Book Review: A Spool of Blue Thread by Anne Tyler

Spool of Blue ThreadSynopsis:

(via Goodreads)

A freshly observed, joyful and wrenching, funny and true new novel from Anne Tyler

“It was a beautiful, breezy, yellow-and-green afternoon.” This is how Abby Whitshank always begins the story of how she fell in love with Red that day in July 1959. The Whitshanks are one of those families that radiate togetherness: an indefinable, enviable kind of specialness. But they are also like all families, in that the stories they tell themselves reveal only part of the picture. Abby and Red and their four grown children have accumulated not only tender moments, laughter, and celebrations, but also jealousies, disappointments, and carefully guarded secrets. from Red’s father and mother, newly-arrived in Baltimore in the 1920s, to Abby and Red’s grandchildren carrying the family legacy boisterously into the twenty-first century, here are four generations of Whitshanks, their lives unfolding in and around the sprawling, lovingly worn Baltimore house that has always been their anchor.

Brimming with all the insight, humour, and generosity of spirit that are the hallmarks of Anne Tyler’s work, A Spool of Blue Thread tells a poignant yet unsentimental story in praise of family in all its emotional complexity. It is a novel to cherish.

My thoughts:

It’s been years since I’ve last read an Anne Tyler novel — and picking up A Spool of Blue Thread is like cozying up with a comfy old blanket and curling up in a favorite chair. It’s homey and warm and familiar, but the familiarity doesn’t take away at all from the sheer pleasure of spending time with it.

In A Spool of Blue Thread, we meet the Whitshanks, a big, sprawling family whose lives seem centered around their beautiful family home with the big front porch, the home that’s been in the family for three generations and was in fact built by the first of the Whitshanks to live in it. The first characters introduced are Abby and Red, a married couple in their seventies who’ve raised four children, have a good, well-worn marriage, and seem to enjoy their lives.

Their children and grandchildren are a source of non-stop discussion and worry, particularly Denny, the black sheep of the family who can always be depended upon to be undependable. Denny disappears for months or years at a time, only to show up or call with an odd or worrying or unexpected announcement that throws the family into a tizzy.

As Abby and Red age, their children become increasingly worried about their ability to live on their own in their big house, and so various children and their children move in to provide care, manage things, and try to sort out the little rivalries and resentments that have built up over the years.

As the story unfolds, early hints about family history are unpacked for the reader. The family may never know much about Junior and Linnie Mae, the original Whitshanks to live in the family home, but late in the book, we finally get their story, and it’s not what it seemed. Likewise, when we finally hear Abby’s version of how she and Red met, it’s surprising and touching all at once.

A Spool of Blue Thread is a quintessential character-driven book. There’s not much plot to speak of — no big drama or mystery or climax. Instead, it’s a study of family and individuals, their desires and frustrations and misunderstandings and dynamics. It’s lovely to see a family unfold to reveal its heart and soul. The Whitshanks have had their share of disappointments and tensions, but they’re still there, together, figuring things out. Beyond a profile of a family, it’s also a moving depiction of the worries of aging parents, from both the parents’ viewpoint as well as the adult children who have to balance their own lives with the complications required by figuring out how to help parents who may or may not be able to function on their own any longer.

As I mentioned, it’s been quite a while since I’ve read anything by this author, although there was a time when I read all of her new books as soon as they came out. I think I’d reached my saturation point somewhere along the line, and I might not have picked up A Spool of Blue Thread if it hadn’t been my book club’s pick for April.

So, yet another reason to proclaim that I love my book club! A Spool of Blue Thread is a perfect domestic novel that’s touching, funny, and beautifully written. I’m so glad to have read it — and it makes me want to go figure out what other Anne Tyler books I’ve missed over the years.

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The details:

Title: A Spool of Blue Thread
Author: Anne Tyler
Publisher: Bond Street Books
Publication date: February 20, 2015
Length: 358 pages
Genre: Adult fiction
Source: Library

Book Review: The Beauty Queen of Jerusalem by Sarit Yishai-Levi

Beauty Queen of JerusalemFour generations of family traditions and doomed marriages form the heart of The Beauty Queen of Jerusalem, a family saga that takes place in the decades before, during, and after Israel’s war for independence.

Gabriela Siton is the youngest in a line of women belonging to the Ermosa family, a large Sephardic family — Jews of Spanish descent — living in Jerusalem, dealing with family secrets and turbulence during a time of war and upheaval in Israel itself.

The story opens with Gabriela’s mother’s death. Luna dies at a relatively young age from a deadly and fast-moving cancer, and Gabriela’s resulting grief is heavily laden with guilt. She and Luna had a fraught, difficult relationship all of Gabriela’s life, and she doesn’t quite know what to do with all of her emotions and the confusion she’s left with.

Bit by bit, over the course of the story, we hear more about the history of the Ermosa women. There’s the matriarch of the family, Mercada, who marries her beloved son off to a poverty-stricken orphan as punishment for his near-betrayal of his family. Mercada’s daughter-in-law, Rosa, faces life with a husband who doesn’t love her, a beloved brother who gets involved in the deadly underground movement leading up to independence, and three daughters — the oldest of whom is Luna. Luna is gorgeous, the most beautiful girl in Jerusalem, but with a selfish and combative personality. She’s prickly and self-centered, and she and Rosa never find a way to bond.

Later on, Gabriela is told that the curse of the Ermosa women is to marry men who don’t really love them, and that seems to be true in the three preceding generations. Each man is madly in love with a woman who isn’t appropriate or acceptable, and so marries out of obligation, leading to bitterness, lack of passion, and lack of respect.

In some ways, The Beauty Queen of Jerusalem reminded me of Isabel Allende’s masterpiece, The House of the Spirits. Like The House of the Spirits, the blessings and curses of each generation seems to be passed along to the next, as each set of relationships is influenced by, or damaged by, the ones that came before. Likewise, The Beauty Queen of Jersusalem, while telling the tale of a particular family, is set against a backdrop of a significant historical era. The history of pre-state Israel and its struggle for independence form a big piece of the picture here, as the Ermosa family is caught up in the violence and upheavals that surround them.

The title of this book is a misnomer, and a pretty unfortunate one at that. Luna is known for her remarkable beauty, and is referred to as the beauty queen of Jerusalem — although not, as you might expect, because she actually competed in pageants or won competitions or anything. She’s just a woman who was known for her beauty and style. What’s more, the book isn’t exclusively, or even mainly about Luna — it’s about all of the women of her family. In fact, Luna is a mostly unlikeable character who’s a terrible mother and is mostly portrayed as being awful to her own mother. Things happen later in the book that make her a slightly more sympathetic character, but the bottom line is that she isn’t solely what the book is about, and it took me a while to get past the preconception that I had from the title in order to see the breadth of the story.

On the plus side, there are many vignettes in this sweeping story that are completely enchanting. Rosa’s story is fabulous, and you can’t help but feel compassion for a woman who’s struggled all her life and gotten little in return. The story of Rosa’s three daughters (including Luna) and how they each met the men they’d end up marrying is varied and textured. The Sephardic heritage of the family is described through their rituals, their use of Ladino phrases, and the little details about food and customs that bring a sense of vitality to their daily lives.

The Jerusalem setting is wonderful, with the city forming a vibrant stage for the family drama. The historical elements are skillfully woven into the story, so that the loves and struggles within the family are set against their worries about English police, bombings in the streets, sieges and rationing, and men serving at the front.

While overall I enjoyed the book, I did hit a few stumbling blocks. The biggest issue for me was the language, which often felt a bit clunky. The book is an English translation from the Hebrew, and I’m afraid that something truly was lost in translation. The writing just doesn’t always flow, and the dialogue and use of Ladino and Spanish phrases seem a bit jammed in, not organic. I have a feeling this issue might not be an issue if the book were read in the original Hebrew.

The other element that might be problematic for American readers is the assumption of familiarity with details of Israeli history. The book was written and published in Israel in 2013, released in English in the United States for the first time this year. It occasionally feels a bit like “inside baseball” — the book is written for an Israeli audience, and there’s an assumption of a common culture and background. For me, having spent time there and understanding the history and culture, it wasn’t an issue, but I can imagine that some readers will have a harder time understanding the context or getting the full picture of the historical elements woven into the story, or even being able to identify some of the names, politicians, and organization that are referred to throughout the book.

The perspective and organization of the book is somewhat puzzling. We begin with Gabriela’s first-person narration, but the storytelling shifts. Sometimes, it’s another family member telling Gabriela about incidents from the past, set out as a dialogue with Gabriela, with the story appearing in quotation marks. But at other times, it’s a third-person narrative, filling in the gaps and telling other pieces of the family story. The narrative jumps from one character’s perspective to anothers, and it can be jarring to sometimes see the world according to a character who hasn’t had a POV before. Time-wise, it’s confusing as well, as we get a description from Gabriela early on about her mother’s death, but as the story jumps back and forth for most of the book, it’s jarring when the last few chapters jump back to an adult Gabriela and how she reconciles her grief and anger.

At its core, The Beauty Queen of Jerusalem is a moving story of a complicated and messed-up family. I really enjoyed parts of the story, especially those pieces that delve more deeply into the complicated emotions and wounds of the many family members. Unfortunately, the awkward writing/translation and the narrative inconsistency make this book more difficult than it needs to be, and overall I think the plot could have used a bit more focus. Still, it’s worth reading for the intergenerational conflicts and dynamics, and I enjoyed the nuggets of history that form the backbone of the story.

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The details:

Title: The Beauty Queen of Jerusalem
Author: Sarit Yishai-Levi
Publisher: Thomas Dunne
Publication date: April 5, 2016
Length: 384 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley

Take A Peek Book Review: Wink Poppy Midnight by April Genevieve Tucholke

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Wink

Synopsis:

(via NetGalley)

Every story needs a hero.
Every story needs a villain.
Every story needs a secret.

Wink is the odd, mysterious neighbor girl, wild red hair and freckles. Poppy is the blond bully and the beautiful, manipulative high school queen bee. Midnight is the sweet, uncertain boy caught between them. Wink. Poppy. Midnight. Two girls. One boy. Three voices that burst onto the page in short, sharp, bewitching chapters, and spiral swiftly and inexorably toward something terrible or tricky or tremendous.

What really happened?
Someone knows.
Someone is lying.

My Thoughts:

I have no idea what to make of this dizzying book. Wink, Poppy, and Midnight take turns telling their versions of what happen in this mind-bendy tale. There are hints of fairy tales and ghost stories, as the three characters offer their views of themselves and each other, but only ever tell part of the story.

Mystical elements abound, from tarot readings and hauntings to certain evocative tastes and smells. The names in the story are odd and whimsical — not just the three main characters, but their various friends and family members, including Leaf, Buttercup, Alabama, and Peach. What seems a straightforward story of an ultra-mean mean girl, the people under her thumb, and the wild girl who offers a different path… isn’t. Wink, Poppy, and Midnight interact and become parts of each other’s stories. Midnight is our most relatable point of view in the story, the sweet and honest boy next door, but his perspective isn’t as reliable as he’d like to think, and he doesn’t really see beyond what’s in front of him.

It’s hard to describe this book without giving too much away. It’s frustrating that the book has been so built-up as a twisty, turny, surprising shocker. Even the cover blurb (“A hero. A villain. A liar. Who’s who?”) puts us on alert that we can’t believe what we’re told or take the characters at their word. I wish we didn’t have this heads-up. It would be much more powerful and shocking if we weren’t told ahead of time not to trust what we see.

I read Wink Poppy Midnight in a single day. It’s a book that just begs to be gulped up. I’m not sure that I’ve fully figured out why certain things happened as they did or what the motivation was — and I don’t know if that’s because I haven’t gotten there yet in my processing of the story, or if the resolution just wasn’t as clearly explained as it should have been. In any case, it was a fun, trippy, absorbing read that sucked me in completely and didn’t let me go until I got to the last page… even if I’m not convinced that it makes the slightest bit of sense.

But, hey, that’s one hell of a great cover!

If anyone else has read Wink Poppy Midnight, I’d love to hear what you thought.

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The details:

Title: Wink Poppy Midnight
Author: April Genevieve Tucholke
Publisher: Dial Books
Publication date: March 22, 2016
Length: 247 pages
Genre: Young adult fiction
Source: Library

Book Review: Every Heart A Doorway by Seanan McGuire

Every HeartThis slim novel is beautiful and creepy, oddly disturbing and yet practically poetic.

In Every Heart a Doorway, Nancy is a 17-year-old who’s more disaffected than your typical disaffected teen. Nancy spent years in the Halls of the Dead after stumbling through a hidden doorway… and now that she’s back in the world that she grew up in, she doesn’t belong at all. So her parents send her to boarding school, hoping it’ll cure her of her oddness and delusions and turn her back into their “normal” daughter. But this isn’t just any boarding school — it’s Eleanor West’s Home For Wayward Children, and it’s filled with teens who’ve been dumped back in the so-called real world after traveling to strange and mysterious lands.

But how do you adapt to an ordinary life after experiencing something so extraordinary? For most, the simple answer is — you don’t. Most of these teens will spend their lives yearning for and searching for their doorways back to the place they consider their true homes.

As Nancy adjusts to this odd school, she meets a girl who lived in a Nonsense world, and one who walked on rainbows. There are strange terms used to describe the various destinations, like High Logic and High Virtue. There’s a boy who lived in a world populated by skeletons, where he fell in love with Skeleton Girl, and a boy who fell through a Prism and became a Goblin Prince in Waiting, but was rejected when it was discovered that he had been born a biological female. There are twin sisters who lived in a dark and menacing world called the Moors, where blood and body parts were the center of their lives.

What all these children have is common is the burning desire to return and the despair stemming from not knowing how to get there.

Every Heart a Doorway may sound odd, but it’s odd in the very best way. Some of the worlds describe are icky and creepy, some are filled with unicorns and rainbows, and Nancy’s Halls of the Dead is a colorless world where absolute stillness is the ultimate virtue. There’s a beauty to the descriptions, and the sense of longing and displacement that the children feel is palpable.

She stayed where she was for a count of ten, enjoying the stillness. When she had been in the Halls of the Dead, she had sometimes been expected to hold her position for days at a time, blending in with the rest of the living statuary. Serving girls who were less skilled at stillness had come through with sponges soaked in pomegranate juice and sugar, pressing them to the lips of the unmoving. Nancy had learned to let the juice trickle down her throat without swallowing, taking it in passively, like a stone takes in the moonlight. It had taken her months, years even, to become perfectly motionless, but she had done it: oh, yes, she had done it, and the Lady of Shadows had proclaimed her beautiful beyond measure, little mortal girl who saw no need to be quick, or hot, or restless.

Ah, I loved this book! It’s a short, quick read, but I would have loved to get even more! The writing is just so lovely — but then there are parts that cross from poetic to bluntly bloody, as when a group of friends has to dissolve a body in acid in order to free the bones from the flesh.

Of course, Every Heart a Doorway could also be taken as a metaphor for the teen experience. Parents mean well, but just don’t get it. They try to to “fix” their children — who don’t need fixing at all. Teens search for the place that feels like home, where they can be their true selves, rather than trying to conform to a world where they always feel out of place and misunderstood.

Or… you can just read it as a straight-up fantasy tale that takes us behind hidden portals into worlds of wonder and dread and eerie splendour. I kind of prefer that approach, to be honest.

I was surprised to see on Goodreads that this is the first in a three-part series, rather than a stand-alone. I will definitely want to read more from this world. Meanwhile, I’m thinking that I’ll follow up with the audiobook, so I can concentrate less on plot details and more on the sound of the language of the book.

Every Heart A Doorway casts a magical spell that veers between beautiful, sinister, and downright creepy. Highly recommended for readers who enjoy a touch of the magic and the macabre — and enjoy it even more when the borders between the two become blurred.

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The details:

Title: Every Heart a Doorway
Author: Seanan McGuire
Publisher: Tor
Publication date: April 5, 2016
Length: 173 pages
Genre: Fantasy
Source: Purchased

Audiobook Review: The Hundred-Foot Journey by Richard C. Morais

HFJThe Hundred-Foot Journey is the story of Hassan Haji, who travels over the course of the story from his boyhood in Mumbai to the pinnacle of the French culinary world as a Parisian chef and restaurateur. When we first meet Hassan, he is just a boy, growing up in a loud, boisterous Muslim family, with the family’s kitchen and restaurant the center of his world. The tastes and smells of Indian curries and spices are with him from birth, and his large, gregarious father is the heart that keeps them all going at top speed.

But after Hassan’s mother is killed, the family sells the restaurant and spends months traveling through Europe, finally stopping in the small village of Lumiere in the French Alps, when Hassan’s father declares that it’s time to set down new roots. He buys a vacant property and decides to open a new restaurant, Maison Mumbai, and all seems well with the family once more…

Except. Maison Mumbai is located just across the road from La Saule Pleureur, an upscale French inn and restaurant run by the indomitable Madame Mallory, practically an institution in the world of French cuisine. Madame Mallory is outraged by the impertinent Indian family and its noisy, uncouth intrusion into her refined world, and she sets out to make them feel as unwelcome as possible, going so far as to blackmail all the local vegetable and fish purveyors into not selling to the Hajis.

Madame Mallory’s greatest pain, though, comes after eating at Maison Mumbai. Hassan, now a teen-aged boy, is the head cook, and Madame Mallory cannot believe what she’s tasting. To her shock and dismay, she realizes that Hassan has a natural gift, which she describes as the food equivalent of having perfect pitch in music. Finally, Madame Mallory’s jealousy drives her to an act that causes real harm to the Haji family, and in penance and remorse, she asks Hassan’s father to allow Hassan to cross the street — the hundred-foot journey — and become her apprentice. Her greatest desire is to train Hassan in the art of French classical cuisine, and as it turns out, it is Hassan’s greatest wish as well.

All this occurs in roughly the first half of the book. From here, we follow Hassan’s training in Madame Mallory’s kitchen, his eventual departure for Paris, and ultimately the opening of his own restaurant, Le Chien Mechant. Hassan rises through the ranks of the elite chefs of France, a remarkable achievement for someone seen as an outsider.

And… that’s about it.

The book is weirdly anticlimactic, and wasn’t at all what I expected. It has a charming and engaging start, focusing on the Haji family and its eccentricities, especially with the outsized personality of Hassan’s irrepressible father. The conflict in Lumiere between the proper, elegant French restaurant and the noisy Indian restaurant, with its plastic menus and statues of elephants, is a funny, relatable portrait of a culture clash.

But from the moment Hassan moves over to Madame Mallory’s kitchen, the story loses all its steam. The second half of the book feel like a recitation of events, rather than a story. Hassan tells us about where he’s been, what he’s done, what he’s cooked, but it’s all just reporting. It simply does not feel lived in. As Hassan grows older and pursues the success he’s dreamed of, we see him doing it all, but I could not feel it. Even in relating what seems to be the emotional turning point of the second half, Hassan’s friendship with a star chef who is driven to suicide by the impending collapse of his business empire, there’s a lack of emotional connection. I didn’t feel that we got to know Paul particularly well, and while Hassan talks about their friendship, it seems more like listening to someone tell you about an old friend that actually meeting that friend yourself.

The narrator of the audiobook, Neil Shah, does a nice job with Hassan’s first-person narrative, and I loved his depiction of Hassan’s father. The voice for the female characters was not as convincing, bordering on mimicry, especially when putting on a French accent for Madame Mallory.

HFJIn terms of the writing style, I had a problem with the author’s descriptions of the female characters. Madame Mallory is a highly respected French chef in her mid-sixties when we meet her, yet the author persists in describing her as elderly and crone-like — and indeed, he’s not kind to any of the women in the novel. Do we need to know that a woman Hassan briefly dates is thick-thighed? I don’t think so, especially as he doesn’t bother to describe anything else about her. Madame Mallory acts awfully toward the Haji family but ultimately becomes important to Hassan, yet it’s hard to get past the incredibly negative descriptions of her looks that get so much emphasis.

I know The Hundred-Foot Journey was made into a movie (starring Helen Mirren), and I’d still like to see it as a point of comparison, even though I didn’t much care for the book. My impression from what I’ve read about the movie is that it focuses on the first half of Hassan’s story. I only wish the book had had the same focus. Sadly, the second half of the book often seems like a boring slog through lectures on food preparation, the French economy, and the challenges of the restaurant business. Without any drama or personal investment, it’s hard to care much at all about Hassan’s ultimate triumph.

Note: I read/listened to this book after my book group selected it for our March group read. I haven’t yet checked in with the group to see what they thought. For me, this was not one of our more successful picks.

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The details:

Title: The Hundred-Foot Journey
Author: Richard C. Morais
Narrator: Neil Shah
Publisher: Scribner
Publication date: 2008
Audiobook length: 8 hours, 551 minutes
Printed book length: 272 pages
Genre: Fiction
Source: Library (Overdrive)

Take A Peek Book Review: The Steep & Thorny Way by Cat Winters

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.

Steep & Thorny Way

 

Synopsis:

(via NetGalley)

A thrilling reimagining of Shakespeare’s Hamlet, The Steep and Thorny Way tells the story of a murder most foul and the mighty power of love and acceptance in a state gone terribly rotten.

1920s Oregon is not a welcoming place for Hanalee Denney, the daughter of a white woman and an African-American man. She has almost no rights by law, and the Ku Klux Klan breeds fear and hatred in even Hanalee’s oldest friendships. Plus, her father, Hank Denney, died a year ago, hit by a drunk-driving teenager. Now her father’s killer is out of jail and back in town, and he claims that Hanalee’s father wasn’t killed by the accident at all but, instead, was poisoned by the doctor who looked after him—who happens to be Hanalee’s new stepfather.

The only way for Hanalee to get the answers she needs is to ask Hank himself, a “haint” wandering the roads at night.

My Thoughts:

Does the idea of retelling the story of Hamlet, setting it in rural Oregon in 1923, sounds crazy to you? It would be understandable to assume that the plot and the setting are a total mismatch. How can a Shakespearean masterpiece possibly be squeezed into that world?

I’m happy to say that it works amazingly well. As crazy as it might sound, The Steep & Thorny Way is a total winner.

Hanalee Denney is the mixed race daughter of a white woman and a black man, at a time and in a place where mixing of the races was not only frowned upon, but actually illegal, at least as far as marriage was concerned. Hanalee, at age 18, lives with her mother and her new stepfather, the town doctor, and grieves for her beloved father, who died after being hit by a car a year and a half earlier.

When the driver of the car is released from prison and is rumored to be hiding out back in Elston, the rumor mill — and the town’s intolerance — boil to the surface. Joe, convicted of murder and subjected to a horrifying prison stint, pleads with Hanalee to hear him out. He did hit her father with his car; that much is true. But Joe saw Hank alive before the doctor entered the room to care for him… and was dead by the time the doctor came out. Meanwhile, Hank’s ghost has been seen about town, trying to get a message to Hanalee.

Can she really believe that Joe isn’t a murderer, but a fall guy? Can she honestly view her stepfather as a killer?

There’s much more to the story than meets the eye. The town is rife with KKK plotting. A racist undercurrent permeates every town gathering. Non-whites are not welcome in the town’s main restaurant. And Joe has a secret that puts his own life in great danger, with no one except Hanalee at all willing to help or save him.

Cat Winters is an amazing writer, and this era is her specialty. She fits her characters’ actions and words into the Shakespearean framework without ever letting it seem forced. The story flows from one revelation to the other, and Hanalee is anything but a stock figure.

I learned a lot about life in Oregon in the 1920s, the power of the Klan, and the shocking truth about the legal institutions that attempted to enforce racial exclusion, separatism, and even eugenics. While The Steep & Thorny Way is a work of fiction, the politics and intolerance that it portrays are, sadly, historical fact.

I have now read three YA novels and one adult novel by Cat Winters, and I look forward to reading, well, basically everything she ever writes from now on. Don’t miss out on this powerful, dramatic, face-paced book.

Interested in this author? Check out my reviews of her other works:
In The Shadow of Blackbirds
The Cure For Dreaming
The Uninvited

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The details:

Title: The Steep & Thorny Way
Author: Cat Winters
Publisher: Amulet Books
Publication date: March 8, 2016
Length: 335 pages
Genre: Young adult/historical fiction
Source: Purchased

Book Review: Fire Touched by Patricia Briggs

Fire TouchedI love this series, truly – madly – deeply. Why do I even bother writing reviews anymore? You know the bottom line is going to be READ THIS BOOK… or for those who haven’t had the pleasure of meeting Mercedes Athena Thompson Hauptmann yet, READ THIS SERIES.

There. Done.

Okay, a little more, perhaps? Fire Touched is the 9th book in the always outstanding Mercy Thompson series by Patricia Briggs. Mercy is a coyote shapeshifter as well as a talented VW mechanic. She’s a woman who never backs down and stands up for herself, her family, her pack, and pretty much anyone who needs her protection — and this is what lands her and the pack in a huge mess in Fire Touched.

Mercy is married to Adam, Alpha of the Columbia Basin Pack — a werewolf pack, that is. Mercy has just finished recovering from the life-threatening events of the previous book, Night Broken, when a new danger emerges. There’s a giant troll on the Cable Bridge of the Tri-Cities, and the local police are smart enough to call in the pack for help. Mercy and a bunch of werewolves battle the big nasty creature (who seems to enjoy smashing cars like an overgrown toddler playing with Matchbox toys) and ultimately defeat him — but Mercy takes the unprecedented step of declaring the Tri-Cities the territory of the pack and warning the fae that the pack will offer sanctuary to all who need their help.

At the moment, this includes Aiden, who looks like a bedraggled 10-year-old, but is in fact centuries old, having been taken into the fae’s unreachable domain of Underhill as a child and kept there ever since. Aiden has escaped, and now has gifts — including the ability to burn with his touch — and the fae would very much like to get their hands on him. By offering sanctuary, Mercy and the pack have set themselves up in direct opposition to all of the fae, and have potentially set the stage for the werewolf vs. fae war that Bran Cornick, leader of all of the North American werewolves, has been working so hard to avoid.

As the story progresses, we see the implications of Mercy’s declaration more and more. The pack will be under siege from all who question their right to claim territory. There are still pack members who resent Mercy’s membership in the pack, seeing as she’s a coyote and not a wolf, and Adam has finally had enough of the sniping. He declares that all werewolves in his pack will treat Mercy with respect, and if they say or do anything further against her, he will end them. And he means it. Strangely, this finally seems to bring the pack into a united team. A dire and unintended effect of the declaration is a break with Bran. Bran can’t afford to turn this into a global war against the fae, as his priority is always the good of ALL werewolves, so he formally breaks with Adam’s pack.

Sob. I love Bran. I love Adam. No sundering! Please work it out, guys.

Okay, so what did I think of this book? Well, as I said, I just pretty much heart everything about this series, so of course I loved Fire Touched too. That said, though, it’s probably not the best of the best, even though it’s awfully darn good.

What was missing for me here was the emphasis on relationships that my favorites in the series have. Mercy and Adam are in a really good place in their marriage, and I’m happy for them, but we don’t actually spend much time in this book just seeing them together. The pack isn’t terribly present in Fire Touched. Yes, they’re in the big fight on the bridge with the troll, and yes, we see the pack meeting where Adam draws his line in the sand about the pack’s treatment of Mercy. But beyond that, the pack is mostly just background. I’ve come to adore so many of the pack members — Ben, Warren, Darryl, Honey — but they’re not central to the plot here, and I missed them.

A lot of Fire Touched was about the fae and the Grey Lords, and how Mercy and Adam deal with their bargains and deceits. It was engaging, but I missed the pack drama and politics. On the plus side, it was nice to see Thomas Hao and Margaret Flanagan again (and if you don’t know who they are, read the story “Fairy Gifts” from the Shifting Shadows collection).

The bad thing about reading a new Mercy Thompson book the second it comes out is the loooooong wait for the next one! Okay, I’m done with Fire Touched — now what? Patricia Briggs’s website shows that there will be a 10th Mercy book and a 5th Alpha & Omega book (yay!), but no date is listed for either, and I assume whichever is next will be published in 2017.

So hey! If you haven’t read any Mercy books, or if you’re behind, now’s a great time to dive in and catch up! Trust me, you won’t be sorry.

Want to know more about the worlds of Patricia Briggs? Check out a few of my previous reviews:

Night Broken
Frost Burned
Shifting Shadows
Dead Heat

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The details:

Title: Fire Touched (Mercy Thompson, #9)
Author: Patricia Briggs
Publisher: Ace Hardcover
Publication date: March 8, 2016
Length: 352 pages
Genre: Urban fantasy
Source: Purchased

Take A Peek Book Review: The Travelers by Chris Pavone

“Take a Peek” book reviews are short and (possibly) sweet, keeping the commentary brief and providing a little peek at what the book’s about and what I thought.The Travelers

Synopsis:

(via Goodreads)

A pulse-racing international thriller from the New York Times bestselling author of The Expats and The Accident

It’s 3:00am. Do you know where your husband is?

Meet Will Rhodes: travel writer, recently married, barely solvent, his idealism rapidly giving way to disillusionment and the worry that he’s living the wrong life. Then one night, on assignment for the award-winning Travelers magazine in the wine region of Argentina, a beautiful woman makes him an offer he can’t refuse. Soon Will’s bad choices—and dark secrets—take him across Europe, from a chateau in Bordeaux to a midnight raid on a Paris mansion, from a dive bar in Dublin to a mega-yacht in the Mediterranean and an isolated cabin perched on the rugged cliffs of Iceland. As he’s drawn further into a tangled web of international intrigue, it becomes clear that nothing about Will Rhodes was ever ordinary, that the network of deception ensnaring him is part of an immense and deadly conspiracy with terrifying global implications—and that the people closest to him may pose the greatest threat of all.

It’s 3:00am. Your husband has just become a spy.

 

My Thoughts:

Wow, what a wild ride!

The Travelers is a twisty, turny thriller, with so many layers of deception that it’ll make your head spin. Basically, this book is just filled with lying liars who lie — everyone has an angle, everyone is hiding something, and nothing is as it seems.

At the center of it all, Will Rhodes starts as a lone innocent, a pawn caught up in schemes he doesn’t understand, but over the course of the story Will takes control of his own destiny and seeks to change the course of decades-long plotting and espionage. Meanwhile, absolutely no one is trustworthy, and more than several someones are out to kill Will.

You don’t have to be a fan of the spy genre to enjoy The Travelers. The plotting is intricate, and the writing, while tense and full of suspense, is also at times quite funny and wryly observant. Beyond the world of high-stakes spycraft, there’s plenty of between-the-lines commentary on marriage, relationships, career fulfillment and frustration, and so much else related to growing up and dealing with adult life. Plus, with settings like Paris, Stockholm, and Iceland and all sorts of other points around the globe, it’s a whirlwind adventure with never a dull moment.

I’ve read one book by the author previously (The Expats — see my review here), and I definitely want to read his other novel, The Accident. While the plot of The Travelers has a satisfying ending, the epilogue leaves just enough hanging open to hint of more to come for these characters. I certainly hope that the author writes a sequel — I’d love to spend more time in this world!

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The details:

Title: The Travelers
Author: Chris Pavone
Publisher: Crown
Publication date: March 8, 2016
Length: 384 pages
Genre: Spy thriller
Source: Review copy courtesy of the publisher via NetGalley

Stars Above by Marissa Meyer: What’s Inside?

Stars AboveThe fantastic Lunar Chronicles series came to a close in 2015 with the publication of the final novel in the series, Winter. But wait! It’s not quite as finished as it seemed… because here we are in 2016 and we have a final FINAL volume in our hands.

Stars Above is a collection of stories that tie in and around the main characters and events of the novels, with most taking place in the years prior to the start of the series. The collection includes four previously published stories and five that are brand new.

So what’s inside Stars Above? Read on…

“The Keeper” (new): Ah, some backstory! “The Keeper” focuses on Michelle Benoit and her role in Cinder’s early years. As readers of the series know, Cinder was rescued from an almost successful murder attempt by her aunt Levana and hidden on Earth for years, while all of Luna believed her dead. In “The Keeper”, we see how Cinder was first entrusted to Michelle’s care and how she kept Cinder hidden and safe, all the while trying to provide a loving, secure home for her niece Scarlet. It’s a sweet story, and gives us a glimpse of events that we’ve heard reference to, but which we’d never learned many details about.

“Glitches” (previously published): “Glitches” follows “The Keeper” chronologically, as we see Cinder’s arrival in New Beijing and her introduction to the family of Linh Garan, her protector and adoptive father. Cinder is newly awakened and adjusts both to her new environment and her new status as a cyborg.

“The Queen’s Army” (previously published): This story shows Wolf’s transition from ordinary Lunar child to fierce, modified soldier serving the queen, showing his physical transformation and emotional struggles as well as his development into the pack Alpha.

“Carswell’s Guide To Being Lucky” (previously published): What was Carswell Thorne like as a teen-aged boy? Probably exactly what you’ve imagined — a total flirt, a guy who uses his charm to get his way, and a consummate swindler who seems to always know how to work the crowd. But even as a self-satisfied teen, Carswell still dreams of his future in space…

“After Sunshine Passes By” (new): Oh, so sweet and sad. This new tale introduces us to 9-year-old Cress, a Lunar shell kept alive with other outcasts like herself just for their value as scientific specimens. But Cress is a sweetie and a dreamer and imagines someday being of actual value, maybe even finally being accepted into society. What she gets instead is years of isolation in an orbiting jail… and this story shows how it all came about.

“The Princess and the Guard” (new): Lovely little Princess Winter’s early years are shown in this story, as we see her growing up in the palace and being trained to use her Lunar gift, until she begins to become aware of the danger and cruelty inherent in having such manipulative power. We see Winter’s decision to abandon her gift, even at the risk of madness, the cruelty of Levana, and how Jacin set his course in life with protecting Winter as his top priority.

“The Little Android” (previously published): I loved this story when I first read it, and I love it still. “The Little Android” is only tangentially connected to the characters of the Lunar Chronicles, as the android of the title has a brief meeting with the mechanic Linh Cinder. What this story truly is is an imaginative and moving retelling of the Little Mermaid fairy tale — not the pretty Disney version, but the tragic yet lovely story by Hans Christian Andersen. “The Little Android” makes a great stand-alone, but as part of this collection, shows yet another side of the Lunar Chronicles world.

“The Mechanic” (new): We’ve seen Kai and Cinder’s first meeting in the marketplace from Cinder’s perspective already. Here in “The Mechanic”, we get the same meeting as seen through Kai’s eyes. It’s fun to get the royal view, and to see the crown prince already struggling to fulfill his responsibilities to his people while at the same time being a teen boy who has just spotted a fascinating and surprising girl.

“Something Old, Something New” (new): As the title suggests, this final story in the collection is all about the Happily Ever After that our beloved characters have truly earned! The whole gang gathers for Scarlet and Wolf’s wedding, and there are romantic moments galore for all of the couples. This story really ties up the entire series with all the hearts and flowers and giddy joy we readers could possibly hope for.

Stars Above includes an excerpt from Heartless, the new stand-alone novel by Marissa Meyer scheduled for publication this coming fall. The blurb reads:

Long before she was the terror of Wonderland — the infamous Queen of Hearts — she was just a girl who wanted to fall in love.

Sounds good, right? I generally prefer not to read excerpts, so I skipped this one… but for those who can’t resist a sneak peek at the next book, it’s yet another reason to pick up a copy of Stars Above.

All in all, Stars Above is a must-read for fans of the Lunar Chronicles. It’s like Marissa Meyer has given a final gift to her readers…

present-307984_1280… and as a grateful reader, my response to Marissa Meyer is:

thank-you-907818_1920

 

Book Review: The Two-Family House by Lynda Cohen Loigman

Two-Family HouseSynopsis:

(via Goodreads)

Brooklyn, 1947: in the midst of a blizzard, in a two-family brownstone, two babies are born minutes apart to two women. They are sisters by marriage with an impenetrable bond forged before and during that dramatic night; but as the years progress, small cracks start to appear and their once deep friendship begins to unravel. No one knows why, and no one can stop it. One misguided choice; one moment of tragedy. Heartbreak wars with happiness and almost but not quite wins.

From debut novelist Lynda Cohen Loigman comes The Two-Family House, a moving family saga filled with heart, emotion, longing, love, and mystery.

My thoughts:

The Two-Family House is the story of sisters-in-law Helen and Rose. Helen is married to Abe, a kindhearted, loving man who, along with his younger brother Mort, owns and runs Box Brothers, a box manufacturing company. Helen and Abe have four sons; Rose and Mort have three daughters. Mort is a bitter, closed-off man whose life has been a series of disappointments. He has little attention or love to spare for his children, and resents Abe’s happiness and success. The two families share a brownstone, with Abe and Helen living just up the stairs from Rose and Mort.

Rose and Helen are best friends, and the two of them and all of their children are constantly in and out of one another’s apartments, sharing holidays, birthdays, and really, just about every moment of every day, as well as their innermost hope and dreams. In 1947, both women became pregnant, the first time they’ve been expecting together. Mort is convinced that he’ll finally get the son he longs for, and treats Rose with more respect and tenderness than he’s ever shown before.

But a blizzard hits New York while Abe and Mort are away on business and, snowed in and unable to get to a hospital, both women go into labor at home. A midwife is fetched from down the street, and two healthy babies are delivered. Helen has a baby girl — her first daughter — and Rose finally succeeds in giving Mort the son he’s always wanted.

All is perfect. Right?

Well, no. From the time that Natalie and Teddy are born, the relationship between Helen and Rose seems to change. Rose withdraws, becoming increasingly unfriendly, and shows all the signs of postpartum depression. She takes little interest in her new baby and often leaves him to cry, until Helen swoops in to the rescue from upstairs. Helen takes care of both babies, and tries to reach out to Rose, but to no avail: The closeness between the two seems permanently broken.

The novel travels through the years that follow, ending more than 20 years later. Through those years, we see the children grow up and how the various relationships all change. The story is told through chapters with an alternating array of points of view, so we get chapters from the perspectives of Abe, Mort, Rose, Helen, and some of the children.

The shifting points of view yield an uneven results. Some characters are simply more interesting than others. There are stretches of time where the main occurrences are quiet rifts or disruptions, or pieces where we mainly hear how unhappy various characters are. Tragedy ensues, but time keeps marching forward. The parents age; the children grow up. Relationships change, and in some cases, fracture.

Through it all, it all comes down to the birth of the children in 1947, what really happened, and how that one night changed everything for everyone.

MINOR SPOILERS FROM HERE ON!

Listen, if you’ve read what I’ve written so far, it’s not a stretch to figure out what happened during the blizzard. Heck, we pretty much know within the first couple of chapters. So yes, I’ll just go ahead and say it: The babies were switched. Sorry, but this barely counts as a spoiler — it’s obvious right from the beginning.

So the question in the novel is — why did this happen? How did it happen? And how do the characters go forward with their lives once it has happened?

The why and how are answered, but not entirely satisfactorily. I just didn’t buy it. Would a mother who’s just delivered a newborn willingly trade under any circumstances? Well, maybe… but in the circumstances provided in The Two-Family House, I didn’t believe it. The motivation, at least on one side of the equation, just didn’t seem strong enough to me.

But accepting the premise, it’s interesting to see the dynamics play out in the days, months, and years that follow — the guilt, the resentment, and the willful dishonesty that’s required to perpetuate a lie. Once the initial deception has happened, even if there’s regret or second-thoughts, there seems to be no way to undo what’s been done (and actually, we never see either of the women contemplate or consider switching back). And despite the fact that these events were only possible because of the incredibly strong bond between Helen and Rose, it’s the switch itself that cause the rupture in their relationship, creating an insurmountable obstacle that hinders every interaction from that moment forward.

The plot of The Two-Story House is interesting, but somehow the execution lacks true drama or momentum. The fact of the switch is obvious from the start, and the resolution at the end of the book and what drives it is also something that pretty much any reader will see coming from a mile away. I enjoyed the family dynamics and the shifting relationships between all of the various combinations of characters, but wished there had been something a bit more to truly make me care about the outcome.

Overall, this is an enjoyable book, particularly when viewed as a period piece and a character study. But in terms of the plot, I never quite bought the actions or motivations of Helen and Rose, and since this is what drives the entire story, I always ended up feeling like something was missing.

Still, I do think readers who enjoy contemporary fiction with a domestic focus will appreciate this novel, and I look forward to seeing what this debut author will do next.

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The details:

Title: The Two-Family House
Author: Lynda Cohen Loigman
Publisher: St. Martin’s Press
Publication date: March 8, 2016
Length: 304 pages
Genre: Adult fiction
Source: Review copy courtesy of the publisher via NetGalley