Book Review: Extreme Makeover

extreme-makeover

The satirical new suspense about a health and beauty company that accidentally develops a hand lotion that can overwrite your DNA.

Lyle Fontanelle is the chief scientist for NewYew, a health and beauty company experimenting with a new, anti-aging hand lotion. As more and more anomalies crop up in testing, Lyle realizes that the lotion’s formula has somehow gone horribly wrong. It is actively overwriting the DNA of anyone who uses it, turning them into physical clones of someone else. Lyle wants to destroy the formula, but NewYew thinks it might be the greatest beauty product ever designed–and the world’s governments think it’s the greatest weapon.

New York Times bestselling author Dan Wells brings us a gripping corporate satire about a health and beauty company that could destroy the world.

Presenting… the book that will make you scared of your moisturizer.

What better book for getting in the holiday spirit than a terrifying yet farcical tale of the end of the world — not an apocalypse caused by climate catastrophe or nuclear war, but rather by a beauty product run amok.

In Extreme Makeover, main character Lyle thinks he’s come up with a promising product that can prompt the body to amp up collagen to repair wrinkled skin. Cool, right? As the executives’ eyes gleam with greed, they encourage Lyle to rush to market before their competition gets wind of this amazing new product — which works because of DNA manipulation, plasmids and retroviruses, in a way that Lyle himself doesn’t fully understand. Wait, the FDA won’t approve what’s basically a gene therapy formulation? No worries, package it as an herbal treatment and move all corporate manufacturing and business headquarters offshore.

As the initial test subjects begin to show some truly horrifying results, Lyle comes to realize that what he made had implications way beyond what was expected. And while the corporate executives push it further and further to rake in huge profits, Lyle still somewhat naively believes that his new creation, ReBirth, can be used for good.

As the product is first introduced to the public, then distributed through the black market, and ultimately ends up everywhere, the terrifying, world-changing results become more and more obvious. Some of the developments are chilling, some (including the accidental creation of thousands of Lyles) are so awful that it’s actually funny.

And of course, there’s corporate corruption and world domination to consider. As ReBirth starts appearing everywhere, it quickly becomes a global catastrophe — with some considering it a religious opportunity, Homeland Security considering it a terrorist threat, and ultimately, the UN coming to realize its potential use as a weapon of mass destruction.

Reading Extreme Makeover is incredibly addictive, and weird, and utterly fun. You want to laugh at the ridiculousness of what’s going on, and yet, given the billions that people pour into buying consumer cosmetics products every year, is it really THAT far-fetched to think that people will pay thousands of dollars for the chance at a younger, healthier, more beautiful body? And hey, no need for pesky gym memberships or diets or surgery! So what if it means your own genetic code will be overwritten by someone else’s? Isn’t it worth it?

After all, WHAT COULD POSSIBLY GO WRONG??? (Cue ominous soundtrack…)

This is the most absurd apocalypse I’ve encountered yet. The end of life on earth as we know it — brought on by hand lotion? Really?

But accept that, and go along for the ride. Extreme Makeover is cleverly constructed, with a chronology that includes a countdown to the end of the world at the start of each chapter. The wide-ranging cast of characters includes Lyle, the NewYew executives plus the head honchos at their competitors’ headquarters, squads of security goons, all sorts of shady street ReBirth dealers, a religious guru, United Nations delegates, and so many more. And then, of course, as the story progresses, you have not only the characters we’ve come to know already, but various ReBirth-created versions of them as well.

It can get a bit mind-boggling to keep track of the fakes and the originals, and the collapse of civilized society happens almost too quickly to make sense, even given the scale of the unintended destruction caused by ReBirth. I had a hard time figuring out where the various evil-doers were getting their supply of original (or as it’s called in the book, “blank” — you’ll see) lotion, but after a while, I just kind of took in on faith that there were still stockpiles accessible for those who were willing to pay or to steal it.

While the outcomes are frightening, some of the scenarios still managed to make me laugh — the idea of someone spraying someone with lotion suddenly is the scariest thing you might encounter. A teen bringing ReBirth into school is practically as dangerous as one bringing a loaded gun. Celebrities are stalked not for photos, but for their DNA. It’s crazy, but it all makes sense in the claustrophobic depiction of a world gone mad.

I really enjoyed the heck out of Extreme Makeover. It’s fast-paced, cynical, funny, and terrifying; the concept has a core of ridiculousness, but like any doomsday scenario, there’s enough in there to make us all very, very afraid. After all, take out the fact that a hand lotion is responsible for the chaos, and it’s like any other apocalyptic tale, where a new technology with the power to make positive changes is ultimately transformed into a tool for unlimited power.

If you enjoy your apocalypses with a touch of humor and relatable real-world characters, check out Extreme Makeover. I promise you, you haven’t read about an end-of-the-world quite like this one before!

A note on the cover: The cover image available via Goodreads is kind of bland and muted. Here’s a photo of the library copy I borrowed — which is hot pink and black and totally awesome:

extreme-makoever

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The details:

Title: Extreme Makeover
Author: Dan Wells
Publisher: Tor Books
Publication date: November 15, 2016
Length: 416 pages
Genre: Science fiction
Source: Library

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Shelf Control #7: Small Damages

Shelves final

Welcome to the newest weekly feature here at Bookshelf Fantasies… Shelf Control!

Shelf Control is all about the books we want to read — and already own! Consider this a variation of a Wishing & Waiting post… but looking at books already available, and in most cases, sitting right there on our shelves and e-readers.

Want to join in? See the guidelines and linky at the bottom of the post, and jump on board! Let’s take control of our shelves!

cropped-flourish-31609_1280-e1421474289435.png

My Shelf Control pick this week is:

Small DamagesTitle: Small Damages
Author: Beth Kephart
Published: 2012
Length: 304 pages

What it’s about (synopsis via Goodreads):

It’s senior year, and while Kenzie should be looking forward to prom and starting college in the fall, she is mourning the loss of her father. She finds solace in the one person she trusts, her boyfriend, and she soon finds herself pregnant. Kenzie’s boyfriend and mother do not understand her determination to keep the baby. She is sent to southern Spain for the summer, where she will live out her pregnancy as a cook’s assistant on a bull ranch, and her baby will be adopted by a Spanish couple.

Alone and resentful in a foreign country, Kenzie is at first sullen and difficult. She begins to open her eyes and her heart to the beauty that is all around her and inside of her.

 

How I got it:

I bought it!

When I got it:

Back in 2012, right when it was released.

Why I want to read it:

I read a review of this book in my local newspaper when it was first published. The review was glowing, and I thought this sounded like a terrific, sensitive take on teen pregnancy. I’m not sure why I’ve let it just sit on my shelf for this long, but I do want to make a point of reading it soon!

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link below!
  • And if you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and have fun!

 

For more on why I’ve started Shelf Control, check out my introductory post here, or read all about my out-of-control book inventory, here.

And if you’d like to post a Shelf Control button on your own blog, here’s an image to download (with my gratitude, of course!):

Shelf Control

Shelf Control #6: The Last Policeman

Shelves final

Welcome to the newest weekly feature here at Bookshelf Fantasies… Shelf Control!

Shelf Control is all about the books we want to read — and already own! Consider this a variation of a Wishing & Waiting post… but looking at books already available, and in most cases, sitting right there on our shelves and e-readers.

Want to join in? See the guidelines and linky at the bottom of the post, and jump on board! Let’s take control of our shelves!

cropped-flourish-31609_1280-e1421474289435.png

My Shelf Control pick this week is:

Last PolicemanTitle: The Last Policeman
Author: Ben H. Winters
Published: 2012
Length: 336 pages

What it’s about (synopsis via Goodreads):

What’s the point in solving murders if we’re all going to die soon, anyway?

Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact.
 
The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares.
 
The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?

 

How I got it:

I was offered review copies of the three books in this trilogy when the 3rd book was being released (and feel very ashamed that I still haven’t read them!).

When I got it:

Last year.

Why I want to read it:

I love asteroids-crashing-into-Earth stories, as weird as that may sound. Remember those two asteroid movies that came out pretty much at the exact same time — Deep Impact and Armageddon? Big fan here. The Last Policeman trilogy sounds weird and off-beat, and all sorts of awesome. I solemnly swear to read this book with in the next six months! And if it’s as good as I’m hoping, maybe I’ll even do a binge-read of all three.

__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link below!
  • And if you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and have fun!

 

For more on why I’ve started Shelf Control, check out my introductory post here, or read all about my out-of-control book inventory, here.

And if you’d like to post a Shelf Control button on your own blog, here’s an image to download (with my gratitude, of course!):

Shelf Control

Fields & Fantasies presents… Station Eleven by Emily St. John Mandel

Welcome to the January/February pick for the Fields & Fantasies book club! Each month or so, in collaboration with my wonderful co-host Diana of Strahbary’s Fields, we’ll pick one book to read and discuss. Today, we’re looking at Station Eleven by Emily St. John Mandel:

station elevenSynopsis (Goodreads):

An audacious, darkly glittering novel set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.

One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of King Lear. Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur’s chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them.

Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten’s arm is a line from Star Trek: “Because survival is insufficient.” But when they arrive in St. Deborah by the Water, they encounter a violent prophet who digs graves for anyone who dares to leave.

Spanning decades, moving back and forth in time, and vividly depicting life before and after the pandemic, this suspenseful, elegiac novel is rife with beauty. As Arthur falls in and out of love, as Jeevan watches the newscasters say their final good-byes, and as Kirsten finds herself caught in the crosshairs of the prophet, we see the strange twists of fate that connect them all. A novel of art, memory, and ambition, Station Eleven tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it.

My two cents:

It’s always such a terrific gift when a book surprises you in all the right ways. Such was the case for me with Station Eleven. I’d seen some reviews, I’d seen it on many of the “Best of” lists for 2014, and I’d heard the hype. At the same time, the initial synopses I’d read all focused on a traveling Shakespeare company in a post-apocalyptic world. For whatever reason, I assumed the Shakespearean framework would shape the entire novel, so that we’d follow the company from settlement to settlement, seeing their performances and making some sort of symbolic connection between the classic plays and the new world.

It was really a thrill for me to discover that Station Eleven is so much more. Station Eleven takes a truly frightening tale of a global pandemic that kills off most of humanity, and weaves into it a story about human connection, random meaning, and the elusive nature of relationships.

The Georgia flu wipes out human life on Earth almost instantly. In this age of international travel, we’re all only one contaminated airline passenger away from disaster, and Station Eleven lets the pandemic play out to its awful, inevitable conclusion. The narrative of the novel jumps in time between the outbreak of the pandemic, the path of the Traveling Symphony twenty years later, and the earlier history of Arthur Leander, possibly the last man on Earth to attract attention for his death prior to the catastrophe.

It’s hard to explain just what’s so wonderful about Station Eleven. The plotting is elegant, with connections between characters and events that only become apparent later on. The descriptions of the post-apocalyptic world are chilling, and yet the mixed sense of wonder and boredom that the new generations feel toward old stuff (electronics, phones, and all the other pieces of our technology that twenty years later are dusty museum pieces) is almost funny to read about, with a hint of the bittersweet as well. The writer is able to convey a sense of nostalgia for our own times by showing how little so much of what we have now will matter later on. There’s horror for the death and destruction, as well as an edge of mystery as we try to see just how all the different story threads are intertwined.

Above all, Station Eleven is filled with beautiful writing.

Miranda opened her eyes in time to see the sunrise. A wash of violent color, pink and streaks of brilliant orange, the container ships on the horizon suspended between the blaze of the sky and the water aflame, the seascape bleeding into confused visions of Station Eleven, its extravagant sunsets and its indigo sea. The lights of the fleet fading into morning, the ocean burning into sky.

In little moments, we see the awe-inspiring vision of a world without people and what the death of our civilization might look like. No alien invasion, no nuclear war, no second ice age — just a disease working its deadly way through the entire population of the planet over the course of a few short weeks.

Despite the end of life as we know it, life goes on, and the book seems to emphasize above all the way the people’s lives, woven together, form something that’s greater than just the individual. There’s still hope and beauty, and those who understand that are the ones who manage to keep hold of an idea of a future that means something. Station Eleven is sad and gorgeous and, oddly, not depressing. There’s a strange sense of nobility and purpose folded into the survivors’ determination to keep going, to remember, and to grow again.

If you like your post-apocalyptic novels full of explosions, zombies, and mayhem, this may not be the book for you. But if you appreciate a more thoughtful approach to matters of connection and survival and what it means to be human, definitely give Station Eleven a try.

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The Fields & Fantasies chat:

I’ll add a link to Diana’s review shortly. Meanwhile — a Q&A between Diana and me.

Warning: SPOILERS from this point forward. Proceed at your own risk!

Lisa: Did Station Eleven match your expectations?
Diana: I think so. I don’t think I was expecting a whole heck of a lot but I heard that this book was pretty good and I think it lives up to my basic expectations.
Lisa: Did any images from the post-apocalyptic world make a big impression? What sorts of thing really stand out for you?
Diana: Just the way that everything seemed to be so Mad Max-esque with just a touch of Walking Dead. Did you find the premise to be believable?
Lisa: I really did! We have so many health-crisis scares and the media seems to really overreact… and yet, I think it’s really plausible that if there were a bad enough virus, like the flu in Station Eleven, there’s nothing to stop it from spreading globally within days or weeks. The speed of the pandemic in this book was really scary. I loved the descriptions of the world afterward, how quickly everything reverts back to nature and the people become nomads and survivalists.
Lisa: Who were your favorite characters, and why?
Diana: I really loved Kirsten. I liked how resilient she was and how much she loved Shakespeare. She had that good combination of being able to kick ass but yet was still personable. I also really liked Jeevan but I was a bit disappointed that we didn’t get a whole lot of time with him.
Lisa: I loved those two too! I also really liked Miranda — I just found her story so sad, a poor girl who never fit in with the life she ended up with, who spent her whole life working on a comic book that almost no one ever saw. (And which I wish I could see! It sounded amazing.) Also, Arthur’s friend Clark was very cool and understated.
Lisa: Which storylines were you most interested in?
Diana: All of them. She does this wonderful job of starting us at one point spreading out to other various points then bringing it back around into one fantastic place. Was there a storyline that you really liked or that you weren’t too fond of?
Lisa: I thought the whole idea of people stranded at an airport and just staying there for another twenty years was really inventive! I was so entertained by that concept and all the details the author provided to make it feel so real. I wasn’t crazy about the prophet storyline — I didn’t actually think the story needed it, other than for the dramatic element of danger.
Lisa:  Were there any storylines or plot points that you thought were unnecessary or less interesting?
Diana: There wasn’t one that i didn’t like but I would have liked to see more with Jeevan. I really really liked the character but i feel like his story just wasn’t in there enough.
Lisa: What else would you want to know about the world of the future, as portrayed in Station Eleven?
Diana: Were the people who survived just immune to the virus or did they just get lucky enough to not get it. Is there any major attempt to regain civilization. Also did any of the other greats survive?

Lisa: Very good question — was there a reason that the survivors were immune, or did they just not to encounter the virus? I wonder. And we’re left hanging a bit at the end, with the possibility that there could be a return to some of what was lost.

Lisa: How would you describe Station Eleven to someone who hasn’t read it yet?
Diana: It’s far more intellectual than i thought it would be. It’s also more of a drama about the human spirit.

 

And that wraps it up! Thanks, Diana! It’s a pleasure talking books with you! Let’s do this again next month…

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The details:

Title: Station Eleven
Author: Emily St. John Mandel
Publisher: Knopf
Publication date: September 9, 2014
Length: 333 pages
Genre: Adult fiction
Source: Purchased

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Next for Fields & Fantasies:

9476337Our April book will be Bossypants by Tina Fey.