Book Review: It’s a Love Story by Annabel Monaghan

Title: It’s a Love Story
Author: Annabel Monaghan
Publisher: G.P. Putnam’s Sons
Publication date: May 27, 2025
Length: 368 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punchline who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash-course with her past, spending a week in Long Island with the last man she thinks might make her believe in love.

Love is a lie. Laughter is the only truth.

Jane Jackson spent her adolescence as “Poor Janey Jakes,” the barbecue-sauce-in-her-braces punch line on America’s fifth-favorite sitcom. Now she’s trying to be taken seriously as a Hollywood studio executive by embracing a new mantra: Fake it till you make it.

Except she might have faked it too far. Desperate to get her first project greenlit and riled up by pompous cinematographer and one-time crush Dan Finnegan, she claimed that she could get mega popstar Jack Quinlan to write a song for the movie. Jack may have been her first kiss—and greatest source of shame—but she hasn’t spoken to him in twenty years.

Now Jane must turn to the last man she’d ever want to owe: Dan Finnegan. Because Jack is playing a festival in Dan’s hometown, and Dan has an in. A week in close quarters with Dan as she faces down her past is Jane’s idea of hell, but he just might surprise her. While covering up her lie, can they find something true?

By this point, I’m not at all surprised by the fact that I LOVED Annabel Monaghan’s newest book. I’m four for four! Her romances deliver beachy, summer-filled love stories firmly rooted in real life. There are swoony moments… but also the stresses and secrets and unrealistic expectations that come with being an adult.

In It’s a Love Story, main character Jane is a Hollywood studio executive who hopes that she’s finally found the perfect script, the one that will give her the all-important producer title and prove that she’s got what it takes to make it in the industry. What’s more, it’s not just any script: True Story speaks to Jane in a way she hasn’t experienced before. It makes her feel.

But when she walks into the meeting that will determine whether the film gets greenlit, her hopes are almost instantly dashed. Standing between Jane and success is Dan Finnegan, a cinematographer who’s already sunk a previous movie for Jane, and is now sitting in the studio head’s office proclaiming that Jane’s script isn’t commercial. The studio wants flash and noise, and this is not it. Before True Story gets tossed on the trash pile, Jane panics and blurts out a whopper: She know pop star Jack Quinlan, and what’s more, Jack is interested in writing and singing an original song for the movie. The studio head is immediately interested… but now Jane has to deliver something that she has no idea how to get.

The truth is, Jane knew Jack for only a couple of days, way back when she was fourteen years old. Jane played Janey Jakes, the sidekick/comedic relief on a TV sitcom about a group of kids forming a band. Janey was known for pratfalls and unfortunate mishaps (like sitting on nachos) — she was funny, but definitely not leading lady material. And she knows that Jack’s memories of her — if he remembers her at all — are achingly embarrassing.

Jane is furious at Dan for torpedoing her shot at getting her film made, but it turns out he might be able to provide access to Jack — he’ll be playing at a music festival in Dan’s hometown, and Dan’s brother is working on tech for the show. If Jane goes to Long Island with Dan, they may be able to get to Jack, and maybe, just maybe, she can convince him to do the song after all.

There’s so much more going on than simply chasing down a celebrity: Jane’s fake-it-till-you-make-it approach to life is based on deep hurt and shame stemming back to her teen years. She’s convinced that her real self isn’t actually lovable, and has constructed elaborate steps and rules for dating, covering everything from how to dress per date to how much to laugh and how much to talk about her career.

But being around Dan opens something up in Jane. He’s very real — part of a big, boisterous family that loves him, but he’s never quite fit the mold of the Finnegan brothers, and has always gone his own way in search of his own truth. He sees Jane in a way no one else has, and as they spend time together, Jane starts to unwind some of the tight cords she’s wound around herself to rein in her true personality and be what she thinks the world wants of her.

Jane is a polished professional who hides under her desk to corral her pre-meeting fears and eats candy in her closet when she’s stressed. After the traumas of her teens, she doesn’t trust her own emotions.

My heart is treacherous and historically wrong about everything, it is the weakest muscle in my body, but Dan and his family and our script are conspiring to whisper it back to life like it’s an ember worth restoking.

It’s beautiful to see her transformation. It’s not a love-fixes-everything situation — instead, it’s Jane finding acceptance and seeing different ways of appreciating people and letting them appreciate her. It’s putting on a silly swimsuit and not caring, because no one is mocking her or judging her; instead she gets to enjoy a sunny day and play at the beach. It’s coming to understand what Dan’s mother, celebrating her 40th wedding anniversary, means when she says “love happens over breakfast”. At dinner, there are candles and wine and fancy clothes…

But at breakfast everything’s just as it is, in the light of day. No one wears lipstick to breakfast. And this is where you talk about your day and the part of the roof that might leak this fall. You bring your real self to breakfast.

Jane and Dan end up in a gorgeous romance, but it’s only possible when Jane starts to welcome her real self. She has plenty to unravel and hard truths and secrets from her childhood to confront — and as she does so, she finally has to admit that she might be someone who can be loved after all.

I don’t think I’m actually capturing the magic of It’s a Love Story — so I’ll just say that this book really has it all. The characters are well-developed and feel like real people. They speak and act like adults, and deal with actual, complex histories and families and relationships. The Hollywood career element is fun, but the book doesn’t focus on celebrities — it’s about creativity and joy and finding truth amidst all the bang and flash of an industry focused on blockbusters.

On top of all this, the writing and dialogue and pacing of It’s a Love Story is spot-on. I simply couldn’t put it down, and read it all within a span of 24 hours.

It’s a Love Story is a wonderful, 5-star read. It’s full of heart — and while, yes, there are some romance tropes at play (enemies-to-lovers, forced proximity, forced to share a room, grand gesture), they’re so well done that they feel like natural parts of the story. A perfect book to slip into your beach bag this summer. Don’t miss it!

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Interested in more books by Annabel Monaghan? Check out my reviews:
Nora Goes Off Script
Same Time Next Summer.
Summer Romance

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Audiobook Review: Any Trope But You by Victoria Lavine

Title: Any Trope but You
Author: Victoria Lavine
Narrators: Tim Paige, Jesse Vilinsky
Publisher: Atria
Publication date: April 1, 2025
Print length: 336 pages
Audio length: 11 hours 17 minutes
Genre: Contemporary romance
Source: Library
Rating:

Rating: 2.5 out of 5.

A bestselling romance author flees to Alaska to reinvent herself and write her first murder mystery, but the rugged resort proprietor soon has her fearing she’s living in a rom-com plot instead in this earnestly spectacular debut by a stunning new voice.

Beloved romance author Margot Bradley has a dark secret: she doesn’t believe in Happily Ever Afters. Not for herself, not for her readers, and not even for her characters, for whom she secretly writes alternate endings that swap weddings and babies for divorce papers and the occasional slashed tire. When her Happily Never After document is hacked and released to the public, she finds herself canceled by her readers and dropped by her publisher.

Desperate to find a way to continue supporting her chronically ill sister, Savannah, Margot decides to trade meet-cutes for murder. The fictional kind. Probably. But when Savannah books Margot a six-week stay in a remote Alaskan resort to pen her first murder mystery, Margot finds herself running from a moose and leaping into the arms of the handsome proprietor, making her fear she’s just landed in a romance novel instead.

The last thing Dr. Forrest Wakefield ever expected was to leave his dream job as a cancer researcher to become a glorified bellhop. What he’s really doing at his family’s resort is caring for his stubborn, ailing father, and his puzzle-loving mind is slowly freezing over—until Margot shows up. But Forrest doesn’t have any room in his life for another person he could lose, especially one with a checkout date.

As long snowy nights and one unlikely trope after another draw Margot and Forrest together, they’ll each have to learn to overcome their fears and set their aside assumptions before Margot leaves—or risk becoming a Happily Never After story themselves.

I suppose I should have read the blurb more carefully before deciding that this book looked like fun. Earnestly spectacular?? — I’m not sure what that’s supposed to mean… but I don’t think that’s what I got.

In Any Trope But You, Margot Bradley, age 31, is a bestselling author of six wildly popular romance novels. Secretly, though, she’s stopped believing in love after one too many heartbreaks. She keeps a hidden file of Happily Never Afters — alternate endings to her novels, where instead of getting their HEAs, the characters get divorce, unhappiness and even (gasp!) erectile dysfunction.

When Margot is hacked and her HNA document is made public during a Zoom book event, her fans are outraged and demand that she be cancelled. She’s an instant pariah in the romance world, and her publisher drops her. She’s in desperate need of a reset.

Margot lives with her younger sister Savannah, who has a chronic autoimmune disease. Margot’s life revolves around caring for Savannah and keeping her healthy, and she’s aghast when Savannah informs her that she’s booked her into a six-week stay at a remote Alaskan wilderness lodge. How can Margot even think of leaving her sister for that long? But Savannah insists, and finally, Margot agrees that this will be a great way for her to get away and reinvent herself, dreaming up a murder mystery set in Alaska with absolutely no romance.

Things begin to go sideways for Margot as soon as she arrives at Northstar Lodge when, frightened at the sight of a moose, she literally jumps into the arms of the (gorgeous) flannel-shirted man who just happens to be standing there chopping wood. Her savior is Forrest, the son of the lodge’s proprietor, who (unbeknownst to Margot) is actually a top-tier cancer researcher who’s walked away from his career to take care of his injured father and keep the family business afloat.

Of course, there’s instant chemistry… which neither of them wants. Margot has sworn off romantic entanglements, and is horrified to realize how many tropes she’s apparently fallen into: Rugged wilderness man, heart of gold beneath grumpy exterior, secretly a doctor, excellent cook, beloved by animals… there’s even a mountain rescue in which he has to carry her down a mountain, and later, the old “let me save you from hypothermia through the warmth of my naked body”.

Meanwhile, Forrest (and the lodge) were badly burned (not literally! — no actual arson involved) after he had a fling with a guest years earlier, who then trashed him (and the lodge) through her viral reviews, resulting in serious damage to the lodge’s business and reputation. It’s taken years to bounce back, and Forrest has a “no guests” policy now that means that Margot is off-limits, no matter how attracted he is to her.

Any Trope But You has a potentially cute set-up (and I’m always a sucker for a good wilderness romance), but the writing and the story itself go downhill as the book progresses.

There’s just so much that doesn’t make sense. I never for a second believed that Margot could be a bestselling author, and her attempts at writing while at the lodge seem feeble at best. Her getting cancelled felt unrealistic, and where was any attempt at damage control? Surely, she and her publicist and the publisher’s marketing team could have launched an effective effort to explain the HNA document — I mean, she was hacked! Where’s the outrage? Instead, it was straight to cancellation plus loss of her publishing contract. Where are her lawyers?

Forrest’s decision to drop everything for his father is also unrealistic. He’s upset that he wasn’t by his mother’s side when she died of breast cancer years earlier… so he walks away from his groundbreaking breast cancer research to move to Alaska, run the lodge, and take care of his dad’s meds and physical therapy — rather than, I don’t know, hiring a nurse and flying up for visits?

And later, when we actually see the former guest’s review that supposedly nearly ruined the lodge… it feels like a big fat nothing. So one person wrote a bad review? So what? She makes it clear in the review that she slept with the proprietor, that he wasn’t interested in a relationship, and that therefore she’s pissed and wants to destroy him. It’s just so bizarre… almost as bizarre as Margot losing all trust in Forrest after reading the review. What a lame 3rd act breakup device.

Still, I was mostly going along with the story as something to pass the time, strictly a 3-star, sort of okay listen… but then we get to the sex scenes. And oh my heavens, they are awful. Not just open door, but full-on close-up views of every single thing that happens between them… and the scenes just go on and on and on. Maybe it’s not as awful in print, but listening to the audiobook, these scenes are excruciating, both in terms of their length and the writing itself, which I could not stand.

Here’s one of the tamer examples I could find:

She huffs a breath as she centers herself on what feels like the business end of a baseball bat in my pants, and I can’t stop the rusty sound she pulls from me when our lips catch for the first time. It’s just a graze, but the tease of her mint ChapStick may as well be a narcotic.

Granted, if you like your romances with lots of spice (and awkward metaphors), then this book might work for you. But for me, closed door or from-a-distance scenes with just enough to give a sense of the chemistry are really all that’s needed… and if it’s got to be more graphic, then at least try to avoid mentioning baseball bats!

Beyond all that, there are some basic premise aspects that are really irritating. Margot and Forrest both seem to need to swoop in and save their family members… whether or not they want it. They both assume they know what’s best for their ill or injured loved ones, disregard when they’re told otherwise, and are totally committed to giving up their own lives to be caretakers, without ever consulting the people they’re caring for to see what they really want. So, maybe Margot and Forrest really are perfect for one another?

Except even once they’re together, they can only envision having a relationship once Margot leaves the lodge if Forrest goes back to his medical work and leaves Alaska — so when his father has a setback, it means that he cant leave after all, so clearly they need to break up. Ummm, she’s a bestselling author and he’s a doctor — they can afford flights! Long distance is a thing!

I could go on and on… but I’ll stop. Clearly, this book was not the cute, fluffy escape I thought it would be.

Someone asked me why I didn’t just stop if the book was bugging me so much. Good question! I’d invested enough listening hours already that I wanted to see it through… and see if just possibly I’d feel differently about it by the end. (I didn’t.)

Points for a great setting and a few cute scenes here and there… but overall, I stopped enjoying this book well before the end, and just powered through to get it done.

Your mileage may vary. But for me, I’m mostly just glad that I’m done.

Book Review: Death at a Highland Wedding (A Rip Through Time, #4) by Kelley Armstrong

Title: Death at a Highland Wedding
Series: A Rip Through Time, #4
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 20, 2025
Length: 336 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 4.5 out of 5.

Death at a Highland Wedding is the fourth installment in New York Times bestselling author Kelley Armstrong’s gripping Rip Through Time Novels.

After slipping 150 years into the past, modern-day homicide detective Mallory Atkinson has embraced her new life in Victorian Scotland as housemaid Catriona Mitchel. Although it isn’t what she expected, she’s developed real, meaningful relationships with the people around her and has come to love her role as assistant to undertaker Dr. Duncan Gray and Detective Hugh McCreadie.

Mallory, Gray, and McCreadie are on their way to the Scottish Highlands for McCreadie’s younger sister’s wedding. The McCreadies and the groom’s family, the Cranstons, have a complicated history which has made the weekend quite uncomfortable. But the Cranston estate is beautiful so Gray and Mallory decide to escape the stifling company and set off to explore the castle and surrounding wilderness. They discover that the groom, Archie Cranston, a slightly pompous and prickly man, has set up deadly traps in the woods for the endangered Scottish wildcats, and they soon come across a cat who’s been caught and severely injured. Oddly, Mallory notices the cat’s injuries don’t match up with the intricacies of the trap. These strange irregularities, combined with the secretive and erratic behavior of the groom, put Mallory and Duncan on edge. And then when one of the guests is murdered, they must work fast to uncover the murderer before another life is lost.

New York Times bestselling author Kelley Armstrong’s unique time travel mystery series continues to entertain as Mallory adjusts to life in the 1870s.

How to talk about the 4th book in a series? I’m tempted to simply say: Read this. It’s good! But no, I’ll attempt to explain why its so good, and why this is a must-read series.

Death at a Highland Wedding is the 4th full-length novel in Kelley Armstrong’s excellent A Rip Through Time series. (There are also a few novellas that serve as little side treats in between the main books).

In this series, Mallory Atkinson, 21st century homicide detective, accidentally crosses through a time anomaly and finds herself in Victorian Era Edinburgh, inhabiting the body of a beautiful but deceitful young housemaid. Four books into the series, the housemaid’s employer has accepted the weird-but-true fact that the person who looks like his maid is actually a highly trained, highly independent detective from 150 years in the future. Mallory has been “promoted” to assistant to her employer, Duncan Grey, an undertaker, trained physician, and lover of science and scientific inquiry. Because Duncan assists his best friend Hugh McCreadie with police investigations, Mallory is able to be of service — and introduces them to all sorts of 21st century forensic procedures not even dreamed of in Victorian times.

As Death at a Highland Wedding opens, Mallory has been living in this time period for about a year, and the household, along with Hugh, is taking a vacation of sorts. An old friend of Duncan and Hugh’s is getting married at his Highlands estate, and this is an opportunity for Mallory to experience yet another aspect of her new life.

At the estate, however, things quickly go off the rails. First, there’s an unpleasant groundskeeper who sets wickedly dangerous traps all over the property. There’s also some tension amongst the party attending the wedding, as former lovers and friends and connections intertwine in uncomfortable ways. The entire wedding is on the verge of cancellation once a dead body is discovered — it’s the best man, killed while out at night wearing the groom’s coat. Who was the true intended victim, what was the motive, and who could have carried out the violent act?

Hugh, Duncan, and Mallory seem like the obvious team to solve the mystery, but the young, inexperienced local constable has jurisdiction, and doesn’t want outside interference. When he bungles the process — badly — our trio undertake their own investigation on the down-low, trying to solve the murder while not letting the constable know what they’re up to.

In a house full of potential suspects and plenty of motives, Mallory et al have almost too many trails to follow. There are red herrings galore, and plenty of scandals to unearth — and naturally, the closer they get to the truth, the more they themselves are in danger.

Ah, this book is such delicious fun! First, the mystery itself is surprisingly twisted. What at first seems like a classic country house murder mystery is revealed to be that, but dialed up to eleven. I loved the fact that my guesses continually turned out to be wrong! Every time I was sure I knew who was particularly shady or dishonest or underhanded, something else popped up to steer me in a different direction. It’s a treat to read a mystery and not see the big reveals coming.

Second, and for me, the absolute best, is the ongoing delight of seeing Mallory navigate her new world. In previous books, it seemed that she’d have an option to return to her own time, but here, she’s fully convinced that she’s where she needs to be. There’s a slow-burn romance with Duncan, which is complicated for many reasons, and they’re both thoughtful enough to avoid bad decisions or letting their emotions cloud their judgment.

Then there’s the fun of Mallory using her 21st century police tactics in this setting — for example, explaining how (and why) to cordon off a crime scene or doing a rudimentary version of taking fingerprints. Seeing the cultures collide and the sharing of tactics and knowledge keeps the storytelling funny in dark moments, and gives Mallory a chance to shine and be appreciated for who she is.

As you can see, I love this series! As I’ve said in all of my reviews so far, you really must start at the beginning! Yes, this one might work as a stand-alone if you’re only interested in the murder mystery itself, but I honestly don’t think the book as a whole would make a ton of sense. The series is just so good — so dive into book #1, and keep going!

Now that I’ve finished Death at a Highland Wedding, I’ll be eagerly awaiting the next installment in the series. Highly recommended!

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

For more in this series:
A Rip Through Time
The Poisoner’s Ring
Disturbing the Dead
Schemes & Scandals (novella)

Book Review: The Nightingale by Kristin Hannah

Title: The Nightingale
Author: Kristin Hannah
Publisher: St. Martin’s Press
Publication date: January 29, 2015
Length: 593 pages
Genre: Historical fiction
Source: Purchased
Rating:

Rating: 5 out of 5.

FRANCE, 1939

In the quiet village of Carriveau, Vianne Mauriac says goodbye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France…but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive.

Vianne’s sister, Isabelle, is a rebellious eighteen-year-old girl, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gäetan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can…completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.

With courage, grace and powerful insight, bestselling author Kristin Hannah captures the epic panorama of WWII and illuminates an intimate part of history seldom seen: the women’s war. The Nightingale tells the stories of two sisters, separated by years and experience, by ideals, passion and circumstance, each embarking on her own dangerous path toward survival, love, and freedom in German-occupied, war-torn France–a heartbreakingly beautiful novel that celebrates the resilience of the human spirit and the durability of women. It is a novel for everyone, a novel for a lifetime.

Author Kristin Hannah has written several powerful works of historical fiction over the past few years, all of which I’ve loved and felt transported by. Somehow I’d missed reading The Nightingale until now. Finally, ten years after its original publication, I’ve now made a point of reading this compelling story.

The Nightingale takes place in France during World War II, following the timeline of the Nazi occupation to show the lives of two sisters and their divergent experiences during the war.

Vianne and Isabelle are ten years apart in age and miles apart in terms of their relationship as the book opens. Vianne is a wife and mother living in Carriveau, a small country village. She’s blissfully in love with her husband Antoine, and takes joy in her eight-year-old daughter Sophie, a miracle child born after a string of miscarriages. Meanwhile, Isabelle is an impetuous and hot-headed teen, constantly in trouble, always either escaping from or getting kicked out of her latest boarding school.

As children, after their mother’s death, they were essentially abandoned by their grieving, alcoholic father. But Vianne, caught up in her own grief and then struggling with the loss of pregnancy after pregnancy, didn’t have space in heart to love her little sister. The bond between the two seemed irreparably broken.

When the Nazi occupation of France begins, the sisters’ lives change dramatically. Antoine is called to military service and Vianne is left alone to tend to their home and their daughter. Isabelle is sent to take shelter with Vianne, but she yearns for purpose and adventure, not life on a farm. When Isabelle connects with an underground network fighting to carry out secret operations against the Nazis, her life changes yet again. While Vianne believes Isabelle has run off for some ill-advised, irresponsible love affair, Isabelle is actually setting out on a course of heroism and sacrifice, risking her own life over and over again to fight for freedom and justice.

Without going too much more deeply into the plot, I’ll just summarize by saying that The Nightingale balances the sisters’ stories by showing each of their struggles, triumphs, and losses during the war. It’s a devastating look at an awful period, and while many of us have read stories of this time before, this book’s focus on women’s lives under Nazi occupation — and the sacrifices they make in order to not only survive, but to save others as well — conveys an intimacy and fresh perspective that stand out.

It was interesting for me to note how my own sympathies and interests change over the course of the book. Perhaps because we meet Vianne first, I assumed she was our main POV character. When Isabelle first appears, we largely see her through Vianne’s eyes — young, reckless, self-centered. It was easy to feel annoyed by her, and to feel that her impetuous decisions put Vianne’s family at risk. As the book progresses, however, Isabelle takes on a much larger role, sharing the spotlight and growing into the person she always wanted to be. Isabelle throws herself into danger repeatedly, but her devotion and bravery are real. While she and Vianne are sometimes adversaries — even with life and death consequences — we know enough about each woman to understand her action and motivations, even when they don’t actually understand one another.

Kristin Hannah has clearly done a huge amount of research for this book, which I understand represents a major turning point in her writing career — her pivot into historical fiction. It was fasacinating to read her notes at the end and to learn about some of the historical figures who served as inspiration for her, including Andrée de Jongh, a Belgian resistance fighter during WWII who is credited with saving hundreds of downed airmen and other Allied soldiers by smuggling them across the Pyrenees from France into Spain.

The Nightingale is beautifully written and powerfully told, depicting the absolute horrors that the characters lived through, but also showing the beauty of their love for each other, their families, and even the strangers they save. It’s not an easy read, but it’s important and has a deep impact that I know will last.

The Nightingale was originally published in 2015. Earlier this year, the publisher released a 10th anniversary special hardcover edition, which is lovely. The Nightingale is also available in paperback, e-book, and audiobook formats.

A look at the 10th anniversary edition of The Nightingale

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

For more by this author, check out my reviews:

I have not yet read any of Kristin Hannah’s earlier works. If you have recommendations, please let me know!

Book Review: All the Lonely People by Mike Gayle

Title: All the Lonely People
Author: Mike Gayle
Publisher: Grand Central Publishing
Publication date: November 1, 2023
Length: 385 pages
Genre: Contemporary fiction
Source: Library
Rating:

Rating: 4.5 out of 5.

If you loved A Man Called Ove, then prepare to be delighted as Jamaican immigrant Hubert rediscovers the world he’d turned his back on this “warm, funny” novel (Good Housekeeping).

In weekly phone calls to his daughter in Australia, widower Hubert Bird paints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it’s a lie. In reality, Hubert’s days are all the same, dragging on without him seeing a single soul.

Until he receives some good news—good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on. The news that his daughter is coming for a visit.

Now Hubert faces a seemingly impossible task: to make his real life resemble his fake life before the truth comes out.

Along the way Hubert stumbles across a second chance at love, renews a cherished friendship, and finds himself roped into an audacious community scheme that seeks to end loneliness once and for all . . .

Life is certainly beginning to happen to Hubert Bird. But with the origin of his earlier isolation always lurking in the shadows, will he ever get to live the life he’s pretended to have for so long?

All the Lonely People by Mike Gayle came to my attention thanks to a blog post highlighting an upcoming short story by the same author — and I was interested enough to want to read the story (which was just released last week, and I haven’t gotten to yet) and to look into his other works. Several of his books sound great… and I’m so glad I decided to give All the Lonely People a try!

Hubert Bird is a widower in his 80s living alone with his cat Puss in the home he shared with his late wife for over fifty years. Hubert was born and raised in Jamaica, and immigrated to London as a young man in search of a job and better prospects. There, he found true love, which flourished despite the racism that he and his white wife faced, raised a family, and lived through life’s ups and downs.

But now, Hubert shuns company and chooses isolation, having driven off his remaining friends years earlier during a dark time in his life. His one source of brightness is his weekly phone call with his daughter Rose, a professor living in Australia. Each week, he tells Rose about his active social life, going into great detail about the antics he gets up to with his close friends Dottie, Dennis, and Harvey, and Rose delights in hearing about his social circle and their escapades. The problem is, none of it is true — it’s a fiction that Hubert has created so that Rose won’t worry about him. But when Rose announces that she’s coming for a visit in a few months, Hubert begins to panic. He’ll have to come clean to Rose about all his lies, but maybe that won’t be so bad if he can actually make some friends between now and her visit.

When a chatty young neighbor, a single mom with a cute 2-year-old, comes knocking on his door, it’s Hubert’s first bit of connection. From there, as he ventures out more often, he starts meeting others, including a young baker from Latvia, an older woman who loves gardening, and a few other random people from the neighborhood. Hubert’s life takes an even bigger turn when the group of friends decide to form a committee — the Campaign to End Loneliness in Bromley. Suddenly, Hubert is thrust into the limelight as the face of the campaign, and his lonely life has been replaced by an ever growing circle of friends and associates.

Past sorrows never truly go away though, and when Hubert faces a shock that makes him finally confront a loss that he’s never gotten over, he’s tempted to retreat back into his former isolation, where he might have been alone, but at least he could pretend that nothing mattered to him.

All the Lonely People is a lovely book full of a charming cast of characters, depicting a life well-lived. Hubert’s life wasn’t easy, but it was full of joy. He experienced great pain and loss, but also true love and friendship. The story is told through chapters that alternate between “now” — Hubert in his 80s, reconnecting with the world around him — and “then”, his journey from Jamaica, finding his way in London, and his life with Joyce and their children.

It’s a beautiful story about connection, caring about others, and finding meaning in life through the people we meet along the way. Hubert is a remarkable character, and it’s wonderful to see him forging new relationships and rekindling old friendships.

As Hubert says toward the end of the book:

Extraordinary things can happen to ordinary people like you and me, but only if we open ourselves up enough to let them.

I highly recommend All the Lonely People. The characters are memorable and easy to care about, and while Hubert thinks of himself as ordinary, his story is anything but.

I’m eager to read more by this talented author! Suggestions welcome!

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: Overgrowth by Mira Grant

Title: Overgrowth
Author: Mira Grant
Publisher: Tor Nightfire
Publication date: May 6, 2025
Length: 480 pages
Genre: Science fiction / horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Annihilation meets Day of the Triffids in this full-on body horror/alien invasion apocalypse.

This is just a story. It can’t hurt you anymore.

Since she was three years old, Anastasia Miller has been telling anyone who would listen that she’s an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has been willing to listen.

Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it’s already been warned, and it may be too late. The invasion is coming, Stasia’s biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child.

What happens when you know what’s coming, and just refuse to listen?

Mira Grant is the horror pen name for prolific author Seanan McGuire… and basically, I’ll read pretty much whatever she writes, under whichever name. With Mira Grant books, you can count on a certain ickiness (I mean, one of her series has to do with tapeworms!), but always with a strong foundation in character development and relationships.

Here, in Overgrowth, the aliens are coming… although many of their children are already here. Set about five years from now, we follow unfolding events through the eyes of main character Stasia (Anastasia) Miller, a customer service rep and self-described misanthrope who has fewer than a handful of friends, a boyfriend she loves very much, and a cat named Seymour.

Also, since the age of three, Stasia has been telling anyone who’s asked (and even those who haven’t) that she’s an alien, and that her people will be coming to bring her home. You can imagine the flurry of notes from teachers, progressing over time from praise for her precocious imagination to concern about how her insistence on these bizarre fantasies is leading to ostracism by her classmates.

Despite years of therapy as a child, and several managers telling me the joke has gotten old and I’d have an easier time getting promoted if I’d knock it off, I’ve never been able to swallow the urge to tell everyone I spend any extended period of time with that hey, by the way, I’m here because the invasion is coning, and people should probably know. It’s like a nervous tic. Hi, nice to meet you, my name’s Anastasia, I’m secretly an intelligent alien plant and one day everything you love will be devoured.

But as we readers know from the start, it’s not fantasy or imagination. At the age of three, little Anastasia wandered into the woods behind her home, and never came back. Instead, she was consumed and then replaced by an alien plant. The child who came out of the woods was not the child who went into them. But no one has ever actually believed her when she’s insisted on what she is.

We were the changelings of the science fiction age, and that made us both terrifying and untrue.

As the story unfolds, an astronomer releases a recording of a signal that’s definitely alien, causing a massive uproar and worldwide panic. Stasia and her boyfriend Graham decide to go investigate, because there’s something in that signal that seems to be triggering a change in Stasia. Events are set in motion that connect Stasia to others like her. As the invasion gets closer, the alien-humans start to physically change, and they’re targeted by secretive government agents for research and imprisonment. Meanwhile, Stasia has started being able to communicate with her people through a quasi-dream state, and realizes that hard choices are coming. Who does she side with? To whom does her loyalty belong? Can she be blamed for something that she had no control over? And if her friends stick with her, does that make them traitors to their own species?

Overgrowth is complex and multi-faceted, and there’s so much more going on than I can possibly describe. It’s a long book, and requires focus — but it’s absolutely worth the effort. I could not put it down, and could barely come up for air.

There are elements that puzzled me throughout, but the author sticks the landing and ties all the hints and loose plot point together by the end in a way that answers all of my nagging questions. The action is consistently well thought out, the characters are fascinating, and the story arc builds in ways that are unexpected, even as we know that the invasion is inevitable.

The author makes some interesting points about identity and acceptance. Stasia’s boyfriend is a trans man. Even having met him before he transitioned, Stasia immediately accepted his identity.

This could be the moment when I lost him. Because I had always believed him when he told me he was a man, and we had always pretended his belief in me was the same thing, but it wasn’t, was it? It wasn’t the same thing at all. Gender was a social construct and a part of the soul, and humans had always been capable of getting it wrong. I, though…

I was something alien and new, and while we had built a relationship on believing each other, our secrets weren’t the same at all.

Only Graham was still looking at me the way he always had, with love and sincere concern, like he believed I was a human being and deserved to be treasured like one. Or… maybe he’d never believed I was a human being. Maybe I’d been lucky enough to fall in love with one of the only people in the world who understood what it was to tell the truth about your identity, over and over again, until you found the few people who could believe in you.

Stasia’s transformation from weird human who says she’s an alien into a person who realizes that her truth has been more true than she ever knew is startling and evocative and powerful. As she becomes more and more “other”, she has to deal with a changing biology as well as complicated thoughts and feelings about family and survival.

This book is hard to slot neatly into a specific genre. The blurb refers to it as “body horror”, which doesn’t feel entirely accurate to me. I think of body horror as being much more extreme — mutilation, grotesque changes, lots of gore. Here, yes, Stasia’s body changes, but it’s more interesting than gross. There are violent moments with bloody/gory results, but overall, I’d categorize this book as much more heavily science fiction than horror.

However you might describe or shelve it, Overgrowth is fascinating. Stasia is an amazing main character, and I loved seeing her journey. The alien invasion is strange and different and scary, and the plotlines are tightly built and well described. This is a terrific read, and I recommend it highly for anyone who doesn’t mind the idea of creepy plants taking over the world.

Invasion of the Body Snatchers + Little Shop of Horrors. What could go wrong?

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

For more by this author, check out these outstanding books:

  • Newsflesh series (review) — zombies!
  • Rolling in the Deep (review) — killer mermaids!
  • Into the Drowning Deep (review) — even more killer mermaids!
  • Parasite (review) — those tapeworms I mentioned! (ewwwww….)

Book Review: The Love Haters by Katherine Center

Title: The Love Haters
Author: Katherine Center
Publisher: St. Martin’s Press
Publication date: May 20, 2025
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

It’s a thin line between love and love-hating.

Katie Vaughn has been burned by love in the past—now she may be lighting her career on fire. She has two choices: wait to get laid off from her job as a video producer or, at her coworker Cole’s request, take a career-making gig profiling Tom “Hutch” Hutcheson, a Coast Guard rescue swimmer in Key West.

The catch? Katie’s not exactly qualified. She can’t swim—but fakes it that she can.

Plus: Cole is Hutch’s brother. And they don’t get along. Next stop paradise!

But paradise is messier than it seems. As Katie gets entangled with Hutch (the most scientifically good looking man she has ever seen . . . but also a bit of a love hater), along with his colorful Aunt Rue and his rescue Great Dane, she gets trapped in a lie. Or two.

Swim lessons, helicopter flights, conga lines, drinking contests, hurricanes, and stolen kisses ensue—along with chances to tell the truth, to face old fears, and to be truly brave at last.

Katherine Center has become a must-read author for me. Her books include a wide variety of people and interesting or unusual situations, and it’s always a treat to see where she’ll end up taking us each time a new book is released.

In The Love Haters, Katie is a talented videographer who makes corporate videos for a living (think CEO interviews, brand introductions, etc) but whose passion is documentary filmmaking. She’s found a following on YouTube with her “Day in the Life” series, in which she spends 24 hours filming people going about their normal lives — except these are all people who’ve done something heroic. She blends their voice-over interviews exploring their moment of heroism with footage of daily life, creating a unique series of six-minute videos that are compelling and popular.

Not that that’s going to save her job, once layoffs loom.

But Katie’s company has been selected to shoot a promotional video for the Coast Guard — specifically, her supervisor Cole has been requested by the person the film will focus on, a rescue diver who certainly fits the hero profile Katie so loves to explore. Except… the rescue diver is Cole’s brother, and Cole absolutely refuses to do it. He cajoles Katie into going in his place: It’ll help save her job, and might even give her Day in the Life footage, if his brother Hutch agrees.

Cole describes Hutch as a “love hater” — someone stoic, upright, and with no sense of fun, let alone any sort of human emotion.

“He’s morally upstanding and physically unstoppable. He does two hundred push-ups a day. He can hold his breath underwater for thee minutes. He has never had a cavity. He’s more of a machine than a human. He just goes around all day doing good deeds.”

“So, he’s… too likable?”

“He’s the opposite of likable! He’s perfect.”

“Not sure those are opposites.”

But there’s history between the brothers that Cole doesn’t share with Katie, and as Katie soon learns, Hutch is not at all as Cole describes.

As Katie arrives in Key West, she’s warmly welcomed by Cole and Hutch’s Aunt Rue, a live-life-to-the-fullest sort of older woman who immediately coerces Katie into ditching her standard black jeans and tees and embracing the island, floral vibe. Katie faces another problem besides her dark clothing: Whoever makes this video will be going out on the rescue helicopter with the team, and being able to pass a water safety test is required. And Katie can’t swim.

Naturally, Hutch is there to save the day. He teaches Katie to swim, and patches her up after some unfortunate incidents with his very affectionate Great Dane (who seems to think he’s a lap puppy). Hutch and Katie are quite cute together, although Katie isn’t sure whether the vibes she thinks she’s picking up are actually there.

Meanwhile, Katie struggles throughout the book to overcome a devastatingly damaged sense of self-worth and complete lack of body positivity. After her then-boyfriend become insta-famous thanks to the viral success of a song he’d posted, Katie found herself accompanying him to red carpet events — and the internet was brutal to her. Between the trolls who savaged her appearance, and his then dumping her for a pop star (only to later regret it and continue releasing songs about her), her self-esteem is garbage. With the love and support of her cousin/best friend/sorta sister Beanie, she’s trying to get her mojo back… but it’s hard for Katie to imagine ever finding love again when she can’t find anything to love about herself.

There are plenty of interwoven story threads in The Love Haters. We have Hutch and Katie’s growing chemistry, Katie’s journey to reclaim herself and her body, Cole and Hutch’s relationship, and Katie’s professional life. Late in the book, Cole shows up on the scene in Key West spouting a pack of lies, theoretically to help both his and Katie’s careers, but his timing is terrible. Forcing Katie to go along with his lies damages the trust she’s been building with Hutch, and it’s questionable whether the damage can be repaired.

Without getting too deeply into spoilers, I do want to mention that this is the second book I’ve read in a month in which a houseboat getting lost at sea is a pivotal plot point. (See Swept Away by Beth O’Leary for the first). Just a weird coincidence, but it made me laugh.

Note to self: Stay off houseboats. Second note to self: If you must go on a houseboat, triple check that it’s securely tied to land.

The Love Haters is a sweet, often funny, charming love story, as well as a relatable tale about a woman working to reclaim belief in herself and her own beauty and value. I loved Katie and Beanie’s relationship, and Rue and her gang of Gals are a lovely, lively set of characters who instantly provide Katie with a place to feel wanted and accepted.

I was less thrilled with the plot elements involving Cole and the lies he tells (and forces Katie into) — none of that felt particularly necessary, and seemed like a stretch in terms of needing some sort of 3rd-act obstacle to derail Katie and Hutch’s love story.

Overall, though, The Love Haters is an entertaining, heart-warming book, and will make a great summer read. It does feel a little slight relative to some of Katherine Center’s other books — somehow, it feels like there’s not a lot of there there — but I still found plenty to enjoy.

Recommended for fans of the author as well as anyone looking for a nice beachy, summery escape.

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Interested in this author? Check out my reviews of other Katherine Center books:
The Bright Side of Disaster
Get Lucky
Happiness for Beginners
Hello Stranger
How to Walk Away
The Rom-Commers
Things You Save in a Fire
What You Wish For

Book Review: Vanishing World by Sayaka Murata

Title: Vanishing World
Author: Sayaka Murata
Publisher: Grove Press
Publication date: April 15, 2025
Length: 240 pages
Genre: Contemporary fiction / science fiction
Source: Library
Rating:

Rating: 2 out of 5.

From the author of the bestselling literary sensations Convenience Store Woman and Earthlings comes a surprising and highly imaginative story set in a version of Japan where sex between married couples has vanished and all children are born by artificial insemination.

Sayaka Murata has proven herself to be one of the most exciting chroniclers of the strangeness of society, x-raying our contemporary world to bizarre and troubling effect. Her depictions of a happily unmarried retail worker in Convenience Store Woman and a young woman convinced she is an alien in Earthlings have endeared her to millions of readers worldwide. Vanishing World takes Murata’s universe to a bold new level, imagining an alternative Japan where attitudes to sex and procreation are wildly different to our own.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable. As an adult in an appropriately sexless marriage—sex between married couples is now considered as taboo as incest—Amane and her husband Saku decide to go and live in a mysterious new town called Experiment City or Paradise-Eden, where all children are raised communally, and every person is considered a Mother to all children. Men are beginning to become pregnant using artificial wombs that sit outside of their bodies like balloons, and children are nameless, called only “Kodomo-chan.” Is this the new world that will purify Amane of her strangeness once and for all?

What did I just read?

Vanishing World falls squarely into the WTF category for me. If there was a point to this work of speculative fiction, then it sailed right over my head.

In Vanishing World, all conception is done via artifical insemination. Copulation is something from history — kind of gross, and why would anyone want to do it? Love is emotional, and can be for real people or people from the “other world” — anime or manga characters, for example, although protagonist Amane objects to calling them “characters”. They’re all her lovers, whether she interacts with them in person or through her feelings about them when she looks at their images.

When a man and woman are ready for children, they marry in order to form a family. Because a husband and wife are family members, sexual contact between them is considered incest, and is simply unimagineable.

As Amane becomes more and more convinced of the need to remove sexual urges and impurities from her life, she and her husband eventually move to Experiment City, where all adults are Mother to all children, women and men can both become pregnant thanks to external wombs, and the children are more or less indistinguishable from one another.

This has to be one of the weirdest books I’ve read in a long time. I honestly don’t know what to make of it — so rather than blather on, I’ll just share a few lines and passages to give a taste of what this book is like:

Copulation was the norm before the war, but when adult men were sent off to fight, research into artificial insemination progressed rapidly in order to produce lots of children for the war effort. People stopped going to all the bother of copulating like animals. We’re a more advanced creature now.

“Sensei, have you ever imagined a world that is parallel to this one? Everyone would still be copulating if there hadn’t been so much progress in artificial insemination, wouldn’t they?”

“Hmm, probably only reluctantly, though. After all, if that was the only way to procreate, then people would have no choice but to resort to primitive copulation. But still, there’s no point imagining that. The human race has advanced.”

His parents gave him a good grilling as he sat hanging his head. “That’s the sort of thing people only do outside the home. I can’t believe you tried to have sex with your wife!”

Still holding hands, we went downstairs to Mizuto’s apartment and sat on the sofa bed in the living room. “Do we have to make any preparations, like with some tools or something?” “No, it’s okay. All we need are our sexual organs.”

I hoped my husband’s love affair would go well too. He was like a little sister I had to keep an eye on.

Recent research has shown that children raised to feel loved by the whole world are more intelligent and more emotionally stable than those brought up under the former family system. Please be present to shower affection on children and thus continue the life of humankind. Please make sure to love all of the children as their Mother. Please make sure to shower affection continually!

Normality is the creepiest madness there is. This was all insane, yet it was so right.

Fortunately, this book was on the shorter side, so even when I felt that the story wasn’t what I’d signed up for, it was a quick enough read that I decided to see it through to the end.

Oh, and that ending! It’s icky. A quick scan of Goodreads and Storygraph reviews shows that even for people who appreciated this book a lot more than I did, the ending freaked them out. (I’ll admit that by the time I got there, I was so ready to be done that I just read it, thought “ewwwwww”, and then closed the book.)

Vanishing World was originally published in Japan in 2015, and has just been released in English translation this month. I previously read Convenience Store Woman by the same author, and I’m pretty sure I liked it, although I couldn’t tell you a thing about it at this point.

As I said as the start of this rambling post, if there was a deeper meaning to Vanishing World… well, I missed it. This was a truly bizarre reading experience that just got odder and odder as it went along. I don’t know what the overall message was supposed to be, and I’m sorry to say that I was mainly left wondering why I stuck with it.

Audiobook Review: Say You’ll Remember Me by Abby Jimenez

Title: Say You’ll Remember Me
Author: Abby Jimenez
Narrators:  Christine Lakin & Matt Lanter
Publisher: Forever
Publication date: April 1, 2025
Print length: 416 pages
Audio length: 9 hours 59 minutes
Genre: Contemporary romance
Source: Library
Rating:

Rating: 3 out of 5.

There might be no such a thing as a perfect guy, but Xavier Rush comes disastrously close. A gorgeous veterinarian giving Greek god vibes—all while cuddling a tiny kitten? Immediately yes. That is until Xavier opens his mouth and proves that even sculpted gods can say the absolute wrong thing. Like, really wrong. Of course, there’s nothing Samantha loves more than proving an asshole wrong…

. . . unless, of course, he can admit he made a mistake. But after one incredible and seemingly endless date—possibly the best in living history—Samantha is forced to admit the truth, that her family is in crisis and any kind of relationship would be impossible. Samantha begs Xavier to forget her. To remember their night together as a perfect moment, as crushing as that may be.

Only no amount of distance or time is nearly enough to forget that something between them. And the only thing better than one single perfect memory is to make a life—and even a love—worth remembering.

In what I’ve come to think of as signature Abby Jimenez, Say You’ll Remember Me presents two people who are perfectly, devastatingly in love… but who have family challenges and childhood traumas presenting seemingly insurmountable obstacles to their HEA.

But, as is also signature Abby Jimenez… there is obviously going to be a Happily Ever After, no matter how unlikely, so we can breathe easy as we follow along.

In Say You’ll Remember Me, Samantha and Xavier have a not-so-cute meet-cute, during which she shows up at his veterinary clinic with a sickly kitten (awwww, cute!!) and he rudely (not cute!) tells her that the kitten can’t be saved and should be given a merciful death to avoid suffering. She tells him he’s an ass, and motivated to prove him wrong, raises enough money through a GoFundMe campaign to pay for the kitty’s lifesaving surgery. Xavier, not actually being an ass, not only donates to the campaign, but reaches out to own up to being wrong.

Both Samantha and Xavier felt a spark at their initial meeting, despite the hostility bouncing around the room, and eventually, he asks her out on a date. She agrees, although she can’t stay out late because she has an early flight the next morning. They have a fantastic time, until they get stuck in an escape room (which, for the record, they solved — but they got stuck anyway), and are forced to wait until morning to be let out. During their one verrrrry long date, they open up and connect, and realize they have something special.

Except… what Samantha hadn’t told Xavier earlier was the reason for her flight the next day. She’s leaving Minnesota permanently and moving back to California to care for her mother, who’s experiencing intensifying early-onset dementia. Samantha’s ticket is one-way; no matter how great their date was, she won’t be back, and there’s no point in pursuing anything further. She tells Xavier to forget her — there’s no future for the two of them.

But he can’t, no matter how he tries. They each suffer through weeks of silence before reconnecting, and realizing that no matter how crazy it might be, they want to be together, in whatever way they can. Between Samantha’s family obligations and Xavier’s business (he’s deeply in debt from the loans he took out to open his practice), all they can have is fleeting weekends, whenever one or the other can afford to buy plane tickets. It’s not sustainable, but they also can’t give it up.

Layered beneath and around the love story are the emotional challenges and traumas each has to deal with. For Samantha, it’s seeing her beloved, vibrant mother fade to gray. Despite the entire family — her father, grandmother, and siblings — banding together to care for her mother so she can remain in her home, as they promised her when she was first diagnosed, caring for her is much more demanding than any of them anticipated. The emotional distress of witnessing her mother’s decline is matched by the physical toll of her increasing needs. The family is barely hanging on.

For Xavier, it’s the need to be strong and successful, to prove to his negligent, abusive parents that he’s made it without them. After cutting ties more than a decade earlier, he still feels an intense need to show that they were wrong, that he’s not stupid or worthless, that he was good enough to make something of himself. Part of that, for Xavier, is not letting his practice fail. He’s love to sell it and move to California to be with Samantha — but that would mean losing his investment, not being able to pay off his loans, and most likely declaring bankruptcy. His long-held childhood traumas won’t let him give his parents the satisfaction, no matter how much he and Samantha are suffering from not being together.

That’s the plot in a nutshell. Obviously, there’s quite a bit of nuance, but the overarching theme of Say You’ll Remember Me is: Long distance relationships are haaaaarrrrrrd.

This is not exactly a revelation, and I couldn’t help shrugging my shoulders a bit and feeling like Samantha and Xavier could do with a bit less whining. Yes, they’re both dealing with a lot — but they’re not the first couple in the world to be kept apart by circumstances outside their control. I got a little tired of hearing them describe their relationship as if it were the most special love story ever. I liked them together, and I liked them as people — but they come across as both unrealistic and too couple-centered to be utterly sympathetic.

Especially when Xavier says things like:

I think there are two types of people you fall in love with. The ones who are a good fit. Their lifestyle matches yours, you share the same values and beliefs, you find them attractive and you like spending time with them. It’s good. Great even. You can live your whole life with this person and be madly in love and never want anything different… unless you’ve already met the other type of person you fall in love with.

The One.

The person who was made just for you. And you only ever get the one.

Samantha was my one.

Something about that just got on every one of my nerves. Because the way he describes the first type makes it sound pretty perfect — that’s an ideal relationship! And yet, he’s holding up this ideal of the “the one” as if it’s something holy and destined and somehow above and beyond all other types of relationships. And just, no. Much too self-centered and sanctimonious for me, thank you very much.

There’s a bit of wording weirdness too. Samantha thinks of Xavier as giving her a “contemplative” look… like, a thousand times in the book. And eventually, they even talk about it between themselves, but it’s very overdone — or at least, via audiobook, it jumps out as being very overused.

Samantha and Xavier also discuss wanting to lead “parallel” lives:

“You can’t fake that kind of thing,” she said, softly. “It’s the result of a parallel life. A shared collection of experiences, like a snowball rolling downhill, getting bigger as it goes. And then you get to a point where you’re so far in, you can never replace that person. Not really. No one else can ever be the same kind of witness because you’ve through so much. It really is a once in a lifetime thing.”

First, I don’t think a snowball rolling down hill is a particularly positive metaphor for a relationship. And second, every time they talk about wanting to have a parallel life, I couldn’t help wondering if they understand what parallel means — side by side but never touching. I don’t think that’s what they actually want.

Criticism aside… there’s still plenty to enjoy about Say You’ll Remember Me. Quippy banter, humor in even dire situations, lots of silliness, and oodles of very cute animals (none of whom die or are ever at risk, so don’t worry!).

The audiobook narration is well done, with different narrators for Samantha and Xavier, each getting separate chapters. One thing I really liked is that they do their own characters in dialogue — so even if it’s an Xavier chapter, the Samantha narrator still does Samantha’s lines. (This isn’t always the case in audiobooks, and it can be jarring to switch deliveries for the same character from chapter to chapter).

By this point, Abby Jimenez has legions of fans, and I’m sure most will love Say You’ll Remember Me. I didn’t hate it — but I can’t say it was more than an okay story for me. Maybe it’s just how much Samantha and Xavier come across as special snowflakes… but I found myself running out of patience (and therefore sympathy) for their dramatics.

Still, I’ll be back for whatever this author writes next, whether a stand-alone or another story set in this world. Abby Jimenez writes stories with punch, humor, and emotion, and even when I think they’re only okay, they still hold my attention from start to finish.

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Audiobook Review: Swept Away by Beth O’Leary

Title: Swept Away
Author: Beth O’Leary
Narrator:  Connor Swindells, Rebekah Hinds
Publisher: Berkley
Publication date: April 1, 2025
Print length: 384 pages
Audio length: 9 hours 53 minutes
Genre: Contemporary romance
Source: Audible (eARC via NetGalley)
Rating:

Rating: 4 out of 5.

Two strangers find themselves stranded at sea together in this epic new love story by bestselling author Beth O’Leary.

What if you were lost at sea…with your one-night stand?

Zeke and Lexi thought it would just be a night of fun. They had no intentions of seeing each other again. Zeke is only in town for the weekend to buy back his late father’s houseboat. Lexi has no time for dating when she needs to help take care of her best friend’s daughter.

Going back home with a stranger seems like a perfect escape from their problems. But a miscommunication in the dark, foggy night means no one tied the houseboat to the dock. The next morning, Zeke and Lexi realize all they can see is miles and miles of water.

With just a few provisions on the idle boat, Zeke and Lexi must figure out how to get back home. But aside from their survival, they’re facing another challenge. Because when you’re stuck together for days on end, it gives you a lot of time to get to know someone—and to fall in love with them.

Beth O’Leary’s books have become must-reads for me. I love the way she blends engaging, unusual love stories with unexpected real-life situations and complications.

Swept Away offers all this… and in terms of unexpected situations, this one is off the charts. (Sorry, my feeble attempt at nautical humor…)

Lexi works at the local pub in Gilmouth, a small town on the northeast coast of England. She lives with her best friend/practically sister Penny and Penny’s four-year-old Mae, whom Lexi has helped raised since she was born. After a big fight with Penny, Lexi finds herself moping over a drink at the pub when her eye is caught by a gorgeous stranger. Zeke is charming and attentive, and he’s just in Gilmouth for one night. Sparks immediately fly. After a few more drinks, they head back to Zeke’s houseboat, both very clear that all they’re looking for is one great night. Which they have.

Things take a decidedly uncomfortable turn the next morning due to confusion about whose boat it actually is and which of them should leave… which all becomes moot when they head out on deck and see nothing but water in every direction. Due to a misunderstanding (plus fog plus drinks), each thought the other had made sure the boat was tied up properly, and neither actually did.

So what do you do when you can’t escape your one-night stand? The boat has no power, and because Zeke only bought it the day before, it has limited provisions. They expect to be rescued right away, but have no way to signal for help, and no ability to steer or navigate. All they can do is float, repair the things that break, and try to survive on what they have.

The longer they’re at sea, the more they open up. With nothing to do but wait, they talk and get to know one another in a way they hadn’t on their night together — and they agree early on to take sex out of the equation, so talking and sharing is really all they have. At first, they’re hesitant, but especially after a dangerous injury (no spoilers!), they’re forced into an intimacy they hadn’t expected. If they’re going to survive, they need each other, and with each passing day, their connection deepens and strengthens.

I won’t go too deeply into spoilers or divulge the major events of their ordeal or how it ends… although I think you can safely assume, even without me saying so, that given the cover and the marketing blurbs, this is not going to be a tragedy.

There’s a lot to love about Swept Away. It’s such an odd, offbeat setup. Lexi and Zeke’s struggle to stay alive and hold on to hope seems doomed at times, especially once the boat starts to break down bit by bit. And yet, their honesty with one another, their explorations of their pasts and their family tangles and secrets add a poignancy to each day, despite the stress of their dwindling supplies and options. As they come to care for one another more deeply, they each become committed to taking care of the other, and there are some sweet, more light-hearted moments as they find ways to bring joy into their otherwise bleak situation.

On the other hand, there are times when Swept Away feels tonally odd. There are plenty of typical romance beats along the way, and mixing these with a survival story can feel jarring. The more days they spend at sea, the more the dangers pile up — and the more out of place some of these cute romantic exchanges can feel.

Still, my occasional skepticism was overridden by the mounting tension as the stakes got higher and higher. I absolutely had to know what would happen! There’s even a Titanic-esque moment (even though this boat is so much tinier!) where I felt all sorts of dramatic feelings… but as I said, it was a safe bet all along that they’d get rescued, so mostly, it was a question of when and how, and in what condition Lexi and Zeke would be when they finally do get saved.

Now, is it realistic that a houseboat that hadn’t left a dock in years, and was designed for gentle river or canal floats, could actually survive the North Sea? Who knows! I doubt it, but it’s something we just have to go with in order to enjoy the story.

I did have a couple of quibbles with loose ends at the end of the book. We never do find out exactly where they were when they were rescued or how far they’d traveled… and I want to know! Also, there is one particularly scary injury that happens during their journey — we know they’re both fine in the end, but I wanted to know more about this in the immediate aftermath, and didn’t feel like I got closure on this particular element.

In general, though, I really enjoyed Swept Away. This isn’t a surprise — Beth O’Leary is a terrific writer who spins engaging tales about people we can’t help but care about. The survival tale provides captivating moments and a highly unusual story arc for a romance, and because Lexi and Zeke are both such layered, well-drawn characters, there’s not a moment where we don’t feel invested in both their well-being and their happiness.

The audiobook narration by Connor Swindells and Rebekah Hinds flows beautifully. The alternating chapters from Zeke and Lexi’s perspectives work very well as a whole, and the narrators bring out their characters’ personalities through their delivery. The funny bits really work, and the emotional moments are well done too.

Fans of Beth O’Leary will not be disappointed, and Swept Away is also a great introduction for those new to this author. Either way, if you’re looking for a book with high stakes, a love story to root for, and a plot to keep you hooked, don’t miss Swept Away!

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For more by Beth O’Leary:
The Road Trip
The Flatshare
The Switch
The No-Show
The Wake-Up Call