The Monday Agenda 8/11/2014

MondayAgendaNot a lofty, ambitious to-be-read list consisting of 100+ book titles. Just a simple plan for the upcoming week — what I’m reading now, what I plan to read next, and what I’m hoping to squeeze in among the nooks and crannies.

How did I do with last week’s agenda?

LandlineJust Like the MoviesSince You've Been Gone

Landline by Rainbow Rowell: Done! My review is here.

Just Like the Movies by Kelly Fior: Done! My review is here.

Since You’ve Been Gone by Anouska Knight: Done! My review is here.

Across the Great Barrier (Frontier Magic, #2)The kiddo and I just finished up book #2 in Patricia C. Wrede’s Frontier Magic trilogy, and can’t wait to dive into #3!

 

Fresh Catch:

Two of my pre-orders arrived this week:

The WraithSpike: Into The Light

Plus, two of my library holds came in as well:

The Geography of You and MeThe Far West (Frontier Magic, #3)

And then there are the two books I picked up at the neighborhood used book store:

Songs of Willow FrostUnbroken: A World War II Story of Survival, Resilience, and Redemption

 

What’s on my reading agenda for the coming week?

Henna HouseHotel on the Corner of Bitter and SweetThe Museum of Extraordinary Things

I haven’t quite decided on the reading order yet, but the next three books on my reading agenda will be:

Henna House by Nomi Eve

Hotel on the Corner of Bitter and Sweet by Jamie Ford

The Museum of Extraordinary Things by Alice Hoffman

Pop-culture goodness:

Have I mentioned that I’m one of the moderators over at Outlander Book Club? Maybe one or two or five hundred times?? We were absolutely thrilled this week to see that the newest issue of Entertainment Weekly includes a two-page spread about how to go on an Outlander binge — and guess who’s listed (in ENTERTAINMENT WEEKLY!!) as one of the fansites?

EW OBC

You could probably hear me hyperventilating from clear across the country.

Upcoming book club reads:

I have a few book club picks coming up:

Fields & Fantasies:

Join us for a discussion of The Museum of Extraordinary Things by Alice Hoffman at the end of August. You can read more about Fields & Fantasies here.

Outlander Book Club:

All are welcome to join in for any of the upcoming group reads at OBC:

Classics read: OBC will be reading and discussing The Scarlet Pimpernel by Baroness Emma Orczy (one chapter per week) starting August 18th.

Book of the Month: The August BOTM pick is The Hotel on the Corner of Bitter and Sweet by Jamie Ford. Discussion opens August 20th.

A Breath of Snow and Ashes re-read: We’ll be reading and discussing two chapters per week starting September 2nd.

Want to join in the fun for any of the group reads? Let me know and I’ll provide the links!

So many book, so little time…

That’s my agenda. What’s yours? Add your comments to share your bookish agenda for the week.

Happy reading!

boy1

 

 

 

Book Review: Since You’ve Been Gone by Anouska Knight

Since You've Been GoneIn this romance, a young widow learns to start enjoying life again two years after the tragic death of her husband, when she falls in love with the handsome man who unexpectedly swoops into her life. And it doesn’t hurt that he has oodles of money, lives in a mansion, and drives a flashy sports car.

To be fair, Holly is emphatically not interested in Ciaran when he first appears, and she is so not impressed by his millions or by his allegedly playboyish love life. Holly just wants to live a quiet life in the unfinished cottage she and the late Charlie had moved into, where she can be left alone with her troubled dreams of her lost husband and with a big slobbery dog for company. But when Holly’s bakery (deliciously named Cake) is commissioned to make and deliver a specialty item to Ciaran’s father (a loud, often drunk man prone to inappropriate displays of what’s beneath his kilt), she meets and then can’t stop running into lovely Ciaran — and Ciaran is smitten enough to woo Holly despite her rather rude attempts to make him go away.

Since You’ve Been Gone doesn’t hold much in the way of surprises, but for a straight-forward romance, it veers just enough from the expected formula to keep it interesting. Holly herself is a well-drawn character, clearly suffering when we meet her and not ready to let go of her loss and grief. Yes, the money angle is a little obnoxious and obvious, but Holly makes clear that she falls for Ciaran despite the status and glamour, not because of it.

I enjoyed the emphasis on the natural settings, Holly’s love of nature and the outdoors, and the tenderness Ciaran displays in honoring Charlie’s memory. There are some stock characters, to be sure, including the gold-digging personal assistant who is icy-beautiful and constantly needles and undermines Holly — but the rest of the supporting cast, including the lonely older woman next door and Holly’s hugely pregnant and over-involved sister, are off-beat enough to keep the story lively.

Yes, in some respects this is a by-the-numbers romance novel, and anyone who’s not a fan of the genre might want to steer clear. I’m not much of a romance reader ordinarily, but I was drawn to Since You’ve Been Gone by the adorable cover as well as by the synopsis, which made it sound not very run-of-the-mill — and I’m pleased that I gave it a try.

Since You’ve Been Gone is a fast, light read, with some nice emotional moments (and some super-steamy sex) to keep things moving along. It’s an enjoyable book about finding love again, and is a perfectly entertaining way to spend a summer day.

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The details:

Title: Since You’ve Been Gone
Author: Anouska Knight
Publisher: Harlequin HQN
Publication date: July 29, 2014
Length: 320 pages
Genre: Romance
Source: Review courtesy of Harlequin via NetGalley

Flashback Friday… is taking a little break

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I’ve been running Flashback Friday posts here at Bookshelf Fantasies pretty much every Friday for the past year and a half… and I’m feeling a bit burned out at the moment. I’m thinking of giving it a rest for a while, until I get re-inspired all over again.

For now, I’m going to discontinue my weekly feature, and will post Flashback Fridays whenever the muse strikes me.

For those of you who’ve taken the time to comment or link up your own Flashback Friday posts, THANK YOU! I appreciate you very, very much.

I’m not abandoning Flashback Friday altogether — just giving myself a bit of a break from the weekly routine, which has started to feel more like pressure than like fun.

So, stay tuned! I’ll still post my older book favorites here and there… keep an eye out for pop-up Flashback Friday posts! You never know when they might turn up…

And if you’ve enjoyed Flashback Fridays and think I should keep going, let me know!

Thanks again for all your support.

Book Review: Just Like the Movies by Kelly Fiore

Just Like the MoviesYou know how some young adult novels really resonate with adult readers as well? This isn’t one of them… at least, not for this adult reader.

In Just Like the Movies, two girls bond over their love of rom-com movies and decide to use romantic movie strategies to win the boys of their dreams. For track star Marijke, that means going all Say Anything in her boyfriend’s backyard, blasting Peter Gabriel from an IPod dock. (Unfortunately, he’s not home at the time, but his parents are.) For Lily, it means borrowing a page from Drew Barrymore in Never Been Kissed (kinda) and declaring her interest to the boy she likes.

Meanwhile, we have these two girls, high school seniors, becoming insta-besties within the space of two weeks, learning to see past their differences, and transforming their lives. And yes, there’s a makeover involved, and even some eyebrow tweezing. Plus, an awful lot of talk and fixation on prom proposals — the more elaborate the better — which I didn’t even know was a thing, but apparently it is. At least in this book. And if it’s a thing in real life, then may the gods have mercy on the teens of today. *shudder*

Near the end, there are some minor moments of awakening, as the girls realize that they’re strong and that maybe their lives shouldn’t revolve around the boys they like — at which point, they end up getting the boys anyway.

I was tempted to describe this book as harmless fluff, but I actually can’t. It’s light and fluffy, all right, but I’m not sure that I’d call it harmless. What’s the message here? We have two smart, high achieving girls with horrible esteem and trust issues. Marijke spends most of the book flying into jealous fits because her boyfriend isn’t doing what she wants when she wants. Lily is like every movie shy girl or brainy girl, always working behind the scenes and super good at all her classes, but she’s not one of the popular girls and never gets noticed. (A trip to Marijke’s closet and make-up bag fix that, of course.)

So on the one hand, the books seems to be saying that living one’s life for a boyfriend is a mistake. But on the other hand, once the girls realize that, they still end up getting the perfect romance, complete with prom, that they’ve always wanted. So, you don’t need a boy to be happy… but wait, you kind of do?

Meanwhile, the timeline is bizarrely compacted, with all this drama happening over the space of a few short weeks. It’s just not believable, and not in a charming, rom-com sort of fairy tale way. The movie theme is inconsistent, the messages are muddled, and the girl power just fizzles.

Maybe teen girls will like Just Like the Movies and will swoon over the prom proposals and hunky guys. But I’m guessing not.

_________________________________________

The details:

Title: Just Like the Movies
Author: Kelly Fiore
Publisher: Bloomsbury USA Children’s Books
Publication date: July 2, 2014
Length: 300 pages
Genre: Young adult fiction
Source: Review copy courtesy of Bloomsbury via NetGalley

Thursday Quotables: Just Like the Movies

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Welcome back to Thursday Quotables! This weekly feature is the place to highlight a great quote, line, or passage discovered during your reading each week.  Whether it’s something funny, startling, gut-wrenching, or just really beautifully written, Thursday Quotables is where my favorite lines of the week will be, and you’re invited to join in!

Just Like the Movies

Just Like The Movies by Kelly Fiore
(Released July 22, 2014)

Mom and Dad lack that chip in their brains that tells them certain behavior isn’t normal for adults. They have water-balloon fights. They order kids’ meal at restaurants. All the high scores on the Wii are theirs. On more than one occasion I’ve caught them half-dressed, making out on the couch.

So. Gross.

My review will be along a little later on today; meanwhile, this description of parental behavior worthy of massive amounts of eye-rolling really struck my funny bone when I read it.

What lines made you laugh, cry, or gasp this week? Do tell!

If you’d like to participate in Thursday Quotables, it’s really simple:

  • Write a Thursday Quotables post on your blog. Try to pick something from whatever you’re reading now. And please be sure to include a link back to Bookshelf Fantasies in your post (http://www.bookshelffantasies.com), if you’d be so kind!
  • Leave your link in the comments — or, if you have a quote to share but not a blog post, you can leave your quote in the comments too!
  • Visit other linked blogs to view their Thursday Quotables, and have fun!

Book Review: Landline by Rainbow Rowell

LandlineMarriage, happiness, and a family’s future are on the line in Rainbow Rowell’s newest novel, Landline.

I’ll preface this review by pointing out that Landline is not a young adult novel. Rainbow Rowell exploded with her first YA novel, the excellent and tear-inducing Eleanor & Park, and solidified her place in the YA pantheon with Fangirl — but she also writes terrific grown-up fiction, including 2011’s Attachments and brand-new Landline.

In Landline, we meet Georgie McCool, a thirty-something comedy writer (who happens to love the TV show thirtysomething). Georgie has a stay-at-home husband, two adorable daughters, and a life that’s falling apart. Neal is always unhappy with her, to the point where she’s practically forgotten what it feels like to see him happy at all. Georgie and her best friend-slash-writing partner having been toiling for almost 20 years in the writers’ rooms of LA TV, waiting for the chance to finally make “their” show. And when that chance seems to be within reach, the timing couldn’t be worse: Georgie is supposed to be heading toward Omaha with Neal and the kids for Christmas — but the scripts have to be done that week or the deal is off.

When Georgie decides to stay in LA, she’s blown away that Neal still leaves for Omaha — and is left in a complete tizzy, wondering if they’re merely spending Christmas apart, or if Neal has actually left her.

Things get decidedly weird when a dead cell phone battery and a night spent in her childhood bedroom cause Georgie to resort to digging out the old dial telephone in the back of the closet in an effort to reach Neal in Omaha. Neal, at this point, is very pointedly not answering his cell phone, and Georgie is getting frantic. Lo and behold, when Georgie uses the landline, Neal answers… but it’s Neal in 1998, the almost-but-not-quite adult version of Neal who may be breaking up with Georgie. As the two begin a string of nightly phone conversations, Georgie is understandably weirded out at first, but comes to realize that something approaching miraculous may be happening. Through her conversations with younger Neal, Georgie gains a new understanding of where they’ve lost their way, but the question remains: Is there any chance that Georgie and Neal will find their way back to one another?

Georgie is a fun, funny character, quick-witted and quick with a quip. Her goal in life is to make people laugh, despite ending up with a husband who can barely bring himself to smile. Landline uses the device of the phone calls to take us back through Georgie and Neal’s romance, showing us their history and how two such different people found themselves head over heels in love. Their relationship feels real, and it’s easy to see how a couple with good intentions and full of love could still find themselves teetering on the brink of failure.

Georgie’s not without her faults, of course. She is pretty clueless about Neal’s unhappiness, and she is quite selfish when it comes to putting her career goals ahead of her family life. At the same time, she is the sole financial support of the family, and she works in a demanding field. If the shoe was on the other foot and the husband was the one working late and missing family vacation, would it feel any less unfair or inconsiderate?

I liked the device of the mysterious telephone connection (which Georgie can’t quite believe, and which she refers to sarcastically as her “magic” phone). There’s no explanation offered, so if you  like your mystical objects to have a rational basis, you’ll be out of luck here. Landline is, essentially, a story about the magic of love, and the phone is just one more whimsical plot element that helps the characters move forward and find their way.

As always, Rainbow Rowell’s dialogue is snappy and snarky, and the humor keeps the story from ever feeling too heavy, even when it appears that the marriage is doomed. This is a light-hearted novel — not light as in inconsequential, but light as in filled with sunshine, focused on the quest for happiness, and containing the essence of a modern-day fairy tale. We come to care about the characters and want them to be happy, and by the end, can’t help but cheering as the the novel attains a movie-esque momentum worthy of a rom-com’s will-she-get-there-in-time action sequence.

Landline is a great choice for readers who enjoy well-written contemporary fiction with heaping doses of laughter. While not avoiding the heavier subject matter of a marriage about to implode, Landline keeps the story moving along at a brisk pace and never plunges into despair. It’s a great love story — a story not about falling in love, but about the much harder work of staying in love.

Rainbow Rowell has been firmly on my must-read-everything list ever since Eleanor & Park, and I haven’t been let down yet. Landline made me happy… and I can’t wait to hear about the author’s next project, whatever it might be.

Favorite lines and passages:

“Kids are perceptive, Georgie. They’re like dogs” — she offered a meatball from her own fork to the pug heaped in her lap — “they know when their people are unhappy.”

“I think you may have just reverse-anthropomorphized your own grandchildren.”

___________________

Georgie was extra. She was the fourth wheel. (On something that only needed three wheels. The fourth wheel on a tricycle.)

___________________

“Upper body strength isn’t everything; I have wiles.”

“Not really.”

“Yes, I do. I’m a woman. Women have wiles.”

“Some women. It’s not like every woman is born wily.”

“If I don’t have wiles,” she said, “how come I can get you to do almost anything I want?”

“You don’t get me to do anything. I just do things. Because I love you.”

 

Want more Rainbow Rowell? See my reviews of her other novels:
Eleanor & Park
Attachments
Fangirl

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The details:

Title: Landline
Author: Rainbow Rowell
Publisher: St. Martin’s Press
Publication date: July 8, 2014
Length: 310 pages
Genre: Adult contemporary fiction
Source: Purchased

 

The Monday Agenda 8/4/2014

MondayAgendaNot a lofty, ambitious to-be-read list consisting of 100+ book titles. Just a simple plan for the upcoming week — what I’m reading now, what I plan to read next, and what I’m hoping to squeeze in among the nooks and crannies.

How did I do with last week’s agenda?

The Book of Life (All Souls Trilogy, #3)6990472Where She Went (If I Stay, #2)

I finally finished The Book of Life by Deborah Harkness! It felt like I was reading it forever. My review is here.

I read both If I Stay and Where She Went by Gayle Forman, and loved them both. If there was any doubt (and there really wasn’t), it’s now official: I’ll happily read anything and everything that Gayle Forman decides to write!

Fresh Catch:

One new addition to my shelves this week:

The Unwritten, Vol. 9: The Unwritten Fables

It’s a Fables/Unwritten cross-over! I haven’t started the Unwritten series yet, but I do love everything related to Fables. It’s clear to me that I need a good week or two of undiluted graphic novel time!

What’s on my reading agenda for the coming week?

LandlineJust Like the MoviesSince You've Been Gone

After staring at it longingly from across the room for a few weeks, it’s finally time to read Landline by Rainbow Rowell. I’ve read about half so far — and like every other Rainbow Rowell book, it’s terrific.

Once I finish Landline, I think I’d better try to catch up on my backlog of ARCs. I intend to read Just Like the Movies by Kelly Fiore and Since You’ve Been Gone (don’t you love that cover?) by Anouska Knight, for starters.

Pop-culture goodness:

I had a blissfully fangirlish day this past week. On Wednesday, I took a day off work and headed downtown to a wonderful book signing/reading by Deborah Harkness. She was funny, smart (of course), gracious, and so friendly toward us all. What a pleasure!

From there, I hopped in my car and drove about an hour to get to the theater showing a preview screening of the first episode of Outlander. Arriving early, I had a great time hanging out with other fans for a couple of hours. The screening itself? What can I say? It was everything I’d hoped for. Amazing cast, beautiful settings, fantastic production… and so true to the book! Simply beautiful.

kilt drops

The first episode is available as a free preview via http://www.starz.com!

 

So many book, so little time…

That’s my agenda. What’s yours? Add your comments to share your bookish agenda for the week.

Happy reading!

boy1

 

 

Flashback Friday: Coma

ffbutton2Flashback Friday is a weekly tradition started here at Bookshelf Fantasies, focusing on showing some love for the older books in our lives and on our shelves. If you’d like to join in, just pick a book published at least five years ago, post your Flashback Friday pick on your blog, and let us all know about that special book from your reading past and why it matters to you. Don’t forget to link up!

This week on Flashback Friday:

Coma

Coma by Robin Cook
(published 1977)

 Synopsis (Goodreads):

They call it “minor surgery,” but Nancy Greenly, Sean Berman, and a dozen others, all admitted to Memorial Hospital for routine procedures, are victims of the same inexplicable, hideous tragedy on the operating table. They never wake up again.

Some traceless error in anesthesia has cased irreversible brain death, leaving each of them in a hopeless coma.

Something is very wrong here. And Susan Wheeler, a beautiful young medical student, hazards her life to uncover the horrifying explanation–a plot so ghastly, so far-reaching, so terrifyingly incredible yet so nightmarishly possible, it will leave you suspended in a state of fear….

I think this was the first medical thriller I’d ever read, and let me tell you: It scared the bejeezus out of me. Robin Cook has written over 20 novels since, but in Coma, his 2nd novel, he introduced popular culture to the terror of medicine gone wrong, and we’ve never quite recovered!

What flashback book is on your mind this week?

Note from your friendly Bookshelf Fantasies host: To join in the Flashback Friday fun:

  • Grab the Flashback Friday button
  • Post your own Flashback Friday entry on your blog (and mention Bookshelf Fantasies as the host of the meme, if you please!)
  • Leave your link in the comments below
  • Check out other FF posts… and discover some terrific hidden gems to add to your TBR piles!

♥♥♥♥♥♥♥♥

Do you host a book blog meme? Do you participate in a meme that you really, really love? I’m building a Book Blog Meme Directory, and need your help! If you know of a great meme to include — or if you host one yourself — please drop me a note on my Contact page and I’ll be sure to add your info!

Book Review: The Book of Life by Deborah Harkness

The Book of Life (All Souls Trilogy, #3)Deborah Harkness’s wildly popular All Souls trilogy wraps up with The Book of Life, published earlier this month and debuting at #1 on the New York Times bestseller list.

For anyone who has read the first two books in the series, A Discovery of Witches and Shadow of Night, it’s a given that The Book of Life is a must-read.

My quick thoughts on this book:

First of all, it’s long. That may sound like a stupid thing to point out, but not only is the book 561 pages — you really feel all of those pages while you’re reading. Or at least, I certainly did.

I’m a fast reader, and spending over a week on a book is unusual for me. The Book of Life was a 10-day push. Granted, it was a busy couple of weeks for me, but still: If I was loving this book, I would have found the time to read more. I’d say that it wasn’t until I got to about the half-way mark that I started to get that great swept-away feeling; up to that point, it felt more like work.

The opening section of the book is crammed full of genealogy, vampire law, and oodles of characters from all over the previous books converging on main characters Diana and Matthew. Re-reading the first two books — or finding a good detailed synopsis — is essential in order to enjoy The Book of Life. In fact, by the time I got to page 70, I realized that I needed a refresher, so I spent a couple of days looking up odds and ends, then restarted The Book of Life from the beginning. Luckily, it made a lot more sense with the details sharper in my mind.

There’s nothing particularly wrong with The Book of Life. It’s a wrap-up book, and it does what it needs to do: Ties up all the story threads, builds to a climax, and provides a conclusion to the trilogy that seems fitting. What it doesn’t have is the depth of characters and emotions that we’ve seen in previous books. In A Discovery of Witches, we fall in love with Diana and Matthew and their world. It’s new and enchanting; we feel mesmerized by the romance and danger. In Shadow of Night, it’s easy to get swept up in the historical setting and the challenges it poses for our beloved characters.

But in The Book of Life, it’s go time, all the time. People are constantly coming and going. There’s a lot of stamping about and angry confrontations, there are science lab set pieces and Congregation meetings, chases and rescues, and even some pregnancy drama.

Like I said, it’s not a bad book. Not at all. But I didn’t feel it the way I felt the other two, if that makes sense. I opened the book wanting to know what ends up happening to Matthew and Diana, and I closed the book having found out. The ending was exciting, and by the last quarter of the book, I really couldn’t put it down. I was happy to see more of the secondary characters who make the series so special. (Bonjour, Ysabeau! Hiya, Gallowglass!) The search for Ashmole 782 comes to an end, and there are answers about Diana’s powers and the family history.

What went missing for me was the emotional engagement. We see Matthew and Diana’s marriage and life, but not the dramatic chemistry and attraction that created their connection. Perhaps it’s just the fact of how far along the story is at this point; The Book of Life is the most plot-driven of the three books, and I missed the deeper personal elements that made the first two books so special.

I did end up enjoying The Book of Life, and I was satisfied with the ending. I just wish it had made me feel it all a bit more.

Note: If you’re interested in the All Souls Trilogy, you can check out my review of Shadow of Night here.

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The details:

Title: The Book of Life
Author: Deborah Harkness
Publisher: Viking
Publication date: July 15, 2014
Length: 561 pages
Genre: Adult fiction
Source: Purchased

Fields & Fantasies presents… The Fever by Megan Abbott

Welcome to the first Fields & Fantasies book club feature. Each month, in collaboration with my wonderful co-host Diana of Strahbary’s Fields, we’ll pick one book to read and discuss. Our inaugural pick is Megan Abbott’s The Fever:

The FeverThe panic unleashed by a mysterious contagion threatens the bonds of family and community in a seemingly idyllic suburban community.

The Nash family is close-knit. Tom is a popular teacher, father of two teens: Eli, a hockey star and girl magnet, and his sister Deenie, a diligent student. Their seeming stability, however, is thrown into chaos when Deenie’s best friend is struck by a terrifying, unexplained seizure in class. Rumors of a hazardous outbreak spread through the family, school and community.

As hysteria and contagion swell, a series of tightly held secrets emerges, threatening to unravel friendships, families and the town’s fragile idea of security.

Something is happening to teen girls, and it’s very, very bad.

First it’s Deenie’s best friend, Lise, who suffers some sort of seizure in the middle of class — and whose greatest worry is whether everyone saw. (They did). Next, Deenie’s almost-best-friend Gabby has a spell of some sort in the midst of an orchestra performance. And then more, and more, and more. Is it an epidemic? Is it mass hysteria?

In The Fever, there are many questions, but not so many answers.

Reminiscent both of The Crucible and Mean Girls, The Fever shows the damage done to girls as they enter and transition through the perilous teen years. For Deenie and her friends, the change from unformed, bright innocents to girls who attract boys’ eyes and know it is fraught with physical and emotional dangers.

They revel in the changes in their own bodies, but are undermined by the food provided by family. They delight in their power, but can be brought low by the looks or oversights of boys. They hunger for attention, but don’t know what to do with it once they get it.

And as we see through the eyes of Deenie’s brother Eli, the girls become a mass of indistinguishable sexualized beings. Eli is a protective big brother, cherishing his younger sister and defending even her friends from predatory eyes — and yet Eli is a total hound toward every other girl in school, having no qualms about inviting adoring girls (he’s a big hottie) over for late-night booty calls and then sending them on their way. The girls are faceless and interchangeable to Eli and his friends: They’re sexy, they’re available, and they’re easily forgotten.

The girls in The Fever are all damaged, one way or the other. Of the characters we meet, all have deficiencies in their home lives — bitterly divorced parents, no parents, irresponsible guardians, even a mother who survived a vicious assault by the father and bears horrific scars as a constant reminder. The environment, too, is literally toxic — the lake is an unnatural emerald green and was declared unsafe for swimming years earlier. The school itself is later found to have all sorts of deadly and dangerous substances in its walls and its grounds.

So what’s making the girls sick? Perhaps everything. Hysterical parents initially blame the mysterious outbreak on the HPV vaccine that was administered to all girls the previous year — but when that proves to be a red herring, other scapegoats must be found. Suspicious eyes turn to Deenie, one of the few who isn’t sick. Does that mean she’s a carrier? Is she the local version of Typhoid Mary?

Deenie is devastated, not just by her friends’ illnesses, but by the shock of discovering the secrets lurking behind the scenes in the life she thought she knew.

I found The Fever to be a compelling read, but I couldn’t quite decide how I really felt about it. In parts, it felt like a mystery to be solved, sifting through clues, unraveling stories that do and don’t make sense. On the other hand, it’s very much an atmospheric piece. There’s a sense of doom and misery throughout the book. None of these girls are happy, and they all suffer, one way or another. It’s all quite dismal, and at times, it’s practically suffocating.

And yet, I couldn’t look away. Perhaps it’s the book version of a car crash on the highway. You know bad things are happening, and yet you stretch to get a glimpse just the same. Towards the end, as the lies and secrets unravel, the story becomes more straightforward and I found myself enjoying it more. The narrative in most of the book weaves between different points of view, but eventually, plot seems to matter more, and I could not wait to get answers.

So yes, by the end, there is a solution of sorts — but not everything is easily explained. The girls of the town may be recovering, but they’ll never recapture the innocence of assuming oneself to be safe. As a study of what it means to be a teen girl in America, The Fever is very frightening indeed.

___________________________________

For another view, check out Diana’s review here.

And now, for a change of pace, a Q&A between Diana and me. Warning: SPOILERS from this point forward. Proceed at your own risk!

Lisa: So many of the girls in this books seem like a “type”. Which, if any, felt more original or unusual to you?

Diana: They didn’t really feel original to me. It was the cliche good girl caught in the middle, the meanest of the mean girls and the girl that wanted to be liked. Then for the mothers it felt like you had the absentee, the clueless one and the overprotective one. Nothing all that original.

Lisa: I agree [with what you said in your review] that Tom was a decent character. What do you think about the book’s portrayal of parents in general?

Diana: Overall I think that the parents were clueless as to what was going on in their kids lives. Perhaps from a teens’ perspective they are but I would think that the parents would have some idea. Do you think that there was anything that the parents could have done to be more involved with their children?

Lisa: I thought Tom was as involved as possible for a parent of high school teens, which just goes to show that even great parents probably have no idea what’s really going on their kids’ lives and inside their kids’ heads. I mean, his son is bringing girls home for sex right under his nose, and he just says hi as they walk by! The other parents all seem very caught up in their own nonsense. Everybody wants to be a good parent, I thought, but nobody really succeeds.

Lisa: Did you buy the explanation for the epidemic? Do you find a mass event like this credible?

Diana: Absolutely. Looking back through history there are a number of cases like this happening throughout the world to teenage girls. My favorite happening in 2006 in Portugal. It was dubbed the Strawberries with Sugar Virus. A number of adolescent girls became sick, their symptoms couldn’t be explained. As it turns out, there was a very popular show called Strawberries with Sugar and there was a girl on the show that had an illness with those symptoms. Portuguese officials later determined it was a case of mass hysteria based on the television show. My only problem with the premise is the guilty party at the beginning of everything being a victim of mass hysteria.  What do you think?

Lisa: Yeah, I hadn’t thought of it in those terms, but you’re right. It’s like she couldn’t deal with her own guilt, so she followed in the victim’s footsteps, and then the whole thing blew up from there. It seemed to be saying that each of these girls had such problems in their lives that becoming a victim of the epidemic was a way out for them. Maybe a way to get the attention they’d been missing? Or a way to physically embody all the turmoil and stress of their lives?

Diana: I like the attention train of thought. It could be one of those cases where a lie just takes on a life of it own…

Lisa: What did you think of the role of social media, cell phones, and other plugged-in technologies in this story?

Diana: It was very relevant. I know I am addicted to my electronics and so many teens are social media obsessed. I think that part felt the most realistic to me.

Lisa: I agree. It made me realize how much harder it must be to be in high school right now than when I was that age. In my day, if you did something embarrassing, people might talk and ridicule, but then it would blow over. With this culture of selfies and everything always being shared, your worst moments can live forever. In The Fever, the girls who had seizures not only broke down in school — they then had to live with knowing that their awful moments would be seen all over YouTube.

Diana: Oh God, I can only imagine the trauma I would have had to deal with if my fellow high school students had social media. There are some things in life that are just best left forgotten.

Lisa: Did the high school setting in The Fever feel realistic to you? 

Diana: There were moments that it felt realistic.  Like with the day to day school stuff. But some of it felt “Saved by the Bell”-esque. Like would the sports star also be in the school band? How many of the cool kids did you know who played in band?

Lisa: True. But I did think the shifting alliances among the girls was pretty true to life — the fact that Deenie thought Gabby was her best friend and that Skye was just an annoyance hanging around, not seeing that Gabby and Skye had a much stronger connection or what the truth of her friendship with Gabby was all about.

Lisa: Is there anything the author could have done differently that would have made this book work better for you?

Diana: Better characters for sure. I so wanted this to be my dirty little indulgent book of the summer. I think if she dug deeper and went beyond the clichés it would have been so much better.

Lisa: It’s been fun talking books with you! Sounds to me like The Fever was not a huge success for either of us (although I liked it more than you did), but it still did give us some things to think about!

Diana: I have really enjoyed our discussion as well! Yeah, I can’t say Fever was my favorite read of the year so far but it has created some great discussion. I have already started reading our book for August: The Museum of Extraordinary Things.

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Updated to add:

Fascinating article by Megan Abbott on the real-life case that inspired The Fever: http://www.huffingtonpost.com/megan-abbott-/dont-look-now-social-medi_b_5534200.html

Next for Fields & Fantasies:

Join us for our August book, The Museum of Extraordinary Things by Alice Hoffman

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The details:

Title: The Fever
Author: Megan Abbott
Publisher: Little, Brown and Company
Publication date: June 17, 2014
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy courtesy of Little, Brown and Company via NetGalley