Book Review: Blue Stars by Emily Gray Tedrowe

blue starsThe Blue Star service flag: A simple flag, displayed in a window to indicate a family with a member serving in the US military during wartime. In Blue Stars, author Emily Gray Tedrowe introduces us to two women whose lives are turned upside down and inside out by their experiences dealing with their loved ones’ service and the aftermath of devastating, life-changing injuries.

The two main characters are Ellen and Lacey, and on the surface, they couldn’t be more different. Ellen is a midwestern college professor specializing in the works of Edith Wharton. Widowed many years earlier, Ellen has two children — a daughter in her late teens who is full of rebellion and sarcasm, and a son in graduate school. Ellen also has a ward, having become legal guardian to Mike, a young man befriended by Ellen’s son as a teen, whom Ellen took in, took under her wing, and made part of the family.

Lacey is a working-class mom in New York, married to army reserves officer Eddie, but not particularly happy in her marriage. Lacey married Eddie after a long string of go-nowhere relationships, needing stability and meaning in her life and a father for her son Otis. Lacey thrives in the tight-knit circle of army wives and their non-stop projects and activities, but she also drinks too much and hides her secret dissatisfaction with a husband whom she married in haste.

As the book opens, it’s 2005, and Mike and Eddie are both preparing for a 15-month deployment to Iraq. Mike has just enlisted in the Marines, much to Ellen’s dismay, and Eddie is being sent overseas as well. All too soon, though, Ellen and Lacey each receive the news they dread: Their loved ones have been injured, and will be brought to Walter Reed Medical Center in Washington DC for treatment.

Mike has lost a foot due to a grenade. Eddie has lost an eye, most of the vision in his other eye, and has suffered severe head trauma. Ellen and Lacey uproot their lives and, for months and months, become permanent fixtures at Walter Reed, overseeing their soldiers’ care, dealing with bureaucracy, substandard housing, and the patients’ distressing physical conditions. The horrors of war are driven home by seeing the extent of the damage to these formerly healthy men, as well as by seeing the other patients and their families. And to add one horror upon another, the women and families there are pretty much on their own, fighting for benefits, living on pennies, scrambling to make ends meet, and desperate for any shred of hope.

The relationship between Ellen and Lacey is at the heart of this touching novel. In a “normal” world, these two would never meet, much less become friends. Yet through their shared experiences, each finds in the other something she desperately needs. Ellen represents calm and order to Lacey, instilling the belief in Lacey that she’s worth more than she thinks. And in Lacey, Ellen finds a woman who isn’t afraid to speak out, to confront hard truths, and to bring people together.

I found both women very inspirational, in their own ways. Lacey is a mess in so many ways, and it’s hard to approve of much of her behavior early on, yet she displays a courage and loyalty that are quite remarkable. Ellen, too, has to deal with her own feelings of inadequacy, yet her devotion to Mike never wavers for a moment, despite the often brutal emotional toll taken by dealing with a man traumatized by PTSD and haunted by his war experience.

We all know that war is hell, and there are countless war novels that focus on the front lines. Here, in Blue Stars, it’s the home front that’s the focus, and the book does an outstanding job of showing that the misery and trauma don’t stop just because a soldier’s battle days are over… and that the trauma and pain are felt in myriad ways by the families back home as well. The military families described in Blue Stars aren’t idealized or seen through a rosy filter. They have faults, and we see them, but we also see the dedication, courage, and sheer determination that help them stand by their wounded soldiers.

My only frustration with Blue Stars is that I wished to know more about Mike himself and his experiences, but of course that would have been a different book. We get to know Mike through Ellen’s eyes, and it’s Ellen’s experience of Mike’s war — and by extension, Ellen and her family’s war as well — that’s the essence of this book. Blue Stars is about the ravages of war, on individuals and families, and about what it takes to rebuild a life — the life of the wounded soldier, and the life of the damaged family.

Reading about the badly wounded soldiers, so young and so full of promise, is moving and tragic. I was filled with anger over their pointless suffering, and filled with admiration for the tough parents, spouses, children, girlfriends and boyfriends, who give 110% for the sake of their loved ones’ recovery. Blue Stars is a moving and powerful novel — not always pleasant, but an important and emotionally rich look at the lives of military families, the power of friendship, and the many ways that love and commitment make a difference.

_________________________________________

The details:

Title: Blue Stars
Author: Emily Gray Tedrowe
Publisher: St. Martin’s Press
Publication date: February 17, 2015
Length: 352 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley

 

Take A Peek Book Review: Paper Towns by John Green

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

6442769

Synopsis:

(via Goodreads)

Who is the real Margo?

Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life—dressed like a ninja and summoning him for an ingenious campaign of revenge—he follows. After their all-nighter ends, and a new day breaks, Q arrives at school to discover that Margo, always an enigma, has now become a mystery. But Q soon learns that there are clues—and they’re for him. Urged down a disconnected path, the closer he gets, the less Q sees the girl he thought he knew…

 

My Thoughts:

Oh, where to start? This was most decidedly a middle-of-the-road, “meh” sort of read for me. On the plus side, John Green is an indisputed talent when it comes to getting inside teen brains and portraying the shifting loyalties and tensions of teen friendships. On the negative side, I have very little tolerance for this type of tale, starring an every-boy main character — decent guy, not too remarkable, not part of the in-crowd — who is drawn to the oh-so-special wild girl, the one who can’t be pinned down, who acts out in crazy ways that are supposed to be a sign of just how special her specialness is.

I enjoyed the scenes of Quentin embarking on a crazy road trip with his best friends — a wild 24-hour drive up the coast on the trail of Margo’s confusing clues, with all sorts of escapades, close calls, and silly/manic rest stop shopping sprees. But… all this is in search of the elusive Margo, who, quite frankly, doesn’t seem to want to be found. And if she did want to be found, she made it next to impossible. I found it pretty hard to believe that the gang managed to decipher the obscure patterns that form a sort of roadmap to her — and further, I had a hard time seeing her all-night adventure with Quentin as something that he’d actually enjoy or go along with.

I loved The Fault in Our Stars and Will Grayson, Will Grayson — but Paper Towns had about the same effect on me as Looking For Alaska. Clearly, books about boy-next-door types falling under the spell of the elusive, magical, tormented, magnetic (etc, etc) wonder girl just don’t work for me.

Note: I picked up the e-book of Paper Towns a couple of years ago, and finally read it this month in preparation for a book group discussion. Who knows? Perhaps the amazing folks in my group will convince me that I missed something!

_________________________________________

The details:

Title: Paper Towns
Author: John Green
Publisher: Speak
Publication date: 2009
Length: 305 pages
Genre: Young adult
Source: Purchased

Take A Peek Book Review: After the Golden Age by Carrie Vaughn

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

After the Golden Age

 

Synopsis:

(via Goodreads)

Most people dream of having superheroes for parents, but not Celia West. The only daughter of Captain Olympus and Spark, the world’s greatest champions, she has no powers of her own, and the most exciting thing she’s ever done is win a silver medal in a high school swim meet. Meanwhile, she’s the favorite hostage of every crime boss and supervillain in Commerce City. She doesn’t have a code name, but if she did, it would probably be Bait Girl, the Captive Wonder.

Rejecting her famous family and its legacy, Celia has worked hard to create a life for herself beyond the shadow of their capes, becoming a skilled forensic accountant. But when her parents’ archenemy, the Destructor, faces justice in the “Trial of the Century,” Celia finds herself sucked back into the more-than-mortal world of Captain Olympus—and forced to confront a secret that she hoped would stay buried forever.

My Thoughts:

I have been meaning to read this book for over a year now, and I’m so glad that I finally did! How does an ordinary girl grow up when she has superheroes for parents? Not easily, that’s for sure. Now an adult, Celia West is finally reconciling with her parents and figuring out how she fits into their world of crime-fighting, where the city’s needs come first and Celia is always a distant second. Meanwhile, Celia’s secrets from her teen years have resurfaced in a most unpleasant way, and the consequences of this exposure are upsetting, to say the least.

After the Golden Age is much more heart-felt than I’d expected. Despite the urban fantasy setting, Celia deals with real emotions and crises, and her struggle to find her place in the world and figure out how she can possibly make peace with her parents has a universal feel to it. There’s romance, intrigue, and adventure, and despite the often desperate throes, also plenty of snarky humor. I knew I was in for a treat when, in the first chapter, Celia’s response to being kidnapped is:

Damn, not again.

I really enjoyed After the Golden Age. The fantasy elements work well as a framework, but it’s the main character and her friends and family that make the book come alive. I’m looking forward to reading the sequel!

_________________________________________

The details:

Title: After the Golden Age
Author: Carrie Vaughn
Publisher: Tor
Publication date: April 12, 2011
Length: 304 pages
Genre: Fantasy
Source: Purchased

Book Review: Alive by Chandler Baker

Alive Stella Cross is a living, breathing miracle. At age 17, she was barely hanging on to life, waiting for her name to come up on the heart transplant list. Her heart began failing two years earlier, and since then she’s become the sick girl, having to give up her dreams of competitive swimming, surviving from doctor visit to doctor visit. As Alive opens, a donor heart finally becomes available, and Stella is rushed to surgery. Will she make it? Technically, she’ll be dead for a moment as her own heart is removed to make way for the healthy one that will replace it.

The surgery is a success, and Stella starts to reclaim her life, supported by her best friend Brynn and her super-best-friend-but-wants-more, the loyal (and adorable) Henry. But things are not 100% fine. Stella feels an ache in her chest that her doctors can’t explain, and every day at 5:08 exactly, she experiences an attack of blinding, debilitating agony. Is it all in her head? Psychological trauma would be normal after a heart transplant, after all. But no counseling and no medication seem to help, and to Stella, it’s very, very real.

When a new (gorgeous) boy joins the senior class at her high school, Stella is instantly drawn to him. Levi is seemingly perfect (did I mention gorgeous?), and is attracted right away to Stella as well. Weirdly, when Stella is near Levi, the constant aches seem to vanish. Life without pain is quite a temptation (and plus he’s gorgeous), and almost in the blink of an eye, Stella is glued at the hip to her new boyfriend, ditching (and being mean) to Henry and Brynn.

Is Levi really all that perfect? I think not. There’s something suspicious about the connection she feels to him, and he just keeps doing slightly odd things that set my alarm bells a-ringing. Surest sign that Levi is a creep? He pushes Stella to smoke for the first time. She’s a heart transplant patient! For god’s sake, run for the hills, Stella!

Alive is quite a tale. I don’t know why, but I expected something of a supernatural romance (perhaps à la “Return to Me” – did anyone else see that David Duchovny/Minnie Driver movie?). Instead, it quickly becomes clear that this is a horror story. And not just because Stella and Henry have a history of bonding over their shared love of Stephen King.

Stella is plagued by disturbing, bloody hallucinations – bloody handprints on her shirt, seeing a heart oozing blood in the school anatomy lab, and more disturbingly, the drowning death of her baby sister. When a classmate disappears and is later found dead, Stella’s fears grow even more intense, and she finally begins to heed her friends’ warnings about Levi.

And yet my heart still claws for him, storming the prison made from nothing but the bones of my rib cage. It beats so hard that I know it’s trying to fracture my skeleton. I wait for the first shard to puncture my skin or lung.

I really liked the development of the story. Stella just seems like a normal girl at first, a bit of an outsider thanks to her medical condition, trying to fit back into the life she thought she’d never have. And sure, it seems understandable that she basks in the glow of attention from the new boy, even if she is really cruel to cutie-pie Henry along the way. When the story veers off into gushing blood and scary fits, it’s even better. Look, it’s not just a YA love triangle! There’s something icky and scary going on, and my initial guesses about what and why were actually pretty far off.

The author makes great use of heart imagery as Stella contemplates whether she’s falling in love, thinking about what she may have in her heart and what she physically has going on inside her chest at the same time. There are some really stand-out phrases and passages that capture both essences of the heart, and the writing overall flows well and is easy to become lost in. I found myself completely absorbed, only looking up to discover that an hour had gone by!

What didn’t I love? Well, the end seemed a little muddled to me. I wasn’t entirely clear on how the various points came together and why things worked the way they did, although I was satisfied by the ultimate outcome.

Other than that, I had just a few little nitpicks about the plot itself, a major point being how Levi was able to enroll in and attend Stella’s high school without anyone blinking an eye. Without giving away spoilers, I can’t say more about why this point doesn’t really make sense… but there are a few small items like this that seem a bit too convenient or glossed over.

All in all, though, I though Alive was a good scary thrill, with an insta-love plotline that actually supports the overall story in a way that’s justifiable. Alive is tense and hard to put down, and Stella is a really interesting main character. It’s interesting to see inside the mind of a girl who’s gone through what she has, and I enjoyed seeing her growth and development over the arc of the story.

Alive is the debut novel by Chandler Baker, and I look forward to reading more by her in the future.

_________________________________________

The details:

Title: Alive
Author: Chandler Baker
Publisher: Disney-Hyperion
Publication date: June 9, 2015
Length: 368 pages
Genre: YA horror/supernatural
Source: Review copy courtesy of the publisher via NetGalley

Book Review: Eight Hundred Grapes by Laura Dave

Eight Hundred GrapesLife takes a decidedly unexpected turn for main character Georgia Ford in this novel about family, secrets, trust… and wine.

Georgia is a successful lawyer, happily living in LA, about to marry the man of her dreams and start a new life with him in London — when she sees him walking down the street with a gorgeous woman and a five-year-old girl with his eyes who calls him “Daddy”. Problem? The wedding is in one week. Another problem: Ben has never mentioned a daughter, but the woman is his ex-girlfriend — who just happens to be a world-famous movie star. Georgia flees, straight back to the comfort of family and home, but when she arrives, she doesn’t find exactly the peace and calm she’s looking for.

Instead, her family’s Sonoma vineyard is in an uproar. Her parents, who have an ultra-cute meet-cute story, have drifted apart, to the point where her mother is conducting a mostly-platonic affair with an old lover. What’s worse, her father has decided to sell his vineyard, his lifelong passion, to a huge wine company, one of the “evil” mass-market winemakers that he’s always hated. On top of that, Georgia’s twin brothers are feuding on a level that may change lives, and Georgia herself doesn’t know what she wants — for her future marriage or for her career. And then there’s Jacob,  the CEO of the huge wine company, who happens to be attractive, single, and not as evil as Georgia would like to believe him to be.

Do you smell a love triangle coming on? Because I sure did, the second Jacob appeared on the scene.

But in a sense, the love triangle is the least important love story going on here. In Eight Hundred Grapes, the most compelling love story is the story of Georgia’s family’s love for the land. In some of the most moving sections of the book, we learn about her father Dan’s devotion to his soil, his grapes, his winemaking process, his absolute belief in what he’s doing, and what it means to him, his family, and his community. Although Georgia outwardly has done everything she can to distance herself from the vineyards, her actions show how deeply rooted she is in the family acres and the business.

Author Laura Dave lovingly describes the natural beauty of Sonoma , the grace of nature, and a return to a respectful and mutually beneficial relationship to the land. Through the descriptions of Dan’s approach to viticulture, she shows that new possibilities exist, incorporating old traditions but infused with science and organic growth and cultivation.

The characters all have something at stake, and much thought is given to the concepts of what each truly values, what’s been given up in the past, and what each wants to get back or hold onto. There are plenty of missed chances and second chances, and the characters all go through various forms of eye-openings, learning to see each other not just as they always have, but taking a fresh look and understanding what each wants and needs.

It all felt like the same thing: the loss of the vineyard, the coming apart of our family. Finn and Bobby and Margaret. My parents. Ben and Maddie. Michelle. It all felt tied up, like the same thread was running through them. Where there had been trust — to keep each other safe, to make each other feel loved — there was none. Maybe it was tied up. Synchronized to come apart the moment my father turned his back on the vineyard and we were all too busy to stop him.

Back to the love triangle for a minute — at about the mid-point of the novel, I thought that I’d called it wrong and that there wouldn’t really be a love triangle. Okay, so I was right after all, but fortunately, the triangle isn’t the driving factor in this story. What’s more important is that Georgia is forced to take a good hard look at her relationship with her fiancé Ben, not just in light of the revelations about his daughter, but in terms of who she herself is and what she truly wants for her own life.

The writing is insightful, as Georgia analyzes (and perhaps overanalyzes) each family member’s every action and word.

Wasn’t the ultimate form of fidelity who you told your stories to? Ben had stopped telling me his.

Does she believe that her parents’ marriage is truly over? Does her father mean it when he says he’s done with the vineyard? She spends just as much time worrying over her own motivations: Did she choose a law career after seeing how frightening it can be to base everything on something outside of one’s own control? After growing up in a vineyard, she’s well aware of how one or two seasons of bad weather can threaten everything and take away years of hard work. So was she really just looking for a safer path for herself? And what does this say about her relationship with Ben? Does he represent the safe option as well?

Here’s where the more nitpicky part of this review comes along. I didn’t see the value of making Ben’s ex a movie star. It doesn’t add at all to the dynamics of the story, and we didn’t really need the extra element of Georgia feeling insecure or having to deal with the ex’s fame. Georgia’s relationship with Jacob is perhaps the weakest part of the story; again, it just didn’t feel terribly necessary to have a new love interest thrown into the mix of Georgia dealing with her family and her plans for her future.

These small issues aside, I really liked the storytelling in Eight Hundred Grapes, particularly seeing the world through Georgia’s eyes. Her perspective is fresh and funny, even when dealing with serious, momentous decisions. The family members are all well-developed, even those who don’t get a lot of major attention. The author does a great job of showing the family history, the years of love and tension, comfort and affection, that make up a whole. Woven into the entire story is the family’s traditions concerning the grapes — the harvest parties, the family dinners, the final harvesting of the most special grapes from the vines. Working with the vines and the soil is deeply embedded in every family moment, and we see that so clearly that it’s easy to understand why Dan’s decision to sell the vineyard is so much more than just a business decision.

I recommend this book for anyone who enjoys contemporary fiction with a lot of heart. It’s a quick read, but raises some interesting ideas about family, tradition, and the choices we all face about what to keep and what to give up.

PS – The title? Well, did you ever wonder how many grapes it takes to make a single bottle of wine? Now you know.

_________________________________________

The details:

Title: Eight Hundred Grapes
Author: Laura Dave
Publisher: Simon & Schuster
Publication date: June 2, 2015
Length: 272 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley

Take A Peek Book Review: The Day of Atonement by David Liss

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Day of Atonement

Synopsis:

(via Goodreads)

Sebastião Raposa is only thirteen when his parents are unjustly imprisoned, never to be seen again, and he is forced to flee Portugal lest he too fall victim to the Inquisition. But ten years in exile only serve to whet his appetite for vengeance. Returning at last to Lisbon, in the guise of English businessman Sebastian Foxx, he is no longer a frightened boy but a dangerous man tormented by violent impulses. Haunted by the specter of all he has lost—including his exquisite first love—Foxx is determined to right old wrongs by punishing an unforgivable enemy with unrelenting fury.

Well schooled by his benefactor, the notorious bounty hunter Benjamin Weaver, in the use of wits, fists, and a variety of weapons, Foxx stalks the ruthless Inquisitor priest Pedro Azinheiro. But in a city ruled by terror and treachery, where money and information can buy power and trump any law, no enemy should be underestimated and no ally can be trusted. Having risked everything, and once again under the watchful eye of the Inquisition, Foxx finds his plans unraveling as he becomes drawn into the struggles of old friends—and new enemies—none of whom, like Lisbon itself, are what they seem.

Compelled to play a game of deception and greed, Sebastian Foxx will find himself befriended, betrayed, tempted by desire, and tormented by personal turmoil. And when a twist of fate turns his carefully laid plans to chaos, he will be forced to choose between surrendering to bloodlust or serving the cause of mercy.

My Thoughts:

What a captivating book! The narrator is a fascinating man, whose description of himself is not particularly trustworthy. Sebastian describes himself early on as a monster, someone whose sole purpose in life is vengeance. Yet as we follow his intrigues and alliances while he moves his chess pieces into place, we come to see him also as a man with a moral core. He is a ruthless fighter who does not hesitate when violence is called for, yet his time in Lisbon becomes more and more complicated due to his sense of personal obligation to those he becomes entangled with. He defends those who need it; he strives to right old wrongs; he grants forgiveness to people who cause him pain because he realizes they had only poor choices to make. Yes, he’s still violent, but his rage is directed against the true villains, and the more people he embroils in his plots, the more people he ends up trying to rescue.

I was very interested in the historical setting, having previously not read much about Portugal during this time period. The Inquisition and its cruelty and corruption is awful to read about, and the author does a masterful job of making the dread and menace feel real. I was also fascinated to read about the massive earthquake that leveled Lisbon in 1755, which is used to great effect as part of the dramatic escape efforts of the main group of characters.

I’m grateful to my online book group for selecting The Day of Atonement as a book-of-the-month discussion book. I might not have come across it otherwise, but I’m very glad that I did. This is David Liss’s 8th novel, and I look forward to reading more of his work.

PS – I discovered after the fact that supporting character Benjamin Weaver is in fact the main character in three previous novels by this author. I’ll have to check them out!

_________________________________________

The details:

Title: The Day of Atonement
Author: David Liss
Publisher: Random House
Publication date: September 23, 2014
Length: 384 pages
Genre: Historical fiction
Source: Library

Take A Peek Book Review: The Mapmaker’s Children by Sarah McCoy

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Mapmaker's Children

Synopsis:

(via Goodreads)

When Sarah Brown, daughter of abolitionist John Brown, realizes that her artistic talents may be able to help save the lives of slaves fleeing north, she becomes one of the Underground Railroad’s leading mapmakers, taking her cues from the slave code quilts and hiding her maps within her paintings. She boldly embraces this calling after being told the shocking news that she can’t bear children, but as the country steers toward bloody civil war, Sarah faces difficult sacrifices that could put all she loves in peril.

Eden, a modern woman desperate to conceive a child with her husband, moves to an old house in the suburbs and discovers a porcelain head hidden in the root cellar—the remains of an Underground Railroad doll with an extraordinary past of secret messages, danger and deliverance.

Ingeniously plotted to a riveting end, Sarah and Eden’s woven lives connect the past to the present, forcing each of them to define courage, family, love, and legacy in a new way.

My Thoughts:

The two timelines in this split-narrative story are united by place, centered on a single home in New Charleston, West Virginia.

In the contemporary storyline, we follow Eden, a woman whose marriage is on the rocks after years of failed fertility treatments. In a last-ditch effort to both conceive a child and repair their relationship, Eden and husband Jack have left city life behind to settle in a small town. Here, Eden gets to know the cute neighbor kid and then the other townspeople, finding in this little place a welcoming community and a home.

Meanwhile, in the historical chapters, we meet Sarah Brown, daughter of radical abolitionist John Brown. The books opens right around the time of the failed Harper’s Ferry uprising, closely followed by John Brown’s hanging. Sarah vows to carry on her father’s work with the Underground Railroad (the UGRR), using her artistic talents to create pictographs that escaping slaves can use as maps as they find their way to freedom.

Sadly, neither storyline drew me in. Sarah’s story should have been interesting, yet there were big gaps that kept me from connecting with her. Perhaps it was the choppy approach to the narrative, jumping forward months at a time and with the alternating timeline constantly breaking up any momentum in her story. In any case, Sarah’s art and her work for the UGRR are not adequately explained or developed, and I never got a strong sense of the impact of her artwork or felt that her personal story had a true dramatic arc.

Meanwhile, Eden’s part of the story is all fairly trite. A small town full of quirky townspeople, a whimsical bookstore, a cute girl and adorable puppy, a corporate career woman embracing a slower yet more meaningful way of life — none of it seems particularly new or engaging.

The connection between the two halves of the tale is a porcelain doll’s head that Eden finds in a hidden cubby in her house. The doll’s head prompts Eden to try to get the house listed as an historical site — and of course, this head can be traced back to Sarah and the UGRR.

I fully expected to love this story, based on the description. It sounds like the sort of thing I’d usually enjoy. Something about the execution, though, made the book feel really bland to me. The characters felt flat and lifeless. Sarah seemed very cookie-cutter to me, lacking true agency, and Eden could have been anyone.

I was interested to note, via the author’s note at the end, that all of the places and dates in Sarah’s story were real. Knowing nothing about John Brown’s family previously, I had no real sense in reading the story as to which bits were based on history and which were purely fictional. I wish I’d read the notes ahead of time — perhaps that might have helped me feel more engaged.

The history itself is interesting — the aftermath of Harper’s Ferry, the secret network that kept the UGRR alive in the South, and the impact of the Civil War on the townspeople, both during and after the war. The novel itself, though, lacks a sense of energy and movement. Ultimately, I had to force myself to keep reading and came close to abandoning the book several times. In fact, even close to the end, I didn’t really care very much, and had to actually remind myself that there was still more to read.

Those interested in Civil War history may find this an interesting perspective on the role of women in the abolitionist movement. However, I suspect that reading historical non-fiction about the Browns might prove more enlightening and engaging than this novel.

_________________________________________

The details:

Title: The Mapmaker’s Children
Author: Sarah McCoy
Publisher: Crown
Publication date: May 5, 2015
Length: 320 pages
Genre: Historical fiction
Source: Review copy provided by the publisher

Book Review: The Expats by Chris Pavone

ExpatsLooking for a fast-paced thriller for your beach bag? You can’t go wrong with The Expats.

The Expats is a spy thriller, a cat-and-mouse espionage tale… and the story of a marriage. Mixing spycraft with ruminations on trust, love, and family, this books is quirky and dramatic all at the same time.

Kate Moore is the main character, a wife and mother of two young boys… and a former CIA field operative who resigns from the Company when her computer geek husband Dexter receives a lucrative job offer than entails moving to Luxembourg for a year.

Kate becomes one of the expat moms — the women from all corners of the world, married to wealthy but very busy men, who congregate in coffee shops and tennis clubs while their children attend preschool, then plan family outings, ski trips, and shopping adventures all over Europe. It’s a great life… except Kate can’t help being just a wee bit bored. As a working mother, she was itching for more time with the family, but now that she has it, she finds the daily routine — cooking, cleaning, shopping, chauffering, playdates, endless mommy gossip — not quite as fulfilling as she’d hoped.

Meanwhile, Dexter is suddenly the absent parent, as his new job entails high-level, hush-hush work for private banks to ensure that their online security systems are unbreachable…. or so he says. Kate begins to suspect that something is just a little bit off about Dexter’s new job… and the new American couple who have befriended them seem to have more than just a friendly interest in worming their way into the Moores’ lives.

The timeline jumps back and forth between “today”, in Paris, as Kate is confronted by someone she thought she’d never see again, to two years ago, starting with Dexter’s announcement about his new job and following the couple and the children forward into their new lives in Europe. The two timelines converge by the end, of course, as bit by bit the many threads start to form a pattern and the bigger picture emerges. Added to that, we learn about Kate’s CIA background and the event that haunts her from her time as an operative, and all sorts of shades and nuances come into play.

And then there’s the fact that Kate has never told Dexter about her real line of work. As far as he knew, Kate was a State Department employee whose works entailed writing position papers. So how can Kate be angry with Dexter for hiding secrets from her when he spent the first ten years of their relationship in complete ignorance of her profession, not knowing such an important part of what made her tick?

As the clues pile up, there’s danger and drama, a few edge-of-the seat action sequences… and also trips to Ikea, playtime with the kids, and uncomfortable cocktail parties with other American expats. Kate is a terrific main character — smart, kick-ass, but tormented by her own set of demons; wanting to be a good wife and mother, but unable to completely come clean or to trust her husband. The plot twists and turns, there are complications galore, and small revelations in both timelines pile on top of each other to create a whole that’s a real thrill ride.

The Expats is fun and compelling, mixing spy drama with domesticity in a way that highlights the deceptions in everyday life and love. The characters are well-developed, the plot is convoluted enough that we can’t see all the answers before the author wants us to, and the cosmopolitan European setting gives the book a feeling that’s both dangerous and exotic.

This book was perfect for me on a long plane ride. It’s highly entertaining and very hard to put down. So if you’re looking for a great beach read for the summer, consider picking up The Expats!

_________________________________________

The details:

Title: The Expats
Author: Chris Pavone
Publisher: Broadway Books
Publication date: March 6, 2012
Length: 352 pages (paperback edition)
Genre: Espionage/thriller
Source: Purchased

 

Book Review: All I Love and Know by Judith Frank

All I Love and KnowThis thought-provoking and often moving novel touches on so many of today’s hot-button issues: gay marriage, the AIDS epidemic and its aftermath, Israeli-Palestinian politics, and the complicated results of acts of terror.

For me, though, the strident political preachiness often overwhelmed the human elements of the story, which is a shame. I tried so hard to become immersed in this book, and while I truly felt for some of the characters, sticking with it became a real chore.

Backing up… in All I Love and Know, partners Matthew and Daniel have been happily involved and living together in Northampton, Massachusetts for four years. Matthew fled the New York party scene after the AIDS-related death of his best friend, and Daniel represented to him a calmer, healthier way of loving and living. All that changes when they receive an awful phone call: Daniel’s twin brother Joel and his wife Ilana are dead, victims of a suicide bomber in a Jerusalem cafe. Joel and Ilana leave behind two small children, and it was their wish that if anything were to happen to them, Daniel would have custody of the children and take them away from Israel.

Matthew and Daniel fly to Jerusalem with Daniel’s parents, to mourn and bury their dead, and to face the bureaucracy of the Israeli family courts. Ilana’s parents, Holocaust survivors, want the children also, and even though custody was stipulated in the will, it’s the courts that have the final say. Will they grant custody to a gay American couple against the grandparents’ wishes?

While dealing with the custody issues, Daniel is also deeply in shock and mourning, and he routinely pushes aside all attempts at comfort offered by Matthew. He is so torn up inside that he has no capacity for giving or receiving love or tenderness, and their relationship begins to unravel even as they start a completely new life as the parents of orphaned children.

Let me just stop here for a moment and say that Matthew is an absolute angel who gets the totally rotten end of a sad and difficult situation. He is not Jewish, has no fondness for Israel, never intended to be a parent — and yet he absolutely rises to the occasion, taking these two sad and difficult children into his life and charging full steam ahead into the role of primary caregiver. He does everything for these kids, pours his heart into creating a home for them, providing for them, and loving them. He takes it upon himself, with no encouragement from Daniel, to learn Hebrew, just to make things easier for the kids. And yet, the poor guy is constantly referred to as shallow and vain. He’s apparently incredibly good-looking, but Daniel and the other family members seem to use this against him, treating his looks as a symptom of being all surface.

Matthew is constantly the outsider — in Israel and in the family. For expediency’s sake, Daniel excludes Matthew from the legal process involving the children, and time and time again reminds him that he has no real standing whatsoever. When things blow up in the relationship, Daniel is quick to remind Matthew that his name is not on the mortgage, not on the house title, not on any document related to the children. Matthew is the one who created a home for this makeshift family — but he’s the one who’s kicked to the curb when things go wrong, with no protection or recourse.

While Daniel’s grief is palpable, it’s hard to like him as a character or to sympathize with his behavior toward Matthew. The story feels somewhat unbalanced in this regard, as I found it a real challenge to relate to Daniel’s actions or thoughts. The children, especially 6-year-old Gal, are prickly and difficult and full of pain that comes out in all sorts of hard-to-deal-with ways — but this part of the story is really so very touching. How does a small child understand loss of this magnitude? Gal’s little brother is just one year old at the time of their parents’ death — how does an infant experience bereavement and express sorrow?

While the relationships in the book are well-developed, the plot itself gets a little tangled at times. From the synopsis, you’d expect the custody battle to be the main issue at the heart of the story… but it’s not. Custody is resolved relatively easily about halfway through the book, and then the story moves on, so then what was all the custody drama even about?

Another confusing element is the timeline of the story. It was not clear at the outset, but this book is set in 2003 – 2004, in a political reality, both in the US and in the Middle East, that is somewhat different than today’s. It would have been helpful to know this from the beginning. That said, the time frame of the book absolutely informs the legal challenges faced by Matthew and Daniel, as the book takes place right as Massachusetts became the first state to legalize same-sex marriage.

If this novel had focused solely on the relationships and family dynamics, I probably would have loved it. The aftermath of grief and loss is portrayed in all its various shades and nuances, manifested differently in the bereaved twin and the devastated children. The author’s politics, however, intrude often and loudly, and this ubiquitous, one-sided, and harsh tone is — for me, at any rate — a turn-off that pulled me out of the story time and time again. There’s very little room left for differing viewpoints or shades of grey, and the result is a book that insists that there’s only one stance that’s legitimate, one way of thinking that’s correct.

As I said earlier, I see it as a real shame. I was so turned off by the insistent political statements of the characters that I was often tempted to put the book down. What kept me going was the human element. I cared about these characters, these two lovely men and the two sad children in their care. I wanted to know more, and wanted to see how they came through this terrible ordeal. Ultimately, I’m glad I continued and was pleased overall with the story of the characters and how they and their relationships evolved — but at the same time, I do have a hard time recommending the book wholeheartedly due to the issues I’ve already mentioned.

_________________________________________

The details:

Title: All I Love and Know
Author: Judith Frank
Publisher: William Morrow
Publication date: July 15, 2014
Length: 422 pages
Genre: Adult contemporary fiction
Source: Purchased

Book Review: The Dead Lands by Benjamin Percy

Dead LandsIf man-sized, blood-sucking albino bats freak you out, The Dead Lands might not be the best book for you.

If you can handle the squickiness and enjoy alternate histories and post-apocalyptic societies, read on!

In The Dead Lands, the action begins in the Sanctuary, formerly known as St. Louis, Missouri, approximately 150 years after a global flu pandemic and subsequent nuclear warhead detonations and reactor meltdowns destroy the world as we know it. The Sanctuary is a parched, cramped little insular world, surrounded by a massive wall that keeps all the bad out — and keeps its residents in. Water is scarce and growing scarcer. Residents of the Sanctuary are convinced that they’re it, all that’s left of humanity in this miserable world. It’s been at least 60 years since an outsider has shown up seeking entry. Meanwhile:

The wall is a constant in Simon’s life, everywhere he looks, impossible to miss. Yet it is as common as dust, as heat, as the sun’s blazing path across the sky, and it is easy to go days, weeks, without noticing it. It is of uneven height but at its tallest point reaches a hundred feet from the ground. In some places it is made from plaster and mortared stone, and in others, heaps of metal, the many-colored cars of another time, crushed and welded together into massive bricks that bleed rust when it rains.

The Sanctuary is ruled with an iron fist by the mayor, an autocratic dictator who suffers no dissent and who has instituted a policy of harsh punishment, including a brutally disgusting death penalty, for anyone who dares to criticize the regime, even by so much as a drunken comment in a bar among friends.

The sole spot of peace and possible civility in this harsh settlement is in the museum, run by Lewis Meriwether, a reclusive, odd, studious man who is both feared and respected by the residents of the Sanctuary. People flock to the museum to bask in the wonders of bygone worlds, despite the curator’s strangeness.

Life in the Sanctuary is disrupted when a rider appears from out of the dust — a girl on horseback, with all black eyes, bearing a message and begging to be heard. She is shot before she can deliver the message and is immediately captured and sentenced to death — but the message gets through all the same. She brings word of another civilization, on the Oregon coast, where there is rain and agriculture and a thriving community. The mayor wants nothing of this and tries to keep it secret, but Meriwether and a guard named Mina Clark agree to join the messenger, Gawea, and together with a few others, carry out a desperate escape from their walled city.

Do the names ring a bell? Lewis and Clark? Gawea… as in Sacagawea? The Dead Lands reimagines the Lewis & Clark expedition in this harsh, dead world, as our band of escapees flees through the barren, dry areas outside of the Sanctuary, following the dried-up bed of the Missouri River in search of water, shelter, and salvation. Along the way, they face untold horrors and dangers. Due to the high post-disaster radiation levels, all sorts of horrible mutations have taken place, so that the albino bats are but one nasty specimen that wants to eat, kill, or maim the travelers. Hazardous landscapes pose endless threats, as the oil fields continue to burn, creating micro nuclear winters, and the few signs of life they do see come with new and strange risks. And as the group travels onward, we see that animals and vegetation aren’t the only forms of life that have evolved in strange ways due to radiation. Lewis exhibits weird, almost magical telekinetic abilities, and Gawea has powers of her own.

The imagery throughout The Dead Lands is horror-novel worthy. (Did I mention the albino bats already?) It’s bleak, dark, and dismal. Very bad things happen. Nightmarish creatures arrive out of nowhere. As soon as one threat is dealt with, another appears to take its place. And as you might expect, people turn out to be the biggest threat of all. Because, of course, a utopian agrarian society in the Pacific Northwest is probably too good to be true, right? The other humans out there are vicious in their own way, and as happens so often in this type of book, those who can seize power do, and everyone else is forced into one form of servitude or another.

There are some very interesting concepts, including the reestablishment of city-states as small empires. The suffering of the people, in the Sanctuary as well as elsewhere, makes you marvel that anyone bothers to survive at all, given how horrible it all is. The people with power are awful and self-aggrandizing and unbelievably decadent, reminding me of the worst of the Roman emperors, perhaps, indulging in wasteful, steamy hot baths while the common folks quench their thirst via animal blood, sucking rocks, and worse.

Setting the story in the future, yet including characters from American history, makes everything feel very circular. Is slavery inevitable in human societies? Is the impulse for the strong to dehumanize the weak somehow hardwired into our DNA? In The Dead Lands, it certainly seems that way. Does a totalitarian society encourage those with sadistic tendencies to rise to power? If the Sheriff of the Sanctuary is any indication, that would be a yes. Society itself has reverted to a bygone time, thanks to the end of technology and industry:

Apothecaries, tinkers, blacksmiths, seers. Old words, old ways. So much about the world has reverted, so that it is not so much the future people once imagined, but a history that already happened, this time like a time long ago.

The descriptions of the ravaged world are horrible yet evocative:

The remains of the St. Louis Arch, collapsed in the middle, appear like a ragged set of mandibles rising out of the earth.

Even a passionate interlude between two illicit lovers is presented as disturbing… and pretty gross:

What they are doing is kissing, though it looks much like eating. Their mouths opening and closing hungrily, their teeth biting down on lips, cheeks. Then they pull apart, their faces are a splotchy red and he is bleeding from the corner of his mouth.

The writing in The Dead Lands is wildly disturbing and imaginative. While the explorers push forward, even when it seems pointless and impossible, it’s not from a true sense of hope, but rather because there simply is no alternative but to keep going.

Not so long ago Lewis believed in the end of the rainbow. A shire. An emerald city. Elysian fields. What his childhood storybooks promised. He believed, back when they first set out from the Sanctuary, that something arcadian awaited them. Not anymore. Now now. Not when he sees the bone-riddled ruins of Bozeman. It is not only the landscape that disappoints. It is humankind. Inside and outside the wall, humans remain the same, capable of wonderful things, yes, but more often excelling in ruin.

The ending felt a little abrupt and puzzling to me, and didn’t quite pull together all of the many story threads in this big, complicated book. Ultimately, I’m not sure what it all meant, and the open-ended nature of the ending makes me wonder if a sequel is in the works.

Do I recommend The Dead Lands? Yes, but only for those with a strong stomach and a willingness to read a book that is terribly unpleasant and often horrific. It’s disturbing and sometimes icky, and I’d be scared to death to read this on a camping trip with only a campfire to ward off all the nightmares waiting in the dark. The world of The Dead Lands is as awful as the title promises, so don’t expect moments of grace or redemption along the way. Most of all, don’t get too attached to any of the characters. Bad things happen. To lots of people.

Have I scared you away from this book yet? I’m glad I read it, really, I am! But it’s heavy and morbid, and you should know that before you start. As for me, I think I’ll track down a copy of the author’s previous novel, Red Moon, which also sounds quite disturbing. (I think I’d better read some books about kitties and unicorns first.)

Side note: I did find some of the similarities to Station Eleven a bit odd — flu pandemic, nuclear meltdowns, scavenging abandoned houses for supplies, even a TV set up like a diorama. I suppose it’s not too far-fetched — seen one crumbling civilization, seen ’em all — but a few of these elements really jumped out at me, having read Station Eleven fairly recently. Just saying.

_________________________________________

The details:

Title: The Dead Lands
Author: Benjamin Percy
Publisher: Grand Central Publishing
Publication date: May 14, 2015
Length: 416 pages
Genre: Adult fiction/post-apocalyptic/horror
Source: Review copy courtesy of the publisher via NetGalley