Book Review: Instructions for Dancing by Nicola Yoon

Title: Instructions for Dancing
Author: Nicola Yoon
Publisher: Delacorte Press
Publication date: June 3, 2021
Length: 304 pages
Genre: Young adult
Source: Purchased
Rating:

Rating: 4.5 out of 5.

In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates–what will happen when she finally sees her own?

Evie Thomas doesn’t believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually.

As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything–including entering a ballroom dance competition with a girl he’s only just met.

Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it’s that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?

This YA book made me so, so happy. It’s sweet and sad, and makes me want to dance!

To understand Evie, the main character, you need to know a few key facts: Evie is a high school senior, and a former fan of romance novels. Evie is also the daughter of recently divorced parents. A year ago, Evie’s parents split up, and Evie discovered that her father was having an affair. Now she lives with her mother and younger sister, bottling up her anger at her father and refusing to see him, and she’s absolutely sworn off romance and love stories.

What I’ve learned over the last three weeks is that all my old romance novels ended too quickly. Chapters were missing from the end. If they told the real story—the entire story—each couple would’ve eventually broken up, due to neglect or boredom or betrayal or distance or death.

She’s seen it in real life — two people who were supposedly in love end up with nothing but pain and betrayal and ashes of a relationship. Why should she believe in happily ever afters?

Given enough time, all love stories turn into heartbreak stories. Heartbreak = love + time.

Through a strange set of circumstances, Evie winds up with a dancing instruction book that leads her to the La Brea Dance Studio, a small studio whose main clientele seem to be pre-wedding couples trying to master their first dance. The studio is owned by an older couple who are magnificent dancers and who’ve clearly been in love all their lives. While there, Evie meets X, the couple’s teen-aged grandson who’s recently dropped out of his senior year of high school and moved to LA to pursue a music career.

When Fifi, the domineering dance instructor, ropes Evie and X into being partners in an upcoming amateur ballroom dance competition, the two become friendly and then eventually acknowledge their chemistry, which grows along with their hustle, salsa, and tango skills.

“Anyway, you can play to thank us. Every good bonfire needs a hot guy playing guitar.” “You don’t have to play,” I tell him. “But you still have to be hot,” Cassidy says. “I don’t mind doing both,” he says with a grin.

Meanwhile, Evie has come into a strange gift: When she sees a couple kiss, she gets a flash of their entire romance — how they met, how they are in that moment, and what’s to come. This means that she sees the end of the relationships, not just the swoony romantic bits. And for Evie, that’s just further proof that love doesn’t last… so why even bother?

It’s not hard to predict that Evie and X will get together, but I won’t ruin things by going into further detail on how they connect, what obstacles they face, and how it turns out. Let me just share some observations instead:

I loved that this isn’t a by-the-numbers romance, with a meet-cute, initial attraction, getting together, obstacle/break-up, and happy ending. Yes, some of these beats are included, but the overall flow of the book is different enough to keep the reading unpredictable.

Evie’s family life is given equal weight to the romance elements, and this is critical. Evie’s perception of love and commitment have been perhaps permanently scarred by her parents’ divorce, but as the novel progresses, she learns more about long-term love and relationships, and learns that situations aren’t all one way or their other. By learning to let go of her bitterness, she’s able to start allowing some shut-off family connections back into her life, and she can’t help but acknowledge that this is much healthier for her.

“You think because your father and I didn’t last, our love was any less real?”

A harder lesson for Evie is X’s approach to life — saying yes to experiences, living in the moment, and grabbing joy when it’s in front of you. Evie is so consumed by endings that she’s unable to appreciate the middle parts — all the smaller and larger moments that make time together so valuable, no matter how long or short that time might be.

It doesn’t matter that love ends. It just matters that there’s love.

I feel like this would make a great movie, since my one complaint about the book is that I wanted more dancing scenes! At the same time, I have to acknowledge that it’s hard to make a written dance scene compelling, and while the author does a great job with this, I could only satisfy my need by diving down a dance video rabbit hole on YouTube.

Instructions for Dancing is a moving, well-written, thoughtful YA novel with some beautiful moments as well as heartbreak. With captivating characters, a hint of magic (that goes unexplained, but somehow doesn’t distract from the contemporary feel of the plot), great dance moments, and even some humor, this is a book that shouldn’t be missed!

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Book Review: Feral Creatures by Kira Jane Buxton

Title: Feral Creatures
Author: Kira Jane Buxton
Publisher: Grand Central Publishing
Publication date: August 24, 2021
Length: 368 pages
Genre: Speculative fiction/ horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

In this stunning follow-up to Hollow Kingdom, the animal kingdom’s “favorite apocalyptic hero”is back with a renewed sense of hope for humanity, ready to take on a world ravaged by a viral pandemic (Helen Macdonald).

Once upon an apocalypse, there lived an obscenely handsome American crow named S.T. . . .

When the world last checked-in with its favorite Cheeto addict, the planet had been overrun by flesh-hungry beasts, and nature had started re-claiming her territory from humankind. S.T., the intrepid crow, alongside his bloodhound-bestie Dennis, had set about saving pets that had become trapped in their homes after humanity went the way of the dodo. 

That is, dear reader, until S.T. stumbled upon something so rare—and so precious—that he vowed to do everything in his power to safeguard what could, quite literally, be humanity’s last hope for survival. But in a wild world plagued by prejudiced animals, feather-raising environments, new threats so terrifying they make zombies look like baby bunnies, and a horrendous dearth of cheesy snacks, what’s a crow to do?

Why, wing it on another big-hearted, death-defying adventure, that’s what! Joined by a fabulous new cast of animal characters, S.T. faces many new challenges plus his biggest one yet: parenthood. .

A quick take on this book:

I feel like I should write a proper review, but I’m not sure I have a lot to say. I absolutely loved Hollow Kingdom, which introduced us to ST and his post-apocalyptic world of rotting humans, domestic animals waiting to be freed, and tigers wandering the streets of Seattle.

In this follow up, ST is once again our narrator, with chapters narrated by whales, spiders, and cats thrown into the mix. The story picks up with ST now in Alaska, having found the last remaining MoFo (human) — a small baby girl with no one to raise her but ST and his friends. ST is determined to protect Dee no matter what, hiding her away from the world and keeping her safe — but by isolating her, is he depriving her of the ability to discover her own true nature?

Through the raucous escapades of ST and allies, the action moves from Alaskan wilderness to the Bering Sea and back to Seattle, with deeply funny and illuminating encounters with orcas and owls and polar bears along the way. But all is not well in the wild kingdom. Trees are dying, and the MoFos seem to have evolved from shambling zombies into Changed Ones — animal/human hybrids who are freakin’ scary and weird AF.

ST’s narration is fabulous as always, a mix of vulgarity, impressive vocabulary, insightful introspection, and crazy digressions. The writing in Feral Creatures veers between emotional impact and laugh-inducing craziness from moment to moment.

In a once-beautiful winery that was now a den of doom, with fur fizzed up and an arched spine, stood a domestic shorthair cat. A fire starter. The Bruce Lee of felines. A tabby that had sired an entire generation of Seattleite cats — generation FU — and was probably singlehandedly responsible for the eradication of at least one entire songbird species. There was Genghis, with greasy punk rock fur and an arthritic gait purchased at heavy discount from the Ministry of Silly Walks. There wasn’t a bison brave enough to tell him that the earth’s twirling had caught up with him.

I enjoyed a lot about this book… and yet at times, I just couldn’t wait to be done. Maybe because this is a sequel, there’s less room for surprise and delight based on the premise, and the story’s action starts to feel drawn-out and repetitive at times. Even while loving the writing, I did have to continually pull myself back from the brink of boredom when chapters went on too long, and even found myself considering DNFing at times.

I’m glad I stuck with it, though. Even when I grew tired of parts of the story, something amazing (like the arrival of a heard of musk oxen) would pull me back in.

I was experiencing acute déjà poo — the feeling that I’d heard this crap before.

Definitely read Hollow Kingdom first — but if you loved that book, then you’ll want to read Feral Creatures too. My impatience with the book may have more to do with my own reading mood than with the book itself, so take a look and see what you think!

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Audiobook Review: The Stand-In by Lily Chu

Title: The Stand-In
Author: Lily Chu
Narrator: Phillipa Soo
Publisher: Audible Originals
Publication date: July 15, 2021
Print length: n/a
Audio length: 10 hours 55 minutes
Genre: Contemporary fiction
Source: Audible Plus Catalog
Rating:

Rating: 3.5 out of 5.

How to upend your life:
–Get fired by gross, handsy boss
–Fail to do laundry (again)
–Be mistaken for famous Chinese actress
–Fall head-first into glitzy new world

Gracie Reed is doing just fine. Sure, she was fired by her overly “friendly” boss, and yes, she still hasn’t gotten her mother into the nursing home of their dreams, but she’s healthy, she’s (somewhat) happy, and she’s (mostly) holding it all together.

But when a mysterious SUV pulls up beside her, revealing Chinese cinema’s golden couple Wei Fangli and Sam Yao, Gracie’s world is turned on its head. The famous actress has a proposition: Due to their uncanny resemblance, Fangli wants Gracie to be her stand-in. The catch? Gracie will have to be escorted by Sam, the most attractive—and infuriating—man Gracie’s ever met.

If it means getting the money she needs for her mother, Gracie’s in. Soon Gracie moves into a world of luxury she never knew existed. But resisting Sam, and playing the role of an elegant movie star, proves more difficult than she ever imagined—especially when she learns the real reason Fangli so desperately needs her help. In the end, all the lists in the world won’t be able to help Gracie keep up this elaborate ruse without losing herself… and her heart.

The Stand-In is an Audible Original in which an ordinary woman suddenly gets the chance to experience the lifestyles of the rich and famous. It’s a fun Cinderella story, but it helps to suspend disbelief A LOT to truly enjoy it.

When we meet Gracie, she has a job she hates thanks to a boss who sexually harasses her constantly — but rather than making a fuss or going to HR to report him, Gracie tries even harder to blend into the background, dressing dully and using makeup that’s neutral and not the least bit eye-catching. Gracie’s mother, a Chinese immigrant to Canada, drilled into Gracie’s head that she should always try to fit in, not stand out.

But when Gracie is mistaken for Chinese actress Wei Fangli in a coffee shop, her world changes dramatically. Caught on camera by a paparazzo on a day when she’d called in sick, Gracie is fired by her creepy boss and plunges into despair. How will she afford the nursing home her mother needs if she has no income? With her mother’s dementia steadily progressing, Gracie feels the pressures mounting, and none of her daily planners and apps seem to help her get her life under control. (Remember the bit about the planners — this is important later.)

Gracie is approached by Wei Fangli and her super-hot costar Sam Yao with a proposition: Because of their similar looks, Fangli wants to hire Gracie — for a huge amount of money — to be her public double. Gracie will dress and act like Fangli and attend social engagements in her place, allowing Fangli to just focus on her theater performances and otherwise avoid the pressure of a public life.

Against her better judgment, Gracie accepts the offer. She needs that money! But she soon learns that she likes it, too. She gets to dress in gorgeous clothes, live in a luxury hotel suite, and spend lots and lots of time with Sam. Yes, she feels guilty for essentially lying to everyone she meets as Fangli, but she keeps reminding herself that she’s doing it for her mother.

The Stand-In is a fun fairy tale of a story, with echoes of The Prince and the Pauper too. Wouldn’t every “ordinary” person love the chance to walk in a celebrity’s (high-priced designer) shoes? I wouldn’t say the plot is believable — I mean, they can’t really be that identical, can they? But it’s certainly amusing to see Gracie trying to master the art of posing on a red carpet, being photographed from every angle, and speaking as if she’s used to being the center of attention.

There are some interesting ideas too about public personas and what it means to always be on, especially as compared with someone like Gracie who’s been taught all her life not to make waves. Additionally, Grace is a biracial woman living in Toronto who doesn’t speak Mandarin, yet is impersonating a Mandarin-speaking Chinese actress and is also trying to connect with a mother who slips more and more into the language of her youth. Gracie has to deal with issues related to identity and race, on the one hand being seen as Chinese rather than Canadian, yet being seen by Chinese people she interacts with as not Chinese enough.

There’s also a love story, of course, and while it comes across as absolute wish-fulfillment (the sexiest man in the world falling for an ordinary woman!), it does have some very sweet moments of flirtation, sharing secrets and wishes, and making connections. Also, Sam really is a great character, and it’s easy to see how some of his big romantic gestures might make anyone with a heartbeat swoon.

I really liked Gracie’s blossoming friendship with Fangli and the ways in which they end up helping and supporting one another. I wasn’t crazy about the plotline revolving around Gracie inventing a daily planner. While I suppose the point is to show Gracie finding a way to take control of her own life and make a splash as a businesswoman, there’s too much time spent on her figuring out ways to organize her tasks and to-do lists.

Plotwise, The Stand-In really is more romantic fairy tale than real-life contemporary drama. A lot of the developments are ridiculous if you think about them too hard. If you can put aside the need to say “but this could never happen!”, it’s still a fun listen. I would also add my main quibble about the plot — the old “listening through a doorway and jumping to conclusions” romance trope. This makes me batty — a character overhears a conversation, immediately misinterprets what they hear, and then take dramatic action based on this misinterpretation. It’s just so dumb. At least verify what you think you’ve heard!! Sigh… but then where would the drama be?

In terms of the audiobook narration, it’s a treat to listen to Hamilton star Phillipa Soo. This is her first full-length audiobook — you can read more about her experience recording it here. Overall, I think she does a good job voicing the different characters and making them distinct. The one complaint I have is that in dialogue scenes, it can be hard to tell whether Gracie is thinking a response to herself or saying the response to the other person — her voice isn’t actually different for asides, so it does get confusing.

The Stand-In is an Audible Original and is available (free) as part of the Audible Plus Catalog. For those who have access, I recommend giving it a listen. The story is sweet and engaging, and despite the fairy tale-esque twists and revelations, the characters are really special and will stick with you.

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Book Review: Yours Cheerfully by AJ Pearce

Title: Yours Cheerfully
Author: AJ Pearce
Publisher: Scribner
Publication date: August 10, 2021
Length: 304 pages
Genre: Historical fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 3.5 out of 5.

London, November 1941. Following the departure of the formidable Henrietta Bird from Woman’s Friend magazine, things are looking up for Emmeline Lake as she takes on the challenge of becoming a young wartime advice columnist. Her relationship with boyfriend Charles (now stationed back in the UK) is blossoming, while Emmy’s best friend Bunty, still reeling from the very worst of the Blitz, is bravely looking to the future. Together, the friends are determined to Make a Go of It.

When the Ministry of Information calls on Britain’s women’s magazines to help recruit desperately needed female workers to the war effort, Emmy is thrilled to be asked to step up and help. But when she and Bunty meet a young woman who shows them the very real challenges that women war workers face, Emmy must tackle a life-changing dilemma between doing her duty and standing by her friends.

In this follow-up to Dear Mrs. Bird, the story of Emmy Lake continues — although Yours Cheerfully works perfectly well as a stand-alone. Emmy is a young woman who’s just learning the journalism ropes at Woman’s Friend magazine, while also juggling her wartime volunteer work as part of the fire watch, spending time with her best friend Bunty, and squeezing in precious visits with her boyfriend Charles whenever he can get leave. It’s 1941, and the war dominates every aspect of life in London.

As the story opens, the British Ministry of Information convenes a briefing for representatives of women’s magazines, urging them to do their patriotic duty by promoting recruitment of women workers to support the war effort. For Emmy, this represents a chance to advance in her journalism career, but as she visits a munitions factory as part of her research, she learns that there’s a darker side to women’s factory work: For those with small children, childcare can be difficult to impossible to find, and women who sneak their children into the factories so they can watch them face immediate firing.

Emmy learns as well that some of these women are war widows or have husbands missing in action, so that the factory work is not only patriotic, but is essential to their families’ financial survival.

Despite the magazine needing to keep up the positive portrayal of woman’s war work, Emmy can’t help feeling that she’s letting their readers down by not advocating for more attention to the needs of the workers — especially since there are supposed to be government-funded nurseries, but only if the factory owners make the effort to make the arrangements, and apparently, many of them don’t bother.

The story of the factory workers with whom Emmy becomes friends becomes a main thread of the plot of Yours Cheerfully. Interspersed with this is Emmy’s friendship with Bunty, recovering from injury and terrible loss after events in Dear Mrs. Bird, and the story of Emmy’s romance with Charles. There are sweet romantic moments, as well as a depiction of the challenges of everyday life during war and the fragility of every moment of happiness, knowing sorrow could be just around the corner.

I enjoyed Yours Cheerfully, although it starts very slowly. My interest was slow to engage, but eventually I was drawn in by the story of the factory workers, whom we come to know as individuals, each with their own backstory, and by the ups and downs faced by Emmy and Charles as they try to juggle courtship and engagement with the realization that Charles is likely to be sent overseas at any moment.

Yours Cheerfully is a quiet book — even the moments of greater action, such as a march to promote nurseries for the munitions workers, are fairly mild affairs. The characters are all lovely, but the book doesn’t build a great sense of drama or urgency. It’s a very nice read, but I can’t say I ever felt compelled by the plot or totally engrossed.

Overall, Yours Cheerfully provides a thoughtful look at women on the homefront during war, depicting the bravery embodied in carrying on during a time of heightened tragedy and crisis, and the power of friendship and joy to see the characters through the worst of times.

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Book Review: She Wouldn’t Change a Thing by Sarah Adlakha

Title: She Wouldn’t Change a Thing
Author: Sarah Adlakha
Publisher: Forge Books
Publication date: August 10, 2021
Length: 304 pages
Genre: Contemporary fiction/time travel
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 2 out of 5.

Sliding Doors meets Life After Life in Sarah Adlakha’s story about a wife and mother who is given the chance to start over at the risk of losing everything she loves.

A second chance is the last thing she wants.

When thirty-nine year old Maria Forssmann wakes up in her seventeen-year-old body, she doesn’t know how she got there. All she does know is she has to get back: to her home in Bienville, Mississippi, to her job as a successful psychiatrist and, most importantly, to her husband, daughters, and unborn son.

But she also knows that, in only a few weeks, a devastating tragedy will strike her husband, a tragedy that will lead to their meeting each other.

Can she change time and still keep what it’s given her?

Exploring the responsibilities love lays on us, the complicated burdens of motherhood, and the rippling impact of our choices, She Wouldn’t Change a Thing is a dazzling debut from a bright new voice.

In She Wouldn’t Change a Thing, time travel is less a fantasy element and more of a nightmarish trap that sends a person back into their own earlier life.

Maria is close to her due date for her third child, married mostly happily but also incredibly frazzled, mother to two adorable daughters, and a successful psychiatrist, when a strange new patient shows up in her office. Sylvia comes with disjointed warnings and rambles on about having a purpose. She gives Maria a warning about her own life, and tries to gain Maria’s understanding — but Maria naturally sees Sylvia as delusional and offers medication and follow-up visits.

Later, Maria learns that Sylvia has killed herself, and has left a note for Maria. She can’t shake Sylvia’s words, and despite knowing she should ignore the warning, follows up. I won’t go into details on what happens next, but after a terrible encounter, Maria wakes to find that she’s back in her childhood home, in her 17-year-old body.

Completely frantic, Maria’s parents believe she’s having a breakdown, and Maria soon finds herself confined to a psych ward. Maria knows that she’s not schizophrenic, but who would believe a teen girl who claims to be a pregnant 39-year-old needing to return to her husband and children?

Time travel in this book, as we learn, is typically triggered by a death or a violent event which propels the person back to an earlier point in their lives — with a purpose. There’s something they have to accomplish, and it’s typically at great cost. For Maria, once she realizes her purpose, there’s an understanding that accomplishing her purpose will change events so completely that she and her husband will never meet. And while she thinks she may have a way to get back to her own life, it would mean ignoring this purpose, and ignoring the chance to save an innocent life. She has to decide — does she give up her “real” life to do the right thing, or put her need to be back with her family above everything else?

I’m a fan of well-conceived time travel plots, and can even accept far-fetched scenarios — but something about this concept of being sent back with a purpose really set my nerves on edge. I suppose if you believe in higher beings and deities and predestination, maybe this might be more appealing, but for me, it just smacks of quasi-religious mumbo jumbo.

There’s no good “why” to all of this. Okay, fine, there’s a purpose… but why these people and not others? Why doesn’t every unfair death get deleted and reversed? Why isn’t the world overrun with people from the future?

In Maria’s story, there are overlaps and revisions in her life, and we see characters from her own time transformed and changed by the actions she takes once she goes back. Some of the convergences are interesting, but for the most part, most of this plot felt forced and illogical to me.

As I said, I love a good time travel story. Sure, I can buy the idea of a woman wandering into a stone circle and being transported 200 years back in time (as happens in a certain favorite series…), but in She Wouldn’t Change a Thing, the mechanics and reasons and the higher purpose elements of the story just didn’t work for me at all.

Beyond the plot falling flat for me, the writing style is often awkward and clunky, and certain lines and stylistic choices took me right out of the plot. Overall, not a great reading experience for me… your mileage may vary.

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Audiobook Review: The Road Trip by Beth O’Leary

Title: The Road Trip
Author: Beth O’Leary
Narrators: Josh Dylan, Eleanor Tomlinson
Publisher: Berkley
Publication date: June 1, 2021
Print length: 398 pages
Audio length: 10 hours 15 minutes
Genre: Contemporary fiction
Source: Purchased
Rating:

Rating: 4 out of 5.

Two exes reach a new level of awkward when forced to take a road trip together in this endearing and humorous novel by the author of the international bestseller The Flatshare.

What if the end of the road is just the beginning?

Four years ago, Dylan and Addie fell in love under the Provence sun. Wealthy Oxford student Dylan was staying at his friend Cherry’s enormous French villa; wild child Addie was spending her summer as the on-site caretaker. Two years ago, their relationship officially ended. They haven’t spoken since.

Today, Dylan’s and Addie’s lives collide again. It’s the day before Cherry’s wedding, and Addie and Dylan crash cars at the start of the journey there. The car Dylan was driving is wrecked, and the wedding is in rural Scotland–he’ll never get there on time by public transport.

So, along with Dylan’s best friend, Addie’s sister, and a random guy on Facebook who needed a ride, they squeeze into a space-challenged Mini and set off across Britain. Cramped into the same space, Dylan and Addie are forced to confront the choices they made that tore them apart–and ask themselves whether that final decision was the right one after all.

In The Road Trip, exes Dylan and Addie are forced into spending time together on a road trip from hell. In sections alternating between “Now” and “Then”, we see the awful hours spent in the car as well as flashbacks to their first days of romance — and most importantly, learn how they went from swooningly in love to completely estranged over the last few years.

Addie and Dylan first meet in the most romantic of settings, a huge villa in the south of France where Dylan is vacationing and Addie is the summer caretaker. There’s an immediate attraction, and within days they’re spending every waking moment together (as well as every night in bed together). Even when they’re joined by a swarm of Dylan’s buddies (including his posh but toxic best friend Marcus), Dylan and Addie are inseparable.

When the holidays are over, they pick up their relationship back in England, but not without hiccups. Addie is a teacher in training, and Dylan is still trying to find himself. He’s a poet, and wants to pursue a graduate English degree, but his domineering, emotionally abusive father wants him to either join the family business or be cut off entirely. On top of this, Marcus wants Dylan by his side constantly and resents Addie’s presence, and does what he can to pry the two apart.

Meanwhile, in the “now” portions of the story, the cramped Mini and its passengers encounter hazards and accidents and a variety of unfortunate escapades they make them later and later to the wedding. The upside of the crowded car and the endless hours on the road is that Dylan and Addie are literally thrown together, and are finally forced to confront the circumstances that drove them apart. Emotions run high, truths are shared, and ultimately, the couple have an opportunity to face the problems that came between them and to admit to the deep love that still exists.

The Road Trip is not nearly as light and fluffy as I’d expected it to be, but it works remarkably well. The “now” side of things is mostly light-hearted and comical — there’s spilled breast milk and a random trucker and an ill-timed pee break and a musty motel room without enough beds… not to mention a mad dash to save the bride from a stalker and getting lost in a faux castle. It can be quite silly, but the more we get to know the characters, the more endearing it all is.

In the “then” parts of the story, Addie and Dylan go through tremendous ups and downs, and these sections are much more wrenching than the “now”. The author gives a sensitive portrayal of two young adults with enormous chemistry and a deep love between them, yet shows that other people and other problems can derail even the most devoted of couples. A love story that starts in a summer villa has the feel of a perfect fantasy romance, but when it has to survive in the real world of jobs and family and unreliable friends, the fantasy elements fall away and the couple’s love faces its hardest tests.

I listened to the audiobook, and it was wonderful. There are different narrators for the Addie and Dylan sections, and can I just take a minute to fangirl over the fact that Eleanor Tomlinson narrates Addie??? Eleanor Tomlinson is the actress who played Demelza in the BBC series Poldark, and she’s wonderful. Her narration gives so much character and expressiveness to Addie. I’m not sure whether I’d have enjoyed it nearly as much in print — the narration is that good!

Overall, The Road Trip is often touching, sometimes very sad, quite a bit silly, and frequently very romantic. There’s a nice mix of serious and fun moments, and the framing of a hellish road trip works very well as a contrast to the sweetness and then sorrow of the earlier days of Addie and Dylan’s relationship.

The characters are all well-drawn and nicely detailed, from leads Addie and Dylan, to an array of supporting characters including sad-sack Rodney, unsteady and mostly unlikeable Marcus, Addie’s wild sister Deb, and the very over-the-top bride Cherry. Their banter and arguments and lighter moments feel very in tune with how they’ve been depicted, and I really enjoyed the time spent with them.

The Road Trip is a great summer read, and I especially recommend the audiobook edition. Enjoy!

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Book Review: On the Way to the Wedding (Bridgertons, #8) by Julia Quinn

Title: On the Way to the Wedding (Bridgertons, #8)
Author: Julia Quinn
Publisher: Avon
Publication date: 2006
Length: 371 pages
Genre: Romance
Source: Purchased
Rating:

Rating: 3 out of 5.

A funny thing happened …

Unlike most men of his acquaintance, Gregory Bridgerton believes in true love. And he is convinced that when he finds the woman of his dreams, he will know in an instant that she is the one. And that is exactly what happened. Except …

She wasn’t the one. In fact, the ravishing Miss Hermione Watson is in love with another. But her best friend, the ever-practical Lady Lucinda Abernathy, wants to save Hermione from a disastrous alliance, so she offers to help Gregory win her over. But in the process, Lucy falls in love. With Gregory! Except …

Lucy is engaged. And her uncle is not inclined to let her back out of the betrothal, even once Gregory comes to his senses and realizes that it is Lucy, with her sharp wit and sunny smile, who makes his heart sing. And now, on the way to the wedding, Gregory must risk everything to ensure that when it comes time to kiss the bride, he is the only man standing at the altar …

Another plane trip, another Bridgertons book… and this time, I’m done! I’ve now read all 8 books in the series, each one devoted to one of the Bridgerton siblings. This time around, it’s Gregory’s turn. Gregory is the 2nd youngest, and the youngest of the male Bridgerton’s. It’s about time for him to get his happily ever after, even though, once again, it’s disconcerting to read a romance about a character who looks like this per the TV series:

Never fear; In On the Way to the Wedding, Gregory is all grown up at age 26, but lacks a firm direction in his life. What he does know for sure is that he believes in love, even though he has yet to experience it himself. His own parents married for love, and he’s seen each of his seven siblings blissfully married off to the person they love as well. With that kind of family history, how could he settle for anything else?

Unfortunately, Gregory doesn’t really understand the difference between love and infatuation, so when he catches a sight of the gorgeous Hermione Watson at his sister-in-law’s house party, he’s instantly smitten and feel certain that Hermione is his destiny. Hermione, though, is absolutely bored to tears by the nonstop parade of men falling all over her. Her best friend, Lady Lucinda Abernathy, is used to running interference, and she steps in to divert Gregory from making a complete arse of himself.

All sorts of hijinks ensue, and before long, Gregory comes to his senses and realizes that the pragmatic, smart, funny Lucy is really the woman of his dreams. But there are complications, of course, leading eventually to a mad dash across London to try to stop her from marrying another man.

I don’t feel that I got a really good grasp of Gregory and Lucy as individuals, but maybe I just have Bridgerton fatigue and they’re all starting to blur together in my mind. I enjoyed the story, especially the dramatics that explode with an interrupted wedding, a case of blackmail, and a daring rescue… but I don’t think this book will stick with me the way some of the earlier Bridgerton stories will.

Once again, the plot is brightened by appearances of other Bridgertons, but those are few and far between (although author Julia Quinn really is superb at making the most of their brief cameos).

And finally, I’ve finished all the Bridgerton books! Eight siblings, all happily married! It’s a satisfying ending for an engaging romance series. And now I need season 2 on Netflix!

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Series wrap-up: Moose Springs series (#1 – 3) by Sarah Morgenthaler

Sometimes you need serious reading material. And sometimes, fluffy reads rule! I’ve been leaning into light, not-too-serious reading lately, especially when it comes to audiobooks, and these sweet romances with an Alaska setting have been just right for my mood.

Title: The Tourist Attraction
Published: 2020
Length: 352 pages
Rating:

Rating: 3.5 out of 5.

He had a strict “no tourists” policy…

Until she broke all of his rules.

When Graham Barnett named his diner The Tourist Trap, he meant it as a joke. Now he’s stuck slinging reindeer dogs to an endless parade of resort visitors who couldn’t interest him less. Not even the sweet, enthusiastic tourist in the corner who blushes every time he looks her way…

Two weeks in Alaska isn’t just the top item on Zoey Caldwell’s bucket list. It’s the whole bucket. One look at the mountain town of Moose Springs and she’s smitten. But when an act of kindness brings Zoey into Graham’s world, she may just find there’s more to the grumpy local than meets the eye…and more to love in Moose Springs than just the Alaskan wilderness. 

The Tourist Attraction introduces us to the split-personality town of Moose Springs, Alaska — a quirky little town set amidst magnificent mountains, which both relies on its high-end luxury resort for economic survival and detests all outsiders.

Graham is rude and gruff, but you just know there’s a heart of gold underneath it all, and he falls head over heels for Zoey, despite his no-tourists rule. After an awkward incident in which Zoey thinks she’s about to get murdered by a chainsaw wielding maniac (don’t ask), Zoey and Graham find themselves repeatedly thrown together, and of course, sparks fly.

The setting is charming and sounds beautiful. While Moose Springs is fictional, from the description, I can’t help picturing it as based on Girdwood, a small-ish town that’s home to the beautiful Alyeska Resort.

The romance is cute and somewhat predictable, but chapters that delve into the corporate machinations of The Montgomery Group (which owns most of the town’s property) left me cold. (Cold! ‘Cuz it’s Alaska!) Zoey’s best friend Lana Montgomery is her host during her Alaska getaway, and Lana is one of the Montgomery family’s chief businesswomen and heir apparent — and while Lana seems like a good person, there’s perhaps too much focus on the business dealings for my taste.

There’s an appealing cast of supporting characters, a beautiful setting, a few moose wandering through, and some small-town hijinks. Also, a perfect border collie who is blind, has an extensive wardrobe, and is the most beloved dog in the entire town. The book as a whole is absurdly cute, and is a nice mix of romantic fluff and emotional connection.

Title: Mistletoe & Mr. Right
Published: 2020
Length: 400 pages
Rating:

Rating: 3 out of 5.

How the moose (almost) stole Christmas.

Lana Montgomery is everything the quirky small town of Moose Springs, Alaska can’t stand: a rich socialite with dreams of changing things for the better. But Lana’s determined to prove that she belongs…even if it means trading her stilettos for snow boots and tracking one of the town’s hairiest Christmas mysteries: the Santa Moose, an antlered Grinch hell-bent on destroying every bit of holiday cheer (and tinsel) it can sink its teeth into.

And really…how hard could it be?

The last few years have been tough on Rick Harding, and it’s not getting any easier now that his dream girl’s back in town. When Lana accidentally tranquilizes him instead of the Santa Moose, it’s clear she needs help, fast…and this could be his chance to finally catch her eye. It’s an all-out Christmas war, but if they can nab that darn moose before it destroys the town, Rick and Lana might finally find a place where they both belong…together.

In the 2nd Moose Springs book, it’s about six months later, Zoey and Graham are bonkers in love, and Lana Montgomery takes center stage. Lana has been visiting Moose Springs since childhood and has been mostly tolerated by the locals, but her plans to build luxury condominiums and revitalize the local economy are being met with hostility by the townsfolk, who resent her intrusion and the likelihood of even more tourists messing up their lives.

Lana ends up falling for Rick, the owner of the local pool hall, who is equally smitten. There’s a silly subplot about a moose who hates Christmas decorations, but mainly it’s about Lana and Rick deciding to have a holiday fling, then realizing that their feelings go much deeper.

I hate that the synopsis and the book itself keep referring to Lana as a “socialite”. What does that even mean? Yes, she’s a gazillionaire, but she’s a businesswoman heading up her family’s corporate investments in Alaska, not just some flighty rich person attending lavish parties.

This is an opposites-attract plot for sure, since Rick is not rich, polished, interested in “society”, or used to luxuries. But, he falls for Lana, the feeling is mutual, and they have great chemistry and some pretty goofy adventures.

I did feel extremely angry at this book when, toward the end, it feel into a romance trope I hate — the “I’m breaking up with you despite being in love with you because I’ll only hold you back” plot device, which is just, ugh, so emotionally unfair and manipulative. So you know better than the other person what they really need? Yuck.

Of course, there’s an HEA, because hey, this is a romance, not real life. And I enjoyed it enough to want to keep going!

Title: Enjoy the View
Published: 2021
Length: 352 pages
Rating:

Rating: 3.5 out of 5.

A grouchy mountaineer, a Hollywood starlet
And miles of untamed wilderness…
What could possibly go wrong?

Former Hollywood darling River Lane’s acting career is tanking fast. Determined to start fresh behind the camera, she agrees to film a documentary about the picturesque small town of Moose Springs, Alaska. The assignment should have been easy, but the quirky locals want nothing to do with River. Well, too bad: River’s going to make this film and prove herself, no matter what it takes.

Or what (literal) mountain she has to climb.

Easton Lockett may be a gentle giant, but he knows a thing or two about survival. If he can keep everyone in line, he should be able to get River and her crew up and down Mount Veil in one piece. Turns out that’s a big if. The wildlife’s wilder than usual, the camera crew’s determined to wander off a cliff, and the gorgeous actress is fearless. Falling for River only makes Easton’s job tougher, but there’s only so long he can hold out against her brilliant smile. When bad weather strikes, putting everyone at risk, it’ll take all of Easton’s skill to get them back home safely…and convince River she should stay in his arms for good.

Enjoy the View feels pretty different from the previous two books, since most of the action happens outside of Moose Springs, on the (very scary) nearby mountain Mount Veil.

Easton is a familiar character, good friend to Graham and Rick, a huge mountaineer who doesn’t say much, but — as we see here — has a heart of gold and untapped emotional depths. When Easton encounters River, he doesn’t recognize her from her movie career — he just sees a strange tourist walking down the side of the road with a suitcase. He doesn’t realize that by stopping to offer assistance, he’s interrupting a shot for her movie. Oops!

River’s Hollywood career seems to have stalled. At the ripe old age of 29 (!!), she’s not being offered great roles any longer, and she’s turned her attention to producing and directing. She and her trusty crew have been hired by the Alaska tourism board to make a movie about Moose Springs, but unfortunately, the tourist-hating town wants nothing to do with them and impedes their filming at every turn. With no other options, they turn to the big attraction outside of town — Mt. Veil, the intimidating mountain that only the most skilled climbers can successfully summit.

Of course, River needs a guide, and of course, Easton is the man assigned to her climb. As they work together, their attraction deepens into an emotional connection. River is feisty and argumentative, Easton is quiet and strict when it comes to his safety rules, and they clash incessantly — but we just know that beneath it all, they’re falling in love.

I enjoyed reading about the climb and how scary it is, but I pretty frequently wanted to give River a good shake. She repeatedly ignores Easton’s rules and ends up endangering herself and others because of it. Somehow Easton keeps forgiving her, and I assume we’re supposed to find River’s rebelliousness charming and a sign of her independence, but her actions seem downright foolhardy at some points. I would not be nearly as forgiving as Easton, never mind falling in love!

As is typical of this series, there’s cute banter, some adorable wildlife (including a memorable marmot), and lots of breathtaking scenery. I wish the familiar characters from the town had bigger roles in Enjoy the View, but even in their brief appearances, it’s fun to see Graham, Zoey, and Easton’s sister Ash.

Enjoy the View is a fun way to end a three-audiobook binge!

Wrapping it all up…

This is clearly not a series that’s meant to be taken too seriously. It maintains a casually funny tone throughout, even when there are more emotional moments taking place. The town of Moose Springs is full of small-town quirky personalities, and the setting makes it really fun.

My two main complaints are:

1 – The male leads are cookie-cutter outdoorsy-loner types with a soft, gushy intererior. There’s really not much to distinguish them apart from their different occupations and physical builds (although they’re all versions of gorgeous, muscular hunks who look great in flannel). Really, I found Graham, Rick, and Easton to be fairly easily interchangeable (although, I admit Graham’s humor does set him apart to some extent). Not to say that I don’t like them, just that there’s not much distinctive about them.

2 – A more serious complaint is that there is just no Native representation, and that bothers me. Yes, these are fluffy romances, but the books seem to present Alaska as being populated strictly by the above-mentioned flannel-wearing white outdoorsmen. This omission is pretty glaring and is an irritant throughout the books.

Complaints aside, I have to admit that these books are addictively fun, with lots of silly misadventures and cute scenarios. And who can resist big, gruff men becoming marshmallow soft as soon as they fall in love?

I see on Goodreads that book #4 (no details or title provided) is due out sometime in 2022. Hmmm, who will the romantic focus be for whatever tourist wanders into town next? Easton’s sister Ash? Resort owner Jax? I guess we’ll have to wait to find out.

But will I read it? You betcha!

Book Review: The Plot by Jean Hanff Korelitz

Title: The Plot
Author: Jean Hanff Korelitz
Publisher: Celadon Books
Publication date: May 11, 2021
Length: 336 pages
Genre: Thriller
Source: Library
Rating:

Rating: 4.5 out of 5.

Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written–let alone published–anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then… he hears the plot.

Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker’s first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that–a story that absolutely needs to be told.

In a few short years, all of Evan Parker’s predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.

As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his “sure thing” of a novel? What is the real story behind the plot, and who stole it from whom?

Hailed as breathtakingly suspenseful, Jean Hanff Korelitz’s The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.

It’s not an exaggeration to say that The Plot is an unputdownable page-turner. I finished it within 24 hours — I just couldn’t stand waiting to see how it all turned out!

In The Plot, our focus is on Jacob Finch Bonner, a has-been writer who burst onto the literary scene years earlier with a well-reviewed first book, then flamed out on his second book and couldn’t even find a publisher for his third or fourth. He can’t bring himself to write, and supports himself through teaching at a mediocre MFA program that’s open to anyone who wants to write, no competitive admissions process required.

When the super obnoxious Evan Parker shows up for Jake’s class, Evan is dismissive and rude, and asserts that he’s just there to get the initials MFA into his credentials. He insists his plot is amazing, can’t fail, and will make what he writes a huge bestseller and get him a major movie deal. Jake can’t believe Evan’s arrogance, but when he finally coaxes the plot out of Evan, he has to reluctantly agree that Evan has something unique and possibly quite valuable. Of course, it’s insulting that Evan insists that it doesn’t take writing talent to make a great book — all that’s needed is a great plot, and he has one.

Years go by, and Jake supports himself through online teaching and an editing business. But when he hears that Evan has died, he’s curious about the plot of his book. Surely, if someone had published such a story, he would have known. After googling and poking around, Jake becomes certain that Evan never did write his book… and since the plot was never used and never truly left Jake’s mind, well, why not?

Jake’s book is everything that Evan knew his plot would lead to. Crib is a huge bestseller, an Oprah book, and is about to be optioned by Stephen Spielberg. But Jake’s success is disturbed when he receives an email calling him a thief. His anxiety leads him into a deeper look into Evan’s life, and the more he digs, the more he understands about how someone like Evan could have come up with this amazing plot in the first place.

I can’t go into more detail than that, because spoiling this book would be unforgivable! Suffice it to say that Jake’s investigation reveals plenty of weirdness and unexpected twists, and I found it fascinating.

The Plot gives us a lot to think about, both in terms of the book’s storyline and the suspenseful elements, but also in terms of the world and inner life of a writer. As one character points out, ideas can’t be copyrighted. So if someone has a story idea but never uses it, and someone else knows about the idea and does use it, is it stealing? On the surface, yes… maybe? Was it ethical for Jake to write a book based on a plot concept that, as far he knows, was never used and was never even written beyond the draft of a first chapter? If Jake took the story outline he heard from Evan and turned into a compelling novel, was that Jake’s work in reality? How much credit, if any, does he owe to Evan? The questions are fascinating to think about, and my feelings and opinions on these issues continued to change throughout the novel.

I did pretty much nail the biggest plot twist early on, but that doesn’t mean that I truly figured it all out. I may have had a good idea of the “what”, but the “why” and the “how” were surprising and really well put-together, and I loved all the little ups and downs of Jake’s search for the truth.

I will say that the very end was not what I expected, and I’m still struggling with it! Not because it doesn’t work — it absolutely does! But I will say that my sense of fairness feels upset. This is not the ending I wanted for the characters… but it totally works in a very creepy sort of way.

The Plot has lots of disturbing developments, but it’s not graphically violent. As I said, beyond the actual intrigue and action, I also appreciated the thoughts on a writer’s life, the highs and lows of success as an author, and the various questions brought up about who gets to tell whose stories and whether it’s true to say that each person has a story that’s uniquely theirs to tell.

I think one sign that The Plot is really well done is that even though I felt disappointed by some of Jake’s actions and decisions and what these say about his morality or lack thereof, I still rooted for him and cared enough about him to want him to find a way out of the increasingly perilous place he finds himself.

The Plot is one of the buzziest books this summer, and with good reason. It’s a fast, engrossing story that kept me hooked until the very end. Check it out!

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Book Review: It’s In His Kiss (Bridgertons, #7) by Julia Quinn

Title: It’s In His Kiss (Bridgertons, #7)
Author: Julia Quinn
Publisher: Avon
Publication date: 2005
Length: 407 pages
Genre: Romance
Source: Purchased
Rating:

Rating: 3.5 out of 5.

IF IT’S IN HIS HEART… IT’S IN HIS KISS

MEET OUR HERO…

Gareth St. Clair is in a bind. His father, who detests him, is determined to beggar the St. Clair estates and ruin his inheritance. Gareth’s sole bequest is an old family diary, which may or may not contain the secrets of his past… and the key to his future. The problem is—it’s written in Italian, of which Gareth speaks not a word.

MEET OUR HEROINE…

All the ton agreed: there was no one quite like Hyacinth Bridgerton. She’s fiendishly smart, devilishly outspoken, and according to Gareth, probably best in small doses. But there’s something about her—something charming and vexing—that grabs him and won’t quite let go…

MEET POOR MR. MOZART…

Or don’t. But rest assured, he’s spinning in his grave when Gareth and Hyacinth cross paths at the annual—and annually discordant—Smythe-Smith musicale. To Hyacinth, Gareth’s every word seems a dare, and she offers to translate his diary, even though her Italian is slightly less than perfect. But as they delve into the mysterious text, they discover that the answers they seek lie not in the diary, but in each other… and that there is nothing as simple—or as complicated—as a single, perfect kiss.

I had yet another airplane flight this week, and so I turned to yet another Bridgerton book for company. Book #7, It’s In His Kiss, jumps ahead to the 8th and youngest of the Bridgerton offspring, Hyacinth, who is 22 years old when the story opens. It’s her 4th season out in society, she’s had six unsuitable proposals in her previous three season, and while she’s not on the shelf yet, that moment isn’t quite as far away as it once was. Is is because Hyacinth is too picky, or is it because she’s too opinionated and outspoken, not willing to play the shy maiden? Whatever the reason, Hyacinth both really wants to find a husband and doesn’t want to relinquish her ability to think and make her own decisions — not a combination that typically leads to romantic bliss.

(Of course, it’s a little challenging for me to picture Hyacinth as old enough to be married, since we saw her on the Netflix series looking like this:)

Hyancinth – the early years

Hyacinth is devoted to Lady Danbury, the elderly woman who rules society with her imperiousness and the stomping of her cane, and the two have a weekly visit during which Hyacinth reads aloud from the latest melodramatic pulp novel.

Lady Danbury’s grandson is Gareth St. Clair, a notorious rake known for his irresponsible ways and a string of opera singer mistresses, as well as for never, ever courting a young lady from the ton. Gareth has been estranged from his harsh, domineering father for ten years, and his father seems determined to run the family wealth into the ground, especially now that Gareth’s older brother, the presumed heir, has died at a young age, leaving Gareth to inherit the family title and holdings.

When Gareth comes into possession of his paternal grandmother’s diary, written in her native Italian, he needs a translator, and fortunately, Hyacinth is proficient in the language. They agree that she’ll work on a translation, and as they check in on the progress, the two become increasingly attracted to one another. Through the translation, Hyacinth learns that the grandmother was very unhappy in her marriage and that she had a secret — a trove of jewels that she brought with her from Italy and hid somewhere in Clair House. As far as Gareth knows, no one else is even aware that the jewels exist, but they could be the answer to the debt Gareth seems destined to inherit.

As in the other Bridgerton books, there’s some delicious flirtation and chemistry between the two main characters, as they’re thrust together repeatedly. There are shenanigans and near-disasters, as Hyacinth refuses to sit home demurely when there’s adventure afoot, and she repeatedly drives Gareth to distraction by taking risks with her safety and her reputation in order to help him on his quest.

Between the more light-hearted escapades, there are also weightier moments, told through Gareth’s perspective, as he struggles with his social status, his father’s animosity, and a secret that could deprive him of everything he hopes for, including Hyacinth’s regard.

It’s In His Kiss is a fun outing in the world of the Bridgerton clan, although I do with we’d had more glimpses of the rest of the family. Daphne, Anthony, and Penelope make brief appearances, Lady Violet is a more active and present character, and the rest, while mentioned, are all offstage.

I did really enjoy this book, as I have the other books in the series, but of course, there are some elements that feel a bit cringe-inducing.

She might not have said yes, but she didn’t say no.

Granted, explicit verbal consent wasn’t a thing in the 19th century, but reading this through today’s lens make me uncomfortable.

Additionally, Gareth is so afraid that Hyacinth will call off their engagement if she hears certain things about him that he realizes his best option is to seduce her. She’s clearly interested and responsive to him physically, but again, the idea that he’s going to deliberately set out to “ruin” her so she’ll have no choice about marriage makes me very unhappy — even though the sex is definitely consensual when it finally happens.

Still, Gareth and Hyacinth share a knack for banter and humor that keeps this book on the lighter side:

Gareth thought his head might explode. “Good God, woman, have you been listening to anything I’ve said?”

“Of course I have. I have four older brothers. I can recognize a supercilious, pontificating male when I see one.”

Surprisingly, there seems to be more time spent on Gareth and his POV than Hyacinth, but still, the book works, and is a fun addition to the overarching Bridgerton storyline. And as I’ve learned, I can always count on a Bridgerton book for some good, engaging, but not too heavy travel reading.

Will I continue with the Bridgertons? Well, of course!

That’s seven Bridgerton children happily married, one more to go!

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