Book Review: Love in the Time of Serial Killers by Alicia Thompson

Title: Love in the Time of Serial Killers
Author: Alicia Thompson
Publisher: Berkley
Publication date: August 16, 2022
Print length: 336 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

Turns out that reading nothing but true crime isn’t exactly conducive to modern dating—and one woman is going to have to learn how to give love a chance when she’s used to suspecting the worst.

PhD candidate Phoebe Walsh has always been obsessed with true crime. She’s even analyzing the genre in her dissertation—if she can manage to finish writing it. It’s hard to find the time while she spends the summer in Florida, cleaning out her childhood home, dealing with her obnoxiously good-natured younger brother, and grappling with the complicated feelings of mourning a father she hadn’t had a relationship with for years.

It doesn’t help that she’s low-key convinced that her new neighbor, Sam Dennings, is a serial killer (he may dress business casual by day, but at night he’s clearly up to something). It’s not long before Phoebe realizes that Sam might be something much scarier—a genuinely nice guy who can pierce her armor to reach her vulnerable heart.

You wouldn’t normally expect an obsession with serial killers to show up in a romance… but Love in the Time of Serial Killers is here to change all that!

Note: As the author makes clear in her forward, there is no actual murder or violence in the book; the story is about someone studying written records of serial killing, and does not include details of killings or anything graphic or gory.

In this new novel, Phoebe is forced to temporarily relocate to Florida to clear out her late father’s house and get it ready for sale, while at the same time trying to finish the remaining chapters of her dissertation. To say she has mixed feelings is to put it mildly — she’s been estranged from her father since her early teens, when her parents divorced and she chose to go with her mother (while her much younger brother Conner remained with their father.) Phoebe has no interest in a stroll down memory lane — but that’s hard to avoid while sleeping in her own childhood bedroom and sorting through the hoarder-level amount of stuff piled all over the house.

Phoebe’s doctoral dissertation is on true crime as a literary genre, and her singular focus on true crime affects her worldview to a huge degree. Yes, it’s good to be cautious, but her immediate assumption that every stranger is a potential serial killer definitely gets in the way of her ability to connect to other people, sustain friendships, or even accept help when she needs it.

Of course, that cute guy next door is not actually a serial killer (although it takes Phoebe some time to believe it), and he’s understanding and helpful in an almost too-good-to-be-true sort of way. As the weeks go by and Phoebe reconnects with her brother as well as her former best friend, she starts to understand the reasons why she’s so drawn to true crime (for one thing, it usually has answers and cause and effect, elements she finds lacking in her own messy life), and realizes that maybe it’s time to let other people in… including her neighbor Sam.

I enjoyed Phoebe as a main character very much — she’s super intelligent, goes her own way, and is very body positive (she describes herself as fat and is comfortable with her body… which makes me question the cover art and why the woman shown does not appear to be fat herself). She can be frustrating too, clearly and willfully pushing away people who are well-intentioned and hiding behind her knowledge of serial killer habits as a way of protecting herself from real connection.

The romance aspects felt a little too easy in some ways — there’s instant chemistry, and Sam is hard to know other than as he presents — a sexy school teacher who’s good-hearted and supportive and always ready to help and understand. I mean, he’s pretty much flawless! Then again, since this is a romance novel, there has to be a falling out prior to the HEA ending, and the break-up here seems unnecessary — a bit more honest communication would have helped a lot.

I thought Phoebe’s dissertation sounded fascinating! I’m not a true crime fan — I don’t read books or listen to podcasts or watch Netflix documentaries on the subject — but I have to admit that after reading this book, I’m certainly more interested… enough so that maybe I’ll finally get to the copies of In Cold Blood or I’ll Be Gone in the Dark currently sitting on my shelves. Phoebe’s approach to the genre focuses on looking at who’s telling the story and what their roles in the narrative are, and honestly, I wanted to hear more! (And this book also reminded me that I’ve always meant to read Helter Skelter too, if I can psych myself up for it.)

I really enjoyed the tone and the writing throughout Love in the Time of Serial Killers. There’s plenty of humor in the dialogues and in Phoebe’s inner thoughts:

To encourage your cat to play, it said to stay on the floor, idly flicking a string or other toy while talking in a friendly manner. It didn’t specifically say to talk about your favorite true crime programming, but it didn’t say not to, either.

Phoebe’s younger brother is all boyish enthusiasm and silliness, and his lovestruck attempts to figure out the perfect way to propose to his girlfriend — to achieve that perfect balance of expressing the depth of his feelings while also going viral — are adorable. (Let’s just mention that one scenario involves a roller rink, and leave it at that.)

Silliness and laughter aside, the book also explores the lingering effects of Phoebe’s difficult family situation and her emotionally withholding father. Here’s where I wish the book had gone a little deeper, in fact. While we know that Phoebe carries inner wounds from her earlier experiences which have shaped who she is today and why she has such difficulty with intimacy, I would have liked more of an exploration of these experiences and what she went through as a teen, in order to better understand her as an adult.

Overall, though, Love in the Time of Serial Killers is a fast, engaging, entertaining read, with hints of greater depth to keep it from being too fluffy. And how amazing is that title??? This is a good choice for a quick summer read, and I ended up really enjoying it.

Shelf Control #254: I’ll Be Gone in the Dark by Michelle McNamara

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

Title: I’ll Be Gone in the Dark
Author: Michelle McNamara
Published: 2018
Length: 352 pages

What it’s about (synopsis via Goodreads):

A masterful true crime account of the Golden State Killer—the elusive serial rapist turned murderer who terrorized California for over a decade—from Michelle McNamara, the gifted journalist who died tragically while investigating the case.

“You’ll be silent forever, and I’ll be gone in the dark.”

For more than ten years, a mysterious and violent predator committed fifty sexual assaults in Northern California before moving south, where he perpetrated ten sadistic murders. Then he disappeared, eluding capture by multiple police forces and some of the best detectives in the area.

Three decades later, Michelle McNamara, a true crime journalist who created the popular website TrueCrimeDiary.com, was determined to find the violent psychopath she called “the Golden State Killer.” Michelle pored over police reports, interviewed victims, and embedded herself in the online communities that were as obsessed with the case as she was.

At the time of the crimes, the Golden State Killer was between the ages of eighteen and thirty, Caucasian, and athletic—capable of vaulting tall fences. He always wore a mask. After choosing a victim—he favored suburban couples—he often entered their home when no one was there, studying family pictures, mastering the layout. He attacked while they slept, using a flashlight to awaken and blind them. Though they could not recognize him, his victims recalled his voice: a guttural whisper through clenched teeth, abrupt and threatening.

I’ll Be Gone in the Dark—the masterpiece McNamara was writing at the time of her sudden death—offers an atmospheric snapshot of a moment in American history and a chilling account of a criminal mastermind and the wreckage he left behind. It is also a portrait of a woman’s obsession and her unflagging pursuit of the truth. Framed by an introduction by Gillian Flynn and an afterword by her husband, Patton Oswalt, the book was completed by Michelle’s lead researcher and a close colleague. Utterly original and compelling, it is destined to become a true crime classic—and may at last unmask the Golden State Killer. 

How and when I got it:

A family member sent me her copy after she finished reading it, over a year ago.

Why I want to read it:

True crime is not a go-to genre for me, but I’ve been hearing so much about this book ever since it came out, and I’m intrigued. My family member (who loves true crime) has been raving about this book, and thinks it’s one of the best in the genre.

The more I hear, the more fascinated I am by the topic, and want to learn more about the author’s investigative techniques, her sources, and the work she did to uncover a killer.

Have you read this book? Would you want to?

Please share your thoughts!


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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
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Book Review: The Library Book by Susan Orlean

On the morning of April 28, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual fire alarm. As one fireman recounted, “Once that first stack got going, it was ‘Goodbye, Charlie.’” The fire was disastrous: it reached 2000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who?

Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a mesmerizing and uniquely compelling book that manages to tell the broader story of libraries and librarians in a way that has never been done before.

In The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries across the country and around the world, from their humble beginnings as a metropolitan charitable initiative to their current status as a cornerstone of national identity; brings each department of the library to vivid life through on-the-ground reporting; studies arson and attempts to burn a copy of a book herself; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago.

Along the way, Orlean introduces us to an unforgettable cast of characters from libraries past and present—from Mary Foy, who in 1880 at eighteen years old was named the head of the Los Angeles Public Library at a time when men still dominated the role, to Dr. C.J.K. Jones, a pastor, citrus farmer, and polymath known as “The Human Encyclopedia” who roamed the library dispensing information; from Charles Lummis, a wildly eccentric journalist and adventurer who was determined to make the L.A. library one of the best in the world, to the current staff, who do heroic work every day to ensure that their institution remains a vital part of the city it serves.

Brimming with her signature wit, insight, compassion, and talent for deep research, The Library Book is Susan Orlean’s thrilling journey through the stacks that reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country. It is also a master journalist’s reminder that, perhaps especially in the digital era, they are more necessary than ever.

After that lengthy synopsis, I’m not sure what else there is to say, other than to talk about my experience reading this book.

The short version is — I loved it.

Susan Orlean is a brilliant writer, new to me, although I’ve been hearing about The Orchid Thief for years and always meant to get to it (and after finishing The Library Book, finally bought myself a copy). The story here is fascinating and multi-layered. The framing device of the book is the 1986 Los Angeles library fire, which is devastating and horrifying to read about, as the author takes us practically minute by minute through the fire’s path and shows us the awful damage done during those terrible hours.

Interspersed with the story of the fire is a history of the role of libraries in society, focusing mainly (but not exclusively) on the history of the library in Los Angeles, showing the library as a reflection of the society it serves, its challenges and its triumphs. We see how public libraries have evolved over time, and how those who work in libraries are devoted both to serving the public and to keeping public libraries vital and vibrant, even as society and technology constantly change and provide fresh challenges to the concept of what a library actually is.

We also meet amazing people, past and present, who played a part in the Los Angeles library, from head librarians to architects to security guards. It’s amazing to see the incredible talent and intelligence and humor of the people who helped build the library system and who continue to keep it relevant and important.

The story of Harry Peak is the most puzzling piece of the book — an unsuccessful actor who was suspected of the arson, but whose constantly shifting stories and alibis made any sort of case against him questionable at best. He’s an odd person, and so much is uncertain — but it’s interesting to see how his strange life intersected with such a major civic disaster.

Susan Orlean’s writing is gorgeous. Like the best non-fiction, it flows and captivates, and I never for a moment felt bored or like I was reading a dusty, dry history book.

On visiting a boarded-up, abandoned branch library:

This building made the permanence of libraries feel forsaken. This was a shrine to being forgotten; to memories sprinkled like salt; ideas vaporized as if they never had been formed; stories evaporated as if they had no substance and no weight keeping them bound to the earth and to each of us, and most of all, to the yet-unfolded future.

Other memorable (or just entertaining) lines and passages:

In times of trouble, libraries are sanctuaries.

In the year leading up to Prohibition, when the ban on alcohol seemed inevitable, every book about how to make liquor at home was checked out, and most were never returned.

[Althea] Warren was probably the most avid reader who ever ran the library. She believed librarians’ single greatest responsibility was to read voraciously. Perhaps she advocated this in order to be sure librarians knew their books, but for Warren, this directive was based in emotion and philosophy: She wanted librarians to simply adore the act of reading for its own sake, and perhaps, as a collateral benefit, they could inspire their patrons to read with a similarly insatiable appetite. As she said in a speech to a library association in 1935, librarians should “read as a drunkard drinks or as a bird sings or a cat sleeps or a dog responds to an invitation to go walking, not from conscience or training, but because they’d rather do it than anything else in the world.”

The library is a whispering post. You don’t need to take a book off a shelf to know there is a voice inside that is waiting to speak to you, and behind that was someone who truly believed that if he or she spoke, someone would listen.

The Library Book is simply a delicious read, perfect for anyone who appreciates finely detailed research, expressive writing, and a passion for books and libraries. I loved this book, and can’t wait to give copies to a whole bunch of book-obsessed friends.

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The details:

Title: The Library Book
Author: Susan Orlean
Publisher: Simon & Schuster
Publication date: October 16, 2018
Length: 317 pages
Genre: Non-fiction
Source: Gift (yay!)

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Shelf Control #139: In Cold Blood by Truman Capote

Shelves final

Welcome to Shelf Control — an original feature created and hosted by Bookshelf Fantasies.

Shelf Control is a weekly celebration of the unread books on our shelves. Pick a book you own but haven’t read, write a post about it (suggestions: include what it’s about, why you want to read it, and when you got it), and link up! For more info on what Shelf Control is all about, check out my introductory post, here.

Want to join in? Shelf Control posts go up every Wednesday. See the guidelines at the bottom of the post, and jump on board!

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Title: In Cold Blood
Author: Truman Capote
Published: 1966
Length: 343 pages

What it’s about (synopsis via Goodreads):

On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues.

As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.

How and when I got it:

I bought a copy about 5 years ago at a used book store in Anchorage, Alaska (of all places!)

Why I want to read it:

In Cold Blood is one of those modern classics that seemingly everyone reads eventually. I never had it assigned for school, and just never got around to picking up a copy until recently. It seems like a big oversight in my reading life never to have taken the time to read In Cold Blood, and I’m planning to make this a priority in the coming year.

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Want to participate in Shelf Control? Here’s how:

  • Write a blog post about a book that you own that you haven’t read yet.
  • Add your link in the comments!
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Book Review: Killers of the Flower Moon by David Grann

From New Yorker staff writer David Grann, #1 New York Times best-selling author of The Lost City of Z, a twisting, haunting true-life murder mystery about one of the most monstrous crimes in American history

In the 1920s, the richest people per capita in the world were members of the Osage Indian Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.

Then, one by one, they began to be killed off. One Osage woman, Mollie Burkhart, watched as her family was murdered. Her older sister was shot. Her mother was then slowly poisoned. And it was just the beginning, as more Osage began to die under mysterious circumstances.

In this last remnant of the Wild West—where oilmen like J. P. Getty made their fortunes and where desperadoes such as Al Spencer, “the Phantom Terror,” roamed – virtually anyone who dared to investigate the killings were themselves murdered. As the death toll surpassed more than twenty-four Osage, the newly created F.B.I. took up the case, in what became one of the organization’s first major homicide investigations. But the bureau was then notoriously corrupt and initially bungled the case. Eventually the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try unravel the mystery. White put together an undercover team, including one of the only Native American agents in the bureau. They infiltrated the region, struggling to adopt the latest modern techniques of detection. Together with the Osage they began to expose one of the most sinister conspiracies in American history.

In Killers of the Flower Moon, David Grann revisits a shocking series of crimes in which dozens of people were murdered in cold blood. The book is a masterpiece of narrative nonfiction, as each step in the investigation reveals a series of sinister secrets and reversals. But more than that, it is a searing indictment of the callousness and prejudice toward Native Americans that allowed the murderers to operate with impunity for so long. Killers of the Flower Moon is utterly riveting, but also emotionally devastating.

It seems we’ll never run out of shameful chapters from America’s past. In Killers of the Flower Moon, writer David Grann explores the “Reign of Terror” waged against the Osage tribe in Oklahoma during the 1920s. The murder epidemic itself is horrifying, and so too are the years that came before in Osage history. For starters, when the Osage were forced off of their previously held land, they ended up settling in a rocky area of Oklahoma clearly unsuited for farming, feeling that it would be a stable home since the land was worthless and wouldn’t be taken over by white men. The irony, of course, is that under the land were undiscovered oil deposits that would soon turn the Osage into millionaires.

The members of the Osage tribe were allotted “headrights” — basically, a share of the oil and mineral ownership — and these headrights could not be sold, only passed on through family members. At the same time, the government considered the Native Americans incapable of managing their own affairs, and adult Osage who were deemed incompetent (and most were) were required to have white guardians to manage their money.

As we see in Killers of the Flower Moon, there was a lot to be gained by finding ways to either manipulate the Osage through shady business dealings and corrupt guardianships, or more directly, by murder. Mollie Burkhart is the initial focus of the book, and we see as her entire family is wiped out, one at a time, through violent murder or insidious poisonings. Between the crimes themselves and the bungling and corruption of the investigation, Mollie and her tribe lived in terror and with a very real threat hanging over their heads.

Part I of the book explores the crimes, and Part II traces the involvement of the Bureau of Investigation (forerunner of the FBI), as well as the early stages of the Bureau’s investigative approach and its evolution under J. Edgar Hoover. We see the lawmen tasked with investigating the murders, and follow them all the way through to the eventual arrests and convictions of the men involved. In Part III, the author describes his research and what he uncovered in historical archives, through which he finally unearthed evidence that helped some descendants of the victims find a sense of resolution.

The subject matter of Killers of the Flower Moon is fascinating and very, very disturbing. However, I did find myself losing interest at various points, especially in Part II, as the sections about the Bureau and its processes just didn’t grab me as much as the parts focusing on the Osage tribe members and their experiences. I also wished that I’d felt a more personal connection to some of the people involved. While we learn what happened to Mollie and her family, Mollie herself often seems unknowable. Granted, this is history, not a dramatization, but I still wish there was some way to get more of a glimpse beneath the individuals’ surfaces.

I recognize too that my lack of interest or focus in certain parts of the story may say more about me as a reader than about the actual book itself. I can be easily distracted when reading non-fiction, and I might not have always been in the right frame of mind to truly appreciate what I was reading.

That said, I do feel that Killers of the Flower Moon is a powerful and compelling book. It’s astonishing to me that the history of the Osage in Oklahoma isn’t better known, and I’m sure that this book will change that. (I understand that a film version is planned, and will be a Martin Scorsese/Leonardo DiCaprio venture — something to look forward to!)

Even people (like me) who tend not to read a lot of non-fiction will find themselves absorbed by the story once they pick up Killers of the Flower Moon. Highly recommended.

For more on the movie, go here.
To read the New York Times review of the book, go here.

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The details:

Title: Killers of the Flower Moon: The Osage Murders and the Birth of the FBI
Author: David Grann
Publisher: Doubleday
Publication date: April 18, 2017
Length: 320 pages
Genre: Non-fiction/true crime
Source: Library

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Audiobook Review: Girl Waits With Gun by Amy Stewart

girl-waits-with-gun

A novel based on the forgotten true story of one of the nation’s first female deputy sheriffs.

Constance Kopp doesn’t quite fit the mold. She towers over most men, has no interest in marriage or domestic affairs, and has been isolated from the world since a family secret sent her and her sisters into hiding fifteen years ago. One day a belligerent and powerful silk factory owner runs down their buggy, and a dispute over damages turns into a war of bricks, bullets, and threats as he unleashes his gang on their family farm. When the sheriff enlists her help in convicting the men, Constance is forced to confront her past and defend her family — and she does it in a way that few women of 1914 would have dared.  

 

Guys, Girl Waits With Gun may be the most enjoyable audiobook I’ve listened to all year! Fantastic story and characters, and narration that really pulls you into the mood of the story.

But stepping back a moment…

Author Amy Stewart has written several highly successful non-fiction books (with absolutely aweseome titles), including Wicked Plants and The Drunken Botanist. Girl Waits With Gun is her first novel, and is the first in what’s projected to be a series about the historical figures at the heart of the novel.

The Kopp sisters were real people who lived in New Jersey in the early part of the 20th century. After an unfortunate run-in with a powerful, corrupt factory owner, the sisters were threatened and terrorized for months on end. Led by oldest sister Constance, the Kopp sisters sought help from the local sheriff, and persisted in seeing that their tormentor would be brought to justice, no matter the risk to themselves.

The novel fleshes out these historical women and brings them to life, so that we really get to know the personalities and inner workings of the three sisters. Narrated by Constance, we see events through her eyes, and come to understand their small family, the state of politics, unions, and factory owners at the time, and the limitations placed on women by the traditions and societal expectations of the time.

Source: Amy Stewart's website

Source: Amy Stewart’s website

The three sisters are sharply developed, so that we get to know their personalities, their quirks, and their unique voices — both in terms of how they’re written in the story, and how the narrator portrays them. The text and the narration play up Fleurette’s girlish naivete, Norma’s brusque no-nonsense approach to life at large, and Contance’s bravery and wisdom. I loved the character of Sheriff Heath as well, who comes across as a good, honest man dedicated to justice and decency, who’s willing to buck the system in order to see that the innocent are protected. (And I love the fact that it’s Sheriff Heath who gives the sisters their revolvers and makes sure they know how to use them.)

The author makes the historical setting feel real and vibrant, giving us the tastes and smells of factory towns and farms, the sense of busy streets crammed with horse-drawn wagons and sleek automobiles, and the hidden underbelly of society, where the factory workers live in company-owned boarding houses and work in abusive, unhealthy conditions.

The writing here is fast-paced, often funny, and always sharp, catching the nuances of the relationships and the characters, and capturing the colloquialisms and social niceties of the times. Even as the tension and threats mount, there are little moments of humor to keep things moving along.

I really, truly enjoyed listening to Girl Waits With Gun, and I plan to start book #2, Lady Cop Makes Trouble, a bit later this month. I love the Kopp sisters, and can’t wait to see what’s next for them.

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The details:

Title: Girl Waits With Gun
Author: Amy Stewart
Narrator: Christina Moore
Publisher: Houghton Mifflin Harcourt
Publication date: September 1, 2015
Audiobook length: 10 hours, 54 minutes
Printed book length: 408 pages
Genre: Detective story/historical fiction
Source: Review copy courtesy of the publisher via NetGalley; Audible download purchased

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