Book Review: The Chocolate Thief by Laura Florand

Chocolate ThiefLet’s be perfectly clear: This is not my usual kind of read.

My lovely online book group picked The Chocolate Thief by Laura Florand for our February group read. Don’t get me wrong — I have nothing against chocolate! And if you don’t believe me, just send me some and see if I eat it.

I do have a problem, though, with romance novels, and The Chocolate Thief belongs firmly on the romance shelf.

All that being said, I will admit that I didn’t hate The Chocolate Thief, and actually, once I accepted that I was reading this book and sticking with it, I kind of got sucked in — at least, enough to read for a couple of hours straight this morning so I could see how it all turned out.

Enough preamble.

In The Chocolate Thief, 20-something American businesswoman Cade Corey has come to Paris to see if she can make a dream come true. Cade is the youngest generation of the Corey chocolate dynasty of Corey, Maryland. Think Hershey — Corey is a multi-billion dollar corporation that thrives off of its 33-cent chocolate bars sold at Walmarts and in supermarket checkout lines across America.

Cade’s dream is to launch a line of gourmet, high-end chocolate as a flagship enterprise for Corey, but to make it happen, she needs a Parisian chocolatier to sign on to the scheme, agree to let Cade buy him for millions, and then mass-produce his type of chocolate, stamped with his name, as part of the Corey brand.

Cade gets a nasty awakening when she pursues the #1 chocolatier in Paris, Sylvain Marquis, and is given an angry and emphatic NO. (Or “non”, I suppose). Not one to give up, Cade eventually ends up breaking into Sylvain’s laboratoire, fingering all of his chocolate-making supplies, leaving chocolatey fingerprints everywhere, and winding up covered by gourmet blogs as the mysterious “Chocolate Thief”.

Needless to say, it doesn’t hurt a bit that Sylvain is gorgeous and manly and has beautiful hands. Cade falls hard. He falls right back. The chemistry grows and the heat rises. And it goes pretty much where you’d expect it to go.

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Okay, my thoughts:

Well, as I said, I did read all the way to the end, so clearly, it’s a compelling story. Of course, there are things that bugged me. Such as Cade stubbornly running around the city in heels while thinking about how much her feet hurt. Or having to describe every outfit she wears and how much makeup she puts on. Or the fact that Sylvain’s early refusal and dismissal of Cade seems to be the key to what keeps her coming back. Or looking at every attractive woman as competition.

There are positives: I liked that the main character is a successful professional who’s devoted to her family and to the family business. I liked that she and Sylvain are both outwardly cool and confident, but have lurking insecurities underneath — she, that men only want her for her money, and he, that women only want him for his chocolate.

They spend a lot of the book mistrusting each other’s motives and getting either hurt or angry, when if they’d only talked a bit more, they’d have reached an understanding (and happiness) a lot sooner.

The writing is a bit bumpy. Lots and lots (and lots) of decadent, sensuous descriptions of the flavors of chocolate, the way it melts on the tongue, the scents and textures of every food, every piece of clothing, every touch of skin. These bits are all quite delicious (sorry…), if occasionally overdone. By the time I was further in the book, it was like — enough already! We get how good the chocolate smells. Can we get on with the plot?

Where was I? Yes, the writing. Some bits just made me groan, and not from ecstasy:

Long, phallic eclairs in shades of coffee, chocolate, and pistachio stretched in rows like some nymphomaniac’s dream.

Okay…

Chocolate melted on her tongue, melted into her body. Its warm, rich sweetness combined with the pounding adrenaline until she felt … the closest she could think of was aroused. Desperately, intensely aroused, as if someone could come out of the shadows with his sorcerer eyes glinting and lay her down on the dark counters and …

Is it getting hot in here?

This clunker just did not work for me:

She had hunted him. She had tethered herself out there like some kid goat to his Tyrannosaurus rex.

Wait, what? Goats hunt T-Rexes? Not sure this makes the least bit of sense.

The plot is a fairly standard romance arc — two beautiful people, intense instant attraction, lots of tingly bits leading up to hot sex, misunderstandings and obstacles, and finally, the HEA you know is coming at the end. Sorry, that’s not a spoiler — that’s just how these things go.

Speaking of hot sex — there’s quite a bit, including two especially… um, let’s say VIVID… scenes, one on the marble countertops of Sylvain’s workplace, and one quite memorable escapade taking place during the ascent of several flights of stairs.

Do I recommend this book?

Well, that depends. I actually had fun reading it, despite not being a fan of the genre, and despite the muscle strain I developed from all the eye-rolling. The Chocolate Thief isn’t a book I would seek out on my own, and I probably would have stopped after a chapter or two if not for not wanting to bail on a book club book. But, it wasn’t unpleasant to read, I did end up getting caught up enough in the story to want to see it through, and overall found it pretty fun. Especially all the chocolate. Yummmmmm.

For readers who enjoy romances with aloof, strong but secretly fragile men and the powerful but secretly looking for love women who break through their defenses, well, this might be just about perfect.

Overall, it’s sweet and romantic and full of the sights of Paris and an absolute walllowing in flavors. Not a bad choice for a quick and light read. And if you just want to get to the… um… vivid bits:

There in his arms. Yielding to him. Pulling at him. Yielding. Her mouth, her tongue, her body that flexed to him and grew softer and softer, as if all strength failed her, even as he grew stronger and stronger, too hard, hard to bursting with himself and his power over her.

… turn to chapters 13 and 18. You’re welcome.

Word to the wise: Stock up on chocolate before reading The Chocolate Thief, and splurge on the good stuff.

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The details:

Title: The Chocolate Thief
Author: Laura Florand
Publisher: Kensington
Publication date: July 31, 2012
Length: 303 pages
Genre: Romance
Source: Library

Take A Peek Book Review: All the Birds in the Sky by Charlie Jane Anders

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

All the Birds

 

Synopsis:

(via Goodreads)

From the editor-in-chief of io9.com, a stunning novel about the end of the world–and the beginning of our future

Childhood friends Patricia Delfine and Laurence Armstead didn’t expect to see each other again, after parting ways under mysterious circumstances during high school. After all, the development of magical powers and the invention of a two-second time machine could hardly fail to alarm one’s peers and families.

But now they’re both adults, living in the hipster mecca San Francisco, and the planet is falling apart around them. Laurence is an engineering genius who’s working with a group that aims to avert catastrophic breakdown through technological intervention into the changing global climate. Patricia is a graduate of Eltisley Maze, the hidden academy for the world’s magically gifted, and works with a small band of other magicians to secretly repair the world’s ever-growing ailments. Little do they realize that something bigger than either of them, something begun years ago in their youth, is determined to bring them together–to either save the world, or plunge it into a new dark ages.

A deeply magical, darkly funny examination of life, love, and the apocalypse.

 

My Thoughts:

What a weird and wonderful book!

All the Birds in the Sky mashes together magic and crazy science to create a whole that’s odd and unique and utterly engaging. We first meet the lead characters Patricia and Laurence as outcast kids — bullied, friendless, and with home lives that just scream abuse. When they finally meet, they provide each other with refuge and support, but ultimately part ways until a seemingly random reconnection as adults.

The story switches perspectives between both characters, showing us the life of Patricia the witch, cursing and healing people, always being cautioned against the #1 sin for witches, Aggrandizement… and Laurence, the genius mad scientist working on anti-gravity and the possible salvation — or destruction — of the planet.

The writing is often quite funny, although the subject matter can get pretty heavy, what with the impending end of the world and all. The witches and the scientists have plans to save everyone, but each plan may also bring the apocalypse. Patricia and Laurence battle their own factions as well as each others’ in order to avert disaster, even while dealing with their own inner turmoil and competing interests and emotions.

This book truly brings together science fiction and fantasy in a way very few do. As the author said in an introduction to the book on the io9 website, “A young witch and a wild science genius—the characters in my new novel All the Birds in the Sky don’t even belong in the same book together.” Read more from this piece, here.

If you enjoy oddball fiction with a science-y, magical flair, check out All the Birds in the Sky!

PS – Bonus points to Charlie Jane Anders for making excellent use of San Francisco — not just the obvious tourist attractions, but all the odd little corners and neighborhoods that make SF so SF!

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The details:

Title: All the Birds in the Sky
Author: Charlie Jane Anders
Publisher: Tor Books
Publication date: January 26, 2016
Length: 316 pages
Genre: Science fiction/fantasy
Source: Purchased

Audiobook Review: The Immortal Life of Henrietta Lacks by Rebecca Skloot

Immortal Life

Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells–taken without her knowledge in 1951–became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, and more. Henrietta’s cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can’t afford health insurance. This phenomenal New York Times bestseller tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew.

The Immortal Life of Henrietta Lacks is a book I’d been hearing about for years, but as I rarely pick up non-fiction, I’d never gotten around to actually reading it. Finally, I decided to give the audiobook a try.

Henrietta Lacks was a poor African-American woman with five children who was diagnosed and treated for cervical cancer in the early 1950s, before finally dying of the disease in 1951. Doctors treating Henrietta removed samples of her tumor during her treatments, and these cells grew in culture at an unprecedented rate, becoming the first immortal cells ever created in medical history.

In the years since, HeLa cells have been used worldwide for medical research, and it is said that without the HeLa line, many of our current medical advances and treatments would not exist.

In The Immortal Life, author Rebecca Skloot explores both the scientific journey of Henrietta’s cells and their impact on modern medicine, and the lives of the family that Henrietta left behind. Amazingly, while HeLa was incredibly important and famous among the scientific community since the early 1950s, it was not until decades later that Henrietta’s family had any inkling that her cells had been preserved and were still being used for scientific advancement.

The author describes Henrietta’s early life and marriage, the birth of her children, and her suspicion around age 30 that something was wrong with her, leading to her treatment at Hopkins and ultimately, her death from a particularly virulent strain of cervical cancer. Henrietta is portrayed as an energetic, spirited woman and a devoted mother, who never fully understood her condition or her treatment.

Henrietta’s treatment at the time was probably not unusual, and there’s no indication that the medical care she received was not up to the standards of the 1950s. Henrietta was not asked for permission to take her cells for study, but again, that was not the practice at the time.

The book has many chapters describing the scientific impact of the HeLa cells, their use, their impact, and their study over the years. The book also covers topics concerning medical ethics, questions still under debate today, such as who “owns” the tissues removed from patients and who can and should profit from their commercialization. Some interesting examples are given, such as cases where millions of dollars in profit are made by the medical industry while the donor patient receives nothing.

Along those lines, we spend quite a bit of time with the Lacks family, most particularly with Henrietta’s daughter Deborah. Deborah becomes Rebecca Skloot’s companion in her quest to understand Henrietta’s life and death, and her spirit and energy infuse much of the book. The author traces their travels together to the family’s rural home and through the bits and pieces of medical records which they manage to uncover. It’s clear that the family received little information about HeLa or what the cells actually were, so that Deborah often referred to them as being parts of her mother still alive, imagining her mother being experimented upon, and becoming agitated over the types of experiments conducted — describing at various times that parts of her mother were shot into space, used to test nuclear bombs, and infected with AIDS (all actually types of scientific work done using HeLa cells).

There’s a lot of fascinating information in The Immortal Life of Henrietta Lacks, but overall, something about this book didn’t quite fit together for me. There are at least two distinct pieces here — the scientific elements related to the HeLa cell line, the use of tissue cultures, and the biomedical ethical issues; and the story of the Lacks family, their hardships, and the impact upon them of the fame of HeLa and the resultant loss of privacy for the family.

The author, in the book’s afterword, states that one of her purposes in writing this book was to bring to life the woman behind the cells, to make it clear to the world that HeLa is more than just nameless cells, but rather the living remnants that once were part of a real woman who had a name, a life and a family. I think the book absolutely succeeds in this regard.

Still, I couldn’t quite decide what the ultimate point was, or what we are to conclude about the scientific and ethical issues raised here. Was it wrong to use Henrietta’s cells for research? I really can’t believe that. Should patients have control over what happens to their tissues? Should patients have a monetary stake in research involving their tissues? What would that mean for ongoing research? These are big issues, but I felt that the nuances became a little muddy when mixed with the story of the Lacks family. It’s wonderful that Henrietta herself is finally getting recognition, but I’m not sure that this case proves anything when it comes to the confusing, often contradictory elements of the bioethical issues.

Regarding the audiobook itself, I question some of the production decisions made regarding the narration. Most of the narration is a straightforward read of the book, but quotes are read by a different narrator, with ethnic accents and dramatization. It’s not just the Lacks family that gets this treatment — a doctor of Chinese descent is read with a heavy Chinese accent, and there are a few others as well. This is a work of non-fiction, and adding this interpretive treatment of the text felt unnecessary to me, and ultimately, it was distracting.

The book itself is organized in a way that feels muddled and confusing. The chapters jump from present to past, from science to personal, and the transitions are quite abrupt. Particularly via audiobook, this jumping around makes the narrative hard to follow, and the logical sequence is occasionally lost.

I did find much of The Immortal Life of Henrietta Lacks quite interesting, and I was moved by the family’s story, particularly Deborah’s. Still, the combination of the two halves of the story didn’t quite gel for me, and the book as a whole wasn’t nearly as satisfying as I’d hoped it would be.

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The details:

Title: The Immortal Life of Henrietta Lacks
Author: Rebecca Skloot
Narrator: Cassandra Campbell, Bahni Turpin
Publisher: Crown Publishing Group
Publication date: February 2, 2010
Audiobook length: 12 hours, 30 minutes
Printed book length: 370 pages
Genre: Non-fiction (science/biography)
Source: Library (Overdrive)

Take A Peek Book Review: Catching Jordan by Miranda Kenneally

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

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Synopsis:

(via Goodreads)

What girl doesn’t want to be surrounded by gorgeous jocks day in and day out? Jordan Woods isn’t just surrounded by hot guys, though — she leads them as the captain and quarterback of her high school football team. They all see her as one of the guys and that’s just fine. As long as she gets her athletic scholarship to a powerhouse university.

But everything she’s ever worked for is threatened when Ty Green moves to her school. Not only is he an amazing QB, but he’s also amazingly hot. And for the first time, Jordan’s feeling vulnerable. Can she keep her head in the game while her heart’s on the line?

 

My Thoughts:

Miranda Kenneally’s young adult novels take place in and around Hundred Oaks High School in the fictional town of Franklin, Tennessee. Each book has a teen girl at its center, and while the stories interweave a bit, with familiar faces from earlier books popping up later in supporting roles, each book stands alone nicely as well.

I stumbled across these books more or less accidentally, when I picked up an ARC of the 4th book, Racing Savannah. Since then, I’ve read two more, and now I’m finally going back and trying to read the first three Hundred Oaks books, starting with the author’s very first novel, Catching Jordan.

Jordan Woods is a high school senior, an amazing quarterback, and captain of her school football team. She’s the daughter of a world-famous NFL quarterback, and sees no reason why she shouldn’t follow in his footsteps and pursue her dreams of QBing a top-tier college team — despite her dad’s lack of support due to fear of her getting injured.

Jordan’s closest friends are the guys from the team, especially Sam Henry, the quintessential boy next door who’s been her absolute best friend since childhood. Jordan and Sam’s friendship is tested when a hot new guy moves to town — a guy who not only is competition for the QB role but also wants to date Jordan.

Jordan is a total jock, and she’s not ashamed of it. She also refuses to cede any ground in her fight to be taken seriously, and throws herself into her love of football wholeheartedly. (I’m a big fan of Jordan’s, even if I’m not at all a jock myself!)

One of the things I love about these books is the fresh take on teen friendships and social roles. Yes, there are some mean, gossipy cheerleaders — but there are also a couple of nice, positive cheerleaders who actually are supportive friends, once Jordan drops her guard and allows herself to hang out with girls. Jordan is always afraid of looking soft in front of the guys, but she eventually learns that she can wear a dress and makeup if she wants to (and she very rarely wants to) without giving up any ground as the football authority.

I also appreciate the honest look at high school relationships in Catching Jordan. These teens definitely do hook up, and sex is a pretty casual thing for most. Jordan faces her first kiss and losing her virginity within the space of a week, and it’s not because she’s taken a stand or hasn’t been interested. She’s just never before figured out how to balance having a love life with her status as captain and one of the guys.

I almost hesitated to include the book synopsis while writing this “Take a Peek” review, because frankly, the synopsis makes the book sound kind of cheesy and stereotypical, and that’s so misleading. I mean, “what girl doesn’t want to be surrounded by gorgeous jocks day in and day out?” and “amazingly hot”? Really?

Ignore all that, and just pay attention to this: Catching Jordan is a terrific young adult novel about a strong, self-sufficient young woman who values friendship and loyalty, knows what she wants out of life, but has to figure out who really matters to her and how to find the kind of love she really craves. The small-town, Southern vibe is lots of fun, and I’m eagerly looking forward to reading the two remaining Hundred Oaks books that are calling my name.

Interested in this author? Check out my reviews of other books by Miranda Kenneally:
Racing Savannah
Breathe, Annie, Breathe
Jesse’s Girl

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The details:

Title: Catching Jordan
Author: Miranda Kenneally
Publisher: Sourcebooks Fire
Publication date: November 11, 2011
Length: 283 pages
Genre: Young adult contemporary fiction
Source: Purchased

Book Review: The Storyteller by Jodi Picoult

The Storyteller

(Goodreads): Sage Singer befriends an old man who’s particularly beloved in her community. Josef Weber is everyone’s favorite retired teacher and Little League coach. They strike up a friendship at the bakery where Sage works. One day he asks Sage for a favor: to kill him. Shocked, Sage refuses… and then he confesses his darkest secret—he deserves to die, because he was a Nazi SS guard. Complicating the matter? Sage’s grandmother is a Holocaust survivor.

What do you do when evil lives next door? Can someone who’s committed a truly heinous act ever atone for it with subsequent good behavior? Should you offer forgiveness to someone if you aren’t the party who was wronged? And most of all—if Sage even considers his request—is it murder, or justice?

How do I even begin to describe a book as powerful and devastating as The Storyteller? While I knew the basic premise, I had no idea what I was in for when I first started reading it.

At the outset, we meet Sage, a reclusive young woman bearing scars of a tragic accident that cost her her parents. Sage lives alone in a small town in New Hampshire, where she works nights — again, alone — baking a miraculous, marvelous assortment of breads for the small bakery that employs her. Baking is both Sage’s passion and an escape, providing her with distraction and a focus, as well as a good excuse to avoid almost everyone.

It’s silly to anthropomorphize bread, but I love the fact that it needs to sit quietly, to retreat from touch and noise and drama, in order to evolve.

I have to admit, I often feel that way myself.

Sage is forced out of her comfort zone only when she attends a grief support group, where she meets and befriends a newer member, Josef, a sweet old man in his 90s who seems to be just as lonely as Sage. Gradually, the two connect and begin to share bits and pieces of their lives, but Sage’s pleasure in the friendship grinds to a crashing halt when Josef confesses his Nazi past to Sage and asks her to help him die.

Sage is aware that her beloved grandmother Minka is a Holocaust survivor, and remembers catching a brief glimpse of the tattoo on her arm. But Minka has never said a word about her experiences and refuses to answer questions. Sage doesn’t know where to turn. Josef is a well-respected member of the community, a man known as an excellent teacher, kind to all, a man who always did his best to help the town. How can he be a Nazi? In desperation and disgust, Sage tries to connect with law enforcement, and is finally directed to the Federal agency which investigates alleged war criminals, where an agent named Leo Stein takes Sage’s call. Leo encourages Sage to get more information. It’s not enough to know that Josef has claimed to be a former SS agent. In order to take any action, they’ll need to be able to tie him to the historical records through facts, witness reports, or other details that can’t be fabricated.

Why is this book called The Storyteller? Within the novel, we get story upon story. The book opens with a scene that seems like something out of a different world — a tale with a folkloric flavor set in a small Polish village, in which the main character is the baker’s daughter, who feels a growing attraction to a strange young man who’s just arrived in the town, which is also beset by strange animal attacks. It’s not obvious, at first, how this tale, which weaves in between chapters of the contemporary story, actually fits into the main narrative, but it does, and is worth paying attention to.

After the initial section of the book sets up the story of Sage and Josef, we move into the heart of the book, which consists of two more sets of stories. First, we hear from Josef, who tells Sage that he is not Josef Weber after all, but Reiner Hartmann, an SS officer whom Leo is able to find in the historical record. Josef relates the story of his life to Sage, from his childhood in a typical German family to his growing success in Hitler Youth, to enrolling in the SS and becoming a part of the death machine that rolled through Poland. His story includes unflinching looks at the horrors in which he participated, slaughtering men, women, and children in village after village, and finally becoming a lead officer at Auschwitz, overseeing all female prisoners.

Josef’s confession to Sage isn’t enough, though. In order for Leo to take legal action and start the long process that could lead to extradition, deportation, and facing trial for his crimes, they need to be able to tie Josef’s story to something contained in the secret files on Reiner Hartmann, something that couldn’t have been gleaned from the public record. And at this point, Sage takes Leo to meet Minka — and Minka breaks her decades of silence by relating the terrible story of her girlhood, the fate of her family, and her own experiences in Auschwitz.

Minka’s story is the true center of the book, and Minka herself most aptly fits the role of the title, The Storyteller. Minka’s tale is lengthy, detailed, heartbreaking, and horrific. This is the longest section of the book, and is simply devastating to read. I won’t go into detail here; on the one hand, anyone who’s read the stories of Holocaust survivors will recognize some of the common elements here, yet on the other hand, Minka’s narrative is so personal and closely-observed that each loss and each degree of suffering feels like it happened to people we know. Within Minka’s narrative of what she lived through are more bits and pieces of the village tale that’s sprinkled throughout The Storyteller, and we finally discover the link between the book’s characters and the events of the tale.

The central question in The Storyteller is one of forgiveness and atonement. Can someone truly be forgiven for past crimes? Whose job, and whose right, is it to forgive? Can someone who’s committed evil acts ever make up for them? Do 50 years of helping others erase a heinous past? Does it make sense to prosecute a 95-year-old man for the crimes he committed almost seventy years earlier?

I don’t know what this person did you you, and I am not sure I want to. But forgiving isn’t something you do for someone else. It’s something you do for yourself. It’s saying, You’re not important enough to have a stranglehold on me. It’s saying, You don’t get to trap me in the past. I am worthy of a future.

There are no easy answers here. Sage does what she feels to be the right thing by bringing in Leo and cooperating in the investigation, yet she feels a moral obligation toward Josef too. When she looks at him, she sees the horrors he committed, but at the same time she see a lonely, frail old man who loves his dog and mourns his wife of fifty years. Can she feel sorry for him even while feeling repulsed by all she knows? And how does hearing her grandmother’s story affect her ability to listen to the request Josef continues to make of her?

While painting a vivid portrait of a period of history that must not be forgotten, the author is also making an important statement about the power of stories:

Fiction comes in all shapes and sizes. Secrets, lies, stories. We all tell them. Sometimes, because we hope to entertain. Sometimes, because we need to distract.

And sometimes, because we have to.

Jodi Picoult’s fiction tends not to come with easy answers. Of the four or five of her books which I’ve read, all include moral quandaries — people put in difficult or almost impossible positions, where the path forward is murky and ethical questions abound. The same is true of The Storyteller. There’s much food for thought here, and no matter what you think of Josef himself, his request, and Sage’s actions, you’ll definitely find yourself replaying scenes in your mind over and over. I’d imagine that the ending will be controversial for many, and there are certainly plenty of arguments to be made as to why it is or isn’t the right ending, or what the characters should or should not have done.

Ultimately, The Storyteller is a tale of pain and loss, but at the same time, it inspires hope simply by allowing the reader to bear witness to the courage and sacrifice that accompany all the horrors which Minka shares through her story. The Storyteller is not a light or easy read, but it’s an important one, and I applaud the author for creating a work of fiction that explores such a horrible piece of history with grace and honesty.

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The details:

Title: The Storyteller
Author: Jodi Picoult
Publisher: Atria
Publication date: February 26, 2013
Length: 460 pages
Genre: Contemporary fiction
Source: Purchased

Archivist Wasp: My review… and some other opinions too.

Archivist WaspSynopsis:

(via Goodreads)

Wasp’s job is simple. Hunt ghosts. And every year she has to fight to remain Archivist. Desperate and alone, she strikes a bargain with the ghost of a supersoldier. She will go with him on his underworld hunt for the long-long ghost of his partner and in exchange she will find out more about his pre-apocalyptic world than any Archivist before her. And there is much to know. After all, Archivists are marked from birth to do the holy work of a goddess. They’re chosen. They’re special. Or so they’ve been told for four hundred years.

Archivist Wasp fears she is not the chosen one, that she won’t survive the trip to the underworld, that the brutal life she has escaped might be better than where she is going. There is only one way to find out.

My Thoughts:

I’m at a bit of a loss when it comes to summing up Archivist Wasp. My feelings are really contradictory. There’s quite a bit here that’s interesting and different, but I’m not sure that the plot as a whole holds together convincingly.

The opening chapters place the setting firmly in a primitive type of society, in a poor country village full of superstition and fear. The Archivist is the Chosen One (into every generation…), but each year, she fights upstarts (girls in training to be Archivist — for the Buffy fans out there, think “potentials”) in order to retain her position. The fight is to the death, bloody and terrible, watched and betted on by the townsfolk, all under the watchful eye of the Catchkeep-priest, who controls the upstarts and the Archivist. Catchkeep is the main god of this society, but there are others, such as Carrion Boy and Ember Girl. It’s startling, though, to see certain seemingly anachronistic elements intrude. Weaponry includes not just swords, but guns.

Guns? What’s going on here?

As becomes clear further in the story, this primitive society isn’t from an earlier era, but a later one. Reference is made to the Before, apparently before whatever cataclysmic event hundreds of years earlier erased the modern world as we know it. The world of Archivist Wasp is bleak and dismal — and plagued by a non-stop stream of ghosts. The job of the Archivist, when not fighting for her life, is to capture ghosts in jars, observe them and take field notes on their behavior, and then release them to Catchkeep, severing their links to the world of the living. The ghosts are silvery, small beings, yet some take on a more physical form and wreak havoc. How do you catch a ghost? With blood and salt. Them ghosties love salt, apparently — so much so that villagers are forbidden to keep any in their homes, for fear of attracting unwanted attention.

The action of Archivist Wasp kicks into high gear when Wasp captures a ghost that displays unusual strength, to the point that it can actually communicate with her. It’s the ghost of a soldier, and he wants Wasp’s help in finding the ghost of his former partner. To achieve this, they must travel into the underworld, through hidden portals and against great danger, with Wasp using her special harvesting knife to draw out hidden memories and find out the truth behind what happened to the soldier and his partner.

There’s a lot that’s interesting about this book, but my main stumbling blocks are these:

1 – Uneven pacing. Some chapters were impossible to look away from… but there are parts where the characters seem to just be slogging forward, one journey after another, with not much actually happening.

2 – Confusing world-building. We never do find out what happened to transform the world from what it was to what it is. We can make assumptions, but more details would have been helpful. Likewise, the underworld is a murky dreamscape with rules and properties that seem to change from moment to moment. It was unclear what to expect or why, and this left me with a sense that the stakes were artificial and potentially not really dangerous after all.

3 – Wasp’s community and her motivations. Why do Wasp and the other girls just accept their lot in life? Why does it never occur to them to challenge the system?

4 – The purpose of the Archivist. The actual goal is murky. Are they trying to learn from the ghosts? Banish the ghosts? And what does killing each other achieve? If they’re trying to learn as much as possible, why have only one?

5 – The ghosts. Where do they come from? Why are there so many? What would happen if the Archivist didn’t capture them and just left them to carry on? Why can ghosts wield swords and other weapons, carry physical objects, and inflict harm on living humans?

6 – The religion. I’d like to know more about how the local pantheon came to be and how the belief system was shaped. (I suppose this ties in with #2, the world-building.)

So many unanswered questions.

On the positive side, I liked the story of the super-soldier and his partner, and the tragedy that’s revealed as Wasp uncovers more and more of the ghost’s memories. That story alone would make a great book, and those sections of Archivist Wasp that dealt with this part of the plot are the most compelling.

I also enjoyed the parallels to the myth of Orpheus and Eurydice, although the similarities only go so far. The goal here is to free a ghost who can’t move on, not to return her to the land of the living, but still, the journey to the underworld is full of obstacles and dangers that give the quest a mythic, larger-than-life overtone.

Finally, toward the end of the book, we get more of an explanation about the origin of the Archivist system and the power of the Catchkeep-priest, and it’s a powerful origin story — but for me, it felt like it all came too late. By the time we get some answers, I felt mostly worn out by the story and the inconsistencies, and didn’t have the investment necessary to really care all that much about the outcome.

But Wait! Here are other other opinions:

Rather than just close with what I thought of Archivist Wasp, I thought I’d share some other viewpoints. I read this book because it was my book group’s pick for January, and several members of the group really loved the book. I want to share some of their comments, to give a slightly different take on the book and showcase a little more of the positive. (Comments below are in different colors to denote different commenters; quoted from our book group discussion)

I loved this book. There were some scenes which made me pause. One of my favorite scenes, and there are a number of them, is [spoiler deleted]. It’s so revealing of our own mindsets and how we need to open our minds, perhaps we need to cut the threads that bind us to old, stagnant ideas about our world.

I remember admiring Wasp for her compassion and willingness to help others despite her own awful circumstances. And, for figuring out how to help the other girls in her same situation (or I suppose the same as her past situation before she became the archivist), as well as the townspeople, all of whom were being taken advantage of by the Catchkeep Priest (who was just awful!).

The message of growing up and learning who you are and what you can achieve is important for teen girls to hear.

Wasp’s innate sensibilities and caring for her “charges” despite her own upbringing, or maybe because of it, make her a likable and sympathetic protagonist. She keeps going, trying to do the right thing despite personal consequences and little or no reward. That gives this story great heart; it’s also certainly very creative.

In the end, there did seem to be a message about challenging handed down beliefs and finding your own truth.

And a comment from the author herself:

If Wasp is remembered as a YA heroine, I’d like it to be because she’s a 16-year-old girl protagonist that managed to drive her own story without it hinging on a romance or a love triangle or a prophecy or any of these things that are perceived to be necessary to any and all YA plotlines, howsoever clumsily they have to be shoehorned in because they aren’t necessary. There are teenage girls out there who are a lot like Wasp. I was one. I was friends with others. I want her to do her small part to provide a little representation for them.

Wrapping it all up:

One thing I’ve discovered from my book group discussion (for which the author generously participated in a Q&A) is that Archivist Wasp is in fact the first in a trilogy. I think I might have felt slightly differently about some of the unanswered questions had I known that from the start, as then I might have expected some threads to be left dangling until the next books.

My own reading experience and opinion of the book hasn’t changed, but I do appreciate what I’ve gleaned from the Q&A and my book group friends’ opinions, and can see why this book might strongly appeal to teen readers and to adults who enjoy YA fiction.

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The details:

Title: Archivist Wasp
Author: Nicole Kornher-Stace
Publisher: Big Mouth House
Publication date: April 13, 2015
Length: 268 pages
Genre: Young adult fantasy
Source: Purchased

Agatha Christie, where have you been all my life?

I’ve finally read my first Agatha Christie book! What on earth was I waiting for?

and thenSynopsis:

(via Goodreads)

“Ten . . .”
Ten strangers are lured to an isolated island mansion off the Devon coast by a mysterious “U.N. Owen.”

“Nine . . .”
At dinner a recorded message accuses each of them in turn of having a guilty secret, and by the end of the night one of the guests is dead.

“Eight . . .”
Stranded by a violent storm, and haunted by a nursery rhyme counting down one by one . . . one by one they begin to die.

“Seven . . .”
Who among them is the killer and will any of them survive?

First, there were ten – a curious assortment of strangers summoned as weekend guests to a private island off the coast of Devon. Their host, an eccentric millionaire unknown to all of them, is nowhere to be found. All that the guests have in common is a wicked past they’re unwilling to reveal – and a secret that will seal their fate. For each has been marked for murder. One by one they fall prey. Before the weekend is out, there will be none. And only the dead are above suspicion.

 

My Thoughts:

How do I even begin to review a book like And Then There Were None? It’s a classic mystery, considered one of Christie’s best, for a reason. Having never read her books before, I was excited to see whether the build-up would pay off. Trust me, it did.

I was totally charmed by the clever plotting, the tricky twists, the seeds of doubt that accompanied every apparent clue. The drama of this book is so carefully constructed that even though I looked closely for the tip-off to the solution, I never found it.

The introduction in my edition is an excerpt from Agatha Christie’s autobiography, explaining the challenge of pulling off what she accomplishes in this book:

I wrote the book after a tremendous amount of planning, and I was pleased with what I had made of it. It was clear, straightforward, baffling, and yet had an epilogue in order to explain it. It was well received and reviewed, but the person who was really pleased with it was myself, for I knew better than any critic how difficult it had been.

I really enjoyed And Then There Were None, and I’m glad I chose it as an introduction to Agatha Christie. It’s a very quick read, almost begging to be finished in a day’s worth of binge-reading.

I’m looking forward to reading more of Christie’s books, and I’d love recommendations on any favorites!

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The details:

Title: And Then There Were None
Author: Agatha Christie
Publisher: HarperCollins
Publication date: 1939
Length: 300 pages
Genre: Mystery
Source: Purchased

Book Review: Lock In by John Scalzi

lock inSynopsis:

(via Goodreads)

Not too long from today, a new, highly contagious virus makes its way across the globe. Most who get sick experience nothing worse than flu, fever and headaches. But for the unlucky one percent – and nearly five million souls in the United States alone – the disease causes “Lock In”: Victims fully awake and aware, but unable to move or respond to stimulus. The disease affects young, old, rich, poor, people of every color and creed. The world changes to meet the challenge.

A quarter of a century later, in a world shaped by what’s now known as “Haden’s syndrome,” rookie FBI agent Chris Shane is paired with veteran agent Leslie Vann. The two of them are assigned what appears to be a Haden-related murder at the Watergate Hotel, with a suspect who is an “integrator” – someone who can let the locked in borrow their bodies for a time. If the Integrator was carrying a Haden client, then naming the suspect for the murder becomes that much more complicated.

But “complicated” doesn’t begin to describe it. As Shane and Vann began to unravel the threads of the murder, it becomes clear that the real mystery – and the real crime – is bigger than anyone could have imagined. The world of the locked in is changing, and with the change comes opportunities that the ambitious will seize at any cost. The investigation that began as a murder case takes Shane and Vann from the halls of corporate power to the virtual spaces of the locked in, and to the very heart of an emerging, surprising new human culture. It’s nothing you could have expected.

 

My Thoughts:

This book is crazy, and I mean that in the best way possible. I absolutely love the world created here, some 25 years or so into the future, where Hadens are now a part of society and the definition of being a person has changed dramatically.

Hadens are those who are in the long-term, seemingly irreversible “lock in” phase of Haden’s syndrome. Their bodies are alive and their minds are fully functional, but they have lost the ability to control or manage their voluntary systems. An entire industry has sprung up around the vast number of Hadens, resulting in the creation of neural networks and “threeps”. Hadens are implanted with a neural network in their brains, which gives them the ability to control a robotic form (known as a “threep”, named for C3PO) that moves in the “normal” world as an avatar of sorts. The body is still the actual person, but the threep is also a manifestation of the person, and conducts business and goes about life just the same as anyone else.

Battles have sprung up over Haden rights, government funding of Haden resources, and the issue of Haden separatism and culture. And what makes this book amazing and so fascinating is that this is all background to the actual plot — which revolves around a dead body, a murder investigation, and a newbie FBI agent, who just happens to be one of the most famous Hadens, thanks to a celebrity father and his early years as a Haden poster-child.

UnlockedOn top of the terrific plot and world-building, the writing is a treat. John Scalzi provides complex technical and medical details, but makes it comprehensible and accessible through the characters’ dialogue. The exposition feels natural, not like a lecture. On top of that, the characters are fully fleshed out, have distinct personalities, and some can be awfully funny, especially main character Chris Shane.

My reading tip is that before reading Lock In, it’s well worth your time to check out the novella that John Scalzi released just prior to the publication of Lock In. It’s called Unlocked: An Oral History of Haden’s Syndrome, and provides background on the onset, diagnosis, treatment, and political ramification of the disease. It’s utterly fascinating, and adds a lot to the understanding of Lock In, letting us jump right into the events of the novel without needing a whole lot of time or pages devoted to backstory.

Final word: Lock In is a bizarre and original science fiction/crime thriller mash-up, and I just loved it. My conclusion is that I haven’t read nearly enough John Scalzi yet in my life, and I need to fix that ASAP.

Oh, and a final, final world: While this book appears to be a stand-alone and I have no reason to think that it’s not, I could easily see an ongoing series revolving around Agents Shane and Vann and their crime-fighting adventures in a post-Haden world. John Scalzi, pretty please?

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The details:

Title: Lock In
Author: John Scalzi
Publisher: Tor Books
Publication date: August 26, 2014
Length: 336 pages
Genre: Science fiction
Source: Purchased

Twilight Reimagined: I said I wouldn’t, but then I did.

Life and DeathOkay, I’m not exactly eating my words… but I kind of am.

When the news came out last fall that Stephenie Meyer was publishing a gender-swapped version of Twilight, I scoffed. And sneered a bit. And declared that it was just a greedy money grab. And laughed at the idea of the author doing a search-and-replace in her word processor (let’s see, find “Bella”, replace with “Beau”… done!).

I swore that the evil corporate bloodsuckers (ugh, sorry) would not get my money this way!

They didn’t. No money changed hands. But I did read Life and Death after all.

Can you blame me? It was right there on the library shelf, practically daring me to take it home. And I’ll admit it — I was curious.

So, first things first. It’s not as evil a scheme as I expected it to be. Twilight might seem like a thing of the past by now — remember the hysteria? The crazed midnight release parties? The insatiable hunger for photos of RobPatz? But it’s actually only been ten years since the release of the first book, and what we have here is a “special tenth anniversary edition” of Twilight, packaged with the reimagined version.

This new anniversary edition is a big, hefty hardcover that’s a flip book. Read from one side, and it’s the original Twilight; read from the other end, and it’s Life and Death. This makes it convenient (-ish) when you get to an interlude that’s familiar but weirdly different, and you want to compare to the original. Insert bookmark, flip upside down, find the Twilight passage… huh. Not so different.twilight-special-tenth-anniversary-edition

Okay, so what’s the deal, and is it worth reading? Your mileage may vary. I think the thing to keep in mind is how you felt when you first read Twilight, before it became the pop culture phenomenon that swallowed up the world. I read the original book not knowing that it was a “thing”, and while I laughed at bits of it, I also couldn’t put the damned book down. It might have been candy, but it was awfully addictive candy.

In Life and Death, the genders of all characters are swapped (other than Charlie and Renee, who remain Charlie and Renee — the author explains why in her introduction, although I think it could have worked with a swap too). Bella is Beau, and Edward is Edythe; and they’re still more or less the same people. Beau is awkward and trips over his own feet a lot. Edythe is (of course) the most perfectly gorgeous person who ever existed, and still drives a shiny silver Volvo.

Little moments are changed. In Port Angeles, rather than Bella being pursued by a group of menacing men on the street, Beau stumbles across a bunch of drug dealers who assume he’s a cop and almost kill him. There’s rather a bit more bro talk among Beau and the guys at school, and we (thankfully) are spared scenes of them trying on tuxes to replace the girls’ dress shopping expedition.

Frankly, the gender swap thing is a tolerably cute gimmick, and it mostly works (although the image of Edythe running through the forest with a gangly Beau clinging to her back made me giggle). I was really only truly irritated at one point, when (in the original), Bella is impatient and needs distraction, so she heads outside to read in the yard with a stack of Jane Austen novels. In Life and Death, Beau brings his favorite Jules Verne… and I got all righteously offended for a good ten minutes. What do you mean, Jules Verne? Males can’t read Jane Austen??? I beg to differ!!!

Beyond that, it’s all mostly fine. If you like the original, you’ll probably enjoy the entertainment of reading this upside-down version of things, although to be honest, I kept forgetting who was supposed to be whom and occasionally forgot to picture Beau as a guy, or had to remind myself that Royal is Rosalie, and that the tracker vampire bad guy at the end is actually female. Whoops. Whatever.

I will say that the most fun aspect (which pretty much makes it worth your time, if you’re at all curious) is that the ending is different. I suppose I should not go into how or why… spoilers, don’t ya know? Suffice it to say that it works out differently, but still goes out with a bang. No loose threads here, so don’t expect any reimagined versions of New Moon, Eclipse, or Breaking Dawn.

And as to all the jokes about a gender swapped Renesmee (which here, I suppose would be something awful like Charnest? Earlie? …ugh…) — well, let’s just say that this ending makes the existence of a super-baby unnecessary.

Summing it all up: If you do feel the need to find out what this Twilight Reimagined business is all about — go ahead! It won’t hurt, I promise. It might even be a little bit fun. As light-weight pop entertainment goes, you could probably do worse.

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The details:

Title: Life and Death: Twilight Reimagined
Author: Stephenie Meyer
Publisher: Little, Brown
Publication date: October 6, 2015
Length: 389 pages
Genre: Young adult
Source: Library

Middle Grade Fiction: Woundabout by Lev Rosen

woundabout

 

Synopsis:

(via Goodreads)

Welcome to Woundabout, where routine rules and change is feared. But transformation is in the wind….

In the wake of tragedy, siblings Connor and Cordelia and their pet capybara are sent to the precariously perched town of Woundabout to live with their eccentric aunt. Woundabout is a place where the mayor has declared that routine rules above all, and no one is allowed to ask questions–because they should already know the answers.

But Connor and Cordelia can’t help their curiosity when they discover a mysterious crank that fits into certain parts of the town, and by winding the crank, places are transformed into something beautiful. When the townspeople see this transformation, they don’t see beauty–they only see change. And change, the mayor says, is something to fear. With the mayor hot on their trail, can Connor and Cordelia find a way to wind Woundabout back to life?

 

My Thoughts:

I can’t say enough about this wonderful middle grade novel! Woundabout is the touching — yet not heavy — story of orphaned siblings Connor and Cordelia, who go to live with their aunt Marigold in the very weird town of Woundabout after the death of their parents. Woundabout is a strange, strange place, under the firm control of a dictatorial mayor who hates questions and any deviation from routine. The park is brown and dried up, the river barely flows, and wind constantly buffets the cliffs of the town. Connor and Cordelia, still reeling from their loss, have to adjust to their new lives, and decide to figure out the mysteries of Woundabout, both as diversion and to see if they can somehow find a place for themselves.

The writing is wonderful. There’s humor and a light touch, even on the darkest of subjects. I love the portrayal of Connor and Cordelia (ages 11 and 9), who are tightly bonded, yet each have their own personality and interests. There’s a recurring theme in the writing that takes shared moments and shows how each child sees it:

When the meal was finished, as she had promised, Aunt Marigold took the children into the living room, where they sat on either side of her on a big green sofa and looked at the photos in the album on her lap. It was weird seeing their dad at their age. Connor would have said it was like X-ray vision you couldn’t turn off — seeing through buildings to the beams and metal holding them up; Cordelia would have said it was like uploading your photos to your computer and finding a whole group of pictures you didn’t take. But they both knew it was the same thing.

The author and illustrator, who are brothers, are clearly in sync. The marvelous black and white illustrations throughout the book are wonderfully detailed and expressive, and perfectly capture the personalities of the characters and the town.

Woundabout_Siblings_p6

Cordelia and Connor — and Kip, the capybara.

I picked up Woundabout because the author, Lev AC Rosen, has written two excellent books for adults, All Men of Genius and Depth (review), both of which I love and always end up recommending to people. How could I not read his fiction for kids as well?

Woundabout is a terrific read — whether you’re an adult who enjoys reading good children’s books for your own enjoyment, or you’re looking for a book to share with the younger folks in your life, or you want a book to give to a young reader. Woundabout strikes me as a good choice for an adult/child read-aloud, or a great book for an independent reader in the 8 – 12 age range (or so — I hate pinning a label on a book that older and younger kids would enjoy too.)

Check it out… for yourself, or for a kid you’d like to treat to a great read.

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The details:

Title: Woundabout
Author: Lev Rosen
Illustrator: Ellis Rosen
Publisher: Little, Brown Books for Young Readers
Publication date: June 23, 2015
Length: 288 pages
Genre: Middle grade fiction
Source: Library