Katherine Addison returns to the glittering world she created for her beloved novel, The Goblin Emperor, in this stand-alone sequel.
When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin.
Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honestly will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered.
Now Celehar’s skills lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness.
Katherine Addison has created a fantastic world for these books – wide and deep and true.
Thara Celehar is the Witness for the Dead of this book’s title. He’s gifted with the ability to find out the truth of a death by making contact with the deceased’s body. He says a prayer of compassion, then asks the dead to answer questions. Sometimes, it’s too late, and there’s no one left in the body to answer the query. But sometimes, he’s able to get answers or at least an impression of the person’s last moments. He then bears witness for the dead person, testifying to what he’s learned in order to solve a mystery or resolve a dispute. His basic goodness allows him to carry out his duties with dignity.
However, despite being located in a smaller city far from the capitol, Thara is not completely shielded from the backbiting and political striving that characterizes the prelacy of Amalo. There are some who are jealous of Thara’s connection to the emperor; others fear that he might gain power and seek to tear him down. No matter how he tries to stay outside the fray, he’s drawn in repeatedly.
As the book opens, Thara becomes involved in several unsolved cases. In one, a family needs him to discover who their patriarch’s intended heir is, as the will is in dispute. In another, sadder case, a brother seeks his sister’s body, believing that the man she eloped with may have done her harm. And in the story that becomes the overarching plotline of the book, a beautiful young woman’s body is pulled from the canal — was her death an accident, or was she killed? And if it was murder, who did it?
As he investigates, he becomes drawn into the worlds of the opera, the rich patrons, the seedier bars and teahouses, the gambling establishments, and the law enforcement of Amalo. He persists in pursuing the truth, even when his own life and reputation are at stake. Despite his fears and doubts, Thara is always true to his calling, and his intelligence and bravery enable him to see his inquiries through until he can find the truth on behalf of the dead.
The world of The Witness for the Dead is the world of The Goblin Emperor… and I can’t even begin to describe or explain how much I love this world. Author Katherine Addison has meticulously crafted a world with a finely developed culture, religious underpinnings, class stratifications, nobility and commoners, courtiers and princes. There’s a strange beauty to the descriptions of the people and the society, and I am particularly head over heels in love with the language of The Goblin Emperor‘s world.
In her books, the author creates a vocabulary and grammar that is dizzyingly strange and difficult, making the books seem almost impenetrable at first — but if we stick with it (as I encourage everyone to do), the names of the people and places and institutions, as well as the forms of address and the contrasting formal and informal speech patterns, all create a sort of linguistic magic. As I re-read The Goblin Emperor via audiobook, I was enthralled all over again, not just by the story, but by the very sound of it all. Truly an incredible experience.
Back to The Witness for the Dead: I loved this story. It was fascinating seeing Thara Celehar about his work. We see him in action in The Goblin Emperor through his interactions with the Emperor, but here, we’re privy to more of his inner life and learn more about what sort of person he is and what drives him. It’s an engrossing character study, enhanced by clever mysteries for Thara to solve.
I suppose my only complaint about The Witness for the Dead isn’t really about this book at all: I just missed Maia (Emperor Edrehasivar VII) so, so much. I would gladly read a multiple-volume history covering the reign of the emperor… but I’d also happily settle for just one more novel!
I can’t imagine reading The Witness for the Dead without having read The Goblin Emperor. I do know at least one person who’s planning to do just that, and I’ll be interested to hear her thoughts. I don’t think this book would work as a stand-alone, since I can’t see how someone could truly make sense of the world (not to mention all those names!!) without having read the previous novel. But, I’d be happy to be proven wrong!
I highly recommend The Witness for the Dead, but please do yourself a favor and read The Goblin Emperor first. I hope you’ll love it as much as I do!
Note: As part of a preorder sales promotion, I also received a digital copy of a new short story called Lora Selezh. It’s a compact story about Thara witnessing on behalf of a petitioner, and I really liked it. I don’t know if it’s available elsewhere, but if so, don’t miss it.