For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life–until the unthinkable happens.
Perfect for fans of Barbara Kingsolver and Karen Russell, Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.
Where the Crawdads Sing has been on bestseller lists for at least a year now, as far as I can tell. And the fact that this was a Reese’s book club pick doesn’t hurt at all when it comes to creating buzz. So is it worth all the hype?
Now that I’ve read it, I can give an answer: Definitely yes.
Where the Crawdads Sing is lovely, rich, sad, and powerful. It tells the story of Kya Clark, a girl who is abandoned at a very young age and yet manages to raise herself in the North Carolina marsh she calls home.
Kya’s family lives in a shack in the marsh, scrabbling for daily sustenance and terrorized by their abusive, unreliable father. Kya’s older siblings have already left, and as the story opens, Kya is six years old, watching her mother walk away, never to return. Kya is left behind with her father and older brother, but even her brother doesn’t stay long. Soon, it’s just Kya and her father, and he disappears for days on end, or shows up drunk or angry, and simply can’t or won’t care for his child.
And so, from the age of six, Kya raises herself. She loves her home and the marsh and the birds and wildlife that are her truest friends. She scrapes by on the pennies her father provides. Eventually, even he leaves, and she is completely alone, surviving by digging mussels and selling them to the local sundry store owner, a warm and caring man named Jumpin’ who comes to love Kya as a daughter.
Despite the love and support of Jumpin’ and his wife Mabel, Kya is alone. When a truant officer comes to take her to school, Kya only lasts one day, feeling embarassed and tormented by the town kids who call her “Marsh Girl” and make fun of her. From then on, it’s just Kya in the marsh.
She does have one friend, a boy named Tate who once upon a time was friends with her brother. Tate is fascinated by Kya and takes it upon himself to teach her to read, opening up the world of science and biology and learning to her. Kya embarks on her lifelong passion to know and understand the marsh, collecting specimens and documenting them through writing and painting, turning her old shack into a personal natural history museum of sorts.
The story alternates between chapters following Kya’s life from early childhood onward and chapters set later, in 1969, when a local young man is found dead under suspicious circumstances. Chase Andrews had a history with the Marsh Girl, and although there doesn’t seem to be any evidence, she becomes a person of interest in the case, fueled by years of the townspeople’s harsh opinions and suspicions and gossip about her.
While I was less interested in the murder plot for most of the book, by the last third, the two story elements come together as the plot centers around the court case and resolution.
Where the Crawdads Sing is a moving and lyrical reading experience. I loved the descriptions of the marsh and the way the natural world is so much a part of who Kya is and how she looks at life. Kya’s life is horribly sad, yet also beautiful in its own lonely way. It’s incredible to think that a child could survive like that on her own all those years, yet she does. Between her natural intelligence and her lifelong study of her natural surroundings, Kya adapts and manages to thrive, despite her loneliness and sorrow throughout the years.
The audiobook narrator does a very good job of breathing life into the characters, especially Kya, using her voice to show her maturing over the years yet maintaining the core of who she is.
My one issue with the audiobook is that I feel I missed out a bit on certain written passages. Kya is passionate about poetry, and the poems she recites throughout the book are worth spending time on and contemplating a bit, but because I listened to the audiobook, they passed by a little too quickly for actual reflection. I think I’ll need to borrow a print edition so I can page through and spend more time on certain passages.
I won’t get into spoilers, so I can’t say more about the ending than that I was mostly satisfied and that the ending worked out pretty much as I expected despite a few red herrings — although there was at least one loose thread that I would have liked an answer to.
Overall though, the murder/mystery elements are not the most essential part of this book, in my mind. Yes, it was interesting, and yes, I felt that the ending made sense. But the biggest impact for me was the emotional resonance of Kya’s life, her loves, her relationships, and her incredible personal and professional achievements.
Kya is a woman to admire, one who overcomes extreme adversity to carve out a life for herself that’s meaningful and joyful.
Where the Crawdads Sing is a powerful and beautiful book. Highly recommended.
My Monday tradition, including a look back and a look ahead — what I read last week, what new books came my way, and what books are keeping me busy right now. Plus a smattering of other stuff too.
Bookshelf Fantasies 