The Monday Check-In ~ 10/16/2017

cooltext1850356879 My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

Life.

Like everyone else in San Francisco, I’ve been focused all week on the terrible wildfires raging throughout the regions just north of us. So terribly upsetting, and it’s not over yet. We’re all looking for ways to donate, help, and offer support to those suffering, as well as the brave folks out there fighting the fires.

What did I read last week?

Sleeping Beauties by Stephen King and Owen King: I finished this last Sunday, and posted my thoughts a few days later. Check out my review, here.

LaRose by Louise Erdrich: My book group’s discussion book for October, finished just in the nick of time! My thoughts are here.

I also wrapped up my return visit to the world of His Dark Materials by Philip Pullman. I finished the audiobook of The Amber Spyglass (so beautiful!), and re-read both Lyra’s Oxford and Once Upon a Time in the North as well. I’m so excited for the new book, The Book of Dust, to arrive this week!

Outlander !!

Outlander is on break this week, with the next new episode (the print shop!!) coming October 22nd. Meanwhile, myy reaction post for the 5th episode is here. And in other Outlander news, there was an exciting casting announcement for season 4 — find out more here.

Other TV:

Check out my post about what I’m watching this fall, here.

Fresh Catch:

I mentioned last week that I went on an EBay spree and ordered a bunch of Georgette Heyer books. Five more arrived this week… whee!

And there are still a few more yet to come!

What will I be reading during the coming week?

Currently in my hands:
 

Guts: The Anatomy of The Walking Dead by Paul Vigna: Don’t judge me! I just got this book from the library, and I’m VERY INTO IT.

Now playing via audiobook:

Indexing by Seanan McGuire: Just getting started, but it’s cute so far. I mean, c’mon — it’s by Seanan McGuire! It just has to be good, right?

Ongoing reads:

Ivanhoe by Sir Walter Scott: My book group’s classic read! We’re reading and discussing two chapters per week.

Lord John and the Private Matter by Diana Gabaldon: Outlander Book Club is doing a Lord John readalong — we’ll be reading all of the Lord John novels and stories in story chronology. Let me know if you’d like to participate! All are welcome.

So many books, so little time…

boy1Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Take A Peek Book Review: LaRose by Louise Erdrich

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Synopsis:

(via Goodreads)

In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning The Round House and the Pulitzer Prize nominee The Plague of Doves wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.

North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.

The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.

LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a co-conspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.

But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.

Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

My Thoughts:

A beautiful, complicated, stunning book by the masterful Louise Erdrich! What a powerful follow-up to her award-winning The Round House (review).

LaRose is a story about family, loss, retribution, and atonement. It shows the complex connections between parents and children, and the unusual ways in which new families can be formed and held together. LaRose also demonstrates the power of old wounds, never fully healed, to affect people’s actions and emotions years after the fact.

The author weaves in the story of earlier generations in the family, each with its own LaRose, showing the challenges of growing up in the reservation and boarding school systems, and the lasting impact of tradition on people being forced to assimilate.

The characters in LaRose are well-drawn and unforgettable. There’s Landreaux’s family, with his smart, loving daughters who take in Maggie and declare her their sister too. And there’s LaRose himself, a good, loving boy who is put in an impossible situation — and, impossibly, grows, thrives, and gives his two families what they need, while also forging his own strong connection to the spirit world. Myriad other characters flesh out the community and give life to the ties that bind the various characters together.

LaRose is unusual and beautifully written. Highly recommended.

_________________________________________

The details:

Title: LaRose
Author: Louise Erdrich
Publisher: Harper Perennial
Publication date: May 10, 2016
Length: 400 pages
Genre: Contemporary fiction
Source: PurchasedSave

Save

Save

Save

TV Time: What’s Lisa watching?

It’s fall TV season! So much goodness. So much to watch. So few hours in the day.

I thought I’d do a quick round-up of what I’m loving right now:

Outlander. Obviously. In case you couldn’t guess from my approximately 5 billion previous mentions, I’m a fan, and I’m in heaven now that we’re “in season”. Except for the fact that there’s no new episode this week, but that will make next week’s super-sized episode even sweeter, right?

 

Crazy Ex-Girlfriend is back! Season 3 started this past Friday night. If you ever need something to make you giggle in all sorts of slightly inappropriate ways, here’s a show for you. Here’s one of the two new musical numbers from this week’s episode:

 

In sadder news, one of the hidden gems of cable TV is saying good-bye this weekend after four hilarious, touching, and on-point seasons. Farewell, Survivor’s Remorse! A show that’s been consistently funny, often uncomfortable, with a mix of humor and food for thought that’s never lazy, and certainly never fails to entertain.

 

And then we have a show all about people riding horses fast along seaside cliffs. Kidding, kind of. Poldark! It’s season 3, and the story is still totally engrossing, and the scenery and people are as gorgeous as ever.

 

Can’t forget about my most recent obsession, the show that has me counting the days until season 8 premieres on October 22nd. The Walking Dead returns… and it’s time for All Out War.

 

And finally, there’s The Good Place, which is just consistently funny and surprising and utterly enjoyable. The 2nd season is off to a great start!

 

Yes, there are a bunch of other shows I have a more casual relationship with — I watch, I enjoy, but they don’t rule my waking thoughts the way my favorites do. Other stuff I’m enjoying right now:

  • Speechless
  • Will & Grace (kind of — fun so far, but verging on feeling a little tired)
  • Adam Ruins Everything — something to enjoy with my son (I wrote about it last year, here)
  • Blackish — I haven’t watched consistently from the beginning, so I’m working on catching up
  • Grace & Frankie — in my free moments, I’ve been trying to pick up episodes here and there. I like! Just haven’t had time to truly binge.

**Updated to add: As soon as I hit “publish”, I realized that I left out This Is Us, which I love and which continues to be excellent. My bad.**

What are you watching this fall? What are you most excited for?

Save

Thursday Quotables: Marine Biology

quotation-marks4

Welcome to Thursday Quotables! This weekly feature is the place to highlight a great quote, line, or passage discovered during your reading each week.  Whether it’s something funny, startling, gut-wrenching, or just really beautifully written, Thursday Quotables is where my favorite lines of the week will be, and you’re invited to join in!
A little programming note: While I’m mostly back to weekly postings, I find I’m not at 100% yet! I’ll continue to post Thursday Quotables most weeks. If I happen to skip a week when you have a post to share, feel free to link up to whichever TQ post here is most recent. Many thanks!
Onward with this week’s Thursday Quotable:

 

Marine Biology by Gail Carriger
(published 2010)

When there’s too much seriousness in my life, I know I can reach for a Gail Carriger story to lift my spirits. I originally read Marine Biology when it came out, but as there’s now a related novel, The Sumage Solution, I figured this was a good time to read it again. Marine Biology is a cute, sweet, supernatural story — set in the modern world, not Carriger’s trademark steampunk Victorian society, but full of her wit and cleverness.

Here’s the opening paragraph, which makes more sense if you keep in mind that the main character is a gay werewolf scientist:

The problem, Alec thought gloomily, swishing a test-tube full of seawater, is that I’m unexpectedly alive. To be unexpectedly dead would be pleasingly simplistic. After all, he made up the statistic on the spot so that he would sound more learned in his own head, half of all deaths are unexpected. One is, to a certain degree, prepared to die unexpectedly. But when one expects to die at eighteen and instead finds oneself unexpectedly alive at twenty-four, there’s nothing for it but to be confused about everything.

What lines made you laugh, cry, or gasp this week? Do tell!

If you’d like to participate in Thursday Quotables, it’s really simple:

  • Write a Thursday Quotables post on your blog. Try to pick something from whatever you’re reading now. And please be sure to include a link back to Bookshelf Fantasies in your post (http://www.bookshelffantasies.com), if you’d be so kind!
  • Add your Thursday Quotables post link in the comments section below… and I’d love it if you’d leave a comment about my quote for this week too.
  • Be sure to visit other linked blogs to view their Thursday Quotables, and have fun!

391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1

Save

Save

Save

Save

Save

Save

Save

Save

Outlander casting news – season 4!

It’s never too early to get excited about future Outlander seasons, and here’s proof:

Multiple entertainment sites have share an announcement from Starz about key casting for season 4:

From TVLine.com:

Outlander has recruited two familiar TV faces — Orphan Black‘s Maria Doyle Kennedy and Downton Abbey‘s Ed Speleers — to take on a pair of key Season 4 roles, TVLine has learned.

Kennedy will play Jamie’s strong-willed Aunt Jocasta, whose plantation Jamie and Claire arrive at early in Drums of Autumn, the fourth of eight books in Diana Gabaldon’s international best-selling series (and the one on which Season 4 is based). Speleers, meanwhile, will portray Irishman Stephen Bonnet, a pirate and smuggler who [SPOILER ALERT] becomes very integral to the series moving forward, particularly in the lives of Brianna and Roger.

Kennedy is coming off of a five-season run playing Mrs. S. on Orphan Black. In addition to his role as footman Jimmy Kent on Downton Abbey, Speleers co-starred in Wolf Hall.

Outlander ‘s current third season will conclude in early December. Production on Season 4 got underway this week in Scotland.

Maria Doyle Kennedy is so talented, and Aunt Jocasta is a fantastic role — she’s tough, she’s shrewd (after all, she’s Dougal and Colum’s sister), and she’s deeply invested in Jamie’s well-being. As for Stephen Bonnet — it’s hard to picture someone going from playing a rather proper butler to the nasty piece of work that Bonnet is, but I suppose that’s the magic of good acting!

Season 3 is simply wonderful, and I’m so excited to see that season 4 will be introducing terrific actors as key characters.

This show. Love, love, love.

Shelf Control #92: Locke & Key, volume 6: Alpha & Omega

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! Fore more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

cropped-flourish-31609_1280-e1421474289435.png

My Shelf Control pick this week is:

Title: Locke & Key, volume 6: Alpha & Omega
Author: Joe Hill
Published: 2014
Length: 192 pages

What it’s about (synopsis via Goodreads):

The shadows have never been darker and the end has never been closer. Turn the key and open the last door; it’s time to say goodbye.

The final arc of New York Times bestselling Locke & Key comes to a thundrous and compelling conclusion.

An event not to be missed!

And about the series:

Locke & Key tells of Keyhouse, an unlikely New England mansion, with fantastic doors that transform all who dare to walk through them. Home to a hate-filled and relentless creature that will not rest until it forces open the most terrible door of them all…

How and when I got it:

I preordered this baby and got it on release day, January of 2014.

Why I want to read it:

This is so ridiculous. I read the first five volumes of the Locke & Key series as they were released — well, devoured them, really. And then some time went by, and then volume 6 was released, and I thought to myself that it would be a great idea to start the series again from the beginning so I could be totally in the moment and really savor the series finale. And of course, that never happened. It was a stupid vicious cycle — I was dying to read the conclusion, but wanted to reread the whole series, but didn’t have time to start again, but didn’t want to read #6 without starting again. On and on, until today! I’ve made finishing this series a New Year’s resolution a couple of times now. Maybe in 2018? For realzies this time.

__________________________________

Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
  • If you’d be so kind, I’d appreciate a link back from your own post.
  • Check out other posts, and…

Have fun!

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Book Review: Sleeping Beauties by Stephen King and Owen King

In this spectacular father-son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?

In a future so real and near it might be now, something happens when women go to sleep; they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent; and while they sleep they go to another place. The men of our world are abandoned, left to their increasingly primal devices. One woman, however, the mysterious Evie, is immune to the blessing or curse of the sleeping disease. Is Evie a medical anomaly to be studied, or is she a demon who must be slain? Set in a small Appalachian town whose primary employer is a women’s prison, Sleeping Beauties is wildly provocative and gloriously absorbing.

 

Sleeping Beauties has one simple message:

Men bad. Women good.

It takes 702 pages to get there, but that does seem to be the point. Not that it’s not fun along the way, but subtle, this book ain’t.

In the town of Dooling, somewhere in the Appalachias, the women’s prison is the main local employer. Between the town and the prison, we meet a heap of characters — so many characters, in fact, that the book opens with a four-page listing of characters and their descriptions — which, believe me, is necessary if you want to make it through this massive book with any shred of sanity remaining intact. The vast cast of characters includes the sheriff and her husband (the prison psychiatrist), sheriff’s deputies, prison guards, prisoners, high school bullies, and all sorts of other townsfolk.

The onset of the Aurora plague (named for Sleeping Beauty in the fairy tales) is pretty fascinating stuff. Worldwide, women are falling asleep, and once they do, they become encased in a filmy cocoon. They sleep, seemingly permanently, in these cocoons unless someone foolish (usually a man) decides to try to get them out, in which case they awaken with homicidal intent, murder whoever disturbed them, and then fall back to sleep as the cocoon reestablishes itself around the sleepers.

Major freak-outs ensue. What’s causing this, and what can be done? While some women give in to the inevitable, others become determined not to sleep at all, turning to all sorts of legal and illegal stimulants to stay awake, from super-powered coffee to crystal meth. As the days wear on, regular life all but disappears, and the men who are left behind turn to violence and chaos.

Small town dynamics suddenly take on huge significance. Sides are drawn up, and to a certain extent, the law of the jungle takes over. Those who are strong, survive. The physically or mentally weaker of the men are pushed aside, and as power is extended to those who should never, ever have it, we can feel the threat-level creep up into the danger zone.

I can’t say I was ever bored while reading this book, but really, it’s much too big for its own good. “Overstuffed” is the word that came to mind, especially as I neared the halfway point and realized that the amount left would be equivalent to reading yet another full novel. I don’t think we need quite so many backstories for quite so many characters. Not all of it is important, and a more honed narrative might have helped the narrative feel sharper and more focused.

I’m not sure that the end makes a whole lot of sense, but I often feel that way with Stephen King books (and yes, I’m a big fan). There are many unanswered questions about the why and how of the Aurora plague. Why do we get the resolution that we get? Because we do. Why is this the answer to Aurora? Because it is.

Still, Sleeping Beauties is filled with small and big moments of adrenaline-pumping suspense, with everyday scenes carrying extraordinary hints of menace and violence. As is typical of King novels, the huge number of characters comes together to give us the flavor of the community — although I’ll be honest and admit that I stopped bothering to distinguish between handfuls of the more minor characters as the story progressed.

Overall, I enjoyed Sleeping Beauties, but don’t think it’s Stephen King’s best work by a long shot. The message, as I mentioned at the top of the review, is really pretty basic and obvious, and at times I felt like I was being beaten over the head by the senseless need for violence exhibited by men in crisis, especially as contrasted by the peace and cooperation shown on the women’s side of the equation.

For a look at how Stephen King and Owen King worked together on Sleeping Beauties, check out this piece in a recent Entertainment Weekly.

_________________________________________

The details:

Title: Sleeping Beauties
Author: Stephen King and Owen King
Publisher: Scribner
Publication date: September 26, 2017
Length: 702 pages
Genre: Horror/fantasy
Source: Purchased

Save

Save

Save

Save

Save

Save

Save

Insta-Reaction: Outlander, Season 3, Episode 5

Season 3 is here! My intention is to write an “Insta-Reaction” post for each episode soon after viewing, to share some initial thoughts, questions, reactions — you name it.

Warning:

Spoilers

I may be talking about events from this episode, other episodes, and/or the book series… so if you’d rather not know, now’s your chance to walk away!

Outlander, episode 305: “Freedom & Whisky”

The official synopsis (via Starz):

Brianna grapples with life-changing revelations and Claire must help her come to terms with the fact that she is her father’s daughter. Roger brings news that forces Claire and Brianna to face an impossible choice.

My take:

Major plot points:

This episode is 99% Claire — the focus is on her life in Boston following her return from Scotland, her relationship with Brianna, and the decision she must make about whether to attempt to return to Jamie again.

  • Claire is clearly a skilled surgeon, but her professional success and close friendship with Joe Abernathy still don’t fill the hole in her life.
  • At a ceremony honoring Frank, Claire is confronted by his long-term mistress. Awkward.
  • Roger shows up to experience “an American Christmas”, but also to hand something to Claire — proof that Jamie was alive, living in Edinburgh and working as a printer, only a year before.
  • Claire initially rejects Roger’s information, insisting that she can’t leave Brianna. But Brianna convinces Claire that the time has come to find the man she loves.
  • Claire heads back to Scotland, through the stones, and ends up back in Edinburgh in 1766. She finds A. Malcolm’s printshop, and enters to see Jamie working over the printing press.
  • Claire and Jamie lock eyes… and then Jamie faints.

Insta-reaction:

This was, by necessity, a slower episode — especially relative to the previous four, with their emphasis on Jamie’s travails post-Culloden. Here in 305, the drama is mostly internal. It’s all about the choice facing Claire — a choice she never really believed she’d have to make.

On the one hand is the man who still haunts her every waking moment. It’s been 20 years, but she’s never forgotten or stopped loving Jamie. But until Roger shows up with his new proof, the idea of actually seeing Jamie again was just a dream, not a real possibility.

And of course, on the other hand, there’s Brianna. Can Claire make a decision that will result in probably never seeing her daughter again? Claire has a powerful, touching conversation with Brianna about all she’ll miss — seeing Brianna marry and walking her down the aisle, being a grandmother to Brianna’s children — and simply being a part of her daughter’s life.

Brianna is a young woman who’s been through a lot in the past year, losing the only father she knew and finding out the truth about her real father, and now faces losing her mother as well. She handles it with grace and poise. She NEEDS Claire to go, to find her father and make sure he knows that he has a daughter. Brianna still isn’t fully formed as an adult, but she insists to Claire that it’s time. Brianna will be okay — now it’s time for Claire to find Brianna’s father.

The scene at the ceremony for Frank struck me as a bit unnecessary. Why bring Frank’s mistress back into the story? She accuses Claire of selfishness, of refusing to let Frank go when he could have had years of happiness with someone who really loved him. Now, we know that Claire did offer Frank a divorce after the debacle the night of her graduation. So why force this scene now?

In thinking about it, it ties in with the scene earlier in the episode in Brianna’s history classroom at Harvard, when the professor discusses Paul Revere, then talks about the difference between historical facts versus what gets passed down through time. History depends on whose version we’re hearing. So back to Frank — did he tell the other woman that he’s the one who chose to stay in the marriage? Perhaps her version of history feels real to her, but it’s based on her source, who didn’t share all the information with her.

And speaking of Brianna’s history class… The professor informs Bree that she’s failing the class. Bree suggests that she’s just not smart enough, which is nonsense. Before Frank’s death and the trip to Scotland, she was an outstanding student. Clearly, Brianna has been through some life-altering events. As she sits in class, she’s drawing sketches of campus architecture rather than taking notes on the lecture, and later, giving Roger a tour, she becomes animated talking about the intricacies of the building’s design. Brianna is a history major, following in her father’s footsteps, but this is a clue that her true passion lies elsewhere. It’ll be interesting to see how much more of Brianna we see this season, and whether her career/education path gets more attention.

Roger, as always, is a sweetheart. He’s so awkwardly romantic with Brianna, and he cares for Claire so much. It’s not just the historian in him that gets him to keep digging for Jamie when it seemed they’d hit a dead end. Roger is now entangled in the story of Claire and Jamie (and Brianna), and he doesn’t want to let go of the connection.

And finally, after soul-searching and conversation upon conversation, Claire decides to go. She makes herself an 18th-century-appropriate traveling outfit with lots of hidden pockets so she can store her penicillin, syringes, and other 20th century must-haves (the show calls it her Batsuit!), and she’s ready to go.

Claire says goodbye to Brianna and Roger in Boston. It would be too hard to have Brianna with her at the stones — perhaps she wouldn’t have the strength to really leave her. And next we see, she’s in Edinburgh!

From Boston…

 

… to Edinburgh!

Finally, finally, we get the start of Claire and Jamie’s reunion. There’s absolute joy on Claire’s face as she finally sees Jamie working at the printing press. And then Jamie hears her voice! He freezes, slowly turns and sees her, and then passes out! Well, naturally — Claire has been on a journey back to Jamie for months, but Jamie has had absolutely no warning. It’s taken him 20 years to come to terms with losing Claire and rebuild a life for himself, but he never expected to actually see her again. And then there she is, suddenly, standing in front of him! Fainting dead away is a reasonable response, given the situation.

And…. fade to black! That’s the end of the episode. Oh, it’ll be a long, cruel couple of weeks until we see what happens next, but we can be sure that good things are in store for Claire and Jamie!

Insta-reaction wrap-up:

Another strong episode for a fantastic season. I can already imagine that there’s some grumbling going on among fans who can’t stand being Jamie-less for a full episode (or thereabouts), but anyone who’s read the book knows that we’d caught up to as much of Jamie’s life as we could expect to see as of the end of last episode. Yes, there are still some years to cover, but we’ll find out more about those when Claire does. Meanwhile, knowing that he’s a printer in Edinburgh is all that was truly important for the sake of getting Claire to finally go to him.

I’m glad that the show took a shortcut along the way, showing Claire stepping out of the taxi and into 18th century Edinburgh. We didn’t really need to see her arrive in Scotland, go to Craigh na Dun, travel through the stones, then find transportation to Edinburgh. We know that’s what happened without seeing it on screen. A book can take the time to show every detail, but in this visual medium, with a limited amount of minutes per episode, it was more important to get Claire to her destination than to spend time on the journey — especially since we’ve seen her go through the stones twice now, and Geillis once. We know how it works, so the show was right to get straight to what matters most, bringing Claire and Jamie together.

Thinking about the stones and time travel for a moment more, it’s lovely to think about the differences in Claire’s journeys. The first time she went through, it was purely by accident. She made no decision, but was pulled through without knowing what was happening. The second time, she went through the stones to save her child. It was deliberate, but done very much against her will and desire, and felt like the end of her real life. It was a moment of despair and heartbreak, from which Claire never truly recovered. How lovely, then, that Claire is owning her life and destiny here by choosing the stones this time. She’s fully cognizant of what she’s leaving, and makes the decision to go back in time in order to consciously choose a life with Jamie. Such a beautiful testament to the love she feels for him and its power.

On a different note, I enjoyed the scenes showing Claire and Joe Abernathy*. They’re colleagues, but also friends — probably the only friend Claire has. Claire tells Joe a partial truth about Jamie — that he was her true love and Brianna’s real father, and that she may have a chance to reconnect with him. Joe is supportive and enthusiastic (yet another person pointing out to her that no one really bought the fairy tale that she and Frank were happily married). Joe offers Claire reassurance that she’s still attractive.

*Side note: It’ll seem odd and unimportant to anyone who hasn’t read the books, but the scene with the skeleton in Joe’s office isn’t just a throwaway. It may seem weird in this episode, but there’s a reason to include it. ‘Nuff said.

It’s odd to see poised, careful Claire showing this type of vulnerability, wondering if Jamie will still want her now that she’s 20 years older. I was a little disappointed by her deciding to cover up her gray hair before leaving for Scotland. What will she do when the roots grow back in? Can she make a hair dye from acorns or something? Still, this too shows the internal fear which she hasn’t shared with Brianna. She knows she’ll always love and want Jamie, but she really doesn’t know what his life has been like over the past 20 years. Will he still want her, love her, or have room for her in his life? She’s stepping out into the unknown with no guarantees at all. I suppose I can understand her doubts and fears, as she looks at her gray hair and (completely unnoticeable) wrinkles. (Wouldn’t we all love to look like Caitriona Balfe as we age??) And this highlights how truly brave she is. It’s not just the danger of the time travel and the uncertainties inherent in the passage through the stones. Even if all goes according to plan and she finds Jamie, she really has no idea what he’ll be like and whether she can restart a life with him.

And she goes anyway. Like I said, that’s bravery — and love.

A final note:

Oh, the cruelty of whoever puts together the Starz calendar! We now have a two-week wait for the next episode, which means we won’t see the Claire and Jamie reunion until October 22nd. How shall we bear it?

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

The Monday Check-In ~ 10/9/2017

cooltext1850356879 My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.

What did I read last week?

Sleeping Beauties by Stephen King and Owen King: At some point, I became convinced that I was stuck in some sort of weird time loop in which I was forever reading Sleeping Beauties… but finally, after 8 days and 700 pages, I’m done! I’ll write up some thoughts to share in the next few days.

Outlander !!

My reaction post for the 4th episode is here. Stay tuned for more — my reaction post for episode 5 will be up in a day or two.

Here’s a peek at episode 5:

 

Fresh Catch:

I went on an EBay spree and ordered a bunch of Georgette Heyer books. Here’s what’s arrived so far:

And 3 or 4 more are on the way!

Also, a wonderful coworker (and friend) gave me an Amazon gift card a couple of weeks ago for a birthday present, and here’s what I ended up treating myself to:

I can see hours and hours of blissful nerding out in my future.

What will I be reading during the coming week?

Currently in my hands:
 

LaRose by Louise Erdrich: Just starting! I’ve really been looking forward to this one.

Now playing via audiobook:

The Amber Spyglass by Philip Pullman: Book three of the His Dark Materials trilogy — should be done later this week. The full-cast recording is really remarkably good.

Ongoing reads:

Ivanhoe by Sir Walter Scott: My book group’s classic read! We’re reading and discussing two chapters per week.

Lord John and the Private Matter by Diana Gabaldon: Outlander Book Club is doing a Lord John readalong — we’ll be reading all of the Lord John novels and stories in story chronology. Let me know if you’d like to participate! All are welcome.

So many books, so little time…

boy1Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Thursday Quotables: Lord John and the Private Matter

quotation-marks4

Welcome to Thursday Quotables! This weekly feature is the place to highlight a great quote, line, or passage discovered during your reading each week.  Whether it’s something funny, startling, gut-wrenching, or just really beautifully written, Thursday Quotables is where my favorite lines of the week will be, and you’re invited to join in!
A little programming note: While I’m mostly back to weekly postings, I find I’m not at 100% yet! I’ll continue to post Thursday Quotables most weeks. If I happen to skip a week when you have a post to share, feel free to link up to whichever TQ post here is most recent. Many thanks!
Onward with this week’s Thursday Quotable:

 

Lord John and the Private Matter by Diana Gabaldon
(published 2003)

So yeah, I’m a bit of an Outlander fan. And one of the stand-out characters of the series is Lord John Grey, such a complicated, distinctive individual that Diana Gabaldon decided to give him his own set of novels and stories.

My book club is currently doing a Lord John readalong — great fun. Besides John’s dignity and honor, he’s also highly intelligent and has a very dry (but enormously entertaining) sense of humor.

Here’s a tiny snippet of a Lord John moment that made me happy this week:

Quarry grunted in response to this, and lay back in his chair, smoking fiercely and scowling at the ceiling in concentration. Indolent by nature, Harry Quarry disliked thinking, but he could do it when obliged to.

What lines made you laugh, cry, or gasp this week? Do tell!

If you’d like to participate in Thursday Quotables, it’s really simple:

  • Write a Thursday Quotables post on your blog. Try to pick something from whatever you’re reading now. And please be sure to include a link back to Bookshelf Fantasies in your post (http://www.bookshelffantasies.com), if you’d be so kind!
  • Add your Thursday Quotables post link in the comments section below… and I’d love it if you’d leave a comment about my quote for this week too.
  • Be sure to visit other linked blogs to view their Thursday Quotables, and have fun!

391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1391px-quotation_marks_svg1

Save

Save

Save

Save

Save

Save

Save

Save