Book Review: Middletide by Sarah Crouch

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Middletide
Author: Sarah Crouch
Publisher: Atria Books
Publication date: June 11, 2024
Length: 288 pages
Genre: Thriller/mystery
Source: Review copy courtesy of the publisher via NetGalley
Rating:

In this gripping and intensely atmospheric debut, disquiet descends on a small town after the suspicious death of a beautiful young doctor, with all clues pointing to the reclusive young man who abandoned the community in chase of big city dreams but returned for the first love he left behind. Perfect for fans of All Good People Here and Where the Crawdads Sing

One peaceful morning, in the small, Puget Sound town of Point Orchards, the lifeless body of Dr. Erin Landry is found hanging from a tree on the property of prodigal son and failed writer, Elijah Leith. Sheriff Jim Godbout’s initial investigation points to an obvious suicide, but upon closer inspection, there seem to be clues of foul play when he discovers that the circumstances of the beautiful doctor’s death were ripped straight from the pages of Elijah Leith’s own novel.

Out of money and motivation, thirty-three-year-old Elijah returns to his empty childhood home to lick the wounds of his futile writing career. Hungry for purpose, he throws himself into restoring the ramshackle cabin his father left behind and rekindling his relationship with Nakita, the extraordinary girl from the nearby reservation whom he betrayed but was never able to forget.

As the town of Point Orchards turns against him, Elijah must fight for his innocence against an unexpected foe who is close and cunning enough to flawlessly frame him for murder in this scintillating literary thriller that seeks to uncover a case of love, loss, and revenge.

In this new mystery, a man returns to the small town he left behind long ago, to hide out from the world after the failure of the novel he spent ten years writing. Elijah’s family cabin in Point Orchards has been slowly deteriorating since his father’s death years earlier. Bit by bit, Elijah brings the cabin and its land back to life, eventually taking pride in managing to live off the land — raising chickens, growing and canning his own vegetables, even learning to bake bread.

But the one element of his former life that he can’t face is the girl he left behind. When he left for college, he promised to return to Nakita, but never did, lured instead by the shiny promise of a book deal. Now both in their mid-thirties, Elijah and Nakita have faced more in their lives than they’d ever imagined, and the question is, can they find a way to forgive past wrongs and reconnect, possibly even fall in love once again?

The framing of the story is a suspicious death: The town doctor, the beautiful, tragic Erin Landry, is found hanged on Elijah’s property. It looks like a suicide, but circumstances just don’t add up. As the local sheriff investigates, signs start to point to Elijah himself as the perpetrator, especially once it’s discovered that his novel lays out a very similar death, in which a murder is set up to appear to be a suicide.

Chapters in Middletide alternate between the investigation into Erin’s death and the earlier years of Elijah’s return to Point Orchards and his attempts to start fresh and rebuild his life. Eventually, the two timelines merge into one, as the book culminates in a courtroom drama.

I probably could have saved myself some earlier false theories if I’d read the synopsis above, which makes it clear that Elijah is, in fact, innocent. (There’s room to doubt that at some points in the story.) But really, the answer to the murder mystery is about as obvious as it gets — I guessed the overall solution pretty early on, and was correct in just about every way.

To put it bluntly, this is not a great story. Elijah comes off as arrogant in some key scenes, even when we’re meant to like and understand him. His shallow emotional responses undercut our investment in him and make it harder to root for him to find happiness with Nakita.

“You have no clue what it feels like to have your entire future drop out from beneath your feet without warning. You can’t possibly imagine how devastating that is.”

“Actually, I can,” Elijah shot back “I know what it’s like to have to start over from scratch after the life you thought you were meant for doesn’t pan out, remember?”

“Doesn’t pan out? Elijah, my husband was shot in the head and died at thirty-five years old. Where do you get the nerve to compare that to your failed writing career?”

The author includes a note at the beginning stating that Nakita’s tribal affiliation and reservation are fictional inventions, inspired by real indigenous nations. Which, fine, except Nakita’s heritage and the relationship between the town and the reservation don’t actually matter much in Middletide. I excepted this aspect to be more developed, but really, the impact on the plot is minimal and the characters are underdeveloped.

The courtroom scenes feel almost like an afterthought. For anyone who’s ever watched a lawyer show on TV, the trial is not structured as we’d expect. The prosecution calls a few witnesses, then the defense immediately jumps in with a witness, but the prosecution never rests, and as far as I could see, there was no discovery before the trial. Hey, I’m no lawyer… but I’ve seen enough courtroom dramas to know that this didn’t go the way it should. And don’t get me started on Elijah’s lawyer not actually being a lawyer…

Here’s a spoilery bit, so skip this next paragraph if you care about avoiding spoilers:

One key piece of evidence is the diary found at Erin’s house. The entries all start with “Dear Diary” and seriously, do you know of any adult women who actually write in their diaries that way? It’s supposed to be written by a mature professional woman, and she’s writing as if she’s in middle school? Don’t get me started on the non-existent chain of custody for evidence either. Well, okay, in one scene, the deputy hands the diary to Elijah to look at in his jail cell. Excuse me, what? That’s a key piece of evidence, and you’re just handing it to the accused to paw through?

End of spoilers…

On the positive side, Middletide is relatively short (under 300 pages) and goes by quickly, so reading this book isn’t a huge time commitment. It moves quickly, and kept me turning the pages, although by midway through, I was tearing through it mostly to prove myself right rather than out of any real engagement with the characters.

As negatives, though, in addition to the implausibility of the legal case, the convoluted timeline (those chapters set in the past and the present mush together and are annoying to track), and the predictability of the outcome, the writing can be clunky and/or not well considered. For example:

On the day his editor called and read him that horrible review he had flung open his bedroom window in a fit of rage and dropped the orange typewriter to the sidewalk three stories below.

I suppose this is meant to show us a possible violent side of Elijah, but I just had to laugh. The guy was living in San Francisco at the time — no way did he throw his typewriter out a third-floor window in the middle of the city and not end up arrested for killing or injuring a pedestrian.

Also, it’s mentioned that his publishers had high expectations for his book’s success, but apparently this one very bad review absolutely sank it, and the book only sold 48 copies. What? If the book only sold 48 copies, then it wasn’t just one bad review that was responsible. This makes no sense to me.

As I mentioned already, there are scenes where it is very hard to like Elijah. While perhaps that’s meant to create suspicion or doubt, in actuality it just leaves us with a main character whose self-centeredness makes us not particularly want the very likable love interest to subject herself to being with him.

And so on. I could give more examples, but I’ll stop here.

Middletide is a murder mystery with a hollow center. On the one hand, it did keep me interested enough to speed through to the end — but on the other hand, I didn’t buy into the characters, found the mystery utterly predicable, and felt the courtroom drama was rushed and not believable. I expected a much better reading experience.

5Jun2024

Book Review: Jackpot Summer by Elyssa Friedland

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Jackpot Summer
Author: Elyssa Friedland
Publisher: Berkley
Publication date: June 11, 2024
Length: 384 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

After the Jacobson siblings win a life-changing fortune in the lottery, they assume their messy lives will transform into sleek, storybook perfection—but they couldn’t be more wrong in the new laugh-out-loud novel from beloved author Elyssa Friedland.

The four Jacobson children were raised to respect the value of a dollar. Their mother reused tea bags and refused to pay retail; their father taught them to budget before he taught them to ride a bike. And yet, as adults, their financial lives—as well as their personal lives—are in complete disarray.

The siblings reunite when their newly widowed father puts their Jersey Shore home on the market. Packing up their childhood isn’t easy, especially when they’ve all got drama brewing back home. Matthew is miserable at his corporate law job and wishes he had more time with his son; Laura’s marriage is imploding in spectacular fashion; Sophie’s art career is stalled while her boyfriend’s is on the rise; and Noah’s total failure to launch has him doing tech repair for pennies.

So when Noah sees an ad for a Powerball drawing, he and his sisters go in on a ticket. Matthew passes but the ticket is a winner and all hell breaks loose as the infusion of cash causes sibling rivalries and family secrets to resurface. Without their mother, and with their father busy playing pickleball in a Florida retirement village, the once close-knit siblings search for comfort in shiny new toys instead of each other.

It’s not long before the Jacobson’s start to realize that they’ll never feel rich unless they can pull their family back together.

Jackpot Summer is a story about siblings and life choices, with a “careful-what-you-wish-for” message that isn’t exactly subtle. After all, even before chapter 1, we read excerpts from several different newspaper articles about lottery winners, including one that explains how one man went from rolling in money to complete bankruptcy in only a few years. This can’t bode well for the Jacobsons, can it?

As the story opens, the “fantastic foursome” (as their late mother used to call them) have gathered for her unveiling. It’s been a year since her death from cancer, and as they talk together, their father Leo drops a bombshell: He’s selling the family’s beach house on the Jersey shore and moving to a retirement village in Florida, where he can play pickleball to his heart’s content. Instead of gathering at the beach house for the family’s traditional 4th of July celebration, they’ll be gathering to pack up the house and sort through a lifetime’s worth of odds and ends.

Each of the siblings is shaken, while also dealing with the stressors in their own lives. The oldest, Matthew, works alongside his ultra-ambitious wife in a prestigious corporate law office, while delegating the raising of their son to a stream of au pairs and tutors. Laura faces being an empty-nester when her younger daughter leaves for college, forcing her to acknowledge that her marriage seems to have dried up without her actually noticing it. Sophie’s day job as a public school teacher has her cleaning up glitter every day before working on her paintings in a grimy shared art space, getting nowhere while her sculptor boyfriend’s career seems to be taking off. And the youngest, Noah, lives in the beach house, does tech support house calls for the locals, and has no idea what to do with himself, but knows he doesn’t want to have to deal with actually changing anything.

On a whim, the Jacobson siblings — minus Matthew, whose wife expresses that the lottery is “a tax on stupid people” — go in on Powerball tickets… and win. This, of course, uproots all of their lives. First, the dilemma — do the three of them cut Matthew in on the winnings, even though he opted not to go in with them on the tickets? Much family drama stems from this point.

Once the money is in the family’s hands, more problems crop up. Everyone immediately dives into spending their new riches. Laura and husband Doug buy a mansion in a snobby new town, then head off on ultra-luxury vacations (which include couples massages with gold-infused lotions) — none of which does anything to actually improve their marriage. Sophie quits her teaching job, invests in a shiny, beautiful studio to work in, then finds herself utterly blocked when it comes to creativity. And poor Noah mopes about eating junk food and giving away money to anyone who asks — yes, the guy needing money to escape a “diktatership” is probably a scam… but what if it’s not?

Meanwhile, father Leo watches from afar and seems to be waiting for his kids to get their acts together, which it takes them quite a long time to do.

Jackpot Summer has a lot going for it, so let’s focus on the positives first. It’s funny and fast-paced, and while I initially feared that I wouldn’t be able to keep track of the individual characters (note: I hate books that introduce an entire family in one scene!), the fantastic foursome are actually all quite distinct. Chapters focus on one at a time, which gives readers a chance to get to know each one, understand their inner lives, and identify with the problems they face.

The Jacobsons are a Jewish American family, and it was enjoyable to see their rituals, their family traditions, and learn more about their heritage and how it affects their present attitudes. They’re not a particularly religious family, but their Jewishness is seen through pieces of their lives that include the local JCC, temple fundraisers, sitting shiva, and learning to bake their mother’s babka. It’s sweet, and the family scenes convey so much about how the kids were raised and how they ended up growing into the adults we now see.

The dynamics between the siblings is lots of fun too, especially once the rift with Matthew and his wife is resolved. They’re all adults, but their inner goofiness comes out when they’re together, and their group text chat is especially adorable.

A few negatives, though. The book sets us up from the beginning to expect the Jacobsons to squander their winnings, and they mostly do. None end up bankrupt, but they all make questionable choices before — finally, after some obviously very wrong turns — reassessing where true happiness lies and starting to course-correct. Not that we’d expect them all to be perfect, but there’s some clear bone-headedness that goes on longer than I felt necessary.

Matthew and his wife Beth are awful parents, forcing their 13-year-old Austin into one high-pressured activity after another, with no time to be a kid. We’re meant to like Matthew and Beth and eventually their more personable sides come out… but the depiction of the hard-charging corporate lawyers substituting hiring the best help for actually parenting their kid feels clichéd. It’s nothing we haven’t seen before, and as with other conflicts in this book, takes longer than necessary to resolve.

My final quibble: While the chapters focus on different siblings and so ostensibly are told through the characters’ points of view, there’s some nastiness about describing certain people that reeks of ageism to me:

On stage, a cluster of post-menopausal women dressed in black leotards, fishnets and tap shoes were performing a coordinated song and dance routine. […] His appearance brough the arthritic rendition of “Don’t Tell Mama” to a standstill.

Sorry, but I think it’s awesome that these adult women are tap dancing! What does post-menopausal have to do with it? Why are they, apparently by default, supposed to be arthritic? Ugh, this attitude bothers me so much.

Okay, all that aside, Jackpot Summer is overall a very fast and mostly enjoyable read. The ending feels rushed and the siblings’ various problems and dilemmas get tied up neatly and a bit too easily. Still, I liked it enough to read it in a day and a half. As light summer entertainment, this one deserves a place in the beach bag!

1Jun2024

Book Review: The Guncle Abroad by Steven Rowley

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Guncle Abroad
Author: Steven Rowley
Publisher: G.P. Putnam’s Sons
Publication date: May 21, 2024
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy via NetGalley (audiobook purchased via Audible)
Rating:

Patrick O’Hara is called back to his guncle duties . . . This time for a big family wedding in Italy.

Patrick O’Hara is back. It’s been five years since his summer as his niece Maisie and nephew Grant’s caretaker after their mother’s passing. The kids are back in Connecticut with their dad, and Patrick has relocated to New York to remain close by and relaunch his dormant acting career. After the run of his second successful sit-com comes to a close, Patrick feels on top of the world . . . professionally. But some things have had to take a back seat. Looking down both barrels at fifty, Patrick is single again after breaking things off with Emory. But at least he has a family to lean on. Until that family needs to again lean on him.

When Patrick’s brother, Greg, announces he’s getting remarried in Italy, Maisie and Grant are not thrilled. Patrick feels drawn to take the two back under his wing. As they travel through Europe on their way to the wedding, Patrick tries his best to help them understand love, much as he once helped them comprehend grief. But when they arrive in Italy, Patrick is overextended managing a groom with cold feet; his sister, Clara, flirting with guests left and right; a growing rivalry with the kids’ charming soon-to-be-launt (lesbian aunt), and two moody young teens trying to adjust to a new normal, all culminating in a disastrous rehearsal dinner.

Can Patrick save the day? Will teaching the kids about love help him repair his own love life? Can the change of scenery help Patrick come to terms with finally growing up?

Gracing the work with his signature blend of humor and heart, Steven Rowley charms with a beloved story about the complicated bonds of family, love, and what it takes to rediscover yourself, even at the ripe age of fifty.

Here’s how I started my review of The Guncle, the book that first introduced us to Patrick O’Hara and his niblings, Maisie and Grant:

After absolutely loving this author’s most recent novel, The Celebrants, I was eager to explore more. The Guncle, released in 2021, charmed me as soon as I saw the cover (I’m easily swayed by great covers!). I’m happy to report that The Guncle delivers in so many ways, and won my heart completely.

One advantage of reading a book a few years after its release is that you barely have to wait at all for a sequel! The Guncle was published in 2021, but I read it earlier this year… and yet — voila! — between that book and The Guncle Abroad, five years have passed! For the characters, in any case.

In The Guncle Abroad, Patrick is a far happier man in many ways, especially in comparison to how we first me him in The Guncle. He’s experienced a career revival, has moved to New York and remained actively involved in his brother’s family’s lives, and (until their recent breakup) had a loving long-term relationship with the wonderful Emory. (And yes, I felt my heart break just a teeny bit upon learning that they’d broken up.)

But as the book opens, Patrick finds himself with a mission. Greg, widowed five years earlier, is getting married to the woman he’s fallen in love with… who happens to be from an insanely wealthy, titled Italian family. (Who knew they still had nobility and titles in Italy? I sure didn’t!) The wedding will be a no-expense-spared affair at Lake Como, and all is delightful — except the kids aren’t happy. Clearly, Greg needs Patrick’s help.

As Greg prepares to meet his fiancée Livia in Italy for wedding prep, Patrick agrees to take the kids for summer. They meet him in London (where he’s wrapping filming on a new movie co-starring Jude Law!), and then accompany Patrick on a European vacation. His goal? Teach them all about love and love languages, so they can maybe find it in their hearts to accept Livia and their dad’s upcoming marriage.

Patrick, Maisie, and Grant are as amazing together as ever… although it is a bit disconcerting to encounter them at ages 14 and 11. Kids grow up so fast! Maisie is hovering between childhood and full-on teen mode, and Grant has outgrown his lisp but not his cuteness. As the trio traverse Paris, Salzburg, and Venice, Patrick does his best to teach them about cherishing people who care about them, accepting gifts with gratitude, and opening their hearts to new people and experiences. It’s an uphill climb for sure. Maisie and Grant still carry their grief for their mother, as does Patrick, and can’t fathom allowing Livia into their lives.

Can grief and gratitude coexist? Could he miss the kids’ mother and also be grateful for his time with Maisie and Grant? Or did the gratitude just make him miss Sara more and wish she was the one on this train with him instead of her sleeping kids? And in helping them these past few years with their grief, had he once again neglected his own?

The Guncle Abroad is as riotously funny as the previous book. Patrick is so incredibly over the top, and honestly, I love him to bits. But silly quips and jokes are not the only things going for this book. There are deeper veins of love, loss, healing, honoring memories, finding hope, and facing hard truths. The European adventure is eye-opening not just for Maisie and Grant, but also for Patrick.

Okay, but we do actually need to pay tribute to just a few of the passages and conversations that cracked me up:

Grant’s game console made a sound like something swirling a drain and he groaned. “Why can’t Dad marry Palmina?”

Speaking of nemeses, a cold child ran down Patrick’s spine. “Palmina’s a lesbian, you know that.”

Grant didn’t seem to view that as disqualifying. “Yeah, but gay marriage is legal now.”

“Children,” Livia said, part greeting, part statement of fact.

“I ask what’s going on, I do, but they don’t give me straight answers.”

“Do they give you gay ones?”

Patrick really is utter perfection — outwardly vain, always needing the spotlight, and with a bon mot for all occasions — but inwardly sensitive and oh-so-amazing as an uncle (guncle) to the pair of children he loves so much.

I listened to the audiobook version of The Guncle Abroad, and as with the previous book, the author is also the narrator. And while some authors are cringe-level awful at narration, the opposite is totally true here. Steven Rowley absolutely nails his characters voices, and his delivery as Patrick is *chef’s kiss* amazing.

My only teensy quibbles with The Guncle Abroad have to do with Livia and her sister Palmina. Livia is something of a blank. We see her in various scenes, but I didn’t feel that I got to know anything about her personality or a deeper sense of how she feels about Greg and the children. Meanwhile, Palmina (referred to by the kids as their new “launt”) immediately sets off Patrick’s alarms as competition for the kids’ affection and admiration — she’s just so effortlessly cool — but the shtick gets old pretty quickly, and I could have done without quite so much Palmina focus.

Still, these factors did not in the slightest keep me from loving this book. The Guncle Abroad is sweet, funny, honest, and constantly entertaining, and Patrick is the best. (Have I said that already? It’s true. He is). The Guncle Abroad has a super satisfying ending… but I still felt sad, because it seems pretty definitively to have wrapped up all storylines, and I’d love to think that there’s another Patrick/Maisie/Grant adventure in our future. Maybe when they’re another five years older?

Having read Steve Rowley’s three most recent books, I can safely say that I’ll read whatever he writes from this point forward. I love his characters, his humor, his pacing, and his way with snappy dialogue. I encourage everyone to check out The Guncle Abroad (read The Guncle first, obviously)… and if you really want a treat, give the audiobook a try.

30May2024

Book Review: The Rom-Commers by Katherine Center

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Rom-Commers
Author: Katherine Center
Publisher: St. Martin’s Press
Publication date: June 11. 2024
Length: 336 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

She’s rewriting his love story. But can she rewrite her own?

Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up.

Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme.

But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?

Katherine Center books can be counted on to offer amazing women in the lead role, place them in challenging situations, and then give them a chance to shine — always with a sense of humor and a big heart. Here in The Rom-Commers, Emma is an aspiring screenwriter whose early talent never led to a shining career; instead, she turned down a prestigious Hollywood internship to be her father’s full-time caregiver, and works on screenplays in their apartment while teaching writing classes at the local college.

To be clear, Emma doesn’t regret her choice. She loves her dad (who sounds delightful), and knows what she’s doing is the most important thing she could possibly do. But still, she has dreams, and when her ex-boyfriend-slash-agent calls her with a once-in-a-lifetime opportunity, there’s no way she can give it up. (Well, there is, but her dad and sister won’t let her.)

Emma idolizes screenwriter Charlie Yates, has studied and annotated his scripts, watched ever interview he’s ever given, and knows his film career backward and forward. One thing Emma knows for sure is that Charlie Yates does not do rom-coms. So why is she being offered the chance to ghost-write a rewrite of his new rom-com script?

It turns out that Charlie has written a remake of It Happened One Night — which just happens to be Emma’s favorite movie ever — and his new version is AWFUL. The fact that she’s been picked to rescue the script is an unexpected break, and she’s all in. Until she gets to Charlie’s mansion, where she’ll be working and living, and discovers that agent Luke has hoodwinked them both. Charlie had no idea Emma was coming, has no interest in writing with her, and says a firm, irrevocable no.

After further arm-twisting by Luke, a deal is reached, and Emma does in fact move into Charlie’s guestroom and sets to work on his terrible screenplay. To get him to cooperate at all, she needs him to understand just why it’s so terrible — and he doesn’t see the problem at all. As it turns out, he fundamentally doesn’t believe in romance or love, which is a problem for someone writing a rom-com.

He clearly wanted to win — and settle this once and for all. “But doesn’t love conquer all? Doesn’t love find a way? Shouldn’t some cartoon woodland animals show up and help you find your happily ever ever?”

My eyes flashed. “Don’t use a romance term against me!”

“You’re the one who taught it to me!”

Emma’s mission, beyond rescuing the screenplay, is to get Charlie to experience some of the key staples of romantic movies (like unexpectedly falling on top of someone, or trying a silly new past-time — yes, there is line dancing involved! — or moving in for the perfect rom-com kiss).

Emma and Charlie end up being quite adorable together, but there are definitely hurdles for them to overcome. Charlie’s grumpiness and lack of emotion aren’t just random personality traits — he’s been hurt very badly in a previous relationship, and it makes sense that his belief in the possibility of love would be damaged (if not completely dead). As for Emma, she’s wracked by guilt over her father’s health, the accident that caused his current condition, and finally giving up the main caregiving role and allowing her younger sister to step in.

This is such a fun book! Sure, there were times when I wanted to bop Charlie over the head and tell him to snap out of it, but this book is so deftly written that even when the characters are annoying, they’re annoying for a reason.

“I don’t want to not be there for you.”

“That’s a heck of a double negative.”

The set pieces are really funny (the line dancing scene is amazing), and best of all, Emma and Charlie’s scenes together just sparkle. Their dialogue is quippy and smart and full of word-play, which is totally my jam.

“Emma,” Charlie said. “Please come here. You’re so drunk.”

“I’m not drunk,” I said. “I just drank too much.”

“That’s the literal definition of being drunk.”

Emma and Charlie also resort to googling the most ridiculous or random questions, among them how long it takes to fall in love, how to know when to take someone to the hospital after a bar fight, symptoms of a heart attack in a woman, and what a jazz box is (it’s a line-dancing move, in case you’re wondering). It’s cute and weird and spot-on for a pair of writers.

The Rom-Commers delivers on its title — a delightful blend of romance and comedy, with pathos and sorrow and day-to-day challenges that keep it grounded and real. Katherine Center once again provides a book with terrific lead characters, great chemistry, a plot that makes you feel all the feelings, and a promise of a happy ending to cheer for. Don’t miss it!

25May2024

Book Review: Shelterwood by Lisa Wingate

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Shelterwood
Author: Lisa Wingate
Publisher: Ballantine Books
Publication date: June 4, 2024
Length: 368 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

From the #1 New York Times bestselling author of Before We Were Yours comes a sweeping novel inspired by the untold history of women pioneers who fought to protect children caught in the storm of land barons hungry for power and oil wealth.

Oklahoma, 1909. Eleven-year-old Olive Augusta Radley knows that her stepfather doesn’t have good intentions toward the two Choctaw girls boarded in their home as wards. When the older girl disappears, Ollie flees to the woods, taking six-year-old Nessa with her. Together they begin a perilous journey to the rugged Winding Stair Mountains, the notorious territory of outlaws, treasure hunters, and desperate men. Along the way, Ollie and Nessa form an unlikely band with others like themselves, struggling to stay one step ahead of those who seek to exploit them . . . or worse.

Oklahoma, 1990. Law Enforcement Ranger Valerie Boren O’dell arrives at Horsethief Trail National Park seeking a quiet place to balance a career and single parenthood. But no sooner has Valerie reported for duty than she’s faced with local controversy over the park’s opening, a teenage hiker gone missing from one of the trails, and the long-hidden burial site of three children deep in a cave. Val’s quest to uncover the truth wins an ally among the neighboring Choctaw Tribal Police but soon collides with old secrets and the tragic and deadly history of the land itself.

In this emotional and enveloping novel, Lisa Wingate traces the story of children abandoned by the law and the battle to see justice done. Amid times of deep conflict over who owns the land and its riches, Ollie and Val traverse the wild and beautiful terrain, each leaving behind one life in search of another.

In Shelterwood, the newest novel by the bestselling author of Before We Were Yours, a dual timeline narrative traces events in Oklahoma in 1909 and 1990, eventually revealing threads that bind the two story arcs together.

In 1909, the story focuses on 11-year-old Olive (Ollie), whose stepfather terrorizes her and the two young orphaned Choctaw girls that live with her family, while her mother is lost to the fog of opium addiction. When the stepfather’s sexual abuse of the older girl, Hazel, leads to her disappearance, and he turns his attention to young Nessa, Ollie orchestrates their escape.

In 1990, Valerie is a park ranger who has relocated with her young son Charlie to Oklahoma for the opening of the new Horsethief Trail National Park. She’s looking for a fresh start for the two of them after her husband’s death, but almost immediately she becomes embroiled in local controversies, as bodies are found in the park and a local girl comes to Val for help.

What connects the two stories is the subject of land rights and manipulation. In 1909, robber barons and other powerful men force adoptions, marriages, or guardianships on native orphans in order to claim their land rights. In 1990, corrupt businesses encroach on both park land and ancestral native land for illegal profits. In both timelines, those without power find themselves fighting for survival as well as to maintain their independence and heritage.

The 1909 story follows Ollie and Nessa as they desperately struggle to avoid detection, hiding out in the wild in a place they call Shelterwood and creating a small community with other cast-off, runaway, or abandoned children. And in 1990, as Val digs into a potential missing persons case, she uncovers patterns of abuse and theft that go back decades.

Each storyline has interesting elements, but I found the 1909 chapters more compelling, as they paint a picture of the societal fractures and political pressures of the era. It was interesting to see real historical figures, such as politician and activist Kate Barnard, interacting with the local community, and to see how the hotly debated topics of child labor laws and land rights so directly impact Ollie, Nessa, and the other children.

Val’s story takes a while to find its footing, but ultimately there’s a good payoff in terms of resolving the missing person case and making the connection back to the 1909 plot.

Somehow, though, I found myself mostly disengaged from the characters. On the surface, their situations are interesting and challenging — and yet, I never felt emotionally invested or that I got to know them on a deeper level.

Part of the problem for me was a lack of information. In both timelines, we’re dropped straight into the action, and have to piece together what the historical context means for the characters. Starting the book without much familiarity with that particular time and place, it was often confusing to sort out the reasons for the various conditions and the political forces at play. I don’t always love flat-out exposition in novels, but this book could have used some more establishment of context in order to more firmly ground the story.

I was interested enough to stick with the book all the way to the end, but found myself a bit checked out for chunks of the story. I’m glad I saw it through, but was left feeling a bit flat about the overall experience.

Still, it was eye-opening to learn more about life in both 1909 and 1990 Oklahoma, and I appreciated how the two timelines fit together in the end. I could see this being a good book group pick for people who enjoy historical fiction set in the 20th century.

19May2024

Book Review: All’s Fair in Love and War by Virginia Heath

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: All’s Fair in Love and War
Author: Virginia Heath
Publisher: St. Martin’s Griffin
Publication date: May 28. 2024
Length: 384 pages
Genre: Historical romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

In the first installment of a Regency romp of a series, a governess who believes in cultivating joy in her charges clashes with the children’s uncle who hired her, only to find herself falling in love.

When the flighty older sister of former naval captain, Henry Kincaid, decides on a whim to accompany her explorer husband on an expedition to Egypt, he finds himself unwittingly left in the lurch with her three unruly children and her giant, mad dog. With no clue how to manage the little rascals, a busy career at the Admiralty that requires all of his attention, and no idea when his sister is coming back, Harry has to hire an emergency governess to ensure that everything in his ordered house continues to run shipshape. In desperation, he goes to Miss Prentice’s School for Girls prepared to pay whatever it takes to get a governess quick sharp to bring order to the chaos.

Thanks to her miserable, strict upbringing, fledgling governess Georgina Rowe does not subscribe to the ethos that children should be seen and not heard. She believes childhood should be everything that hers wasn’t, filled with laughter, adventure, and discovery. Thankfully, the three Pendleton children she has been tasked with looking after are already delightfully bohemian and instantly embrace her unconventional educational ethos. Their staid, stickler-for-the-rules uncle, however, is another matter entirely…

Georgie and Harry continue to butt heads over their differences, but with time it seems that in this case, their attraction is undeniable—and all is indeed fair in love and war.

All’s Fair in Love and War is a cutesy Regency romance with a kinda, sorta enemies-to-lovers vibe going on. The main characters aren’t truly enemies, but they definitely get off on the wrong foot and make terrible impressions on one another.

Harry is an up and coming naval officer run ragged by his duties, working practically around the clock in pursuit of an anticipated promotion (and ultimately, the goal of becoming admiral). When he gets saddled with his young nieces and nephew with no prior warning, he’s in desperate need of help, and is willing to pay any price to get a graduate of Miss Prentice’s School for Girls, reputed to turn out the very best governesses in England.

Who he ends up with is Georgina Rowe, a headstrong protégé of Miss Prentice who, despite years of excellent training, seems incapable of landing a governess job, largely due to her inability to stay quiet and meek when she disagrees or witnesses injustice. Harry’s desperate circumstances are a perfect opportunity for Georgie, and she starts her new job immediately… only to discover that the Captain and she have very different ideas of what constitutes a good learning environment for children.

Harry believes in discipline, serious study, and always following the clock (as evidenced by the two pocket watches he constantly wears). Georgie believes in a more holistic approach to learning, incorporating the children’s interests and getting them out of the classroom and into nature as much as possible. Harry is incensed to see his neatly ordered (dull) classroom transformed into chaos on the very first day of Georgie’s teaching tenure, and it would appear that her employment could be short-lived indeed.

And yet… the children seem to be thriving, and despite their anger and annoyance at one another, Harry and Georgie have both already noticed how very attractive they find one another. Smoldering looks abound, and before long, Harry thinks of Georgie in his more private moments as a siren, whose lure he’s having trouble resisting.

There are some pleasantly diverting scenes of Georgie’s chaotic influence on the household, comedy bits involving the children’s large dog, Harry being horrified by the lack of order, and even some sweeter moments when Harry and Georgie get a chance to recognize how great the other person is, underneath the outer annoying elements.

You can absolutely see where all this is going, but still, it’s fun to get there. Harry and Georgie are each hampered by their upbringings and consequent worldviews, so it takes quite a lot for each to unbend enough to recognize where they’re getting in their own way and what a compromise might look like.

The writing is a bit uneven. A generous view might be that the florid prose is showing the over-the-top thoughts of the characters, rather than just being how these scenes are written. Such as:

After their oddly charged moment on his landing ten days ago, the vixen had infested his mind and inserted herself so deep beneath his dermis that her essence had haunted him ever since.

And…

She was the sort who lured a man willingly onto the treacherous rocks of forever.

I also found some odd phrases here and there that sound much too modern, such as a man explaining that his wife has no boundaries, or a conversation between Harry and Georgie that starts “Well, this is awkward.”

All’s Fair in Love and War is a fun but not especially remarkable read. It’s light entertainment, but I didn’t love the writing style, and found the somewhat explicit sex scenes to be more cringe than steam. Still, it’s a quick book and a nice enough way to pass the time, and upbeat Regency romances in general have a way of boosting my spirits.

I see on Goodreads that this book is listed as first in a new series (Miss Prentice’s Protegees), which I assume will continue by focusing on Georgie’s friends in future books. I’m on the fence about whether I’ll continue, given that the writing didn’t totally suit my tastes. I also have an earlier book by Virginia Heath in my Kindle library (Never Fall for Your Fiancée), so if I do read more by this author, that’s probably where I’d go next. If you’ve read her books and have recommendations, please let me know!

16May2024

Book Review: The Return of Ellie Black by Emiko Jean

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Return of Ellie Black
Author: Emiko Jean
Publisher: Simon & Schuster
Publication date: May 7, 2024
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Detective Chelsey Calhoun’s life is turned upside down when she gets the call Ellie Black, a girl who disappeared years earlier, has resurfaced in the woods of Washington state—but Ellie’s reappearance leaves Chelsey with more questions than answers.

“I stayed up late into the night turning the pages until I learned the truth of what happened to Ellie—and gasped when Jean delivered a truly jaw-dropping twist.” —Jessica Knoll, New York Times bestselling author of Luckiest Girl Alive and Bright Young Women

It’s been twenty years since Detective Chelsey Calhoun’s sister vanished when they were teenagers, and ever since she’s been searching: for signs, for closure, for other missing girls. But happy endings are rare in Chelsey’s line of work.

Then a glimmer: local teenager Ellie Black, who disappeared without a trace two years earlier, has been found alive in the woods of Washington State.

But something is not right with Ellie. She won’t say where she’s been, or who she’s protecting, and it’s up to Chelsey to find the answers. She needs to get to the bottom of what happened to Ellie: for herself, and for the memory of her sister, but mostly for the next girl who could be taken—and who, unlike Ellie, might never return.

The debut thriller from New York Times bestselling author Emiko Jean, The Return of Ellie Black is both a feminist tour de force about the embers of hope that burn in the aftermath of tragedy and a twisty page-turner that will shock and surprise you right up until the final page.

The Return of Ellie Black is certainly a departure for author Emiko Jean, whose three most recent books are on the light, upbeat, quirky side. That description does not fit this new book at all — it’s a dark, disturbing book about abduction and abuse.

In The Return of Ellie Black, detective Chelsey Calhoun’s life is defined by sorrow. As a teen, her beloved older sister was murdered, and she’s never gotten over the pain. As an adult, Chelsey investigates missing girls, dedicating herself to these difficult cases to the point of obsession. Loss is a constant for Chelsey, and despite being married to a lovely man who supports her every way he can, Chelsey has an emptiness inside that’s constantly with her.

As the story opens, Ellie Black — missing for two years — suddenly turns up on a hiking trail. She’s disoriented, has wounds on her body, and is wearing a bloody sweatshirt. Ellie is clearly traumatized, and although she initially speaks with Chelsey, she soon declares that she wants to be left alone and refuses to participate in the investigation.

But Chelsey doesn’t want to give up. Whoever took Ellie is still out there, and what’s to stop them from taking another girl? As Chelsey refuses to leave the case alone, she unearths an unexpected pattern, and before long, it’s clear that Ellie is far from the only victim of this unknown predator — and it’s also clear that there still may be girls to locate and save before it’s too late.

(Content warnings in the next paragraph — skip if you prefer not to know)

The Return of Ellie Black is very, very dark. (I know I said that already, but it bears repeating). Content includes kidnapping, imprisonment, mind control, cult-like conditions, sexual abuse, rape, physical assault, intimidation, and more. I don’t often get too into the details when it comes to trigger warnings, but this may be a very upsetting book for some readers.

(End of content warnings)

The case itself is fascinating. Chelsey is a complicated, damaged character, and her childhood traumas are all very much a part of her day-to-day life, informing her investigations and her approach toward evidence and witnesses.

In sections interspersed throughout the book, we also get glimpses of Ellie’s memories of her experiences while a captive, and it’s very harrowing and difficult to read.

As for the mystery element, there are clues that come together, as well as false leads and missteps. I didn’t love the ultimate resolution, largely because there were too many coincidences and overlaps for my liking. (Can’t really say more without getting into spoiler territory…) Still, the suspense is terrific, and the mounting sense of time running out and looming disaster is very well developed. I was on the edge of my seat throughout, and couldn’t put the book down.

The Return of Ellie Black is a gripping thriller that’s almost painful to read — but I’m glad I hung in there. The story is unfailingly interesting, with some unusual and unexpected twists, and Chelsey herself is a terrific, complicated main character. If you enjoy thrillers, definitely check it out.

15May2024

Book Review: The House that Horror Built by Christina Henry

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The House that Horror Built
Author: Christina Henry
Publisher: Berkley
Publication date: May 14, 2024
Length: 320 pages
Genre: Thriller
Source: Review copy courtesy of the publisher via NetGalley
Rating:

A single mother working in the gothic mansion of a reclusive horror director stumbles upon terrifying secrets.

Harry Adams loves horror movies, so it’s no coincidence that she accepted a job cleaning house for horror-movie director Javier Castillo. His forbidding gray-stone Chicago mansion, Bright Horses, is filled from top to bottom with terrifying props and costumes as well as glittering awards from his career making movies that thrilled audiences—until family tragedy and scandal forced him to vanish from the industry.

Javier values discretion, and Harry always tries to keep the house immaculate, her head down, and her job safe. Then she hears noises from behind a locked door, noises that sound remarkably like a human voice calling for help. Harry knows not asking questions is a vital part of keeping her job, but she soon discovers that the house may be home to secrets she can’t ignore.

The House that Horror Built is a clever haunted house story, set in a post-COVID world in which the odds seem stacked against single mother Harry and her son Gabe.

The world is just reemerging from lockdown. 14-year-old Gabe’s school is open for in-person learning three days per week. After losing her previous restaurant work when everything shut down, Harry has finally found a decent job again, which means — if she’s frugal — she can still pay her bills and put food on the table for her son. Years earlier as a teen, Harry lived on the streets and in shelters, and she knows just how close to losing it all she and Gabe are — especially once she receives an eviction notice from her heartless landlord.

Fortunately, Harry’s part-time job pays very, very well. She works as a housecleaner for Javier Castillo, a world-renowned, Oscar-winning director who now lives as a recluse behind the gates of Bright Horses, his Chicago mansion. A life-long horror fan herself, Harry can truly appreciate Javier’s artistry and loves his movies, but even she is somewhat shaken by the replicas and original props that fill his house, especially the masks and costumes from one of his creepiest movies. It’s Harry’s job to keep all of these spotless, no matter how uneasy they make her.

Javier seems to take an interest in Harry and Gabe, and when he starts inviting them for meals at his home, it’s hard to say no, even though Harry isn’t comfortable blurring the lines between professional and personal. Still, Gabe is over the moon at being invited into such an icon’s home, and he develops an instant rapport with Javier. But Harry has heard and seen unexplainable things in the house, and when a dinner with two of Javier’s leading film stars ends in tragedy, Harry knows that something is very, very wrong. Yet with eviction looming, she may have no choice but to move into Javier’s home with Gabe… and there’s definitely danger waiting for them there.

The House that Horror Built is a slow-burn horror story. The terror is more of the psychological variety — no guts and gore spilling out of the shadows, and no buckets of blood. Instead, there’s a sense of menace pervading Bright Horses — the feeling that something is moving when Harry’s head is turned, unexplained noises from behind locked doors, glaring eyes from inanimate objects. It’s creepy, and Harry knows it’s creepy, so why does she bring her son into this place?

Here’s where I feel the book has such an interesting hook: We may scream at horror movie characters to walk away, don’t open that door, don’t go into the haunted house… but in reality, people don’t always have options. Harry and Gabe literally have nowhere to go. The building where they’ve lived for ten years has been sold and is slated for demolition. There aren’t any affordable apartments available, and anyway, with such little notice, Harry has no money saved for a down-payment, much less moving expenses. She knows she’s lucky to have gotten the job with Javier. If she loses it, she and Gabe will be on the streets, and while she survived her earlier experiences of homelessness, she’s determined to avoid that for her son by any means necessary.

So yes, Harry moves Gabe into Javier’s home, knowing full well that the place may very well be haunted, and that something malevolent lurks in the corners and very probably wants to hurt her. But at Bright Horses, Gabe has a room, plenty of food, and a safe way to get to school. Author Christina Henry does a superb job showing the choices and sacrifices a mother will make to care for her child.

In terms of the horror story, it’s somewhat of a mixed bag. There’s a creepiness to the book, and we know from the start that something seems off about Javier. We learn that he became a recluse after a family tragedy, and after the most recent scandal in Chicago, he’s once again being hounded by paparazzi. Javier seems determined to help Harry and Gabe, even when she clearly doesn’t want him in their lives. And then there are the noises and the inexplicable events in the house — how much is Javier aware of?

The secrets of the house aren’t revealed until close to the end, and although I’d guessed what was going on, there were still elements that surprised me. I did feel that the ending was too abrupt. We’re left with answers about Bright Horses and Javier, and the immediate situation is resolved, but we don’t actually get any big-picture resolution for Harry and Gabe. After investing so much in their struggles, it feels unfinished to not get an epilogue that lets us know what happens next for them (and, hopefully, to let us know that they’re doing well!).

Overall, I enjoyed The House that Horror Built. Christina Henry’s books are always intensely gripping, and this one is no exception. Once I started I couldn’t put it down. Apart from not feeling fully satisfied by the ending, I enjoyed the building tension of the story as well as having such an interesting, unusual lead character as Harry. Recommended for fans of haunted house stories and horror movie buffs!

9May2024

Book Review: The Paradise Problem by Christina Lauren

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: The Paradise Problem
Author: Christina Lauren
Publisher: Gallery Books
Publication date: May 14. 2024
Length: 352 pages
Genre: Contemporary fiction/romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Christina Lauren, returns with a delicious new romance between the buttoned-up heir of a grocery chain and his free-spirited artist ex as they fake their relationship in order to receive a massive inheritance.

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways.

Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance. There’s just one catch.

Due to an antiquated clause in his grandfather’s will, Liam won’t see a penny until he’s been happily married for five years. Just when Liam thinks he’s in the home stretch, pressure mounts from his family to see this mysterious spouse, and he has no choice but to turn to the one person he’s afraid to introduce to his one-percenter parents—his unpolished, not-so-ex-wife.

But in the presence of his family, Liam’s fears quickly shift from whether the feisty, foul-mouthed, paint-splattered Anna can play the part to whether the toxic world of wealth will corrupt someone as pure of heart as his surprisingly grounded and loyal wife. Liam will have to ask himself if the price tag on his flimsy cover story is worth losing true love that sprouted from a lie.

It’s no surprise that a new Christina Lauren book is fun, fast-paced, steamy, and full of delicious plot twists… right? I’m happy to share that The Paradise Problem continues this author duo’s winning streak — CL fans will be over the moon.

In The Paradise Problem, Anna Green is having a Very Bad Day. She’s been fired from her terrible convenience store job by its terrible 18-year-old manager. Her decrepit car has been sideswiped and damaged. Worst of all, her crappy job was her one means of attempting to pay off the mounds of medical debt related to her father’s chemo treatments. And that’s not even mentioning the fact that her artwork has failed to sell, and she hasn’t heard from her agent in a year.

So Anna is not in a great place when “West” Weston (aka Liam) knocks on her door needing her help. Five years earlier, she married Liam (on paper) so they’d qualify for campus housing… but when he moved out, she signed divorce papers, or so she believed. It turns out that the papers stipulated a divorce further in the future (along with a nice buyout) — and while Anna thinks it’s weird that they’re still technically married, she doesn’t see the problem. The time is almost up, after all.

The catch is, Liam’s sister’s wedding is coming up, and his family is demanding that he attend with his wife. Yes, his fake wife (that would be Anna), who he’s also told them is a busy medical student (okay, well, she was pre-med back when they shared an apartment.) Liam desperately needs Anna to come to the wedding, play the part of loving wife, and get him through the big family event. Once they make it to their five-year anniversary, Liam’s inheritance will be secure, and they can safely divorce. As incentive, he’s offering Anna a huge payment in exchange for her play-acting, which will more than cover the medical bills, and even give her enough breathing room to focus on her art. How could she say no?

Once they zip off to the private island (via Singapore) where the wedding will be held, it’s like something out of Crazy Rich Asians (if it had a baby with Succession). These people are so elitist and over the top that it’s impossible not to just laugh at how ridiculous they are. The money is insane… and Liam’s family is just awful. His father is a controlling pig, and his mother exudes wealthy passive-aggressiveness with every breath she takes.

And yet… Anna actually starts to enjoy some parts of this little escapade, especially sharing the over-water bungalow with Liam and getting to appreciate the hotness she never fully noticed back when they lived together.

I won’t go too far into the details — but use your imagination, and picture two hot, interesting, awesome people forced into constant close proximity on a gorgeous tropical island. To say sparks fly is putting it mildly. But on top of all this romantic chemistry, there’s a non-romantic plot too! Liam’s family is messy (and not in a good way). With Anna’s support, he has to navigate the awful family dynamics and try to come out of it unscathed, and no, it’s not just about the money. There’s more at stake than initially meets the eye, and getting to the bottom of it all is a big piece of the fun of this book.

My quibbles are truly very minor. Within the big lie about being happily married, why maintain the lie about Anna being a medical student, with stories about fake med school attendance and projects overseas? This seems like a detail that Liam could have explained away — the family has never met Anna and Liam has kept his distance from them, so surely he could have said she changed careers at some point? As is, this is the piece of the lie easiest to trip Anna up with, and it seems like it needlessly complicates an already complicated situation.

Another minor issue for me — Liam’s name! He’s introduced as West, his family calls him Liam, his name is actually William… Even writing this review, I wasn’t sure which name to use!

For those who like to know the steam levels in advance: Some scenes are more explicit than suits my taste, but fans of the open door approach will love it. I tend to enjoy the “implied” rather than “shown” approach to these scenes, and in The Paradise Problem, we see all! This didn’t stop me from enjoying the book in the slightest… I just sort of wanted to look away from time to time.

Overall, this book was a terrific read, and I finished it in one day. Seriously, I just couldn’t stop!

The Paradise Problem revolves around an intriguing set-up, opposites-attract characters in a fake (but getting more real by the second) marriage, an ultra-luxury setting, and crazy family politics. It’s a blast, plain and simple.

Christina Lauren fans will be delighted… and for anyone who hasn’t had the pleasure yet of experiencing one of their novels, The Paradise Problem is a great place to dive in. Definitely recommended for anyone who enjoys contemporary romance with more than a pinch of humor and outstanding chemistry between lead characters.

8May2024

Book Review: Disturbing the Dead (A Rip Through Time, #3) by Kelley Armstrong

Posted in Book Reviews by Lisa @ Bookshelf Fantasies

Title: Disturbing the Dead
Series: A Rip Through Time, #3
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 7, 2024
Length: 352 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Disturbing the Dead is the latest in a unique series with one foot in the 1890s and the other in the present day. The A Rip Through Time crime novels are a genre-blending, atmospheric romp from New York Times bestselling author Kelley Armstrong.

Victorian Scotland is becoming less strange to modern-day homicide detective Mallory Atkinson. Though inhabiting someone else’s body will always be unsettling, even if her employers know that she’s not actually housemaid Catriona Mitchell, ever since the night both of them were attacked in the same dark alley 150 years apart. Mallory likes her job as assistant to undertaker/medical examiner Dr. Duncan Gray, and is developing true friends―and feelings―in this century.

So, understanding the Victorian fascination with death, Mallory isn’t that surprised when she and her friends are invited to a mummy unwrapping at the home of Sir Alastair Christie. When their host is missing when it comes time to unwrap the mummy, Gray and Mallory are asked to step in. And upon closer inspection, it’s not a mummy they’ve unwrapped, but a much more modern body.

Kelley Armstrong is rapidly becoming a must-read author for me. Disturbing the Dead is the 3rd book in her excellent A Rip Through Time series… and I’ve also been head-over-heels for the A Stitch in Time series (of which I’ve read half so far). While both series have a timeslip/time travel element, they are completely different in tone and focus… and I’m loving them both.

A Stitch in Time has a romantic focus, with a woman slipping through a “stitch” that allows her to travel back and forth between our world and the Victorian era. Each book in the series has a different woman as the main character, but in all cases, travel back and forth is possible, and the characters must learn to fit in and blend in where they land, while also sorting out the complications of love across time.

In the A Rip Through Time series, a different core concept comes into play. 21st century detective Mallory Atkinson accidentally gets pulled through a rip in time during a visit to Edinburgh. When she is attacked and strangled in a dark alley — and the same thing happens to a young housemaid in the exact same place but in the 19th century — Mallory’s consciousness ends up inhabiting the housemaid’s body.

(There’s a lot more to it, so check out my review of the first book for more details).

Fortunately for Mallory, Catriona is employed as a servant in the home of eccentrics, a brother and sister who are devoted to science and social reform. Dr. Duncan Grey is an undertaker and the unofficial coroner of the Edinburgh police force; his sister Isla is a widow known for her independent thinking and her skills in the chemistry lab. Over the course of the first two books, they come to understand that the person they knew as Catriona isn’t actually Catriona any longer. They befriend Mallory, and her knowledge of 21st century police work and forensics quickly makes her an integral part of the household.

Here in Disturbing the Dead, six months have passed since Mallory’s appearance in their midst. Mallory has been promoted and is now officially Duncan’s assistant. Besides Duncan and Isla, police detective (and close family friend) Hugh McCreadie is also in on Mallory’s secret. Together, this group uses Mallory’s advanced knowledge to carry out investigations and apply a more rigorous scientific approach to Victorian era police work.

The action kicks off with an invitation to a mummy unwrapping. Egyptian artifacts and archaeology are all the rage, and Sir Alistair Christie is hosting a party to share his latest find. When the mummy is unwrapped, however, a very fresh corpse is discovered inside, and Mallory and Duncan find themselves once more in the thick of a complicated murder investigation.

The mystery is the driving force of the novel, and it’s a good one, with plenty of subjects, clues, motives, and red herrings. There’s also a very entertaining side plot about a pulp writer who’s started publishing lurid accounts of Mallory and Duncan’s exploits, much to their embarrassment (and Mallory’s annoyance, as the writer portrays her as an empty-headed girl whose main function is to look impressed — and sexy — while Duncan makes all the discoveries).

One of the many delights of the series is seeing Mallory being herself in the 19th century. Unlike the situation facing the characters in the Stitch in Time series, Mallory doesn’t need to make an effort to conceal herself or blend while amongst her friends. Yes, she must adapt to the time by dressing in corsets and adopting the appropriate social customs, but at home, her speech and knowledge are full of 21st century expressions, swearing, and casual sharing of unknown facts.

“Like people in my world who still think you can catch the common cold — or catarrh — by going out in cold weather, despite the fact we’ve known for generations that it’s caused by a virus.”

“Catarrh is caused by… what?” Gray says.

“Whoops. Sorry. Spoilers. Moving right along…”

She’s just so much fun, and scenes of her with Isla and Duncan are always a delight.

He opens his hand to reveal a derringer pistol. I may let out the kind of noise others make on seeing a puppy.

There a shocking development in the latter half of the book that left me gasping and dismayed. I did not see that coming! The author does a fabulous job of making the situation (no spoilers!) vivid and real, and yet also manages to pull off a great resolution to this particular twist.

Overall, Disturbing the Dead is a fantastic addition to a great series, and I can’t wait for more! Highly recommended — but definitely start at the beginning of the series.