Book Review: Hemlock & Silver by T. Kingfisher

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Hemlock & Silver
Author: T. Kingfisher
Publisher: Tor
Publication date: August 19, 2025
Length: 368 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

From New York Times bestselling and Hugo Award-winning author T. Kingfisher comes Hemlock & Silver, a dark reimagining of “Snow White” steeped in poison, intrigue, and treason of the most magical kind.

Healer Anja regularly drinks poison.

Not to die, but to save— seeking cures for those everyone else has given up on.

But a summons from the King interrupts her quiet, herb-obsessed life. His daughter, Snow, is dying, and he hopes Anja’s unorthodox methods can save her.

Aided by a taciturn guard, a narcissistic cat, and a passion for the scientific method, Anja rushes to treat Snow, but nothing seems to work. That is, until she finds a secret world, hidden inside a magic mirror. This dark realm may hold the key to what is making Snow sick.

Or it might be the thing that kills them all.

T. Kingfisher’s fairy tale retellings have become favorites of mine, and Hemlock & Silver is a great addition to this growing collection.

In this slightly off-kilter reinterpretation of the Snow White story, our main character is Anja — a large, plain-spoken woman in her mid-thirties who’s devoted her life to learning everything there is to know about poisons and how to cure them. She’s not a traditional healer: Don’t expect her to mend your broken bones! But if a snake-bite or opium overdose is the problem, she’s the one person most likely (but not guaranteed) to be able to offer even a glimmer of hope.

Anja’s relatively quiet life in a small desert town is upended when the king himself unexpectedly shows up in her workroom one day. He needs Anja’s help: His 12-year-old daughter Snow is fading away, and he suspects poison. Her mother and sister are already dead, and he can’t lose Snow as well — but with the possibility that someone in his court is secretly a poisoner, he needs an outsider’s help. Anja has no choice but to agree to accompany the king and his retinue to the villa where Snow suffers. If it truly is a poisoning case, then perhaps Anja really can make a difference — although she fears what it could mean for her family if she were to fail.

Snow’s case is puzzling and Anja makes little progress until she discovers Snow secretly eating some odd-looking apples. Anja takes a piece to test, and after trying it herself, accidentally finds herself falling against — and through — one of the vast mirrors that seem to be everywhere within the villa. There, Anja discovers a mirror world full of danger and horrific creatures, and learns that the threats against Snow are even more dire than anyone could have imagined.

Anja is a wonderful main character, her lack of tact balanced by her professionalism, honesty, and practicality.

The problem with being plump, middle-aged, and a woman was that people expected you to be motherly, as if that was your default state. I am not. I am actually terrible with children. On the other hand, I have saved the lives of multiple toddlers who licked flypaper, which I feel should count for something

Anja is joined in her desperate quest by her gruff guard Javier — who is steady and supportive, despite communicating mainly in grunts — and an especially delightful and supercilious cat named Grayling, who is able to speak with Anja and has attitude for miles.

“Are you sure I haven’t gone mad?” I asked.

“Your questions are remarkably unoriginal ‘Am I mad, is this a dream, oh no, what’s going on, why is this happening?'” He gazed off into the distance as if I were no longer worth considering

Strange as it sounds, this stung a bit. It’s one thing to know that a cat holds you in mild contempt, quite another to have it actually insult you in language you can understand.

The otherworldly adventure in the mirror world is eerie and unsettling, and there are moments that move this fantasy story toward a horror vibe as Anja discovers something that will give her (and all readers, I suspect) some lasting nightmares:

… the hands reached out and went creeping over the floor, dragging sections of arm behind them. The faces lay tumbled across each other, in a pile that blinked and twitched and moved, the corners of mouths working madly as if in pain.

Shudder.

But even this creature has some unexpected twists in store — the author seem to delight in setting up scenarios that have a hint of familiarity from other stories, then turning them upside down and having them come out completely different in feel and meaning.

Hemlock & Silver provides a fairy tale foundation, then builds upon it to include fascinating characters and a new, distinct story arc, with high stakes and imaginative dangers. I did find the back and forth between the real world and the mirror world occasionally hard to follow… but then again, I was slightly under the weather when I read this book, so this could be a case of “it’s not you, it’s me”.

Overall, I thoroughly enjoyed Hemlock & Silver. It’s not every book that can make you laugh out loud on one page, leave you entirely creeped out on the next, and provide a baffling array of twists and turns to confuse readers before tying the plot up with a convincing conclusion.

Highly recommended!

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

26Jul2025

Book Review: The Auctioneer by Joan Samson

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Auctioneer
Author: Joan Samson
Publisher: Valancourt Books
Publication date: 1976
Length: 235 pages
Genre: Thriller/horror
Source: Purchased
Rating:

One of the finest and best-selling horror novels of the 1970s returns at last to chill a new generation of readers.

In the isolated farming community of Harlowe, New Hampshire, where life has changed little over the past several decades, John Moore and his wife Mim work the land that has been in his family for generations. But from the moment the charismatic Perly Dunsmore arrives in town and starts soliciting donations for his auctions, things begin slowly and insidiously to change in Harlowe. As the auctioneer carries out his terrible, inscrutable plan, the Moores and their neighbors will find themselves gradually but inexorably stripped of their possessions, their freedom, and perhaps even their lives…

A chilling masterpiece of terror whose sense of creeping menace and dread increases page by page, Joan Samson’s The Auctioneer (1975) is a rediscovered classic of 20th-century fiction. With echoes of Shirley Jackson’s ‘The Lottery’ and Stephen King’s Needful Things, Samson’s novel returns to print at last in this long-awaited new edition, which features an introduction by Grady Hendrix (Horrorstör, Paperbacks from Hell).

The Auctioneer is a 1970s horror classic — perhaps forgotten by most, but seemingly gaining yet another round of readers thanks to its inclusion in Grady Hendrix’s excellent non-fiction book Paperbacks from Hell. I seem to remember seeing a copy of The Auctioneer in my parents’ house as a child, and though I’d never read it, that sinister cover image has always stayed with me.

Finally, at least partially motivated by my 20th Century Decades Challenge, I decided to pick up The Auctioneer and see why it’s remained a horror touchstone for so many years. And I’m so glad I did.

The Auctioneer is set in the rural New Hampshire town of Harlowe, populated by old-time farming families who collectively exemplify small-town life. Sure, you could go 30 miles or so down the road to find a big-box outlet for your essentials, but why do that when you can visit the local general store, a messy jumble of odds and ends where you can buy what you need and catch up on the local gossip?

Perhaps more tourists from Boston and other cities have shown up in recent years for summer getaways in the country, but life more or less goes on as it always has, until Perly Dunsmore shows up in Harlowe. He’s a charismatic man in his 40s, full of charm and friendliness, who suggests holding a country auction to raise money for the sheriff’s department, a one-man operation that has almost nothing to do most of the time. The town is eager to show support, and Perly and the sheriff make their way from house to house, farm to farm, collecting donations for items to be auctioned.

The auction is a success, with city folk coming from miles away to bid on country collectibles and antiques. With the proceeds of the auction, the town is able to add a deputy. But it doesn’t stop there: Each Thursday, Perly or one of his representatives — a growing number, as Harlowe hires more and more deputies — makes the rounds to collect more items to donate.

Our point-of-view characters are the members of the Moore household, John, Mim, their young daughter Hildie, and Jim’s mother, called Ma by the family. The Moores have farmed their lovely piece of land for generations. At first, it’s easy to part with an unneeded chair or spare wagon wheels collecting dust in the barn. But the collections and auctions keep going, and John and Mim quickly come to dread the Thursday visits. Soon, they’re giving up cookware, furniture, tools — even the water pump eventually goes — and the family is left living in a way reminiscent of earlier days, with no heat, electricity, telephones, or running water.

Why don’t the families refuse? Those who do are threatened. The deputies who show up are armed, and rumors begin to fly about families who’ve left town in the dead of night, or suffered serious injuries, or ended up accidentally shot in a hunting incident. The violence is not explicit: No one physically attacks John or Mim — instead, there’s an insidious undertone of what terrible things could happen to those who oppose the auctions.

Meanwhile, in an almost allegorical thread throughout the book, we see the city dwellers flocking to Harlowe for a taste of country living, yearning to capture something they’ve never had, dreaming of old-time values and quality of life that they imagine a town like Harlowe might provide. These interlopers show up week after week, spending money to buy pieces of this dream, but never stopping to wonder where these wonderful finds are coming from.

The sinister nature of Perly’s auctions creeps up on the reader.

“Just remember this,” he said in a deep voice that cut neatly through the confusion. “Whatever I’ve done, you’ve let me do.”

This isn’t out-and-out horror with blood on the page. Instead, it’s a slowly building dread, fueled by fear and distrust and complacency. John and Mim talk of fleeing, yet never quite bring themselves to do it, even when they have nothing left to lose but the lives of their family members. In a community turned against itself, where neighbors are complicit in the darkness dismantling their town, individuals can’t quite bring themselves to separate from the crowd and take action.

It’s hard to describe why The Auctioneer works as well as it does. Readers may stop and question why the town goes along with Perly so willingly; why no one objects for far too long; why people give up what matters to them rather than fighting back. A sense of isolation and helplessness pervades the story — there’s no place to turn for help, so the entire town becomes easy prey for one man with the power of persuasion.

The Auctioneer is a disturbing read, one that will keep readers awake at night pondering how it all could happen — but the story is built so carefully that we can see it all unfold and believe that it’s all possible. This is a gem from the past that should certainly be read by horror fans today — it’s a fascinating look at an earlier age of the genre, as well as an outstanding story in its own right.

Interested in learning more?

For a fascinating look at how the novel was received back when it was first published, check out this review from the New York Times archive.

About the author:

Joan Samson

Joan Samson (1938-1976) is the author of the bestselling novel, The Auctioneer. It is Samson’s first and only novel, published just before her death in 1976 at the age of 38.

Purchase links: Amazon – Bookshop.org
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

4May2025

Book Review: Overgrowth by Mira Grant

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Overgrowth
Author: Mira Grant
Publisher: Tor Nightfire
Publication date: May 6, 2025
Length: 480 pages
Genre: Science fiction / horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Annihilation meets Day of the Triffids in this full-on body horror/alien invasion apocalypse.

This is just a story. It can’t hurt you anymore.

Since she was three years old, Anastasia Miller has been telling anyone who would listen that she’s an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has been willing to listen.

Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it’s already been warned, and it may be too late. The invasion is coming, Stasia’s biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child.

What happens when you know what’s coming, and just refuse to listen?

Mira Grant is the horror pen name for prolific author Seanan McGuire… and basically, I’ll read pretty much whatever she writes, under whichever name. With Mira Grant books, you can count on a certain ickiness (I mean, one of her series has to do with tapeworms!), but always with a strong foundation in character development and relationships.

Here, in Overgrowth, the aliens are coming… although many of their children are already here. Set about five years from now, we follow unfolding events through the eyes of main character Stasia (Anastasia) Miller, a customer service rep and self-described misanthrope who has fewer than a handful of friends, a boyfriend she loves very much, and a cat named Seymour.

Also, since the age of three, Stasia has been telling anyone who’s asked (and even those who haven’t) that she’s an alien, and that her people will be coming to bring her home. You can imagine the flurry of notes from teachers, progressing over time from praise for her precocious imagination to concern about how her insistence on these bizarre fantasies is leading to ostracism by her classmates.

Despite years of therapy as a child, and several managers telling me the joke has gotten old and I’d have an easier time getting promoted if I’d knock it off, I’ve never been able to swallow the urge to tell everyone I spend any extended period of time with that hey, by the way, I’m here because the invasion is coning, and people should probably know. It’s like a nervous tic. Hi, nice to meet you, my name’s Anastasia, I’m secretly an intelligent alien plant and one day everything you love will be devoured.

But as we readers know from the start, it’s not fantasy or imagination. At the age of three, little Anastasia wandered into the woods behind her home, and never came back. Instead, she was consumed and then replaced by an alien plant. The child who came out of the woods was not the child who went into them. But no one has ever actually believed her when she’s insisted on what she is.

We were the changelings of the science fiction age, and that made us both terrifying and untrue.

As the story unfolds, an astronomer releases a recording of a signal that’s definitely alien, causing a massive uproar and worldwide panic. Stasia and her boyfriend Graham decide to go investigate, because there’s something in that signal that seems to be triggering a change in Stasia. Events are set in motion that connect Stasia to others like her. As the invasion gets closer, the alien-humans start to physically change, and they’re targeted by secretive government agents for research and imprisonment. Meanwhile, Stasia has started being able to communicate with her people through a quasi-dream state, and realizes that hard choices are coming. Who does she side with? To whom does her loyalty belong? Can she be blamed for something that she had no control over? And if her friends stick with her, does that make them traitors to their own species?

Overgrowth is complex and multi-faceted, and there’s so much more going on than I can possibly describe. It’s a long book, and requires focus — but it’s absolutely worth the effort. I could not put it down, and could barely come up for air.

There are elements that puzzled me throughout, but the author sticks the landing and ties all the hints and loose plot point together by the end in a way that answers all of my nagging questions. The action is consistently well thought out, the characters are fascinating, and the story arc builds in ways that are unexpected, even as we know that the invasion is inevitable.

The author makes some interesting points about identity and acceptance. Stasia’s boyfriend is a trans man. Even having met him before he transitioned, Stasia immediately accepted his identity.

This could be the moment when I lost him. Because I had always believed him when he told me he was a man, and we had always pretended his belief in me was the same thing, but it wasn’t, was it? It wasn’t the same thing at all. Gender was a social construct and a part of the soul, and humans had always been capable of getting it wrong. I, though…

I was something alien and new, and while we had built a relationship on believing each other, our secrets weren’t the same at all.

Only Graham was still looking at me the way he always had, with love and sincere concern, like he believed I was a human being and deserved to be treasured like one. Or… maybe he’d never believed I was a human being. Maybe I’d been lucky enough to fall in love with one of the only people in the world who understood what it was to tell the truth about your identity, over and over again, until you found the few people who could believe in you.

Stasia’s transformation from weird human who says she’s an alien into a person who realizes that her truth has been more true than she ever knew is startling and evocative and powerful. As she becomes more and more “other”, she has to deal with a changing biology as well as complicated thoughts and feelings about family and survival.

This book is hard to slot neatly into a specific genre. The blurb refers to it as “body horror”, which doesn’t feel entirely accurate to me. I think of body horror as being much more extreme — mutilation, grotesque changes, lots of gore. Here, yes, Stasia’s body changes, but it’s more interesting than gross. There are violent moments with bloody/gory results, but overall, I’d categorize this book as much more heavily science fiction than horror.

However you might describe or shelve it, Overgrowth is fascinating. Stasia is an amazing main character, and I loved seeing her journey. The alien invasion is strange and different and scary, and the plotlines are tightly built and well described. This is a terrific read, and I recommend it highly for anyone who doesn’t mind the idea of creepy plants taking over the world.

Invasion of the Body Snatchers + Little Shop of Horrors. What could go wrong?

Purchase links: Amazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

For more by this author, check out these outstanding books:

Newsflesh series (review) — zombies!
Rolling in the Deep (review) — killer mermaids!
Into the Drowning Deep (review) — even more killer mermaids!
Parasite (review) — those tapeworms I mentioned! (ewwwww….)

11Dec2024

Book Review: Diavola by Jennifer Thorne

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Diavola
Author: Jennifer Thorne
Publisher: Tor Nightfire
Publication date: March 26, 2024
Length: 296 pages
Genre: Horror
Source: Purchased
Rating:

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Anna has two rules for the annual Pace family destination vacations: Tread lightly and survive.

It isn’t easy when she’s the only one in the family who doesn’t quite fit in. Her twin brother, Benny, goes with the flow so much he’s practically dissolved, and her older sister, Nicole, is so used to everyone—including her blandly docile husband and two kids—falling in line that Anna often ends up in trouble for simply asking a question. Mom seizes every opportunity to question her life choices, and Dad, when not reminding everyone who paid for this vacation, just wants some peace and quiet.

The gorgeous, remote villa in tiny Monteperso seems like a perfect place to endure so much family togetherness, until things start going off the rails—the strange noises at night, the unsettling warnings from the local villagers, and the dark, violent past of the villa itself.

(Warning: May invoke feelings of irritation, dread, and despair that come with large family gatherings.)

Talk about a family vacation from hell!

The air felt murky when she joined everybody at the table, but it was the usual Pace family murk, bad moods combining to form a full low-pressure weather pattern.

In this creepy, atmostpheric horror novel by Jennifer Thorne (author of the brilliant Lute), a family stay in a Tuscan villa turns nightmarish… and not just because of the forced proximity of a dysfunctional family.

Main character Anna Pace is a constant disappointment to her family. Blamed for everything from the death of her middle school classroom’s pet guinea pig to fooling around with her sister’s prom date (she didn’t, actually) to every other sort of wrong-doing imaginable, Anna is constantly on alert. The idea of spending a week with her family is so stressful that she secretly arrives in Italy two days early to squeeze in some alone time before she has to face the rest of the group.

The family’s idyllic Tuscan luxury rental seems off right from the start. There’s a dead zone around the building where nothing grows. A tower is kept tightly locked, and while Anna thought she saw a window in it, it’s actually totally bricked over. Why is there a goat kept tethered at the end of the lane? And why does Anna spot locals sneaking around with flashlights at night?

Little incidents pile up — slamming doors, spoiled food, onslaughts of mosquitoes — and then escalate into rearranged furniture and injuries caused by unseen hands. The family seems to be in the worst sort of denial. Anna’s father insists that there’s nothing wrong, because he paid for this vacation, dammit!, and they WILL enjoy it. Everyone else falls back on blaming Anna for causing problems.

“I don’t know why you’re trying to stir things up, Anna,” she spat. “I gave up trying to figure that out a long time ago, goodness knows, a long time! There is absolutely nothing wrong with where we’re staying.”

Anna knows deep down that what’s happening at the villa isn’t normal, especially given the side-eye the family gets whenever they venture into the nearby village. She can fell it in the air whenever they go back into the villa, a sense of wrongness and bad intent — and the longer they stay, the worse it gets, especially with the terrible dreams of a menacing woman that begin to haunt Anna’s every moment… even when she’s not asleep.

Oh, this book gets creepier and creepier as it goes along, and the family’s insistence on acting as if everything is okay becomes enough to make you want to pull your hair out. I would have been running away as fast as my legs could carry me as of the second day — and Anna does consider leaving, but it’s the same old family dynamic that keeps her from going:

Everybody would worry about her if she left and it would poison the rest of their vacation and she wouldn’t want to hear about it, but by God, she would. She’d hear about it at every single gathering forevermore.

The toxicity of the family is a huge factor in the horror elements. Yes, there are gruesome, gory incidents, and plenty of disturbing scenes, but the way Anna’s family treats her is one of the most upsetting aspects of this book. She’s the family scapegoat, for no very good reason except that that’s what they’re all used to. No wonder she dreads these family vacations.

Not to downplay the actual horror — the haunting storyline is scary and insidious, and there’s a moment where we readers might think that Anna has finally broken free… but then we see that there’s still quite a bit of the story left, and get a creeping suspicion that the terror isn’t even close to being finished with Anna.

Diavola is a relatively short novel, and if possible, should be read in one or two long reading sessions. Due to limited reading time this past week, I read the first half or so in little fits and starts, and found myself rather disengaged — but I’m convinced the fault was in my approach, not the book itself. Once I sat down for more extended reading over the weekend, I couldn’t put the book down and flew through the second half.

As a story of haunting and possession, Diavola is sinister and frightening. As a tale of awful family dynamics, it’s both relatable and bleak. Black humor lightens some of the worst moments, and yet the overall vibe is menacing all the way through.

There are some gross-out scenes, so be warned if you’re on the squeamish side. Recommended for horror fans who appreciate a gothic vibe in their stories of terrible family vacations.

PS – If nothing else, Diavola should be a lesson to us all to look beyond AirBnb reviews and do a good Google search when staying in ancient villas!

4Dec2024

Book Review: The Return by Rachel Harrison

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Return
Author: Rachel Harrison
Publisher: Berkley
Publication date: March 24, 2020
Length: 304 pages
Genre: Horror
Source: Purchased
Rating:

A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut.

Julie is missing, and the missing don’t often return. But Elise knows Julie better than anyone, and she feels in her bones that her best friend is out there, and that one day she’ll come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her.

Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?

I first fell for Rachel Harrison’s writing when I read her 2nd published novel, Cackle. Since then, I’ve devoured each new book, and have loved them all. Clever plotting, exceptional character development, and generous helping of gruesome, scary horror all add up to terrifyingly satisfying reads. I’ve been meaning to go back and read her debut novel, The Return, for quite a while… and now I’ve finally done it!

The Return is just as creepy and scary as I expected, and I enjoyed every bit of it, even while feeling grossed out and completely on edge.

At the heart of The Return is a group of four women who have been best friends since their college days. Now scattered and living separate lives, they still represent the truest connections they’ve ever had, despite distance often keeping them apart.

When Julie disappears on a hiking trip, the friends are shocked, but Elise — our main character — is the only one of the remaining three who simply doesn’t accept that Julie might be dead. As more and more time passes, and Julie’s husband eventually holds a memorial service for her, the other two friends, Molly and Mae, urge Elise to seek therapy to deal with her denial and grief. Elise pretends to agree, but in her heart-of-hearts, she feels that Julie, wherever she might be, is still alive.

And then, two years after her disappearance, Julie simply shows up back at the home she shares with her husband. She has no memory of the past two years, and just wants to carry on with her life — and most of all, to reconnect with her best friends. Mae decides that what they need is a girls’ trip — time alone, someplace remote, where they can unplug from the outside world and just focus on being together.

As the four friends arrive at the hotel where they’ll be staying, it’s clear that this place is just weird. Each room is an over-the-top experience, with bizarre, extravagant themed decor. Elise is uncomfortable right from the start, but she tamps down her unease for the sake of the group. Things only get worse once Julie arrives and the other three get their first look at her since her return: She’s emaciated, falling apart, and her teeth are a disaster. But she’s Julie, and they love her, and most of all, they want her to feel how happy they are to be with her again.

As the story unfolds, the group dynamics inform how the friends interact, how much they share and what they choose to hold back. Through Elise’s first-person narrative, we come to understand her unhappiness, how she feels judged by the others, and the role that Julie plays in her life.

At the same time, we see that something is very, very wrong. Is it the hotel itself? Why is the manager so stressed out? What’s that weird smell? Why does Elise think there’s something on the balcony outside her room? And what, exactly, is wrong with Julie? Why does she seem better some days? Why is formerly vegetarian Julie now bingeing on meat? WHAT IS GOING ON?

If all of this sounds like a lot to unpack — well, it is, and yet, it works beautifully. As the book progresses, it becomes clearer that Elise herself is not the most reliable of narrators. We may think she’s being straightforward, but there are a couple of big bombshells that she drops later in the book that make us reevaluate everything she’s told us so far. At the same time, there are clearly some truly icky things happening, and as the book progresses, the gore gets worse and worse.

The Return is fascinating, scary, and unusual. It’s not for the squeamish — but I happened to love it. The mounting horror is just so well constructed — and beyond that, I loved the insights into women’s friendships, how they change and evolve, and how loneliness and dissatisfaction creeps into lives as people grow up and face the world after college.

You can’t erase your past when there are pieces of it scattered inside other people.

I will say too that I love Rachel Harrison’s way with words. Little descriptions that could just be stage-setting made me stop to reread them and savor what they evoke:

It’s a colorless day. The kind of fall day not advertised. The trees shiver in the wind.

Toward the end of the relationship, when my resentment congealed and my love peeled like a sunburn to reveal the sneering face of reality underneath, I called her to confess.

Overall, The Return is a fast, absorbing, chilling read. Not quite on a par with some of her later books (such as Such Sharp Teeth and Black Sheep, which are brilliant!), but a terrific horror read none the less. I’m still trying to wrap my head around everything that happens in this book… and I’m afraid that from now, I will be refusing all opportunities to visit remote, extravagant rural resorts.

Want to know more about Rachel Harrison’s books? Check out my reviews of her other books:

Cackle
Such Sharp Teeth
Black Sheep
So Thirsty

30Oct2024

Book Review: So Thirsty by Rachel Harrison

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: So Thirsty
Author: Rachel Harrison
Publisher: Berkley
Publication date: September 10, 2024
Length: 304 pages
Genre: Horror
Source: Purchased
Rating:

A woman must learn to take life by the throat after a night out leads to irrevocable changes in this juicy, thrilling novel from the USA Today bestselling author of Such Sharp Teeth and Black Sheep.

Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life.

Her husband surprises her with a birthday weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi.

Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity. But when they arrive at their rental cottage, it becomes clear Naomi has something else in mind. She wants Sloane to stop letting things happen to her, for Sloane to really live. So Naomi orchestrates a wild night out with a group of mysterious strangers, only for it to take a horrifying turn that changes Sloane’s and Naomi’s lives literally forever.

The friends are forced to come to terms with some pretty eternal consequences in this bloody, seductive novel about how it’s never too late to find satisfaction, even though it might taste different than expected.

Rachel Harrison’s books are always a (gruesome) treat, and So Thirsty is an absolute gem. This book lets us know right up front — hey, it’s on the cover! — that this is a vampire story. But the how and why of it all are just so perfectly developed that it’s not at all what you’d expect.

If there is a happy medium between being a resigned, mildly depressed thirty-six-year-old woman with a thankless job and cheating husband, and being an immortal vampire indulging her lust for blood and sex and her desire for love and excitement, it sure would be nice to find it.

We start with Sloane, a woman in her mid-30s, whose life is snug, secure, and unsatisfying. She’s committed to her multi-step daily skin routine, but the signs of aging keep creeping in anyway. Her husband Joel is a cheater, but she chooses not to confront him, preferring to avoid having to actually so something about it. When Joel sends her off on a surprise birthday weekend with her best friend Naomi, she’s startled and a bit disconcerted that he planned this for her… and rightfully suspicious that he has ulterior motives. (Note to cheaters: Don’t forget about that doorbell camera!)

Naomi arrives at their ultra-posh lakeside resort and immediately shakes things up. They’ve been best friends since their teens, but their lives have taken very different directions since then. Naomi works for an up-and-coming rockstar — who is also her boyfriend — and she’s impulsive, glamorous, and impatient with Sloane’s safe (boring) life. This is not the Sloane she once knew, and she wants to force her out of her complacency.

She does so by taking Sloane to a party with strangers they’ve just met. Behind the gates of their remote mansion, the strangers are welcoming and wild. Sloane fears they’ve stumbled into an orgy; Naomi urges her to unwind and let things happen. One of the men in particular seems to have an intense, instant connection to Sloane, but she’s skittish and reluctant to risk the safety of her cocooned life, no matter how much temptation is staring her in the face. However, all choice is soon taken from both Sloane and Naomi, as a terrifying moment leads to their transformation and the start of a new life for both women.

As I mentioned earlier, the fact that Sloane and Naomi become vampires isn’t particularly surprising, given the cover and blurb. What makes this interesting is their response and experiences. The need for blood is described as an intense thirst, and the thirst represents not just the literal requirement for blood as a life-sustaining substance, but all the elements missing from Sloane’s former life — the passion for excitement, taking risks, grabbing all that life has to offer. The thirst is what Sloane will need to both embrace and control if she’s to have any sort of future at all, and to do so, she’ll have to break down the careful barriers she’s put up over the years.

I loved the insights into both Sloane and Naomi as individuals, as well as their shared dynamic. Their bond is threatened to the point of almost breaking, but ultimately it’s their love for one another that keeps them going, even in the worst of moments.

My main quibble with So Thirsty is that the vampires they encounter are introduced as a group, and there isn’t all that much to differentiate one from another. Beyond that, a few seem a bit too stereotypically vampire-y — are they intentionally aping a vampire vibe, or is this just who they are? (And also, I could definitely have done without the orgy… )

Quibbles aside, I thought the complicated relationship between Sloane and Naomi was particularly well done. Their shared history means they know each other better than anyone else, but also leads to possibly unreasonable expectations. They each want the other to pursue better options and live their best lives — but their perspectives on what that might look like aren’t actually in sync.

Does that sound less bloody than what you’d expect in a vampire novel? Never fear! Those looking for classic horror elements won’t be disappointed — yes, there’s introspection and a focus on relationships, but there’s also plenty of blood and gore. Really, lots and lots of blood and gore. Violent incidents are used to startling, scary effect, and there are a few characters met along the way who are simply terrifying.

So Thirsty is a totally absorbing read, and such a blast for readers (like me) who’ve read tons of vampire stories already, and are hungry (thirsty?!) for a new twist. So Thirsty is not quite as great as Such Sharp Teeth or Cackle, but I still enjoyed it immensely. A bloody good read for these creepy days of late October!

29Oct2024

Halloween posts for Tuesday!

Posted in Top Ten Tuesday by Lisa @ Bookshelf Fantasies

Lately, I’ve been bouncing back and forth for my Tuesday posts, alternating between the Top Ten Tuesday and Top Five Tuesday memes, depending on their topics for the week. This week, both are Halloween themed… so I’m doing them both!!

First up… it’s Top Ten Tuesday:

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is a Halloween freebie! For my Halloween post, I’m going to focus on horror novels on my to-read list (updated for 2024). I’ve done this topic a few times in the past several years, and given the state of my TBR list, it’s time to do it again.

Noted with shame: Some of these books were on my Halloween horror TBR list last year! So, you know, I’m not exactly great at following through…

Still, here are a bunch I really do want to get to… including a few upcoming 2025 new books.

Starling House by Alix E. Harrow
Dread Nation by Justine Ireland
The Changeling by Victor Lavalle
Diavola by Jennifer Thorne
Hemlock Island by Kelley Armstrong
The Return by Rachel Harrison
Cutting Teeth by Chandler Baker
Overgrowth by Mira Grant (upcoming 2025 new release)
Witchcraft for Wayward Girls by Grady Hendrix (upcoming 2025 new release)
My Ex, the Antichrist by Craig DiLouie (upcoming 2025 new release)

Are any of these on your TBR too? Which ones look best to you? And if you’ve read any, let me know what you thought!

Next, let’s take a look at this week’s Top 5 Tuesday:

Top 5 Tuesday is a weekly meme hosted by Meeghan Reads — check out the next batch of upcoming topics here.

This week’s topic is Top 5 books to recommend for Halloween, and the prompt is: It’s trick or treat time — are you going to tell us your best scary books or cutesy Halloween tales?

My picks are mainly ghost stories, plus a funny/clever fantasy that I reread every October!

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The Uninvited by Cat Winters (review)
The Veil by Rachel Harrison (review)
Thornhill by Pam Smy (review)
I’ll be Waiting by Kelley Armstrong (review)
A Night in the Lonesome October by Roger Zelazny (review) — I’m reading this one again right now! Such a fun annual tradition.

What books do you recommend for Halloween? I love a good ghost story — do you have any favorites? Save

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In case it’s not obvious, I’ll probably be spending my Halloween with my nose in a book! Wishing you all a happy Halloween, whatever you’ll be doing!Save

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10Oct2024

Book Review: I’ll Be Waiting by Kelley Armstrong

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: I’ll Be Waiting
Author: Kelley Armstong
Publisher: St. Martin’s Press
Publication date: October 1, 2024
Length: 336 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

From New York Times Bestselling author Kelley Armstrong comes a spellbinding new tale of supernatural horror involving a haunted-house, seances, lost loved ones, and a sinister spirit out for blood…

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car accident, but lived long enough to utter five words to her, “I’ll be waiting for you.”

That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side. Worse, that person claimed it wasn’t Anton who said the words but his ghost, hovering over his body.

Since their story went public, Nicola has been hounded by spiritualists promising closure. In the hopes of stopping her downward spiral, friends and family find a reputable medium—a professor of parapsychology. For the séance, they rent the Lake Erie beach house that Anton’s family once owned.

The medium barely has time to begin his work before things start happening. Locked doors mysteriously open. Clouds of insects engulf the house. Nicola hears footsteps and voices and the creak of an old dumbwaiter…in an empty shaft. Throughout it all she’s haunted by nightmares of her past. Because, unbeknownst to the others, this isn’t her first time contacting the dead. And Nicola isn’t her real name.

That’s when she finds the first body….

In this atmospheric, thrilling new ghost story, Kelley Armstrong’s full talents are on display to thrill, chill and leave the reader guessing how Nicola escapes with her life–if she can.

Kelley Armstrong has quickly become a favorite author over the past few years, thanks to terrific series such as A Rip Through Time and A Stitch in Time. I also loved her first foray into contemporary romance, Finding Mr. Write. So it’s no surprise that I’ll Be Waiting, a stand-alone horror novel, pulled me in right from the start and never let me go.

The synopsis above says a lot — perhaps too much — about the plot of I’ll Be Waiting, so I’ll stick to a brief rehash. The basics: Main character Nicola (“Nic”) spends all her life knowing she’s on borrowed time. She’s already exceeded the life expectancy for someone with CF (cystic fibrosis). As the book opens, she’s happily married to a lovely man, Anton, and they’re bantering about future travel plans when a random car accident kills him — but not before he shares last words with Nic: I’ll be waiting for you.

Flashforward eight months, and Nic is still mired in grief, which she lives through by seeking medium after medium, hoping for one final connection with Anton. She knows most are frauds, and knows she should let this obsession go, but she can’t. Worried friends and family stage an intervention of sorts: They’ve found a parapsychologist who applies a scientific approach to contacting the other side, and they want Nicola to agree to make this attempt to reach Anton her last, no matter the outcome.

Everyone knew I loved Anton. They just didn’t know how much. I want the same for my grief. They can know I’m still hurting… just not how much.

As a small group gathers at a lakeside house for the seance, unexplained noises and phenomena begin to occur. Is it yet more fakery? Could it really be Anton? Or is it something or someone else from the other side, with a much darker agenda?

I’ll Be Waiting explores the power of love and grief through Nicola’s experiences. She’s a fascinating main character, living with a chronic illness and suffering through the media interest Anton’s death has provoked. (She’s often described in the press as a terminally ill widow, which is offensive to Nic on so many levels). Through Nic, we get a portrayal of what daily life with CF is like, but also get inside her head to know how thoughts and expectations of death have always been a part of her life. Part of why she can’t let go of the attempts to reach Anton is the very fact that he died first: it was always supposed to be her.

As Nicola spends time at the lake house and experiences unexplained noises, pushes from unseen hands, and other strange occurrences, she also spends more and more time with vivid dreams from her own past. As a teen, something awful happened — awful enough that her parents abruptly moved her across the country and allowed her to change her name in order to escape it all. Now, memories of that time are coming fast and furious, and Nic is left to try to connect the pieces between those events and her possible visitations from Anton.

The suspense builds, with twists and turns that are hinted at, then land with huge, shocking impact. Sure, the first creaking floorboards would probably have sent me running for the hills, but Nic is a woman with a mission, and she refuses to be scared off until she sees this seance through. The tension in the house ratchets higher and higher, as Nicola is forced to question everything — the spirit (spirits?) who seem to be making their presence known, as well as the trustworthiness of the people she’s counting on to see her through this experience.

Somewhere around the 50% point, I sat down with I’ll Be Waiting to read a few more chapters… and didn’t move again until I’d finished. It’s no exaggeration to say this book is impossible to put down. The ghost story and suspense elements are absolutely gripping, but the book is so much more than a horror story. It’s Nicola’s inner life — her memories of her great love and her unending suffering through her grief and loss — that make this book so compelling and so powerful.

I’ll Be Waiting is both beautiful and completely chilling. There are some major jump-scare horror moments, but it’s the story of Nicola and Anton that I think will truly stay with me. This book is masterful storytelling with heart and strong emotional impact. Highly recommended.

28Aug2024

Book Review: The Night Guest by Hildur Knútsdóttir

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Night Guest
Author: Hildur Knútsdóttir
Translated by: Mary Robinette Kowal
Publisher: Tor Nightfire
Publication date: September 3, 2024
Length: 208 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Hildur Knutsdottir’s The Night Guest is an eerie and ensnaring story set in contemporary Reykjavík that’s sure to keep you awake at night.

Iðunn is in yet another doctor’s office. She knows her constant fatigue is a sign that something’s not right, but practitioners dismiss her symptoms and blood tests haven’t revealed any cause.

When she talks to friends and family about it, the refrain is the same ― have you tried eating better? exercising more? establishing a nighttime routine? She tries to follow their advice, buying everything from vitamins to sleeping pills to a step-counting watch. Nothing helps.

Until one night Iðunn falls asleep with the watch on, and wakes up to find she’s walked over 40,000 steps in the night . . .

What is happening when she’s asleep? Why is she waking up with increasingly disturbing injuries? And why won’t anyone believe her?

This Icelandic horror novel first came to my attention through Mary Robinette Kowal, who apparently met the author, read the book (in Icelandic!), and then asked to translate it once she learned that it wasn’t available yet in English. Thanks to MRK’s involvement, The Night Guest is being published by Tor Nightfire in September — and it’s sure to be a hit with anyone who loves creepy, ambiguous horror stories.

The main character, Iðunn, wakes up exhausted every day. Not just the kind of exhausted that comes from a rough night’s sleep, but with aching muscles and body pains. Everything hurts. But doctor after doctor find nothing wrong with her. She suspect ALS or other frightening diseases, but when her blood work all comes back fine, it’s not a relief. Something is wrong… and no one can tell her what.

Socially, Iðunn is a little awkward, always feeling like an outsider. We learn much more about her background and why her family and social life are the way they are — but I appreciated the way the information unfolds and offers an unexpected twist, so I won’t reveal it here.

Eventually, Iðunn takes even more drastic measures to figure out what’s going on at night and to make it stop. Her efforts to stop it fail in rather spectacular, dramatic ways, and she progresses from waking up sore to waking up bloody and injured — still without knowing why.

Without revealing too much else about the plot, I’ll just say that the tension builds in a way that get more and more disturbing, and as the clues to Iðunn’s nightly experiences pile up, we find ourselves increasingly at a loss to explain it all. Is it psychosis, as one doctor believes? Is it something otherworldly acting upon her? I wasn’t quite sure where I landed on these questions at the end of the book — I like clean answers, and the book doesn’t provide a simple solution. We’re left to sort out what we ourselves think might have happened — which is disturbing, yet very effective.

The storytelling is terrific. What seems straightforward at the start becomes more complicated as we go along. The horror elements creep in when least expected, until it all becomes more explicitly horrifying by the end.

Iðunn is a great example of an unreliable narrator, and we’re left to wonder right alongside her just what the hell is going on. It’s a unique story, and the short length of the book (just over 200 pages) keeps it tight and fast-moving.

The Night Guest becomes more gory and violent by the end; earlier, it leans more toward psychological horror. I’m so glad I got to experience this unusual gem, and recommend for anyone who enjoys questionable lead characters and weird, terrifying premises. If you’re a horror fan, don’t miss this one!

Final note: As an added bonus, the use of technology (especially the fitness tracker) is awesome! Also, I don’t believe I’ve ever read an Icelandic book before, and I loved the setting, the names, and the overall vibe.

15May2024

Book Review: The House that Horror Built by Christina Henry

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The House that Horror Built
Author: Christina Henry
Publisher: Berkley
Publication date: May 14, 2024
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

A single mother working in the gothic mansion of a reclusive horror director stumbles upon terrifying secrets.

Harry Adams loves horror movies, so it’s no coincidence that she accepted a job cleaning house for horror-movie director Javier Castillo. His forbidding gray-stone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes as well as glittering awards from his career making movies that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

Javier values discretion, and Harry always tries to keep the house immaculate, her head down, and her job safe. Then she hears noises from behind a locked door, noises that sound remarkably like a human voice calling for help. Harry knows not asking questions is a vital part of keeping her job, but she soon discovers that the house may be home to secrets she can’t ignore.

The House that Horror Built is a clever haunted house story, set in a post-COVID world in which the odds seem stacked against single mother Harry and her son Gabe.

The world is just reemerging from lockdown. 14-year-old Gabe’s school is open for in-person learning three days per week. After losing her previous restaurant work when everything shut down, Harry has finally found a decent job again, which means — if she’s frugal — she can still pay her bills and put food on the table for her son. Years earlier as a teen, Harry lived on the streets and in shelters, and she knows just how close to losing it all she and Gabe are — especially once she receives an eviction notice from her heartless landlord.

Fortunately, Harry’s part-time job pays very, very well. She works as a housecleaner for Javier Castillo, a world-renowned, Oscar-winning director who now lives as a recluse behind the gates of Bright Horses, his Chicago mansion. A life-long horror fan herself, Harry can truly appreciate Javier’s artistry and loves his movies, but even she is somewhat shaken by the replicas and original props that fill his house, especially the masks and costumes from one of his creepiest movies. It’s Harry’s job to keep all of these spotless, no matter how uneasy they make her.

Javier seems to take an interest in Harry and Gabe, and when he starts inviting them for meals at his home, it’s hard to say no, even though Harry isn’t comfortable blurring the lines between professional and personal. Still, Gabe is over the moon at being invited into such an icon’s home, and he develops an instant rapport with Javier. But Harry has heard and seen unexplainable things in the house, and when a dinner with two of Javier’s leading film stars ends in tragedy, Harry knows that something is very, very wrong. Yet with eviction looming, she may have no choice but to move into Javier’s home with Gabe… and there’s definitely danger waiting for them there.

The House that Horror Built is a slow-burn horror story. The terror is more of the psychological variety — no guts and gore spilling out of the shadows, and no buckets of blood. Instead, there’s a sense of menace pervading Bright Horses — the feeling that something is moving when Harry’s head is turned, unexplained noises from behind locked doors, glaring eyes from inanimate objects. It’s creepy, and Harry knows it’s creepy, so why does she bring her son into this place?

Here’s where I feel the book has such an interesting hook: We may scream at horror movie characters to walk away, don’t open that door, don’t go into the haunted house… but in reality, people don’t always have options. Harry and Gabe literally have nowhere to go. The building where they’ve lived for ten years has been sold and is slated for demolition. There aren’t any affordable apartments available, and anyway, with such little notice, Harry has no money saved for a down-payment, much less moving expenses. She knows she’s lucky to have gotten the job with Javier. If she loses it, she and Gabe will be on the streets, and while she survived her earlier experiences of homelessness, she’s determined to avoid that for her son by any means necessary.

So yes, Harry moves Gabe into Javier’s home, knowing full well that the place may very well be haunted, and that something malevolent lurks in the corners and very probably wants to hurt her. But at Bright Horses, Gabe has a room, plenty of food, and a safe way to get to school. Author Christina Henry does a superb job showing the choices and sacrifices a mother will make to care for her child.

In terms of the horror story, it’s somewhat of a mixed bag. There’s a creepiness to the book, and we know from the start that something seems off about Javier. We learn that he became a recluse after a family tragedy, and after the most recent scandal in Chicago, he’s once again being hounded by paparazzi. Javier seems determined to help Harry and Gabe, even when she clearly doesn’t want him in their lives. And then there are the noises and the inexplicable events in the house — how much is Javier aware of?

The secrets of the house aren’t revealed until close to the end, and although I’d guessed what was going on, there were still elements that surprised me. I did feel that the ending was too abrupt. We’re left with answers about Bright Horses and Javier, and the immediate situation is resolved, but we don’t actually get any big-picture resolution for Harry and Gabe. After investing so much in their struggles, it feels unfinished to not get an epilogue that lets us know what happens next for them (and, hopefully, to let us know that they’re doing well!).

Overall, I enjoyed The House that Horror Built. Christina Henry’s books are always intensely gripping, and this one is no exception. Once I started I couldn’t put it down. Apart from not feeling fully satisfied by the ending, I enjoyed the building tension of the story as well as having such an interesting, unusual lead character as Harry. Recommended for fans of haunted house stories and horror movie buffs!