Book Review: The Personal Librarian by Marie Benedict and Victoria Christopher Murray

Title: The Personal Librarian
Authors: Marie Benedict and Victoria Christopher Murray
Publisher: Berkley
Publication date: June 29, 2021
Length: 347 pages
Genre: Historical fiction
Source: Purchased

Rating: 3 out of 5.

The remarkable, little-known story of Belle da Costa Greene, J. P. Morgan’s personal librarian—who became one of the most powerful women in New York despite the dangerous secret she kept in order to make her dreams come true, from New York Times bestselling author Marie Benedict and acclaimed author Victoria Christopher Murray.

In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture on the New York society scene and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps build a world-class collection.

But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle’s complexion isn’t dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American.

The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths to which she must go—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.

The Personal Librarian is a fictionalized depiction of the life of historical figure Belle da Costa Greene, a powerful figure in the New York art and rare book world of the early 20th century. A novel about Belle should have been powerful, but instead, it left me cold (and very tempted to DNF).

The set-up is intriguing: Belle’s family is Black, and her father is a renowned, outspoken figure in the fight for racial equality, justice, and civil rights. Yet (according to the novel), her mother realizes that her light-skinned children will have a better shot at successful lives, free from the rampant racism, violence, and segregation of their time, if they pass as white.

From her teens onward, Belle presents herself socially and professionally as white, and uses an invented Portuguese ancestor (and the invented name “da Costa”) as a way to explain her darker complexion. She makes connections while working at the Princeton library that lead her to J. P. Morgan, whose driving ambition is to create an unrivaled personal library full of rare and valuable treasures. When he hires Belle as his personal librarian, her ascent to influence, social acceptance, and power in the world of collectors and dealers gets its start.

Belle’s story should have been fascinating, but I have a feeling I would have been better off reading a biography rather than reading this novel. Too much is invented or assumed. Belle’s internal musings on race and identity provide the background for her decisions and actions throughout the book, but given that the real-life Belle destroyed all her papers and letters before her death, we can’t actually know what she was thinking or feeling.

There’s a romance (of sorts) with a married man that lasts for years of Belle’s life, and this is documented in real life through her letters to him (which he kept, while she destroyed any letters that she’d received) — but the fictionalized version of this story makes assumptions and adds incidents that apparently are not established by more than speculation.

Beyond the question of fact versus fiction, I simply did not enjoy the writing. I felt at arm’s length from Belle throughout, and frankly, I was often bored. The writing is surface-level, jumps ahead by months at a time, and didn’t let me feel connected to Belle as a person. Her emotions are understandable only because we’re told what she’s feeling, not because they’re tangible in any way.

Reading this book made me ponder a bit too about what I appreciate in historical fiction — and what I don’t. In general, I think I appreciate historical fiction more when it focuses on ordinary/unknown people in historical settings, even up to and including brushes with or relationships with real people, rather than taking a historical figure and inventing thoughts and feelings for them that may be nothing more than speculation. I’m sure this factors into why I didn’t especially care for The Personal Librarian.

As I’ve mentioned, Belle herself seems like a fascinating historical figure. You can read more about her via the Morgan Library & Museum’s website, here. I’ve given The Personal Librarian three stars — I’m glad that this book introduced me to Belle’s life, even if it didn’t particularly work for me as a reading experience.

Book Review: The Hookup Plan (The Boyfriend Project, #3) by Farrah Rochon

Title: The Hookup Plan
Series: The Boyfriend Project, #3
Author: Farrah Rochon
Publisher: Forever
Publication date: August 2, 2022
Length: 368 pages
Genre: Contemporary romance
Source: Library
Rating:

Rating: 3.5 out of 5.

Strong female friendships and a snappy enemies-to-lovers theme take center stage in this highly anticipated romantic comedy from the USA Today bestselling author of The Dating Playbook.

Successful pediatric surgeon London Kelley just needs to find some balance and de-stress. According to her friends Samiah and Taylor, what London really needs is a casual hookup. A night of fun with no strings. But no one—least of all London—expected it to go down at her high school reunion with Drew Sullivan, millionaire, owner of delicious abs, and oh yes, her archnemesis.

Now London is certain the road to hell is paved with good sex. Because she’s found out the real reason Drew’s back in Austin: to decide whether her beloved hospital remains open. Worse, Drew is doing everything he can to show her that he’s a decent guy who actually cares. But London’s not falling for it. Because while sleeping with the enemy is one thing, falling for him is definitely not part of the plan.

The Hookup Plan is the 3rd book in a trilogy about a trio of women who meet by discovering that they’re all dating the same cheating conman, and rather than turning on each other, they connect and become best friends. And while these books are romances, the women’s friendship is the true highlight of the overarching story.

In The Hookup Plan, pediatric surgeon London Kelley is the main character. She works long, stressful days at her underfunded public hospital, and always puts her patients first. She’s kind, caring, and supportive when it comes to the children in her care, but hard as nails and not afraid to take a stand when it comes to the hospital administration.

London has had a long, dry spell when it comes to men. First of all, who has time for dating? And secondly, after the disastrous attempt at dating that led to her meeting Samiah and Taylor, London has mainly given up hope — although the three made a pact early on to eventually find boyfriends by bettering themselves. It’s worked for Samiah and Taylor — both are happily in love. For London, her “boyfriend project” goal is to find a hobby, and while she’s gotten very into crocheting, that’s not exactly improving her love life.

At her 15th high school reunion. London is annoyed to encounter Drew Sullivan, her archnemesis from way back when. She’d been clearly and comfortably #1 in her class until his arrival junior year, but from then on, the two battled for first place and ended up as co-valedictorians. For a girl whose father only paid attention when she won something big enough for him to brag about, “co”-anything just wasn’t good enough. No wonder London resented and loathed Drew as much as she did.

But, adult Drew is charming and very hot (and very rich, although London doesn’t care about that). They have a no-strings one-night-stand after the reunion, which turns into a two-night-stand… until London discovers Monday morning that Drew is also heading up the team set to audit her hospital and recommend whether or not to sell it to a private company.

As the two continue their supposedly sex-only encounters at night and interact professionally during the day, they can’t escape one another’s company, and London eventually has to admit that maybe there’s more to their connection than just the (incredibly smoking) physical relationship. Meanwhile, her hospital’s fate rests in Drew’s hands, and she has big decisions to make about her professional future as well.

I enjoyed London and Drew’s chemistry, but other pieces of the plot felt underbaked to me. Drew is a former hedge fund manager who’s worth hundreds of millions (there’s an ongoing joke about how his fancy New York apartment even has views of Central Park from the bathroom), so why is he doing hands-on work at a county hospital in Texas? His new company and his role don’t make a ton of sense to me.

As with the other books in the series, the plot points regarding the workplace and the complications there hang too heavily over the romantic elements. It’s good to see London in her element as a doctor and a leader, but certain situations (such as struggles with the hospital administration) are left hanging, or are set up but then resolved off the page.

I wished for more time with Samiah and Taylor in this book. While the women’s friendship is still the underpinning of the story, it felt as though we saw less of them in this book than in the previous two. (By the end, it’s clear that they’re both doing well, experiencing great success with the professional goals they set for themselves, and are happily in love!).

London and Drew clearly have great physical chemistry, and even though it takes a while for them to acknowledge that they’ve caught feelings too, their progression from enemies-with-benefits to true partnership and romance is well described and seems well-earned. London’s family situation gets addressed as well, and I appreciated seeing how seriously she takes her role as an older sister and her commitment to making sure her father’s young children don’t have the same sorts of trauma she’s carried with her for so long.

As a whole, I’ve really enjoyed the Boyfriend Project trilogy, and The Hookup Plan works well as a grand finale. The women’s friendship is what really makes these books special, above and beyond the fun romantic entanglements.

Interested? Check out my reviews of the previous two books in the series:

The Boyfriend Project

The Dating Playbook

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Book Review: Thief Liar Lady by D. L. Soria

Title: Thief Liar Lady
Author: D. L. Soria
Publisher: Del Rey
Publication date: July 11. 2023
Length: 416 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

“Happily Ever After” is a total scam, but at least this time the princess is the one controlling the grift–until her true love arrives and threatens to ruin the whole scheme. Intrigue, magic, and wit abound in this Cinderella fairytale reimagining, perfect for fans of Heather Walter and Naomi Novik.

I’m not who you think I am.

My transformation from a poor, orphaned scullery maid into the enchantingly mysterious lady who snagged the heart of the prince did not happen–as the rumors insisted–in a magical metamorphosis of pumpkins and glass slippers. On the first evening of the ball, I didn’t meekly help my “evil” stepmother and stepsisters primp and preen or watch forlornly out the window as their carriage rolled off toward the palace. I had other preparations to make.

My stepsisters and I had been trained for this–to be the cleverest in the room, to be quick with our hands and quicker with our lies. We were taught how to get everything we want in this world, everything men always kept for themselves: power, wealth, and prestige. And with a touchingly tragic past and the help of some highly illegal spells, I would become a princess, secure our fortunes, and we would all live happily ever after.

But there’s always more to the story. With my magic running out, war looming, and a handsome hostage prince–the wrong prince–distracting me from my true purpose with his magnetic charm and forbidden flirtations, I’m in danger of losing control of the delicate balance I’ve created…and that could prove fatal.

There’s so much more riding on this than a crown.

In Thief Liar Lady, Cinderella is a con artist, a magic wielder, and a secret agent of the rebellion. And she still manages to charm the handsome prince at the ball!

Ash Vincent, aka Lady Aislinn, has been trained all her life by her stepmother Seraphina to be cunning, heartless, and in control. She can fight, she can cast spells using the rare and expensive magical substance known as lustre, and she can weave enchantments to get her way. Everything works according to plan, and Ash wins the love of Prince Everett at the royal ball, in the process captivating the people of the kingdom of Solis through their “magical” love story.

Playing up the story of a cruel stepmother and evil stepsisters, Ash wins the hearts and minds of pretty much everyone, although Everett’s best friend, Lord Verance of the subject realm of Eloria, doesn’t seem all that impressed. Now all Ash has to do is stay in control, keep up her facade of being a demure, graceful, kind and loving lady, and within a few short months, she’ll be married and secure.

But Ash has a secret agenda, unknown to Seraphina — she’s also in this to advance the cause of the Elorian rebels, and key to their plans is Ash’s ability to influence events from within the royal household.

The deeper Ash gets, the more dangerous her schemes become, and as the royal wedding approaches, the more conflicted she feels about sacrificing her heart for the sake of her mission.

Thief Liar Lady is an engaging read, full of adventure, danger, and plotting. Unfortunately, the early chapters of the book set up the premise in a way that’s mostly just confusing — we hear a lot about lustre, about treaties, rebels, and refugees, and even about agrarian reform, of all things — but Ash’s role and her alliances don’t become clear for some time. The history between Solis and Eloria is likewise muddled, and it takes some effort to puzzle out what’s going on here — and not in the fun, “ooh, give me another clue!” sort of way, but more along the lines of “I don’t know who these people are or what they’re trying to do”.

Eventually, the pieces get (mostly) explained, and by the last third or so of the book, I felt much more invested and interested in the outcome. Still, the court politics and alliances are not always clear, the use of lustre seems haphazard, and Ash herself seems to change course or act unreasonably more often than is helpful.

Overall, I liked the book, but felt that it was much too long and could have used a lot more clarity in terms of laying out the players, the stakes, and the background. When the plot picks up, there are some exciting moments, but inconsistencies and actions that are illogical take away from the bigger-picture impact.

As a Cinderella retelling, Thief Liar Lady provides some clever twists on the story, and I enjoyed it enough to see it through, despite my reservations.

Book Review: The Seven Year Slip by Ashley Poston

Title: The Seven Year Slip
Author: Ashley Poston
Publisher: Berkley
Publication date: June 27. 2023
Length: 352 pages
Genre: Contemporary fiction/romance
Source: Purchased
Rating:

Rating: 4 out of 5.

Sometimes, the worst day of your life happens, and you have to figure out how to live after it.

So Clementine forms a plan to keep her heart safe: stay busy, work hard, find someone decent to love, and try to remember to chase the moon. The last one is silly and obviously metaphorical, but her aunt always told her that you needed at least one big dream to keep going. And for the last year, that plan has gone off without a hitch. Mostly. The love part is hard because she doesn’t want to get too close to anyone—she isn’t sure her heart can take it.

And then she finds a strange man standing in the kitchen of her late aunt’s apartment. A man with kind eyes and a Southern drawl and a taste for lemon pies. The kind of man that, before it all, she would’ve fallen head-over-heels for. And she might again.

Except, he exists in the past. Seven years ago, to be exact. And she, quite literally, lives seven years in his future.

Her aunt always said the apartment was a pinch in time, a place where moments blended together like watercolors. And Clementine knows that if she lets her heart fall, she’ll be doomed.

After all, love is never a matter of time—but a matter of timing.

An overworked book publicist with a perfectly planned future hits a snag when she falls in love with her temporary roommate…only to discover he lives seven years in the past, in this witty and wise new novel from the New York Times bestselling author of The Dead Romantics.

It’s been a while since I’ve read a really satisfying time slip novel… and The Seven Year Slip absolutely delivers.

Clementine works as a book publicist, and has plans worked out for every aspect of her life. Her aunt Analea — vibrant, spontaneous, vivacious, always provided the spark in Clementine’s life, whisking her away for world travels, ready to explore, to taste, to try, to experience. But after Analea’s death, the joy has leached out of Clementine’s life, and moving into the apartment bequeathed to her by her aunt just drives home how much she’s lost.

Until she returns home one day, not to her stacks of unpacked boxes, but to the apartment as it was during Analea’s lifetime… and with a very cute guy zipping around the place, offering to make her dinner. Iwan informs Clementine that his mother is a friend of her aunt’s, and her aunt has offered to sublet the apartment to him for the summer while she’s off on a journey with her niece — a journey which Clementine and Analea took seven years in the past.

Clementine finds herself reeling — but not entirely unprepared. After all, all her life, her aunt has insisted that the apartment is magic, and even told of her own seven-year-slip romance at a younger age. Clementine never truly believed the stories, of course, but now, the proof is right there in front of her eyes.

She and Iwan connect over food, family, and dreams, and they enjoy each other’s company immensely. Still, she knows that once she leaves the apartment, she’ll be back to her regular life, and who knows if the magic will work more than once?

The plot of The Seven Year Slip unfolds deliciously, with clues and interludes and interactions woven together to form a wonderful, romantic, hopeful whole. For Clementine, so immersed in grief and loss, meeting Iwan is the spark she needs to rediscover her creative side once again and rethink her true sources of happiness. We see the story through her POV, but Iwan is a lovely character and we get hints of what his side of this magical yet strange experience must have been.

The Seven Year Slip is best experienced without too many expectations or foreknowledge. The book zips by, and the plot threads come together in such a rich and unexpected way. The characters are engaging, and getting to see them as different versions of themselves is really a treat.

This story exists in the same world as the author’s previous novel, The Dead Romantics, but it’s not a sequel — there’s a nod to some of the people from that book, but if you haven’t read that one yet, it won’t take away from The Seven Year Slip at all. (Although, it is VERY good, so check that one out too!)

I really enjoyed The Seven Year Slip, and recommend it highly! It’s a perfect summer read, full of hope and love, friendship, family, and romance. After reading this author’s YA Once Upon a Con trilogy and now two of her adult novels, I can definitely say that Ashley Poston’s books are must-reads!

Book Review: Ravensong (Green Creek, #2) by TJ Klune

Title: Ravensong
Series: Green Creek
Author: TJ Klune
Publisher: Tor Books
Publication date: August 1, 2023 (originally published 2018)
Length: 512 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

The beloved fantasy romance sensation by New York Times bestselling author TJ Klune, about love, loyalty, betrayal, and joy. The Bennett family has a secret. They’re not just a family, they’re a pack . Ravensong is Gordo Livingstone’s story.

Gordo Livingstone never forgot the lessons carved into his skin. Hardened by the betrayal of a pack who left him behind, he sought solace in the garage in his tiny mountain town, vowing never again to involve himself in the affairs of wolves. It should have been enough. And it was, until the wolves came back, and with them, Mark Bennett. In the end, they faced the beast together as a pack… and won.

Now, a year later, Gordo has found himself once again the witch of the Bennett pack. Green Creek has settled after the death of Richard Collins, and Gordo constantly struggles to ignore Mark and the song that howls between them. But time is running out. Something is coming. And this time, it’s crawling from within. Some bonds, no matter how strong, were made to be broken.

The Green Creek Series is for adult readers.
Now available from Tor Books.

You many have seen my super-gushy lovefest review of Wolfsong, the first book in TJ Klune’s Green Creek series. You may be wondering — can she keep this up? Will she love the rest of the series, and write yet more super-gushy lovefest reviews?

Yes. Yes, I can. Yes, I will.

Ravensong picks up after the events of Wolfsong (read these books in order, my friends!), but also fills in backstory for this book’s main character, Gordo Livingstone.

We meet Gordo in Wolfsong when he befriends a young Ox Matheson, then twelve years old, abandoned by his father, and desperately lost. Gordo takes Ox in, becomes a friend and father-figure to him, and gives him connection, found family, and a place to belong.

Gordo — besides being the town mechanic — is also witch to the Bennett werewolf pack. Gordo’s magic is embedded in the elaborate tattoos that cover his arms. He’s powerful, but he also has secrets and hidden pain.

In Ravensong, we learn more about Gordo’s past and why he holds on to such bitterness toward the Bennetts. As a boy, Gordo watched his father Robert Livingstone serve as witch to the Bennett Alpha, Abel. At far too young an age, Robert and Abel tattooed the magic into Gordo, and introduced him to the world of witches and werewolves. Yet despite the pain involved, Gordo also found a home with the Bennetts, particularly with Abel’s son Thomas, next in line to be Alpha, and with Thomas’s brother Mark, a kind boy slightly older than Gordo who seemed determined to protect Gordo, even when he didn’t want protection.

After tragedy strikes, Gordo becomes the official witch to the pack — but when a fresh, devastating tragedy occurs, Gordo is left behind. He’s abandoned by the people who are supposed to be his family, and he’s left behind by Mark, who only recently declared Gordo his mate. Gordo stays in Green Creek, but he’s hurt and angry.

When the Bennetts return years later, Gordo has made a life for himself with his garage, the group of (ridiculous) guys who work there, and with Ox, his ward and son-figure. And even as he’s drawn back into the life and struggles of the pack, he never forgives them — or Mark — for the betrayal so many years earlier.

The first third or so of Ravensong gives us all of this history, which is touching and allows us to know Gordo in a different, more complicated way than in Wolfsong. For the remainder of the book, Gordo is deeply enmeshed in the pack’s looming battle against dangerous enemies who seek to destroy the Bennett pack once and for all. The danger strikes deeply at the foundations of the pack, and Gordo’s magic is one of the few defenses and remedies the pack has against a threat that’s seemingly impossible to overcome.

What can I say about Ravensong? I felt completely invested in the well-being of the Bennetts and their pack, to the point that I just wanted everyone to be happy and healthy and not be in danger (although that would rule out about 50% of the plot of the book). These characters are all so wonderfully written, and it’s easy to love them all. Can I help it that I’m an emotional wreck when I see character I love suffering? And they do suffer in Ravensong, unfortunately.

Despite its 500+-page length, Ravensong moves quickly. There’s barely time to catch your breath from one dramatic moment to another. And yet, despite how much action there is, there are also beautiful moments of romantic and familial love.

And lest you think everything is completely dire — there are also hilariously funny scenes, especially when the humans of the Bennett pack get involved.

Then Rico said, “Okay, like. No offense, papi. You know I love you. Bros for life, and all that. But did you go a little nuts in your head from the mystical moon magic? Because it seems like you went a little nuts in your head from the mystical moon magic.”

(Okay, that’s not even the best example, but I was so absorbed in reading that I didn’t stop to highlight all the passages that made me laugh or cry.)

While I loved Ravensong, I maybe loved it a teensy bit less that Wolfsong. Gordo is a hard character to know, and while Ravensong shows us so much more of his life and what happened to make him the man he is now, I still felt a little removed from his inner self at times, in a way that was never true in Wolfsong when it came to Ox.

And while I was aware ahead of time that each book in the Green Creek series would have a different main character as its focus, I couldn’t help wishing for more (much more!) time with Ox and Joe in Ravensong. I mean, they’re there, and they’re still vitally important — but their love story is in the background here, and their role is more focused on their importance to the pack… and I won’t say more, because spoilers, ya know.

As I mentioned in my review of Wolfsong, I love the pack dynamics, the mind to mind connection (PackWitchBrotherLove), and the deep love that runs between all of those who belong to the Bennetts — blood family, found family, humans, werewolves, and their witch. I still feel that I don’t know Mark Bennett very well, and that’s maybe why I wasn’t as deeply invested in Gordo and Mark’s love story as I expected to be — but it’s still lovely and affecting, and takes some twists I never would have seen coming.

Ravensong ends on somewhat of a cliffhanger, setting up what’s still to come in the next books. The main action set pieces are resolved, but it’s clear that the threat to the Bennett pack isn’t gone, just regrouping until it strikes again.

Tor Books is reissuing the entire Green Creek series in gorgeous hardcover editions. Ravensong was originally published in 2018, and while the Kindle/ebook edition is available now, the new hardcover will be released August 1, 2023. Hardcover editions of books 3 and 4, Heartsong and Brothersong, will be released in 2024.

I am all in when it comes to Green Creek, and although I’m trying to pace myself and not read them all at once, I’m not sure how long I can hold out before starting Heartsong!

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Book Review: The Dating Playbook (The Boyfriend Project, #2) by Farrah Rochon

Title: The Dating Playbook
Series: The Boyfriend Project, #2
Author: Farrah Rochon
Publisher: Forever
Publication date: August 17, 2021
Length: 368 pages
Genre: Contemporary romance
Source: Library
Rating:

Rating: 3.5 out of 5.

When a personal trainer agrees to fake date her client, all rules are out the window in this delightful romantic comedy from the USA Today bestselling author of The Boyfriend Project!

When it comes to personal training, Taylor Powell kicks serious butt. Unfortunately, her bills are piling up, rent is due, and the money situation is dire. Taylor needs more than the support of her new best friends, Samiah and London. She needs a miracle.

And Jamar Dixon might just be it. The oh-so-fine former footballer wants back into the NFL, and he wants Taylor to train him. There’s just one catch — no one can know what they’re doing. But when they’re accidentally outed as a couple, Taylor’s game plan is turned completely upside down. Is Jamar just playing to win . . . or is he playing for keeps?

What a fun bit of escapism! In The Dating Playbook (the 2nd book in a trilogy), Taylor Powell is thousands of dollar in debt, is trying to resuscitate a floundering fitness business, and can’t seem to find a way to dig her way out of her problems. Sure, her best friends Samiah and London are supportive and more than willing to help, but Taylor wants to do it on her own… somehow.

And then Jamar Dixon shows up at her pop-up fitness class. Jamar is a former NFL player whose promising career was cut short in his first season after a devastating injury on the field. Jamar approaches Taylor with a proposition: He’s seen her YouTube videos, and is impressed with her approach to training. She’s also off the grid as far as the NFL is concerned, which is perfect for him. His goal is to work himself back into playing shape with the help of a private trainer, but keep it top-secret to avoid media scrutiny until he’s ready. He offers Taylor the job, and a hefty paycheck to go with it.

The catch? She has to agree to keep it completely secret. The payoff? In addition to earning enough to get herself out of her financial mess, Jamar will also reveal her as his trainer once he goes public and will endorse her fitness business, Taylor’d Conditioning.

When the two are spotted together and Jamar is questioned about whether Taylor is his trainer, she invents a lie on the spot — she’s not training him, she’s dating him. Despite her personal commitment to never date a client, she decides to see this fake relationship through. It’s better for Jamar this way, and she’ll still get the endorsement in the end when the truth is revealed. Meanwhile, she and Jamar put together a “dating playbook” — a way to convincingly act as a couple while secretly continuing the plan to get Jamar back to football-playing fitness levels.

The fake relationship trope doesn’t always work for me, but it’s done so well here that I was willing to buy it. There are solid enough reasons established to allow me to cheer for the ruse while also waiting for the fake-to-real transition to take place. Taylor and Jamar have oodles of chemistry, the sparks fly right from the start, and it’s only a matter of time before they give in to their feelings and mutual attraction.

One of the things I really appreciate about this trilogy (The Boyfriend Project) is how important the core friendship between Taylor, Samiah, and London is. The first book was Samiah’s story, and the third will be London’s, but in each book, all three women get together to support one another, share their joys and worries, and laugh together whenever possible. Too often, the best friend role in contemporary romance novels is tucked away in the background, but in these books, the friendship between the three women is really central to the storylines and the romantic relationships. It’s wonderful to see strong, smart women who are truly there for one another (and I can’t wait to see what happens with London in the next book).

The Dating Playbook spends maybe a bit too much time describing workouts and food planning for me, but that’s a minor complaint. I really enjoyed the main couple’s dynamics, and I appreciated the depth and seriousness applied to the central conflicts in both Taylor and Jamar’s lives.

Taylor’s situation is particularly well told. She thinks of herself as the black sheep of her high-achieving family, the disappointing child who doesn’t have the impressive careers and credentials of her siblings. As she realizes that a lack of a degree is hurting her professionally, Taylor is forced to finally consider why she hated school so much, including acknowledging that she may have an undiagnosed learning challenge at the root of her struggles.

Yes, I still find the sex scenes in this series to be a bit cringey, but there aren’t all that many, so I can abide getting through those in order to enjoy the rest of the story.

The Dating Playbook is a fun 2nd book in an upbeat series, and I look forward to finishing up with book #3, The Hookup Plan.

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Book Review: Herland by Charlotte Perkins Gilman (Classics Club Spin #34)

Title: Herland
Author: Charlotte Perkins Gilman
Publication date: 1915
Length: 147 pages
Rating:

Rating: 4 out of 5.

Synopsis (Goodreads):

A prominent turn-of-the-century social critic and lecturer, Charlotte Perkins Gilman is perhaps best known for her short story “The Yellow Wallpaper,” a chilling study of a woman’s descent into insanity, and Women and Economics, a classic of feminist theory that analyzes the destructive effects of women’s economic reliance on men.

In Herland, a vision of a feminist utopia, Gilman employs humor to engaging effect in a story about three male explorers who stumble upon an all-female society isolated somewhere in South America. Noting the advanced state of the civilization they’ve encountered, the visitors set out to find some males, assuming that since the country is so civilized, “there must be men.” A delightful fantasy, the story enables Gilman to articulate her then-unconventional views of male-female roles and capabilities, motherhood, individuality, privacy, the sense of community, sexuality, and many other topics.

Decades ahead of her time in evolving a humanistic, feminist perspective, Gilman has been rediscovered and warmly embraced by contemporary feminists. An articulate voice for both women and men oppressed by the social order of the day, she adeptly made her points with a wittiness often missing from polemical writings.

Herland by Charlotte Perkins Gilman is an ahead-of-its-time feminist novel imaging a secret society of women living in an isolated utopia that’s existed for 2,000 years. The plot is narrated by one of a trio of male explorers who “discover” Herland and must learn to adapt to its highly evolved society.

According to Wikipedia:

Herland is a utopian novel from 1915, written by American feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who bear children without men (parthenogenesis, a form of asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue. The book is often considered to be the middle volume in her utopian trilogy, preceded by Moving the Mountain (1911). It was not published in book form until 1979.

As the book opens, narrator Van and his traveling partners, Terry and Jeff, become obsessed with the idea of locating a hidden land that’s rumored to be inhabited only by women. The men are all scientists of one sort or another, and each has his own attitude toward women. All find it hard to believe that such a place could actually exist, but they finally organize an expedition to discover the truth.

Before arrival, they seem to share a belief that there must be men in this land somewhere, whether residents or occasional guests. How else could this society continue to exist? As well, there’s a doubt about a society of women’s ability to manage — they can’t conceive of women as builders, providers, or growers, and deduce that they must have men’s help. On the other hand, Terry is the womanizer of the group, and while he’s doubtful about the rumors, he’s also sure that a group of women deprived of male company will be absolutely delighted to have him in their midst.

Once the men arrive in Herland, it becomes clear that their expectations are completely off-base. After initial tensions that seem likely to erupt into violence, the men are treated as guests — although without permission or opportunity to leave, they’ve more like gently-treated prisoners. They’re provided shelter, food, and clothing, and the women of Herland begin a lengthy, patient process of teaching the men their ways, culture, and habits.

The men are astonished — Herland is civilized and thriving, with beautiful cities, rich agriculture, and swarms of happy, healthy children. Motherhood is valued above all else, and the women eventually teach the men how their country came to be, and how parthenogenesis spontaneously occurred many generations back, allowing their people to continue to reproduce and flourish.

The men bring with them the expected sexism of their time, and only Terry seems to find it difficult to let the old attitudes go once faced with the reality of a women’s utopia.

Herland examines early 20th century attitudes toward femininity and masculinity, gender-based social roles, appearance and age, and the dynamics of relationships and marriage. Nothing is as the men expect, and their firmly-held beliefs about women’s abilities, about the purpose and goals of wives and mothers, and about the necessity of men to a healthy society are all proved wrong, time and time again.

The writing flows well and contains plenty of amusing outbursts and exclamations each time the men discover some new and unexpected aspect of Herland. I had to laugh over Van’s description of the clothing they’re provided with:

I see that I have not remarked that these women had pockets in surprising number and variety. They were in all their garments, and the middle one in particular was shingled with them.

See? Even in 1915, it’s clear that women’s clothing with pockets absolutely ruled.

After hearing about Herland for years, I’m glad to have finally read it. There is apparently a sequel, With Her In Ourland, which follows immediately upon the events of Herland, showing what happens when a woman from Herland accompanies the men back to the United States. Right now, I don’t feel all that inclined to read the sequel, although I may come back to it at some point down the road.

All in all, Herland is a fast, enjoyable read, with a style reminiscent of the works of H. G. Wells, The Lost World by Arthur Conan Doyle, or other adventure tales of the era. Herland provides a compelling look at the state of feminist theory and literature in the early 20th century. It’s a fascinating story about cultural and gender-based biases and expectations from that time, and has many concepts and situations that resonate even today.

Another terrific read thanks to a Classics Club Spin!

Book Review: Longshadow (Regency Faerie Tales, #3) by Olivia Atwater

Title: Longshadow
Series: Regency Faerie Tales #3
Author: Olivia Atwater
Publisher: Orbit
Publication date: August 16, 2022
Length: 263 pages
Genre: Fantasy
Source: Library

Rating: 2.5 out of 5.

Proper Regency ladies are not supposed to become magicians – but Miss Abigail Wilder is far from proper.

The marriageable young ladies of London are dying mysteriously, and Abigail Wilder intends to discover why. Abigail’s father, the Lord Sorcier of England, believes that a dark lord of faerie is involved – but while Abigail is willing to match her magic against Lord Longshadow, neither her father nor high society believe that she is capable of doing so.

Thankfully, Abigail is not the only one investigating the terrible events in London. Mercy, a street rat and self-taught magician, insists on joining Abigail to unravel the mystery. But while Mercy’s own magic is strange and foreboding, she may well post an even greater danger to Abigail’s heart.

From the author of HALF A SOUL comes a queer faerie tale romance full of love and defiant hope. Pick up LONGSHADOW, and return once more to Olivia Atwater’s charming, magical version of Regency England.

Oh dear. I’ll keep this brief: The 3rd book in the Regency Faerie Tales trilogy and I were just not meant to be.

The main character here is Abigail Wilder, the adopted daughter of Lord Elias and Dora Wilder, the central characters from the first book in the series, Half a Soul. In Longshadow, Abigail is now a young adult and a skilled magician. She loves her parents, as well as her Other Mother, Lady Hollowvale — the faerie version of Dora, who has half of Dora’s soul.

Abigail can move in and out of faerie to visit with her other family there, and can also see her brother Hugh, although no one else can — he’s a ghost.

Other than having to put up with the snobby women of the ton, life is mostly pretty good for Abigail, but when other young society women start dying unexpectedly, she’s drawn into investigating the circumstances. As she gets more deeply involved, Abigail encounters a strange woman named Mercy, whose magical gifts are very different than Abigail’s. Mercy encourages Abigail to give her imagination free rein, and together, they explore the unexplained deaths as well the feelings growing between them.

I really did like the first two books in this trilogy, but Longshadow was one long slog for me. The plot just did not come together in a way that made much sense, and frankly, I found the plotline regarding the murders and the involvement of Lord Longshadow and ghosts not wanting to cross over all very confusing — and not in a fun, “can’t wait to figure this out” sort of way.

Mostly, I was just frustrated. Mercy feels unknowable, and the relationship between Mercy and Abigail feels more like checking a box than anything with true feelings involved. Definitely not enough Elias and Dora, and while Euphemia and Jubilee (from book #2) make an appearance, they don’t actually get much to do — it feels more like a cameo for the sake of seeing them than anything more substantive.

I really had to force myself to finish this book. I’m glad I did, since I would have wondered about the wrap-up of the trilogy otherwise, but all in all, I did not have a particularly good time with Longshadow.

Book Review: Thornhedge by T. Kingfisher

Title: Thornhedge
Author: T. Kingfisher
Publisher: Tor Books
Publication date: August 16, 2023
Length: 128 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

There’s a princess trapped in a tower. This isn’t her story.

Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling, to return to the human world and offer a blessing of protection to a newborn child. Simple, right?

But nothing with fairies is ever simple.

Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He’s heard there’s a curse here that needs breaking, but it’s a curse Toadling will do anything to uphold…

This slim novella is a fabulous fairy tale retelling… and at this point, the fact that T. Kingfisher has written yet another amazing story should come as no surprise to any of her fans.

In Thornhedge, we get the Sleeping Beauty story, but turned inside out and sideways. The main character is Toadling, a kind-of human (or is she a fairy?) who can shapeshift into a toad. She’s described as:

… the greenish-tan color of mushroom stems and her skin bruised blue-black, like mushroom flesh. She had a broad, frog-like face and waterweed hair. She was neither beautiful nor made of malice, as many of the Fair Folk are said to be.

Mostly she was fretful and often tired.

Toadling is a character who waits, always remaining near the thorn and bramble-covered castle as generations of people come and go across the barren lands nearby.

But Toadling was originally a human child who was stolen off to the world of faeries and replaced by a changeling baby. Toadling was raised with loved by a family of scary sea monsters, but eventually she’s called back to deal with the changeling who replaced her.

Years later, a kind knight stumbles across Toadling and the abandoned keep, and wants to solve the mystery of the girl in the tower — but once Toadling shares her story, it’s clear that waking the princess may not lead to the fairy tale ending everyone expects.

This is such a creative spin on the Sleeping Beauty story, and I loved it! At novella length, Thornhedge makes use of every word and chapter to let us know Toadling, her worries, her struggles, and her sorrows, as well as her memories of a loving childhood and her desire for a different future.

There are scary beings and horrific moments too, but overall, this is a lovely story about a highly unusual fairy tale heroine.

I loved it!

Book Review: Hello Stranger by Katherine Center

Title: Hello Stranger
Author: Katherine Center
Publisher: St. Martin’s Press
Publication date: July 11. 2023
Length: 336 pages
Genre: Contemporary fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Love isn’t blind, it’s just little blurry.

Sadie Montgomery never saw what was coming . . . Literally! One minute she’s celebrating the biggest achievement of her life—placing as a finalist in the North American Portrait Society competition—the next, she’s lying in a hospital bed diagnosed with a “probably temporary” condition known as face blindness. She can see, but every face she looks at is now a jumbled puzzle of disconnected features. Imagine trying to read a book upside down and in another language. This is Sadie’s new reality with every face she sees.

But, as she struggles to cope, hang on to her artistic dream, work through major family issues, and take care of her beloved dog, Peanut, she falls into—love? Lust? A temporary obsession to distract from the real problems in her life?—with not one man but two very different ones. The timing couldn’t be worse.

If only her life were a little more in focus, Sadie might be able to find her way. But perceiving anything clearly right now seems impossible. Even though there are things we can only find when we aren’t looking. And there are people who show up when we least expect them. And there are always, always other ways of seeing.

Hello Stranger has one of the most instantly interesting set-ups I’ve read recently. Sadie, a portrait artist, is diagnosed with a problematic brain vessel that requires immediate surgery. But when she wakes in the hospital post-surgery, the world looks very, very different.

Sadie has a condition called acquired prosopagnosia, otherwise known as “face blindness”. There’s nothing wrong with her eyes — it’s her brain that can’t make sense of the faces around her. The surgery has left her with swelling near the brain center that processes faces, and there’s no telling whether this is a permanent or temporary condition. For anyone, this would be distressing. For a portrait artist, this is also potentially career-ending — not that Sadie’s career was going all that well. In fact, right before the surgery, Sadie learned that she was a finalist in a competition that could finally give her her big breakthrough — but if she can’t see faces, how can she paint them?

Sadie’s life was already messy before the surgery — barely making ends meet through her Etsy shop, estranged from her father, stepmother, and truly evil stepsister, living in a rooftop shed that she officially is only supposed to use as a studio.

Now, with face blindness, the entire world has changed for Sadie. She literally cannot understand faces — she sees basically pixelated messes. Sure, she can focus in and see an eye or a mouth, individual features, but she has no ability to make sense of the whole. She can’t recognize people by face at all, and has to rely on hair, clothing, and other cues to figure out who she’s talking to. When dealing with kind people, that can still be okay, but not everyone around Sadie is kind (I did mention the evil stepsister, right?), and the cruelty of some of these encounters is pretty astonishing.

Without going further into the plot, I’ll just say that Sadie’s situation is both fascinating and incredibly difficult to comprehend. I fell down quite the Google rabbit-hole searching for examples of face blindness and how it’s experienced, and learned that there’s a difference between hereditary prosopagnosia (where people have it all their lives, and often don’t even realize it, since that’s how they’ve always experienced the world) and acquired prosopagnosia, usually an aftereffect of traumatic brain injury or illness. After reading stories of people who walk right by their own children without recognizing them or wonder why a strange woman is staring at them before realizing it’s themselves in a mirror, I gained a better understanding of Sadie’s new world too.

Another fascinating element here is Sadie’s conversations with her neuropsychologist about confirmation bias:

Dr. Nicole paused for a good definition. “It means that we tend to think what we think we’re going to think.”

I added all those words up. “So… if you expect to think a thing is true, you’re more likely to think it’s true?”

As Dr. Nicole goes on to explain:

“Basically we tend to decide on what the world is and who people are and how things are — and then we look for evidence that supports what we’ve already decided. And we ignore everything that doesn’t fit.”

As Sadie fits back into her life and tries to find a new approach to understanding the world around her, her assumptions and facts are repeatedly challenged by the need to rethink what she sees and question whether what she understands is true.

Hello Stranger is also a romance, and yes, the romantic plotlines are very good — but for me, it was Sadie’s unique situation and how it impacts every aspect of her life that made this book so compelling to read.

The backstory around Sadie’s family life is the hardest part of the book to accept, because it’s awful and tragic (and yet another great example of confirmation bias and its consequences). I felt so angry on Sadie’s behalf, yet by the end, could kind of see how the situation unfolded from the different characters’ differing experiences of the same events.

The book does explain that face blindness doesn’t necessarily mean the inability to understand expression (which is apparently handled by a different brain area), yet occasionally there’d be lines like:

The smug look had most definitely faded from her face

… that made me question whether this was something that Sadie could actually see or process, or if this was a glitch in the writing continuity.

I’m always fascinated by stories about unusual neurological conditions (such as the novel Left Neglected by Lisa Genova, or any of the writings of Dr. Oliver Sacks, who himself suffered from hereditary prosopagnosia) — but this is my first time reading such a tale in the context of romance.

Sadie’s story is fascinating, and the romance elements add welcome joy and hope to a story that also includes loss and dislocation. Sadie’s romantic escapades can be quite silly, but she’s such a great character that we can’t help but cheer for her. I don’t think I’ve ever read a romance novel quite like Hello Stranger, but it absolutely works.