Book Review: Jackpot Summer by Elyssa Friedland

Title: Jackpot Summer
Author: Elyssa Friedland
Publisher: Berkley
Publication date: June 11, 2024
Length: 384 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

After the Jacobson siblings win a life-changing fortune in the lottery, they assume their messy lives will transform into sleek, storybook perfection—but they couldn’t be more wrong in the new laugh-out-loud novel from beloved author Elyssa Friedland.

The four Jacobson children were raised to respect the value of a dollar. Their mother reused tea bags and refused to pay retail; their father taught them to budget before he taught them to ride a bike. And yet, as adults, their financial lives—as well as their personal lives—are in complete disarray.

The siblings reunite when their newly widowed father puts their Jersey Shore home on the market. Packing up their childhood isn’t easy, especially when they’ve all got drama brewing back home. Matthew is miserable at his corporate law job and wishes he had more time with his son; Laura’s marriage is imploding in spectacular fashion; Sophie’s art career is stalled while her boyfriend’s is on the rise; and Noah’s total failure to launch has him doing tech repair for pennies.

So when Noah sees an ad for a Powerball drawing, he and his sisters go in on a ticket. Matthew passes but the ticket is a winner and all hell breaks loose as the infusion of cash causes sibling rivalries and family secrets to resurface. Without their mother, and with their father busy playing pickleball in a Florida retirement village, the once close-knit siblings search for comfort in shiny new toys instead of each other.

It’s not long before the Jacobson’s start to realize that they’ll never feel rich unless they can pull their family back together.

Jackpot Summer is a story about siblings and life choices, with a “careful-what-you-wish-for” message that isn’t exactly subtle. After all, even before chapter 1, we read excerpts from several different newspaper articles about lottery winners, including one that explains how one man went from rolling in money to complete bankruptcy in only a few years. This can’t bode well for the Jacobsons, can it?

As the story opens, the “fantastic foursome” (as their late mother used to call them) have gathered for her unveiling. It’s been a year since her death from cancer, and as they talk together, their father Leo drops a bombshell: He’s selling the family’s beach house on the Jersey shore and moving to a retirement village in Florida, where he can play pickleball to his heart’s content. Instead of gathering at the beach house for the family’s traditional 4th of July celebration, they’ll be gathering to pack up the house and sort through a lifetime’s worth of odds and ends.

Each of the siblings is shaken, while also dealing with the stressors in their own lives. The oldest, Matthew, works alongside his ultra-ambitious wife in a prestigious corporate law office, while delegating the raising of their son to a stream of au pairs and tutors. Laura faces being an empty-nester when her younger daughter leaves for college, forcing her to acknowledge that her marriage seems to have dried up without her actually noticing it. Sophie’s day job as a public school teacher has her cleaning up glitter every day before working on her paintings in a grimy shared art space, getting nowhere while her sculptor boyfriend’s career seems to be taking off. And the youngest, Noah, lives in the beach house, does tech support house calls for the locals, and has no idea what to do with himself, but knows he doesn’t want to have to deal with actually changing anything.

On a whim, the Jacobson siblings — minus Matthew, whose wife expresses that the lottery is “a tax on stupid people” — go in on Powerball tickets… and win. This, of course, uproots all of their lives. First, the dilemma — do the three of them cut Matthew in on the winnings, even though he opted not to go in with them on the tickets? Much family drama stems from this point.

Once the money is in the family’s hands, more problems crop up. Everyone immediately dives into spending their new riches. Laura and husband Doug buy a mansion in a snobby new town, then head off on ultra-luxury vacations (which include couples massages with gold-infused lotions) — none of which does anything to actually improve their marriage. Sophie quits her teaching job, invests in a shiny, beautiful studio to work in, then finds herself utterly blocked when it comes to creativity. And poor Noah mopes about eating junk food and giving away money to anyone who asks — yes, the guy needing money to escape a “diktatership” is probably a scam… but what if it’s not?

Meanwhile, father Leo watches from afar and seems to be waiting for his kids to get their acts together, which it takes them quite a long time to do.

Jackpot Summer has a lot going for it, so let’s focus on the positives first. It’s funny and fast-paced, and while I initially feared that I wouldn’t be able to keep track of the individual characters (note: I hate books that introduce an entire family in one scene!), the fantastic foursome are actually all quite distinct. Chapters focus on one at a time, which gives readers a chance to get to know each one, understand their inner lives, and identify with the problems they face.

The Jacobsons are a Jewish American family, and it was enjoyable to see their rituals, their family traditions, and learn more about their heritage and how it affects their present attitudes. They’re not a particularly religious family, but their Jewishness is seen through pieces of their lives that include the local JCC, temple fundraisers, sitting shiva, and learning to bake their mother’s babka. It’s sweet, and the family scenes convey so much about how the kids were raised and how they ended up growing into the adults we now see.

The dynamics between the siblings is lots of fun too, especially once the rift with Matthew and his wife is resolved. They’re all adults, but their inner goofiness comes out when they’re together, and their group text chat is especially adorable.

A few negatives, though. The book sets us up from the beginning to expect the Jacobsons to squander their winnings, and they mostly do. None end up bankrupt, but they all make questionable choices before — finally, after some obviously very wrong turns — reassessing where true happiness lies and starting to course-correct. Not that we’d expect them all to be perfect, but there’s some clear bone-headedness that goes on longer than I felt necessary.

Matthew and his wife Beth are awful parents, forcing their 13-year-old Austin into one high-pressured activity after another, with no time to be a kid. We’re meant to like Matthew and Beth and eventually their more personable sides come out… but the depiction of the hard-charging corporate lawyers substituting hiring the best help for actually parenting their kid feels clichéd. It’s nothing we haven’t seen before, and as with other conflicts in this book, takes longer than necessary to resolve.

My final quibble: While the chapters focus on different siblings and so ostensibly are told through the characters’ points of view, there’s some nastiness about describing certain people that reeks of ageism to me:

On stage, a cluster of post-menopausal women dressed in black leotards, fishnets and tap shoes were performing a coordinated song and dance routine. […] His appearance brough the arthritic rendition of “Don’t Tell Mama” to a standstill.

Sorry, but I think it’s awesome that these adult women are tap dancing! What does post-menopausal have to do with it? Why are they, apparently by default, supposed to be arthritic? Ugh, this attitude bothers me so much.

Okay, all that aside, Jackpot Summer is overall a very fast and mostly enjoyable read. The ending feels rushed and the siblings’ various problems and dilemmas get tied up neatly and a bit too easily. Still, I liked it enough to read it in a day and a half. As light summer entertainment, this one deserves a place in the beach bag!

Book Review: Time’s Convert (All Souls, #4) by Deborah Harkness

Title: Time’s Convert
Series: All Souls
Author: Deborah Harkness
Publisher: Viking
Publication date: September 18, 2018
Length: 436 pages
Genre: Supernatural/contemporary/historical fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

From the #1 New York Times bestselling author of A Discovery of Witches, a novel about what it takes to become a vampire.

Set in contemporary Paris and London, and the American colonies during the upheaval and unrest that exploded into the Revolutionary War, a sweeping story that braids together the past and present.

On the battlefields of the American Revolution, Matthew de Clermont meets Marcus MacNeil, a young surgeon from Massachusetts, during a moment of political awakening when it seems that the world is on the brink of a brighter future. When Matthew offers him a chance at immortality and a new life, free from the restraints of his puritanical upbringing, Marcus seizes the opportunity to become a vampire. But his transformation is not an easy one and the ancient traditions and responsibilities of the de Clermont family clash with Marcus’s deeply-held beliefs in liberty, equality, and brotherhood.

A passionate love story and a fascinating exploration of the power of tradition and the possibilities for change, Time’s Convert will delight fans of the All Souls trilogy and all readers of magic, the supernatural, and romance.

I adored the world of Deborah Harkness’s All Souls books back when I first read them, and gobbled up each book in the original trilogy as soon as they were released. At the time of the 3rd book’s publication, it seemed like the story had reached its conclusion. But then, in 2018, the author released a fourth book, Time’s Convert, to continue the story and expand the world of All Souls even further. Naturally, I couldn’t resist, and bought a copy right away… and there it sat on my bookshelf for six years!

With the announcement of a new book in the series coming this summer, I realized it was finally time to dive back in. Fortunately, having recently watched the TV adaptation of A Discovery of Witches, I wasn’t going in cold, which ended up being a very good thing. This is a big, sprawling, complicated fictional world, and without the reminders provided by watching the series, I probably would have been lost.

The framing of Time’s Convert is a human-to-vampire transformation. Phoebe Taylor, the human beloved by Matthew’s son Marcus Whitmore, is ready to be reborn as a vampire in order to truly unite with Marcus and spend eternity with him. Making a vampire is serious business, with many terrible ways it can go wrong, and the de Clermont clan is taking no chances. Under the supervision of elder family members Miriam and Freyja, Phoebe’s rebirth will be carefully controlled and monitored each step of the way.

Unfortunately for Marcus, part of the process means that he cannot see Phoebe again until she is 90 days old as a vampire — infant vampires are too unpredictable and impulsive to make good choices, and Phoebe must actually choose to be with Marcus before they are officially mated. This leaves Marcus with a summer of anxious waiting, and he passes the time with Matthew and Diana, who hope to support him and ease his obsessive revisiting of the old memories that plague him.

Meanwhile, Matthew and Diana are dealing with potential crises of their own. Their toddler twins, Becca and Philip, are something unheard of in their world — a melding of vampire and witch genetics. Both display unusual traits, and raise alarms for others in the family, who worry that their powers, if not placed under tight control, could spell disaster for them all.

The book shifts focus between the three main plotlines: Phoebe’s transformation, Marcus’s history, and Matthew, Diana, and the twins.

Phoebe’s story is fascinating. We’ve never spent this kind of time in the series on the day to day ritual and challenges of vampire infancy and development. Through Phoebe, we learn all sorts of interesting bits and pieces about vampire appetites, food sources, sensitivity to light and sound, and more.

Marcus’s story is truly the heart of Time’s Convert, taking up more space than the other two plotlines. We go back to colonial New England, where we see Marcus’s life as the son of a cruel, domineering father, and what he must do to break free. Eventually, Marcus leaves home to join the revolution, and is present at the battle of Bunker Hill as well as with Washington’s forces in Pennsylvania and elsewhere. He learns about healing and becomes a surgeon, although without the means to get a formal education in medicine. Dying of one of the rampant fevers in a military camp, Marcus is offered the chance for new life by Matthew, and the next phase of his life begins.

We spend the next large chunk of time with Marcus in Paris, where he becomes embroiled with Marat, Danton, and other leaders of the French revolution. Only through the intervention of the de Clermont patriarch is Marcus finally forced to leave Paris before the Terror of the revolution ensnares him. From there, Marcus’s life continues in Edinburgh, New Orleans, and elsewhere, and finally leads him to where we know him in the present day.

As for Diana and Matthew, it’s quite interesting to see them grapple with understanding their children’s powers. They must struggle with raising their children as they wish while also addressing the concerns and even demands of the family’s leader, who wants them controlled no matter what. Also, there’s a very cute griffin!

Time’s Convert is under 500 pages, but it feels much longer. It’s jam-packed with people, places, historical events, and the internal mythology of the series. Many chapters and interludes move quickly, but there’s an overall heaviness to the reading experience — there’s just so much to take in.

The Marcus sections seem to move the slowest, especially before his vampire transformation. Until that point, it’s straight-up historical fiction set during the American revolution, which is fine, but not really what I come to the All Souls books to experience. Once Matthew gets involved, things pick up quite a bit, and the sections set in Paris and New Orleans are much more engaging as well.

Overall, I’m very happy to have returned to the world of All Souls! Part of me wishes I’d taken the time to reread the first three books before reading Time’s Convert — but honestly, who has the time? If I’d waited to do a reread, chances are I never would have gotten to Time’s Convert.

Being familiar with the details of the earlier books in the series is crucial for appreciating Time’s Convert and making sense of the complicated interconnectedness of the details and plot points. As I mentioned, the TV adaptation of the trilogy is a great shortcut — it’s not perfectly faithful to the books, but it’s close enough to provide an immersion back into that world. Another wonderful resource is The World of All Souls, a reference book (also released in 2018) that includes detailed synopses, character information, maps, and more. I kept it handy throughout this past week while reading Time’s Convert.

The next book in the series, The Black Bird Oracle, will be released in July 2024. I’ve already preordered my copy, and can’t wait to get started!

Synopsis (Goodreads):

Diana Bishop journeys to the darkest places within herself—and her family history—in the highly anticipated fifth novel of the beloved #1 New York Times bestselling All Souls series.

Deborah Harkness first introduced the world to Diana Bishop, Oxford scholar and witch, and vampire geneticist Matthew de Clairmont in A Discovery of Witches. Drawn to each other despite long-standing taboos, these two otherworldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Since then, they have fallen in love, traveled to Elizabethan England, dissolved the Covenant between the three species, and awoken the dark powers within Diana’s family line.

Now, Diana and Matthew receive a formal demand from the Congregation: They must test the magic of their seven-year-old twins, Pip and Rebecca. Concerned with their safety and desperate to avoid the same fate that led her parents to spellbind her, Diana decides to forge a different path for her family’s future and answers a message from a great-aunt she never knew existed, Gwyneth Proctor, whose invitation simply reads: It’s time you came home, Diana.

On the hallowed ground of Ravenswood, the Proctor family home, and under the tutelage of Gwyneth, a talented witch grounded in higher magic, a new era begins for Diana: a confrontation with her family’s dark past, and a reckoning for her own desire for even greater power—if she can let go, finally, of her fear of wielding it.

Book Review: The Guncle Abroad by Steven Rowley

Title: The Guncle Abroad
Author: Steven Rowley
Publisher: G.P. Putnam’s Sons
Publication date: May 21, 2024
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy via NetGalley (audiobook purchased via Audible)
Rating:

Rating: 4.5 out of 5.

Patrick O’Hara is called back to his guncle duties . . . This time for a big family wedding in Italy.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory. But at least he has a family to lean on. Until that family needs to again lean on him.

When Patrick’s brother, Greg, announces he’s getting remarried in Italy, Maisie and Grant are not thrilled. Patrick feels drawn to take the two back under his wing. As they travel through Europe on their way to the wedding, Patrick tries his best to help them understand love, much as he once helped them comprehend grief. But when they arrive in Italy, Patrick is overextended managing a groom with cold feet; his sister, Clara, flirting with guests left and right; a growing rivalry with the kids’ charming soon-to-be-launt (lesbian aunt), and two moody young teens trying to adjust to a new normal, all culminating in a disastrous rehearsal dinner.

Can Patrick save the day? Will teaching the kids about love help him repair his own love life? Can the change of scenery help Patrick come to terms with finally growing up?

Gracing the work with his signature blend of humor and heart, Steven Rowley charms with a beloved story about the complicated bonds of family, love, and what it takes to rediscover yourself, even at the ripe age of fifty.

Here’s how I started my review of The Guncle, the book that first introduced us to Patrick O’Hara and his niblings, Maisie and Grant:

After absolutely loving this author’s most recent novel, The Celebrants, I was eager to explore more. The Guncle, released in 2021, charmed me as soon as I saw the cover (I’m easily swayed by great covers!). I’m happy to report that The Guncle delivers in so many ways, and won my heart completely.

One advantage of reading a book a few years after its release is that you barely have to wait at all for a sequel! The Guncle was published in 2021, but I read it earlier this year… and yet — voila! — between that book and The Guncle Abroad, five years have passed! For the characters, in any case.

In The Guncle Abroad, Patrick is a far happier man in many ways, especially in comparison to how we first me him in The Guncle. He’s experienced a career revival, has moved to New York and remained actively involved in his brother’s family’s lives, and (until their recent breakup) had a loving long-term relationship with the wonderful Emory. (And yes, I felt my heart break just a teeny bit upon learning that they’d broken up.)

But as the book opens, Patrick finds himself with a mission. Greg, widowed five years earlier, is getting married to the woman he’s fallen in love with… who happens to be from an insanely wealthy, titled Italian family. (Who knew they still had nobility and titles in Italy? I sure didn’t!) The wedding will be a no-expense-spared affair at Lake Como, and all is delightful — except the kids aren’t happy. Clearly, Greg needs Patrick’s help.

As Greg prepares to meet his fiancée Livia in Italy for wedding prep, Patrick agrees to take the kids for summer. They meet him in London (where he’s wrapping filming on a new movie co-starring Jude Law!), and then accompany Patrick on a European vacation. His goal? Teach them all about love and love languages, so they can maybe find it in their hearts to accept Livia and their dad’s upcoming marriage.

Patrick, Maisie, and Grant are as amazing together as ever… although it is a bit disconcerting to encounter them at ages 14 and 11. Kids grow up so fast! Maisie is hovering between childhood and full-on teen mode, and Grant has outgrown his lisp but not his cuteness. As the trio traverse Paris, Salzburg, and Venice, Patrick does his best to teach them about cherishing people who care about them, accepting gifts with gratitude, and opening their hearts to new people and experiences. It’s an uphill climb for sure. Maisie and Grant still carry their grief for their mother, as does Patrick, and can’t fathom allowing Livia into their lives.

Can grief and gratitude coexist? Could he miss the kids’ mother and also be grateful for his time with Maisie and Grant? Or did the gratitude just make him miss Sara more and wish she was the one on this train with him instead of her sleeping kids? And in helping them these past few years with their grief, had he once again neglected his own?

The Guncle Abroad is as riotously funny as the previous book. Patrick is so incredibly over the top, and honestly, I love him to bits. But silly quips and jokes are not the only things going for this book. There are deeper veins of love, loss, healing, honoring memories, finding hope, and facing hard truths. The European adventure is eye-opening not just for Maisie and Grant, but also for Patrick.

Okay, but we do actually need to pay tribute to just a few of the passages and conversations that cracked me up:

Grant’s game console made a sound like something swirling a drain and he groaned. “Why can’t Dad marry Palmina?”

Speaking of nemeses, a cold child ran down Patrick’s spine. “Palmina’s a lesbian, you know that.”

Grant didn’t seem to view that as disqualifying. “Yeah, but gay marriage is legal now.”

“Children,” Livia said, part greeting, part statement of fact.

“I ask what’s going on, I do, but they don’t give me straight answers.”

“Do they give you gay ones?”

Patrick really is utter perfection — outwardly vain, always needing the spotlight, and with a bon mot for all occasions — but inwardly sensitive and oh-so-amazing as an uncle (guncle) to the pair of children he loves so much.

I listened to the audiobook version of The Guncle Abroad, and as with the previous book, the author is also the narrator. And while some authors are cringe-level awful at narration, the opposite is totally true here. Steven Rowley absolutely nails his characters voices, and his delivery as Patrick is *chef’s kiss* amazing.

My only teensy quibbles with The Guncle Abroad have to do with Livia and her sister Palmina. Livia is something of a blank. We see her in various scenes, but I didn’t feel that I got to know anything about her personality or a deeper sense of how she feels about Greg and the children. Meanwhile, Palmina (referred to by the kids as their new “launt”) immediately sets off Patrick’s alarms as competition for the kids’ affection and admiration — she’s just so effortlessly cool — but the shtick gets old pretty quickly, and I could have done without quite so much Palmina focus.

Still, these factors did not in the slightest keep me from loving this book. The Guncle Abroad is sweet, funny, honest, and constantly entertaining, and Patrick is the best. (Have I said that already? It’s true. He is). The Guncle Abroad has a super satisfying ending… but I still felt sad, because it seems pretty definitively to have wrapped up all storylines, and I’d love to think that there’s another Patrick/Maisie/Grant adventure in our future. Maybe when they’re another five years older?

Having read Steve Rowley’s three most recent books, I can safely say that I’ll read whatever he writes from this point forward. I love his characters, his humor, his pacing, and his way with snappy dialogue. I encourage everyone to check out The Guncle Abroad (read The Guncle first, obviously)… and if you really want a treat, give the audiobook a try.

Book Review: The Rom-Commers by Katherine Center

Title: The Rom-Commers
Author: Katherine Center
Publisher: St. Martin’s Press
Publication date: June 11. 2024
Length: 336 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

She’s rewriting his love story. But can she rewrite her own?

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up.

Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme.

But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?

Katherine Center books can be counted on to offer amazing women in the lead role, place them in challenging situations, and then give them a chance to shine — always with a sense of humor and a big heart. Here in The Rom-Commers, Emma is an aspiring screenwriter whose early talent never led to a shining career; instead, she turned down a prestigious Hollywood internship to be her father’s full-time caregiver, and works on screenplays in their apartment while teaching writing classes at the local college.

To be clear, Emma doesn’t regret her choice. She loves her dad (who sounds delightful), and knows what she’s doing is the most important thing she could possibly do. But still, she has dreams, and when her ex-boyfriend-slash-agent calls her with a once-in-a-lifetime opportunity, there’s no way she can give it up. (Well, there is, but her dad and sister won’t let her.)

Emma idolizes screenwriter Charlie Yates, has studied and annotated his scripts, watched ever interview he’s ever given, and knows his film career backward and forward. One thing Emma knows for sure is that Charlie Yates does not do rom-coms. So why is she being offered the chance to ghost-write a rewrite of his new rom-com script?

It turns out that Charlie has written a remake of It Happened One Night — which just happens to be Emma’s favorite movie ever — and his new version is AWFUL. The fact that she’s been picked to rescue the script is an unexpected break, and she’s all in. Until she gets to Charlie’s mansion, where she’ll be working and living, and discovers that agent Luke has hoodwinked them both. Charlie had no idea Emma was coming, has no interest in writing with her, and says a firm, irrevocable no.

After further arm-twisting by Luke, a deal is reached, and Emma does in fact move into Charlie’s guestroom and sets to work on his terrible screenplay. To get him to cooperate at all, she needs him to understand just why it’s so terrible — and he doesn’t see the problem at all. As it turns out, he fundamentally doesn’t believe in romance or love, which is a problem for someone writing a rom-com.

He clearly wanted to win — and settle this once and for all. “But doesn’t love conquer all? Doesn’t love find a way? Shouldn’t some cartoon woodland animals show up and help you find your happily ever ever?”

My eyes flashed. “Don’t use a romance term against me!”

“You’re the one who taught it to me!”

Emma’s mission, beyond rescuing the screenplay, is to get Charlie to experience some of the key staples of romantic movies (like unexpectedly falling on top of someone, or trying a silly new past-time — yes, there is line dancing involved! — or moving in for the perfect rom-com kiss).

Emma and Charlie end up being quite adorable together, but there are definitely hurdles for them to overcome. Charlie’s grumpiness and lack of emotion aren’t just random personality traits — he’s been hurt very badly in a previous relationship, and it makes sense that his belief in the possibility of love would be damaged (if not completely dead). As for Emma, she’s wracked by guilt over her father’s health, the accident that caused his current condition, and finally giving up the main caregiving role and allowing her younger sister to step in.

This is such a fun book! Sure, there were times when I wanted to bop Charlie over the head and tell him to snap out of it, but this book is so deftly written that even when the characters are annoying, they’re annoying for a reason.

“I don’t want to not be there for you.”

“That’s a heck of a double negative.”

The set pieces are really funny (the line dancing scene is amazing), and best of all, Emma and Charlie’s scenes together just sparkle. Their dialogue is quippy and smart and full of word-play, which is totally my jam.

“Emma,” Charlie said. “Please come here. You’re so drunk.”

“I’m not drunk,” I said. “I just drank too much.”

“That’s the literal definition of being drunk.”

Emma and Charlie also resort to googling the most ridiculous or random questions, among them how long it takes to fall in love, how to know when to take someone to the hospital after a bar fight, symptoms of a heart attack in a woman, and what a jazz box is (it’s a line-dancing move, in case you’re wondering). It’s cute and weird and spot-on for a pair of writers.

The Rom-Commers delivers on its title — a delightful blend of romance and comedy, with pathos and sorrow and day-to-day challenges that keep it grounded and real. Katherine Center once again provides a book with terrific lead characters, great chemistry, a plot that makes you feel all the feelings, and a promise of a happy ending to cheer for. Don’t miss it!

Book Review: Shelterwood by Lisa Wingate

Title: Shelterwood
Author: Lisa Wingate
Publisher: Ballantine Books
Publication date: June 4, 2024
Length: 368 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

From the #1 New York Times bestselling author of Before We Were Yours comes a sweeping novel inspired by the untold history of women pioneers who fought to protect children caught in the storm of land barons hungry for power and oil wealth.

Oklahoma, 1909
. Eleven-year-old Olive Augusta Radley knows that her stepfather doesn’t have good intentions toward the two Choctaw girls boarded in their home as wards. When the older girl disappears, Ollie flees to the woods, taking six-year-old Nessa with her. Together they begin a perilous journey to the rugged Winding Stair Mountains, the notorious territory of outlaws, treasure hunters, and desperate men. Along the way, Ollie and Nessa form an unlikely band with others like themselves, struggling to stay one step ahead of those who seek to exploit them . . . or worse.

Oklahoma, 1990. Law Enforcement Ranger Valerie Boren O’dell arrives at Horsethief Trail National Park seeking a quiet place to balance a career and single parenthood. But no sooner has Valerie reported for duty than she’s faced with local controversy over the park’s opening, a teenage hiker gone missing from one of the trails, and the long-hidden burial site of three children deep in a cave. Val’s quest to uncover the truth wins an ally among the neighboring Choctaw Tribal Police but soon collides with old secrets and the tragic and deadly history of the land itself.

In this emotional and enveloping novel, Lisa Wingate traces the story of children abandoned by the law and the battle to see justice done. Amid times of deep conflict over who owns the land and its riches, Ollie and Val traverse the wild and beautiful terrain, each leaving behind one life in search of another.

In Shelterwood, the newest novel by the bestselling author of Before We Were Yours, a dual timeline narrative traces events in Oklahoma in 1909 and 1990, eventually revealing threads that bind the two story arcs together.

In 1909, the story focuses on 11-year-old Olive (Ollie), whose stepfather terrorizes her and the two young orphaned Choctaw girls that live with her family, while her mother is lost to the fog of opium addiction. When the stepfather’s sexual abuse of the older girl, Hazel, leads to her disappearance, and he turns his attention to young Nessa, Ollie orchestrates their escape.

In 1990, Valerie is a park ranger who has relocated with her young son Charlie to Oklahoma for the opening of the new Horsethief Trail National Park. She’s looking for a fresh start for the two of them after her husband’s death, but almost immediately she becomes embroiled in local controversies, as bodies are found in the park and a local girl comes to Val for help.

What connects the two stories is the subject of land rights and manipulation. In 1909, robber barons and other powerful men force adoptions, marriages, or guardianships on native orphans in order to claim their land rights. In 1990, corrupt businesses encroach on both park land and ancestral native land for illegal profits. In both timelines, those without power find themselves fighting for survival as well as to maintain their independence and heritage.

The 1909 story follows Ollie and Nessa as they desperately struggle to avoid detection, hiding out in the wild in a place they call Shelterwood and creating a small community with other cast-off, runaway, or abandoned children. And in 1990, as Val digs into a potential missing persons case, she uncovers patterns of abuse and theft that go back decades.

Each storyline has interesting elements, but I found the 1909 chapters more compelling, as they paint a picture of the societal fractures and political pressures of the era. It was interesting to see real historical figures, such as politician and activist Kate Barnard, interacting with the local community, and to see how the hotly debated topics of child labor laws and land rights so directly impact Ollie, Nessa, and the other children.

Val’s story takes a while to find its footing, but ultimately there’s a good payoff in terms of resolving the missing person case and making the connection back to the 1909 plot.

Somehow, though, I found myself mostly disengaged from the characters. On the surface, their situations are interesting and challenging — and yet, I never felt emotionally invested or that I got to know them on a deeper level.

Part of the problem for me was a lack of information. In both timelines, we’re dropped straight into the action, and have to piece together what the historical context means for the characters. Starting the book without much familiarity with that particular time and place, it was often confusing to sort out the reasons for the various conditions and the political forces at play. I don’t always love flat-out exposition in novels, but this book could have used some more establishment of context in order to more firmly ground the story.

I was interested enough to stick with the book all the way to the end, but found myself a bit checked out for chunks of the story. I’m glad I saw it through, but was left feeling a bit flat about the overall experience.

Still, it was eye-opening to learn more about life in both 1909 and 1990 Oklahoma, and I appreciated how the two timelines fit together in the end. I could see this being a good book group pick for people who enjoy historical fiction set in the 20th century.

Audiobook Review: The Neighbor Favor by Kristina Forest

Title: The Neighbor Favor
Author: Kristina Forest
Narrators:   Keylor Leigh & Malik Rashad
Publisher: Forever
Publication date: February 28, 2023
Print length: 403 pages
Audio length: 10 hours 6 minutes
Genre: Contemporary romance
Source: Library
Rating:

Rating: 3.5 out of 5.

In this heart-fluttering romance by Kristina Forest, a shy bookworm enlists her charming neighbor to help her score a date, not knowing he’s the obscure author she’s been corresponding with.

Shy, bookish, and admittedly awkward, Lily Greene has always felt inadequate compared to the rest of her accomplished family, who strive for Black excellence. She dreams of becoming an editor of children’s books but has been frustratingly stuck in the nonfiction division for years without a promotion in sight. Lily finds escapism in her correspondences with her favorite fantasy author, and what begins as two lonely people connecting over e-mail turns into a tentative friendship and possibly something else Lily won’t let herself entertain–until he ghosts her.

Months later, still crushed but determined to take charge of her life, Lily seeks a date to her sister’s wedding. And the perfect person to help her is Nick Brown, her charming, attractive new neighbor, whom she feels drawn to for unexplainable reasons. Little does she know that Nick is an author–her favorite fantasy author.

Nick, who has his reasons for using a pen name and for pushing people away, soon realizes that the beautiful, quiet woman from down the hall is the same Lily he fell in love with over e-mail months ago. Unwilling to complicate things even more between them, he agrees to set her up with someone else, though this simple favor between two neighbors is anything but–not when he can’t get her off his mind.

The Neighbor Favor is a sweet contemporary romance, set in the world of book publishing and sure to set booklovers’ hearts a-flutter! A random email exchange between a book fan and the book’s author turns into a deeper connection… and while it ends badly, the two people involved still manage to find one another and explore what it means to open up in real life.

Lily emails the author of her favorite fantasy novel on a whim when she discovers that the mysterious author finally has a website. She loved his book, but it seems to have faded away into obscurity after publication by a small indie press. She’s thrilled to hear back from N. R. Strickland, and soon their correspondence turns into an ongoing series of honest exchanges, where each reveals more of themselves than they ever have to other people. But when “Strick” reaches the point where he’ll have to truly show himself to Lily, he breaks off contact abruptly and leaves her heartbroken.

Months later, Lily keeps running into the new guy who just moved into the apartment down the hall from her. And he’s hot. Oh, and seems like a really nice guy, and she’s even noticed him carrying books with him — always a good sign. Of course, he notices Lily too, despite her shyness and awkwardness around new people. As they strike up an acquaintance and set off some early sparks, Nick puts the brakes on — so Lily asks him (as you do) to help her find a date for her sister’s wedding. (It’s complicated).

Of course, Nick IS N. R. Strickland, and he realizes pretty quickly that this Lily is the Lily from the emails, and knows he should stay far, far away. His life is messy and he’s sure he’d be no good for her, so despite how much he likes her and how attractive he finds her, he’s determined to stay away. But fate seems to keep throwing them together, and their chemistry really is undeniable.

Meanwhile, both are dealing with their own family situations and career struggles — and yet, it’s only a matter of time before they get together. Even when they do, they have to deal with the fallout of hidden identities and cover-ups, and figure out whether they can truly trust enough to let one another in.

I liked quite a bit about The Neighbor Favor, although in general, I think I’ve run out of patience for romances where a significant lie is the main obstacle between the love interests. Nick could have come clean much earlier, or he could have stayed away. Getting involved but not being honest feels like an overworn romance trope, and it irritated me here. Nick and Lily are both such likable people — it’s no fun seeing them tied up in knots over a problem caused by base-level dishonesty.

On the other hand, the fact that these two are such book lovers, and especially, that they love fantasy so much, makes this book a delight. The author has the characters name-drop a ton of great books (Ella Enchanted, Riot Baby, How to Win the Time War, The Poppy War) — some of which I’ve read, some I’ve immediately added to my TBR list — and it’s a geeky joy to see them gush over how much they love their favorite books and authors. (Although, I was so frustrated to learn their shared favorite author, Elena Masterson, and her books, The Nermana Chronicles, are fictional — I want them to be real!) (And I’d also love to read Nick’s books, The Elves of Ceradon… it sounds amazing!)

I listened to the audiobook, and it was very entertaining, with gifted narrators. In the Lily chapters, the narration did become kind of screechy while voicing certain characters (especially one of Lily’s sisters), but otherwise, the narrators did a fine job bringing Lily, Nick, and their friends to life. A downside, however, is the fact that part one of The Neighbor Favor is the initial email relationship between Lily and Nick… and at least as it comes across via audio, it goes on for a really, really long time. Maybe it’s better in print, but listening to this endless email exchange gets really tiresome after a while.

Other than that, I enjoyed the audiobook. The plot moves quickly, and there are lots of fun side characters and situations that sparkle. Sure, the plot relies a bit too heavily on coincidence (really? he moved not only to New York but into Lily’s apartment building? and the very same floor?), but given how much I liked the characters, I decided to just accept it and enjoy the ride.

The Neighbor Favor is an entertaining story about relatable characters who may make questionable choices, but are still fundamentally good people. The author has a new book that released earlier this year, The Partner Plot, with Lily’s older sister as the main character. It’s supposedly a stand-alone, but in the same general world as The Neighbor Favor. While I didn’t love this particular sister in The Neighbor Favor, the description of this book makes it sound like it’ll be another fun one to experience.

Meanwhile, if you enjoy contemporary romance with booklovers front and center, be sure to check out The Neighbor Favor!

Book Review: All’s Fair in Love and War by Virginia Heath

Title: All’s Fair in Love and War
Author: Virginia Heath
Publisher: St. Martin’s Griffin
Publication date: May 28. 2024
Length: 384 pages
Genre: Historical romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3 out of 5.

In the first installment of a Regency romp of a series, a governess who believes in cultivating joy in her charges clashes with the children’s uncle who hired her, only to find herself falling in love.

When the flighty older sister of former naval captain, Henry Kincaid, decides on a whim to accompany her explorer husband on an expedition to Egypt, he finds himself unwittingly left in the lurch with her three unruly children and her giant, mad dog. With no clue how to manage the little rascals, a busy career at the Admiralty that requires all of his attention, and no idea when his sister is coming back, Harry has to hire an emergency governess to ensure that everything in his ordered house continues to run shipshape. In desperation, he goes to Miss Prentice’s School for Girls prepared to pay whatever it takes to get a governess quick sharp to bring order to the chaos.

Thanks to her miserable, strict upbringing, fledgling governess Georgina Rowe does not subscribe to the ethos that children should be seen and not heard. She believes childhood should be everything that hers wasn’t, filled with laughter, adventure, and discovery. Thankfully, the three Pendleton children she has been tasked with looking after are already delightfully bohemian and instantly embrace her unconventional educational ethos. Their staid, stickler-for-the-rules uncle, however, is another matter entirely…

Georgie and Harry continue to butt heads over their differences, but with time it seems that in this case, their attraction is undeniable—and all is indeed fair in love and war.

All’s Fair in Love and War is a cutesy Regency romance with a kinda, sorta enemies-to-lovers vibe going on. The main characters aren’t truly enemies, but they definitely get off on the wrong foot and make terrible impressions on one another.

Harry is an up and coming naval officer run ragged by his duties, working practically around the clock in pursuit of an anticipated promotion (and ultimately, the goal of becoming admiral). When he gets saddled with his young nieces and nephew with no prior warning, he’s in desperate need of help, and is willing to pay any price to get a graduate of Miss Prentice’s School for Girls, reputed to turn out the very best governesses in England.

Who he ends up with is Georgina Rowe, a headstrong protégé of Miss Prentice who, despite years of excellent training, seems incapable of landing a governess job, largely due to her inability to stay quiet and meek when she disagrees or witnesses injustice. Harry’s desperate circumstances are a perfect opportunity for Georgie, and she starts her new job immediately… only to discover that the Captain and she have very different ideas of what constitutes a good learning environment for children.

Harry believes in discipline, serious study, and always following the clock (as evidenced by the two pocket watches he constantly wears). Georgie believes in a more holistic approach to learning, incorporating the children’s interests and getting them out of the classroom and into nature as much as possible. Harry is incensed to see his neatly ordered (dull) classroom transformed into chaos on the very first day of Georgie’s teaching tenure, and it would appear that her employment could be short-lived indeed.

And yet… the children seem to be thriving, and despite their anger and annoyance at one another, Harry and Georgie have both already noticed how very attractive they find one another. Smoldering looks abound, and before long, Harry thinks of Georgie in his more private moments as a siren, whose lure he’s having trouble resisting.

There are some pleasantly diverting scenes of Georgie’s chaotic influence on the household, comedy bits involving the children’s large dog, Harry being horrified by the lack of order, and even some sweeter moments when Harry and Georgie get a chance to recognize how great the other person is, underneath the outer annoying elements.

You can absolutely see where all this is going, but still, it’s fun to get there. Harry and Georgie are each hampered by their upbringings and consequent worldviews, so it takes quite a lot for each to unbend enough to recognize where they’re getting in their own way and what a compromise might look like.

The writing is a bit uneven. A generous view might be that the florid prose is showing the over-the-top thoughts of the characters, rather than just being how these scenes are written. Such as:

After their oddly charged moment on his landing ten days ago, the vixen had infested his mind and inserted herself so deep beneath his dermis that her essence had haunted him ever since.

And…

She was the sort who lured a man willingly onto the treacherous rocks of forever.

I also found some odd phrases here and there that sound much too modern, such as a man explaining that his wife has no boundaries, or a conversation between Harry and Georgie that starts “Well, this is awkward.”

All’s Fair in Love and War is a fun but not especially remarkable read. It’s light entertainment, but I didn’t love the writing style, and found the somewhat explicit sex scenes to be more cringe than steam. Still, it’s a quick book and a nice enough way to pass the time, and upbeat Regency romances in general have a way of boosting my spirits.

I see on Goodreads that this book is listed as first in a new series (Miss Prentice’s Protegees), which I assume will continue by focusing on Georgie’s friends in future books. I’m on the fence about whether I’ll continue, given that the writing didn’t totally suit my tastes. I also have an earlier book by Virginia Heath in my Kindle library (Never Fall for Your Fiancée), so if I do read more by this author, that’s probably where I’d go next. If you’ve read her books and have recommendations, please let me know!

Book Review: Where Have All the Boys Gone? by Jenny Colgan

Title: Where Have All the Boys Gone
Author: Jenny Colgan
Publisher: Avon
Publication date: 2005
Length: 368 pages
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 2 out of 5.

From New York Times bestselling author Jenny Colgan comes this hilarious romance about a woman who trades in the comforts of city life in hopes of finding love in a small Scottish town in the middle of nowhere.

Faced with the harsh reality that there are 25,000 more women than men in London, Katie’s dating prospects are at an all-time low. While she’s glad it’s not a man’s world anymore, it wouldn’t hurt if there were more eligible bachelors.  

More likely to get murdered than married, according to gleeful media reports, Katie resigns herself to the fact that there’s no sex in the city for her and decides to head for the hills—or the Scottish Highlands to be exact. Despite the fact she’s never been one for muddy rain boats—and Fairlish is in the middle of nowhere—the tiny town does have one major draw: men. LOTS of them!

But while Katie relishes the chance to do battle with armies of admirers, she’s not excited about going head to head with her shady new boss, Harry. At least there’s the local eye-candy to distract her, including gorgeous newshound Iain. But he is at loggerheads with Harry, and she can’t afford to get on Harry’s bad side any more than she already has.

Life in the country might not be one big roll in the hay, but now that Katie has taken the plunge, can she ever turn her back on the delights of Fairlish and return to city life…?

Jenny Colgan is a go-to author for me, and since I’ve read all of her more recent books, I’ve decided to go deeper into the backlist. Sadly, Where Have All the Boys Gone? was not the fun reading/listening experience I was looking for.

In this book, originally published in 2005, a London-based young woman who’s suffered through bad date after bad date gets assigned to a temporary job in a small town in the Scottish Highlands. Along with gorgeous forests and landscapes, Fairlish is also home to men — lots and lots of them. And they all seem super excited by the arrival of Katie and her bestie Louise.

Much silliness ensues. Katie’s job in Fairlish is doing PR for the local forest preservation society, whose director seems to believe it’s better to keep quiet about the threat of a new golf course moving in rather than upsetting all the locals. Doesn’t exactly make sense, but okay. Katie has to convince him to go public and make a splash — otherwise, the greedy corporate types will be chopping down Harry’s beloved forests in the blink of an eye.

Meanwhile, Katie and Louise get into all sorts of mishaps, such as inadverently sharing secrets over a hot mic at a country fair, pissing off the local baker, and breaking the rules of their starchy, food-withholding boarding-house owner. Katie also gets drawn into a love triangle (the outcome seems pretty obvious), has to deal with a spoiled, irresponsible sister, and yet somehow manages to pull off a gala that’s the social event of the season (Ewan McGregor even attends!).

This is a lightweight novel, and it shows its age. At almost 20 years past its original release, Where Have All the Boys Gone? feels dated and full of cringey observations about dating, what men want, what women want, relationships, and more. Perhaps it might have felt more fun and breezy back in 2005; as a 2024 read, the attempts at humor seem slapstick, the sexism on display isn’t quaint or endearing, and there’s one element of the fundraiser that’s just awful. (A slave auction! They actually call it a slave auction. Noooooo. It’s just a terrible scene).

I usually love Jenny Colgan books, so it pains me to say that this one is a bust. I wholeheartedly recommend her more recent books — the Mure series is wonderful, the Little Beach Street Bakery books are terrific, and I loved the Sweetshop of Dreams books, not to mention some great stand-alones. But reading Where Have All the Boys Gone? has reminded me that sometimes backlist books are best left unexplored.**

**I do actually have a couple of other older Jenny Colgan books on my Kindle, so… never say never, but I’ll approach those with caution.

Book Review: Howards End by E. M. Forster (Classics Club Spin #37)

Title: Howards End
Author: E. M. Forster
Publication date: 1910
Length: 246 pages
Rating:

Rating: 5 out of 5.

‘Only connect…’

 Considered by many to be E. M. Forster’s greatest novel, Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of “telegrams and anger.” When the elder Mrs. Wilcox dies and her family discovers she has left their country home—Howards End—to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve. Written in 1910, Howards End is a symbolic exploration of the social, economic, and intellectual forces at work in England in the years preceding World War I, a time when vast social changes were occurring. In the Schlegels and the Wilcoxes, Forster perfectly embodies the competing idealism and materialism of the upper classes, while the conflict over the ownership of Howards End represents the struggle for possession of the country’s future. As critic Lionel Trilling once noted, the novel asks, “Who shall inherit England?”

Forster refuses to take sides in this conflict. Instead he poses one of the book’s central questions: In a changing modern society, what should be the relation between the inner and outer life, between the world of the intellect and the world of business? Can they ever, as Forster urges, “only connect”?

To be honest, I don’t feel especially qualified to “review” Howards End. It’s a beautifully written, thought-provoking, even funny book, and I loved it, really and truly. But I’m no literary expert — not even an English major!! — so I’ll skip any attempt at deep analysis.

Instead, I’ll just mention what I especially liked:

  • The contrast between the Wilcox and Schlegel families. The Wilcoxes are wealthy thanks to the nonstop busy-ness of business. Life is practical, efficient, and sensible. The Schlegels, on the other hand, are dreamers and art-lovers, especially sisters Margaret and Helen. Left comfortably wealthy after the death of their parents, they don’t have to worry about work or practicality. They enjoy discussions of the more esoteric elements of life.
  • Excellent dialogue: Whether it’s scenes of Margaret and Helen engaged in yet another argument, or pointed examples of how obtuse and stubborn the Wilcox eldest son Charles can be, the bickering and disagreements are quite entertaining.
  • Examinations of class, without preachiness: We also meet clerk Leonard Bast, who is desperate to claw his way out of poverty despite his low beginnings and extremely low-class wife. Leonard’s aspirations make him susceptible to the influence of the Schlegels, whose attempt at do-gooderism instead dooms poor Leonard to an even worse situation than where they found him.
  • Lush descriptions of places, especially the beauty of Howards End itself.
  • A wide cast of characters that provides peeks at so many aspects of the society of the time.

A few selections to enjoy:

We are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk.

A funeral is not death, any more than baptism is birth or marriage union. All three are the clumsy devices, coming now too late, now too early, by which Society would register the quick motions of man.

If a man cannot lead up to passion he can at all events lead down from it […]

The interlude closes. It has taken place in Charles’s garden at Hilton. He and Dolly are sitting in deckchairs, and their motor is regarding them placidly from its garage across the lawn. A short-frocked edition of Charles also regards them placidly; a perambulator edition is squeaking; a third edition is expected shortly. Nature is turning out Wilcoxes in this peaceful abode, so that they may inherit the earth.

I so enjoyed the writing and the story, and heartily recommend Howards End. I’d love to read it again with a book group at some point — there’s so much in it that I’d love to pull apart and really examine at leisure.

As is, I read this book via Serial Reader, intending to stick to one little installment per day (out of 40 installments in total). Instead, by about the halfway point, I was too impatient to take it slowly, and read straight through to the end.

All in all, a very happy experience with this round of the Classics Club Spin!

Several years ago, I watched the excellent four-part adaptation of Howards End, starring Hayley Atwell and Matthew Macfadyen. Now that I’ve read the book, I’d love to watch it again!

Book Review: The Return of Ellie Black by Emiko Jean

Title: The Return of Ellie Black
Author: Emiko Jean
Publisher: Simon & Schuster
Publication date: May 7, 2024
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

Detective Chelsey Calhoun’s life is turned upside down when she gets the call Ellie Black, a girl who disappeared years earlier, has resurfaced in the woods of Washington state—but Ellie’s reappearance leaves Chelsey with more questions than answers.

“I stayed up late into the night turning the pages until I learned the truth of what happened to Ellie—and gasped when Jean delivered a truly jaw-dropping twist.” —Jessica Knoll, New York Times bestselling author of Luckiest Girl Alive and Bright Young Women

It’s been twenty years since Detective Chelsey Calhoun’s sister vanished when they were teenagers, and ever since she’s been searching: for signs, for closure, for other missing girls. But happy endings are rare in Chelsey’s line of work.

Then a glimmer: local teenager Ellie Black, who disappeared without a trace two years earlier, has been found alive in the woods of Washington State.

But something is not right with Ellie. She won’t say where she’s been, or who she’s protecting, and it’s up to Chelsey to find the answers. She needs to get to the bottom of what happened to Ellie: for herself, and for the memory of her sister, but mostly for the next girl who could be taken—and who, unlike Ellie, might never return.

The debut thriller from New York Times bestselling author Emiko Jean, The Return of Ellie Black is both a feminist tour de force about the embers of hope that burn in the aftermath of tragedy and a twisty page-turner that will shock and surprise you right up until the final page.

The Return of Ellie Black is certainly a departure for author Emiko Jean, whose three most recent books are on the light, upbeat, quirky side. That description does not fit this new book at all — it’s a dark, disturbing book about abduction and abuse.

In The Return of Ellie Black, detective Chelsey Calhoun’s life is defined by sorrow. As a teen, her beloved older sister was murdered, and she’s never gotten over the pain. As an adult, Chelsey investigates missing girls, dedicating herself to these difficult cases to the point of obsession. Loss is a constant for Chelsey, and despite being married to a lovely man who supports her every way he can, Chelsey has an emptiness inside that’s constantly with her.

As the story opens, Ellie Black — missing for two years — suddenly turns up on a hiking trail. She’s disoriented, has wounds on her body, and is wearing a bloody sweatshirt. Ellie is clearly traumatized, and although she initially speaks with Chelsey, she soon declares that she wants to be left alone and refuses to participate in the investigation.

But Chelsey doesn’t want to give up. Whoever took Ellie is still out there, and what’s to stop them from taking another girl? As Chelsey refuses to leave the case alone, she unearths an unexpected pattern, and before long, it’s clear that Ellie is far from the only victim of this unknown predator — and it’s also clear that there still may be girls to locate and save before it’s too late.

(Content warnings in the next paragraph — skip if you prefer not to know)

The Return of Ellie Black is very, very dark. (I know I said that already, but it bears repeating). Content includes kidnapping, imprisonment, mind control, cult-like conditions, sexual abuse, rape, physical assault, intimidation, and more. I don’t often get too into the details when it comes to trigger warnings, but this may be a very upsetting book for some readers.

(End of content warnings)

The case itself is fascinating. Chelsey is a complicated, damaged character, and her childhood traumas are all very much a part of her day-to-day life, informing her investigations and her approach toward evidence and witnesses.

In sections interspersed throughout the book, we also get glimpses of Ellie’s memories of her experiences while a captive, and it’s very harrowing and difficult to read.

As for the mystery element, there are clues that come together, as well as false leads and missteps. I didn’t love the ultimate resolution, largely because there were too many coincidences and overlaps for my liking. (Can’t really say more without getting into spoiler territory…) Still, the suspense is terrific, and the mounting sense of time running out and looming disaster is very well developed. I was on the edge of my seat throughout, and couldn’t put the book down.

The Return of Ellie Black is a gripping thriller that’s almost painful to read — but I’m glad I hung in there. The story is unfailingly interesting, with some unusual and unexpected twists, and Chelsey herself is a terrific, complicated main character. If you enjoy thrillers, definitely check it out.