Book Review: Newbourne Park by Jennifer Thorne

Title: Newbourne Park
Author: Jennifer Thorne
Publisher: G.P. Putnam’s Sons
Publication date: September 29, 2026
Length: 368 pages
Genre: Horror
Source: Review copy courtesy of the publisher via NetGallety
Rating:

Rating: 4.5 out of 5.

From the USA Today bestselling author of Diavola comes a darkly funny, blood-soaked horror novel about the terrifying seduction of unlimited power.

After years of caring for her dying mother, Martha Shaw feels empty, exhausted, and far older than her twenty-six years. So when her brother invites her to a weekend getaway at the opulent, two-hundred-acre country estate where his friend works, Martha reluctantly agrees. After all, what’s the harm? The owners and all their staff will be gone. Security cameras will be off. The house will be theirs. For the first time in years, Martha might actually have fun.

And it is fun, taking advantage of the historic mega-mansion and its vast grounds. Martha begins to feel human again. But when night falls, the rightful master of Newbourne Park returns—and she’s not alone. Suddenly, being caught trespassing is the least of their worries, because what steps out into the moonlight is something vicious. And hungry.

What began as a lark becomes a bloody battle for survival, where greed and morality collide—and a woman must choose to bow, break, or bite back.

Have you read books where you went in knowing only the bare basics, and had a sharply defined moment where you thought, “Oh, so THAT’s what this book is about!”? That was my reading experience with Newbourne Park, and I have to say, I loved experiencing it that way. So, with that in mind, I’m going to be as general as I can when talking about this book… although I suspect most reviews will tell you straight away that this is a [insert theme here!] story.

What the brief bits of the blurb I’d paid attention to told me, and what I’ll share here, is this: Martha Shaw has spent years caring for her dying mother in their cottage in a working-class village. Martha was expected to rise above her station; as a child, her mother took her and her brother on outings to visit great houses and estates, and Martha’s intelligence and gift for learning earned her a place in a prestigious school and an offer to study medicine at Oxford. Her shining future collapsed when her mother became ill, and now, months after her mother’s death, Martha finds herself lonely, depressed, and with not much going for her.

But as Martha tells us in the first few pages:

You’ll likely hate me by the end of this — but oh, my darlings, I could not care less.

Doesn’t sound like the woman I’ve described so far, does it? Clearly, something changes.

Martha’s brother insists on getting her out of the house once a week for pub nights, and convinces her to join him, his girlfriend, and his best friend Tommy on a weekend adventure. Tommy is a footman at a lavish estate, and the owners and staff will all be away. With even the security cameras disarmed for the weekend, it’s a rare opportunity to sneak onto the grounds and live like the rich folks do for a few days. Reluctantly, Martha agrees to go along, and feels drawn by Newbourne the moment she enters the estate.

At first, it’s a crazy risk that pays off. Yes, they’re trespassing, and of course, Tommy could be fired and they could all be arrested if caught… but Newbourne Park is beautiful and isolated, and its luxuries are too much to resist. But on their second day there, unexpected deliveries and arrivals interrupt the trespassers’ country getaway… and things take a turn toward violence and extreme danger.

And that’s only in the opening chapters!

Author Jennifer Thorne creates an unforgettable story out of familiar elements, showing Martha’s evolution into a person of power — both through elements outside of her control and through her own deliberate decisions. The descriptions of what she experiences at Newbourne are blood-soaked and scary, and yet, there are social elements that are downright funny as we see Martha skewering expectations and forcing her way into a world where she’d more naturally be excluded.

The horror elements are well-drawn, imbuing certain tropes with new twists as well as providing startling and often entertaining character moments. I loved seeing what becomes of Martha, how she changes from mousy and beaten-down into someone to be reckoned with, and what she’s willing to do in order to make sure her place at Newbourne is secure.

The pacing in Newbourne Park is fabulous, giving space for the personal moments and interactions while also keeping the sense of menace going full-tilt, and with scenes of violent action interspersed so the readers never lose sight of just what’s going on here.

Jennifer Thorne’s 2022 novel Lute remains my favorite of her books… but Newbourne Park is a close second! This author is incredibly talented, with a flair for compelling, complicated characters and vivid storytelling. I’m already eager to hear what she’ll be writing next!

Meanwhile, if my vague description of Newbourne Park has piqued your interest in any way… absolutely make a point of checking out the book! I couldn’t put it down. For horror fans, it’s a must-read.

Purchase links: Amazon – Bookshop.org – Libro.fm
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Book Review: Diavola by Jennifer Thorne

Title: Diavola
Author: Jennifer Thorne
Publisher: Tor Nightfire
Publication date: March 26, 2024
Length: 296 pages
Genre: Horror
Source: Purchased
Rating:

Rating: 4 out of 5.

Jennifer Thorne skewers all-too-familiar family dynamics in this sly, wickedly funny vacation-Gothic. Beautifully unhinged and deeply satisfying, Diavola is a sharp twist on the classic haunted house story, exploring loneliness, belonging, and the seemingly inescapable bonds of family mythology.

Anna has two rules for the annual Pace family destination vacations: Tread lightly and survive.

It isn’t easy when she’s the only one in the family who doesn’t quite fit in. Her twin brother, Benny, goes with the flow so much he’s practically dissolved, and her older sister, Nicole, is so used to everyone—including her blandly docile husband and two kids—falling in line that Anna often ends up in trouble for simply asking a question. Mom seizes every opportunity to question her life choices, and Dad, when not reminding everyone who paid for this vacation, just wants some peace and quiet.

The gorgeous, remote villa in tiny Monteperso seems like a perfect place to endure so much family togetherness, until things start going off the rails—the strange noises at night, the unsettling warnings from the local villagers, and the dark, violent past of the villa itself.

(Warning: May invoke feelings of irritation, dread, and despair that come with large family gatherings.)

Talk about a family vacation from hell!

The air felt murky when she joined everybody at the table, but it was the usual Pace family murk, bad moods combining to form a full low-pressure weather pattern.

In this creepy, atmostpheric horror novel by Jennifer Thorne (author of the brilliant Lute), a family stay in a Tuscan villa turns nightmarish… and not just because of the forced proximity of a dysfunctional family.

Main character Anna Pace is a constant disappointment to her family. Blamed for everything from the death of her middle school classroom’s pet guinea pig to fooling around with her sister’s prom date (she didn’t, actually) to every other sort of wrong-doing imaginable, Anna is constantly on alert. The idea of spending a week with her family is so stressful that she secretly arrives in Italy two days early to squeeze in some alone time before she has to face the rest of the group.

The family’s idyllic Tuscan luxury rental seems off right from the start. There’s a dead zone around the building where nothing grows. A tower is kept tightly locked, and while Anna thought she saw a window in it, it’s actually totally bricked over. Why is there a goat kept tethered at the end of the lane? And why does Anna spot locals sneaking around with flashlights at night?

Little incidents pile up — slamming doors, spoiled food, onslaughts of mosquitoes — and then escalate into rearranged furniture and injuries caused by unseen hands. The family seems to be in the worst sort of denial. Anna’s father insists that there’s nothing wrong, because he paid for this vacation, dammit!, and they WILL enjoy it. Everyone else falls back on blaming Anna for causing problems.

“I don’t know why you’re trying to stir things up, Anna,” she spat. “I gave up trying to figure that out a long time ago, goodness knows, a long time! There is absolutely nothing wrong with where we’re staying.”

Anna knows deep down that what’s happening at the villa isn’t normal, especially given the side-eye the family gets whenever they venture into the nearby village. She can fell it in the air whenever they go back into the villa, a sense of wrongness and bad intent — and the longer they stay, the worse it gets, especially with the terrible dreams of a menacing woman that begin to haunt Anna’s every moment… even when she’s not asleep.

Oh, this book gets creepier and creepier as it goes along, and the family’s insistence on acting as if everything is okay becomes enough to make you want to pull your hair out. I would have been running away as fast as my legs could carry me as of the second day — and Anna does consider leaving, but it’s the same old family dynamic that keeps her from going:

Everybody would worry about her if she left and it would poison the rest of their vacation and she wouldn’t want to hear about it, but by God, she would. She’d hear about it at every single gathering forevermore.

The toxicity of the family is a huge factor in the horror elements. Yes, there are gruesome, gory incidents, and plenty of disturbing scenes, but the way Anna’s family treats her is one of the most upsetting aspects of this book. She’s the family scapegoat, for no very good reason except that that’s what they’re all used to. No wonder she dreads these family vacations.

Not to downplay the actual horror — the haunting storyline is scary and insidious, and there’s a moment where we readers might think that Anna has finally broken free… but then we see that there’s still quite a bit of the story left, and get a creeping suspicion that the terror isn’t even close to being finished with Anna.

Diavola is a relatively short novel, and if possible, should be read in one or two long reading sessions. Due to limited reading time this past week, I read the first half or so in little fits and starts, and found myself rather disengaged — but I’m convinced the fault was in my approach, not the book itself. Once I sat down for more extended reading over the weekend, I couldn’t put the book down and flew through the second half.

As a story of haunting and possession, Diavola is sinister and frightening. As a tale of awful family dynamics, it’s both relatable and bleak. Black humor lightens some of the worst moments, and yet the overall vibe is menacing all the way through.

There are some gross-out scenes, so be warned if you’re on the squeamish side. Recommended for horror fans who appreciate a gothic vibe in their stories of terrible family vacations.

PS – If nothing else, Diavola should be a lesson to us all to look beyond AirBnb reviews and do a good Google search when staying in ancient villas!