TV Time: Daisy Jones & The Six (Prime Video)

Whew. I made it! The final two episodes of the 10-episode mini-series Daisy Jones & The Six dropped this week, and I blasted through them. And overall, despite some misgivings, I have to say that this is a series well worth watching.

I read the book by Taylor Jenkins Reid years ago when it was released, and absolutely loved it. (See for yourself, here). So I was both incredibly excited and incredibly nervous to hear that it would be adapted as a TV series. Excited, because I loved the story. And obviously, nervous — what if they ruined it???

Now that Daisy Jones & The Six — the series — is a reality, I can safely say that it works… mostly. The show captures the rise and fall of this (fictional) legendary 1970s rock band — a band that called it quits right at the pinnacle of their success.

Talking just about the show for a moment, the series has documentary-style interviews framing the main action. Right from the start, we learn that Daisy Jones & The Six (the band) played a stunning concert in Chicago in 1977, then never performed together again. What happened, and why, is the driving question of the series.

Various band members and associates are interviewed in the late 90s, looking back on their memories, but these brief clips are used to bookend the main action, where we actually see the events unfold in the 60s and 70s.

As the series opens, Billy and Graham Dunne are high school students living in the Pittsburgh area, playing rock and roll in their garage with a few friends, and ultimately deciding to try to make it as the Dunne Brothers band. After playing weddings and local gigs, they hit the road in pursuit of the music world’s promised land, LA, along with older brother Billy’s new girlfriend, Camilla.

Success is slow to arrive, but Billy, as lead singer, displays rock star charisma early on, and they play more and more gigs, although still not quite breaking through to the stratosphere of rock success. Once they land a record deal, they change their name to The Six, and launch their first tour — with success, but with a devastating effect on Billy and Camilla’s personal lives.

Meanwhile, we also meet Daisy, the ignored daughter of a wealthy, narcissistic LA couple. Left to her own devices, Daisy finds solace in music, and by her early teens, is hanging out by the stage doors of clubs and bars, making her way into the sex, drugs, and rock and roll scene at much too young an age.

Eventually, Daisy and The Six are brought together by their mutual producer, and magic happens, although not without resentment and complications. From there, it’s inevitable that Daisy and The Six will join forces, and it becomes clear that Billy and Daisy have a chemistry between them that goes way beyond the music they create.

Okay, enough synopsis…

The series really captures the vibe of the 70s music scene. Supposedly inspired by the music as well as the behind-the-scenes drama of Fleetwood Mac, Daisy Jones & The Six rocket to stardom, but with huge emotional cost. There’s all the pills, speed, and coke you’d expect, and the drama between the band members stays at a high pitch throughout.

I was skeptical at first about the musical aspect of the show. It’s a show about rockstars, but those rockstars are played by actors, not musicians. And yet, what they achieve is really impressive. There’s no air guitar or lip syncing here — every bit of music is performed by the cast, and they do it convincingly. Not every number is a huge hit, and the comparison to Fleetwood Mac means they have a very high bar to meet — and the show doesn’t always succeed in showing why these songs, this album, this band became so huge.

As a whole, the show gets better and better from episode to episode. Maybe I just became more invested, but it also felt like the cast start to really inhabit their characters more and more as the story progressed.

As for the cast, the age factor is problematic in the early episodes. We meet Billy and his friends as teens, played by a younger set of actors, but the main cast takes over when the characters should still be in their early 20s, and that was hard to swallow. Billy is played by Sam Claflin, who’s definitely talented and brings Billy’s inner demons and outer showman to life so well — but the actor is in his mid-30s, and just looks out of place as a younger Billy. I tried to ignore it, but it was uncomfortable — it works much better in later episodes, when the band has more years of hard living under their belts.

Riley Keough is terrific as Daisy, although again, much better in the later episodes. With the Daisy character, she doesn’t come across as quite as much of a hot mess as she’s supposed to be in the first third or so of the series. It’s only later, as she becomes more and more of a disaster, that she becomes truly fascinating.

BOOK & SHOW SPOILERS AHEAD!!

SERIOUSLY, SPOILERS!

In terms of comparisons to the book, I don’t think the series stands up quite as well in a direct comparison. I can’t judge how well it works for people who haven’t read the book. For me, I decided to do a re-read before the show aired, which was quite probably a mistake. With the story so fresh in my mind, I couldn’t help comparing each major beat of the series to how it was presented in the book, and that got in the way of my being able to just watch and enjoy it for what it is.

The most glaring change is the presentation of the Billy/Daisy/Camilla dynamic, which in the series, is a pretty clear love triangle. Billy loves his wife and the stability she represents, but Daisy is his creative soulmate, and possibly more. Billy and Daisy connect through music and have a chemistry that they both deny in different ways. In the book, nothing actually happens between Billy and Daisy, and ultimately, Camilla steps in to send Daisy away, basically doing her a kindness by telling her not to keep hurting herself through loving Billy, when Billy would never, ever leave his family for her. In the series, however, Camilla is hurt and angry, the confrontations are between Camilla and Billy, and Billy comes much closer to destroying his marriage and giving in to both his addictions and his need for Daisy. (It’s a good story, but was hard for me to watch because I kept thinking about how the book depicted the crisis).

(Camilla’s behavior in general is very different in the series from how I perceived it in the book. And we might argue that she’s too good to be true in the book, but I was disturbed by some of her actions and choices in the show, which from my perspective seem out of character.)

There are plenty of other differences, but mostly in smaller pieces of the puzzle. At the start, I was disappointed that the lyrics to the songs had changed — the book includes lyrics to all the songs written by Billy and Daisy. Still, in terms of the series, I had to admire the creativity. Obviously, the book provided lyrics without music, so the series producers brought in teams of singers and songwriters to create the music, and gave these creators the freedom to write new versions of the songs that worked for them, while keeping the underlying themes and messages.

END OF SPOILERS

The music is actually quite a lot of fun, once I eased up on the comparisons and let myself enjoy it. I think it’s somewhat hilarious that the album Aurora by Daisy Jones & The Six is a real thing that exists… and no, I haven’t purchased it, but that doesn’t mean I’m not tempted!

A little clip for your viewing/listening pleasure:

Now that I’ve reached the end, I can’t quite get the story or the songs out of my mind. I’m very tempted to start all over again from the beginning — with a second viewing, I think I’ll be able to focus much more on what’s on the screen in front of me without the mental distractions of comparisons to the book.

So, bottom line — do I recommend the TV version of Daisy Jones & The Six? Yes, most definitely. It’s a bit uneven, not necessarily successful in every single episode, but overall, it delivers that rock story and emotional messiness that the trailer promises, and the talented cast really sells it all.

Have you watched Daisy Jones & The Six? If so, what did you think?

Book Review: Lessons in Chemistry by Bonnie Garmus

Title: Lessons in Chemistry
Author: Bonnie Garmus
Publisher: Doubleday
Publication date: March 31, 2022
Length: 400 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 3.5 out of 5.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo.

Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

I’ve finally given in to the hype surrounding Lessons in Chemistry. After seeing this book’s weekly appearance on bestseller lists, the Goodreads Choice award buzz, and its selection as Barnes & Noble’s book of the year for 2022, I decided to give it a try — and while I’m glad that I did, I also have a few issues with the book.

I intentionally avoided reading reviews ahead of time, since I wanted to go in without preconceptions. In this case, there’s one plot point that I wish I’d known in advance.

The synopsis describes the book as “laugh-out-loud funny”, and yes, there are funny moments. However (and this is a big HOWEVER):

Content warning: There is a rape scene right near the start of the book.

I repeat, a book described as “laugh-out-loud funny” has a vividly described rape scene at the very beginning, and then never deals with the aftereffects in terms of trauma and survival, only focusing on the very practical impact on Elizabeth’s science career. How many people who picked up this book expecting something upbeat and silly found themselves triggered by this unexpected scene? After finishing the book, I started googling reviews, and see that there are more than a few people who walked away from the book based on that scene. Someone — the publisher? the marketing team? the author? — should have thought about this a little more.

If you can get past that opening, the rest of the book is fast-paced and entertaining, although I still don’t think I laughed out loud. Lessons in Chemistry uses quirky dialogue and interior thoughts to show the struggles of a brilliant woman trying to claim her place as a scientist in an era that wanted her to keep silent and follow the wife-and-mother path.

Elizabeth’s education and career are derailed early on, yet she does not give up and refuses to give in. She has a spectacular romance with fellow chemist Calvin, which we know from the early pages must end somehow, because she’s a single mother at the start of the novel. How we get from the romance to single motherhood is not something I’ll disclose here, but I will say that there are lovely moments as well as tragic ones. Through it all, Elizabeth battles the idiotic sexist norms that belittle her abilities, steal her work, deny her resources, and then force her out when she fails to follow misogynistic expectations.

There are plenty of ups and downs, and somehow, Elizabeth finds herself subverting a local TV station’s afternoon cooking show by making it into kitchen chemistry lessons that also encourage women to seek empowerment, enrichment, and standing up for themselves.

All this is admirable, yet somehow I found it all a bit unlikely. Yes, it’s fiction, and I’m all for strong women breaking barriers and refusing to back down — yet could a woman like Elizabeth in 1960 have this kind of impact? The success of her show, and the ripple effect amongst her viewers, seems highly implausible in terms of the actual time period.

There are other elements that clearly place this book outside the lines of a realistic depiction of… well… anything. Sections are told from the point of view of her dog, Six-Thirty, who can recognize hundreds of English words thanks to Elizabeth’s tutelage. I’m sure many readers will be charmed by Six-Thirty’s narratives, but for me, the approach got old pretty quickly.

Then there’s the matter of Elizabeth’s daughter Mad, who is so precocious that she’s reading Dickens at age 5. It’s lovely that Elizabeth has nurtured Mad to be intellectually curious and able to explore anything and everything that interests her, but even with outstanding reading abilities, I find it impossible to believe that a five-year-old could actually comprehend the content of a Dickens novel.

Those are some pretty major quibbles… and yet, I did race through the book, and once I acknowledged and then shelved the things that were bugging me, I found it an enjoyable read. The writing is pretty zingy, with lots of passages that caught my attention:

In the 1950s, abortion was out of the question. Coincidentally, so was having a baby out of wedlock.

“What’s wrong?” Elizabeth begged for the millionth time. “Just TELL me!” But the baby, who’d been crying nonstop for weeks, refused to be specific.

The biggest benefit in being the child of a scientist? Low safety bar. As soon as Mad could walk, Elizabeth encouraged her to touch, taste, toss, bounce, burn, rip, spill, shake, mix, splatter, sniff, and lick nearly everything she encountered.

There are also, though, some weird word usages, such as “she muffled into his shoulder”. I don’t think “muffled” as a verb works that way, sorry.

**Save

The book’s ending is satisfying, if improbable. Lots of coincidences come together to create a great outcome for Elizabeth and Mad, while also providing payback to someone who definitely deserves it.

(I was still annoyed that Elizabeth never got to finish her Ph.D., but who knows? Maybe that still lies in her future.)

Lessons in Chemistry was a fast read that held my attention, but the rape scene was a big stumbling block for me. Add to that the many smaller details that struck me as unlikely or oddly portrayed, and I’m left with very mixed feelings. Overall, I’m glad I gave the book a chance, but can’t say that I loved it.Save

Save

Save

Save

Save

Save

The Monday Check-In ~ 3/20/2023

cooltext1850356879

My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

Definitely a hectic week and weekend! On Saturday, I met up with a good friend from New York who’d spent the past week in Northern California — she had a few hours before her red-eye flight home, so I met her near the airport (about a two-hour drive from here!) so we could hang out for a while. A lot of driving, but so worth it!

What did I read during the last week?

Lone Women by Victor LaValle: Outstanding Western horror! My review is here.

Lore Olympus (volumes 2 & 3) by Rachel Smythe: Fun graphic novels, although I struggled sometimes with the artwork in terms of being able to tell characters apart. All caught up now! I believe volume 4 will be released later this spring.

Interview With the Vampire by Anne Rice: A re-read, decades after first falling in love with this book. I listened to the audiobook, and while I enjoyed revisiting the story and characters, somehow I felt less engaged this time around. Maybe it’s because broody vampires having existential crises aren’t exactly new any more, or maybe the audio experience just doesn’t give the story enough breathing space… in any case, I can still admire Anne Rice’s brilliance, but I’m also glad to have reached the end!

Pop culture & TV:

I finally got a chance to check out RRR on Netflix. Wow, what an experience! This 3-hour Indian action film is totally over the top, but I was absolutely hooked. The action sequences are insane, and of course how could you not love the (Oscar-winning) song Naatu Naatu?

And if you want a taste of one of the (many) action sequences, check this one out:

Fresh Catch:

No new books this week.

Puzzle of the week:

Just started one on Sunday, lots and lots of little details, so it should keep me busy all week.

What will I be reading during the coming week?

Currently in my hands:

Lessons in Chemistry by Bonnie Garmus: My library hold finally came through, so it’s time to see what all the hype is about! I’ve barely had time to read this past week, so I’m only a few chapters in. I’m already feeling resentful about a certain development in the early chapters not being more obviously disclosed (I suppose I might have known if I’d read reviews in advance)… but I’ll keep going.

Also, my book group’s book for March is:

The Heroine’s Journey by Gail Carriger: We rarely choose non-fiction, and we’ve definitely never done a writing book before! This is a re-read for me, and I find it fascinating, so I’m eager for our discussion. Plus, we have a Zoom scheduled with the author for next week — exciting!

Now playing via audiobook:

Float Plan by Trish Doller: Since my last audiobook was long and heavy, I thought something lighter would be a good pick! Except once I started (just yesterday afternoon), I discovered that it starts with the aftermath of a suicide, so not as light a read as I’d expected.

Ongoing reads:

My longer-term reading commitments:

  • Go Tell the Bees That I Am Gone by Diana Gabaldon: Over at Outlander Book Club, we’re doing a group read of BEES, reading and discussing two chapters per week. Coming up this week: Chapters 110 and 111 (of 155).
  • A Passage to India by E. M. Forster: My book group’s current classic read, also two chapters per week.
  • Picnic at Hanging Rock by Joan Lindsay: My new Classics Club Spin read! This book isn’t very long, and I have until the end of April to finish, so I won’t be starting it just yet… just putting it here as a reminder, for now, that I’ll need to start in the next few weeks.

So many books, so little time…

boy1

My Classics Club Spin book for spring 2023 will be…

Earlier this week, I shared a post with my list of books for the newest Classics Club Spin challenge (see it here), and today, this spin’s number was announced. (For those keeping track, it’s CC Spin #33, and for me personally, #5!)

Hosted by The Classics Club blog, the Classics Club Spin is a reading adventure where participants come up with a list of classics they’d like to read, number them 1 to 20, and then read the book that corresponds to the “spin” number that comes up.

For CCSpin #33, the lucky number is:

And that means I’ll be reading:

Picnic at Hanging Rock by Joan Lindsay (published 1967)

Synopsis:

It was a cloudless summer day in the year 1900. Everyone at Appleyard College for Young Ladies agreed it was just right for a picnic at Hanging Rock. After lunch, a group of three girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of the secluded volcanic outcropping. Farther, higher, until at last they disappeared. They never returned. . . .

Mysterious and subtly erotic, Picnic at Hanging Rock inspired the iconic 1975 film of the same name by Peter Weir. A beguiling landmark of Australian literature, it stands with Shirley Jackson’s We Have Always Lived in the Castle, Daphne du Maurier’s Rebecca, and Jeffrey Eugenides’ The Virgin Suicides as a masterpiece of intrigue.

I’m so happy with this spin result! I haven’t read many Australian classics, and this is one that I’ve heard so much about over the years. And on a practical note, I was afraid that we’d land on one of my longer options this time — but this book is 204 pages (according to the edition in my Kindle library), and feels really doable!

What do you think of my newest spin book?

Here’s my list of 20 titles for Classics Club Spin #33:

  1. Frenchman’s Creek by Daphne DuMaurier
  2. Cranford by Elizabeth Gaskell
  3. An Old-Fashioned Girl by Louisa May Alcott
  4. Dracula by Bram Stoker
  5. Peony by Pearl Buck
  6. The Tenant of Wildfell Hall by Anne Bronte
  7. Pygmalion by George Bernard Shaw
  8. Howards End by E. M. Forster
  9. The Mysterious Affair at Styles by Agatha Christie
  10. I Capture the Castle by Dodie Smith
  11. Foundation by Isaac Asimov
  12. In Cold Blood by Truman Capote
  13. Herland by Charlotte Perkins Gilman
  14. The Painted Veil by W. Somerset Maugham
  15. Passing by Nella Larsen
  16. The Awakening by Kate Chopin
  17. The Sound of Waves by Yukio Mishima
  18. Picnic at Hanging Rock by Joan Lindsay
  19. The Left Hand of Darkness by Ursula K. Le Guin
  20. A Night to Remember by Walter Lord

My previous Classics Club Spin books:

Are you participating in this Classics Club Spin? If so, what book will you be reading?

Book Review: Lone Women by Victor LaValle

Title: Lone Women
Author: Victor Lavalle
Publisher: One World
Publication date: March 28, 2023
Length: 304 pages
Genre: Historical fiction/horror/fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Blue skies, empty land—and enough room to hide away a horrifying secret. Or is there? Discover a haunting new vision of the American West from the award-winning author of The Changeling.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk is opened, people around her start to disappear…

The year is 1914, and Adelaide is in trouble. Her secret sin killed her parents, and forced her to flee her hometown of Redondo, California, in a hellfire rush, ready to make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will be one of the “lone women” taking advantage of the government’s offer of free land for those who can cultivate it—except that Adelaide isn’t alone. And the secret she’s tried so desperately to lock away might be the only thing keeping her alive.

Told in Victor LaValle’s signature style, blending historical fiction, shimmering prose, and inventive horror, Lone Women is the gripping story of a woman desperate to bury her past—and a portrait of early twentieth-century America like you’ve never seen.

I’d never read anything by Victor LaValle until now, but how could I pass up a book that’s historical fiction, horror, and the story of a strong woman making her own way, all wrapped up into one story?

When we meet Adelaide, we know right away that something is very wrong… mainly because she’s in the process of burning down her house with her parents’ dead bodies inside. She leaves with a huge, heavy steamer trunk and sets off for a ship to Seattle, and from there, a train to Montana, where homesteader land is available to anyone who’s willing to live there.

Adelaide craves solitude, a fresh start, and freedom from the dire secret that’s haunted her family her entire life. Her old home in California was a farm close by other Black farming families, but even among people she felt a kinship with, there was a distance — rumors flew about her and her parents and the family’s strangeness.

Montana isn’t exactly the promised land, though. Adelaide’s homestead is barren earth with a primitive cabin, about 16 miles from the nearest town, the tiny Big Sandy. While she suffers through the shockingly cold and windy weather of her new home, where it’s not even winter yet, she also starts to meet some of the other “lone women” nearby, and forms tentative first connections.

But Adelaide’s secret — and her locked steamer trunk — are never far from her mind, and keep her prisoner to her obligation to hide what she sees as her family’s curse from everyone nearby — for their own safety as well as hers. Meanwhile, there are other dangers as well — bandits who prey upon lone women, racist townsfolk who view conformity as the only virtue, and powerful town leaders who are intent on pushing out those who don’t abide by their rules and inflicting their own form of frontier justice whenever they deem it necessary.

Lone Women has violence and terror, but it also has remarkably strong women at its heart. Adelaide herself is wonderful, as are the other women she bonds with. It’s astonishing and admirable seeing her determination to survive, make her own way, and not give in.

The mystery of the trunk is unfolded slowly — and I won’t give anything away, but at a certain point in the story, I let out a very loud “OH!!!” when things finally became clear. Such an amazing reveal!

The actions of some of the townspeople represent the true horror of this story, and I loved how the frightening elements combine so well with the historical depiction, the character studies, and the fantastical elements too.

Overall, I loved Lone Women. The mood builds dramatically, the characters are distinct and memorable, and the resolution… well, again, I don’t want to give anything away, but it’s got a great ending!

Getting ready for the Spring 2023 Classics Club Spin!

It’s time for another Classics Club Spin!

Hosted by The Classics Club blog, the Classics Club Spin is a reading adventure where participants come up with a list of classics they’d like to read, number them 1 to 20, and then read the book that corresponds to the “spin” number that comes up. This will be my 5th time participating — although for the Classics Club, it’s spin #33!

Here are the dates and guidelines from the host blog:

On Sunday 19th, March, we’ll post a number from 1 through 20. The challenge is to read whatever book falls under that number on your Spin List by the 30th April, 2023.

We’ll check in here on Sunday the 30th April to see who made it the whole way and finished their spin book!

What’s Next?

  • Go to your blog.
  • Pick twenty books that you’ve got left to read from your Classics Club List.
  • Post that list, numbered 1-20, on your blog before Sunday, 19th March.
  • We’ll announce a number from 1-20. 
  • Read that book by 30th April.

These Classics Club Spins are so much fun, and such great motivation for breaking out of my normal reading routines — so of course I’m going to do it again! I’m mostly preserving my list from last time, swapping out the book I just read and one other that I’m a bit less interested in right now. As for the rest of the books on my list, I’d be happy to read any of them!

And now for the good stuff…

Here’s my list of 20 classics for the next Classics Club Spin:

  1. Frenchman’s Creek by Daphne DuMaurier
  2. Cranford by Elizabeth Gaskell
  3. An Old-Fashioned Girl by Louisa May Alcott
  4. Dracula by Bram Stoker
  5. Peony by Pearl Buck
  6. The Tenant of Wildfell Hall by Anne Bronte
  7. Pygmalion by George Bernard Shaw
  8. Howards End by E. M. Forster
  9. The Mysterious Affair at Styles by Agatha Christie
  10. I Capture the Castle by Dodie Smith
  11. Foundation by Isaac Asimov
  12. In Cold Blood by Truman Capote
  13. Herland by Charlotte Perkins Gilman
  14. The Painted Veil by W. Somerset Maugham
  15. Passing by Nella Larsen
  16. The Awakening by Kate Chopin
  17. The Sound of Waves by Yukio Mishima
  18. Picnic at Hanging Rock by Joan Lindsay
  19. The Left Hand of Darkness by Ursula K. Le Guin
  20. A Night to Remember by Walter Lord

Wish me luck! I’ll post again on Sunday once the spin results are announced!

My previous Classics Club spins:

Spring 2022 (CCSpin29): The Black Moth by Georgette Heyer
Summer 2022 (CCSpin30): Cannery Row by John Steinbeck
Fall 2022 (CCSpin31): A Connecticut Yankee in King Arthur’s Court by Mark Twain
Winter 2022/2023 (CCSpin32): O Pioneers! by Willa Cather

Top Ten Tuesday: Top ten books on my TBR list for spring 2023

Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is about our spring 2023 reading plans. So many exciting new books to choose from!

Here are 10 books I’m especially looking forward to this spring:

  1. The Poisoner’s Ring by Kelley Armstrong
  2. Said No One Ever by Stephanie Eding
  3. Same Time Next Summer by Annabel Monaghan
  4. Not the Ones Dead by Dana Stabenow
  5. In the Lives of Puppets by TJ Klune
  6. Happy Place by Emily Henry
  7. Black Cake by Charmaine Wilkerson
  8. To Swoon and To Spar by Martha Waters
  9. Infinity Gate by M. R. Carey
  10. Mika in Real Life by Emiko Jean

What books will you be reading this spring? Share your links, and I’ll come check out your top 10!

The Monday Check-In ~ 3/13/2023

cooltext1850356879

My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

This week was the big annual fundraiser for the non-profit where I work, and it was a blast! I volunteered for the first couple of hours as a “greeter”, then got to kick back and enjoy the party with my friends and coworkers for the rest of the evening. It was a beautiful, fancy gala, gorgeous decor, delicious food and drinks… and of course, best of all, the event met (and I think exceeded) our fundraising goals!

Other than that — rain, rain, and more rain, so my outdoor time has been very limited. Always a downer! Still, I managed to get in some great reading and fun with family, so all in all, a pretty good week.

Also, I thought this was sweet:

I relate! Sometimes just being near my books makes me happy, even if I’m not actually reading at that moment.

What did I read during the last week?

Nora Goes Off Script by Annabel Monaghan: Absolutely loved this audiobook! My review is here.

A Sinister Revenge (Veronica Speedwell, #8) by Deanna Raybourn: An excellent new installment in a terrific series. My review is here.

Lore Olympus by Rachel Smythe: Silly, entertaining graphic novel about Greek gods as urban party people. A bit uneven (and I couldn’t always tell which character was which) — but I liked it enough to go grab the next volume from the library.

Lessons at the School by the Sea by Jenny Colgan: This 3rd book in the School by the Sea series is just so much fun! My review is here.

Pop culture & TV:

Anyone else watching Daisy Jones & The Six? I’ve seen four of the six available episodes so far (and there are four more still to drop). It’s… mostly okay? I think rereading the book so recently was probably a mistake, since the show definitely pales by comparison. I’m not loving some of the changes from page to screen, and especially in the early episodes, casting a mid-30s actor as a character supposedly in his early 20s just doesn’t work. It’s getting better as it goes along, so I’ll stick with it to the end.

Fresh Catch:

A few new books this week:

The Mira Grant book is one I ordered ages ago from Subterranean Press — so happy it finally arrived! And I’m super excited for the ARC of Infinity Gate — I’ve enjoyed everything I’ve read by this author so far.

I also ended up buying this set — for some reason, I thought this was going to be a three-in-one volume, rather than a box set, but I’m still happy I have it:

Puzzle of the week:

A really good one!

Charley Harper – The Rocky Mountains
Available via Bookshop.org

I have one more Charley Harper puzzle to do (The Sierra Range), and five more unopened puzzles beyond that. I guess I’ll be keeping busy for a while!

What will I be reading during the coming week?

Currently in my hands:

Lone Women by Victor Lavalle: Really close to finishing! Can’t wait to see how the story gets resolved.

Once I finish, I’ll be bouncing between these three books:

Lessons in Chemistry by Bonnie Garmus: I’ve been very on-the-fence about reading this hyped-to-death book, but my library hold came in, so I guess it’s time!

Lore Olympus, volume 2 by Rachel Smythe: A fun diversion, and I need to see where the story goes.

The Heroine’s Journey by Gail Carriger: I’ve read this one already, but my book group will be meeting to discuss it in a couple of weeks (plus we’ll be zooming with the author!), so I need a refresher.

Now playing via audiobook:

Interview with the Vampire by Anne Rice: It has literally been DECADES since I read (and re-read) this book, and after watching the TV version, I decided it’s time to go back to the source. I’ve only just started this audiobook, but I’m already hooked.

Ongoing reads:

My longer-term reading commitments:

  • Go Tell the Bees That I Am Gone by Diana Gabaldon: Over at Outlander Book Club, we’re doing a group read of BEES, reading and discussing two chapters per week. Coming up this week: Chapters 108 and 109 (of 155).
  • A Passage to India by E. M. Forster: My book group’s new classic read, also two chapters per week.

So many books, so little time…

boy1

Audiobook Review: Lessons at the School by the Sea (Maggie Adair, #3) by Jenny Colgan

Title: Lessons at the School by the Sea
Series: Maggie Adair / Little School by the Sea
Author: Jenny Colgan
Narrator:  Alex Tregear
Publisher: Avon
Publication date: Originally published 2018; reissued 2023
Print length: 304 pages
Audio length: 7 hours, 6 minutes
Genre: Contemporary fiction
Source: Purchased (audiobook); E-book ARC from the publisher/NetGalley
Rating:

Rating: 4 out of 5.

The summer holiday brings new passion and new challenges in the enchanting third book of Jenny Colgan’s utterly delightful School by the Sea series, set at a girls’ boarding school in Cornwall.

School is out, following a bit of saucy scandal at Downey House…

Beloved high school teacher Maggie Adair had been comfortably, if somewhat ambivalently, engaged to her dependable long-distance boyfriend Stan. But in the heat of summer, Maggie’s attraction to her colleague David McDonald has caught fire. Now both are facing an uncertain future as they try to figure out how to stay committed to their careers–and each other.

Meanwhile, the girls of Downey House–mercurial Fliss, glamorous Alice, and shy, hard-working Simone–have had long summers at home, which weren’t quite the respite they had been hoping for. But the new school year is thankfully here, and it will bring new pupils and lots of fresh challenges for students and teachers alike at the school by the sea.

Welcome back to the School by the Sea! This charming series focuses on Maggie Adair, a dedicated teacher from Glasgow who takes a job teaching English at a posh boarding school in Devon. Three books into the series, we’ve seen Maggie grow into her role and truly make a difference in the lives of her students… as well as struggle to reconcile her engagement to her long-term boyfriend with her growing feelings for the sensitive, handsome English teacher over at the boys’ school.

Book #3, Lessons at the School by the Sea, picks up immediately after the ending of the 2nd book, which ended (spoilers for those who haven’t read it!) with a scandalous scene at a train station, as David attempts to make a grand romantic gesture while Maggie’s train is leaving the station, and Maggie (inadvisably) pulls the emergency brake. Oh dear.

As we return to the scene of their fairly mild crime, both Maggie and David are in quite a bit of trouble, facing possible criminal charges and (even worse!) the shame of bringing embarrassment to Downey House. The only solution is separation — David loses his job, and Maggie is allowed to stay on, but with the stipulation that the two must have no contact.

Needless to say, Maggie is somewhat despondent when the new school term starts in the fall, and she’s not the only one. A new year means new worries and drama among the school girls as well, and even the headmistress has her own personal life complications to sort out.

It’s all quite sweet and lovely, entertaining in a gentle sort of ultra-British way. For American readers, the ins and outs of boarding school life may seem somewhat impenetrable (although at least we have some exposure from other pop culture — it’s like Hogwarts minus magic, but with social media).

Speaking of social media — about ten years elapsed between the publishing of the second and third books, even though the books’ timeline is a seamless continuation. So, it’s a little jarring in book #3 to suddenly see the students obsessed with their phones, wifi access, Snapchat, Insta, and social media gossip. The author does a good job of weaving all this into the ongoing story, but as readers, we do sort of have to pretend that they’ve had this stuff all along.

The series as a whole is quite fun, and I love how well we get to know all the characters, adults and teens. This volume seems to spend a bit less time on the girls’ part of the story, but that’s okay — I was more invested in Maggie and David’s story than the rest, although I did enjoy it all.

Another thing I really appreciate about these books is how lovingly the value of education, and especially literature, is portrayed. Maggie and David both enrich their students’ lives through their commitment and compassion, but also because they so carefully and consciously choose literature that both challenges and enriches their students.

Hmmm — many of Jenny Colgan’s other books include recipes. The School by the Sea books should include reading lists!

The author mentions in her introduction that she’s envisioned this as a six-book series. Yes, please! While I don’t see anything on her website yet that says that there will be more, a reader can always hope.

Book Review: A Sinister Revenge (Veronica Speedwell, #8) by Deanna Raybourn

Title: A Sinister Revenge
Series: Veronica Speedwell, #8
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 7, 2023
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Veronica must find and stop a devious killer when a group of old friends is targeted for death in this new adventure from the New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.

Veronica’s natural-historian beau, Stoker, has been away in Bavaria for months and their relationship is at an impasse. But when Veronica shows up before him with his brother, Tiberius, Lord Templeton-Vane, he is lured back home by an intriguing job offer: preparing an iguanodon for a very special dinner party.

Tiberius has received a cryptic message—along with the obituaries of two recently deceased members of his old group of friends, the Seven Sinners—that he too should get his affairs in order. Realizing he is in grave danger but not knowing why, he plans a reunion party for the remaining Sinners at his family estate to lure the killer out while Veronica and Stoker investigate.

As the guests arrive and settle in, the evening’s events turn deadly. More clues come to light, leading Veronica, Stoker, and Tiberius to uncover a shared past among the Sinners that has led to the fatal present. But the truth might be far more sinister than what they were prepared for.

Hurray! A new Veronica Speedwell adventure is here, and it’s deliciously complicated and captivating.

Veronica is a dedicated lepidopterist and natural history enthusiast, with a more-or-less accidental sideline in investigating unsavory crimes such as murder, impersonation, and other deadly pursuits. In partnership with her soulmate Stoker, who is perhaps more obsessed with taxidermy than might be advisable, she pursues solutions to complex conspiracies and usually manages to bring wrong-doers to justice — even if her definition of justice doesn’t always match up exactly with the legal system’s definition.

As A Sinister Revenge opens, Veronica is dealing with the fall-out of a MAJOR complication that came to light in the previous book, An Impossible Impostor. The impact on her relationship with Stoker is severe — he’s removed himself from London to engage in fieldwork, and has quite clearly asked Veronica for space. Yes, he still loves her… but is that enough?

When Stoker’s oldest brother Tiberius requests Veronica’s help, they track down Stoker to the forests of Bavaria, where Tiberius pleads for help. He’s received death threats, and needs Veronica and Stoker to figure out who they’re from — and prevent his own and possibly other people’s demise.

The action moves to Tiberius’s country estate, to which he invites close companions from his youth, all of whom may be either potential murder victims… or the murderer. With our power duo on the case, the house party will hopefully end with the discovery of motive, means, and the guilty party, and not with dead bodies to mourn.

As always, Veronica and Stoker are incredibly fun to spend time with. Veronica, as narrator, is full of snark and sass, highly intelligent, and fully insistent on her right to be her own person, and not give in to societal expectations about a woman’s proper place. Because she and Stoker are semi-estranged for much of the book, some of their usual spicy chemistry and high-octane banter are missing, but they still manage to work together, contradict one another, and focus on the case enough to keep the entertainment value high.

The mystery itself is a good one, combining tropes such as a country-house/isolated setting, a guest list where one person is sure to be the murder, and many, many red herrings. There are plenty of clues scattered throughout, but also quite a bit of misdirection and false leads. I was kept guessing throughout the book, and found the unraveling of secrets and eventual big reveal of the whodunit very clever and very, very well done.

I always love seeing Veronica in action, and adore her independence, risk-taking, and sense of adventure. I also love her whole-hearted embrace of the importance of physical love as well as romantic love (or as she puts it: “Physical congress, I have often observed, is as revivifying to the spirt as to the body”.)

The writing in this series is utterly delightful — this book includes such terrific vocab words as “omnificent”, “rampageous”, “rumbustious” “cicerone”, “thaumatrope”, “vellicate”, and more. The dialogue is quick and witty, and the characters are all quite distinct and entertaining.

Eight volumes in, the Veronica Speedwell mysteries remain energetic, clever, and enchanting. In A Sinister Revenge, we get a captivating mystery plot as well as terrific character dynamics. Once again, I read the newest release much too quickly, and now face the long, long wait for another new book!

I’ll end with the same advice I’ve included in my reviews of every book in this series: If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!

This series has become one of my favorites. Don’t miss it.