Book Review: Studies at the School by the Sea (Maggie Adair, #4) by Jenny Colgan

Title: Studies at the School by the Sea
Series: Maggie Adair / School by the Sea
Author: Jenny Colgan
Narrator: Eilidh Beaton
Publisher: Avon
Publication date: March 26, 2024
Print length: 288 pages
Audio length: 7 hours, 19 minutes
Genre: Contemporary fiction
Source: Purchased (audiobook); E-book ARC from the publisher/NetGalley
Rating:

Rating: 2.5 out of 5.

The long-awaited and never-before published finale in New York Times bestselling author Jenny Colgan’s delightful School by the Sea series. After all those lessons, it’s time to graduate…. Beloved literature teacher Maggie Adair loves her life at the prestigious Downey House boarding school on the gloriously sunny, windy English coast. It was there that she found her footing as a teacher and fell in love with her colleague David—the two great anchors of her life. But these days Maggie’s feeling restless, lured by the promise of a different life back in her Scottish hometown. How can you follow your heart when it seems to be taking you in two directions at once? Meanwhile, Maggie’s favorite students are abuzz at the thought of graduation and set to fly the nest to their next adventure. What will life hold for mercurial Fliss, glamorous Alice, and shy, hard-working Simone when they finally finish their studies at the school by the sea? Will Maggie stay to welcome the next class of girls, or will she too graduate to new adventures?

Oh dear. I hate to say it, but after eagerly awaiting this 4th and final book in the School by the Sea series… I sort of wish the author had left things as they were.

The original three School by the Sea books were published between 2008 and 2018, and were more recently reissued over the past few years. I’ve loved this sweet series, focusing on Scottish teacher Maggie’s adventures at a posh girls’ boarding school in Cornwall and her professional and romantic entanglements — which also introduces us to the girls of the school and other staff members, and creates it own special little world.

I was so excited for this 4th book, but sadly, I found the entire thing sort of perfunctory and unsatisfying. In Studies at the School by the Sea, Maggie returns to Downey after a summer back in Scotland with her family, feeling torn between family expectations and the new life she’s chosen for herself. She’s eager to explore her developing relationship with David, a fellow English teacher now working at an underfunded, low-performing local school.

Meanwhile, the main student characters we’ve gotten to know — Simone, Fliss, and Alice — are also back, navigating friendships and rivalries and dealing with serious stress over their upcoming GCSEs. There’s added pressure as Maggie and David create plans for shared school activities, inducing all sorts of culture and social shock among their students.

Somehow, none of the plot lines feel particularly well-developed. The girls’ dynamics get fairly short shrift, we spend no time at all with the Downey headmistress, who had some lovely story arcs in previous books, and Maggie herself seems to have undergone a major personality transplant.

Suddenly, she’s whiny and guilt-ridden, dumping an entire summer’s worth of plans to rush home to Scotland when her ex-fiance is injured — despite there being no actual purpose for her there and having no interest in picking back up with the relationship. Again and again, Maggie makes strange choices, and also seems to have lost her way professionally. A major conflict and almost-breakup occurs between her and David when they escort their students on an Outward Bound program and she feels that he’s focusing too much on the students rather than stealing romantic moments with her. Seriously?

Sigh. I adore Jenny Colgan’s books, and really enjoyed the characters of this series until now. Yes, it’s a nice idea to have a wrap-up book giving everyone a happy ending — but I just never felt that I was reading a particularly engaging story.

My recommendation? Do check out books 1 – 3… and maybe stop there! Or, at the very least, give yourself a pause before reading this one. And if you have time to kill, check out any of the author’s other terrific books. There are plenty to choose from, and so many to love!

PS – The world of British boarding schools — their traditions, grades, exams, etc — remains fairly impenetrable for an uncivilized American like me. However, I did learn two words that I’d never heard before… and I just love how they sound:

  • Rusticate: Basically, suspension. From Wikipedia: Whereas expulsion from a UK independent school means permanent removal from the school, rustication or suspension usually means removal from the school for a set period, for example, the remainder of the current term.
  • Invigilate: Supervise candidates during an examination; to watch over the administration of a test to ensure that no cheating occurs.

Book Review: The Good, the Bad, and the Aunties by Jesse Q. Sutanto

Title: The Good, The Bad, and the Aunties
Series: Aunties, #3
Author: Jesse Q. Sutanto
Publisher: Berkeley
Publication date: March 26, 2024
Length: 378 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

What should have been a family celebration of Chinese New Year descends into chaos when longtime foes crash the party in this hilariously entertaining novel by Jesse Q. Sutanto, bestselling author of Dial A for Aunties.

After an ultra-romantic honeymoon across Europe, Meddy Chan and her husband Nathan have landed in Jakarta to spend Chinese New Year with her entire extended family. Chinese New Year, already the biggest celebration of the Lunar calendar, gets even more festive when a former beau of Second Aunt’s shows up at the Chan residence bearing extravagant gifts—he’s determined to rekindle his romance with Second Aunt and the gifts are his way of announcing his courtship.

His grand gesture goes awry however, when it’s discovered that not all the gifts were meant for Second Aunt and the Chans—one particular gift was intended for a business rival to cement their alliance and included by accident. Of course the Aunties agree that it’s only right to return the gift—after all, anyone would forgive an honest mistake, right? But what should have been a simple retrieval turns disastrous and suddenly Meddy and the Aunties are helpless pawns in a decades-long war between Jakarta’s most powerful business factions. The fighting turns personal, however, when Nathan and the Aunties are endangered and it’s up to Meddy to come up with a plan to save them all.  Determined to rescue her loved ones, Meddy embarks on an impossible mission—but with the Aunties by her side, nothing is truly impossible…

The Good, the Bad, and the Aunties is the 3rd and final book in author Jesse Q. Sutanto’s comedy series about Meddy Chan and the meddling, hilarious Chinese-Indonesian matriarchs of her huge, interfering family.

Book #3 sees Meddy happily enjoying her honeymoon with her beloved husband Nathan, after the disastrous adventures of the previous two books (including corpses, stolen goods, and potential Mafia hitmen). After a few blissful weeks in Europe, Meddy and Nathan head to Indonesia to celebrate Chinese New Year with the family… and of course, this is when it all hits the fan.

There’s a chaotic storyline about a long-lost lover of Second Aunt’s, now a respectable businessman (and definitely not a crime lord… according to him), whose generous red envelopes go astray — ultimately entangling Meddy, Nathan, and the aunties in a convoluted scheme to get back what was inadvertently lost.

Along the way, the Chan family engages in drugging innocent bystanders, invading (possible) cartel leaders’ homes, minor kidnapping, and other nefarious deeds… but always with the best of intentions. And hey, at least this time there are no bodies hidden in coolers!

The Aunties books are silly, entertaining, and not at all to be taken seriously. The Good, the Bad, and the Aunties is a satisfying wrap-up. Sure, it’s all entirely ridiculous and improbable, but readers who go along for the ride will have a great time.

Book Review: The Princess of Las Vegas by Chris Bohjalian

Title: The Princess of Las Vegas
Author: Chris Bohjalian
Publisher: Doubleday Books
Publication date: March 19, 2024
Length: 400 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

A Princess Diana impersonator and her estranged sister find themselves drawn into a dangerous game of money and murder in this twisting tale of organized crime, cryptocurrency, and family secrets on the Las Vegas strip.

Crissy Dowling has created a world that suits her perfectly. She passes her days by the pool in a private cabana, she splurges on ice cream but never gains an ounce, and each evening she transforms into a Princess, performing her musical cabaret inspired by the life of the late Diana Spencer. Some might find her strange or even delusional, an American speaking with a British accent, hair feathered into a style thirty years old, living and working in a casino that has become a dated trash heap. On top of that, Crissy’s daily diet of Adderall and Valium leaves her more than a little tipsy, her Senator boyfriend has gone back to his wife, and her entire career rests on resembling a dead woman. And yet, fans see her for the gifted chameleon she is, showering her with gifts, letters, and standing ovations night after night. But when Crissy’s sister, Betsy, arrives in town with a new boyfriend and a teenage daughter, and when Richie Morley, the owner of the Buckingham Palace Casino, is savagely murdered, Crissy’s carefully constructed kingdom comes crashing down all around her. A riveting tale of identity, obsession, fintech, and high-tech mobsters, The Princess of Las Vegas is an addictive, wildly original thriller from one of our most extraordinary storytellers.

I’m a huge fan of Chris Bohjalian, but The Princess of Las Vegas — while thoroughly readable — demonstrates to me that I generally prefer his historical novels over his contemporary works… and The Princess of Las Vegas falls into the latter category.

In this crime thriller, main character Chrissy is a Vegas celebrity of sorts. She’s the crème de la crème of impersonators — not a cheap imitation Elvis or Dolly, but a gifted actress whose calling and talent lie in bringing Princess Diana to life night after night through her casino cabaret residency.

She looks like Diana, she’s trained herself to sound like Diana. She even has the bulimia to make sure she maintains her Diana-esque shape. But beyond looks, Chrissy is also truly devoted to Diana’s life and legacy. She does endless research, cares deeply about the princess, and approaches her show not as camp, but as tribute.

Chrissy’s carefully constructed world starts to crumble when her bosses — the casino’s owners — die suspiciously within days of one another. On top of that, her practically identical younger sister Betsy announces that she’s moving to Las Vegas with her boyfriend and her newly adopted teen daughter. Chrissy blames Betsy for their mother’s death and doesn’t trust her in the slightest. She’s appalled that Betsy will be encroaching on her territory, and makes one urgent plea — stop dyeing her hair blonde. Betsy, of course, does not comply.

What follows is a story of organized crime, cryptocurrency, danger, and delusion. Chrissy is slow on the uptake when it comes to realizing just how bad her situation is becoming, and Betsy places entirely too much trust in a man who’s clearly hiding all sorts of shady secrets. Betsy’s daughter Marisa is a bright spot — precocious and too advanced for her age thanks to her years in foster care, but also smart and savvy enough to protect her mother and aunt when push comes to shove.

The story is fast-paced, told in alternating chapters from Chrissy and Betsy’s perspectives. Marisa gets a voice too via brief paragraphs between the main chapters. This approach helps readers see how vastly different the sisters (and their perceptions of their past and present) are.

I had misgivings about The Princess of Las Vegas, given that Vegas, organized crime, and cryptocurrency are all topics that hold zero interest for me. Still, given the author’s writing, the story pulled me in and I just had to see it through.

The plot provides plenty of twists and turns, and while Chrissy and Betsy both make plenty of awful decisions, I couldn’t help caring about them and hoping for a way for them to outplay the assorted bad guys who invade their lives. In fact, if the author hadn’t done such a great job developing the main characters, I probably wouldn’t have cared about the crime story at all — just not my thing. The fact that I ended up absorbed by the story by the end shows how terrific the writing is.

Overall, I’m not sorry to have read The Princess of Las Vegas (especially since I admit to a low-key fascination with all things Diana), but it’s not my favorite of Chris Bohjalian’s books. For readers who enjoy crime thrillers, though, this should be a definite hit!

Book Review: The Ladies Rewrite the Rules by Suzanne Allain

Title: The Ladies Rewrite the Rules
Author: Suzanne Allain
Publisher: Berkley
Publication date: January 9, 2024
Length: 272 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

From the author of Mr. Malcolm’s List comes a delightful romantic comedy set in Regency England about a widow who takes high society by storm.

Diana Boyle, a wealthy young widow, has no desire to ever marry again. Particularly not to someone who merely wants her for her fortune. 

So when she discovers that she’s listed in a directory of rich, single women she is furious, and rightly so. She confronts Maxwell Dean, the man who published the Bachelor’s Directory , and is horrified to find he is far more attractive than his actions have led her to expect. However, Diana is unmoved by Max’s explanation that he authored the list to assist younger sons like himself who cannot afford to marry unless it’s to a woman of means. 

She gathers the ladies in the directory together to inform them of its existence, so they may circumvent fortune hunters’ efforts to trick them into marriage. Though outraged, the women decide to embrace their unique position of power and reverse the usual gender roles by making the men dance to their tune. And together… the ladies rewrite the rules.

What a delightful little gem! This comedy of manners is an utterly fun treat about women taking back control of their destinies at a time when society tells them they’re powerless.

A woman needs a dowry to attract a man, must marry “well”, must remain virtuous at all times, must avoid the thousand and one ways she can be “ruined”, must kowtow to the powerful matrons who control social standing… the restrictions on young women of the Regency era go on and on.

Diana Boyle is lucky, all things considered. She married a much older man at age eighteen to save herself and her mother from poverty. When she finds herself a widow at age twenty-five, she’s finally able to live peacefully in the grand estate left to her by her unpleasant late husband, and for once has no pressure to do what others want. And mainly, Diana just wants to be left alone. She’s not a social butterfly, has no interest in remarrying (her unhappy first marriage was plenty, thank you), and doesn’t need balls and visits and endless society obligations.

All this changes when a pair of gentlemen show up at her estate — uninvited — and proceed to attempt to ingratiate themselves with her. Her observant butler manages to discover the reason — they’re carrying a copy of a directory that lists the wealthiest widows and unmarried women of London, and Diana is listed! She’s outraged, enough so that she overcomes her normal shyness to seek out the author of the directory and give him a piece of her mind.

Maxwell Dean is not quite the villain she’d expected. Rather than a fortune hunter, he’s a man who’s seen more than one friend fall in love, only to have it come to naught when the couple realize that neither has any money whatsoever. For a younger son, the only hope is to marry a woman of means — so why not provide some guidance in advance? Maxwell doesn’t realize how mercenary his guide might set men up to be — he honestly just thinks he’s helping people find love in a more practical way. (He’s a very special — and sweet — snowflake, to be honest).

The fun takes off when Diana makes it her mission to inform other ladies of their inclusion in the directory. While initially upset and offended, the women soon discover more than one silver lining. They band together, forming strong friendships and allyships, and realize that given the situation, they’re actually the ones with the power.

Somehow the very thing that had been the symbol of their helplessness, that directory which listed them as no more than a commodity, had now become a way for them to exert their independence, to rewrite the rules in their favor.

With all these men seeking them as marriage partners, they have a freedom never before experienced — to waltz with abandon, to decline a dance if they don’t feel like dancing with the man asking (and still dance with others!), to say no if they’re so inclined in any situation. The women of the directory find a new sense of liberty and strength, and they intend to enjoy it to the hilt.

For it’s an indisputable fact that when a person no longer seeks acceptance, they immediately become irresistible.

Of course, there’s also a budding romance between Diana and Max, and it’s quite sweet to see the two of them come together, tentatively at first, as they discover friendship, trust, and attraction. As Diana’s connections to the other women grow, and her fondness for Max strengthens too, she’s able to rethink her position in life and for once, make her own decisions about who she wants to be and how she wants to live.

The writing in The Ladies Rewrite the Rules is oodles of fun. There are plenty of funny and silly moments, but the women also share stories that are more painful and illustrate how strongly the odds are stacked against them. I especially loved seeing Diana’s friendship with Lady Regina, a wealthy heiress whose reputation had been tarnished as a much younger woman. Through their new sense of confidence and empowerment, Regina is able to right some old wrongs and realize that she is in fact as entitled to happiness as anyone else.

I picked up this book with a little bit of hesitation, as I didn’t love Mr. Malcolm’s List quite as much as I’d hoped to… and so I was incredibly happy to discover how much I enjoyed spending time with Diana, Regina, and the Ladies of the Registry.

I tore through The Ladies Rewrite the Rules in a little more than a day, and found myself smiling and laughing throughout. If you enjoy a good Regency tale with a slightly unconventional twist, be sure to check this book out!

Book Review: A Grave Robbery (Veronica Speedwell, #9) by Deanna Raybourn

Title: A Grave Robbery
Series: Veronica Speedwell, #9
Author: Deanna Raybourn
Publisher: Berkley
Publication date: March 12, 2024
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Veronica and Stoker discover that not all fairy tales have happy endings, and some end in murder, in this latest historical mystery from New York Times bestselling and Edgar Award–nominated author Deanna Raybourn.

Lord Rosemorran has purchased a wax figure of a beautiful reclining woman and asks Stoker to incorporate a clockwork mechanism to give the Rosemorran Collection its own Sleeping Beauty in the style of Madame Tussaud’s. But when Stoker goes to cut the mannequin open to insert the mechanism, he makes a gruesome discovery: this is no wax figure. The mannequin is the beautifully preserved body of a young woman who was once very much alive. But who would do such a dreadful thing, and why?

Sleuthing out the answer to this question sets Veronica and Stoker on their wildest adventure yet. From the underground laboratories of scientists experimenting with electricity to resurrect the dead in the vein of Frankenstein to the traveling show where Stoker once toured as an attraction, the gaslit atmosphere of London in October is the perfect setting for this investigation into the unknown. Through it all, the intrepid pair is always one step behind the latest villain—a man who has killed once and will stop at nothing to recover the body of the woman he loved. Will they unmask him in time to save his next victim? Or will they become the latest figures to be immortalized in his collection of horrors?

Veronica Speedwell is back! This outing — another potentially deadly investigation with her lover and partner Stoker — provides everything fans of this series love: Dastardly deeds, scheming scientists, Victorian scandal, and lots of sexy bantering.

As she and Stoker happily work on their ongoing commission to catalog and restore their patron Lord Rosemorran’s vast collection of natural wonders, a new challenge comes their way. Lord Rosemorran has purchased a waxwork of a lovely young woman, and to entertain his rambunctious youngest daughter, wants Stoker to add a mechanical element to give the illusion of breathing, as seen in a famous attraction at Madame Tussaud’s.

The promise of a new case to investigate becomes apparent once Stoker starts his work and discovers that this is no waxwork, but the meticulously preserved body of a young woman who was once very much alive. But who was she, and how did she come to be in this condition?

The more Veronica and Stoker learn, the more questions arise. It appears that this may be the body of a young woman who was found drowned in a river some fifteen years earlier, but that fact does not provide clues to her identity or shed light on the mystery of how such an impeccable work of preservation was carried out.

The details of their investigation are as delicious as readers can rightfully expect in this series, as we descend into worlds of mortuaries, mad scientists, and questionable examples of *ahem* anatomical study aides.

Through it all, Veronica and Stoker remain as wonderfully intertwined and perfectly in tune as ever, enjoying their restorative bouts of “congress” (as Veronica calls it) while also engaging as equal partners at a time when women are expected to be submissive.

It has been my experience that the male of the species, though often thoroughly illogical, can — when encouraged to sit quietly and think hard — be guided into a position of sense.

Veronica defers to no one and never backs down. She’s a smart, confident woman of science, and demands to be treated as such at all times. She never hesitates to call Stoker out, including his tendency toward anti-social behavior:

“Thanks to you, I speak to entirely too many people, entirely too often.”

“Exactly. You were practically a hermit when I met you.

“I was not a hermit,” he said through gritted teeth. “I was a professional man with work that I was actually permitted to do rather than being dragged into murder investigations because I had not yet met a woman whose very raison d’être seems to be falling over dead bodies.”

Author Deanna Raybourn seems to be having oodles of fun with these stories and characters. Her descriptions sparkle, and the quips, insults, and banter fly with zingy style. Even little throwaway lines are pure delight:

“That is the most preposterous load of plangent poppycock I have ever heard.”

I do hope she’ll continue writing Veronica Speedwell stories for many years to come. Each year’s new installment is something to savor… but sadly, they’re such fast, absorbing reads that I come to the end almost too quickly. And now, it’s another long year of waiting for the next adventure!

I’ll wrap up with words borrowed from my reviews of earlier books in the series:

If you haven’t yet had the pleasure, start with book #1, A Curious Beginning. There’s a very good chance you’ll want to continue!

This series has become one of my favorites. Don’t miss it.

Book Review: Expiration Dates by Rebecca Serle

Title: Expiration Dates
Author: Rebecca Serle
Publisher: Atria
Publication date: March 19, 2024
Length: 272 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

Being single is like playing the lottery. There’s always the chance that with one piece of paper you could win it all.

From the New York Times bestselling author of In Five Years and One Italian Summer comes the romance that will define a generation.

Daphne Bell believes the universe has a plan for her. Every time she meets a new man , she receives a slip of paper with his name and a number on it—the exact amount of time they will be together. The papers told her she’d spend three days with Martin in Paris; five weeks with Noah in San Francisco; and three months with Hugo, her ex-boyfriend turned best friend. Daphne has been receiving the numbered papers for over twenty years, always wondering when there might be one without an expiration. Finally, the night of a blind date at her favorite Los Angeles restaurant, there’s only a Jake.

But as Jake and Daphne’s story unfolds, Daphne finds herself doubting the paper’s prediction, and wrestling with what it means to be both committed and truthful. Because Daphne knows things Jake doesn’t, information that—if he found out—would break his heart.

Told with her signature warmth and insight into matters of the heart, Rebecca Serle has finally set her sights on romantic love. The result is a gripping, emotional, passionate, and (yes) heartbreaking novel about what it means to be single, what it means to find love, and ultimately how we define each of them for ourselves. Expiration Dates is the one fans have been waiting for.

Expiration Dates is going to be tricky to discuss, and I’ll issue some general advice up front: Read reviews with caution. There’s something that gets revealed in the second half of the book that changes how readers understand everything that’s come before… and I really don’t think more than that should be said about it. If you’re reading a review that’s heavy on plot details or seems primed to disclose secrets — well, my advice is to stop reading!

That said, here’s what I can share about this novel. The main character is Daphne, a woman in her early 30s who enjoys her career as assistant to a powerful Hollywood producer. Born and raised in LA, Daphne loves her city and her parents, who live close by. She’s frustrated by her love life, and is still searching for a relationship that lasts, especially since she always knows exactly how long any given man will stay in her life.

Since childhood, Daphne has received random pieces of paper — sometimes tucked under her door, sometimes dropped next to her or handed to her by a stranger — with a name and a length of time written on it. The name is the person she’s currently dating or about to start dating, and the length of time is how long the relationship will last. Sometimes it’s just one night; sometimes it’s long enough that Daphne can even forget about the note and start feeling like it’s forever.

But until Jake, she’s never received a paper without a time frame. Does the fact that his note just has his name mean that he’s the one who’ll last? Is she about to go on a first date with her forever partner?

That’s a lot to swallow, and while this is the sort of magical element that we readers are supposed to just accept as fact, I never quite could. There’s no explanation, no source, no deep secret here. Daphne gets these pieces of paper that provide relationship expiration dates, period. If you find yourself scoffing at the very concept, then this probably isn’t the book for you.

Despite my skepticism, I stuck with Expiration Dates, and had a mixed experience. There are ultimately two competing stories going on (I won’t say why), and they don’t actually serve each other very well. The book I thought I was reading turned out to be something else, and to me, it feels as though the book is both trying to do to much and trying to have it both ways.

The unexplainable magical element actually undercuts some of the more serious developments and themes, unfortunately, and kept me from fully embracing the emotions and thoughtfulness of the plot.

At the same time, I did find Daphne’s contemplation of fate and self-fulfilling prophecy very interesting. Do her relationships end because they’re meant to? Meaning, it’s all out of her hands, and this is what the universe is dictating? Or, does she actually contribute to these relationships failing? If she knows ahead of time that she only has three months with someone, does she essentially give up or not invest enough of herself to make it work, since it’s beyond her control anyway?

Expiration Dates poses some interesting questions, but ultimately I did not feel especially invested in the romantic outcome, especially given how obvious it seemed to me. Daphne is a character whom I enjoyed getting to know, but the men in her life never feel fully formed, so truly caring about the various relationships is challenging.

Overall, this is a quick read that offers light entertainment, but doesn’t truly achieve the depth I think it’s aiming for. The magical element may be what differentiates the plot, but I think I would have been more interested in Daphne’s story without it, especially given the (no spoilers!) developments later in the book.

Book Review: Aftermarket Afterlife (InCryptid, #13) by Seanan McGuire

Title: Aftermarket Afterlife
Series: Incryptid, #13
Author: Seanan McGuire
Publisher: DAW
Publication date: March 5, 2024
Length: 368 pages
Genre: Urban fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Seanan McGuire’s New York Times -bestselling and Hugo Award-nominated urban fantasy InCryptid series continues with the thirteenth book following the Price family, cryptozoologists who study and protect the creatures living in secret all around us

Mary Dunlavy didn’t intend to become a professional babysitter. Of course, she didn’t intend to die, either, or to become a crossroads ghost. As a babysitting ghost, she’s been caring for the Price family for four generations, and she’s planning to keep doing the job for the better part of forever.

With her first charge finally back from her decades-long cross-dimensional field trip, with a long-lost husband and adopted daughter in tow, it’s time for Mary to oversee the world’s most chaotic family reunion. And that’s before the Covenant of St. George launches a full scale strike against the cryptids of Manhattan, followed quickly by an attack on the Campbell Family Carnival.

It’s going to take every advantage and every ally they have for the Prices to survive what’s coming—and for Mary, to avoid finding out the answer to a question she’s never wanted to know: where does a babysitting ghost go when she runs out of people to take care of?

In the 13th installment in the weird and wonderful world of Seanan McGuire’s InCryptid series, the Price-Healy family is back… and things are not going well at all.

My recap from the previous book in the series still holds true:

The InCryptid series is a big, sprawling, interconnected story about the varied and sundry members of the Price/Healy clan — humans (mostly) who specialize in cryptozoology, the study and preservation of non-human people who live among us here on Earth. The arch-enemies of the Price gang (and all non-human species) is the Covenant, a powerful organization dedicated to hunting down and eliminating all cryptids — ostensibly to protect humans, but really, at this point, it’s more from deeply ingrained hatred and a desire to rid the world of everything non-human.

The series covers a lot of ground, and as it’s progressed, different family members have had the starring roles in different books. We’ve had books mainly focused on siblings Verity, Alex, and Antimony, and also their cousin Sarah, and their grandparents Alice and Thomas, but Aftermarket Afterlife is the first book where the family babysitter, Mary Dunlavy, is in the central role.

Up to now, Mary has been a featured side character, always present one way or another in the family’s lives, but usually never in more than a few key scenes from book to book. In Aftermarket Afterlife, we’re finally able to experience the Price-Healy clan through Mary’s eyes, and it’s a fascinating journey.

Mary died about a hundred years earlier, but that hasn’t stopped her from carrying out her duties as the family’s babysitter. She may be a ghost, but she’s good at her job! By appearance, she’s a teen girl (with startling white hair and eerie eyes), and her afterlife’s purpose is caring for the children of the Price family… even when those children are now fully grown and have children of their own. Mary can assume solid form (so she can tend the children in her care), but can also discorporate to pass through other dimensions. Most important among her ghostly abilities, she can hear when one of her children calls for her no matter where they are, and can instantly blink out from wherever she is and appear by their side.

In Aftermarket Afterlife, the Covenant is amping up their attacks on cryptid locations in North America, zeroing in on known and suspected allies of the Price clan. It’s only a matter of time before they find the family’s secret compound outside of Portland. The Prices are seemingly outnumbered, but they don’t give up easily, and soon Mary becomes essential to the family’s plan to take the fight to the Covenant.

“Hi. I’m the babysitter. And you scared my kids.”

This book starts a bit slowly, as Mary blips from one point to another, gathering intel and figuring out where everyone is. Pretty much all the family members we’ve come to know over the course of the series show up in this one, so there’s a lot of setting the scene before the action before more sharply focused. By the midpoint, however, it’s full speed ahead. The family suffers some tragic losses, and as they’re left reeling, Mary’s role as caregiver becomes even more important.

I do love this series, although thirteen books in, there is a LOT to remember and keep track of. As the various characters have changed and evolved over the series, and different higher powers have come and gone, the underlying mythology has gotten even more complicated.

“I liked it better when we weren’t all wrapped up in gods and weird divinities,” said Sam.

Honestly, same. There are more godly beings affecting the world of the Incryptid series, and it can be a little mind-boggling at times.

Aftermarket Afterlife is a particularly entertaining outing — I really enjoyed Mary as narrator. Her worldview, as a ghost, is of course quite different from that of the living family members.

You might think being dead would make death easier for me to deal with. You would be so very wrong.

I won’t go too far into plot details. For those who’ve kept up with the series, you’ll want to see it unfold without knowing much in advance. For those unfamiliar with the series, this is all likely sounding like gibberish anyway!

Aftermarket Afterlife is another terrific adventure with the Price-Healy family. I loved getting to see so many of my favorite characters once again, and really enjoyed getting to know Mary so much more through this story. The book ends with the family essentially in the middle of a war against the Covenant, and I can’t wait to see what happens next.

As with other books in the Incryptid series, this one includes a novella at the end, Dreaming of You in Freefall, which takes place shortly after the events of Aftermarket Afterlife. There’s absolutely nothing I can say about it without divulging a major spoiler from the main book — but trust me, it’s a really good one, and you’ll want to read it right away.

The Incryptid series is not one to jump into at a random point. There’s so much backstory to learn, so many family members, and so many types of cryptids, as well as an overarching plot that’s been building from the beginning of the series. I do hope more people will read the Incryptid books… but if you do decide to give them a try, start with book #1, Discount Armageddon.

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Book Review: The Warm Hands of Ghosts by Katherine Arden

Title: The Warm Hands of Ghosts
Author: Katherine Arden
Publisher: Del Rey
Publication date: February 13, 2024
Length: 336 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

During the Great War, a combat nurse searches for her brother, believed dead in the trenches despite eerie signs that suggest otherwise, in this hauntingly beautiful historical novel with a speculative twist from the New York Times bestselling author of The Bear and the Nightingale

January 1918. Laura Iven was a revered field nurse until she was wounded and discharged from the medical corps, leaving behind a brother still fighting in Flanders. Now home in Halifax, Canada, she receives word of Freddie’s death in combat, along with his personal effects—but something doesn’t make sense. Determined to uncover the truth, Laura returns to Belgium as a volunteer at a private hospital. Soon after arriving, she hears whispers about haunted trenches, and a strange hotelier whose wine gives soldiers the gift of oblivion. Could Freddie have escaped the battlefield, only to fall prey to something—or someone—else?

November 1917. Freddie Iven awakens after an explosion to find himself trapped in an overturned pillbox with a wounded enemy soldier, a German by the name of Hans Winter. Against all odds, the two men form an alliance and succeed in clawing their way out. Unable to bear the thought of returning to the killing fields, especially on opposite sides, they take refuge with a mysterious man who seems to have the power to make the hellscape of the trenches disappear.

As shells rain down on Flanders, and ghosts move among those yet living, Laura’s and Freddie’s deepest traumas are reawakened. Now they must decide whether their world is worth salvaging—or better left behind entirely.

After reading and loving Katherine Arden’s Winternight trilogy, I expected great things from her new novel, The Warm Hands of Ghosts. Those expectations were met, and then some.

In The Warm Hands of Ghosts, we’re plunged into the nightmare of war through the experiences of Laura Iven, a Canadian battlefield nurse, and her brother Freddie, a soldier on the frontlines in Belgium. As the novel weaves their stories together, we’re given an up-close look at the horrors of World War I.

As the book opens, Laura is back home in Halifax in early 1918, having been discharged from the army after suffering serious injury when her hospital in Belgium was bombed. But life in Halifax is not peaceful either; shortly before the book opens, the ship explosion of 1917 (a devastating historical event — read more here) kills thousands in the city, including Laura and Freddie’s parents.

When Laura receives a package containing her brother’s bloody uniform and his ID tags, she’s thrust into even more severe grief, but feels that something’s not right. No one she writes to can tell her about his final days or provide information about what might have happened to him. When she meets a woman heading back to Belgium to organize a hospital, Laura volunteers to go along, desperate to learn more about Freddie’s fate.

Meanwhile, through alternating chapters, we learn that Freddie did survive… barely. After being trapped in a collapsed pillbox on the battlefield, he and a German soldier, Hans Winter, save one another and navigate through the hellscape of the battlefield back to the relative safety of the Allied hospital. But saving Winter makes Freddie a traitor, and he finds shelter with a strange, eerie man whose violin-playing and eerie, ornate hotel promise oblivion and escape from the war.

Soldiers exchange stories of someone called “the fiddler”, whose music both captivates and repels, and who is rumored to steal men’s souls in exchange for relief from their worst nightmares. Freddie falls under the spell of the fiddler, but as he loses bits of himself, he doesn’t find the peace he seeks. Meanwhile, Laura refuses to give up on finding the truth about her lost brother, and the siblings endure greater and greater dangers in their quest to discover one anothers’ fates.

The Warm Hands of Ghosts incorporates an other-worldly element as it examines the toll of war and horror on people’s inner selves. We see wounded and shell-shocked soldiers, people maimed or whose minds have been destroyed. Is it any wonder that they embrace the idea of a supernatural presence that feeds off souls and promises ease? As Laura ponders:

Was remembered agony better than feeling nothing at all?

That’s the crux of the dilemma facing the characters who encounter the fiddler. Life amidst the hell of war promises pain and suffering, and even out of the warzone, as Laura experienced back in Halifax, there’s no escape from the torment of memories. The characters, again and again, face this impossible decision: Give in and forget, or hold on and suffer?

They all drank. The wine was glorious. Like getting hit in the face by an ocean wave; it was a shock, then a pleasure, then a numbness.

There’s so much more to the story, of course. Underneath the horror of it all, there are strong threads of love running throughout the lives of the characters we come to know. The bonds between Laura and Freddie, Freddie and Winter, and Laura and the women she befriends are all strong, forged in a shared experience that those who haven’t been to war will never be able to fully comprehend.

Laura is a marvelous characters. As a nurse, she’s extremely brave, competent, and compassionate. She’s also damaged, both physically and emotionally, and makes decisions following her heart, even when logic would dictate otherwise. Freddie is fascinating as well — wounded to his core, suffering in his psyche from the horrors he’s both seen and inflicted, and unable to envision any sort of future for himself.

The battlefield scenes are vivid and terrible and utterly visceral. The terror and butchery are shown plainly, and the psychological toll is clear and awful to read about.

Despite the disturbing nature of reading about World War I battlefield experiences, I was struck over and over again by how beautiful Katherine Arden’s writing is. Little phrases and moments would catch my attention from time to time, just because I so admired the words and sentences.

London felt like limbo to her, the glittering center of the modern world become merely the war’s antechamber.

I would imagine that the supernatural element might not work for every reader, particularly for those who pick up The Warm Hands of Ghosts looking for a more traditional historical fiction reading experience. (Then again, the title does have the word ghosts in it, so it’s not like the supernatural piece is hidden in any way.) For me, I found The Warm Hands of Ghosts a powerful, sad, evocative book, and it’s fully deserving of a 5-star rating. Highly recommended.

Book Review: The Frame-Up by Gwenda Bond

Title: The Frame-Up
Author: Gwenda Bond
Publisher: Del Rey
Publication date: February 13, 2024
Length: 352 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2 out of 5.

A magically gifted con artist must gather her estranged mother’s old crew for a once-in-a-lifetime heist, from the New York Times bestselling author of Stranger Suspicious Minds.

Dani Poissant is the daughter and former accomplice of the world’s most famous art thief, as well as being an expert forger in her own right. The secret to their success? A little thing called magic, kept rigorously secret from the non-magical world. Dani’s mother possesses the power of persuasion, able to bend people to her will, whereas Dani has the ability to make any forgery she undertakes feel like the genuine article.

At seventeen, concerned about the corrupting influence of her mother’s shadowy partner, Archer, Dani impulsively sold her mother out to the FBI—an act she has always regretted. Ten years later, Archer seeks her out, asking her to steal a particular painting for him, since her mother’s still in jail. In return, he will reconcile her with her mother and reunite her with her mother’s old gang—including her former best friend, Mia, and Elliott, the love of her life.

The problem is, it’s a nearly impossible job—even with the magical talents of the people she once considered family backing her up. The painting is in the never-before-viewed private collection of deceased billionaire William Hackworth—otherwise known as the Fortress of Art. It’s a job that needs a year to plan, and Dani has just over one week. Worse, she’s not exactly gotten a warm welcome from her former colleagues—especially not from Elliott, who has grown from a weedy teen to a smoking-hot adult. And then there is the biggest puzzle of why Archer wants her to steal a portrait of himself, which clearly dates from the 1890s, instead of the much more valuable works by Vermeer or Rothko. Who is her mother’s partner, really, and what does he want?

The more Dani learns, the more she understands she may be in way over her head—and that there is far more at stake in this job than she ever realized.

I’m not entirely sure what this book was trying to be. A heist caper? A tale of generations of women with magical powers forced to serve a supernatural being? A contemporary romance, complete with love triangle? Perhaps the problem is that The Frame-Up tries to be all of these, and doesn’t quite hit the mark with any.

Dani Poissant has been estranged from her mother and her chosen family of art thieves ever since she turned her mother in to the FBI ten years earlier. Now, she lives and works alone, using her magical gifts to scam bad guys and restore a little bit of justice to their victims (and earn a paycheck for herself).

When her mother’s former associate, a mysterious man named Archer, tracks her down, she’s forced to confront her past. A billionaire art collector, who has never let anyone inside his well-named Fortress of Art, has died, and his family plans to open the collection to the public for the first time and auction it off. There’s a painting that Archer wants, and he wants Dani to get it for him.

For… reasons, Dani accepts, and heads back to her old home base to reunite with her former circle of thieves/family and plan one final heist, hoping to repair her connection to her mother and rid themselves of Archer once and for all.

I’ll be blunt. This book is a mess. Plot lines are all over the place, as is the tone. We’re supposed to feel Dani’s deep connection to the people she goes back to — Rabbit, Mia, Elliot — but none of it is fleshed out. We’re told about Dani’s thoughts and emotions, but none of it felt substantial to me.

The magical powers that enable them to control technology or create master forgeries or find anything lost are a convenient jumble, and the heist itself is nonsensical, as are the other magical art thieves who try to get in their way.

The storyline about Archer’s past with the women of the Poissant family is a little more interesting than the rest… but it doesn’t get explained until past the midway point of the book, and even then, it feels familiar. A supernatural being haunting/controlling generations of women in the same family? I could name at least two or three other books with the same theme.

Messy, jumbled plots and characters aren’t helped by messy writing. There are sentences that I had to stop and parse — just who are we talking about here? There’s even a scene where someone using an alias gets referred to by his real name — but it’s clearly not an intentional slip or a piece of the plot, just a place where more editing was needed. I can only hope that the errors and awkwardness I noticed in the ARC are cleaned up in the final published version.

I considered DNFing repeatedly throughout this book, but wanted to see it through in case something happened in the latter half to make me feel more invested. It didn’t. By the end, I was hate-reading. I was going to finish this book, dammit!

Such a disappointment. I read the author’s three previous books, which were all cheery, silly, supernaturally-infused adventure/romances. I hoped for a similar reading experience with The Frame-Up, but sadly, that was not the case.

Book Review: The Women by Kristin Hannah

Title: The Women
Author: Kristin Hannah
Publisher: St. Martin’s Press
Publication date: February 6, 2024
Length: 480 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

From the celebrated author of The Nightingale and The Four Winds comes Kristin Hannah’s The Women—at once an intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided.

Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path.

As green and inexperienced as the men sent to Vietnam to fight, Frankie is over- whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost.

But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam.

The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.

I’ll put it simply: Kristin Hannah’s new book is a stunner. In this dramatic story of a young woman’s experiences as a nurse during the Vietnam War and the wrenchingly difficult life she comes home to, we live through hell and then some with the sympathetic, compelling main character.

Frances McGrath is a child of privilege, a lovely young woman fresh out of nursing school, the daughter of a wealth family living on San Diego’s Coronado Island. She comes from a family of military heroes — her father even has a “hero wall” in his study, with framed photos of the generations of men who served their country. That’s right — men. It’s not until her beloved only brother ships out to begin his naval tour, after a fancy family party, that Frankie realizes that women can be heroes too. Feeling a bit lost without her big brother and wanting to share some of her father’s admiration, she joins the Army Nurse Corps — the only branch that will allow a nurse with so little real-world experience to head to Vietnam.

Frankie is in for many rude awakenings, starting with her parents’ reaction. It turns out, she’s misinterpreted everything. Military service is something to be proud of only in the case of sons, not daughters. Frankie is an embarrassment, nothing more.

Still, she excels at basic training, but finds herself completely out of her depth when she arrives in Vietnam, where she quickly realizes that her quiet hospital rounds back home did nothing to prepare her for the horrors of Vietnam’s reality. Fortunately, she’s taken under the wings of her two roommates, Barb and Ethel, women whose experience and guidance help Frankie survive her first few weeks of war. Eventually, Frankie rises to the occasion, becoming a skilled, brave, and compassionate surgical nurse.

Vietnam also provides Frankie with romantic entanglements, and suffice it to say that the outcome is as tragic as you’d expect in a war zone. Frankie’s time in-country comprises the first half or so of the book. It’s harrowing, tragic, upsetting, and yet, gorgeously written. It’s so visceral that we feel we’re there with Frankie, and she herself is given space to grow, feel, and experience everything around her. Readers will walk away feeling that they truly know this person.

Frankie’s return to the States is yet another awful shock. As we know from history, returning vets were spat at, reviled, and called baby killers. Frankie is emotionally drained, distraught, and has nowhere to turn. In low moments, when she seeks help at the VA and tries to join a veterans’ “rap” group, she’s turned away by male vets who inform her that, despite what she tries to tell them, there were no woman in Vietnam.

Her downward spiral is awful, compounded by some shady people in her life, but even with the love and support of her close friends, she’s mainly alone in a very, very dark place. Frankie’s experiences are heartbreaking. Even as we see her making terrible decisions and using very bad judgment, we can sympathize and understand how hopeless and out of place she feels.

It’s probably obvious that The Women is not an easy book to read, but it’s absolutely worth the emotional investment. The writing is fantastic, descriptive and personal while also plunging us headlong into the scenes of wartime hell — but what really elevates this book is the in-depth look into the heart and soul of such a fascinating and complex woman.

The Women is also quite informative, relaying the experiences of women serving in Vietnam in a way that doesn’t often get the spotlight. The author’s notes at the end are very helpful, as are the reference books and additional sources she lists. (In fact, one of the books she recommends is A Piece of My Heart: The Stories of 26 American Women Who Served in Vietnam, which I read many years ago, but am now tempted to read again.)

The book also brought back memories of the TV series China Beach, which I loved… and which (sadly) does not appear to be available to stream anywhere. Bring back China Beach!

But back to The Women: It’s a beautiful, sad, disturbing, powerful read. After finishing the book a few days ago, I haven’t been able to stop thinking about it. Another don’t-miss book from a talented author — highly recommended.