Book Review: The Other Side of Now by Paige Harbison

Title: The Other Side of Now
Author: Paige Harbison
Publisher: St. Martin’s Press
Publication date: June 3, 2025
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

A hilarious and heartfelt novel about how loves and lives are never truly lost, for fans of Rebecca Serle and Taylor Jenkins Reid.

With a leading role on a hit TV show and a relationship with Hollywood’s latest heartthrob, Meg Bryan appears to have everything she ever wanted. But underneath the layers of makeup and hairspray, her happiness is as fake as her stage name, Lana Lord. Following a small breakdown at her thirtieth birthday party, she books an impromptu trip where she knows the grass is greener: Ireland. Specifically, the quaint little village where she and her best friend Aimee always dreamt of moving—a dream that fell apart when an accident claimed Aimee’s life a decade ago.

When Meg arrives, the people in town are so nice, treating her not as a stranger, but a friend. Except for the (extremely hot) bartender giving her the cold shoulder. Meg writes it all off as jetlag until she looks in the mirror. Her hair is no longer bleached within an inch of its life, her skin has a few natural fine lines, and her nose looks like… well, her old nose. Her real nose.

Her phone reveals hundreds of pictures of her life in this little town: with an adorable dog she doesn’t know; with the bartender who might be her (ex?) boyfriend; and at a retail job unrelated to acting. Eventually, she comes to accept that she somehow made a quantum slide into an alternate version of her life. But the most shocking realization of all? In this life, her best friend Aimee is alive and well…but wants nothing to do with Meg.

Despite her bewilderment, Meg is clear-eyed about one thing: this is a once-in-a-lifetime chance to reconnect with her friend and repair what she broke. She finagles an opportunity to act in the play Aimee is writing and directing and as the project unfolds, Meg realizes that events as she remembers them may not be the only truth, and that an impossible choice looms before her.

What a great surprise! Something about the title and cover of this book caught my eye, and I requested an ARC on a whim, knowing nothing about it. The Other Side of Now turned out to be an engaging, sweet, funny look at friendship and second chances. Sure, there’s some hand-wavey alternate reality business going on, but so long as you’re not looking for concrete explanations, it’s an enjoyable journey into a woman’s incredible chance to fix some of the mistakes she’s made.

Meg Bryan (don’t laugh! She’s had to suffer enough Meg Ryan jokes throughout her life!) is the 30-year-old star (known as Lana Lord) of TV’s smash hit Brilliance (which, frankly, sounds pretty awful). She has stardom, success, and a live-in relationship with the latest Marvel star (and his abs)… and she never has a day where she feels like she can be true to herself. Or eat bread.

At the end of her rope after a miserable birthday party, Meg impetuously books a flight to Ireland, to spend a week in the small town of Avalon — home to the performing arts college she’d once hoped to attend. Way back when, she and her best friend Aimee dreamed of attending Avalon together, but when Aimee didn’t get in, Meg stayed home to attend college in Florida with her. After Aimee’s tragic death a few years later, Meg ran off to LA to forget her past and start over, and never looked back.

But now, arriving in Avalon, Meg suspects something strange is going on. The sweet little rental cottage she’s booked for the week is filled with familiar items, there’s a dog who seems to know her, and when she catches a glimpse of her own reflection, she sees her pre-Hollywood face — pre-cosmetic surgery, pre-hair coloring, pre-severe dieting. It’s who she still thinks of as her true self.

I feel a real sense of fondness for the girl in the mirror. She didn’t deserve to be changed. She didn’t deserve to be whittled into something more palatable for social media. She’s a good person who deserves carbs and sugar and whatever else makes her happy.

Even more disconcerting, when she ventures out to the local pub, a perky woman acts like they’re besties, and the very attractive bartender seems to both care for her and be mad at her. Everyone in the town knows her — but she doesn’t know them.

Eventually, Meg admits to herself that she seems to have landed in an alternate version of her own life, where she did actually attend college in Avalon and then stayed to create a life there. Even more incredible, Aimee is there too, alive and well, married and a mother — but apparently, Meg and Aimee haven’t spoken in years. Something happened, and Megan has no idea what, but she’s desperate to reconnect and try for a second chance with the friend she’s been too devastated to even mourn properly.

The set-up here is quite delicious. Meg remembers her Hollywood life, but when she tries to prove to her Avalon friend Kiera that she’s not who everyone thinks she is, she can’t. Lana Lord doesn’t exist. There’s a show called Brilliance, but someone else is the star. Aimee has lived in Avalon all along, and so has Meg. Meg has a job, a home, and an on-again/off-again love life, and it’s all wonderful… but Meg also knows that she’s somehow been dropped into a life that isn’t really her own. The more attached she becomes to this other version of her reality, the more she wants to stay forever… but she has a sneaking suspicion that it won’t last, and that she’d better make the most of this strange opportunity to be with Aimee once again.

The Other Side of Now has some very funny moments, but it has depth too. Meg seemingly had everything she’d wanted — success and fame — but clearly was terribly unhappy beneath it all. Unresolved and suppressed grief has kept Meg from truly feeling. By landing in this alternate reality, Meg finally has the chance to face her emotions, feel the pain of her loss, and come to terms with how very far she is from feeling happiness or satisfaction in her “real” life.

I enjoyed Meg as a character, and Kiera is a total hoot. Seeing Meg and Aimee work through conflict that neither of them fully understands is quite powerful, and I also loved seeing Meg struggling to figure out life in a town that she’s supposedly lived in for a long time. There are plenty of silly moments, but also quite lovely instances of connection and simple joys.

As I mentioned, this isn’t a sci-fi book, and there’s no firm answer as to the why and how of it all. To enjoy this book, we have to accept the premise and let it flow. I found it really moving, and also very entertaining — and really like Meg’s thoughts on the snippets of memories of a different life that pop up for her unexpectedly:

What if her soul knows? What if all our souls know things? What if that’s what instinct is? What if that really is the explanation for gut feelings, intuition, déjà vu, kismet, and everything else? What if it’s our souls, remembering or knowing the truths of all our other lives?

The Other Side of Now does have romance in it as well, but it’s a subplot that’s more background than foreground. The friendship with Aimee, and the loss and grief from Meg’s real life, are what truly define her experiences and fill the story with depth and emotional impact.

If you’re looking for a fast-moving summer read that’s full of whimsy and friendship, but has a serious side too, definitely consider The Other Side of Now!

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

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Audiobook Review: One Golden Summer by Carley Fortune

Title: One Golden Summer
Author: Carley Fortune
Narrators: AJ Bridel
Publisher: Berkley
Publication date: May 6, 2025
Print length: 400 pages
Audio length: 11 hours 49 minutes
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley (ebook); purchased audiobook
Rating:

Rating: 5 out of 5.

A radiant, new escape to the lake from #1 New York Times bestselling author Carley Fortune

I never anticipated Charlie Florek.

Good things happen at the lake. That’s what Alice’s grandmother says, and it’s true. Alice spent just one summer at a cottage with Nan when she was seventeen—it’s where she took that photo, the one of three grinning teenagers in a yellow speedboat, the image that changed her life.

Now Alice lives behind a lens. As a photographer, she’s most comfortable on the sidelines, letting other people shine. Lately though, she’s been itching for something more, and when Nan falls and breaks her hip, Alice comes up with a plan for them both: another summer in that magical place, Barry’s Bay. But as soon as they settle in, their peace is disrupted by the roar of a familiar yellow boat, and the man driving it.

Charlie Florek was nineteen when Alice took his photo from afar. Now he’s all grown up—a shameless flirt, who manages to make Nan laugh and Alice long to be seventeen again, when life was simpler, when taking pictures was just for fun. Sun-slanted days and warm nights out on the lake with Charlie are a balm for Alice’s soul, but when she looks up and sees his piercing green gaze directly on her, she begins to worry for her heart.

Because Alice sees people—that’s why she is so good at what she does—but she’s never met someone who looks and sees her right back.

Good things happen at the lake.

And in the case of One Golden Summer, beautiful books happen at the lake too.

It’s no surprise that I give this book 5 whole-hearted stars. If you saw my post about can’t-miss summer reads last week, you’ll know that Carley Fortune is an author whose books I encountered for the first time just six months ago. Now, having finished One Golden Summer, I’ve read all four of her novels, and I’ll be waiting on pins and needles for another new book!

In One Golden Summer, we get a sequel, of sorts, to the author’s first novel, Every Summer After, which I absolutely adored. That book was a decades-spanning love story about Percy and Sam, teen loves who spend their adult years apart until a family tragedy brings them back together and they get a second chance to find the happiness they deserve.

Sam’s older brother Charlie is an important secondary character in that book. He’s full of himself, always up for a good time, someone who stirs things up… but who can be counted on when it matters.

In One Golden Summer, main character Alice brings her grandmother Nan to spend the summer at a cabin at Barry’s Bay, and almost immediately encounters Charlie Florek, who’s looking after the cabin for the property owner. Alice quickly realizes that he’s one of the boys she noticed fifteen years earlier while spending the summer at the lake as a teen. As a 35-year-old adult, Charlie is still gorgeous — so stunning that Alice actually says “whoa” the first time she sees him up close. But more than his looks, he’s funny and devilish — yet also kind and thoughtful.

Their tense, combative run-ins quickly morph into friendship, not just between Alice and Charlie, but also between Charlie and Nan. There’s a sweetness to their time together. Alice is determined to embrace the joy and freedom she wasn’t quite brave enough to pursue as a teen, and Charlie is eager to help, teaching her to jet ski, encouraging her to jump from a high rock into the water, applauding when she puts on a slinky dress that’s way outside her comfort zone, and setting up a perfect place for her to sleep under the stars.

There’s a strong attraction between the two, but both are clear that they only want friendship… maybe with some benefits thrown in. But what they say they want and what they actually want end up looking like two very different things.

Without delving too far into plot, I’ll just say that the romance elements are beautifully portrayed, but even more so, it’s the careful building of trust, the deep sense of caring and understanding, and the little joys in daily encounters that make this book sing. There are obstacles, of course, and there’s one of those pesky 3rd act breakups/breakdowns… but there’s a good reason for it, and it feels organic to the story, not something forced into the narrative to create a standard story arc.

One of the delights of Carley Fortune’s books is the evocation of summer. Reading this book made me absolutely ache for a lakeside cabin, boat rides, swimming, and all the joys of a quiet, lazy, summertime escape.

Charlie and Alice are wonderful characters, with depth and edges and complexities, who bring out the best in one another and are also just plain fun. As an added bonus, Sam and Percy show up on and off throughout the story, and it’s lovely to see them again and to see how their lives are turning out.

Once again, the audiobook narrator is AJ Bridel, and she’s amazing at bringing the characters to life, from Alice to Charlie to Nan, and giving them all distinct voices and letting their personalities shine. If you’re an audiobook enthusiast, these audiobooks should not be missed!

My only complaint about One Golden Summer is that I couldn’t stop listening, and finished it in practically record time (or so it felt)! I don’t want to be done with these characters or with the beautiful world of the lake at Barry’s Bay.

If you’re new to Carley Fortune’s books, definitely start with Every Summer After, and just keep in mind that you’ll have a terrific second book about the Florek family to look forward to! You really can’t go wrong with any of this author’s books.

Purchase linksAmazon – Bookshop.org 
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Book Review: It’s a Love Story by Annabel Monaghan

Title: It’s a Love Story
Author: Annabel Monaghan
Publisher: G.P. Putnam’s Sons
Publication date: May 27, 2025
Length: 368 pages
Genre: Contemporary romance
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 5 out of 5.

From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punchline who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash-course with her past, spending a week in Long Island with the last man she thinks might make her believe in love.

Love is a lie. Laughter is the only truth.

Jane Jackson spent her adolescence as “Poor Janey Jakes,” the barbecue-sauce-in-her-braces punch line on America’s fifth-favorite sitcom. Now she’s trying to be taken seriously as a Hollywood studio executive by embracing a new mantra: Fake it till you make it.

Except she might have faked it too far. Desperate to get her first project greenlit and riled up by pompous cinematographer and one-time crush Dan Finnegan, she claimed that she could get mega popstar Jack Quinlan to write a song for the movie. Jack may have been her first kiss—and greatest source of shame—but she hasn’t spoken to him in twenty years.

Now Jane must turn to the last man she’d ever want to owe: Dan Finnegan. Because Jack is playing a festival in Dan’s hometown, and Dan has an in. A week in close quarters with Dan as she faces down her past is Jane’s idea of hell, but he just might surprise her. While covering up her lie, can they find something true?

By this point, I’m not at all surprised by the fact that I LOVED Annabel Monaghan’s newest book. I’m four for four! Her romances deliver beachy, summer-filled love stories firmly rooted in real life. There are swoony moments… but also the stresses and secrets and unrealistic expectations that come with being an adult.

In It’s a Love Story, main character Jane is a Hollywood studio executive who hopes that she’s finally found the perfect script, the one that will give her the all-important producer title and prove that she’s got what it takes to make it in the industry. What’s more, it’s not just any script: True Story speaks to Jane in a way she hasn’t experienced before. It makes her feel.

But when she walks into the meeting that will determine whether the film gets greenlit, her hopes are almost instantly dashed. Standing between Jane and success is Dan Finnegan, a cinematographer who’s already sunk a previous movie for Jane, and is now sitting in the studio head’s office proclaiming that Jane’s script isn’t commercial. The studio wants flash and noise, and this is not it. Before True Story gets tossed on the trash pile, Jane panics and blurts out a whopper: She know pop star Jack Quinlan, and what’s more, Jack is interested in writing and singing an original song for the movie. The studio head is immediately interested… but now Jane has to deliver something that she has no idea how to get.

The truth is, Jane knew Jack for only a couple of days, way back when she was fourteen years old. Jane played Janey Jakes, the sidekick/comedic relief on a TV sitcom about a group of kids forming a band. Janey was known for pratfalls and unfortunate mishaps (like sitting on nachos) — she was funny, but definitely not leading lady material. And she knows that Jack’s memories of her — if he remembers her at all — are achingly embarrassing.

Jane is furious at Dan for torpedoing her shot at getting her film made, but it turns out he might be able to provide access to Jack — he’ll be playing at a music festival in Dan’s hometown, and Dan’s brother is working on tech for the show. If Jane goes to Long Island with Dan, they may be able to get to Jack, and maybe, just maybe, she can convince him to do the song after all.

There’s so much more going on than simply chasing down a celebrity: Jane’s fake-it-till-you-make-it approach to life is based on deep hurt and shame stemming back to her teen years. She’s convinced that her real self isn’t actually lovable, and has constructed elaborate steps and rules for dating, covering everything from how to dress per date to how much to laugh and how much to talk about her career.

But being around Dan opens something up in Jane. He’s very real — part of a big, boisterous family that loves him, but he’s never quite fit the mold of the Finnegan brothers, and has always gone his own way in search of his own truth. He sees Jane in a way no one else has, and as they spend time together, Jane starts to unwind some of the tight cords she’s wound around herself to rein in her true personality and be what she thinks the world wants of her.

Jane is a polished professional who hides under her desk to corral her pre-meeting fears and eats candy in her closet when she’s stressed. After the traumas of her teens, she doesn’t trust her own emotions.

My heart is treacherous and historically wrong about everything, it is the weakest muscle in my body, but Dan and his family and our script are conspiring to whisper it back to life like it’s an ember worth restoking.

It’s beautiful to see her transformation. It’s not a love-fixes-everything situation — instead, it’s Jane finding acceptance and seeing different ways of appreciating people and letting them appreciate her. It’s putting on a silly swimsuit and not caring, because no one is mocking her or judging her; instead she gets to enjoy a sunny day and play at the beach. It’s coming to understand what Dan’s mother, celebrating her 40th wedding anniversary, means when she says “love happens over breakfast”. At dinner, there are candles and wine and fancy clothes…

But at breakfast everything’s just as it is, in the light of day. No one wears lipstick to breakfast. And this is where you talk about your day and the part of the roof that might leak this fall. You bring your real self to breakfast.

Jane and Dan end up in a gorgeous romance, but it’s only possible when Jane starts to welcome her real self. She has plenty to unravel and hard truths and secrets from her childhood to confront — and as she does so, she finally has to admit that she might be someone who can be loved after all.

I don’t think I’m actually capturing the magic of It’s a Love Story — so I’ll just say that this book really has it all. The characters are well-developed and feel like real people. They speak and act like adults, and deal with actual, complex histories and families and relationships. The Hollywood career element is fun, but the book doesn’t focus on celebrities — it’s about creativity and joy and finding truth amidst all the bang and flash of an industry focused on blockbusters.

On top of all this, the writing and dialogue and pacing of It’s a Love Story is spot-on. I simply couldn’t put it down, and read it all within a span of 24 hours.

It’s a Love Story is a wonderful, 5-star read. It’s full of heart — and while, yes, there are some romance tropes at play (enemies-to-lovers, forced proximity, forced to share a room, grand gesture), they’re so well done that they feel like natural parts of the story. A perfect book to slip into your beach bag this summer. Don’t miss it!

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Interested in more books by Annabel Monaghan? Check out my reviews:
Nora Goes Off Script
Same Time Next Summer.
Summer Romance

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Audiobook Review: Any Trope But You by Victoria Lavine

Title: Any Trope but You
Author: Victoria Lavine
Narrators: Tim Paige, Jesse Vilinsky
Publisher: Atria
Publication date: April 1, 2025
Print length: 336 pages
Audio length: 11 hours 17 minutes
Genre: Contemporary romance
Source: Library
Rating:

Rating: 2.5 out of 5.

A bestselling romance author flees to Alaska to reinvent herself and write her first murder mystery, but the rugged resort proprietor soon has her fearing she’s living in a rom-com plot instead in this earnestly spectacular debut by a stunning new voice.

Beloved romance author Margot Bradley has a dark secret: she doesn’t believe in Happily Ever Afters. Not for herself, not for her readers, and not even for her characters, for whom she secretly writes alternate endings that swap weddings and babies for divorce papers and the occasional slashed tire. When her Happily Never After document is hacked and released to the public, she finds herself canceled by her readers and dropped by her publisher.

Desperate to find a way to continue supporting her chronically ill sister, Savannah, Margot decides to trade meet-cutes for murder. The fictional kind. Probably. But when Savannah books Margot a six-week stay in a remote Alaskan resort to pen her first murder mystery, Margot finds herself running from a moose and leaping into the arms of the handsome proprietor, making her fear she’s just landed in a romance novel instead.

The last thing Dr. Forrest Wakefield ever expected was to leave his dream job as a cancer researcher to become a glorified bellhop. What he’s really doing at his family’s resort is caring for his stubborn, ailing father, and his puzzle-loving mind is slowly freezing over—until Margot shows up. But Forrest doesn’t have any room in his life for another person he could lose, especially one with a checkout date.

As long snowy nights and one unlikely trope after another draw Margot and Forrest together, they’ll each have to learn to overcome their fears and set their aside assumptions before Margot leaves—or risk becoming a Happily Never After story themselves.

I suppose I should have read the blurb more carefully before deciding that this book looked like fun. Earnestly spectacular?? — I’m not sure what that’s supposed to mean… but I don’t think that’s what I got.

In Any Trope But You, Margot Bradley, age 31, is a bestselling author of six wildly popular romance novels. Secretly, though, she’s stopped believing in love after one too many heartbreaks. She keeps a hidden file of Happily Never Afters — alternate endings to her novels, where instead of getting their HEAs, the characters get divorce, unhappiness and even (gasp!) erectile dysfunction.

When Margot is hacked and her HNA document is made public during a Zoom book event, her fans are outraged and demand that she be cancelled. She’s an instant pariah in the romance world, and her publisher drops her. She’s in desperate need of a reset.

Margot lives with her younger sister Savannah, who has a chronic autoimmune disease. Margot’s life revolves around caring for Savannah and keeping her healthy, and she’s aghast when Savannah informs her that she’s booked her into a six-week stay at a remote Alaskan wilderness lodge. How can Margot even think of leaving her sister for that long? But Savannah insists, and finally, Margot agrees that this will be a great way for her to get away and reinvent herself, dreaming up a murder mystery set in Alaska with absolutely no romance.

Things begin to go sideways for Margot as soon as she arrives at Northstar Lodge when, frightened at the sight of a moose, she literally jumps into the arms of the (gorgeous) flannel-shirted man who just happens to be standing there chopping wood. Her savior is Forrest, the son of the lodge’s proprietor, who (unbeknownst to Margot) is actually a top-tier cancer researcher who’s walked away from his career to take care of his injured father and keep the family business afloat.

Of course, there’s instant chemistry… which neither of them wants. Margot has sworn off romantic entanglements, and is horrified to realize how many tropes she’s apparently fallen into: Rugged wilderness man, heart of gold beneath grumpy exterior, secretly a doctor, excellent cook, beloved by animals… there’s even a mountain rescue in which he has to carry her down a mountain, and later, the old “let me save you from hypothermia through the warmth of my naked body”.

Meanwhile, Forrest (and the lodge) were badly burned (not literally! — no actual arson involved) after he had a fling with a guest years earlier, who then trashed him (and the lodge) through her viral reviews, resulting in serious damage to the lodge’s business and reputation. It’s taken years to bounce back, and Forrest has a “no guests” policy now that means that Margot is off-limits, no matter how attracted he is to her.

Any Trope But You has a potentially cute set-up (and I’m always a sucker for a good wilderness romance), but the writing and the story itself go downhill as the book progresses.

There’s just so much that doesn’t make sense. I never for a second believed that Margot could be a bestselling author, and her attempts at writing while at the lodge seem feeble at best. Her getting cancelled felt unrealistic, and where was any attempt at damage control? Surely, she and her publicist and the publisher’s marketing team could have launched an effective effort to explain the HNA document — I mean, she was hacked! Where’s the outrage? Instead, it was straight to cancellation plus loss of her publishing contract. Where are her lawyers?

Forrest’s decision to drop everything for his father is also unrealistic. He’s upset that he wasn’t by his mother’s side when she died of breast cancer years earlier… so he walks away from his groundbreaking breast cancer research to move to Alaska, run the lodge, and take care of his dad’s meds and physical therapy — rather than, I don’t know, hiring a nurse and flying up for visits?

And later, when we actually see the former guest’s review that supposedly nearly ruined the lodge… it feels like a big fat nothing. So one person wrote a bad review? So what? She makes it clear in the review that she slept with the proprietor, that he wasn’t interested in a relationship, and that therefore she’s pissed and wants to destroy him. It’s just so bizarre… almost as bizarre as Margot losing all trust in Forrest after reading the review. What a lame 3rd act breakup device.

Still, I was mostly going along with the story as something to pass the time, strictly a 3-star, sort of okay listen… but then we get to the sex scenes. And oh my heavens, they are awful. Not just open door, but full-on close-up views of every single thing that happens between them… and the scenes just go on and on and on. Maybe it’s not as awful in print, but listening to the audiobook, these scenes are excruciating, both in terms of their length and the writing itself, which I could not stand.

Here’s one of the tamer examples I could find:

She huffs a breath as she centers herself on what feels like the business end of a baseball bat in my pants, and I can’t stop the rusty sound she pulls from me when our lips catch for the first time. It’s just a graze, but the tease of her mint ChapStick may as well be a narcotic.

Granted, if you like your romances with lots of spice (and awkward metaphors), then this book might work for you. But for me, closed door or from-a-distance scenes with just enough to give a sense of the chemistry are really all that’s needed… and if it’s got to be more graphic, then at least try to avoid mentioning baseball bats!

Beyond all that, there are some basic premise aspects that are really irritating. Margot and Forrest both seem to need to swoop in and save their family members… whether or not they want it. They both assume they know what’s best for their ill or injured loved ones, disregard when they’re told otherwise, and are totally committed to giving up their own lives to be caretakers, without ever consulting the people they’re caring for to see what they really want. So, maybe Margot and Forrest really are perfect for one another?

Except even once they’re together, they can only envision having a relationship once Margot leaves the lodge if Forrest goes back to his medical work and leaves Alaska — so when his father has a setback, it means that he cant leave after all, so clearly they need to break up. Ummm, she’s a bestselling author and he’s a doctor — they can afford flights! Long distance is a thing!

I could go on and on… but I’ll stop. Clearly, this book was not the cute, fluffy escape I thought it would be.

Someone asked me why I didn’t just stop if the book was bugging me so much. Good question! I’d invested enough listening hours already that I wanted to see it through… and see if just possibly I’d feel differently about it by the end. (I didn’t.)

Points for a great setting and a few cute scenes here and there… but overall, I stopped enjoying this book well before the end, and just powered through to get it done.

Your mileage may vary. But for me, I’m mostly just glad that I’m done.

Book Review: Death at a Highland Wedding (A Rip Through Time, #4) by Kelley Armstrong

Title: Death at a Highland Wedding
Series: A Rip Through Time, #4
Author: Kelley Armstrong
Publisher: Minotaur Books
Publication date: May 20, 2025
Length: 336 pages
Genre: Historical fiction/mystery
Source: Review copy courtesy of the publisher via Netgalley
Rating:

Rating: 4.5 out of 5.

Death at a Highland Wedding is the fourth installment in New York Times bestselling author Kelley Armstrong’s gripping Rip Through Time Novels.

After slipping 150 years into the past, modern-day homicide detective Mallory Atkinson has embraced her new life in Victorian Scotland as housemaid Catriona Mitchel. Although it isn’t what she expected, she’s developed real, meaningful relationships with the people around her and has come to love her role as assistant to undertaker Dr. Duncan Gray and Detective Hugh McCreadie.

Mallory, Gray, and McCreadie are on their way to the Scottish Highlands for McCreadie’s younger sister’s wedding. The McCreadies and the groom’s family, the Cranstons, have a complicated history which has made the weekend quite uncomfortable. But the Cranston estate is beautiful so Gray and Mallory decide to escape the stifling company and set off to explore the castle and surrounding wilderness. They discover that the groom, Archie Cranston, a slightly pompous and prickly man, has set up deadly traps in the woods for the endangered Scottish wildcats, and they soon come across a cat who’s been caught and severely injured. Oddly, Mallory notices the cat’s injuries don’t match up with the intricacies of the trap. These strange irregularities, combined with the secretive and erratic behavior of the groom, put Mallory and Duncan on edge. And then when one of the guests is murdered, they must work fast to uncover the murderer before another life is lost.

New York Times bestselling author Kelley Armstrong’s unique time travel mystery series continues to entertain as Mallory adjusts to life in the 1870s.

How to talk about the 4th book in a series? I’m tempted to simply say: Read this. It’s good! But no, I’ll attempt to explain why its so good, and why this is a must-read series.

Death at a Highland Wedding is the 4th full-length novel in Kelley Armstrong’s excellent A Rip Through Time series. (There are also a few novellas that serve as little side treats in between the main books).

In this series, Mallory Atkinson, 21st century homicide detective, accidentally crosses through a time anomaly and finds herself in Victorian Era Edinburgh, inhabiting the body of a beautiful but deceitful young housemaid. Four books into the series, the housemaid’s employer has accepted the weird-but-true fact that the person who looks like his maid is actually a highly trained, highly independent detective from 150 years in the future. Mallory has been “promoted” to assistant to her employer, Duncan Grey, an undertaker, trained physician, and lover of science and scientific inquiry. Because Duncan assists his best friend Hugh McCreadie with police investigations, Mallory is able to be of service — and introduces them to all sorts of 21st century forensic procedures not even dreamed of in Victorian times.

As Death at a Highland Wedding opens, Mallory has been living in this time period for about a year, and the household, along with Hugh, is taking a vacation of sorts. An old friend of Duncan and Hugh’s is getting married at his Highlands estate, and this is an opportunity for Mallory to experience yet another aspect of her new life.

At the estate, however, things quickly go off the rails. First, there’s an unpleasant groundskeeper who sets wickedly dangerous traps all over the property. There’s also some tension amongst the party attending the wedding, as former lovers and friends and connections intertwine in uncomfortable ways. The entire wedding is on the verge of cancellation once a dead body is discovered — it’s the best man, killed while out at night wearing the groom’s coat. Who was the true intended victim, what was the motive, and who could have carried out the violent act?

Hugh, Duncan, and Mallory seem like the obvious team to solve the mystery, but the young, inexperienced local constable has jurisdiction, and doesn’t want outside interference. When he bungles the process — badly — our trio undertake their own investigation on the down-low, trying to solve the murder while not letting the constable know what they’re up to.

In a house full of potential suspects and plenty of motives, Mallory et al have almost too many trails to follow. There are red herrings galore, and plenty of scandals to unearth — and naturally, the closer they get to the truth, the more they themselves are in danger.

Ah, this book is such delicious fun! First, the mystery itself is surprisingly twisted. What at first seems like a classic country house murder mystery is revealed to be that, but dialed up to eleven. I loved the fact that my guesses continually turned out to be wrong! Every time I was sure I knew who was particularly shady or dishonest or underhanded, something else popped up to steer me in a different direction. It’s a treat to read a mystery and not see the big reveals coming.

Second, and for me, the absolute best, is the ongoing delight of seeing Mallory navigate her new world. In previous books, it seemed that she’d have an option to return to her own time, but here, she’s fully convinced that she’s where she needs to be. There’s a slow-burn romance with Duncan, which is complicated for many reasons, and they’re both thoughtful enough to avoid bad decisions or letting their emotions cloud their judgment.

Then there’s the fun of Mallory using her 21st century police tactics in this setting — for example, explaining how (and why) to cordon off a crime scene or doing a rudimentary version of taking fingerprints. Seeing the cultures collide and the sharing of tactics and knowledge keeps the storytelling funny in dark moments, and gives Mallory a chance to shine and be appreciated for who she is.

As you can see, I love this series! As I’ve said in all of my reviews so far, you really must start at the beginning! Yes, this one might work as a stand-alone if you’re only interested in the murder mystery itself, but I honestly don’t think the book as a whole would make a ton of sense. The series is just so good — so dive into book #1, and keep going!

Now that I’ve finished Death at a Highland Wedding, I’ll be eagerly awaiting the next installment in the series. Highly recommended!

Purchase linksAmazon – Bookshop.org – Libro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

For more in this series:
A Rip Through Time
The Poisoner’s Ring
Disturbing the Dead
Schemes & Scandals (novella)

Book Review: Overgrowth by Mira Grant

Title: Overgrowth
Author: Mira Grant
Publisher: Tor Nightfire
Publication date: May 6, 2025
Length: 480 pages
Genre: Science fiction / horror
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4.5 out of 5.

Annihilation meets Day of the Triffids in this full-on body horror/alien invasion apocalypse.

This is just a story. It can’t hurt you anymore.

Since she was three years old, Anastasia Miller has been telling anyone who would listen that she’s an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has been willing to listen.

Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it’s already been warned, and it may be too late. The invasion is coming, Stasia’s biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child.

What happens when you know what’s coming, and just refuse to listen?

Mira Grant is the horror pen name for prolific author Seanan McGuire… and basically, I’ll read pretty much whatever she writes, under whichever name. With Mira Grant books, you can count on a certain ickiness (I mean, one of her series has to do with tapeworms!), but always with a strong foundation in character development and relationships.

Here, in Overgrowth, the aliens are coming… although many of their children are already here. Set about five years from now, we follow unfolding events through the eyes of main character Stasia (Anastasia) Miller, a customer service rep and self-described misanthrope who has fewer than a handful of friends, a boyfriend she loves very much, and a cat named Seymour.

Also, since the age of three, Stasia has been telling anyone who’s asked (and even those who haven’t) that she’s an alien, and that her people will be coming to bring her home. You can imagine the flurry of notes from teachers, progressing over time from praise for her precocious imagination to concern about how her insistence on these bizarre fantasies is leading to ostracism by her classmates.

Despite years of therapy as a child, and several managers telling me the joke has gotten old and I’d have an easier time getting promoted if I’d knock it off, I’ve never been able to swallow the urge to tell everyone I spend any extended period of time with that hey, by the way, I’m here because the invasion is coning, and people should probably know. It’s like a nervous tic. Hi, nice to meet you, my name’s Anastasia, I’m secretly an intelligent alien plant and one day everything you love will be devoured.

But as we readers know from the start, it’s not fantasy or imagination. At the age of three, little Anastasia wandered into the woods behind her home, and never came back. Instead, she was consumed and then replaced by an alien plant. The child who came out of the woods was not the child who went into them. But no one has ever actually believed her when she’s insisted on what she is.

We were the changelings of the science fiction age, and that made us both terrifying and untrue.

As the story unfolds, an astronomer releases a recording of a signal that’s definitely alien, causing a massive uproar and worldwide panic. Stasia and her boyfriend Graham decide to go investigate, because there’s something in that signal that seems to be triggering a change in Stasia. Events are set in motion that connect Stasia to others like her. As the invasion gets closer, the alien-humans start to physically change, and they’re targeted by secretive government agents for research and imprisonment. Meanwhile, Stasia has started being able to communicate with her people through a quasi-dream state, and realizes that hard choices are coming. Who does she side with? To whom does her loyalty belong? Can she be blamed for something that she had no control over? And if her friends stick with her, does that make them traitors to their own species?

Overgrowth is complex and multi-faceted, and there’s so much more going on than I can possibly describe. It’s a long book, and requires focus — but it’s absolutely worth the effort. I could not put it down, and could barely come up for air.

There are elements that puzzled me throughout, but the author sticks the landing and ties all the hints and loose plot point together by the end in a way that answers all of my nagging questions. The action is consistently well thought out, the characters are fascinating, and the story arc builds in ways that are unexpected, even as we know that the invasion is inevitable.

The author makes some interesting points about identity and acceptance. Stasia’s boyfriend is a trans man. Even having met him before he transitioned, Stasia immediately accepted his identity.

This could be the moment when I lost him. Because I had always believed him when he told me he was a man, and we had always pretended his belief in me was the same thing, but it wasn’t, was it? It wasn’t the same thing at all. Gender was a social construct and a part of the soul, and humans had always been capable of getting it wrong. I, though…

I was something alien and new, and while we had built a relationship on believing each other, our secrets weren’t the same at all.

Only Graham was still looking at me the way he always had, with love and sincere concern, like he believed I was a human being and deserved to be treasured like one. Or… maybe he’d never believed I was a human being. Maybe I’d been lucky enough to fall in love with one of the only people in the world who understood what it was to tell the truth about your identity, over and over again, until you found the few people who could believe in you.

Stasia’s transformation from weird human who says she’s an alien into a person who realizes that her truth has been more true than she ever knew is startling and evocative and powerful. As she becomes more and more “other”, she has to deal with a changing biology as well as complicated thoughts and feelings about family and survival.

This book is hard to slot neatly into a specific genre. The blurb refers to it as “body horror”, which doesn’t feel entirely accurate to me. I think of body horror as being much more extreme — mutilation, grotesque changes, lots of gore. Here, yes, Stasia’s body changes, but it’s more interesting than gross. There are violent moments with bloody/gory results, but overall, I’d categorize this book as much more heavily science fiction than horror.

However you might describe or shelve it, Overgrowth is fascinating. Stasia is an amazing main character, and I loved seeing her journey. The alien invasion is strange and different and scary, and the plotlines are tightly built and well described. This is a terrific read, and I recommend it highly for anyone who doesn’t mind the idea of creepy plants taking over the world.

Invasion of the Body Snatchers + Little Shop of Horrors. What could go wrong?

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

For more by this author, check out these outstanding books:

  • Newsflesh series (review) — zombies!
  • Rolling in the Deep (review) — killer mermaids!
  • Into the Drowning Deep (review) — even more killer mermaids!
  • Parasite (review) — those tapeworms I mentioned! (ewwwww….)

Book Review: The Love Haters by Katherine Center

Title: The Love Haters
Author: Katherine Center
Publisher: St. Martin’s Press
Publication date: May 20, 2025
Length: 320 pages
Genre: Contemporary fiction
Source: Review copy courtesy of the publisher via NetGalley
Rating:

Rating: 4 out of 5.

It’s a thin line between love and love-hating.

Katie Vaughn has been burned by love in the past—now she may be lighting her career on fire. She has two choices: wait to get laid off from her job as a video producer or, at her coworker Cole’s request, take a career-making gig profiling Tom “Hutch” Hutcheson, a Coast Guard rescue swimmer in Key West.

The catch? Katie’s not exactly qualified. She can’t swim—but fakes it that she can.

Plus: Cole is Hutch’s brother. And they don’t get along. Next stop paradise!

But paradise is messier than it seems. As Katie gets entangled with Hutch (the most scientifically good looking man she has ever seen . . . but also a bit of a love hater), along with his colorful Aunt Rue and his rescue Great Dane, she gets trapped in a lie. Or two.

Swim lessons, helicopter flights, conga lines, drinking contests, hurricanes, and stolen kisses ensue—along with chances to tell the truth, to face old fears, and to be truly brave at last.

Katherine Center has become a must-read author for me. Her books include a wide variety of people and interesting or unusual situations, and it’s always a treat to see where she’ll end up taking us each time a new book is released.

In The Love Haters, Katie is a talented videographer who makes corporate videos for a living (think CEO interviews, brand introductions, etc) but whose passion is documentary filmmaking. She’s found a following on YouTube with her “Day in the Life” series, in which she spends 24 hours filming people going about their normal lives — except these are all people who’ve done something heroic. She blends their voice-over interviews exploring their moment of heroism with footage of daily life, creating a unique series of six-minute videos that are compelling and popular.

Not that that’s going to save her job, once layoffs loom.

But Katie’s company has been selected to shoot a promotional video for the Coast Guard — specifically, her supervisor Cole has been requested by the person the film will focus on, a rescue diver who certainly fits the hero profile Katie so loves to explore. Except… the rescue diver is Cole’s brother, and Cole absolutely refuses to do it. He cajoles Katie into going in his place: It’ll help save her job, and might even give her Day in the Life footage, if his brother Hutch agrees.

Cole describes Hutch as a “love hater” — someone stoic, upright, and with no sense of fun, let alone any sort of human emotion.

“He’s morally upstanding and physically unstoppable. He does two hundred push-ups a day. He can hold his breath underwater for thee minutes. He has never had a cavity. He’s more of a machine than a human. He just goes around all day doing good deeds.”

“So, he’s… too likable?”

“He’s the opposite of likable! He’s perfect.”

“Not sure those are opposites.”

But there’s history between the brothers that Cole doesn’t share with Katie, and as Katie soon learns, Hutch is not at all as Cole describes.

As Katie arrives in Key West, she’s warmly welcomed by Cole and Hutch’s Aunt Rue, a live-life-to-the-fullest sort of older woman who immediately coerces Katie into ditching her standard black jeans and tees and embracing the island, floral vibe. Katie faces another problem besides her dark clothing: Whoever makes this video will be going out on the rescue helicopter with the team, and being able to pass a water safety test is required. And Katie can’t swim.

Naturally, Hutch is there to save the day. He teaches Katie to swim, and patches her up after some unfortunate incidents with his very affectionate Great Dane (who seems to think he’s a lap puppy). Hutch and Katie are quite cute together, although Katie isn’t sure whether the vibes she thinks she’s picking up are actually there.

Meanwhile, Katie struggles throughout the book to overcome a devastatingly damaged sense of self-worth and complete lack of body positivity. After her then-boyfriend become insta-famous thanks to the viral success of a song he’d posted, Katie found herself accompanying him to red carpet events — and the internet was brutal to her. Between the trolls who savaged her appearance, and his then dumping her for a pop star (only to later regret it and continue releasing songs about her), her self-esteem is garbage. With the love and support of her cousin/best friend/sorta sister Beanie, she’s trying to get her mojo back… but it’s hard for Katie to imagine ever finding love again when she can’t find anything to love about herself.

There are plenty of interwoven story threads in The Love Haters. We have Hutch and Katie’s growing chemistry, Katie’s journey to reclaim herself and her body, Cole and Hutch’s relationship, and Katie’s professional life. Late in the book, Cole shows up on the scene in Key West spouting a pack of lies, theoretically to help both his and Katie’s careers, but his timing is terrible. Forcing Katie to go along with his lies damages the trust she’s been building with Hutch, and it’s questionable whether the damage can be repaired.

Without getting too deeply into spoilers, I do want to mention that this is the second book I’ve read in a month in which a houseboat getting lost at sea is a pivotal plot point. (See Swept Away by Beth O’Leary for the first). Just a weird coincidence, but it made me laugh.

Note to self: Stay off houseboats. Second note to self: If you must go on a houseboat, triple check that it’s securely tied to land.

The Love Haters is a sweet, often funny, charming love story, as well as a relatable tale about a woman working to reclaim belief in herself and her own beauty and value. I loved Katie and Beanie’s relationship, and Rue and her gang of Gals are a lovely, lively set of characters who instantly provide Katie with a place to feel wanted and accepted.

I was less thrilled with the plot elements involving Cole and the lies he tells (and forces Katie into) — none of that felt particularly necessary, and seemed like a stretch in terms of needing some sort of 3rd-act obstacle to derail Katie and Hutch’s love story.

Overall, though, The Love Haters is an entertaining, heart-warming book, and will make a great summer read. It does feel a little slight relative to some of Katherine Center’s other books — somehow, it feels like there’s not a lot of there there — but I still found plenty to enjoy.

Recommended for fans of the author as well as anyone looking for a nice beachy, summery escape.

Purchase linksAmazon – Bookshop.orgLibro.fm
Disclaimer: When you make a purchase through one of these affiliate links, I may earn a small commission, at no additional cost to you.

Interested in this author? Check out my reviews of other Katherine Center books:
The Bright Side of Disaster
Get Lucky
Happiness for Beginners
Hello Stranger
How to Walk Away
The Rom-Commers
Things You Save in a Fire
What You Wish For

Preview: Silver and Lead — the next October Daye book will be here in September! Plus, two more bit of exciting book news.

Seanan McGuire’s excellent October Daye series is one of my absolute favorites, and I’ve been pining for more in that world for over a year now!

To recap, books 17 and 18, Sleep No More and The Innocent Sleep, were released one month apart in fall 2023, and tell essentially the same story, but from two different characters’ perspectives. They were awesome… and they’ve left us all hanging ever since!

Today, I got access to the ARC for the next book in the series, and I am beyond delighted! Here’s a quick peek:

Book #19, Silver and Lead, will be released September 30th:

Seanan McGuire’s New York Times bestselling and Hugo Award-nominated October Daye series continues as Toby Daye is thrust once again into danger… and this time she has more than ever to protect.

Something is rotten in Faerie. In the aftermath of Titania’s reality-warping enchantment, things are returning to what passes for normal in the Kingdom in the Mistsuntil it’s discovered that the royal vaults have been looted, and several powerful magical artifacts are missing. None are things that can be safely left unsecured, and some have the potential to do almost as much damage as Titania did, and having them in the wrong hands could prove just as disastrous.

At least the theft means that Sir October “Toby” Daye, Knight errant and Hero of the Realm, finally has an excuse to get out of the house. Sure, she’s eight and a half months pregnant, but that doesn’t mean she can’t take care of herself. But with the sea witch offering to stand godmother to Toby’s child, maybe there are greater dangers ahead for Toby and her family than it appears….

Old enemies will resurface, new enemies will disguise themselves as friends, and Queen Windermere must try to keep her Hero on the case without getting herself gutted by the increasingly irritated local King of Cats. Sometimes, what’s been lost can be the most dangerous threat of all.

I can’t wait! But I will… I’m going to try to hold off until closer to the release date, and meanwhile, plan to do a reread of the previous two books. I’m thrilled to be re-entering Toby’s world!

Preorder links: AmazonBookshop.orgLibro.fm
Add to: GoodreadsStorygraph

As I was finishing up this post, two exciting pieces of book news crossed my radar, and they’re too good not to share! So while not related to October Daye, they’re both about new books in long-term series… and both are huge!

First:

The next (and final) book in the world of His Dark Materials has been announced!

The Rose Field, book #3 in The Book of Dust series (following La Belle Sauvage, published 2017, and The Secret Commonwealth, published 2019) will be release in fall 2025.

According to this BBC article:

Author Philip Pullman has revealed details of the sixth and final book in his series about Lyra Silvertongue, the character at the heart of His Dark Materials and The Book of Dust trilogies.

The Rose Field will be published on 23 October, and will follow his heroine’s story up to her early 20s.

She was 11 when she was introduced in the best-selling and award-winning first His Dark Materials book, Northern Lights, in 1995.

Pullman, 78, said he was “relieved” to have “come out of the end alive and able to see it being made into a book and published”.

The Rose Field has a scheduled publication date of October 23, 2025. While a cover has not yet been revealed, the publisher’s site has this blurb:

The breathtaking conclusion to Philip Pullman’s Book of Dust! This landmark trilogy, set in the world readers first glimpsed in The Golden Compass, continues the story of Lyra: “one of fantasy’s most indelible heroines” (The New York Times Magazine).

“It’s a stunning achievement, this universe Pullman has created and continues to build on.” —The New York Times

Picking up right where The Secret Commonwealth left off, this story finds Lyra alone in a city haunted by daemons, searching for her beloved Pan. Malcolm Polstead isn’t far behind, searching for Lyra. And they are both racing toward the desert of Karamakan, following the trail of roses said to hold the secret of Dust.

Their allies and enemies are converging on the mysterious red building at the heart of the desert: Marcel Delamare and the military might of the Magisterium; the radical Men from the Mountains; scientists, scholars and spies; troops of witches and other people of the air. And awaiting them all is a previously unseen and chilling new threat that will change everything.

The intertwining odysseys of Malcolm and Lyra, their journeys both internal and external, will test their limits and challenge even their most dearly held beliefs.

As ever, Philip Pullman is using the language of fantasy to illuminate our world and to explore the deepest questions of what it means to be alive and awake to all the splendors and horrors around us. The extraordinary novels of The Book of Dust speak powerfully to today’s readers and will take their place alongside the forever-favorites of His Dark Materials.

Of course, this means that I’ll need to reread (at least) The Secret Commonwealth before October. My reading life has suddenly gotten a whole lot busier!

The Rose Field is available for preorder: AmazonBookshop.org
Add to: GoodreadsStorygraph

Last, but certainly not least:

Outlander book 10 has a title!

Diana Gabaldon shared this exciting news on social media:

There you have it — book #10 will be called:

A Blessing for a Warrior Going Out

As Diana makes clear… there’s no release date, so no preorder links, and the book isn’t done yet — but hey, at least we have a name!!

My Outlander shelves… ready for #10!

Hope you’re all as happy about these three upcoming new releases as I am!

Book Review: Vanishing World by Sayaka Murata

Title: Vanishing World
Author: Sayaka Murata
Publisher: Grove Press
Publication date: April 15, 2025
Length: 240 pages
Genre: Contemporary fiction / science fiction
Source: Library
Rating:

Rating: 2 out of 5.

From the author of the bestselling literary sensations Convenience Store Woman and Earthlings comes a surprising and highly imaginative story set in a version of Japan where sex between married couples has vanished and all children are born by artificial insemination.

Sayaka Murata has proven herself to be one of the most exciting chroniclers of the strangeness of society, x-raying our contemporary world to bizarre and troubling effect. Her depictions of a happily unmarried retail worker in Convenience Store Woman and a young woman convinced she is an alien in Earthlings have endeared her to millions of readers worldwide. Vanishing World takes Murata’s universe to a bold new level, imagining an alternative Japan where attitudes to sex and procreation are wildly different to our own.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable. As an adult in an appropriately sexless marriage—sex between married couples is now considered as taboo as incest—Amane and her husband Saku decide to go and live in a mysterious new town called Experiment City or Paradise-Eden, where all children are raised communally, and every person is considered a Mother to all children. Men are beginning to become pregnant using artificial wombs that sit outside of their bodies like balloons, and children are nameless, called only “Kodomo-chan.” Is this the new world that will purify Amane of her strangeness once and for all?

What did I just read?

Vanishing World falls squarely into the WTF category for me. If there was a point to this work of speculative fiction, then it sailed right over my head.

In Vanishing World, all conception is done via artifical insemination. Copulation is something from history — kind of gross, and why would anyone want to do it? Love is emotional, and can be for real people or people from the “other world” — anime or manga characters, for example, although protagonist Amane objects to calling them “characters”. They’re all her lovers, whether she interacts with them in person or through her feelings about them when she looks at their images.

When a man and woman are ready for children, they marry in order to form a family. Because a husband and wife are family members, sexual contact between them is considered incest, and is simply unimagineable.

As Amane becomes more and more convinced of the need to remove sexual urges and impurities from her life, she and her husband eventually move to Experiment City, where all adults are Mother to all children, women and men can both become pregnant thanks to external wombs, and the children are more or less indistinguishable from one another.

This has to be one of the weirdest books I’ve read in a long time. I honestly don’t know what to make of it — so rather than blather on, I’ll just share a few lines and passages to give a taste of what this book is like:

Copulation was the norm before the war, but when adult men were sent off to fight, research into artificial insemination progressed rapidly in order to produce lots of children for the war effort. People stopped going to all the bother of copulating like animals. We’re a more advanced creature now.

“Sensei, have you ever imagined a world that is parallel to this one? Everyone would still be copulating if there hadn’t been so much progress in artificial insemination, wouldn’t they?”

“Hmm, probably only reluctantly, though. After all, if that was the only way to procreate, then people would have no choice but to resort to primitive copulation. But still, there’s no point imagining that. The human race has advanced.”

His parents gave him a good grilling as he sat hanging his head. “That’s the sort of thing people only do outside the home. I can’t believe you tried to have sex with your wife!”

Still holding hands, we went downstairs to Mizuto’s apartment and sat on the sofa bed in the living room. “Do we have to make any preparations, like with some tools or something?” “No, it’s okay. All we need are our sexual organs.”

I hoped my husband’s love affair would go well too. He was like a little sister I had to keep an eye on.

Recent research has shown that children raised to feel loved by the whole world are more intelligent and more emotionally stable than those brought up under the former family system. Please be present to shower affection on children and thus continue the life of humankind. Please make sure to love all of the children as their Mother. Please make sure to shower affection continually!

Normality is the creepiest madness there is. This was all insane, yet it was so right.

Fortunately, this book was on the shorter side, so even when I felt that the story wasn’t what I’d signed up for, it was a quick enough read that I decided to see it through to the end.

Oh, and that ending! It’s icky. A quick scan of Goodreads and Storygraph reviews shows that even for people who appreciated this book a lot more than I did, the ending freaked them out. (I’ll admit that by the time I got there, I was so ready to be done that I just read it, thought “ewwwwww”, and then closed the book.)

Vanishing World was originally published in Japan in 2015, and has just been released in English translation this month. I previously read Convenience Store Woman by the same author, and I’m pretty sure I liked it, although I couldn’t tell you a thing about it at this point.

As I said as the start of this rambling post, if there was a deeper meaning to Vanishing World… well, I missed it. This was a truly bizarre reading experience that just got odder and odder as it went along. I don’t know what the overall message was supposed to be, and I’m sorry to say that I was mainly left wondering why I stuck with it.

Audiobook Review: Say You’ll Remember Me by Abby Jimenez

Title: Say You’ll Remember Me
Author: Abby Jimenez
Narrators:  Christine Lakin & Matt Lanter
Publisher: Forever
Publication date: April 1, 2025
Print length: 416 pages
Audio length: 9 hours 59 minutes
Genre: Contemporary romance
Source: Library
Rating:

Rating: 3 out of 5.

There might be no such a thing as a perfect guy, but Xavier Rush comes disastrously close. A gorgeous veterinarian giving Greek god vibes—all while cuddling a tiny kitten? Immediately yes. That is until Xavier opens his mouth and proves that even sculpted gods can say the absolute wrong thing. Like, really wrong. Of course, there’s nothing Samantha loves more than proving an asshole wrong…

. . . unless, of course, he can admit he made a mistake. But after one incredible and seemingly endless date—possibly the best in living history—Samantha is forced to admit the truth, that her family is in crisis and any kind of relationship would be impossible. Samantha begs Xavier to forget her. To remember their night together as a perfect moment, as crushing as that may be.

Only no amount of distance or time is nearly enough to forget that something between them. And the only thing better than one single perfect memory is to make a life—and even a love—worth remembering.

In what I’ve come to think of as signature Abby Jimenez, Say You’ll Remember Me presents two people who are perfectly, devastatingly in love… but who have family challenges and childhood traumas presenting seemingly insurmountable obstacles to their HEA.

But, as is also signature Abby Jimenez… there is obviously going to be a Happily Ever After, no matter how unlikely, so we can breathe easy as we follow along.

In Say You’ll Remember Me, Samantha and Xavier have a not-so-cute meet-cute, during which she shows up at his veterinary clinic with a sickly kitten (awwww, cute!!) and he rudely (not cute!) tells her that the kitten can’t be saved and should be given a merciful death to avoid suffering. She tells him he’s an ass, and motivated to prove him wrong, raises enough money through a GoFundMe campaign to pay for the kitty’s lifesaving surgery. Xavier, not actually being an ass, not only donates to the campaign, but reaches out to own up to being wrong.

Both Samantha and Xavier felt a spark at their initial meeting, despite the hostility bouncing around the room, and eventually, he asks her out on a date. She agrees, although she can’t stay out late because she has an early flight the next morning. They have a fantastic time, until they get stuck in an escape room (which, for the record, they solved — but they got stuck anyway), and are forced to wait until morning to be let out. During their one verrrrry long date, they open up and connect, and realize they have something special.

Except… what Samantha hadn’t told Xavier earlier was the reason for her flight the next day. She’s leaving Minnesota permanently and moving back to California to care for her mother, who’s experiencing intensifying early-onset dementia. Samantha’s ticket is one-way; no matter how great their date was, she won’t be back, and there’s no point in pursuing anything further. She tells Xavier to forget her — there’s no future for the two of them.

But he can’t, no matter how he tries. They each suffer through weeks of silence before reconnecting, and realizing that no matter how crazy it might be, they want to be together, in whatever way they can. Between Samantha’s family obligations and Xavier’s business (he’s deeply in debt from the loans he took out to open his practice), all they can have is fleeting weekends, whenever one or the other can afford to buy plane tickets. It’s not sustainable, but they also can’t give it up.

Layered beneath and around the love story are the emotional challenges and traumas each has to deal with. For Samantha, it’s seeing her beloved, vibrant mother fade to gray. Despite the entire family — her father, grandmother, and siblings — banding together to care for her mother so she can remain in her home, as they promised her when she was first diagnosed, caring for her is much more demanding than any of them anticipated. The emotional distress of witnessing her mother’s decline is matched by the physical toll of her increasing needs. The family is barely hanging on.

For Xavier, it’s the need to be strong and successful, to prove to his negligent, abusive parents that he’s made it without them. After cutting ties more than a decade earlier, he still feels an intense need to show that they were wrong, that he’s not stupid or worthless, that he was good enough to make something of himself. Part of that, for Xavier, is not letting his practice fail. He’s love to sell it and move to California to be with Samantha — but that would mean losing his investment, not being able to pay off his loans, and most likely declaring bankruptcy. His long-held childhood traumas won’t let him give his parents the satisfaction, no matter how much he and Samantha are suffering from not being together.

That’s the plot in a nutshell. Obviously, there’s quite a bit of nuance, but the overarching theme of Say You’ll Remember Me is: Long distance relationships are haaaaarrrrrrd.

This is not exactly a revelation, and I couldn’t help shrugging my shoulders a bit and feeling like Samantha and Xavier could do with a bit less whining. Yes, they’re both dealing with a lot — but they’re not the first couple in the world to be kept apart by circumstances outside their control. I got a little tired of hearing them describe their relationship as if it were the most special love story ever. I liked them together, and I liked them as people — but they come across as both unrealistic and too couple-centered to be utterly sympathetic.

Especially when Xavier says things like:

I think there are two types of people you fall in love with. The ones who are a good fit. Their lifestyle matches yours, you share the same values and beliefs, you find them attractive and you like spending time with them. It’s good. Great even. You can live your whole life with this person and be madly in love and never want anything different… unless you’ve already met the other type of person you fall in love with.

The One.

The person who was made just for you. And you only ever get the one.

Samantha was my one.

Something about that just got on every one of my nerves. Because the way he describes the first type makes it sound pretty perfect — that’s an ideal relationship! And yet, he’s holding up this ideal of the “the one” as if it’s something holy and destined and somehow above and beyond all other types of relationships. And just, no. Much too self-centered and sanctimonious for me, thank you very much.

There’s a bit of wording weirdness too. Samantha thinks of Xavier as giving her a “contemplative” look… like, a thousand times in the book. And eventually, they even talk about it between themselves, but it’s very overdone — or at least, via audiobook, it jumps out as being very overused.

Samantha and Xavier also discuss wanting to lead “parallel” lives:

“You can’t fake that kind of thing,” she said, softly. “It’s the result of a parallel life. A shared collection of experiences, like a snowball rolling downhill, getting bigger as it goes. And then you get to a point where you’re so far in, you can never replace that person. Not really. No one else can ever be the same kind of witness because you’ve through so much. It really is a once in a lifetime thing.”

First, I don’t think a snowball rolling down hill is a particularly positive metaphor for a relationship. And second, every time they talk about wanting to have a parallel life, I couldn’t help wondering if they understand what parallel means — side by side but never touching. I don’t think that’s what they actually want.

Criticism aside… there’s still plenty to enjoy about Say You’ll Remember Me. Quippy banter, humor in even dire situations, lots of silliness, and oodles of very cute animals (none of whom die or are ever at risk, so don’t worry!).

The audiobook narration is well done, with different narrators for Samantha and Xavier, each getting separate chapters. One thing I really liked is that they do their own characters in dialogue — so even if it’s an Xavier chapter, the Samantha narrator still does Samantha’s lines. (This isn’t always the case in audiobooks, and it can be jarring to switch deliveries for the same character from chapter to chapter).

By this point, Abby Jimenez has legions of fans, and I’m sure most will love Say You’ll Remember Me. I didn’t hate it — but I can’t say it was more than an okay story for me. Maybe it’s just how much Samantha and Xavier come across as special snowflakes… but I found myself running out of patience (and therefore sympathy) for their dramatics.

Still, I’ll be back for whatever this author writes next, whether a stand-alone or another story set in this world. Abby Jimenez writes stories with punch, humor, and emotion, and even when I think they’re only okay, they still hold my attention from start to finish.

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