Book Review: Feral Creatures by Kira Jane Buxton

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Feral Creatures
Author: Kira Jane Buxton
Publisher: Grand Central Publishing
Publication date: August 24, 2021
Length: 368 pages
Genre: Speculative fiction/ horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

In this stunning follow-up to Hollow Kingdom, the animal kingdom’s “favorite apocalyptic hero”is back with a renewed sense of hope for humanity, ready to take on a world ravaged by a viral pandemic (Helen Macdonald).
Once upon an apocalypse, there lived an obscenely handsome American crow named S.T. . . .
When the world last checked-in with its favorite Cheeto addict, the planet had been overrun by flesh-hungry beasts, and nature had started re-claiming her territory from humankind. S.T., the intrepid crow, alongside his bloodhound-bestie Dennis, had set about saving pets that had become trapped in their homes after humanity went the way of the dodo.
That is, dear reader, until S.T. stumbled upon something so rare—and so precious—that he vowed to do everything in his power to safeguard what could, quite literally, be humanity’s last hope for survival. But in a wild world plagued by prejudiced animals, feather-raising environments, new threats so terrifying they make zombies look like baby bunnies, and a horrendous dearth of cheesy snacks, what’s a crow to do?
Why, wing it on another big-hearted, death-defying adventure, that’s what! Joined by a fabulous new cast of animal characters, S.T. faces many new challenges plus his biggest one yet: parenthood. .

A quick take on this book:

I feel like I should write a proper review, but I’m not sure I have a lot to say. I absolutely loved Hollow Kingdom, which introduced us to ST and his post-apocalyptic world of rotting humans, domestic animals waiting to be freed, and tigers wandering the streets of Seattle.

In this follow up, ST is once again our narrator, with chapters narrated by whales, spiders, and cats thrown into the mix. The story picks up with ST now in Alaska, having found the last remaining MoFo (human) — a small baby girl with no one to raise her but ST and his friends. ST is determined to protect Dee no matter what, hiding her away from the world and keeping her safe — but by isolating her, is he depriving her of the ability to discover her own true nature?

Through the raucous escapades of ST and allies, the action moves from Alaskan wilderness to the Bering Sea and back to Seattle, with deeply funny and illuminating encounters with orcas and owls and polar bears along the way. But all is not well in the wild kingdom. Trees are dying, and the MoFos seem to have evolved from shambling zombies into Changed Ones — animal/human hybrids who are freakin’ scary and weird AF.

ST’s narration is fabulous as always, a mix of vulgarity, impressive vocabulary, insightful introspection, and crazy digressions. The writing in Feral Creatures veers between emotional impact and laugh-inducing craziness from moment to moment.

In a once-beautiful winery that was now a den of doom, with fur fizzed up and an arched spine, stood a domestic shorthair cat. A fire starter. The Bruce Lee of felines. A tabby that had sired an entire generation of Seattleite cats — generation FU — and was probably singlehandedly responsible for the eradication of at least one entire songbird species. There was Genghis, with greasy punk rock fur and an arthritic gait purchased at heavy discount from the Ministry of Silly Walks. There wasn’t a bison brave enough to tell him that the earth’s twirling had caught up with him.

I enjoyed a lot about this book… and yet at times, I just couldn’t wait to be done. Maybe because this is a sequel, there’s less room for surprise and delight based on the premise, and the story’s action starts to feel drawn-out and repetitive at times. Even while loving the writing, I did have to continually pull myself back from the brink of boredom when chapters went on too long, and even found myself considering DNFing at times.

I’m glad I stuck with it, though. Even when I grew tired of parts of the story, something amazing (like the arrival of a heard of musk oxen) would pull me back in.

I was experiencing acute déjà poo — the feeling that I’d heard this crap before.

Definitely read Hollow Kingdom first — but if you loved that book, then you’ll want to read Feral Creatures too. My impatience with the book may have more to do with my own reading mood than with the book itself, so take a look and see what you think!

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20Aug2021

Audiobook Review: The Stand-In by Lily Chu

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Stand-In
Author: Lily Chu
Narrator: Phillipa Soo
Publisher: Audible Originals
Publication date: July 15, 2021
Print length: n/a
Audio length: 10 hours 55 minutes
Genre: Contemporary fiction
Source: Audible Plus Catalog
Rating:

How to upend your life:
–Get fired by gross, handsy boss
–Fail to do laundry (again)
–Be mistaken for famous Chinese actress
–Fall head-first into glitzy new world
Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together.
But when a mysterious SUV pulls up beside her, revealing Chinese cinema’s golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in. The catch? Gracie will have to be escorted by Sam, the most attractive—and infuriating—man Gracie’s ever met.
If it means getting the money she needs for her mother, Gracie’s in. Soon Gracie moves into a world of luxury she never knew existed. But resisting Sam, and playing the role of an elegant movie star, proves more difficult than she ever imagined—especially when she learns the real reason Fangli so desperately needs her help. In the end, all the lists in the world won’t be able to help Gracie keep up this elaborate ruse without losing herself… and her heart.

The Stand-In is an Audible Original in which an ordinary woman suddenly gets the chance to experience the lifestyles of the rich and famous. It’s a fun Cinderella story, but it helps to suspend disbelief A LOT to truly enjoy it.

When we meet Gracie, she has a job she hates thanks to a boss who sexually harasses her constantly — but rather than making a fuss or going to HR to report him, Gracie tries even harder to blend into the background, dressing dully and using makeup that’s neutral and not the least bit eye-catching. Gracie’s mother, a Chinese immigrant to Canada, drilled into Gracie’s head that she should always try to fit in, not stand out.

But when Gracie is mistaken for Chinese actress Wei Fangli in a coffee shop, her world changes dramatically. Caught on camera by a paparazzo on a day when she’d called in sick, Gracie is fired by her creepy boss and plunges into despair. How will she afford the nursing home her mother needs if she has no income? With her mother’s dementia steadily progressing, Gracie feels the pressures mounting, and none of her daily planners and apps seem to help her get her life under control. (Remember the bit about the planners — this is important later.)

Gracie is approached by Wei Fangli and her super-hot costar Sam Yao with a proposition: Because of their similar looks, Fangli wants to hire Gracie — for a huge amount of money — to be her public double. Gracie will dress and act like Fangli and attend social engagements in her place, allowing Fangli to just focus on her theater performances and otherwise avoid the pressure of a public life.

Against her better judgment, Gracie accepts the offer. She needs that money! But she soon learns that she likes it, too. She gets to dress in gorgeous clothes, live in a luxury hotel suite, and spend lots and lots of time with Sam. Yes, she feels guilty for essentially lying to everyone she meets as Fangli, but she keeps reminding herself that she’s doing it for her mother.

The Stand-In is a fun fairy tale of a story, with echoes of The Prince and the Pauper too. Wouldn’t every “ordinary” person love the chance to walk in a celebrity’s (high-priced designer) shoes? I wouldn’t say the plot is believable — I mean, they can’t really be that identical, can they? But it’s certainly amusing to see Gracie trying to master the art of posing on a red carpet, being photographed from every angle, and speaking as if she’s used to being the center of attention.

There are some interesting ideas too about public personas and what it means to always be on, especially as compared with someone like Gracie who’s been taught all her life not to make waves. Additionally, Grace is a biracial woman living in Toronto who doesn’t speak Mandarin, yet is impersonating a Mandarin-speaking Chinese actress and is also trying to connect with a mother who slips more and more into the language of her youth. Gracie has to deal with issues related to identity and race, on the one hand being seen as Chinese rather than Canadian, yet being seen by Chinese people she interacts with as not Chinese enough.

There’s also a love story, of course, and while it comes across as absolute wish-fulfillment (the sexiest man in the world falling for an ordinary woman!), it does have some very sweet moments of flirtation, sharing secrets and wishes, and making connections. Also, Sam really is a great character, and it’s easy to see how some of his big romantic gestures might make anyone with a heartbeat swoon.

I really liked Gracie’s blossoming friendship with Fangli and the ways in which they end up helping and supporting one another. I wasn’t crazy about the plotline revolving around Gracie inventing a daily planner. While I suppose the point is to show Gracie finding a way to take control of her own life and make a splash as a businesswoman, there’s too much time spent on her figuring out ways to organize her tasks and to-do lists.

Plotwise, The Stand-In really is more romantic fairy tale than real-life contemporary drama. A lot of the developments are ridiculous if you think about them too hard. If you can put aside the need to say “but this could never happen!”, it’s still a fun listen. I would also add my main quibble about the plot — the old “listening through a doorway and jumping to conclusions” romance trope. This makes me batty — a character overhears a conversation, immediately misinterprets what they hear, and then take dramatic action based on this misinterpretation. It’s just so dumb. At least verify what you think you’ve heard!! Sigh… but then where would the drama be?

In terms of the audiobook narration, it’s a treat to listen to Hamilton star Phillipa Soo. This is her first full-length audiobook — you can read more about her experience recording it here. Overall, I think she does a good job voicing the different characters and making them distinct. The one complaint I have is that in dialogue scenes, it can be hard to tell whether Gracie is thinking a response to herself or saying the response to the other person — her voice isn’t actually different for asides, so it does get confusing.

The Stand-In is an Audible Original and is available (free) as part of the Audible Plus Catalog. For those who have access, I recommend giving it a listen. The story is sweet and engaging, and despite the fairy tale-esque twists and revelations, the characters are really special and will stick with you.

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15Aug2021

Book Review: Yours Cheerfully by AJ Pearce

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Yours Cheerfully
Author: AJ Pearce
Publisher: Scribner
Publication date: August 10, 2021
Length: 304 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

London, November 1941. Following the departure of the formidable Henrietta Bird from Woman’s Friend magazine, things are looking up for Emmeline Lake as she takes on the challenge of becoming a young wartime advice columnist. Her relationship with boyfriend Charles (now stationed back in the UK) is blossoming, while Emmy’s best friend Bunty, still reeling from the very worst of the Blitz, is bravely looking to the future. Together, the friends are determined to Make a Go of It.
When the Ministry of Information calls on Britain’s women’s magazines to help recruit desperately needed female workers to the war effort, Emmy is thrilled to be asked to step up and help. But when she and Bunty meet a young woman who shows them the very real challenges that women war workers face, Emmy must tackle a life-changing dilemma between doing her duty and standing by her friends.

In this follow-up to Dear Mrs. Bird, the story of Emmy Lake continues — although Yours Cheerfully works perfectly well as a stand-alone. Emmy is a young woman who’s just learning the journalism ropes at Woman’s Friend magazine, while also juggling her wartime volunteer work as part of the fire watch, spending time with her best friend Bunty, and squeezing in precious visits with her boyfriend Charles whenever he can get leave. It’s 1941, and the war dominates every aspect of life in London.

As the story opens, the British Ministry of Information convenes a briefing for representatives of women’s magazines, urging them to do their patriotic duty by promoting recruitment of women workers to support the war effort. For Emmy, this represents a chance to advance in her journalism career, but as she visits a munitions factory as part of her research, she learns that there’s a darker side to women’s factory work: For those with small children, childcare can be difficult to impossible to find, and women who sneak their children into the factories so they can watch them face immediate firing.

Emmy learns as well that some of these women are war widows or have husbands missing in action, so that the factory work is not only patriotic, but is essential to their families’ financial survival.

Despite the magazine needing to keep up the positive portrayal of woman’s war work, Emmy can’t help feeling that she’s letting their readers down by not advocating for more attention to the needs of the workers — especially since there are supposed to be government-funded nurseries, but only if the factory owners make the effort to make the arrangements, and apparently, many of them don’t bother.

The story of the factory workers with whom Emmy becomes friends becomes a main thread of the plot of Yours Cheerfully. Interspersed with this is Emmy’s friendship with Bunty, recovering from injury and terrible loss after events in Dear Mrs. Bird, and the story of Emmy’s romance with Charles. There are sweet romantic moments, as well as a depiction of the challenges of everyday life during war and the fragility of every moment of happiness, knowing sorrow could be just around the corner.

I enjoyed Yours Cheerfully, although it starts very slowly. My interest was slow to engage, but eventually I was drawn in by the story of the factory workers, whom we come to know as individuals, each with their own backstory, and by the ups and downs faced by Emmy and Charles as they try to juggle courtship and engagement with the realization that Charles is likely to be sent overseas at any moment.

Yours Cheerfully is a quiet book — even the moments of greater action, such as a march to promote nurseries for the munitions workers, are fairly mild affairs. The characters are all lovely, but the book doesn’t build a great sense of drama or urgency. It’s a very nice read, but I can’t say I ever felt compelled by the plot or totally engrossed.

Overall, Yours Cheerfully provides a thoughtful look at women on the homefront during war, depicting the bravery embodied in carrying on during a time of heightened tragedy and crisis, and the power of friendship and joy to see the characters through the worst of times.

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13Aug2021

Book Review: She Wouldn’t Change a Thing by Sarah Adlakha

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: She Wouldn’t Change a Thing
Author: Sarah Adlakha
Publisher: Forge Books
Publication date: August 10, 2021
Length: 304 pages
Genre: Contemporary fiction/time travel
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Sliding Doors meets Life After Life in Sarah Adlakha’s story about a wife and mother who is given the chance to start over at the risk of losing everything she loves.
A second chance is the last thing she wants.
When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband, daughters, and unborn son.
But she also knows that, in only a few weeks, a devastating tragedy will strike her husband, a tragedy that will lead to their meeting each other.
Can she change time and still keep what it’s given her?
Exploring the responsibilities love lays on us, the complicated burdens of motherhood, and the rippling impact of our choices, She Wouldn’t Change a Thing is a dazzling debut from a bright new voice.

In She Wouldn’t Change a Thing, time travel is less a fantasy element and more of a nightmarish trap that sends a person back into their own earlier life.

Maria is close to her due date for her third child, married mostly happily but also incredibly frazzled, mother to two adorable daughters, and a successful psychiatrist, when a strange new patient shows up in her office. Sylvia comes with disjointed warnings and rambles on about having a purpose. She gives Maria a warning about her own life, and tries to gain Maria’s understanding — but Maria naturally sees Sylvia as delusional and offers medication and follow-up visits.

Later, Maria learns that Sylvia has killed herself, and has left a note for Maria. She can’t shake Sylvia’s words, and despite knowing she should ignore the warning, follows up. I won’t go into details on what happens next, but after a terrible encounter, Maria wakes to find that she’s back in her childhood home, in her 17-year-old body.

Completely frantic, Maria’s parents believe she’s having a breakdown, and Maria soon finds herself confined to a psych ward. Maria knows that she’s not schizophrenic, but who would believe a teen girl who claims to be a pregnant 39-year-old needing to return to her husband and children?

Time travel in this book, as we learn, is typically triggered by a death or a violent event which propels the person back to an earlier point in their lives — with a purpose. There’s something they have to accomplish, and it’s typically at great cost. For Maria, once she realizes her purpose, there’s an understanding that accomplishing her purpose will change events so completely that she and her husband will never meet. And while she thinks she may have a way to get back to her own life, it would mean ignoring this purpose, and ignoring the chance to save an innocent life. She has to decide — does she give up her “real” life to do the right thing, or put her need to be back with her family above everything else?

I’m a fan of well-conceived time travel plots, and can even accept far-fetched scenarios — but something about this concept of being sent back with a purpose really set my nerves on edge. I suppose if you believe in higher beings and deities and predestination, maybe this might be more appealing, but for me, it just smacks of quasi-religious mumbo jumbo.

There’s no good “why” to all of this. Okay, fine, there’s a purpose… but why these people and not others? Why doesn’t every unfair death get deleted and reversed? Why isn’t the world overrun with people from the future?

In Maria’s story, there are overlaps and revisions in her life, and we see characters from her own time transformed and changed by the actions she takes once she goes back. Some of the convergences are interesting, but for the most part, most of this plot felt forced and illogical to me.

As I said, I love a good time travel story. Sure, I can buy the idea of a woman wandering into a stone circle and being transported 200 years back in time (as happens in a certain favorite series…), but in She Wouldn’t Change a Thing, the mechanics and reasons and the higher purpose elements of the story just didn’t work for me at all.

Beyond the plot falling flat for me, the writing style is often awkward and clunky, and certain lines and stylistic choices took me right out of the plot. Overall, not a great reading experience for me… your mileage may vary.

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12Aug2021

Audiobook Review: The Road Trip by Beth O’Leary

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Road Trip
Author: Beth O’Leary
Narrators: Josh Dylan, Eleanor Tomlinson
Publisher: Berkley
Publication date: June 1, 2021
Print length: 398 pages
Audio length: 10 hours 15 minutes
Genre: Contemporary fiction
Source: Purchased
Rating:

Two exes reach a new level of awkward when forced to take a road trip together in this endearing and humorous novel by the author of the international bestseller The Flatshare.
What if the end of the road is just the beginning?
Four years ago, Dylan and Addie fell in love under the Provence sun. Wealthy Oxford student Dylan was staying at his friend Cherry’s enormous French villa; wild child Addie was spending her summer as the on-site caretaker. Two years ago, their relationship officially ended. They haven’t spoken since.
Today, Dylan’s and Addie’s lives collide again. It’s the day before Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked, and the wedding is in rural Scotland–he’ll never get there on time by public transport.
So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart–and ask themselves whether that final decision was the right one after all.

In The Road Trip, exes Dylan and Addie are forced into spending time together on a road trip from hell. In sections alternating between “Now” and “Then”, we see the awful hours spent in the car as well as flashbacks to their first days of romance — and most importantly, learn how they went from swooningly in love to completely estranged over the last few years.

Addie and Dylan first meet in the most romantic of settings, a huge villa in the south of France where Dylan is vacationing and Addie is the summer caretaker. There’s an immediate attraction, and within days they’re spending every waking moment together (as well as every night in bed together). Even when they’re joined by a swarm of Dylan’s buddies (including his posh but toxic best friend Marcus), Dylan and Addie are inseparable.

When the holidays are over, they pick up their relationship back in England, but not without hiccups. Addie is a teacher in training, and Dylan is still trying to find himself. He’s a poet, and wants to pursue a graduate English degree, but his domineering, emotionally abusive father wants him to either join the family business or be cut off entirely. On top of this, Marcus wants Dylan by his side constantly and resents Addie’s presence, and does what he can to pry the two apart.

Meanwhile, in the “now” portions of the story, the cramped Mini and its passengers encounter hazards and accidents and a variety of unfortunate escapades they make them later and later to the wedding. The upside of the crowded car and the endless hours on the road is that Dylan and Addie are literally thrown together, and are finally forced to confront the circumstances that drove them apart. Emotions run high, truths are shared, and ultimately, the couple have an opportunity to face the problems that came between them and to admit to the deep love that still exists.

The Road Trip is not nearly as light and fluffy as I’d expected it to be, but it works remarkably well. The “now” side of things is mostly light-hearted and comical — there’s spilled breast milk and a random trucker and an ill-timed pee break and a musty motel room without enough beds… not to mention a mad dash to save the bride from a stalker and getting lost in a faux castle. It can be quite silly, but the more we get to know the characters, the more endearing it all is.

In the “then” parts of the story, Addie and Dylan go through tremendous ups and downs, and these sections are much more wrenching than the “now”. The author gives a sensitive portrayal of two young adults with enormous chemistry and a deep love between them, yet shows that other people and other problems can derail even the most devoted of couples. A love story that starts in a summer villa has the feel of a perfect fantasy romance, but when it has to survive in the real world of jobs and family and unreliable friends, the fantasy elements fall away and the couple’s love faces its hardest tests.

I listened to the audiobook, and it was wonderful. There are different narrators for the Addie and Dylan sections, and can I just take a minute to fangirl over the fact that Eleanor Tomlinson narrates Addie??? Eleanor Tomlinson is the actress who played Demelza in the BBC series Poldark, and she’s wonderful. Her narration gives so much character and expressiveness to Addie. I’m not sure whether I’d have enjoyed it nearly as much in print — the narration is that good!

Overall, The Road Trip is often touching, sometimes very sad, quite a bit silly, and frequently very romantic. There’s a nice mix of serious and fun moments, and the framing of a hellish road trip works very well as a contrast to the sweetness and then sorrow of the earlier days of Addie and Dylan’s relationship.

The characters are all well-drawn and nicely detailed, from leads Addie and Dylan, to an array of supporting characters including sad-sack Rodney, unsteady and mostly unlikeable Marcus, Addie’s wild sister Deb, and the very over-the-top bride Cherry. Their banter and arguments and lighter moments feel very in tune with how they’ve been depicted, and I really enjoyed the time spent with them.

The Road Trip is a great summer read, and I especially recommend the audiobook edition. Enjoy!

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5Aug2021

Book Review: The Plot by Jean Hanff Korelitz

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Plot
Author: Jean Hanff Korelitz
Publisher: Celadon Books
Publication date: May 11, 2021
Length: 336 pages
Genre: Thriller
Source: Library
Rating:

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written–let alone published–anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then… he hears the plot.
Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker’s first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that–a story that absolutely needs to be told.
In a few short years, all of Evan Parker’s predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.
As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his “sure thing” of a novel? What is the real story behind the plot, and who stole it from whom?
Hailed as breathtakingly suspenseful, Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.

It’s not an exaggeration to say that The Plot is an unputdownable page-turner. I finished it within 24 hours — I just couldn’t stand waiting to see how it all turned out!

In The Plot, our focus is on Jacob Finch Bonner, a has-been writer who burst onto the literary scene years earlier with a well-reviewed first book, then flamed out on his second book and couldn’t even find a publisher for his third or fourth. He can’t bring himself to write, and supports himself through teaching at a mediocre MFA program that’s open to anyone who wants to write, no competitive admissions process required.

When the super obnoxious Evan Parker shows up for Jake’s class, Evan is dismissive and rude, and asserts that he’s just there to get the initials MFA into his credentials. He insists his plot is amazing, can’t fail, and will make what he writes a huge bestseller and get him a major movie deal. Jake can’t believe Evan’s arrogance, but when he finally coaxes the plot out of Evan, he has to reluctantly agree that Evan has something unique and possibly quite valuable. Of course, it’s insulting that Evan insists that it doesn’t take writing talent to make a great book — all that’s needed is a great plot, and he has one.

Years go by, and Jake supports himself through online teaching and an editing business. But when he hears that Evan has died, he’s curious about the plot of his book. Surely, if someone had published such a story, he would have known. After googling and poking around, Jake becomes certain that Evan never did write his book… and since the plot was never used and never truly left Jake’s mind, well, why not?

Jake’s book is everything that Evan knew his plot would lead to. Crib is a huge bestseller, an Oprah book, and is about to be optioned by Stephen Spielberg. But Jake’s success is disturbed when he receives an email calling him a thief. His anxiety leads him into a deeper look into Evan’s life, and the more he digs, the more he understands about how someone like Evan could have come up with this amazing plot in the first place.

I can’t go into more detail than that, because spoiling this book would be unforgivable! Suffice it to say that Jake’s investigation reveals plenty of weirdness and unexpected twists, and I found it fascinating.

The Plot gives us a lot to think about, both in terms of the book’s storyline and the suspenseful elements, but also in terms of the world and inner life of a writer. As one character points out, ideas can’t be copyrighted. So if someone has a story idea but never uses it, and someone else knows about the idea and does use it, is it stealing? On the surface, yes… maybe? Was it ethical for Jake to write a book based on a plot concept that, as far he knows, was never used and was never even written beyond the draft of a first chapter? If Jake took the story outline he heard from Evan and turned into a compelling novel, was that Jake’s work in reality? How much credit, if any, does he owe to Evan? The questions are fascinating to think about, and my feelings and opinions on these issues continued to change throughout the novel.

I did pretty much nail the biggest plot twist early on, but that doesn’t mean that I truly figured it all out. I may have had a good idea of the “what”, but the “why” and the “how” were surprising and really well put-together, and I loved all the little ups and downs of Jake’s search for the truth.

I will say that the very end was not what I expected, and I’m still struggling with it! Not because it doesn’t work — it absolutely does! But I will say that my sense of fairness feels upset. This is not the ending I wanted for the characters… but it totally works in a very creepy sort of way.

The Plot has lots of disturbing developments, but it’s not graphically violent. As I said, beyond the actual intrigue and action, I also appreciated the thoughts on a writer’s life, the highs and lows of success as an author, and the various questions brought up about who gets to tell whose stories and whether it’s true to say that each person has a story that’s uniquely theirs to tell.

I think one sign that The Plot is really well done is that even though I felt disappointed by some of Jake’s actions and decisions and what these say about his morality or lack thereof, I still rooted for him and cared enough about him to want him to find a way out of the increasingly perilous place he finds himself.

The Plot is one of the buzziest books this summer, and with good reason. It’s a fast, engrossing story that kept me hooked until the very end. Check it out!

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25Jul2021

Book Review: The Final Girl Support Group by Grady Hendrix

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Final Girl Support Group
Author: Grady Hendrix
Publisher: Berkley
Publication date: July 13, 2021
Length: 352 pages
Genre: Horror
Source: Purchased
Rating:

A fast-paced, thrilling horror novel that follows a group of heroines to die for, from the brilliant New York Times bestselling author of The Southern Book Club’s Guide to Slaying Vampires.
In horror movies, the final girl is the one who’s left standing when the credits roll. The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?
Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she’s not alone. For more than a decade she’s been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette’s worst fears are realized–someone knows about the group and is determined to take their lives apart again, piece by piece.
But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

The Final Girl Support Group is set in our contemporary world, but with one key change: Remember all those slasher movies of the 80s and 90s? The ones where seemingly unstoppable madmen stalk groups of victims through the woods or at summer camps, using increasingly bizarre weapons to kill and kill and kill? In the world of The Final Girl Support Group, those movies are film adaptations of real-life murder sprees. The surviving Final Girl of each horrific act of murder sells her franchise rights, and the film versions make them into pop culture superstars… and highly scrutinized attractions for all sorts of stalkers and murder fans and other dangerous folks.

As the book opens, the support group is meeting, although after 16 years, it’s unclear to some of the members why they continue to meet. Nothing changes, and they devolve into bickering, yet they all need the group in their lives. For the women in the group, their lives after their incidents have taken different paths, yet none can be said to be truly healthy or normal. One woman is a junkie, one married for wealth and lives a pampered life surrounded by security walls and cameras, one, confined to a wheelchair, is a political activist, and our narrator Lynnette lives a life of absolute paranoia and devotion to safety. Only Dani, living in a long-term relationship on a remote ranch, and Adrienne, who runs a camp for victims of violence at the same site where she was once a Final Girl, seem to be anywhere close to living truly fulfilled lives.

When Adrienne fails to show for group the day after news coverage shows a new massacre at her camp, the group is fearful and soon learns the worst — Adrienne has been tracked down and murdered. They all flee, each seeking some form of safety. For Lynnette, she knows in her bones that nowhere is truly safe. She has countless escape routes and backup plans, but when all fail her, she has to go on the run and start to rely on people besides herself, something she’s never been willing to do.

The Final Girl Support Group is a horror story in which we learn, in bits and pieces, about the horrific scenes of violence that each of these women survived as young girls. It’s also a story of escape, with a road trip thrown in, and a story of friendship and connection, as this group of women — who have only their victimhood in common — are thrown together despite mistrust and even outright dislike to try to defeat the ultimate bad guy.

I tore through the book pretty quickly, but I’m not sure that it truly worked for me. The story is somewhat disjointed — we learn about each woman’s particular horror story over the course of the novel, but having the details doled out as they were kept me from truly understanding their experiences as we meet them. I never felt particularly connected to some of the characters, and actually found it confusing to keep them all and their particular traumas straight.

Lynnette is fascinating, although being inside her mind can be exhausting. I wish we’d learned more about her awful history earlier in the book as well. There seem to be a lot of barriers before I could feel like I had a good grasp on who she is and, more importantly, what happened to make her the way she is.

The book includes media snippets in between chapters, talking about the Final Girl movie phenomenon or including excerpts of articles about the girls or pieces of their police interrogations. These are fun, but again, something about the pacing and the way information is included made the overall narrative feel confusing to me.

I did really like the overall concept — that slasher movies are basically depictions of real events, and that certain franchises get sequels because in their real lives, the bad guys keep coming back, over and over and over. For a Final Girl, it’s never really over.

The Final Girl Support Group builds to a fast-paced, dramatic sequel that feels worthy of a scary slasher movie scene all its own.

I’ve read most of Grady Hendrix’s other novels (there just one I still need to read!), and I’ve loved them all so far. He writes bizarre, quirky, weird horror, and it’s usually right up my alley. The Final Girl Support Group didn’t quite work for me the same way his other books have. I got caught up in the story, but always felt like I was missing something. I recommend it, but not quite as much as, for example, Horrorstor or The Southern Book Club’s Guide to Slaying Vampires.

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22Jul2021

Book Review: Any Way the Wind Blows (Simon Snow, #3) by Rainbow Rowell

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Any Way the Wind Blows (Simon Snow, #3)
Author: Rainbow Rowell
Publisher: Wednesday Books
Publication date: July 6, 2021
Length: 579 pages
Genre: Young adult fantasy
Source: Purchased
Rating:

In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong.
In Any Way the Wind Blows, Simon and Baz and Penelope and Agatha have to decide how to move forward.
For Simon, that means deciding whether he still wants to be part of the World of Mages — and if he doesn’t, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she’s smuggled an American Normal into London, and now she isn’t sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough.
Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet.
This book is a finale. It tells secrets and answers questions and lays ghosts to rest.
Carry On was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings. About catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.

Note: I’ll try not to be too spoiler-y about Any Way the Wind Blows, but since this is the 3rd book in a trilogy, there will be spoilers for the first two books. You have been warned!

In Carry On, we meet Simon Snow, the most powerful magician of his generation. Simon is the Chosen One, the boy destined to save the World of Mages from its most dastardly threats. Carry On is very much a Harry Potter-esque story — Simon is an orphan, brought to Watford, England’s school of magic, and nurtured as the protégé of the Mage, the school’s powerful, dashing headmaster who exerts influence over all elements of the magical world.

But what would have happened to Harry Potter if, rather than killing the evil Lord Voldemort, he grew in power only to discover that his beloved mentor Albus Dumbledore was actually the villain, set on gathering all power for himself and bending the magical world to his own wishes? This is more or less where Simon finds himself at the end of Carry On. He and his friends confront the greatest evil, ready for the ultimate showdown, only to discover that it’s the Mage himself who’s behind all the bad. And then, inadvertently, Simon kills him.

The end.

But what happens to Simon next? What happens after you face your biggest foe and win, but cause death and the end of the life you knew?

In Wayward Son, Simon and his friends go on a roadtrip in America, experiencing challenges and dangers and adventure, while also giving Simon time to process how very upended his life has become. It’s very action-packed, and there isn’t a whole lot of time for contemplation.

But in Any Way the Wind Blows, back in England, it’s time to confront their futures. For Simon, he’s finally romantically involved with Baz, who was his nemesis and awful roommate during their years at Watford, only to eventually realize that beneath their mutual distrust and dislike was a simmering attraction and depth of feelings. For Simon’s bestie Penelope, she’s ready to resume being the cleverest magician around, except she’s brought a Normal (Muggle) back from American on a mission to cure him of a demonic curse — and as a result, has to not only put all her magical skills to the test, but also challenge magical society’s prejudices about non-magical people. And for Agatha, Simon’s former school girlfriend, she has to find a way to make sense of her life apart from being the beautiful girl always being rescued by Simon.

They all have a lot to deal with, clearly.

Simon suffers the most of all of them. At the end of Carry On, he lost all his magic, but ended up with dragon wings and a tail. He’s madly and passionately in love with Baz, and they’re trying to have a relationship, but at the same time, Simon absolutely doesn’t know how to be intimate or open with another person. It’s not just about physical intimacy — he loves Baz and knows that Baz loves him, but he has literal panic attacks when they get too close. Simon has spent his early life in foster homes, has no family, and has spent his formative years being a savior. What does he do when he has no magic, can’t save anyone, and no longer belongs in the world he thought he was meant to save? And how does he let Baz in when he doesn’t understand himself or who he is?

Simon and Baz’s relationship has ups and downs throughout the book, and parts are painful to read. They’re awkward, and Simon is so clearly suffering. He’s so full of want, but also so fearful, and he just doesn’t know how to be. Baz is absolutely lovely with Simon, even as he also learns more about his own (vampiric) nature and what that might mean for the rest of his life.

To be honest, while I wasn’t exactly bored at any point, I did find Penelope and Agatha’s storylines less interesting than Simon and Baz’s, and since the book alternates focus between the characters from chapter to chapter and section to section, I was always a little reluctant to move away from the main points of interest to delve into the supporting plotlines.

At almost 600 pages, this book is much longer than the previous one, and while I loved it as a whole, I think a large part of that is due to how much I love the characters. When you read a long, involved series, the characters can become more than just people on a page — or at least, that’s true for me when reading really excellent stories with amazing world-building and character development. It’s something of a double-edged sword though, because I become so invested in the characters I love that I don’t particularly want any plot points to get in the way of their happiness… which wouldn’t lead to a very interesting story.

In the case of Any Way the Wind Blows, this means that I was unhappy whenever Simon and Baz were unhappy, even if their unhappiness was part of their journey toward finding their way forward in their relationship. (If I’m making any sense at all…)

In terms of the plot, I enjoyed a lot of this book, although the overarching mystery/drama about the rise of a new Chosen One didn’t particularly resonate for me. There were things I was hoping would happen by the end of the book that didn’t (being cryptic here), and even though that’s hard for me to accept, it makes sense. At the same time, I felt unsatisfied by the lack of answers to certain questions, and felt that the story just kind of ended. There’s an epilogue that gives a lovely ending situation to one character, but it’s a year after the main events of the book… so what happened to everyone else and where are they now??

I love the Simon Snow books as a whole, and I love Simon and Baz so much (and yes, even Penelope and Agatha)… but I wish I’d felt a little more fulfilled when all was said and done. I may need to let this one simmer for a bit and come back to it again, to see if my feelings change over time.

Meanwhile, I think I’ll go back and listen to Carry On all over again, to revisit the origin story with full knowledge of how it all turns out. Carry On is an introduction to a trilogy that — with Wayward Son and Any Way the Wind Blows — ends up not being about a powerful magician in a magical world, but what happens to a formerly powerful magician who doesn’t fit in in any world.

Overall, it’s a fabulous journey with characters who can make my heart happy and also break it into pieces. Come for the magic wands, stay for the Simon and Baz lovefest. And Agatha. And goats (yes, really). And even Penelope and her Normal. As a whole, I heartily recommend the Simon Snow trilogy. It’s not what it seems like it’s going to be, but what it is is very, very cool.

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17Jul2021

Book Review: Flash Fire (The Extraordinaries, #2) by TJ Klune

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Flash Fire (The Extraordinaries, #2)
Author: TJ Klune
Publisher: Tor Teen
Publication date: July 13, 2021
Length: 368 pages
Genre: Young adult fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Flash Fire is the explosive sequel to The Extraordinaries by USA Today bestselling author TJ Klune!
Through bravery, charm, and an alarming amount of enthusiasm, Nick landed himself the superhero boyfriend of his dreams. Now instead of just writing stories about him, Nick actually gets to kiss him. On the mouth. A lot. But having a superhero boyfriend isn’t everything Nick thought it would be—he’s still struggling to make peace with his own lack of extraordinary powers.
When new Extraordinaries begin arriving in Nova City—siblings who can manipulate smoke and ice, a mysterious hero who can move objects with their mind, and a drag queen superhero with the best name and the most-sequined costume anyone has ever had—it’s up to Nick and his friends Seth, Gibby, and Jazz to determine who is virtuous and who is villainous.
And new Extraordinaries aren’t the only things coming to light. Long-held secrets and neglected truths are surfacing that challenge everything Nick knows about justice, family, and being extraordinary. Which is a lot to handle when Nick really just wants to finish his self-insert bakery AU fanfic.
Will it all come together in the end or will it all go down in flames?

I’m not sure that I can say anything more positive about this book than the fact that I WANTED TO HUG IT throughout the entire reading experience. Flash Fire is sweet and funny and adorable. It’s also a superhero story! But secret powers and daring escapades — while awesome — are really secondary to me in terms of why I love this book so much.

The heart and soul of Flash Fire (and The Extraordinaries, the first book in the series) is Nicky, the sweet, nerdy fanboy who is madly in love with his best friend Seth… who just happens to secretly be Pyro Storm, the superhero who recently saved the people of Nova City from the villainous Shadow Storm.

Now that Nick knows the truth about Seth and his superhero alter ego, he’s even more head-over-heels in love. Fortunately, Seth is just as crazy about Nicky, and the two of them are are maddeningly sweet and goofy whenever they’re together.

Gah. I can’t seem to write a single paragraph about Flash Fire without using the word sweet. Guess I should just accept it and move on.!

As Flash Fire moves forward, Nicky and Seth are starting to explore more of their physical relationship, but they can’t seem to get very far without Nick’s super embarassing yet incredibly lovable father giving them demonstrations on how to use condoms or make dental dams. It’s SO cringe-y, yet also amazing. Meanwhile, Shadow Star has been caught and imprisoned, but there’s a sense that more danger is on the way.

Nick and Seth are joined by their best friends Gibby and Jazz, and with the backing of their supportive parents, the four are on high alert for any new threats. And new threats do surface, and violence seems to stalk Nick and Seth wherever they go — and they’re also endangered by nosy, unethical reporter Rebecca Firestone, whose mission seems to be to expose Pyro Storm’s secret identity, no matter the cost.

One of my favorite YA tropes is cataclysmic events happening at prom, and Flash Fire does this to the nth degree and then some. Who doesn’t love a streamer-decorated school gym becoming the setting for a superhero showdown? The battle at prom is all sorts of awesome, and I won’t say much more about it, but you’ll love it too. Nicky’s sequined and spangled prom suit is just icing on the cake. Trust me.

This book!! HUGS HUGS HUGS. The dialogue is amazing, the writing overall is lovely and funny, the plot zips along, and there’s so much heart in it all that I can’t stop talking about how fabulous the whole thing is. Basically, rather than writing a review, I’m apparently participating in a one-woman love fest.

I’ll just wrap by sharing some great moments from the book, starting with a snippet that’s comes up a lot in the book, whenever Nicky is about to do something incredibly stupid or brave or both. (Have I mentioned that Nicky is a lot? He’s very extra.)

“Nicky, no,” they all groaned
“Nicky, yes!”

Seth was pretty much the hottest thing in existence when he wore a cravat and spoke forcefully.

“Hello, boyfriend of mine,” Nick said, and because he could, he leaned forward and kissed Seth right on the mouth. He hoped a homophobe had been watching and was now filled with so much heterosexual rage, they were choking on it.

“Yeah, no,” Gibby said. “It’s weird. What are the chances that three people we know personally ended up being Extraordinaries?”
“And they’re all gay,” Jazz said with a frown.
“Seth’s bisexual,” Nick said, because he’d be damned if he’d allow bi erasure, even in the face of all the ridiculousness.

“Quiet,” Jazz hissed at her. “We can’t interfere. We can only observe. We talked about this. You know how queer boys are in the wild. If they know they’re being watched, they get skittish and run for the forest.

He didn’t even realize he was crying until Seth said, “Hey, hey, Nicky, it’s okay. You’re okay.”
“I know,” he sobbed. “I’m pretty much the best thing ever. You’re so lucky to have me.”
“I really am,” Seth said.

So yeah. Five stars all the way!! I love this SWEET book so much, and just CANNOT WAIT for #3.

11Jul2021

Audiobook Review: Beth & Amy by Virginia Kantra

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Beth & Amy
Author: Virginia Kantra
Narrators: Janet Metzger, Brittany Pressley, Catherine Taber
Publisher: Berkley
Publication date: May 11, 2021
Print length: 348 pages
Audio length: 11 hours 8 minutes
Genre: Contemporary fiction
Source: Library
Rating:

Four sisters face new beginnings in this heartfelt modern take on Little Women by New York Times bestselling author Virginia Kantra.
Amy March is more like her older sister Jo than she’d like to admit. An up-and-coming designer in New York’s competitive fashion industry, ambitious Amy is determined to get out of her sisters’ shadow and keep her distance from their North Carolina hometown. But when Jo’s wedding forces her home, she must face what she really wants…and confront the One Big Mistake that could upend her life and forever change her relationship with Jo.
Gentle, unassuming Beth grew up as the good girl of the family. A talented singer-songwriter, she’s overcome her painful anxiety to tour with country superstar Colt Henderson. But life on the road has taken its toll on her health and their relationship. Maybe a break to attend her sister’s wedding will get her out of her funk. But Beth realizes that what she’s looking for and what she needs are two very different things….
With the March women reunited, this time with growing careers and families, they must once again learn to lean on one another as they juggle the changes coming their way.

The March Sisters audiobooks are a treat — let me tell you why! I enjoyed the first book, Meg & Jo, and I’m happy to be able to report that Beth & Amy is a worthy follow-up.

Note: While I rarely include content warnings in my reviews, I do think I need to mention that this book deals extensively with an eating disorder, so keep that in mind if that’s a triggering subject for you.

Obviously, from the title, the focus of this second book is on the two younger sisters from the world of Little Women, whose stories never get as much attention as Meg and Jo’s. Here, Beth and Amy take center stage, and it’s really fun to see author Virginia Kantra’s take on these sisters’ inner lives.

In these books, the girls are grown-ups, all in their mid-20s to early 30s. And let me just take a moment to dispel any fears, at the risk of being spoilery: Beth lives. So if you might avoid this book in order to avoid the heartbreak of Beth’s death… you’re good.

(And excuse my digression, but this seems like a good time to share one of my favorite Friends moments:)

As Beth & Amy opens, both characters seem to have achieved career success. Amy is living in New York, running her own business designing and selling fashion handbags. Orders are starting to pour in, now that a certain Duchess has been seen with one of Amy’s bags. But she’ll need to expand if she wants to really make her mark, and that’s going to take a cash infusion.

Beth is on tour with country superstar Colt Henderson, having written two songs for him that led to Grammy nominations. But she’s paralyzed by stage fright, and after a particularly awful experience, Colt sends her home to her family to recuperate. It doesn’t help that she’s in a relationship with Colt, and he seems more focused on his tour and his next Grammy than on Beth’s well-being.

The family is reunited for Jo’s wedding back in North Carolina, and it’s here that the sisters begin to reevaluate their hopes, their dreams, and what it looks like to be happy.

As in Meg & Jo, Beth & Amy is narrated in alternating chapters by different narrators, each representing one of the two sisters. This time around, their mother Abby also gets a voice, with a few key chapters of her own woven into the sisters’ story. The audiobook makes this story especially fun, and the narrators bring each character to life in a way that feels fresh and engaging.

I did really enjoy Beth & Amy. I’ve always loved Little Women, and before coming across these books, I would have had a hard time imagining that a modern-day retelling could work. The author does a terrific job of bringing the sisters’ lives and relationships into the 21st century, balancing contemporary issues with the more classic elements of the family dynamics.

I feel invested enough in Virginia Kantra’s vision of the March family at this point that I just wish there could be more! Maybe continue with retelling Little Men and Jo’s Boys next?

Final note: I think these two books are engaging enough to work perfectly fine even if you haven’t read Little Women — though of course, if you do love Little Women, these retellings will be even more fun.

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