First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:
Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
Finally… reveal the book!
This week’s lines are from an upcoming July release that sounds eerie and atmospheric:
Clay Lockhart’s cries echoed for half a mile up the rain-drowned coastline, carried on the late January storm that tore across the Outer Hebrides — an isolated windswept stretch of archipelagos in western Scotland. The rain had come quick, driven by a snell of cold wind that cut through old, rattling windowpanes and down to bone. In Saltwell — a small shoreline community along St. Magnus Bay — the residents shuttered windows, called in their children, and herded livestock indoors as they had always done when a western gale lashed against their sturdy homes.
But Clay Lockhart flung open his oak front door and strode out into the storm, a body slumped and weighted in his arms: golden hair spilling from a pallid skull, arms swaying like wet dishrags.
I got so caught up in this opening that I just had to share the first two paragraphs!
Vocab time:Snell Scottish / Northern English Dialect (Adjective) Meaning: Quick, active, sharp, or bitterly severe. Context: It is most commonly used to describe piercingly cold or biting weather (e.g., “a snell wind smote us”) or a witty, sharp remark.
So what’s the book?
Habits of the Sea by Shea Ernshaw Release date: July 7, 2026 304 pages
Synopsis:
A new adult novel from New York Times bestselling author Shea Ernshaw, in which a woman rediscovers the mythical island she stumbled upon as a child—and the man she once met who apparently hasn’t aged.
The night Clay Lockhart’s wife dies, a violent storm tears their home—and the eight hectares of land beneath it—away from the Scottish coast, sending it adrift into the Atlantic. Thirty years later, twelve-year-old Ellie Mills discovers the fabled floating island off the coast of Nova Scotia and finds Clay still living in the weatherworn farmhouse perched on its highest hill.
When the island vanishes overnight, Ellie is left questioning whether it ever existed at all. But decades later, the island resurfaces—and Ellie, now in her thirties, returns, determined to uncover the truth. What she finds is even stranger: Clay hasn’t aged a single day.
Faced with the impossible, Ellie learns that some mysteries aren’t meant to be solved—and that a life shaped by wonder may hold more promise than one bound by certainty.
With her signature atmospheric, lyrical prose, Shea Ernshaw offers us an original work of folklore with a masterful modern touch. A haunting tale, Habits of the Sea spans centuries and coastlines, journeys through time and memory, and redefines the very meaning of love itself.
I’ve read two previous novels by Shea Earnshaw, including the excellent A History of Wild Places — so I was delighted to win a copy of Habits of the Sea in a Goodreads giveaway, and can’t wait to get started.
Title: The Children Author: Melissa Albert Publisher: Bramble Publication date: June 2, 2026 Length: 416 pages Genre: Fantasy/Horror Source: Library Rating:
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
An intoxicating, haunting new novel from New York Times bestselling author Melissa Albert, in which the estranged adult children of a legendary author, written into their dead mother’s beloved fantasy series, contend with the vine-like creep of legacy, memory, and magic.
Guinevere Sharpe has two childhoods.
In one, she lives in the wooded shadow of her family’s isolated Vermont farmhouse; in the other, the pages of her mother’s world-famous Ninth City books, where her magical adventures have made her a household name. In reality, Guinevere’s childhood isn’t the enchanted idyll her mother’s readers imagine: she and her older brother are growing up near-feral, unwashed and underfed, escaping each day to the lichen-clotted woods they’ve made their playland. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame—until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors.
Now an adult coasting on her mother’s name, Guinevere is mid-promotion for a ghostwritten memoir when her estranged brother, an artist who has until now spurned his family’s legacy, announces an upcoming installation titled Mother. As rumors swirl around a death connected to his last show, unsettling recollections from Guinevere’s childhood begin to surface. Her public facade starts to crack, forcing her to confront the questions she’s spent the last twenty years running from: What really happened the night of the fire? And what dark history lies behind their mother’s creative genius?
Wise to the mythic weight childhood memories gather over time, The Children whispers to you from the hallway outside your bedroom, lights flickering as you turn the pages of a book that didn’t seem so scary a moment ago. It’s a story for anyone who’s ever revisited an old favorite and found it cast in a darker light, the line separating magic and memory blurring as the gap widens between the authors we imagined and the people they turn out to be.
The Children is a creepy, haunting tale that drew me in practically from page 1 and never let me go. I found myself immersed in this story about the children of a bestselling author — whose childhood was anything but the ideal dream portrayed to the public.
Edith Sharpe writes the children’s fantasy series, The Ninth City, at the family’s rural Vermont home, an isolated place known as the Farmhouse, surrounded by forests and orchards, miles from anywhere. As Edith’s fame grows, so too does the never-ending streams of stars and artists and wannabes who gravitate into Edith’s orbit. Edith’s children, however, never asked for or agreed to the fame that they’re forced into by their mother, who gives her main characters her children’s names. The world thinks they know Ennis and Guinevere Sharpe, the brave, clever brother and sister who star in the series. Only Ennis and Guin know the truth about their childhood — one in which they essentially grew up wild and untended, cared for only by one another while their parents indulged in a life of creative frenzies, dissipated parties, and a general lack of interest about their children’s wellbeing.
As adults, Guin and Ennis have been estranged for twenty years, ever since the horrific night of a fire that destroyed their world and thrust them into very different lives. Now in her early 30s, Guin has been living off her mother’s legacy, in terms of both her inheritance and being part of the publicity machine that keeps Edith Sharpe on the bestseller list year after year. While promoting her own memoir — a whitewashed, ghost-written, surface-level and sunny depiction that bears little resemblance to the truth — Guin learns that Ennis will be opening a new art installation entitled “Mother”, and is immediately consumed by the need to reconnect with him… and to find out whether he’s finally decided to break his silence on Edith Sharpe after all these years.
As Guin goes off the rails, ruining her carefully constructed publicity tour through unpredictable and ill-advised interviews, she’s thrust back into childhood memories she’s worked so hard to ignore or deny.
The story unfolds through modern-day chapters, in which adult Guin spins out of control in her search for meaning and for Ennis, woven among chapters going back to the siblings’ childhood, from arriving at the Farmhouse when Guin was five years old to the final disaster when she was eleven. There’s a certain beauty to some elements of their early years, as they run wild, unhindered in their exploration of the forests, with no rules and little to no guidance about their daily lives. They’re supposedly home-schooled, but they’re not. They’re fed… when someone remembers, or when they fend for themselves. Their father, a gifted actor who was forced out of the spotlight due to scandal, is a shining, glorious creature… until he’s not; until something, somehow causes him to lose bits and pieces of himself and fade into a failed has-been.
And then there’s Edith, a woman who’s never been predictable, married young to an older man, and an uninvolved mother even at the best of times. But something happens at the Farmhouse. Guin loves the house, except for the sinister 3rd floor room where Edith writes. And Edith writes in frenzied bursts, clacking away on her typewriter with no interruptions allowed.
The sense of menace is pervasive throughout The Children. We may not know exactly why, but we know from the start that very bad things have happened. At the same time, we know that the Ninth City books were life-changing for their millions of fans, and that Guin and Ennis are seen as heroes, standing in for Edith and the world she created even as they attempt to live their own lives. The neglect that Guin and Ennis live through is disturbing in and of itself, but add to that the sense that something other is going on, something very much not right, and the chills ratchet up higher and higher.
While I had guesses about the mysteries of The Children, I never did quite manage to figure it all out, and I’d guess that most readers end up in the same boat. The revelations near the end of the book are mind-blowing, yet tie the entire story together in a way that makes a frightening sort of sense. I simply couldn’t put the book down; each chapter is stunning in its own way. I cringed quite a bit over adult Guin’s choices and actions, but there’s no denying that she follows a path that seem practically foreordained. The childhood chapters are more deeply disturbing and impactful, but the entire book works so well together that it’s impossible to point out any moments where the story lags or loses focus.
I’d say that my only complaint about The Children has more to do with my reading experience than with the book itself. I tore through the final third or so in such a mad dash to get to the end that I’m afraid that I may not have absorbed it all as deeply as I might have if I’d taken my time. I can definitely see going back for a reread to savor it more slowly and pick up the themes and hints I might have missed along the way the first time through.
The Children is one of this summer’s biggest, buzziest books… and it’s well worth giving in to the hype and giving it a chance! Creepy, scary, disturbing, and compelling, this story will stick with you long after the final pages.
Purchase links: Amazon – Audible – Bookshop.org – Libro.fm Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.
Top Ten Tuesday is a meme hosted by That Artsy Reader Girl, featuring a different top 10 theme each week. This week’s topic is Books on My Summer 2026 to-Read List.
Before getting started with my summer TBR, I took a look back at my spring TBR post… and discovered that I did pretty well! Of my 10 winter TBR books, I actually read eight and DNFd one. I still intend to read the one remaining book, which is the first in a series I’ve been planning to start this year:
So, I’ll leave Just One Damned Thing After Another here as a reference… and meanwhile, I’m picking another ten books for my summer reading TBR! Of course, narrowing it down to just ten is practically impossible, but here’s the batch of books I’m putting high on my priority list right now:
The Midnight Train by Matt Haig
To the Moon and Back by Eliana Ramage
My Imaginary Mary by Cynthia Hand, Brodi Ashton, Jodi Meadows
Paladin’s Grace by T. Kingfisher
This Kingdom Will Not Kill Me by Ilona Andrews
The Calamity Club by Kathryn Stockett
We Solve Murders by Richard Osman
The Fox and the Devil by Kiersten White
Theo of Golden by Allen Levi
I Who Have Never Known Men by Jacqueline Harpman
What are you planning to read this summer? Please share your TTT links!
First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:
Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
Finally… reveal the book!
This week’s lines are from a 2026 release by an author whose previous books I’ve enjoyed:
Is now a good time to mention that my husband has been leaving me in increments (first the far side of the bed, then the guest room, and now, apparently, his own apartment) and I’m not taking it well?
So what’s the book?
No Matter What by Cara Bastone Release date: March 3, 2026 337 pages
Synopsis:
Roz and Vin can’t look each other in the eyes anymore, let alone share a bed. It’s been a year since they survived a life-altering accident, and their marriage hasn’t been the same. But Roz has held out hope that they can fix things, until she discovers Vin has signed a new lease. So she does what any soon-to-be-divorced Manhattanite would do: sign up for a figure-drawing class.
Between Roz’s determined attempts to improve her artistic skills and her adventures with her best friend, Raffi, she can almost ignore Vin’s impending move-out date and his footsteps in their previously unoccupied guest room. But it would all be a lot easier if Vin wasn’t Raffi’s older brother, and if she didn’t still find him incredibly, debilitatingly attractive and kind.
So kind, in fact, that Vin offers to let Roz draw him. What is she supposed to say? It’s probably better than her original plan of finding some random male model online, and she needs all the practice she can get. Plus, that’s sure to make a separation easier, right? Focus on every detail of your estranged spouse’s body while drawing him in the nude? But after the year they’ve spent avoiding each other, it feels good to see and be seen by one another again.
As Roz works to capture the wholeness of the person she fell in love with, will they both be able to draw upon the feelings they buried deep inside to finally heal together?
I’ve read two previous novels by Cara Bastone, and just got on the library waitlist for the audio version of this one.
First Lines Friday is a weekly feature for book lovers created by Wandering Words. What if instead of judging a book by its cover, its author or its prestige, we judged it by its opening lines? Here’s how to join in:
Pick a book off your shelf (it could be your current read or on your TBR) and open to the first page.
Copy the first few lines, but don’t give anything else about the book away just yet – you need to hook the reader first.
Finally… reveal the book!
This week’s lines are from a recently released book that I’m eager to read:
As the water taxi sped across the lagoon, the two young honeymooners gazed ahead in awe.
So what’s the book?
The Midnight Train by Matt Haig Release date: May 26, 2026 255 pages
Synopsis:
When your life flashes before your eyes, where would you stop?
No one can change the past, but the Midnight Train can take you there. The chance to re-live the moments that meant most. To see what kind of person you really were.
For Wilbur his best days were with Maggie, the love of his life. On his honeymoon in Venice.
Before he gave it all away.
He wishes he could go back and live differently. But to do so risks everything . . .
A magical, time-travelling love story, from the world of The Midnight Library.
I had the pleasure of attending a talk and book signing with the author this week! The event was wonderful, and I can’t wait to start the book.
Title: The Last Lady B Author: Eloisa James Publisher: Gallery Publication date: May 12, 2026 Length: 384 pages Genre: Historical romance Source: Library Rating:
⭐⭐⭐⭐
Rating: 4 out of 5.
Lady B may have married Bluebeard; she may have fallen in love with a gorgeous, grumpy solicitor; she may have met a ghost and survived to tell the tale! New York Times and USA TODAY bestselling author Eloisa James delights with witty historical romance with a gothic twist.
In the depths of winter, Lady Genevieve Hughes, her pet piglet, and her septuagenarian husband travel to a haunted abbey in the Scottish Highlands. Evie is excited to meet a ghost (perhaps one of her husband’s three previous wives), but didn’t expect the funny, quirky guests to become the friends she’s never had. And she certainly didn’t imagine meeting Sir Godric Everly, a sardonic, witty solicitor who loathes her husband.
Yet as secrets and lies turn Evie’s world upside down, Sir Godric becomes the one person whom she can trust.
[Note: Redacting part of the synopsis — too spoilery!]
More importantly, she has to figure out whose identity is false, whose vows are dishonorable, whose truths could destroy her reputation—and where her heart belongs.
The Last Lady B is such a fun historical rom-com romp! In this upbeat romance, our main character Genevieve (Evie) goes through twists galore, including ghostly encounters, strange mysteries, and adventures in a possibly cursed castle, before finally arriving at a happy ending.
Perhaps there comes a time in every woman’s life when she discovers that propriety is poppycock. To put it vulgarly, propriety is bollocks.
Or perhaps that only happens to a woman foolish enough to marry a man older than her father.
Evie, at age 25, isn’t much interested in courtship or having a successful season. Her family has a sterling reputation and her father has a title, but their fortunes are in tatters. Evie has seen one too many potential matches dissolved over her lack of a dowry (or new gowns). Then there’s the added fact that the idea of marriage isn’t all that attractive. From what she’s heard, all that bedroom stuff sounds like something to endure, so maybe she’s not missing much.
However, Evie has a beloved younger sister, and she does care very much about her future. And so, she develops a plan: The elderly Lord Burnsby, in his 70s and with three late wives, is looking for wife #4 — someone young, pretty, and a charming companion. Evie isn’t looking for romance, and makes it clear that she expects a platonic relationship — but he’s polite, kind, and willing to sign a contract for a generous dowry for her sister. So yes, call Evie a fortune hunter if you must, but she has a goal and is willing to tolerate scornful sniffs if it ensures a good future for those she loves.
Except things don’t quite work out that way. After an uneventful (boring) half-year of marriage, Evie heads to Lord Burnsby’s estate in the Scottish Highlands for the Christmas holidays — an ancient abbey rumored to be haunted by his three dead wives — and finds that her tolerable husband has secrets and a loathsome side that she never expected. As they’re joined by Lord Burnsby’s heir, his new (lovely) wife, and his best friend, complications abound, including the fact that the best friend, Sir Godric Everly, is attractive and has a wonderful heart hidden beneath a gruff exterior.
It gets even more convoluted, as more unexpected houseguests and residents show up, enormous secrets and scandals come to light, and the chilly, lonesome abbey reveals its own dangers. And is that really a ghost that Evie encounters? Could there be dead wives hovering about? And if they are, what could they possibly want?
The plots twists of The Last Lady B are highly entertaining, with each new reveal leading to yet another secret or misleading clue. Plenty of banter makes for scenes with a certain zing, and Evie’s spirit and willingness to speak her mind make her a delightful lead character.
The storyline offers ups and downs, moments of romantic bliss and erotic tension, while also providing an opportunity for Evie to redefine her own priorities, what she’s willing and not willing to do to achieve her goals, and what a real family might actually look like.
After the various twists concerning Lord B’s shady secrets are finally wrapped up, the book concludes with another couple of chapters focusing on Evie’s love life — and while it’s good to see her finally get the happiness she deserves, I could have done with a bit less detail about her sexual awakening. But that’s a matter of reader preference — your mileage may vary.
This was my first Eloisa James book. I can see from her website (https://eloisajames.com/books/) that she’s an incredibly prolific author. From a glance at all the titles and covers, my impression is that The Last Lady B is a bit of an outlier, with its light, comedic tone, and that most of her other novels are more serious/dramatic romances. Someone correct me if I’m wrong! If she does have other books with more of a similar vibe, I’d love to know about it.
The Last Lady B is a fun, engaging romance with a strong sense of sassy humor and snark. It was just the right book to lighten my mood when I most needed it, and I really enjoyed it. Highly recommended!
Purchase links: Amazon – Audible – Bookshop.org – Libro.fm Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.
Title: Take Me with You Author: Steven Rowley Publisher: G.P. Putnam’s Sons Publication date: May 19, 2026 Length: 368 pages Genre: Contemporary fiction Source: Review copy via NetGalley (audiobook purchased via Audible) Rating:
⭐⭐⭐⭐
Rating: 4 out of 5.
A poignant, hilarious, and wholly original love story, from the New York Times bestselling author of The Celebrants and winner of the Thurber Prize for American Humor.
College professor Jesse del Ruth has been abandoned. Thirty years into their relationship, Jesse witnesses his husband Norman get out of bed late one night, walk into their Joshua Tree backyard, step into a strange beam of light and . . . disappear. How could Norman desert him after a lifetime together? Where did he go? And, most confoundingly . . . will he ever return? Jesse knew they were longing for something, both feeling stuck. But had Norman been so stuck that his only option was to leave Jesse behind?
As Jesse struggles to understand Norman’s disappearance, he tries to piece together his new reality. Is he expected to wait patiently for a partner who may never come back? Or is this an opportunity for reinvention? He is, after all, alone for the first time in his adult life. Should he return to the classroom? Put in a pool? Get a dog? Call his estranged mother? What does it mean to be alone when you’ve always been one half of a whole?
When Norman’s sister Lally lands on Jesse’s doorstep with an urgent request, Norman’s absence becomes even more profound. Add to Jesse’s grief and confusion a conspiracy-theorist neighbor, a strange man following him, and suspicions that he may have had a hand in Norman’s disappearance, and Jesse starts to crack under the pressure. With his husband missing and the world closing in, all eyes are on Jesse. Before he can understand how Norman could leave it all behind, Jesse must confront what it means to stay.
In Take Me With You, Steven Rowley brings his resonant wit and emotional insight to an epic love story – an exploration of the forces that draw two people into the same orbit and the gravity that threatens to pull them apart.
Take Me With You is a sweet, gently humorous look at love, long-term relationships, being left behind… and alien abduction. Yes, that’s correct: In this lovely work of contemporary fiction, a man leaves his partner of 30-something years to soar off in a strange beam of light. And yet… don’t pick up Take Me With You expecting a science fiction adventure. The aliens are just the trappings of the story: The novel is actually about what it takes to stay together, what it means to be left, and how to find ways to move forward.
Jesse and Norman met as young men when their paths collided, literally, during a skating/biking accident. While very different people, they connected instantly and have grown — if not old — then certainly mid-to-late middle aged together. Living in a solitary home in the desert of Joshua Tree, they’ve built a good life together. So yes, their knees may creak, and Jesse is not okay with Norman’s new tongue scraper… but they’ve seen each other through a lot, and expect to always be together.
Until one night, Jesse wakes up to a bright light, and runs to the backyard just in time to see Norman step into a beam of light that draws him up into the sky. It’s not an abduction, really: Norman seems to be a willing participant. And then he’s gone, and Jesse is left behind, and he has no idea what to do with himself.
Jesse is an award-winning author, already committed to teaching a class on humor writing at the local community college. But how is he supposed to teach anyone to be funny, especially when his own life feels particularly tragic?
Much of the novel is told through Jesse’s perspective, until we hit a shift about halfway through. Norman’s sister Lally becomes the point-of-view character at that point, as she seeks answers about Norman’s whereabouts with an agenda of her own.
Because I listened to the audiobook (narrated by actor Michael Urie, who is fabulous), I wasn’t able to highlight great quotes/lines as I went along, which is a shame. The writing in Take Me With You is wonderful — not a surprise, given how terrific the author’s use of language is in previous novels such as The Guncle and The Celebrants. There’s an underlying sadness to so much of what happens here, but there’s joy and plenty of laughter too. Even at his lowest, Jesse can’t help but be funny, and his interactions with the people in his life make the book sing.
Abandonment is an overarching theme of this book. Many characters experience or have experienced abandonment at some point in their lives, whether through deliberate choices or unexpected tragedies — but there’s also the abandonment involved in emotional distance. Jesse and Norman have spent decades together, but are they truly still together the way they once were? Is Norman’s departure the act of abandonment, or have they each removed themselves from one another through inertia and routine and the general erosion of long relationships?
I’m not sure that I entirely understand what happens very near the end of the book… but that’s okay. I can live with some ambiguity, and meanwhile, loved getting to know these richly drawn characters and their quirky lives.
Take Me With You didn’t delight me quite as much as Steven Rowley’s previous books did… but I still enjoyed it very, very much. Upbeat writing adds a needed dose of light to what might otherwise be heavier moments. Memorable characters, an unusual premise, and clever dialogue make this a book to savor.
Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.
Title: Obstetrix Author: Naomi Kritzer Publisher: Tor Publication date: June 9, 2026 Length: 208 pages Genre: Thriller Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐
Rating: 4 out of 5.
From the Hugo award-winning author Naomi Kritzer comes a tense portrait of a future we desperately hope to escape.
O Lord, deliver us.
Doctor Liz has just been acquitted for performing the last abortion in North Dakota when she’s kidnapped.
They’re not just any kidnappers, but a fundamentalist cult, deep in the rural west, without respect for law or decency, and in desperate need of an OB/GYN.
Guarded, isolated, without access to the outside world, Liz nevertheless is treated with respect as the only doctor on the compound, but she is very aware of what happened to the last obstetrician they kidnapped.
She must escape, and bring help to the girls trapped at the compound, if it’s the last thing she does.
Dr. Elizabeth Gwinn is a dedicated OB/GYN in desperate need of a fresh start. After facing a harrowing trial for performing an abortion, she’s narrowly managed to avoid prison — but legal fees have left her broke, the arrest and threat of conviction have destroyed her nerves, and she faces the sad truth that despite the critical need, there are now states with absolutely no obstetricians still in practice at all.
After a dismal job interview for yet another hospital job she’s doomed not to get once the hiring committee realizes just who she is, she agrees to meet with a representative of a home birth collective looking for an obstetrician to complement their team of midwives. Although the location of the interview seems unusual, Elizabeth really needs a job and sits down to learn more… only to find herself drugged, kidnapped, and transported in a van to some unknown destination.
Upon arrival, she finds herself held captive by a fundamentalist cult in a remote rural area. There are no phones, no internet, no books, no privacy. Watched every moment, Liz is informed that her role is to care for the cult’s seemingly endless parade of pregnant women. Although the compound has some modern medical supplies — drugs, ultrasound machine, surgical implements — it’s by no means an adequate medical facility, and Liz is disinclined to cooperate… until she hears what came of the last obstetrician who refused to play along. Liz decides to bide her time and look for a chance to escape, and meanwhile, she begins caring for the women, some really just girls, and provides more general medical care to the children and men of the compound as well.
The patriarchal, repressive society is headed by Pastor John, and rules are enforced through corporal punishment. Liz sees women and children with welts and other marks that would absolutely have her contacting the appropriate authorities if she were to see these type of injuries in a clinical setting. Here, in the middle of nowhere, at the mercy of her captors, all she can do is try to relieve pain and mitigate harm where she can.
Meanwhile, to self-soothe, Liz returns in her mind to the favorite fantasy book of her youth, recalling it page by page from memory and using it as a means of centering herself, holding out hope, and looking for any chance of contacting the outside world.
I’ve seen this book shelved as horror, dystopian, thriller, even sci-fi, and while there are bits of many of these (well, not sci-fi), none of these labels feel entirely spot-on. I’d described this book more as a near-future thriller, not to mention being a cautionary tale. Liz’s trial has concluded by the time the novel starts, and yet it’s not at all far-fetched to see this as a possibility not too far off in our own future. Learning that obstetrical care is no longer available in major areas of the country feels chillingly possible.
And in a world where choices are so controlled or outright denied, a religious cult that prizes pregnancy and birth above anything else a woman might represent seems like just one more likely outcome. Particularly painful is the revelation that a bright 13-year-old girl who’s eager to become Liz’s apprentice is scheduled to be married as soon as she turns 14, to an adult man who fully expects to start making babies right away. When Liz points out that the girl isn’t physically mature enough to safely carry a pregnancy, the woman behind her kidnapping who shadows her every move declares that “a woman’s body won’t grow a baby that’s too big for her to deliver”. The casual disregard of medical expertise and the casual expectation that a young girl is ready for childbearing are simply horrifying.
Obstetrix is a fascinating psychological study, a dystopian nightmare, and even an action tale, as Liz desperately struggles to find a way out, even while growing to care more and more for some of her patients, who clearly are victims themselves and just as much in need of rescue as she is. The tension mounts as the story progresses, and it’s a race to the finish to see how Liz will get out of this terrible situation.
Meanwhile, we can’t help but admire Liz’s dedication to her professional ethics and her devotion to patient care. Even without the blatant threats, she can’t refuse to treat those who need her. She may be distressed, she may feel that conditions are hazardous, but she still tends to those who need a physician, because she simply can’t do otherwise.
As Liz informs us:
The word obstetrics comes from the Latin words obstetrix, which means midwife. Literally it means “stands opposite to,” and references the person who stands opposite to the woman giving birth.
As Liz passes weeks at the compound, struggling not to lose hope, she uses her position of slight authority to oppose the system that might further harm the young women and girls in her care — an obstetrix indeed.
Obstetrix is a fast, compelling, chilling read. Highly recommended.
Purchase links: Amazon – Audible – Bookshop.org – Libro.fm Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.
Title: Dolly All the Time Author: Annabel Monaghan Publisher: G.P. Putnam’s Sons Publication date: May 26, 2026 Length: 395 pages Genre: Contemporary romance Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐⭐
Rating: 5 out of 5.
A hardworking single mom returns to her seaside hometown and stumbles into a fake dating situationship with a wealthy, workaholic scion, from the New York Times bestselling author of Nora Goes Off Script.
“This book is like a spicy margarita…sweet and a little salty, tart and hot…I have fallen in love with Dolly and with funny, fizzing Annabel Monaghan!” —Catherine Newman, New York Times bestselling author of Sandwich
If they start by pretending, can they end with something real?
Dolly Brick has never met a problem she couldn’t solve. Not when her mom left when she was twelve, and not at thirty-nine when she moves with her son back to Whitfield, Rhode Island, for the summer to keep her dad and brother from losing the family home.
So when she comes across Stewart Whitfield—annoyingly handsome scion of the Whitfield family—with a flat tire and at the wrong end of a very public, very humiliating breakup, it’s in her nature to help. But Stewart’s proposed arrangement ends up being more than either of them bargained for, because as public dinners and high-society benefits turn into sunset boat rides and kisses that hit her bloodstream like a ghost pepper, Dolly starts to feel something more than helpful. She’s never relied on anyone besides herself—can she really start now?
If summer is just around the corner, then it’s time for an Annabel Monaghan novel! Once again, her newest book is a delightful mix of grounded characters, interesting situations, sincere emotions, and fantastic beachy vibes.
Dolly Brick seems to never stop working. A single mom on the verge of 40, Dolly works four (yes, four!) jobs to make ends meet, support her son, make sure her dad and disabled brother have a non-leaky roof over their heads, and basically keeps everyone and everything going through sheer willpower. As Dolly All the Time opens, she’s headed back to her Rhode Island hometown for the summer — not what she’d had planned — to deal with the aftermath of a small electrical fire at her family home.
Once there, she jumps right back in — working at the counter at her father’s fish store during the busy tourist season, making sure her brother Chris gets his meds adjusted, bringing in a contractor to look at the fire damage, and figuring out how much of the needed repairs she can do on her own. Dolly is incredibly adept at fixing and creating — that’s what living on a shoestring budget will do for you! — but when she learns from the fire department that the roof is in such bad shape that the house may be condemned if they don’t replace it, she comes close to despair. Even with all her jobs, there’s no way the family has that kind of money.
Rescue arrives in the form of Stewart Whitfield, son of the town’s extremely wealthy founding family and next in line to be CEO of the family business. Or rather, Dolly starts off by rescuing Stewart, who finds himself in desperate need of help when he gets a flat tire and has a dead cell phone battery. Of course, he’s never changed a tire in his life, and of course, Dolly is a pro. When a passing paparazzo snaps a photo of them, Stewart realizes Dolly may represent more than just roadside assistance. After being very publicly dumped by his fiancée, Stewart needs to show his family that he’s stable and grounded enough for the CEO job. Cue the fake girlfriend trope!
Stewart offers Dolly a deal, complete with NDA. If she’ll pose as his girlfriend for the summer, attending key galas and family events with him, he’ll pay her enough to fix the roof (and then some). It’s a weird offer (which Dolly immediately connects with Pretty Woman), but really too good a chance to save the family home to pass up. Stewart is stiff and seems to be a workaholic, but Dolly detects a glimmer of something more relatable underneath the suits and fancy cars, and she agrees to the deal.
After an adorable makeover outing with Stewart’s younger sister (one of my favorite characters in the book), Dolly begins her role as Stewart’s fake girlfriend. She’s quirky and definitely not trained for high society, and yet there’s something in her non-conforming demeanor that starts to put Stewart at ease. As they spend time together, she challenges him to loosen up, even just a little. Why not take out the sailboat that he hasn’t touched in years? How about a break from working around the clock to enjoy a bit of summer? When Stewart meets Dolly’s family, she gets a chance to see how considerate he can be, and as the weeks pass, Stewart and Dolly begin to connect in ways that no longer feel like it’s all for show.
There’s just so much to love about this book! First, Dolly herself is amazing. While she struggles to allow others to share her burdens, her devotion to her family is incredibly admirable. She doesn’t resent her responsibilities — she’s a deeply committed caregiver, and her 24/7 priority is keeping her family safe and happy. As she learns over the course of the book, she really doesn’t have to take everything on her own shoulders, but learning to let others in is part of her personal journey. She’s a fantastic mother to 13-year-old Gus. I admired the honesty with which she interacts with him — they have a lovely dynamic.
The romance feels real very quickly, and is well-developed. We see Stewart and Dolly opening up to one another, and can track how their appearances-for-show turn into time spent together that means something to them both. The plot may follow key trope milestones in some ways, but it comes across as genuine. There’s no doubt that these two have a connection and understand one another in ways no one else does. They’re wonderful together.
Now, there is a 3rd-act breakup, which I generally dread these days while reading contemporary romances. Here, the events make sense. None of the more common failure-to-communicate or the (awful) I’m-dumping-you-for-your-own-good scenarios! When Dolly and Stewart’s relationship blows up, we know exactly why. We can hate it, but we also understand what went wrong (and fortunately, can be very confident that there will be a happy ending, even if they have to suffer before getting there).
Dolly All the Time conveys heartwarming messages about devotion to family, taking time to care for oneself even while caring for others, and giving thought to what real happiness might look like. The family dynamics are outstanding, and the romantic elements really sing.
I’ll note that this book has plenty of romantic, swoon-worthy moments, but that sex scenes are closed-door / off-the-page… which I, for one, really appreciate!
Dolly All the Time is both a terrific summer read — oh, to be in a little seaside town with salt breezes, ice cream shops, and walks on the beach! — and an engaging love story. There’s deep emotional impact, yet the tone is upbeat, with plenty of humor and whimsy to balance the more serious moments.
He’s in a tuxedo that was woven by angels with tiny hands to the exact specifications of his body. His black shoes have been professionally tied by the royal shoe tyer.
Great plot, wonderful characters, and a seaside, sunny setting all add up to a wonderful start to beach reading season. Highly recommended — for any time of year!
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Title: The Foursome Author: Christina Baker Kline Publisher: Mariner Books Publication date: May 12, 2026 Length: 384 pages Genre: Historical fiction Source: Review copy courtesy of the publisher via NetGalley Rating:
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
From #1 New York Times bestselling author Christina Baker Kline comes a boldly original reimagining of an astonishing true story of two sisters in nineteenth-century North Carolina—Kline’s own distant relatives—who married world-famous conjoined twins from Siam.
When Chang and Eng Bunker arrive in Wilkes County in 1839, they’re not just a curiosity—they’re a sensation. Everyone is eager to learn whether the salacious rumors about them are true. Within months, the twins have opened a general store, bought land, and begun building a plantation. Now, word has it, they’re looking for wives—and in a place that thrives on gossip and legacy, their ambitions set the community on edge.
Sarah and Adelaide Yates, daughters of a once-prominent local family brought low by scandal, are drawn into their orbit. Bold, beautiful Addie sees in the twins’ fame a chance to reclaim her future. Sallie, quiet and observant, isn’t so sure. When the twins’ lives become entangled with theirs, they must navigate loyalty, longing, and identity in a world where everything—including race, class, and gender—is rigidly defined.
Spanning five decades and unfolding against the backdrop of a fractured nation hurtling toward war, The Foursome is both intimate and a story of love and constraint, identity and reinvention. With piercing insight and emotional precision, Kline brings to life a forgotten chapter of American history and the complex, boundary-defying marriages at its center.
In this fascinating work of historical fiction, author Christina Baker Kline shines a spotlight on the conjoined twins for whom the term “Siamese twins” was coined, by showing their lives through the eyes of one of the sisters who married them.
Most of us take for granted that, at the very least, we come into this world alone and die our own deaths But this was not true for my husband and his brother. They could not escape each other.
The Foursome is narrated by Sarah “Sallie” Yates, a young woman with a damaged reputation as the novel opens in the 1840s. After a family scandal, she and her younger sister Adelaide face limited prospects. When the famous conjoined twins Chang and Eng Bunker (the “Siamese Double Boys”) settle in their North Carolina community, the sisters are as curious as everyone else, but when curiosity turns to courtship, it’s Addie who leads the way, seeing the twins as a way out of their difficulties and a route to a secure future.
The engagement and marriage is, of couse, scandalous. Chang and Eng are joined by a band of flesh at the base of their chests. They’re active, healthy, educated men who pride themselves on living as gentlemen, but to the people of North Carolina, they’re seen as foreigners and as freaks. When the brothers marry the Yates sisters, the gossip is intense and personal.
As Sallie shares with readers, navigating a marriage to a man who can never leave his brother’s side presents complex challenges, from the embarrassment of figuring out sleeping (and sexual) arrangements to sharing a household with her sister to never once being able to have a truly private conversation with her husband. Sallie’s marriage to Eng does eventually turn into one of love and compatibility, but the unavoidable presence of Addie and Chang is a constant source of tension.
Still, something must work. Between them, the two couples have a total of twenty-one children over the years! The sisters eventually demand separate homes, but even so, the rigid scheduling and presence of a husband’s brother mean that the families can never truly be separate.
I saw how they leaned on each other — how their bond became a kind of fortress, both shelter and prison. How, sometimes, it shut out even those who loved them.
Beyond the domestic, The Foursome explores the lives of the Bunker husbands and wives in the context of the looming Civil War. Chang and Eng are landowners — and in the North Carolina of the 1800s, that means that they’ve slave owners. Sallie accepts that enslaved workers are simply a fact of life, but over time, her eyes are opened to what this actually means for the people who raise her children and care for her needs. As their community is drawn into war, and as sons of both households go off to fight, Sallie increasingly finds herself at odds with Addie and their husbands about the Confederacy’s ideals and what it is that they’re fighting to preserve.
Sallie’s voice in The Foursome is open and revealing. She shares the joyful moments, especially as she gives birth to child after child, as well as the discomfort of being married to a man who’ll always belong more to someone else. The descriptions of the family’s adaptation to the brothers’ conjoined nature offer a fascinating look into a situation that seems practically beyond belief.
(L–R) Sarah, her son Patrick Henry, Eng, Chang, his son Albert, Adelaide
I did wish that Sallie’s awakening to the evils of slavery came sooner. I couldn’t help but feel that some of her change in perspective was driven by the purely personal, in terms of how slavery affected her rather than out of a sense of compassion and justice for the enslaved. She can’t make up for the past, but she eventually attempts her own version of reparation by offering new beginnings and opportunities to those she’d wronged.
There are sins of action and sins of inaction. I cannot forgive myself for the times I saw wrong and turned away.
Because the story is told through Sallie’s point of view, we only understand Addie through her eyes. This is understandable, yet sometimes frustrating. Addie is the catalyst for the marriage — I would have liked a deeper understanding of Addie’s inner life and why she felt so strongly that the choice to marry the brothers was their best (and only) option.
The Foursome is actually the second novel I’ve read about these historical figures. Chang and Eng by Darin Strauss, published in 2000, is a fictionalized account of their lives as told by Eng. I don’t remember a lot of the details at this point, but I do remember how interesting I found it. Reading The Foursome, I was reminded of many of the biographical details, and was entirely drawn in by this new approach and perspective on their lives.
The Foursome is a powerful, compelling read about remarkable lives, set against the backdrop of one of the most devastating and consequential periods in American history. Sallie’s voice is memorable, and the experiences she describes paint a picture of a particular family’s life that might seem unbelievable if it weren’t actually based on historical events. Highly recommended.
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