Book Review: The Ladies Rewrite the Rules by Suzanne Allain

Title: The Ladies Rewrite the Rules
Author: Suzanne Allain
Publisher: Berkley
Publication date: January 9, 2024
Length: 272 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

From the author of Mr. Malcolm’s List comes a delightful romantic comedy set in Regency England about a widow who takes high society by storm.

Diana Boyle, a wealthy young widow, has no desire to ever marry again. Particularly not to someone who merely wants her for her fortune. 

So when she discovers that she’s listed in a directory of rich, single women she is furious, and rightly so. She confronts Maxwell Dean, the man who published the Bachelor’s Directory , and is horrified to find he is far more attractive than his actions have led her to expect. However, Diana is unmoved by Max’s explanation that he authored the list to assist younger sons like himself who cannot afford to marry unless it’s to a woman of means. 

She gathers the ladies in the directory together to inform them of its existence, so they may circumvent fortune hunters’ efforts to trick them into marriage. Though outraged, the women decide to embrace their unique position of power and reverse the usual gender roles by making the men dance to their tune. And together… the ladies rewrite the rules.

What a delightful little gem! This comedy of manners is an utterly fun treat about women taking back control of their destinies at a time when society tells them they’re powerless.

A woman needs a dowry to attract a man, must marry “well”, must remain virtuous at all times, must avoid the thousand and one ways she can be “ruined”, must kowtow to the powerful matrons who control social standing… the restrictions on young women of the Regency era go on and on.

Diana Boyle is lucky, all things considered. She married a much older man at age eighteen to save herself and her mother from poverty. When she finds herself a widow at age twenty-five, she’s finally able to live peacefully in the grand estate left to her by her unpleasant late husband, and for once has no pressure to do what others want. And mainly, Diana just wants to be left alone. She’s not a social butterfly, has no interest in remarrying (her unhappy first marriage was plenty, thank you), and doesn’t need balls and visits and endless society obligations.

All this changes when a pair of gentlemen show up at her estate — uninvited — and proceed to attempt to ingratiate themselves with her. Her observant butler manages to discover the reason — they’re carrying a copy of a directory that lists the wealthiest widows and unmarried women of London, and Diana is listed! She’s outraged, enough so that she overcomes her normal shyness to seek out the author of the directory and give him a piece of her mind.

Maxwell Dean is not quite the villain she’d expected. Rather than a fortune hunter, he’s a man who’s seen more than one friend fall in love, only to have it come to naught when the couple realize that neither has any money whatsoever. For a younger son, the only hope is to marry a woman of means — so why not provide some guidance in advance? Maxwell doesn’t realize how mercenary his guide might set men up to be — he honestly just thinks he’s helping people find love in a more practical way. (He’s a very special — and sweet — snowflake, to be honest).

The fun takes off when Diana makes it her mission to inform other ladies of their inclusion in the directory. While initially upset and offended, the women soon discover more than one silver lining. They band together, forming strong friendships and allyships, and realize that given the situation, they’re actually the ones with the power.

Somehow the very thing that had been the symbol of their helplessness, that directory which listed them as no more than a commodity, had now become a way for them to exert their independence, to rewrite the rules in their favor.

With all these men seeking them as marriage partners, they have a freedom never before experienced — to waltz with abandon, to decline a dance if they don’t feel like dancing with the man asking (and still dance with others!), to say no if they’re so inclined in any situation. The women of the directory find a new sense of liberty and strength, and they intend to enjoy it to the hilt.

For it’s an indisputable fact that when a person no longer seeks acceptance, they immediately become irresistible.

Of course, there’s also a budding romance between Diana and Max, and it’s quite sweet to see the two of them come together, tentatively at first, as they discover friendship, trust, and attraction. As Diana’s connections to the other women grow, and her fondness for Max strengthens too, she’s able to rethink her position in life and for once, make her own decisions about who she wants to be and how she wants to live.

The writing in The Ladies Rewrite the Rules is oodles of fun. There are plenty of funny and silly moments, but the women also share stories that are more painful and illustrate how strongly the odds are stacked against them. I especially loved seeing Diana’s friendship with Lady Regina, a wealthy heiress whose reputation had been tarnished as a much younger woman. Through their new sense of confidence and empowerment, Regina is able to right some old wrongs and realize that she is in fact as entitled to happiness as anyone else.

I picked up this book with a little bit of hesitation, as I didn’t love Mr. Malcolm’s List quite as much as I’d hoped to… and so I was incredibly happy to discover how much I enjoyed spending time with Diana, Regina, and the Ladies of the Registry.

I tore through The Ladies Rewrite the Rules in a little more than a day, and found myself smiling and laughing throughout. If you enjoy a good Regency tale with a slightly unconventional twist, be sure to check this book out!

Book Review: A Grave Robbery (Veronica Speedwell, #9) by Deanna Raybourn

Title: A Grave Robbery
Series: Veronica Speedwell, #9
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 12, 2024
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Veronica and Stoker discover that not all fairy tales have happy endings, and some end in murder, in this latest historical mystery from New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.

Lord Rosemorran has purchased a wax figure of a beautiful reclining woman and asks Stoker to incorporate a clockwork mechanism to give the Rosemorran Collection its own Sleeping Beauty in the style of Madame Tussaud’s. But when Stoker goes to cut the mannequin open to insert the mechanism, he makes a gruesome discovery: this is no wax figure. The mannequin is the beautifully preserved body of a young woman who was once very much alive. But who would do such a dreadful thing, and why?

Sleuthing out the answer to this question sets Veronica and Stoker on their wildest adventure yet. From the underground laboratories of scientists experimenting with electricity to resurrect the dead in the vein of Frankenstein to the traveling show where Stoker once toured as an attraction, the gaslit atmosphere of London in October is the perfect setting for this investigation into the unknown. Through it all, the intrepid pair is always one step behind the latest villain—a man who has killed once and will stop at nothing to recover the body of the woman he loved. Will they unmask him in time to save his next victim? Or will they become the latest figures to be immortalized in his collection of horrors?

Veronica Speedwell is back! This outing — another potentially deadly investigation with her lover and partner Stoker — provides everything fans of this series love: Dastardly deeds, scheming scientists, Victorian scandal, and lots of sexy bantering.

As she and Stoker happily work on their ongoing commission to catalog and restore their patron Lord Rosemorran’s vast collection of natural wonders, a new challenge comes their way. Lord Rosemorran has purchased a waxwork of a lovely young woman, and to entertain his rambunctious youngest daughter, wants Stoker to add a mechanical element to give the illusion of breathing, as seen in a famous attraction at Madame Tussaud’s.

The promise of a new case to investigate becomes apparent once Stoker starts his work and discovers that this is no waxwork, but the meticulously preserved body of a young woman who was once very much alive. But who was she, and how did she come to be in this condition?

The more Veronica and Stoker learn, the more questions arise. It appears that this may be the body of a young woman who was found drowned in a river some fifteen years earlier, but that fact does not provide clues to her identity or shed light on the mystery of how such an impeccable work of preservation was carried out.

The details of their investigation are as delicious as readers can rightfully expect in this series, as we descend into worlds of mortuaries, mad scientists, and questionable examples of *ahem* anatomical study aides.

Through it all, Veronica and Stoker remain as wonderfully intertwined and perfectly in tune as ever, enjoying their restorative bouts of “congress” (as Veronica calls it) while also engaging as equal partners at a time when women are expected to be submissive.

It has been my experience that the male of the species, though often thoroughly illogical, can — when encouraged to sit quietly and think hard — be guided into a position of sense.

Veronica defers to no one and never backs down. She’s a smart, confident woman of science, and demands to be treated as such at all times. She never hesitates to call Stoker out, including his tendency toward anti-social behavior:

“Thanks to you, I speak to entirely too many people, entirely too often.”

“Exactly. You were practically a hermit when I met you.

“I was not a hermit,” he said through gritted teeth. “I was a professional man with work that I was actually permitted to do rather than being dragged into murder investigations because I had not yet met a woman whose very raison d’être seems to be falling over dead bodies.”

Author Deanna Raybourn seems to be having oodles of fun with these stories and characters. Her descriptions sparkle, and the quips, insults, and banter fly with zingy style. Even little throwaway lines are pure delight:

“That is the most preposterous load of plangent poppycock I have ever heard.”

I do hope she’ll continue writing Veronica Speedwell stories for many years to come. Each year’s new installment is something to savor… but sadly, they’re such fast, absorbing reads that I come to the end almost too quickly. And now, it’s another long year of waiting for the next adventure!

I’ll wrap up with words borrowed from my reviews of earlier books in the series:

If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!

This series has become one of my favorites. Don’t miss it.

Book Review: Expiration Dates by Rebecca Serle

Title: Expiration Dates
Author: Rebecca Serle
Publisher: Atria
Publication date: March 19, 2024
Length: 272 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

Being single is like playing the lottery. There’s always the chance that with one piece of paper you could win it all.

From the New York Times bestselling author of In Five Years and One Italian Summer comes the romance that will define a generation.

Daphne Bell believes the universe has a plan for her. Every time she meets a new man , she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she’d spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there’s only a Jake.

But as Jake and Daphne’s story unfolds, Daphne finds herself doubting the paper’s prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn’t, information that—if he found out—would break his heart.

Told with her signature warmth and insight into matters of the heart, Rebecca Serle has finally set her sights on romantic love. The result is a gripping, emotional, passionate, and (yes) heartbreaking novel about what it means to be single, what it means to find love, and ultimately how we define each of them for ourselves. Expiration Dates is the one fans have been waiting for.

Expiration Dates is going to be tricky to discuss, and I’ll issue some general advice up front: Read reviews with caution. There’s something that gets revealed in the second half of the book that changes how readers understand everything that’s come before… and I really don’t think more than that should be said about it. If you’re reading a review that’s heavy on plot details or seems primed to disclose secrets — well, my advice is to stop reading!

That said, here’s what I can share about this novel. The main character is Daphne, a woman in her early 30s who enjoys her career as assistant to a powerful Hollywood producer. Born and raised in LA, Daphne loves her city and her parents, who live close by. She’s frustrated by her love life, and is still searching for a relationship that lasts, especially since she always knows exactly how long any given man will stay in her life.

Since childhood, Daphne has received random pieces of paper — sometimes tucked under her door, sometimes dropped next to her or handed to her by a stranger — with a name and a length of time written on it. The name is the person she’s currently dating or about to start dating, and the length of time is how long the relationship will last. Sometimes it’s just one night; sometimes it’s long enough that Daphne can even forget about the note and start feeling like it’s forever.

But until Jake, she’s never received a paper without a time frame. Does the fact that his note just has his name mean that he’s the one who’ll last? Is she about to go on a first date with her forever partner?

That’s a lot to swallow, and while this is the sort of magical element that we readers are supposed to just accept as fact, I never quite could. There’s no explanation, no source, no deep secret here. Daphne gets these pieces of paper that provide relationship expiration dates, period. If you find yourself scoffing at the very concept, then this probably isn’t the book for you.

Despite my skepticism, I stuck with Expiration Dates, and had a mixed experience. There are ultimately two competing stories going on (I won’t say why), and they don’t actually serve each other very well. The book I thought I was reading turned out to be something else, and to me, it feels as though the book is both trying to do to much and trying to have it both ways.

The unexplainable magical element actually undercuts some of the more serious developments and themes, unfortunately, and kept me from fully embracing the emotions and thoughtfulness of the plot.

At the same time, I did find Daphne’s contemplation of fate and self-fulfilling prophecy very interesting. Do her relationships end because they’re meant to? Meaning, it’s all out of her hands, and this is what the universe is dictating? Or, does she actually contribute to these relationships failing? If she knows ahead of time that she only has three months with someone, does she essentially give up or not invest enough of herself to make it work, since it’s beyond her control anyway?

Expiration Dates poses some interesting questions, but ultimately I did not feel especially invested in the romantic outcome, especially given how obvious it seemed to me. Daphne is a character whom I enjoyed getting to know, but the men in her life never feel fully formed, so truly caring about the various relationships is challenging.

Overall, this is a quick read that offers light entertainment, but doesn’t truly achieve the depth I think it’s aiming for. The magical element may be what differentiates the plot, but I think I would have been more interested in Daphne’s story without it, especially given the (no spoilers!) developments later in the book.

Book Review: Aftermarket Afterlife (InCryptid, #13) by Seanan McGuire

Title: Aftermarket Afterlife
Series: Incryptid, #13
Author: Seanan McGuire
Publisher: DAW
Publication date: March 5, 2024
Length: 368 pages
Genre: Urban fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Seanan McGuire’s New York Times -bestselling and Hugo Award-nominated urban fantasy InCryptid series continues with the thirteenth book following the Price family, cryptozoologists who study and protect the creatures living in secret all around us

Mary Dunlavy didn’t intend to become a professional babysitter. Of course, she didn’t intend to die, either, or to become a crossroads ghost. As a babysitting ghost, she’s been caring for the Price family for four generations, and she’s planning to keep doing the job for the better part of forever.

With her first charge finally back from her decades-long cross-dimensional field trip, with a long-lost husband and adopted daughter in tow, it’s time for Mary to oversee the world’s most chaotic family reunion. And that’s before the Covenant of St. George launches a full scale strike against the cryptids of Manhattan, followed quickly by an attack on the Campbell Family Carnival.

It’s going to take every advantage and every ally they have for the Prices to survive what’s coming—and for Mary, to avoid finding out the answer to a question she’s never wanted to know: where does a babysitting ghost go when she runs out of people to take care of?

In the 13th installment in the weird and wonderful world of Seanan McGuire’s InCryptid series, the Price-Healy family is back… and things are not going well at all.

My recap from the previous book in the series still holds true:

The InCryptid series is a big, sprawling, interconnected story about the varied and sundry members of the Price/Healy clan — humans (mostly) who specialize in cryptozoology, the study and preservation of non-human people who live among us here on Earth. The arch-enemies of the Price gang (and all non-human species) is the Covenant, a powerful organization dedicated to hunting down and eliminating all cryptids — ostensibly to protect humans, but really, at this point, it’s more from deeply ingrained hatred and a desire to rid the world of everything non-human.

The series covers a lot of ground, and as it’s progressed, different family members have had the starring roles in different books. We’ve had books mainly focused on siblings Verity, Alex, and Antimony, and also their cousin Sarah, and their grandparents Alice and Thomas, but Aftermarket Afterlife is the first book where the family babysitter, Mary Dunlavy, is in the central role.

Up to now, Mary has been a featured side character, always present one way or another in the family’s lives, but usually never in more than a few key scenes from book to book. In Aftermarket Afterlife, we’re finally able to experience the Price-Healy clan through Mary’s eyes, and it’s a fascinating journey.

Mary died about a hundred years earlier, but that hasn’t stopped her from carrying out her duties as the family’s babysitter. She may be a ghost, but she’s good at her job! By appearance, she’s a teen girl (with startling white hair and eerie eyes), and her afterlife’s purpose is caring for the children of the Price family… even when those children are now fully grown and have children of their own. Mary can assume solid form (so she can tend the children in her care), but can also discorporate to pass through other dimensions. Most important among her ghostly abilities, she can hear when one of her children calls for her no matter where they are, and can instantly blink out from wherever she is and appear by their side.

In Aftermarket Afterlife, the Covenant is amping up their attacks on cryptid locations in North America, zeroing in on known and suspected allies of the Price clan. It’s only a matter of time before they find the family’s secret compound outside of Portland. The Prices are seemingly outnumbered, but they don’t give up easily, and soon Mary becomes essential to the family’s plan to take the fight to the Covenant.

“Hi. I’m the babysitter. And you scared my kids.”

This book starts a bit slowly, as Mary blips from one point to another, gathering intel and figuring out where everyone is. Pretty much all the family members we’ve come to know over the course of the series show up in this one, so there’s a lot of setting the scene before the action before more sharply focused. By the midpoint, however, it’s full speed ahead. The family suffers some tragic losses, and as they’re left reeling, Mary’s role as caregiver becomes even more important.

I do love this series, although thirteen books in, there is a LOT to remember and keep track of. As the various characters have changed and evolved over the series, and different higher powers have come and gone, the underlying mythology has gotten even more complicated.

“I liked it better when we weren’t all wrapped up in gods and weird divinities,” said Sam.

Honestly, same. There are more godly beings affecting the world of the Incryptid series, and it can be a little mind-boggling at times.

Aftermarket Afterlife is a particularly entertaining outing — I really enjoyed Mary as narrator. Her worldview, as a ghost, is of course quite different from that of the living family members.

You might think being dead would make death easier for me to deal with. You would be so very wrong.

I won’t go too far into plot details. For those who’ve kept up with the series, you’ll want to see it unfold without knowing much in advance. For those unfamiliar with the series, this is all likely sounding like gibberish anyway!

Aftermarket Afterlife is another terrific adventure with the Price-Healy family. I loved getting to see so many of my favorite characters once again, and really enjoyed getting to know Mary so much more through this story. The book ends with the family essentially in the middle of a war against the Covenant, and I can’t wait to see what happens next.

As with other books in the Incryptid series, this one includes a novella at the end, Dreaming of You in Freefall, which takes place shortly after the events of Aftermarket Afterlife. There’s absolutely nothing I can say about it without divulging a major spoiler from the main book — but trust me, it’s a really good one, and you’ll want to read it right away.

The Incryptid series is not one to jump into at a random point. There’s so much backstory to learn, so many family members, and so many types of cryptids, as well as an overarching plot that’s been building from the beginning of the series. I do hope more people will read the Incryptid books… but if you do decide to give them a try, start with book #1, Discount Armageddon.

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Book Review: The Warm Hands of Ghosts by Katherine Arden

Title: The Warm Hands of Ghosts
Author: Katherine Arden
Publisher: Del Rey
Publication date: February 13, 2024
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

During the Great War, a combat nurse searches for her brother, believed dead in the trenches despite eerie signs that suggest otherwise, in this hauntingly beautiful historical novel with a speculative twist from the New York Times bestselling author of The Bear and the Nightingale

January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else?

November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear.

As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.

After reading and loving Katherine Arden’s Winternight trilogy, I expected great things from her new novel, The Warm Hands of Ghosts. Those expectations were met, and then some.

In The Warm Hands of Ghosts, we’re plunged into the nightmare of war through the experiences of Laura Iven, a Canadian battlefield nurse, and her brother Freddie, a soldier on the frontlines in Belgium. As the novel weaves their stories together, we’re given an up-close look at the horrors of World War I.

As the book opens, Laura is back home in Halifax in early 1918, having been discharged from the army after suffering serious injury when her hospital in Belgium was bombed. But life in Halifax is not peaceful either; shortly before the book opens, the ship explosion of 1917 (a devastating historical event — read more here) kills thousands in the city, including Laura and Freddie’s parents.

When Laura receives a package containing her brother’s bloody uniform and his ID tags, she’s thrust into even more severe grief, but feels that something’s not right. No one she writes to can tell her about his final days or provide information about what might have happened to him. When she meets a woman heading back to Belgium to organize a hospital, Laura volunteers to go along, desperate to learn more about Freddie’s fate.

Meanwhile, through alternating chapters, we learn that Freddie did survive… barely. After being trapped in a collapsed pillbox on the battlefield, he and a German soldier, Hans Winter, save one another and navigate through the hellscape of the battlefield back to the relative safety of the Allied hospital. But saving Winter makes Freddie a traitor, and he finds shelter with a strange, eerie man whose violin-playing and eerie, ornate hotel promise oblivion and escape from the war.

Soldiers exchange stories of someone called “the fiddler”, whose music both captivates and repels, and who is rumored to steal men’s souls in exchange for relief from their worst nightmares. Freddie falls under the spell of the fiddler, but as he loses bits of himself, he doesn’t find the peace he seeks. Meanwhile, Laura refuses to give up on finding the truth about her lost brother, and the siblings endure greater and greater dangers in their quest to discover one anothers’ fates.

The Warm Hands of Ghosts incorporates an other-worldly element as it examines the toll of war and horror on people’s inner selves. We see wounded and shell-shocked soldiers, people maimed or whose minds have been destroyed. Is it any wonder that they embrace the idea of a supernatural presence that feeds off souls and promises ease? As Laura ponders:

Was remembered agony better than feeling nothing at all?

That’s the crux of the dilemma facing the characters who encounter the fiddler. Life amidst the hell of war promises pain and suffering, and even out of the warzone, as Laura experienced back in Halifax, there’s no escape from the torment of memories. The characters, again and again, face this impossible decision: Give in and forget, or hold on and suffer?

They all drank. The wine was glorious. Like getting hit in the face by an ocean wave; it was a shock, then a pleasure, then a numbness.

There’s so much more to the story, of course. Underneath the horror of it all, there are strong threads of love running throughout the lives of the characters we come to know. The bonds between Laura and Freddie, Freddie and Winter, and Laura and the women she befriends are all strong, forged in a shared experience that those who haven’t been to war will never be able to fully comprehend.

Laura is a marvelous characters. As a nurse, she’s extremely brave, competent, and compassionate. She’s also damaged, both physically and emotionally, and makes decisions following her heart, even when logic would dictate otherwise. Freddie is fascinating as well — wounded to his core, suffering in his psyche from the horrors he’s both seen and inflicted, and unable to envision any sort of future for himself.

The battlefield scenes are vivid and terrible and utterly visceral. The terror and butchery are shown plainly, and the psychological toll is clear and awful to read about.

Despite the disturbing nature of reading about World War I battlefield experiences, I was struck over and over again by how beautiful Katherine Arden’s writing is. Little phrases and moments would catch my attention from time to time, just because I so admired the words and sentences.

London felt like limbo to her, the glittering center of the modern world become merely the war’s antechamber.

I would imagine that the supernatural element might not work for every reader, particularly for those who pick up The Warm Hands of Ghosts looking for a more traditional historical fiction reading experience. (Then again, the title does have the word ghosts in it, so it’s not like the supernatural piece is hidden in any way.) For me, I found The Warm Hands of Ghosts a powerful, sad, evocative book, and it’s fully deserving of a 5-star rating. Highly recommended.

Book Review: The Frame-Up by Gwenda Bond

Title: The Frame-Up
Author: Gwenda Bond
Publisher: Del Rey
Publication date: February 13, 2024
Length: 352 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2 out of 5.

A magically gifted con artist must gather her estranged mother’s old crew for a once-in-a-lifetime heist, from the New York Times bestselling author of Stranger Suspicious Minds.

Dani Poissant is the daughter and former accomplice of the world’s most famous art thief, as well as being an expert forger in her own right. The secret to their success? A little thing called magic, kept rigorously secret from the non-magical world. Dani’s mother possesses the power of persuasion, able to bend people to her will, whereas Dani has the ability to make any forgery she undertakes feel like the genuine article.

At seventeen, concerned about the corrupting influence of her mother’s shadowy partner, Archer, Dani impulsively sold her mother out to the FBI—an act she has always regretted. Ten years later, Archer seeks her out, asking her to steal a particular painting for him, since her mother’s still in jail. In return, he will reconcile her with her mother and reunite her with her mother’s old gang—including her former best friend, Mia, and Elliott, the love of her life.

The problem is, it’s a nearly impossible job—even with the magical talents of the people she once considered family backing her up. The painting is in the never-before-viewed private collection of deceased billionaire William Hackworth—otherwise known as the Fortress of Art. It’s a job that needs a year to plan, and Dani has just over one week. Worse, she’s not exactly gotten a warm welcome from her former colleagues—especially not from Elliott, who has grown from a weedy teen to a smoking-hot adult. And then there is the biggest puzzle of why Archer wants her to steal a portrait of himself, which clearly dates from the 1890s, instead of the much more valuable works by Vermeer or Rothko. Who is her mother’s partner, really, and what does he want?

The more Dani learns, the more she understands she may be in way over her head—and that there is far more at stake in this job than she ever realized.

I’m not entirely sure what this book was trying to be. A heist caper? A tale of generations of women with magical powers forced to serve a supernatural being? A contemporary romance, complete with love triangle? Perhaps the problem is that The Frame-Up tries to be all of these, and doesn’t quite hit the mark with any.

Dani Poissant has been estranged from her mother and her chosen family of art thieves ever since she turned her mother in to the FBI ten years earlier. Now, she lives and works alone, using her magical gifts to scam bad guys and restore a little bit of justice to their victims (and earn a paycheck for herself).

When her mother’s former associate, a mysterious man named Archer, tracks her down, she’s forced to confront her past. A billionaire art collector, who has never let anyone inside his well-named Fortress of Art, has died, and his family plans to open the collection to the public for the first time and auction it off. There’s a painting that Archer wants, and he wants Dani to get it for him.

For… reasons, Dani accepts, and heads back to her old home base to reunite with her former circle of thieves/family and plan one final heist, hoping to repair her connection to her mother and rid themselves of Archer once and for all.

I’ll be blunt. This book is a mess. Plot lines are all over the place, as is the tone. We’re supposed to feel Dani’s deep connection to the people she goes back to — Rabbit, Mia, Elliot — but none of it is fleshed out. We’re told about Dani’s thoughts and emotions, but none of it felt substantial to me.

The magical powers that enable them to control technology or create master forgeries or find anything lost are a convenient jumble, and the heist itself is nonsensical, as are the other magical art thieves who try to get in their way.

The storyline about Archer’s past with the women of the Poissant family is a little more interesting than the rest… but it doesn’t get explained until past the midway point of the book, and even then, it feels familiar. A supernatural being haunting/controlling generations of women in the same family? I could name at least two or three other books with the same theme.

Messy, jumbled plots and characters aren’t helped by messy writing. There are sentences that I had to stop and parse — just who are we talking about here? There’s even a scene where someone using an alias gets referred to by his real name — but it’s clearly not an intentional slip or a piece of the plot, just a place where more editing was needed. I can only hope that the errors and awkwardness I noticed in the ARC are cleaned up in the final published version.

I considered DNFing repeatedly throughout this book, but wanted to see it through in case something happened in the latter half to make me feel more invested. It didn’t. By the end, I was hate-reading. I was going to finish this book, dammit!

Such a disappointment. I read the author’s three previous books, which were all cheery, silly, supernaturally-infused adventure/romances. I hoped for a similar reading experience with The Frame-Up, but sadly, that was not the case.

Book Review: The Women by Kristin Hannah

Title: The Women
Author: Kristin Hannah
Publisher: St. Martin’s Press
Publication date: February 6, 2024
Length: 480 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah’s The Women—at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided.

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.

As green and inexperienced as the men sent to Vietnam to fight, Frankie is over- whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost.

But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam.

The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.

I’ll put it simply: Kristin Hannah’s new book is a stunner. In this dramatic story of a young woman’s experiences as a nurse during the Vietnam War and the wrenchingly difficult life she comes home to, we live through hell and then some with the sympathetic, compelling main character.

Frances McGrath is a child of privilege, a lovely young woman fresh out of nursing school, the daughter of a wealth family living on San Diego’s Coronado Island. She comes from a family of military heroes — her father even has a “hero wall” in his study, with framed photos of the generations of men who served their country. That’s right — men. It’s not until her beloved only brother ships out to begin his naval tour, after a fancy family party, that Frankie realizes that women can be heroes too. Feeling a bit lost without her big brother and wanting to share some of her father’s admiration, she joins the Army Nurse Corps — the only branch that will allow a nurse with so little real-world experience to head to Vietnam.

Frankie is in for many rude awakenings, starting with her parents’ reaction. It turns out, she’s misinterpreted everything. Military service is something to be proud of only in the case of sons, not daughters. Frankie is an embarrassment, nothing more.

Still, she excels at basic training, but finds herself completely out of her depth when she arrives in Vietnam, where she quickly realizes that her quiet hospital rounds back home did nothing to prepare her for the horrors of Vietnam’s reality. Fortunately, she’s taken under the wings of her two roommates, Barb and Ethel, women whose experience and guidance help Frankie survive her first few weeks of war. Eventually, Frankie rises to the occasion, becoming a skilled, brave, and compassionate surgical nurse.

Vietnam also provides Frankie with romantic entanglements, and suffice it to say that the outcome is as tragic as you’d expect in a war zone. Frankie’s time in-country comprises the first half or so of the book. It’s harrowing, tragic, upsetting, and yet, gorgeously written. It’s so visceral that we feel we’re there with Frankie, and she herself is given space to grow, feel, and experience everything around her. Readers will walk away feeling that they truly know this person.

Frankie’s return to the States is yet another awful shock. As we know from history, returning vets were spat at, reviled, and called baby killers. Frankie is emotionally drained, distraught, and has nowhere to turn. In low moments, when she seeks help at the VA and tries to join a veterans’ “rap” group, she’s turned away by male vets who inform her that, despite what she tries to tell them, there were no woman in Vietnam.

Her downward spiral is awful, compounded by some shady people in her life, but even with the love and support of her close friends, she’s mainly alone in a very, very dark place. Frankie’s experiences are heartbreaking. Even as we see her making terrible decisions and using very bad judgment, we can sympathize and understand how hopeless and out of place she feels.

It’s probably obvious that The Women is not an easy book to read, but it’s absolutely worth the emotional investment. The writing is fantastic, descriptive and personal while also plunging us headlong into the scenes of wartime hell — but what really elevates this book is the in-depth look into the heart and soul of such a fascinating and complex woman.

The Women is also quite informative, relaying the experiences of women serving in Vietnam in a way that doesn’t often get the spotlight. The author’s notes at the end are very helpful, as are the reference books and additional sources she lists. (In fact, one of the books she recommends is A Piece of My Heart: The Stories of 26 American Women Who Served in Vietnam, which I read many years ago, but am now tempted to read again.)

The book also brought back memories of the TV series China Beach, which I loved… and which (sadly) does not appear to be available to stream anywhere. Bring back China Beach!

But back to The Women: It’s a beautiful, sad, disturbing, powerful read. After finishing the book a few days ago, I haven’t been able to stop thinking about it. Another don’t-miss book from a talented author — highly recommended.

Book Review: Clover Hendry’s Day Off by Beth Morrey

Title: Clover Hendry’s Day Off
Author: Beth Morrey
Publisher: G. P. Putnam’s Sons
Publication date: January 30, 2024
Length: 336 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

A hilarious and empowering perimenopausal Ferris Bueller’s Day Off, about Clover Hendry, 46, and the day she decides to stop keeping the plates spinning, say F@#! it all, and finally get hers.

Today is not the day to mess with Clover Hendry.

Clover hasn’t said “No” a day in her life. Until today. Normally a woman who tips her hairdresser even when the cut is hideous, is endlessly patient with her horrendous mother, and says yes every time her boss asks her to work late—today, things are going to be very different. Because Clover is taking the day off. Today, she’s going to do and say whatever she likes, even if it means her whole life unravels.

What made Clover change her ways? Why doesn’t she care anymore? There’s more to this day than meets the eye.

Clover Hendry’s Day Off is a joyful, raging, galvanizing story about putting life on pause, pleasing yourself, and getting your own back. Whatever it takes. Because when Clover stops caring, she can start living.

Cute, upbeat writing elevates this story of a 40-something-year-old woman who decides to just… be different one day.

Clover Hendry works in television, has a loving husband and twin 16-year-olds, and has never not been nice, not a single day in her life. She brings donuts to work so her underlings will like her, and does their work for them so she’s not seen as asking too much. She never objects, never confronts, never makes a fuss. She takes up as little space as possible, and manages to move through her life.

After an unexpected email sends her reeling — and after taking a couple of expired Vicodin with a chaser of Benadryl — Clover decides that she just needs a day to herself. Most importantly, she also decides that she needs a day of not worrying about everyone else.

Chaos ensues. She breaks the rules at a private social club. She doesn’t meekly give in when a group of yoga moms want her space at the park. She acts out — strongly — when an old woman at a cafe makes homophobic comments. She provokes her (admittedly awful) mother into a truly outrageous public display. And that’s only some of what Clover gets up to on her day off.

There are some very funny observations about corporate life:

There are endless echelons of MDs and CEOs, CFOs and presidents and global heads and elusive chairmen of parent corporations above me, and what unites them is that they love meetings. They live for meetings. The more obscure the point of the meeting, the better. Utterly pointless is by far the best.

Yup.

We eventually learn what sets Clover off at the start of the day, and see her take her life back from the various fears and years of put-downs that have kept her so passive and accepting of whatever comes her way. I was happy to see that her husband is not one of the bad elements in her life, and neither are her kids. It’s refreshing to see someone standing up for herself who can also appreciate the good people who have her back.

Clover Hendry’s Day Off is amusing and a quick read, and while there were parts that made me want to cheer — I mean, yes, stick it to the patriarchy!! — Clover’s actions are so over the top and often just plain mean that I couldn’t really get behind a lot of it. Yes, she gets away with it all and manages to improve her life by the end of the day, but I didn’t actually find her day believable, especially with the lack of any real consequences for the ridiculous (nasty, illegal, disrespectful) things that she does.

Overall, this wasn’t a bad read. It kept me entertained, and was easy to speed through. That’s not a rave review, I know — it was okay, not fabulous.

Book Review: The Parliament by Aimee Pokwatka

Title: The Parliament
Author: Aimee Pokwatka
Publisher: Tordotcom
Publication date: January 16, 2024
Length: 361 pages
Genre: Horror/fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

The Birds meets The Princess Bride in this tale of friendship, responsibility, and the primal force of nature.

“Murder owls are extreme,” Jude said. “What’s more extreme than murder owls?”

Madeleine Purdy is stuck in her home town library.

When tens of thousands of owls descend on the building, rending and tearing at anyone foolish enough to step outside, Mad is tasked with keeping her students safe, and distracted, while they seek a solution to their dilemma.

Perhaps they’ll find the inspiration they seek in her favorite childhood book, The Silent Queen….

With food and fresh water in low supply, the denizens of the library will have to find a way out, and soon, but the owls don’t seem to be in a hurry to leave…

The Parliament is a story of grief and missed opportunities, but also of courage and hope.

And of extremely sharp beaks.

Awww, look at the cute owl on the cover!

Kidding. That’s a murder owl. Not cute!

And ignore what the synopsis says about The Princess Bride — that might seem to indicate that this book is full of whimsy and silliness, and it’s nothing of the sort.

Let’s get back to the murder owls.

When Mad Purdy agrees to teach a kids’ chemistry workshop — making bath bombs — as a favor to her former best friend who works at the local library in their hometown, she has no idea what she’s in for. She’s already moved away to put distance between herself and the site of her worst memories, but in the name of friendship, agrees to do this one thing.

But that one thing, meant to just be one brief event, turns into days of waking nightmares, as the library is surrounded by millions of tiny owls. Maybe one on its own is cute. This swarm is far from it, as the trapped inhabitants learn after watching the owls descend on the first person to venture outside. It isn’t pretty.

Mad expected to be in and out in one hour, boundaries firmly in place. Instead, she’s thrust into the role of protector, keeping the kids physically and emotionally safe, or as safe as they can be, given that food, water, and medicine are running out, and the outside world seems to have no clue how to rescue them.

To keep the kids distracted, Mad begins to read to them from her favorite book, The Silent Queen — which seems to show up in the library just when needed. No one has ever heard of it before, but for Mad, it was a lifesaver through the worst days of trauma during her childhood. The story of a young queen who isolates herself in a tower, but finally has to step out of her safe zone to save her people, may seem a little on the nose, but it doesn’t feel heavy-handed. The story gives the kids something to focus on, and meanwhile starts forcing Mad out of her own inner fortress.

The Parliament can be terribly frightening, and while there are several scenes of gruesome attacks when a few people are foolish enough to venture outside, much of the horror is psychological. The people inside the library are trapped, cut off (there’s no wifi or cell service, thanks to the owl swarm), and utterly reliant on one another and whatever scraps of supplies they can scavenge. Meanwhile, the few attempts at solutions that come from outside the library seem doom to failure, and worse, put the people inside the library in even greater danger.

This book is fascinating, and the story-within-a-story approach (chapters of The Silent Queen alternate with chapters focusing on the library) keeps us on the edge of our seats with both pieces of the narrative. The Silent Queen reads like a fairy tale/fantasy quest, and it’s both lovely and dramatic. The main story, within the library itself, conveys all the terror and claustrophobia of being trapped with a bunch of strangers, with a clock ticking and no rescue on the way.

Mad herself survived a terrible incident at age eleven, and that’s impacted every aspect of her life ever since. She’s taught herself a thousand useless, random tricks and survival skills, but at the expense of allowing herself to connect with others or let anyone really know her. This may make her the perfect person for helping the children in the library, but she has to get past her own trauma before she can truly start connecting with them.

My only quibble with The Parliament, and it’s a minor one, is that there are too many adult characters in the library to keep track of. We have Mad and her best friend Farrah and her former friend and love interest Nash, but there are also librarians and a book group and some seniors and, well, they start blurring together. Ultimately, I was more interested in the kids as individuals than in the glimpses we get of the adults, and so I didn’t bother trying to keep most of them straight in my mind. Like I said, this is a pretty minor issue, and ultimately didn’t keep me from being totally engrossed in the book.

Overall, The Parliament is a fascinating read, and once I started, I just couldn’t stop. The main story and the fantasy story within it work together in complicated and surprising ways, and as the tension ratchets up, I was on the edge of my seat. The author does a terrific job of keeping the action intense and frightening, while also letting us inside the characters’ experiences and providing a look at the long-lasting effects of trauma and survivor’s guilt.

Highly recommended.

Book Review: Emily Wilde’s Map of the Otherlands by Heather Fawcett

Title: Emily Wilde’s Map of the Otherlands
Author: Heather Fawcett
Publisher: Del Rey Books
Publication date: January 16, 2024
Length: 342 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

When mysterious faeries from other realms appear at her university, curmudgeonly professor Emily Wilde must uncover their secrets before it’s too late in this heartwarming, enchanting second installment of the Emily Wilde series.

Emily Wilde is a genius scholar of faerie folklore—she just wrote the world’s first comprehensive of encylopaedia of faeries. She’s learned many of the secrets of the Hidden Folk on her adventures . . . and also from her fellow scholar and former rival, Wendell Bambleby.

Because Bambleby is more than infuriatingly charming. He’s an exiled faerie king on the run from his murderous mother, and in search of a door back to his realm. So despite Emily’s feelings for Bambleby, she’s not ready to accept his proposal of marriage. Loving one of the Fair Folk comes with secrets and danger.

And she also has a new project to focus a map of the realms of faerie. While she is preparing her research, Bambleby lands her in trouble yet again, when assassins sent by Bambleby’s mother invade Cambridge. Now Bambleby and Emily are on another adventure, this time to the picturesque Austrian Alps, where Emily believes they may find the door to Bambley’s realm, and the key to freeing him from his family’s dark plans.

But with new relationships for the prickly Emily to navigate and dangerous Folk lurking in every forest and hollow, Emily must unravel the mysterious workings of faerie doors, and of her own heart.

Emily Wilde is back! Last year’s Emily Wilde’s Encyclopaedia of Faeries was a smash hit — it seemed like everyone was talking about it! Book #2 picks up relatively soon after the first book ended, with Emily and Wendell back in Cambridge, immersed in the world of scholarship and academic competition.

And while Emily is still herself, putting her studies above everything else, she now has Wendell to temper her scholarly obsessions. Her gorgeous Faerie king (and university colleague) is determine to keep Emily comfortable and do what he can to take care of her, even when she clearly doesn’t care much about being pampered. She does care about Wendell, though, and her qualms about accepting his marriage proposal have nothing to do with whether she loves him and everything to do with how dangerous she knows the Fae to be.

When Wendell’s life is threatened and Emily starts receiving mysterious visitations, they set off to the Alps to chase down a lead, hoping to finally locate Wendell’s missing door back to his own Faerie realm. Nothing is easy, though, and there are dangers galore… along with an interesting assortment of both adorable and hideous magical creatures.

This second book is a total delight, living up to the promise of the first and delivering a terrific mix of nerdy scholarship and enchanting magic. Emily is a wonderful main character, following her own path no matter where it takes her, never willing to compromise when a new discovery beckons. (Who knows, maybe she’ll even write a paper about it!)

The adventure is lots of fun, the writing is funny and fast-paced, and the overall atmosphere combines a throwback to Victorian times with a heaping dose of magical intrigue and dangers. I did feel that the climax and resolution of the quest came about almost too quickly, after a lengthy build-up, but I still felt satisfied and engaged when I got to the end, and will definitely be back for more.

The Emily Wilde books are oodles of fun, with terrific characters, a novel approach to storytelling, captivating magical worlds, and plenty of geeky delights. If you enjoy the fantasy genre, you’ll definitely want to check out these books.