens in future seasons!
Kudos, however, to Survivor production for going all-out with this season’s loved ones visit, which usually is super hokey. This time around, they brought not just one family member, but the entire family for each player. Yup, more waterworks as I watched all the various competitors dissolve into mom and dad tears as their kids ran out for hugs! So sweet, and I loved that unlike other seasons, everyone got to spend time with their families, not just the winners of a challenge.
Overall, it was a really fun season, and it was great to see some old-time players back in the game. Of course, I did feel like I was missing out by not knowing some of the “classic” winners… so maybe I should “challenge” myself to use my shelter-in-place time to watch some older seasons.
No matter how many seasons of Survivor I watch, I always end up hooked. Here’s to many more! Hopefully, next season’s final episode won’t be hosted out of Jeff Probst’s garage.
And hey, a question for my fellow Survivor fans out there: If I were going to go back and watch an old season for the first time, which do you recommend, and why?
Title: If It Bleeds Author: Stephen King Publisher: Scribner Publication date: April 21, 2020 Length: 447 pages Genre: Horror Source: Library Rating:
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
From #1 New York Times bestselling author, legendary storyteller, and master of short fiction Stephen King comes an extraordinary collection of four new and compelling novellas —Mr. Harrigan’s Phone, The Life of Chuck, Rat, and the title story If It Bleeds— each pulling readers into intriguing and frightening places.
A collection of four uniquely wonderful long stories, including a stand-alone sequel to the No. 1 bestseller The Outsider.
News people have a saying: ‘If it bleeds, it leads’. And a bomb at Albert Macready Middle School is guaranteed to lead any bulletin.
Holly Gibney of the Finders Keepers detective agency is working on the case of a missing dog – and on her own need to be more assertive – when she sees the footage on TV. But when she tunes in again, to the late-night report, she realizes there is something not quite right about the correspondent who was first on the scene. So begins ‘If It Bleeds’, a stand-alone sequel to the No. 1 bestselling The Outsider featuring the incomparable Holly on her first solo case – and also the riveting title story in Stephen King’s brilliant new collection.
Dancing alongside are three more wonderful long stories from this ‘formidably versatile author’ (The Sunday Times) – ‘Mr Harrigan’s Phone’, ‘The Life of Chuck’and ‘Rat’. All four display the richness of King’s storytelling with grace, humor, horror and breathtaking suspense. A fascinating Author’s Note gives us a wonderful insight into the origin of each story and the writer’s unparalleled imagination.
The novella is a form King has returned to over and over again in the course of his amazing career, and many have been made into iconic films, If It Bleeds is a uniquely satisfying collection of longer short fiction by an incomparably gifted writer.
Call me crazy, but Stephen King books are my version of comfort food. When I need distraction from the drama of daily life, I know I can sink into a King book and get carried away from everything weighing me down.
So getting a library e-book download of If It Bleeds this week was just perfect timing! Also very surprising, as I’d expected to be on the hold list for months… so thank you, San Francisco Public Library!
I approached If It Bleeds a little hesitantly, as short stories are really not my thing. Still, there was the book, just waiting for me on my Kindle, so how could I resist?
I’m so glad I dove right in! If It Bleeds consists of four novella-length stories, all unrelated, and all very different in content and tone. And each was a treat!
The story that garnered the most pre-publication buzz is the title story, If It Bleeds (which appears 3rd in this collection). If It Bleeds stars Holly Gibney, whom even Stephen King refers to as a favorite character! Holly was first introduced in the Bill Hodges trilogy, and then was a key character in The Outsider (the adaptation of which aired on HBO recently).
Here, Holly is the lead in her own story. She is horrified by news of a terrible mass murder by bombing at an elementary school — and then is hooked by a discrepancy she notices in the appearance of the local newscaster who was first on the scene. Holly is never one to let go of details, and as she investigates, she becomes personally involved in tracking down and stopping a monster.
It’s a good story, very suspenseful, although I’m not sure how much sense it’ll make to someone not familiar with The Outsider. It’s not an exact sequel, but the earlier novel definitely informs the way Holly’s case unfolds and what she knows.
As for the other stories… well, I loved them!
In order of preference, my least favorite would be the final story in the book — although don’t get me wrong, I still really liked it! Rat is the story of a writer who’s never been able to finish a novel, although he has published some highly regarded short stories and is an English professor. When a new story idea appears to him, he’s sure it’s his novel at last, and decides to retreat to his family’s remote backwoods cabin to work on it in isolation before the inspiration disappears.
Rat is an interesting look at creativity, the writing process, a writer’s fear, and the superstitions and bargaining that may accompany a fickle gift. Stephen King does love to feature writers as main characters, and then put them in dangerous, awful situations. Is the writer here really experiencing the disturbing things he thinks are happening, or is he losing his grip on his sanity? Read the story and decide!
Mr. Harrigan’s Phone is the first story in the collection, and feels like classic Stephen King. It combines his patented nostalgic look back at childhood with a small-town setting, the loss of loved ones, and a piece of technology that changes everything. It’s a story about growing up and saying good-bye, but also just a good, spooky, odd ghost story. Very cool.
Finally, the 2nd story in the book, which was my favorite of the bunch. The Life of Chuck is weird and wonderful, and I adored it. Told in three sections that move backward chronologically, this story is surprising and captivating, and strangely moving too. I don’t want to give away a single thing about it! Definitely check it out!
All in all, a terrific collection! As I mentioned, I don’t typically seek out story collections, even from my favorite authors, so I’m really grateful that I happened to be able to get this from the library.
And true confession time: I loved it so much that I ended up using an Amazon gift card to treat myself to my very own hard copy!
If It Bleeds is a great addition to Stephen King’s huge body of work. If you thought he might possibly run out of original stories to tell… this book shows that that’s not at all likely to happen. A must-read for King fans!
Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.
Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.
Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!
Title: The Fade Out: The Complete Collection Author: Ed Brubaker (author) and Sean Philips (illustrator) Published: 2018 Length: 360 pages
What it’s about (synopsis via Goodreads):
A bold new paperback edition of the Eisner Award-winning graphic novel―now finally collecting the entire story in a single edition!
An epic graphic novel of Hollywood in the early days of the Blacklist, THE FADE OUT tracks the murder of an up-and-coming starlet from studio backlots to the gutters of downtown Los Angeles, as shell-shocked frontman Charlie Parish is caught between his own dying sense of morality and his best friend’s righteous sense of justice.
A picture-perfect recreation of a lost era, THE FADE OUT is an instant classic from the bestselling team of Ed Brubaker and Sean Phillips, who are joined by acclaimed color artist Elizabeth Breitweiser.
How and when I got it:
I bought a copy about a year ago.
Why I want to read it:
It’s been a while since I’ve read a graphic novel (or featured one as a Shelf Control pick). A family member recommended this to me last year — she swore it was one of the best graphic novels she’s ever read. My reading habit when it comes to graphic novels is really almost exclusively sci-fi/fantasy, but given the rave review, I thought I should give this one a try. It does sound good, and I liked the illustrations when I quickly paged through it.
What do you think? Would you read this book?
Please share your thoughts!
__________________________________
Want to participate in Shelf Control? Here’s how:
Write a blog post about a book that you own that you haven’t read yet.
Add your link in the comments!
If you’d be so kind, I’d appreciate a link back from your own post.
My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Life.
Wishing all the moms out there a happy Mother’s Day! My family treated me to a nice breakfast, fun phone calls, and a walk… which is about all we can do during these social distancing days. I enjoyed it all!
What did I read during the last week?
Of Literature & Lattes by Katherine Reay: The follow-up novel to The Printed Letter Bookshop. Enjoyable and warm. My review is here.
Defy or Defend (Delightfully Deadly, #2) by Gail Carriger. So much fun! My review is here.
Past Prologue by Diana Gabaldon and Steve Berry: An Outlander-adjacent story collaboration. And yes, Jamie Fraser makes an appearance, making this short story a must-read for all Outlander fans.
Pop culture — Outlander, season 5:
Season 5 of Outlander ended Sunday night. And now Droughtlander begins again. Right after watching, I wrote up my reaction to the season finale. It was a really difficult episode, and I found it hard to talk about.
Outlander, episode 512, “Never My Love” — my reaction post is here.
Other TV watching:
Anyone else watch Netflix’s Hollywood ? It’s so… different from what I expected, and really, really interesting. I watched the whole thing over the weekend (only seven episodes). Patti Lupone’s fabulous performance is a highlight, but really, there’s a lot to take in and enjoy.
Fresh Catch:
No new print books this week… although my Kindle library is growing by leaps and bounds, thanks to all the random price drops that have come my way over the past few weeks.
What will I be reading during the coming week?
Currently in my hands:
If It Bleeds by Stephen King: I’ve read three of the four stories in this collection. Loving it so far! I think I’m going to need to buy myself a copy once I return this one to the library.
Now playing via audiobook:
Sword of Destiny by Andrzej Sapkowski: The audiobook narrator makes these stories so much fun.
Ongoing reads:
Don Quixote by Miguel de Cervantes: Woo hoo! I made a big effort this week, and now just need to read one more chapter to catch up to my book group!
And just like that, it’s the end of season 5. Here’s my final “Insta-Reaction” post for the season!
Warning:
I may be talking about events from this episode, other episodes, and/or the book series… so if you’d rather not know, now’s your chance to walk away!
Outlander, episode 512: “Never My Love”
The official synopsis (via Starz):
Claire struggles to survive brutal treatment from her captors, as Jamie gathers a group of loyal men to help him rescue his wife. Roger and Brianna’s journey takes a surprising turn.
My take:
Tough, painful episode. I’m not even going to try to recap it.
Insta-reaction:
The show has now gone to the most difficult and awful section of book six. I was hoping (but without really thinking there was a chance) that the show would for once decide that it doesn’t need to show every single rape that happens in the books. Sadly, that’s not what happened.
Look, I love Outlander, but I think it has a rape problem. Maybe because the books are so long, and so many years go by in between the publication of each book, it just doesn’t feel like being hit over the head quite as much as it does when viewing the TV show. I was just thinking back — has there been a single season of TV Outlander that hasn’t had at least one character being raped? Sadly, the answer is no.
This segment of the book is so disturbing and awful. I just can’t say it strongly enough. It’s what makes me flinch whenever I think about re-reading A Breath of Snow and Ashes (which happens to be a book with a LOT of terrible things — probably the bleakest of the books).
Couldn’t the show have included the abduction, if it needed to, without including rape? I think it could have. Book purists will argue that it had to be included because it happpened in the book, but I think the trauma and violence and fallout from this incident could have been conveyed regardless. Then again, I made the same argument when it came to Brianna in season 4, but no one else agreed with me!
I absolutely applaud the fine acting in this episode, particularly Caitriona Balfe, who just shone. She was splendid in every scene, and I respect her accomplishment and dedication so much. Really, the entire cast was excellent.
But still… it was a tough episode, and a downer of a season finale.
At least we got one of my favorite classic Jamie lines:
Sigh. Oh, Jamie.
Brianna and Roger’s return is practically an afterthought — yes, they went through the stones, but because they were both thinking of home, they ended up right back in the same place. They both now realize that they belong at Fraser’s Ridge, with Jamie and Claire.
I did think the opening was quite well done. As Claire is being abused and assaulted, she dissociates and in her mind, goes to a 1960s-era home where she’s surrounded by her loved ones — Jamie, enfolding her in his plaid, and then a Thanksgiving dinner with Ian, Murtagh, Jocasta, Marsali and Fergus. They all look super mod and it would be adorable if it weren’t a fantasy that’s keeping Claire from having to live in her pain and trauma.
Overall, this was a terribly painful episode to watch, and I wish this wasn’t the final note of the season, because this is the tone and content that we’ll all be left with over the long months (years?) until the next season airs.
Season wrap-up:
This has been a very uneven season — not because of the acting, which is as excellent as ever — but because of the strange pacing, the downplaying of certain traumatic events, and the inclusion of others that I wasn’t expecting until next season. It leaves me wondering what’s next. Will the show circle back to the pieces of book six (such as the Christie family) that didn’t get included here? Or will we be moving directly on to season 7 and the looming war?
I love Outlander, and always will, but this season has left me with very mixed feelings.
Of course, after watching today’s episode, it may just be that I haven’t dealt with the impact yet. Maybe with time and a rewatch, I’ll feel better about the season as a whole. Still, right now, I’m uneasy and feeling not quite satisfied.