Book Review: Episode Thirteen by Craig DiLouie

Title: Episode Thirteen
Author: Craig DiLouie
Publisher: Redhook
Publication date: January 24, 2023
Length: 467 pages
Genre: Horror
Source: Review copy via the publisher
Rating:

Rating: 4.5 out of 5.

A ghost-hunting reality TV crew gain unprecedented access to an abandoned and supposedly haunted mansion, which promises a groundbreaking thirteenth episode, but as they uncover the secret history of the house, they learn that “reality” TV might be all too real — in Bram Stoker Award nominated author Craig DiLouie’s latest heart pounding novel of horror and psychological suspense.

Fade to Black is the newest hit ghost hunting reality TV show. It’s led by husband and wife team Matt and Claire Kirklin and features a dedicated crew of ghost-hunting experts.

Episode Thirteen takes them to Matt’s holy grail: the Paranormal Research Foundation. This crumbling, derelict mansion holds secrets and clues about the bizarre experiments that took place there in the 1970s. It’s also, undoubtedly, haunted, and Matt hopes to use their scientific techniques and high tech gear to prove it. 

But, as the house begins to slowly reveal itself to them, proof of an afterlife might not be everything Matt dreamed of. 

A story told in broken pieces, in tapes, journals, correspondence, and research files, this is the story of Episode Thirteen — and how everything went horribly wrong.

This book was always going to be a must-read for me. I’ve read Craig DiLouie’s three most recent novels and loved them all (despite how disturbing they all are). Not only that — haunted house + found records + unexplained disappearances = just what I want in a scary book!

In Episode Thirteen, we follow the crew of Fade to Black, a ghost-hunting reality show with a twist that sets it apart. Each episode features examination of a supposed haunting, led by star and true believer Matt Kirklin — but with Matt’s wife Claire Kirklin, a scientist with a Ph.D. in physics, there to debunk every finding and offer explanations for every finding. It’s been a winning formula among fans, but of course the network honchos want bigger excitement and bigger ratings if the show is to get a second season.

As we learn from the outset, something goes terribly wrong during the filming of the show’s 13th episode. Matt and Claire, along with the tech team of Kevin and Jake, plus Jessica, an actress hired by the network to make the show more popularly appealing, investigate Foundation House in Virginia for this episode. Foundation House is infamous for the disappearance of a group of paranormal investigators in the 1970s, who mixed new age mumbo jumbo with startlingly cruel psychological experiments and plenty of hallucinogenic drugs. No answer has ever been found about this group’s fate.

In Episode Thirteen, Matt hopes to capture evidence of the supposed haunting rumored to have taken place in the house — but the crew gets much, much more. As they spend more time in the house, strange events build upon each other, promising a television episode unlike anything ever before seen… but only if they themselves survive.

Told through the crews’ journals, text messages, transcripts of video footage, and other documentation, we follow the events as they unfold. The journals especially give us insight into each character’s inner doubts and fears, what they believe, and what they want. As the book progresses, we see them all become sucked into the paranormal events they’re there to investigate, risking more and more not just for the sake of a TV show, but to pursue the inescapable obsession to find the truth that builds within each characters.

There’s a fascinating creepiness to the way the story unfolds. We learn about events through the various written records, rather than by reading a straight-forward narrative. At first, I found this somewhat distancing — but as the book progresses, the inclusion of the crew’s journals provides the deeper characters insights that might otherwise be missing. In fact, it ends up being a clever device for having an omniscient viewpoint. At various times throughout the book, we’re privy to each character’s private thoughts and doubts, and this greatly expands our understanding of why they act as they do.

Of course, as in any haunted house book, inside I was screaming at the characters as they made one dangerous or foolhardy decision after another. No, don’t go down into the dark well! No, don’t enter the scary tunnel! WHY WOULD YOU DO THESE THINGS? But, this is where obsession comes into play. These characters aren’t stupid. They understand that it would be safer to walk away, but their need to know overrides all elements of caution or common sense.

One of the plot elements that I considered a plot hole throughout the latter half of the book (I won’t say what, because it’s pretty spoilery) gets very neatly resolved right at the end, and it made me appreciate the author’s cleverness all over again.

This is not a good book to read late at night! I wasn’t scared exactly, but the building sense of dread and disaster meant that I couldn’t put the book down — and since my routine is to read in bed before falling asleep, I found myself reluctantly stopping once I realized how late it was, only to be absolutely wide awake and fully alert.

Craig DiLouie writes disturbing, strange books that stay with the reader long after finishing the final pages. Episode Thirteen is no exception. Fascinating even when the sense of nearby doom is nearly overwhelming, and what an ending!! Definitely check it out… but maybe check your fear of darkness and closed spaces before you enter.

Book Review: The Dead Romantics by Ashley Poston

Title: The Dead Romantics
Author: Ashley Poston
Publisher: Berkley
Publication date: June 28, 2022
Length: 366 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

A disillusioned millennial ghostwriter who, quite literally, has some ghosts of her own, has to find her way back home in this sparkling adult debut from national bestselling author Ashley Poston.

Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead.

When her new editor, a too-handsome mountain of a man, won’t give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father.

For ten years, she’s run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it.

Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is.

Romance is most certainly dead . . . but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories.

This was a good one!

The plot synopsis is almost too complicated, but once you get into the story, the pieces fit. Basically, Florence is a ghostwriter for one of the most successful romance writers in the industry, but she’s behind on turning in the last book she has under contract. After a harsh betrayal and break-up a year earlier, she just can’t envision true love and happy endings any more. But the clock is ticking, and not finishing is really not an option.

Florence’s family owns the funeral home in a small southern town. She grew up with parents who were infuriatingly romantic and in love, and their home was filled with joy. Florence also has a secret — she sees dead people. Both she and her father have the gift of seeing and being able to interact with ghosts, but when this becomes public during Florence’s teens, she faces so much ridicule and bullying that she swears never to return to her hometown again.

Now an adult living in Manhattan, she’s stayed away for ten years, but is forced to go back and deal with the past when her father dies suddenly. Amidst the turmoil of family grief and planning a funeral, the ghost of Florence’s brand new editor shows up on her doorstep, which is especially concerning since she had no idea that he’d died.

Dead Romantics is a love story, but it’s so much more. It’s a loving depiction of a family that celebrates life and views death as just another part of the journey. It’s also a look at the internal life of a writer, and it’s a study of what it means to feel lost and hopeless and burdened by shattered illusions.

I love how Florence’s family is shown, and I love the rituals they invent and embrace to celebrate the life of a man who seems like the perfect husband and father. I also really enjoyed the strangeness of Florence getting to know the ghost of a man she’d only met once, and how their connection is able to develop and bridge the obvious gap between a living woman and a man who’s passed on.

I won’t give anything away… but I couldn’t see how there could be a solution to their situation that made sense.

There were no happily ever afters between an undertaker’s daughter and her ghost.

Surprise! The ending totally works, satisfied me, and left me feeling upbeat and cheery.

The writing is quite lovely, and having suffered a family loss recently myself, I found that certain passages really resonated:

I’d always written how grief was hollow. How it was a vast cavern of nothing. But I was wrong. Grief was the exact opposite. It was full and heavy and drowning because it wasn’t the absence of everything you lost—it was the culmination of it all, your love, your happiness, your bittersweets, wound tight like a knotted ball of yarn.

There’s a certain character who deserves to suffer some truly bad karma and I felt a little disappointed that we didn’t get to see that happen… but then again, that’s not what this story was really about.

Overall, I’m really glad that I picked up Dead Romantics and gave it a try. It was just the right mixture of sentiment, humor, sadness, and joy that I needed this week. Having read this author’s Once Upon a Con YA trilogy, I was curious to see how she’d do with her adult fiction debut. I’m happy to report that she nailed it!

Book Review: Plain Bad Heroines by Emily M. Danforth

Title: Plain Bad Heroines
Author: Emily M. Danforth
Publisher: William Morrow
Publication date: October 20, 2020
Length: 608 pages
Genre: Horror
Source: Purchased
Rating:

Rating: 4 out of 5.

The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit.

Our story begins in 1902, at The Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way.

Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins.

A story within a story within a story and featuring black-and-white period illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read.

This 600+ page book almost defies description, but I’ll give it a shot!

“I wish some one would write a book about a plan bad heroine so that I might feel in real sympathy with her.” – Mary MacLane

Plain Bad Heroines is a story-within-a-story book, with interlocking characters and motifs that center on the (supposedly) cursed and/or haunted grounds of the Brookhants School for Girls — an early 20th century institution for the education of society girls, located on a wooded estate in upper-crust Rhode Island.

Mary MacLane

In 1902, students Clara and Flo are inspired by the writings of (real-life) Mary MacLane and form a secret society, the Plain Bad Heroines, to celebrate her work and her life. Clara and Flo are in love, but after a disastrous trip home and a ride back to school with her judgmental cousin, Clara storms off into the woods to meet up with Flo, only for both girls to meet a ghastly end by being attacked by swarms of yellow jackets.

In our own timeline, the events from 1902 gain new notoriety after Merritt Emmons publishes The Happenings at Brookhants at the age of sixteen. Now years later, the book is being made into a film by an edgy director, with superstar “celesbian” Harper Harper committed to star as Flo. Merritt is on board as a producer, and she’s not pleased when Audrey Wood, a B-list actor who bombed her audition in a major way, is cast as Clara.

As the production cast and crew settle in to film on location at Brookhants, weird things start to happen, and there’s much more going on than can be easily explained. Is the place truly haunted? Or is this Hollywood manipulation at its most devious?

The plot weaves backward and forward in time, cutting between the modern-day movie storyline and the complicated relationships between Harper, Merritt, and Audrey, and the timeline that includes the aftermath of Clara and Flo’s deaths and the impact on Libbie, the school headmistress, and her lover, Alex (Alexandra).

There’s so much more to both pieces of the story than is readily apparent, and the author carefully layers on more and more hints and explanations, constantly deepening the story and shifting its direction and meaning.

Plain Bad Heroines is proudly, unabashedly queer, and its (plain, bad) heroines make no attempts to follow anyone’s rules but their own. They love as they please, and take inspiration from Mary MacLane’s own bold pronouncements when they need courage. The relationships are intricate and shifting, in both timelines, and the character refuse to be cookie-cutter types — author Emily M. Danforth does an amazing job of managing such a large cast and making sure each individual character has a life and personality of her own.

This book is BIG, and it takes concentration, but I could not stop reading once I started. The writing style is clever and filled with footnotes and commentary that are snarky and funny and informative. There are also dire and tragic happenings — and this IS a horror story too, with plenty of creepy, spine-tingling moments.

Black and white illustrations throughout the book add to the overall mood and make reading this book feel like an experience.

Yellow jackets are scary anyway, but now, having read Plain Bad Heroines, I’m pretty sure I’m terrified of them. Read the book — you’ll see what I mean.

I really only have two complaints about Plain Bad Heroines, and the first is not with the story itself but with the layout. Whoever picked the typeface for this book should have paid more attention to the asterisks that lead to the footnotes — I almost never saw them (they’re tiny), and had to constantly go back and search the page to see where the footnotes connect to.

My second complaint is a larger one, which is that I wasn’t completely satisfied with the ending. It leaves a bunch of unanswered questions, and I’m a little frustrated that certain elements didn’t get more clarity and resolution.

Still, this is overall a marvelous and unique book, and I laughed and shivered my way through it. The final scene takes place at the Cannes Festival premiere of The Happenings at Brookhants, and all I could think was, damn! I wish this was a real movie, because it would be fascinating to see how it all worked out.

Plain Bad Heroines is a terrific read. Don’t miss it!

To learn more about the real Mary MacLane, visit The Mary MacLane Project.

Book Review: The Deep by Alma Katsu

Title: The Deep
Author: Alma Katsu
Publisher: G. P. Putnam’s Sons
Publication date: March 10, 2020
Length: 432 pages
Genre: Horror/Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2.5 out of 5.

Someone, or something, is haunting the Titanic.

This is the only way to explain the series of misfortunes that have plagued the passengers of the ship from the moment they set sail: mysterious disappearances, sudden deaths. Now suspended in an eerie, unsettling twilight zone during the four days of the liner’s illustrious maiden voyage, a number of the passengers – including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher – are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.

Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic’s sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not – could not – have survived the sinking of the Titanic . . .

I had high hopes for The Deep, but sadly, I finished the book feeling underwhelmed after struggling throughout to stay engaged.

Partially, this may have been due to mistaken expectations. I expected a story about something coming from the deep to menace the Titanic and the people on board. I mean, based on the cover and the title, that’s reasonable, right? But that’s not really the story here, not exactly.

The Deep reads mostly like a fictionalized recounting of the Titanic’s doomed voyage. We meet the famous real-life first class passengers, including the Astors and Guggenheims, and see the luxury of their accommodations. At the same time, we’re introduced to the fictional Annie Hebbley, a stewardess working in the first -class cabins, as well as several other fictional passengers.

Much of the story is a straight-forward narrative of upper class and lower class, the gossip and intrigue that ensues by having so many people of privilege in this exclusive setting, and the below-stairs pressure on the ship’s serving crew. We don’t actually spend any time in steerage, coming closest in the presence of two boxers who charm the first-class passengers while running cons and planning for a new life in New York.

The supernatural elements creep in as weird things happen involving Annie, her strange connection to a couple and their baby, and some unexplainable interludes with a few of the top tier passengers.

The Titanic scenes alternate with scenes on board the Britannic four years later, where Annie works as a nurse to wounded soldiers, and which undergoes its own nautical tragedy.

Look, a novel about the Titanic has to hit certain beats. It needs to follow the historical events, present some of the real-life characters, and give a sense of the scope of the tragedy. The Deep is only partially successful here. The scenes amongst the first-class passengers focus on their petty interactions, but as a whole fail to really captivate or give a sense of the grandness of the sailing. And there’s more or less a complete disregard for the passengers in steerage. They’re referenced in passing, but we really don’t get any sense of their experience.

As far as the iceberg and the sinking, these are told through the eyes of the characters we’ve come to know, but again, the main events seem just like backdrop.

I ended up interested in the ghost-story twists revealed toward the end of the book, but that’s not enough to rescue what was mostly a struggle to stay interested. The supernatural elements are scattered throughout the story, but not strongly enough to create any sense of suspense or horror.

Perhaps the ghost story would have been better served by being set on an anonymous, fictional ship. You don’t need the Titanic for the story that was ultimately told, and that piece of the narrative just isn’t grand enough to have an impact on what we know of the true tragedy of the Titanic and its passengers.

I’ve read other works of fiction set on the Titanic which hew very closely to the real events and yet manage to bring us up front and center. The two that come to mind most strongly are Every Man For Himself by Beryl Bainbridge and The Midnight Watch by David Dyer. Both are excellent.

For me, The Deep was not a great reading experience. And it’s up to you whether you’d consider this a plus or a minus, but I’ve had images of Titanic (the movie) firmly embedded in my brain ever since starting the book. And obviously, Celine Dion’s soundtrack has been haunting me ever since…

Shelf Control #126: Abandon by Blake Crouch

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: Abandon
Author: Blake Crouch
Published: 2009
Length: 521 pages

What it’s about (synopsis via Goodreads):

On Christmas Day in 1893, every man, woman, and child in a remote gold-mining town disappeared, belongings forsaken, meals left to freeze in vacant cabins—and not a single bone was ever found.

One hundred sixteen years later, two backcountry guides are hired by a history professor and his journalist daughter to lead them to the abandoned mining town so they can learn what happened. Recently, a similar party had also attempted to explore the town and was never heard from again. Now the area is believed to be haunted. This crew is about to discover, twenty miles from civilization with a blizzard bearing down, that they are not alone, and the past is very much alive.

How and when I got it:

I picked up Abandon when there was a Kindle price drop a few years ago.

Why I want to read it:

Ooh, sounds creepy, doesn’t it? I’ve only read one book by this author (Dark Matter, which I loved), but I’d like to read more. And hey, I’m a sucker for a good ghost story… eerie disappearances and deserted western towns are definitely a plus!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

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