Audiobook Review: 107 Days by Kamala Harris

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: 107 Days
Author: Kamala Harris
Narrators: Kamala Harris
Publisher: Simon & Schuster
Publication date: September 23, 2025
Print length: 304 pages
Audio length: 9 hours 58 minutes
Genre: Non-fiction / political memoir
Source: Library
Rating:

For the first time, and with surprising and revealing insights, former Vice President Kamala Harris tells the story of one of the wildest and most consequential presidential campaigns in American history.

Your Secret Service code name is Pioneer.
You are the first woman in history to be elected vice president of the United States.
On July 21, 2024, your running mate, Joe Biden, announces that he will not be seeking reelection.
The presidential election will occur on November 5, 2024.
You have 107 days.

From the chaos of campaign strategy sessions to the intensity of debate prep under relentless scrutiny and the private moments that rarely make headlines, Kamala Harris offers an unfiltered look at the pressures, triumphs, and heartbreaks of a history-defining race. With behind-the-scenes details and a voice that is both intimate and urgent, this is more than a political memoir—it’s a chronicle of resilience, leadership, and the high stakes of democracy in action.

Written with candor, a unique perspective, and the pace of a page-turning novel, 107 Days takes you inside the race for the presidency as no one has ever done before.

In 107 Days, Kamala Harris takes us through her experiences during the dramatic presidential campaign of 2024… from the day Joe Biden officially dropped out of the race and she became the Democratic candidate for president through election day (and slightly beyond). Day by day, she shares the highs and low of the campaign trail, as well as personal reflections on her career, her family, and the hopes she carried into the race for president.

It’s a revealing look behind the scenes. If nothing else, listening to this audiobook gives me a new-found appreciation for how much candidates endure for the sake of their party and their country. The lack of privacy or downtime is astounding, as is the absolutely intense scrutiny of every word and every gesture.

I suspect how you react to this book will depend largely on how you voted in the 2024 election. If you weren’t a Harris supporter then, I’m sure you’ll either avoid this book or find plenty to criticize. As someone who voted for Harris, I found a deeper sense of appreciation for her expertise, sense of values, and commitment to a campaign that was an uphill battle from the start.

Early critics of this book seem to take Harris to task for not owning more of the failures of the campaign. I don’t believe that’s entirely fair. She does examine the ways in which her messages didn’t land, places where she wishes she could go back and rephrase or re-do a key interview or speech. She reminds the reader/listener continuously of just how little time there was to campaign — hence the book’s title. Sure, she could go deeper on content: Were there themes or issues that her campaign didn’t fully embrace, or where they miscalculated the importance to voters? Endless political analyses post-election say yes, but these do not get addressed in depth in this book.

Still, what she does reveal is informative. The odds were always stacked against such an abbreviated campaign. Harris is careful to hold back on criticisms of Biden — for the most part — although it’s clear that some of his actions, statements, and decisions caused great frustration and obstacles for her as a candidate. It was interesting to hear about her approach to combatting the lies and slurs directed toward her by the opposition, refusing to engage in rebuttals and keeping the focus on her own agenda and values.

While there are sweeter moments shared, including time with her family and her husband, I could perhaps have done without an analysis of how and why she felt let down by her husband’s lack of plans for her birthday. But other than that, there’s a warmth that comes through while talking about her loved ones that helps ground this book in a sense of Harris’s commitment to people and community, not just to political success.

Overall, I’m not sure that I learned a whole lot from this book that I hadn’t come across, one way or another, during the presidential race or afterward, but I did find it an interesting, informative listen, and I’m glad I experienced it.

Purchase links: Amazon – Audible – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

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18Jan2026

Book Review: Detour by Jeff Rake & Rob Hart

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Detour
Series: Detour, #1
Authors: Jeff Rake & Rob Hart
Publisher: Random House Worlds
Publication date: February 4, 2025
Length: 320 pages
Genre: Science fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

A space shuttle flight crew discovers that the Earth they’ve returned to is not the home they left behind in the first book of this emotional, mind-bending thriller series from the creator of the hit Netflix show Manifest and the bestselling author of The Warehouse.

“If The Martian and The Twilight Zone had a baby, it would be Detour—a thriller that messes with your head as you scramble to piece together what’s really going on.”—Steve Netter, Best Thriller Books

Ryan Crane wasn’t looking for trouble—just a cup of coffee. But when this cop spots a gunman emerging from an unmarked van, he leaps into action and unknowingly saves John Ward, a billionaire with presidential aspirations, from an assassination attempt.

As thanks for Ryan’s quick thinking, Ward offers him the chance of a lifetime: to join a group of lucky civilians chosen to accompany three veteran astronauts on the first manned mission to Saturn’s moon Titan.

A devoted family man, Ryan is reluctant to leave on this two-year expedition, yet with the encouragement of his loving wife—and an exorbitant paycheck guaranteeing lifetime care for their disabled son—he crews up and ventures into a new frontier.

But as the ship is circling Titan, it is rocked by an unexplained series of explosions. The crew works together to get back on course, and they return to Earth as heroes.

When the fanfare dies down, Ryan and his fellow astronauts notice that things are different. Some changes are good, such as lavish upgrades to their homes, but others are more disconcerting. Before the group can connect, mysterious figures start tailing them, and their communications are scrambled.

Separated and suspicious, the crew must uncover the truth and decide how far they’re willing to go to return to their normal lives. Just when their space adventure seemingly ends, it shockingly begins.

Detour is an absolutely addictive science fiction thriller — and it’s totally on me that I didn’t realize until about 10 pages from the end that this book isn’t a stand-alone. More on that later… meanwhile, here’s what it’s all about.

Planet Earth is in dire trouble as Detour opens, with the collapse of a huge Antarctic glacier spelling a major escalation of the world’s climate catastrophe. Life on Earth may be unsustainable; science is now looking beyond the planet for a new home for humankind.

Enter billionaire and presidential candidate John Ward, a man with the deepest of pockets, limitless ambition, and a huge ego. He’s funding a project to send a space crew to circle Saturn’s moon Titan, to leave behind satellites to report back on Titan’s ecosystem and help plan for future human settlement there. Thanks to advances in power sources and radiation shielding, a new spaceship has been built that can make the journey to Titan in a year, which means the ship’s crew will have to commit to a two-year journey away from home and loved ones.

In addition to three experienced astronauts, three civilians have been chose to join the expedition: Padma, a scientist who has done pioneering work on the viability of Titan for human habitation; Ryan, a DC cop who just happened to be in the right time and place to save John Ward from an assassination attempt; and Stitch, a graffiti artist who won a lottery for a seat on the mission. With only the briefest of training periods, this motley assembly is soon on their way off-world, each leaving behind complicated work and family situations.

As the synopsis indicates, something goes wrong during the mission, but the crew is able to avert disaster and return home as scheduled. But for the astronauts, there’s something wrong about “home”. Nothing is quite as they left it. Their family lives are different in key ways. The world is mainly the same… but it’s not. And their treatment is decidedly suspicious — rather than getting a heroes’ welcome, they’re warned to avoid the press, stay quiet, and no matter what, not to contact any of the other members of the crew.

The final quarter of the book is a mad rush of action and investigation, as the six astronauts struggle to understand the lives to which they’ve returned, while also trying to piece together exactly what happened out there near Titan, and why powerful forces seem to be gathering to stop them.

And then the book stops! Which I did not expect. When I first requested this book on NetGalley, I didn’t see a mention of this being the first in a series — and I did not go back to re-read the synopsis, either there or on Goodreads, before starting the book. If I had, I might not have been so surprised, somewhere around the 90% mark, to realize that there was absolutely no way this story would be wrapped up by the last page. My bad. Let this be a lesson to me — always read the synopsis (again) before starting a new book!

In any case… Detour is thrilling page-turner, and I’m so glad I read it. I’m a sucker for a great space travel story, and this book delivers. The authors skillfully establish the stakes of the mission right from the start, as well as establishing the core main characters and their individual struggles and backstories. As they depart on their mission, we know them — their strengths, their doubts, what they leave behind, and what they hope for upon their return.

The story is told through vignettes that shift the action between all major players, as well as involving John Ward, some side characters, and a few shadier people as well. The mystery of what happened on the journey and why the world seems changed when the astronauts return isn’t resolved (must leave content for the next book!), but there are enough hints and partial theories that leave a reader with a sense of tantalizing information still to come.

I appreciate that the personal isn’t sacrificed in favor of the action. The action is terrific, but a large part of my enjoyment stems from feeling invested in the characters themselves and caring about each of their lives and their futures.

The authors’ credentials alone let us know that we’re in for a great ride in Detour. Jeff Rakes is the creator of the TV series Manifest, which was one of my pandemic-era binges. Detour has elements that remind me of some elements of Manifest — not in a repetitive way, but more in the sense of themes and the underlying mysteries. Co-author Rob Hart is the author of a bunch of very popular books — of which I’ve only read The Warehouse, but I do have several other of his books on my TBR, and now I’m even more motivated to read them. (There’s a very fun little moment in Detour when both Manifest and Assassins Anonymous get shout-outs — yay to the authors for including this!)

Detour was just the sort of compelling, drop-everything-and-read book that I needed this week! I enjoyed every moment, and will absolutely be back for book #2. Here’s hoping the wait for the next book will take less time than, say… a mission to Titan!

Purchase links: Amazon – Audible audiobook – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

16Jan2026

Book Review: The Ivy Tree by Mary Stewart

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Ivy Tree
Author: Mary Stewart
Publisher: Hodder & Stoughton
Publication date: 1961
Length: 391 pages
Genre: Suspense/thriller
Source: Purchased
Rating:

Mary Grey had come from Canada to the land of her forebears: Northumberland. As she savored the ordered, spare beauty of England’s northern fells, the silence was shattered by the shout of a single name: “Annabel!” And there stood one of the angriest, most threatening young men Mary had ever seen. His name was Connor Winslow, and Mary quickly discovered that he thought she was his cousin—a girl supposedly dead these past eight years. Alive, she would be heiress to an inheritance Connor was determined to have for himself. This remarkably atmospheric novel is one of bestselling-author Mary Stewart’s richest, most tantalizing, and most surprising efforts, proving her a rare master of the genre.

A slightly different synopsis for another edition of the book:

An English June in the Roman Wall countryside; the ruin of a beautiful old house standing cheek-by-jowl with the solid, sunlit prosperity of the manor farm – a lovely place, and a rich inheritance for one of the two remaining Winslow heirs. There had been a third, but Annabel Winslow had died four years ago – so when a young woman calling herself Annabel Winslow comes ‘home’ to Whitescar, Con Winslow and his half-sister Lisa must find out whether she really is who she says she is.

The Ivy Tree opens with gorgeous scenery: A woman enjoys the peace of a pastoral view in Northumberland, savoring the quiet and solitude. But a man shows up and immediately begins yelling at her. He thinks she’s his presumed-dead cousin Annabel, who disappeared eight years earlier. With their grandfather ill and nearing death, her reappearance can’t be coincidence. Connor and his half-sister Lisa have been tending the estate for the old man all these years; it should be theirs. With Annabel’s return, Connor’s inheritance is very much on the line.

But there’s a catch. This woman isn’t Annabel. Although she bears a remarkable resemblance to Annabel, she introduces herself as Mary, a descendant of another line of the family which emigrated to Canada a few generations back. Mary has heard stories of Northumberland all her life, and has come seeking a fresh start.

Almost immediately, Connor proposes a plan. He and Lisa can teach Mary all about Annabel — and if she’ll impersonate her for a brief time, just long enough to convince their grandfather, they’ll make it worth her while. Connor fears that the grandfather has never believed that Annabel truly died, and worries that he’ll leave his fortune to her anyway. With a stand-in, that fear can be addressed. If their scam works, and even if Con himself is left out of the will, “Annabel”‘s inheritance will go to Connor, and fake-Annabel will get a hefty payout for her efforts.

It’s a marvelously twisty scheme, and Mary — who has little money and no real plans — agrees to go along with it. After all, the real Annabel is dead. Who would be hurt by this? After three weeks of intense training, the plan is put into motion, and Mary — now going only by Annabel — arrives at the Whitescar estate to fulfill her role as the returning prodigal.

Annabel’s impersonation is successful with the grandfather, household staff, and visiting younger cousin Julie. But Annabel herself is wracked by guilt and worries as she ingratiates herself into life at Whitescar. Can she succeed, and should she? What does Connor stand to gain? What will this mean for Julie. And what really happened on the night that the original Annabel ran away and left Whitescar behind?

The Ivy Tree is a wonderful example of 1960s-era romantic suspense, verging on the gothic. The old estate makes for a picturesque, lush setting, even while the neighboring estate, Forrest Lodge, lends an air of haunting decay, with the manor house in ruins after a devastating fire years earlier, and an overgrown old tree wrapped in ivy holding up the remaining walls.

For a 21st century reader, this book has an old-school feel to it. The pacing, descriptions, and narrative approach feel very much like throw-backs — which, of course, they are. The Ivy Tree is a great example of its genre and era. There’s an undercurrent of desperation and hidden desires and dire motives. It’s all quite grand and dramatic, but never too over the top.

While the plot moves forward at a mostly fast clip, the author also provides breaks in the action fairly regularly to set the scene. Descriptions of overgrown forests or a centuries-old quarry or even the condition of the roads all add to the overall atmosphere of the book, firmly grounding the characters in their environments and making clear where the beauty and the threats are to be found. A final set-piece involving a mad dash through a terrible storm adds to the overall gothic effect, and is both exciting and chilling.

I loved all the dramatic confrontations, the subterfuges and hidden (and revealed) identities, and the conflicting needs and thwarted ambitions of the various characters. It all adds up to a delightfully suspenseful reading experience. For me, The Ivy Tree feels like an excellent introduction to Mary Stewart’s books.

As far as I can recall, my mother and aunt — two avid readers! — were both fans of this author, and I’m quite sure that at least a few Mary Stewart books were on the shelves of my childhood home. Perhaps that’s another reason why I feel drawn to her novels and want to read more!

Question: Do you have a favorite Mary Stewart book to recommend?

About the author:

Mary, Lady Stewart (born Mary Florence Elinor Rainbow; 17 September 1916 – 9 May 2014) was a British novelist who developed the romantic mystery genre, featuring smart, adventurous heroines who could hold their own in dangerous situations. She also wrote children’s books and poetry, but may be best known for her Merlin series, which straddles the boundary between the historical novel and fantasy.

Her obituary from The Guardian offers a great deal of insight into Mary Stewart’s life and writing career. In addition to the Merlin books (The Crystal Cave and four others), her well-known mysteries include Touch Not the Cat, Madam, Will You Talk?, Nine Coaches Waiting, and many more.

10Jan2026

Book Review: All Better Now by Neal Shusterman

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: All Better Now
Author: Neal Shusterman
Publisher: Simon & Schuster Books for Young Readers
Publication date: February 4, 2025
Length: 528 pages
Genre: Young adult dystopian/Science fiction
Source: Library
Rating:

From New York Times bestselling author Neal Shusterman comes a “thought-provoking and grimly enjoyable” (Kirkus Reviews) “epic biological thriller” (Publishers Weekly, starred review) about a world where happiness is contagious but the risks of catching it may be just as dangerous as the cure.

A deadly and unprecedented virus is spreading. But those who survive it experience long-term effects no one has ever seen before: utter contentment. Soon after infection, people find the stress, depression, greed, and other negative feelings that used to weigh them down are gone.

More and more people begin to revel in the mass unburdening. But not everyone. People in power—who depend on malcontents and prey on the insecure to sell their products, and convince others they need more, new, faster, better everything—know this new state of being is bad for business. Surely, without anger or jealousy as motivators, productivity will grind to a halt and the world will be thrown into chaos. Campaigns start up to convince people that being eternally happy is dangerous. The race to find a vaccine begins. Meanwhile, a growing movement of Recoverees plans ways to spread the virus as fast as they can, in the name of saving the world.

It’s nearly impossible to determine the truth when everyone with a platform is pushing their agenda. Three teens from very different backgrounds who’ve had their lives upended in very different ways find themselves at the center of a power play that could change humanity forever.

All Better Now is a propulsive page-turner about viral contagion, with an incredibly interesting premise that provides all sorts of food for thought.

In this YA sci-fi thriller, a virus known as Crown Royale is sweeping the globe. It’s only been a few years since the last pandemic; no one wants to go back to lockdowns and mask mandates. Crown Royale is highly contagious and has about a 4% mortality rate for those infected. People who test positive for the virus experience dramatically high fevers and other dangerous symptoms. But in some ways, it’s the aftereffects that are most shocking.

Crown Royale recoverees are… well… different. Without exception, recoverees are happy and peaceful. Their aggressions, greed, drive for competition, avarice — all are gone. Recoverees are kind, driven by altruism. They’re non-violent, and have an unstoppable urge to help others, even at the risk of their own lives.

On the surface, that sounds pretty great. But big business and governments alike are worried. What will this mean for the economy? What does this mean for international politics, struggles, and power plays? If people are no longer motivated by consumerism, what does this mean for production? And of course, the billionaires are the most worried, both for their own enormous profits and what it might mean if — heaven forbid — they themselves become infected. Already, a worrying number of very wealthy people have recovered from Crown Royale only to give away everything they own.

Within this intriguing premise, we’re introduced to three teens with very different backgrounds. Rón (yes, with an accent over the “o” — it’s short for Tiburón) is the youngest son of the third richest man in the world. He’s a bit of a lost soul, constantly fighting the depression that threatens to pull him under. To Rón, a virus that will leave him happy for the first time in his life sounds pretty good. Mariel lives on the streets with her flighty mother, and after her mother’s death from Crown Royale, finds herself connecting with Rón at a pop-up commune for recoverees.

And then there’s Morgan, a hard-driving prodigy who lands a coveted internship with a very wealthy consortium — only to discover that the old woman who owns the consortium is signing over all her assets to Morgan in the event she contracts Crown Royale. Dame Havilland lives for spite, and hates the idea that she might turn into a kinder, gentler version of herself if she gets the virus, and so she creates ironclad legal documents to permanently keep control of her assets out of her own hands.

As the story progresses, we see how each of these three main characters, as well as the many people they’re connected to, navigate a world that’s changing before their eyes. Rón and Mariel develop a very deep connection, but seem to be diverging toward quite different trajectories. Meanwhile, Morgan shows all the cunning and ruthlessness that landed her the job in the first place — but with limitless power now in her hands, she has her own agenda when it comes to Crown Royale.

I’d hate to give away any more of the plot. Suffice to say, the story is twisty and turny, and goes in directions I didn’t see coming. There are fascinating moral dilemmas at the core of this story. Crown Royale is deadly for a relatively small percentage of its sufferers, but the rest experience beauty and true happiness in its aftermath. So should the world be trying to fight Crown Royale at all? Would the world be a better place if everyone was transformed by the virus? If war and cruelty could be eliminated, isn’t that a good thing?

Because if you took everything into consideration, from war to apathy, from greed to racism—all the self-destructive, self-loathing, self-annihilating tendencies of human nature—Crown Royale might just be the best thing to ever come along.

But on the other hand, many believe that the recoverees, although happy, aren’t truly themselves any longer — and for those with that belief, there’s a deep-seated fear of the virus and a hatred for it and those who might spread it.

“Despair builds character!” countered Morgan. “It’s what motivates us—but Crown Royale denies people that! You’re just too naïve to see it!”

For those who truly believe Crown Royale is a blessing for humanity, there’s a feeling that they’re called to pass it along to everyone else. But what about free will? Shouldn’t it be a choice? And when a potential vaccine or counter-virus seems possible, the same question applies: Should Crown Royale be absolutely eliminated? What about the people who want to seek it out and experience a better version of their lives?

I picked up All Better Now after seeing it mentioned in this Reactor article about what to read after watching Pluribus (AppleTV). I though Pluribus was terrific, and I’ve read and enjoyed several of Neal Shusterman’s books in the past (including the Arc of a Scythe series), so All Better Now seemed like an obvious choice for me.

I’m glad I stumbled across that article, and I’m glad that I gave this book a try! I actually didn’t realize that it was a YA novel (although I should have known based on the author and the publisher). And really, apart from the fact that the main characters are teens, I’d say this doesn’t have to be shelved as YA — it’s just a really good sci-fi book about a world-changing virus!

I also didn’t realize that All Better Now is the first book in a projected duology. Until I went back to the Goodreads listing as I neared the end of the book, I had no idea that I wasn’t reading a stand-alone novel. The book does have an open-ended conclusion… but given the subject matter, I suppose it could just be seen as ominously open to interpretation. I suppose I’m glad to know that there will be more in this world, and that the story will continue (and get wrapped up) in one more book — but I think I could have been satisfied with All Better Now on its own as well.

(According to Goodreads, book #2 will be called All Over Now, and does not yet have a release date.)

Once I started All Better Now, I just couldn’t put it down. Sure, there are plot points that stretch credulity, and I never quite bought Morgan’s trajectory. Likewise, having teens driving the plot make sense from a YA branding perspective, but left me at times wanting to know more about what the grown-ups were up to.

Still, quibbles aside, there’s no denying that this was a fascinating, utterly absorbing read that kept me up late turning pages, then not being able to get the various scenarios out of my head.

All Better Now wasn’t on my reading agenda for this year, but I’m so glad I picked it up!

4Jan2026

Book Review: Winter Solstice by Rosamunde Pilcher

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Winter Solstice
Author: Rosamunde Pilcher
Publisher: Dutton
Publication date: 2000
Length: 520 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

In Winter Solstice Rosamunde Pilcher brings her readers into the lives of five very different people….

Elfrida Phipps, once of London’s stage, moved to the English village of Dibton in hopes of making a new life for herself. Gradually she settled into the comfortable familiarity of village life — shopkeepers knowing her tastes, neighbors calling her by name — still she finds herself lonely.

Oscar Blundell gave up his life as a musician in order to marry Gloria. They have a beautiful daughter, Francesca, and it is only because of their little girl that Oscar views his sacrificed career as worthwhile.

Carrie returns from Austria at the end of an ill-fated affair with a married man to find her mother and sister sharing a home and squabbling endlessly. With Christmas approaching, Carrie agrees to look after her sister’s awkward and quiet teenage daughter, Lucy, so that her mother might enjoy a romantic fling in America.

Sam Howard is trying to pull his life back together after his wife has left him for another. He is without home and without roots, all he has is his job. Business takes him to northern Scotland, where he falls in love with the lush, craggy landscape and set his sights on a house.

It is the strange rippling effects of a tragedy that will bring these five characters together in a large, neglected estate house near the Scottish fishing town of Creagan.

It is in this house, on the shortest day of the year, that the lives of five people will come together and be forever changed. Rosamunde Pilcher’s long-awaited return to the page will warm the hearts of readers both old and new. Winter Solstice is a novel of love, loyalty and rebirth.

What a perfect book to start off a new year! I suppose it would have been even better to read Winter Solstice in the weeks leading up to Christmas and the solstice… but now I know in case I ever want to re-read it.

Winter Solstice is a big, heartwarming book, originally published in 2000, but with such a lovely, unhurried air that it feels like a throwback to an earlier era. In Winter Solstice, the author introduces us to a large cast of characters and then takes her time to let us get to know them before weaving all their stories together.

First and foremost is Elfrida Phipps, a former actress in her early 60s, who’ll be the first to inform you that her acting career was nothing splashy. After losing the man she loves after a long illness, Elfrida is ready to move into her retirement years. She leaves London and buys herself a cozy cottage in the village of Dibton, where she settles into small-town life and becomes part of the community.

In Dibton, she’s welcomed by Oscar and Gloria Blundell, who lives in a gorgeous home with their young daughter Francesca. Elfrida especially enjoys her conversations with Oscar, the church organist and a lifelong music lover and teacher, as well as her newfound friendship with Francesca.

Meanwhile, Elfrida’s cousin Carrie is heartbroken after the end of her long-term relationship with a married man. She returns home to London to find her mother and sister endlessly squabbling, leaving her 14-year-old niece Lucy stuck in the middle and yet sadly ignored.

Rounding out the cast of main characters, we also meet Sam, a businessman who’s returning home from New York to the UK to take up a prestigious new position with a wool-manufacturing conglomerate, at loose ends and unsure of anything but his work life.

The characters’ paths come together in the small Scottish town of Creagan where, for various reasons, they end up spending the weeks leading up to Christmas. As they settle in, they find shelter, friendship, and new possibilities. I really don’t want to say much more about the plot. This is a rather gentle story, so there aren’t any cliffhangers or mysteries — and yet, discovering how all the characters’ lives intersect and move forward is one of the joys of reading this lovely book.

There’s something beautiful and timeless about the writing in Winter Solstice. Nothing is rushed; the story moves forward through small steps, as we see moments in people’s lives, reflections on what’s come before, and an understanding of each person’s dreams, frustrations, and needs.

The descriptions of the land, the sea, and the general surroundings are simple and lovely:

And over the shallow hills of the distant headland inched the first sliver of an orange sun. The curved rim of dazzling light touched the shifting sea, smudged shadows on the undulations of the sand, and drained darkness from the sky, so that gradually it was no longer sapphire-blue, but faded to aquamarine.

The characters spend time together, but also alone. There’s a deep sense of appreciation as they find themselves in a moment of peace, away from the hustle of day to day life, able to live in the moment and simply let themselves experience the people and places around them.

This is a long novel, and I was afraid at first that it would be slow or even (gasp!) boring. No need to worry! The plot does take a leisurely approach, but I was never uninterested or wishing for the pace to pick up. The writing style gives us time to really get to know the characters, and it’s this approach that enables us to truly appreciate how they later connect and form new, meaningful relationships.

Prior to the this, the only book by Rosamunde Pilcher that I’d read was The Shell Seekers — so long ago that I couldn’t tell you a thing about the plot at this point. I doubt I ever would have come across Winter Solstice if not for a recommendation by an author who chatted with my book group last year. I’m so grateful that she recommended it!

Winter Solstice represents comfort, friendship, community, and goodness, without ever verging into saccharine-sweetness. The characters are lovely but imperfect, and there’s plenty of sadness mixed in with the joy. I thoroughly enjoyed this novel, and recommend it highly.

Question: Have you read Rosamunde Pilcher’s novels? Do you have a favorite to recommend?

3Jan2026

Audiobook Review: Shakespeare: The Man who Pays the Rent by Judi Dench and Brendan O’Hea

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Shakespeare: The Man who Pays the Rent
Author: Judi Dench and Brendan O’Hea
Narrators: Brendan O’Hea and Barbara Flynn, with Judi Dench
Publisher: St. Martin’s Press
Publication date: April 23, 2024
Print length: 400 pages
Audio length: 12 hours 5 minutes
Genre: Non-fiction / memoir / literature
Source: Library
Rating:

Discover the work of the greatest writer in the English language as you’ve never encountered it before by ordering internationally renowned actor Dame Judi Dench’s SHAKESPEARE: The Man Who Pays The Rent—a witty, insightful journey through the plays and tales of our beloved Shakespeare.

Taking a curtain call with a live snake in her wig…

Cavorting naked through the Warwickshire countryside painted green…

Acting opposite a child with a pumpkin on his head…

These are just a few of the things Dame Judi Dench has done in the name of Shakespeare.

For the very first time, Judi opens up about every Shakespearean role she has played throughout her seven-decade career, from Lady Macbeth and Titania to Ophelia and Cleopatra. In a series of intimate conversations with actor & director Brendan O’Hea, she guides us through Shakespeare’s plays with incisive clarity, revealing the secrets of her rehearsal process and inviting us to share in her triumphs, disasters, and backstage shenanigans.

Interspersed with vignettes on audiences, critics, company spirit and rehearsal room etiquette, she serves up priceless revelations on everything from the craft of speaking in verse to her personal interpretations of some of Shakespeare’s most famous scenes, all brightened by her mischievous sense of humour, striking level of honesty and a peppering of hilarious anecdotes, many of which have remained under lock and key until now.

Instructive and witty, provocative and inspiring, this is ultimately Judi’s love letter to Shakespeare, or rather, The Man Who Pays The Rent.

This audiobook makes my list of one of my most enjoyable listens of 2025! In this remarkable book, Dame Judi Dench discusses her many roles in Shakespeare productions, going back to her very first professional roles and taking us through her experiences in the decades that followed. What becomes immediately apparent is her great love for Shakespeare, and even more astounding, her in-depth, detailed recall and understanding of the great lines and moments she’s performed over the years.

This book started as a series of recorded conversations between Judi Dench and Shakespearean actor and director Brendan O’Hea, with whom Ms. Dench has worked with many times over the years. The conversations took place over a period of four years, with the duo originally intending to donate the recordings to the archives of the Globe. But over time, the authors realized that there might be content here to appeal to a broader audience, and thus we have this book.

In it, the authors discuss all of Dame Judi’s roles, going play by play and character by character. It’s extraordinary to witness her vivid descriptions of the costumes, sets, and fellow actors, as well as the tone of the production and the specifics of working with different directors. Beyond the story of her experiences acting are deeper reflections on the content of the plays themselves, with vastly insightful thoughts on Shakespeare’s writing, what he includes or doesn’t include in the play, and why these plays still have meaning for today’s audiences and readers.

There’s so much to learn here! I’ve taken Shakespeare courses (long, long ago), but don’t remember learning nearly as much in that context as I did here, especially in terms of what is conveyed by whether lines are written in iambic pentameter or blank verse or prose. She discusses where breaths fall and how lines are delivered, pacing of speech and in-the-moment decisions about intonation and emphasis. It’s fascinating.

Equally fascinating are the tidbits about different productions and the reactions of critics to seemingly small details. I also picked up plenty of little trivia items along the way. For example, I don’t think I ever knew that in Shakespeare’s time, it was illegal to perform a wedding on-stage in a theatrical production — which is why weddings in Shakespeare’s plays take place offstage or aren’t shown in full.

The audiobook experience is terrific. While Brendan O’Hea reads his part of the conversations, narrator Barbara Flynn stands in for Judi Dench. I was disappointed at first not to be hearing Judi Dench throughout, but Barbara Flynn does such a great job that she melts into the part she’s playing, and I often forgot that I wasn’t listening to the actor herself. However, Judi Dench does the reading for the Shakespearean lines that start each chapter, and there’s a really amusing little extra at the end of the audiobook which is a recording of an additional conversation between her and Brendan. It’s very, very funny.

While the audiobook conveys the content in full, and is an amazing way to appreciate the lines from the plays throughout, it’s worth mentioning that the hard copy of the book includes sketches by Judi Dench herself. I’d recommend at least borrowing a library edition of the hard copy to follow along as you enjoy the audiobook. For me, I was loving the audio so much that I just had to have a print edition of my own, and made myself a little holiday gift of the hardcover version.

Not only did I love the stories and insights, but I also gained knowledge about plays I hadn’t read or encountered before. Reading this book has inspired me to read (and then try to find film versions) of more Shakespeare plays.

Shakespeare: The Man Who Pays the Rent is a phenomenal audiobook experience. For anyone who loves Shakespeare and the history of theater, I’d say it’s a must read and/or must listen! And beyond the academic aspects, it’s lovely to hear Judi Dench’s reminiscences and personal stories about her life in theater and what it’s all meant to her.

Definitely a 5-star experience. Don’t miss it.

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29Dec2025

Book Review: The Stolen Queen by Fiona Davis

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Stolen Queen
Author: Fiona Davis
Publisher: Dutton
Publication date: January 7, 2025
Length: 352 pages
Genre: Historical fiction
Source: Library
Rating:

From New York Times bestselling author Fiona Davis, an utterly addictive new novel that will transport you from New York City’s most glamorous party to the labyrinth streets of Cairo and back.

Egypt, 1936: When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt’s Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same.

New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who’s in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the “party of the year.” Though Annie soon realizes she’ll have her work cut out for her, scrambling to meet Diana’s capricious demands and exacting standards.

Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met’s celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She’s consumed with her research on Hathorkare—a rare female pharaoh dismissed by most other Egyptologists as unimportant.

That is, until the night of the gala. When one of the Egyptian art collection’s most valuable artifacts goes missing . . . and there are signs Hathorkare’s legendary curse might be reawakening.

As Annie and Charlotte team up to search for the missing antiquity, a desperate hunch leads the unlikely duo to one place Charlotte swore she’d never return: Egypt. But if they’re to have any hope of finding the artifact, Charlotte will need to confront the demons of her past—which may mean leading them both directly into danger.

I seem to say this a lot: Thanks to my book group, I’ve read yet another book that I might not otherwise have picked up… and I’m so glad I did!

In The Stolen Queen, author Fiona Davis presents a dual-timeline story, alternating between events in Egypt in 1937 and in New York in 1978. The connection is Charlotte Cross, a curator at the Metropolitan Museum of Art specializing in Egyptian artifacts. In 1937, as a young student, she worked on an archaeological team in the Valley of the Kings, where she helped discover a previously unknown tomb. But tragedy struck, and she vowed never to return to Egypt.

Now, in 1978, she has a steady career at the Met, and pursues her passion project — an investigation into the woman pharaoh Hathorkare, whom most historians ignore or consider unimportant. Charlotte has uncovered evidence that disputes the generally held beliefs about Hathorkare, and just needs approval to move ahead with publication.

The other main character is Annie, a 19-year-old who works hard at menial jobs to support herself and her immature, selfish mother while dreaming of a future in fashion. When a chance encounter puts her into the orbit of Diana Vreeland, her dreams appear to be within reach — until a disaster at the Met Gala seems to entirely ruin her hopes.

When a priceless Egyptian artifact is stolen and Charlotte and Annie end up in the path of the thief, they join forces to track down the missing item. Charlotte is finally forced to confront her past as the search leads them to Egypt. Together, they not only trace clues to the theft, but uncover deeper secrets that have a huge impact on Charlotte’s life and change everything she thought she knew about her own past.

I picked up this book with some trepidation. I wasn’t entirely sure that I was in the mood for historical fiction, and was afraid (for whatever reason) that the story would be dry. I’m happy to report that my fears were unfounded! Once I started reading, I was hooked.

Both timelines are handled very well. The 1937 storyline gives us a strong foundation for who Charlotte is as a person, and is crucial for understanding the woman we meet in the later timeline. We get a very good sense of the status of women in the field of archaeology, as well as a vivid picture of the challenges and triumphs of life on a dig. The descriptions of working in Egypt — the heat, the sights and sounds and smells — bring the period and the setting to vibrant life.

In the 1978 timeline, we initially encounter a very different Charlotte, but as the book progresses, we can make the connection between who she once was and who she is now, as a 60-year-old woman with respected status in her field and a personal life that seems to teeter back and forth between being satisfying or just a holding pattern. The tragedy from Charlotte’s past is never forgotten, but also never spoken of — and as we learn, there are unresolved pieces that even Charlotte doesn’t fully understand.

I did question the inclusion of the Diana Vreeland storyline. I suppose if you’re writing a novel set at the Met, including the Met Gala adds glamour and excitement — but of all the various story threads, this is the one that interested me the least and seemed least successful. This is Annie’s entry into Charlotte’s life, but other than that, much of the Met Gala plot felt unnecessary to me.

My other quibble with the book is Charlotte’s focus on the curse associated with Hathorkare. As a scholar and an archaeologist, Charlotte’s belief in the curse and her suspicion that it was responsible for some of the tragedies in her life just isn’t credible. I couldn’t prevent a bit of eye-rolling whenever the subject of the curse cropped up.

On the other hand, I enjoyed the scenes in Egypt and the investigation that occurs there, as well as the development of the research into Hathorkare’s tomb and her history. Some events feel a bit too convenient or coincidental, but ultimately, I was able to overlook these as the overarching story kept me engaged throughout.

Themes of lost and found family tie the various elements of the plot together, as does the examination of women’s professional opportunities and how those have changed (or not) over the decades.

Through the characters’ discussions, we also gain insights into the ongoing debate about where antiquities belong. Does preservation or the ability to share with a greater public override the claims of the country of origin, even if that country doesn’t have the means to adequately preserve, protect, or display the antiquities? There aren’t any easy answers, but I appreciate the thoughtful way the issues are discussed in this book.

The Stolen Queen is the first book I’ve read by Fiona Davis, although I have a few others on my TBR list. If you have recommendations, please let me know!

Overall, I’m very glad to have read The Stolen Queen. It had me hooked right from the start. I loved the characters, the historical elements, and the several mysteries that are central to the plot. Definitely recommended for fans of historical fiction — and needless to say, recommended for book groups!

27Dec2025

Book Review: A Damsel in Distress by P. G. Wodehouse

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: A Damsel in Distress
Author: P. G. Wodehouse
Publisher: Various (public domain)
Publication date: 1919
Length: 216 pages
Genre: Classic fiction
Source: Purchased
Rating:

When Maud Marsh flings herself into George Bevan’s cab in Piccadilly, he starts believing in damsels in distress. George traces his mysterious traveling companion to Belpher Castle, home of Lord Marshmoreton, where things become severely muddled. Maud’s aunt, Lady Caroline Byng, wants Maud to marry Reggie, her stepson. Maud, meanwhile, is known to be in love with an unknown American she met in Wales. So when George turns up speaking American, a nasty case of mistaken identity breaks out. In fact, the scene is set for the perfect Wodehouse comedy of errors.

What a silly, happy book this is!

I’ve read a couple of the author’s Jeeves books — delightfully funny — and when I stumbled across A Damsel in Distress, I simply couldn’t resist picking it up… especially since it fits neatly into a reading challenge I’m trying to complete.

In A Damsel in Distress, American composer George Bevan is basically minding his own business after a production of his latest musical theater show when a woman barges into his cab in the middle of London, begging him to hide her. When a stout man catches up and demands that he reveal the woman in his cab — which he refuses to do — a chain of events is started that ends with George falling in love, the woman making her own clever escape, and her pursuer in the custody of police. And that’s only the beginning of the chaos that follows!

We follow several threads related to mismatched love interests, upstairs/downstairs shenanigans and schemes, and mistaken identity. Comedic set-pieces galore offer silly escapades and plenty of embarrassment for certain character, while the various entangled love stories go off in unexpected directions.

As always, Wodehouse’s writing is deliciously funny — as when George can either climb up a rope made of knotted bedsheets or be caught in a socially awkward position:

From above came Albert’s hoarse whisper. “Look alive!” This was precisely what George wanted to do for at least another fifty years or so; and it seemed to him as he stood there in the starlight, gingerly fingering this flimsy linen thing, that if he were to suspend his hundred and eighty pounds of bone and sinew at the end of it over the black gulf outside the balcony he would look alive for about five seconds, and after that goodness only knew how he would look.

There are too many wonderful quotes to choose from — here are a couple more:

Maud was of the class whose education consists mainly of a training in the delicate ignoring of delicate situations.

I don’t know what your experience has been, but mine is that proposing’s a thing that simply isn’t within the scope of a man who isn’t moderately woozled.

I thoroughly enjoyed reading A Damsel in Distress. The aristocratic snobbery, silly slang, and goofy hijinks all add up to a very entertaining read. Highly recommended for when you’re in the mood for a light, funny read.

After finishing the book, I was curious to see if it had ever been adapted as a movie… and what do you know? There’s a 1937 black-and-white movie musical version starring Fred Astaire and Joan Fontaine, and featuring George Burns and Gracie Allen! I’m definitely going to need to find where to stream this. Has anyone seen it?

Interested in the book?

24Dec2025

Book Review: Through Gates of Garnet and Gold (Wayward Children, #11) by Seanan McGuire

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Through Gates of Garnet and Gold
Series: Wayward Children, #11
Author: Seanan McGuire
Publisher: Tor
Publication date: January 6, 2026
Length: 160 pages
Genre: Fantasy
Source: Review copy courtesy of the publisher via NetGalley

A fan-favorite character returns in this action-packed instalment of the Hugo Award-winning Wayward Children series.

After Nancy was cast out of the Halls of the Dead and forced to enroll at Eleanor West’s School for Wayward Children, she never believed she’d find her door again, and when she did, she didn’t look back. She disappeared from the school to resume her place in the Halls, never intending to return.

Years have passed. A darkness has descended on the Halls, and the living statues who populate them are dying at the hands of the already dead. The Lord and Lady who rule the land are helpless to stop the slaughter, forcing Nancy to leave the Halls again, this time on purpose, as she attempts to seek much-needed help from her former schoolmates.

But who would volunteer to quest in a world where the dead roam freely?

And why are the dead so intent on adding to their number?

In Through Gates of Garnet and Gold, the 11th book in Seanan McGuire’s Wayward Children series, we go back to the beginning — sort of — by reconnecting with Nancy, the main character from the very first book, Every Heart a Doorway.

In the world of the Wayward Children, there are doors that lead to other worlds, and children who feel out of place are the ones who tend to find them. But each door comes with a simple warning: Be Sure. Those who are sure may find themselves a new home beyond their doors, a place where they finally fit.

Anyway, wanting isn’t the point. It’s the certainty. The absolute conviction that you’re willing to give up everything you know, everything you have, if you can just go somewhere that you’ll be understood.

When doubts or second thoughts creep in, that’s when children find themselves booted back to their home worlds, no more suited for life where they started from than they ever were. And that’s where Eleanor West’s Home for Wayward Children comes in, providing a refuge and a found family for children who’ve found and then lost their true homes… and in many cases, are simply biding their time until their door comes back to take them home again.

In Nancy’s case, certainty was never an issue. She’s sure. She knows she belongs in the Halls of the Dead, where the Lord and Lady cherish their living statues — people, like Nancy, who find the absolute stillness of this world a balm and a comfort. Nancy never wants to leave, until the silence and motionlessness of the halls are broken by a violent attack of the unquiet dead. Voracious spirits attack, devouring any life they can find. As the living statues are imperiled, the Lord and Lady send Nancy to seek help. To save her home, she agrees to leave it, and finds herself back at the Home for Wayward Children once again.

Rallying a small group of her friends, they return to save the day, but their quest isn’t as straightforward as they’d hoped. They must find the cause of this disturbance and put it right — but as they do so, Nancy learns more about this world she considers home, and more than she really wanted to know about its rulers and their care for their subjects.

I enjoyed this reunion with Nancy, who’s always been a favorite of mine. I’ve always loved the descriptions of her desire for stillness. It may sound crazy to you or me, but the writing in this series truly allows us inside Nancy’s mind, so we can understand what she needs even while knowing that it would be awful for most people.

Other familiar characters come along on the quest. I won’t divulge too many details, but I will point out that this book is not at all a good entry point into the series. You really do need to know what’s come before in order to grasp the significance of certain characters’ actions.

Somehow, Through Gates of Garnet and Gold didn’t quite deliver the brilliance of the last book (Adrift in Currents Clean and Clear) or others that I consider the best of the bunch. Perhaps that’s because this is a return to a world and characters we’ve already seen, rather than an introduction to some new fantastical world. The plot is interesting enough, but lacked a major punch. I was involved, but not on the edge of my seat.

The ending, while wrapping up this particular quest, opens the door (so to speak) to more questions and new developments. I hate the idea of having to wait a year for the next book!

Fans of the Wayward Children series will absolutely want to check out Through Gates of Garnet and Gold. It’s an engaging entry into a series that always offers surprises and delights. I wouldn’t say it’s the best of the series… but it’s still very, very good.

Purchase links: Amazon – Audible — Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

21Dec2025

Book Review: The Correspondent by Virginia Evans

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Correspondent
Author: Virginia Evans
Publisher: Crown
Publication date: April 29, 2025
Length: 291 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Sybil expects her world to go on as it always has—a mother, grandmother, wife, divorcee, distinguished lawyer, she has lived a very full life. But when letters from someone in her past force her to examine one of the most painful periods of her life, she realizes that the letter she has been writing over the years needs to be read and that she cannot move forward until she finds it in her heart to offer forgiveness.

Filled with knowledge that only comes from a life fully lived, The Correspondent is a gem of a novel about the power of finding solace in literature and connection with people we might never meet in person. It is about the hubris of youth and the wisdom of old age, and the mistakes and acts of kindness that occur during a lifetime. Sybil Van Antwerp’s life of letters might be “a very small thing,” but she also might be one of the most memorable characters you will ever find.

The Correspondent is a lovely book about looking back at a life, understanding the past, making amends, and finding connections. It’s about a lot, actually — but isn’t life like that?

This epistolary novel takes place solely through the letters Sybil Van Antwerp writes and receives. Covering a span of ten years, we follow Sybil through her seventies, as she looks back on a life full of professional achievement, family joys and sorrows, good friends, and lots of literature. Through it all, she’s been a letter writer, sitting at her desk each day to write by hand on lovely paper. She writes to friends and family members, but also to a college dean, customer service representatives, obnoxious garden club members, and her favorite authors.

Sybil’s letters, one by one, provide readers with insight into the complicated inner life of a woman who, at first, seems like yet another somewhat cranky older woman character. But there’s so much more to discover: There’s a deep vein of grief that runs through all her letters, and as we learn, there are regrets from her past that she wishes to fix, if she can. Her family dynamics can be fraught, as we see in her often contentious relationship with her daughter, yet she displays a remarkable amount of kindness toward others in need, whether the son of a good friend with whom she corresponds throughout his difficult teen years or the high school student who reaches out for a school research project.

Themes of reconciliation and forgiveness add depth to the novel. Sybil affects others’ lives in big and small ways. A situation that seems threatening turns into an opportunity for making amends. Someone with whom Sybil interacts in a business capacity ends up having his life changed thanks to Sybil’s assistance.

And yet, we also see Sybil’s pain over a terrible loss, her ruminations on how and why her marriage ended, and her sorrow over her failures regarding her relationship with her daughter. Through her letters, Sybil communicates with others, but also investigates her own experiences. As we learn early on, Sybil has a condition that will lead to blindness, and while she doesn’t engage in self-pity, we see how deeply she fears the loss of vision, especially as a lifelong passionate reader who knows her time with books and writing may come to an end.

Lest this all sound quite dire, I must point out that The Correspondent has wonderful moments of joy and laughter as well. Sybil is courted by two very different men, and her descriptions of her experiences are sweet and funny. I loved her letters to authors. We might at first consider Sybil naive in her belief that a famous author might read her letters or remember her — but Sybil’s philosophy is to write to whomever she’s interested in communicating with, and who knows? She may actually get a response. There are several results of her letter-writing that absolutely delighted me — I won’t get into details, because these episodes are just too wonderful to spoil.

I’m so glad that I picked up The Correspondent. It’s a quick read that pulls on the heartstrings without becoming overly sentimental. There’s a deep sense of goodness here. Sybil isn’t perfect and hasn’t lived a perfect life. Through her letters, we understand her, and see what a difference one imperfect person can make.